Sueños de libertad Cap 125 (20-08-24)
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00:00No, at that price, it's impossible.
00:11Mr. López, if you want quality, pay for it.
00:13Good afternoon.
00:14Father, you're here.
00:15I wasn't expecting you this late.
00:17Well, you see.
00:18How is Begoña?
00:19I hope she's calmer, for the good of all.
00:22She is.
00:23And she is very sorry.
00:24I spoke to her this morning and she was fully aware of her disappointment.
00:29I suppose I came all the way here not just to ask about Begoña, right?
00:33Indeed.
00:34Good afternoon.
00:35I have been called for a meeting.
00:38Well, if you don't know what that meeting is about, I have no idea either.
00:41Don't worry.
00:42It's a festive matter.
00:43Festive?
00:44And why don't you call Marta and Andrés?
00:47I'm sure they have less important things to do.
00:49Your brother is organizing new routes of shipment to Bascongadas and your sister is in the
00:54new sand store.
00:57What else is there to complain about, son?
01:00Well.
01:01I want the Reina and the Merinos to celebrate the anniversary of the factory together tomorrow.
01:07Don't you think the celebration is enough?
01:09The feast that is being set up.
01:11That's for the employees.
01:12We will make a family meal.
01:14And before you start talking nonsense and saying that you are very busy, it will only be a couple of hours.
01:19We can even do it at home so we don't have to go anywhere.
01:23I think it's a great idea, uncle.
01:25I also think that when my mother and Gema don't have to deal with anything and we save ourselves a show like the last time.
01:29Don't worry, that won't happen again.
01:30And as for the food, we will order it at the restaurant Salvatierra.
01:33We can even do something more informal, like a cocktail, an aperitif.
01:38Anything to object, son?
01:40Oh, no?
01:41No.
01:42If that's what you want, right now I'll tell Isabel to take care of it.
01:45Uncle, does my mother know anything about all this?
01:47I say it because knowing her, she may be preparing some of her special dishes.
01:50You don't recognize her?
01:51No, I don't think so.
01:52She doesn't know anything yet.
01:53Well, you two, as representatives of the family in the board,
01:58you will be in charge of communicating with the rest of the guests, don't you think?
02:02I'll talk to my brothers, anything else?
02:04Nothing else.
02:05Very well, I'm leaving.
02:07I'll talk to you, Luis.
02:09I'll talk to you.
02:21We put this in this game.
02:25And this here.
02:29And we would have it.
02:32Here is a summary of everything we need for the feast.
02:35What a brand has is what is missing.
02:38And the food has already been ordered by Gaspar.
02:41My goodness.
02:43How wonderful, I take off my hat. You are very effective, right, Gizma?
02:46Yes, yes, true.
02:49Oh, I play a lot with this event, I need it to go well.
02:52I know.
02:53I work every day for the Queen's and I know what her level of demand is.
02:57Get out of sight.
02:58What a shame, me calling him little dog Faldero.
03:01Don't worry.
03:02What if he finds out about things they call me without knowing me?
03:05We get an idea.
03:09That people are sometimes so cruel.
03:13Isabel, and this interrogation that there is in Orquesta Fantasía?
03:16Yes, I was going to tell them to ammunitize the verbena,
03:19but first I wanted to consult you.
03:21I know them.
03:23They played at the Nambroka parties, but they are nothing like the other Thursday.
03:26Well, they have told me that they are very excited.
03:29I have a better option.
03:31The kids from Spain.
03:32I also know them.
03:33And of course it is a good option, but it would be very expensive to bring them here.
03:38They would take almost the entire budget of the verbena.
03:41I know, I know.
03:42But my friend Kari is the drummer's girlfriend.
03:45So if I talk to her, I think maybe she can give us a discount.
03:49Maybe.
03:51It won't be too risky.
03:54Let's see if we're going to run out of music at the last minute.
03:56It would be a disaster.
03:57Doña María is right.
03:58We can't trust a maybe when there is so little time left.
04:01No, no, of course not.
04:02We stay with the Fantasy Orchestra.
04:04Very well.
04:05Then we will miss the lanterns and the garlands.
04:09I'll take care of it.
04:11My friend Pepa will get it for us.
04:13Your friend Pepa?
04:14Yes, she set up an ultramarine store and still has a lot of products in her house from when she closed.
04:19I'm sure she has garlands.
04:20And I think that if I give her some medallions, she will even give them to me.
04:26That savings would not be bad for us.
04:29When did your friend close the store?
04:31Maybe six or seven months ago.
04:33We can't risk it.
04:35Let's see if the garlands are in bad shape and the lanterns won't even light up.
04:39No, no, no.
04:40We need guarantees.
04:41Of course.
04:42Besides, those were four bitches, right?
04:43Of course.
04:44Well, whatever you want, María.
04:45I said it to help.
04:47Thank you, Gemma.
04:48Really.
04:49Isabel, take care of the garlands and the lanterns.
04:52Okay.
04:57Well, what do I do then?
04:58Clap my hands?
05:01Well, Gemma, you can take care of the cake.
05:03Do you know the best confectioneries in Toledo?
05:06Perfect.
05:07But that's too little, so I'm also going to take care of the chairs and the dishes and the glasses.
05:13And also the blankets.
05:15Very good.
05:16Great.
05:17So Isabel and I will take care of the masonry, the napkins and everything else.
05:22Yes.
05:27Tomorrow, on the day of Our Lady of the Perpetual Rescue,
05:30the 30th anniversary of the founding of the prestigious company,
05:33Perfumerías de la Reina, will be celebrated.
05:35It will be a very big party.
05:38Taking advantage of the festival, the company's board of directors
05:41has wanted to enhance its facilities to offer an exquisite event.
05:45The evening, which will be attended by all the factory employees,
05:50I've ordered the food.
05:52Do you think they're going to name me?
05:54Shut up, man, I can hear you.
05:58Here we are again.
06:03Man, no, no, no, no, no, no, you can't spoil yourself now, man.
06:08Come on, calm down.
06:10How do you want me to calm down? Please.
06:12It's new.
06:13And I need it for the feast, man, so that people get excited and spend money on me.
06:17Let me take a look at it.
06:19Do you know about the radio, Isidro?
06:21No, but if I've fixed a car scratch, I don't think this will be so difficult.
06:25Do you have a screwdriver around here?
06:28Who would send me to change the radio?
06:37I'm coming, Negra, really.
06:41What's wrong with you? Are you okay?
06:45I'm going to tell you two things.
06:47Which one do you want me to start with?
06:49Well, normally there's a good one and a bad one, so...
06:51Very good. Well, tomorrow we're going for a cocktail.
06:55Seriously? Where?
06:57To the Queen's house.
06:58Luis told me that Damien wants to celebrate the factory's famous anniversary with us as guests.
07:08Well, this time I'm going to have to fail.
07:11Because I have to help Maria with the preparation of the feast.
07:14I have to organize a lot of things.
07:17Go and book the cake.
07:19A thousand things, come on.
07:20And I don't want to fail, because if not, the perfect lady is going to come and throw it in my face.
07:25Well, don't worry. You can always do anything.
07:27Are you sure you'll have everything ready before the cocktail?
07:30I hope so.
07:32Well, now tell me the other one. The bad one, right?
07:34Yes. Let's see.
07:36Let's see.
07:38My brother had an appointment with the director of the central bank tomorrow,
07:41but he coincides with some tests in the laboratory,
07:44and I have to go.
07:46And what's the problem?
07:49Gemma, they're not going to give me the mortgage.
07:52No, I'm afraid that as soon as I get in, they'll see this face of starvation that I have,
07:57like what happened to me with Peralta, and they won't give me the mortgage.
08:07Hello, sir.
08:08If I have a coffee, I'll clear myself.
08:11Well, if you're not clear at this time, we're in trouble.
08:14I haven't been in La Colonia for two days and I'm tired of my roommate.
08:17What do you mean?
08:18That Vicen, he snores like an animal, he doesn't let me sleep all night.
08:22But you've come back to your room, to La Colonia.
08:24Yes, well, problems with the woman, don't ask.
08:26No, no, I'm not asking anything.
08:28I just hope you can solve it soon.
08:30Yes, I'm listening.
08:32By the way, now that I look at it, what are you doing with Gaspar's new radio?
08:36Man, he's crazy.
08:38I wanted to talk to you.
08:39Which one do you prefer?
08:40Two.
08:41The radio you sold doesn't work anymore.
08:44Well, I don't know.
08:45How is it possible that Gaspar is so high-end?
08:47Yes, that's what I thought too.
08:49Because, come on, when it was discovered that your friend was a swindler,
08:51I said, well, I'm sure he's a fan somewhere.
08:53But come on, I doubt it a lot.
08:55Well, and why is that?
08:56Because he's been fooling around for days and it's been a minute that he's completely dead.
08:58Come on, let him listen to us now.
09:00Well, I don't know.
09:01Maybe it's a cable that's not fully padded.
09:03I don't know.
09:04Ah, perfect.
09:05With that explanation, you're left so flat.
09:07With the money I paid you for it, right?
09:09But I saw that this doesn't have much arrangement, huh?
09:11Look, Gaspar, what do you want me to do?
09:13If he fooled me just like you?
09:15Well, look.
09:16I'm going to tell you what I want you to do.
09:18That you give me back all my money.
09:20What?
09:21Look, I don't care what happened to you.
09:23And that Carmen also kicked you out of the house.
09:25But when they caught that bird, they also recovered all the money, right?
09:29Well, then it's legal for me to get my money back too.
09:31Yes, I know, Gaspar, I know.
09:33But I put your share for the second remittance.
09:36And right now I'm worse than a rat.
09:38What do you want me to tell you?
09:39You've left me in the lurch.
09:40And on top of that, in exchange for a very expensive gun that doesn't even work.
09:44Well, look.
09:45Let me take it for a couple of days.
09:46I'll take a look at it and see what happens.
09:48Of course.
09:49Another engineer like Isidro.
09:50He's never seen a radio in his life.
09:52And he goes hand in hand.
09:55I don't want an old junk that doesn't work, huh?
09:58So bring me a new one.
10:00And a real good one.
10:01Or you give me all my money back.
10:03And no matter how much shame you give me, I feel more shame than you do.
10:07I didn't expect this from you.
10:08No, no.
10:09Not from you either.
10:10I don't break my back from sun to sun because I'm being swindled.
10:13Well, they swindled me, Gaspar.
10:15Well, I'm sorry in my soul.
10:16I'm sorry.
10:17But you were the one who messed with me.
10:18So now breast with the consequences.
10:21Don't scratch it, please.
10:22On top of that.
10:23Please.
10:28Well, if you're so afraid.
10:30Let's practice.
10:32Get up.
10:34Joaquín, get up.
10:36I'm going to make you director of the bank.
10:38Practice.
10:41Good morning, sir.
10:42Don't laugh.
10:43Take it seriously.
10:45Good morning, Mr. Merino.
10:47What can I do for you?
10:49Good morning, Mrs. Andrade.
10:50Press hard, please.
10:52It's important.
10:54As if you were in a bar.
10:56Taking a pulse.
10:57He has to notice that...
10:59He's had a phosphate.
11:00Like little.
11:01Good morning.
11:03Good morning, Mrs. Andrade.
11:05Good.
11:07What can I do for you?
11:10Well...
11:12I wanted...
11:14Well, I wanted to ask you...
11:15No, no, no.
11:16I smell your fear.
11:17Sit down.
11:18Sit down.
11:19Let's start again.
11:20I can't smell your fear.
11:21You have to be confident.
11:24Think that bank directors are like savages.
11:27So, confidence.
11:29And...
11:30You also have to be a little nice.
11:32Ironic, if necessary.
11:33Ironic, too?
11:34That's it.
11:35You can tell him something like, for example...
11:40I've come to make him earn money.
11:44What are you laughing at?
11:47Joaquín!
11:48Joaquín!
11:49You're the smartest bank director I know.
11:53And the one who smells the best.
11:58What?
11:59At least you've relaxed a little.
12:00Yes, yes.
12:02Yes.
12:03Now I know how the interview starts.
12:05But the most important thing is to know how it ends.
12:08And, Gemma, if you don't give me the mortgage...
12:12In that office, our dream ends.
12:14Not at all.
12:16They're going to give you the mortgage.
12:17You're going to get into that office
12:18and you're going to get that director the mortgage
12:20and whatever you propose.
12:21And do you know why?
12:23Because men like you
12:24give the size whenever they need it.
12:32Come in.
12:35Hello.
12:40Did you go to see Begoña?
12:42Yes.
12:43And how did you find her?
12:45I haven't gone down to eat either
12:46and she hasn't called me all day.
12:48She's very stunned, Andrés.
12:50I asked her if she was still taking pills
12:51or anything else and she said no.
12:54But when I went to get her blood
12:55to do an analysis,
12:56she refused completely.
12:58In fact, she became violent
12:59and threw me out of there
13:00with all the fury she could gather
13:01despite her precarious state.
13:03Maybe if you hadn't treated her that way.
13:06I don't know, Luz, maybe she needed more tact.
13:09Andrés, Begoña is also my friend, you know that.
13:12I worry about her as much as you do.
13:15Besides, somehow I had to prove
13:17that she wasn't still taking those damn pills.
13:20And you didn't believe her?
13:21Begoña is not a liar, Luz.
13:23Andrés, don't be fooled.
13:25All addicts are.
13:26I don't like you talking about her like that.
13:28Well, I prefer to talk about her like that
13:29than to think about anything else.
13:32What do you mean?
13:35That if it's not an addiction problem, then...
13:39You could be out of your mind.
13:42And that's the last thing I'd like to face.
13:44Because then I know we'd lose her forever.
13:48So before giving up,
13:49I'd rather discard anything else.
13:52Begoña needs us.
13:54She needs to know that no matter what happens,
13:55no matter what she does,
13:56no matter how strange it seems,
13:58we'll be there to support her.
14:00And why is it so hard for us?
14:03Let's not judge her, Luz.
14:05Let's just support her.
14:08Andrés, you're in love.
14:10Do you think your unconditional love can save her?
14:15Maybe I'm the one who's wrong
14:17and Begoña isn't taking anything.
14:20But soon we'll know the truth.
14:23How can you be so sure?
14:25Because when she runs out of pills,
14:27if she has them,
14:29she'll need more.
14:31Then we'll know what the real problem is.
14:34If Begoña is willing to let herself be helped,
14:37she'll detoxify.
14:40What if she isn't?
14:44Does that mean she's willing to suffer her mother's illness?
14:48Unfortunately, that option would be stronger.
14:52But let's trust that it's just a miscarriage.
14:55Yes, it has to be that.
14:57Because I don't want Begoña
15:00to be the woman
15:02I fell in love with again.
15:07My God, I don't know what I'm going to do with you two.
15:09It's just the two of us.
15:13Now we have to wait.
15:15With a little patience,
15:17she'll give us the keys to know what's going on.
15:35Oh, Selito, I wanted to apologize for what happened before.
15:37Maybe I was a bit harsh.
15:40No, you didn't do anything wrong, woman.
15:43It's me who's always up to no good,
15:45and that's how my life goes.
15:47Well, my mother is a liar.
15:50I'm sorry I made you come here for nothing.
15:55I was waiting to see you, you know?
15:57But since you didn't come,
15:59it was hard for her to convince me.
16:02Oh, José, I don't want you to go with this bad taste in your mouth.
16:05Well, if it makes you feel better,
16:08I'll take a cross from Edana that I bought for my collection.
16:12Well, if it makes you feel better,
16:15I'm very happy to see you.
16:19Before, when...
16:22we were kids,
16:24everything was easier, right?
16:26And more beautiful.
16:28Well, it was different.
16:31Do you remember when we used to go together to feed the donkeys?
16:36You used to laugh at them.
16:38Come on, I didn't laugh.
16:40Do you remember the day I told you
16:42I was going to kiss one of them to make him a prince?
16:46The bastard you ate.
16:49I told you it was with the frog.
16:52Can you imagine?
16:54He would have forgotten about me for a pig.
17:00That's good.
17:02In the end,
17:03you've done it too.
17:05And without even being a pig.
17:07Well, pig,
17:09for me,
17:11you're always a special friend.
17:14I know.
17:16But now,
17:18don't ask me to hold your hand like when we came back from the era.
17:21Well, I asked you to hold my hand
17:24because I was afraid of going back alone on that road at night.
17:27But that, for me,
17:29was like touching the sky.
17:31And that's why I came here.
17:33To touch it again.
17:37Facilito, yes, I...
17:39I understand you because I also have very good memories of that time.
17:44The first thing to die is not to forget, Claudia.
17:47Come on, Paco, don't make a fuss.
17:50No, you bring me 40 chairs tomorrow at the first hour
17:53and then I'll invite you to a pancake and a coffee and Gaspar's.
17:57It's just that everything is not enough for you, Paco.
18:00Well, it's fine.
18:01Yes, yes.
18:03You'll have some extra tip.
18:05But bring them to me, for God's sake.
18:08Good. Perfect.
18:10Thank you very much. See you tomorrow.
18:13Oh!
18:1540 foldable chairs, almost free.
18:17So that later they call me Mrs. Perfect.
18:21And what's wrong with you?
18:23Well, I'm missing my contract and my brother's.
18:26Neither of us keep it.
18:29What a mess of men.
18:31And what are you waiting for? To go get a copy?
18:34Let it be a little later and the office is calmer.
18:38Gemma.
18:40Tell me.
18:42Would you accompany me to the Central Bank tomorrow?
18:45Me?
18:47But what do I paint there?
18:49If the house you are going to mortgage is your family's.
18:51Well, when a man goes from his wife's arm to ask for a loan,
18:56it gives a better impression than if he goes alone.
18:58It inspires confidence, darling.
19:01Then why don't you take a vase and take it with you?
19:04No.
19:06It will cause the same feeling.
19:08But I'm not saying it for that, darling.
19:10I say it because you negotiate much better than me.
19:12And you have more gift of people, well, when you don't have to, of course.
19:15Well, that's why. Look how I dealt with Peralta.
19:17Yes, but in the end you solved it.
19:19And I'm sure that at some point you'll give me a cable.
19:22Darling.
19:24You have the security I need.
19:25I, with you by my side, am capable of doing anything.
19:29Really?
19:31Really.
19:33We form a very good team.
19:35And what do I tell Maria? I can't leave her alone now.
19:37But who said that?
19:39Gemma, really, it will be seen and not seen, I promise you.
19:41We have an appointment at the first hour.
19:43At nine, nine and a half, we'll be here again.
19:45And where are we going to spend the night?
19:47Well, at the hotel from the other day, if you like.
19:50I'll call right now.
19:52And are you going to put on that black suit that suits you so well?
19:56I'll even invite you to dinner.
20:02That's a yes.
20:05Where are you going?
20:07To prepare the suitcase.
20:09We have to present ourselves elegantly in front of the banker.
20:11I'll also get your tie.
20:18Tell me one thing.
20:20How can you be pregnant if you're not with anyone?
20:23Well...
20:25Because I had a celibate boyfriend and...
20:28very little time,
20:30but enough to do something stupid.
20:33And the rest, well, you can imagine it.
20:36You couldn't touch heaven either.
20:39Since my mother found out,
20:41she has been giving me a hard time so that I don't raise my son alone.
20:45And the woman doesn't want to understand me.
20:47That may not be right.
20:49But I understand poor Ramona.
20:50Well, now I just need her to understand me.
20:53And what happened to the father?
20:55Did he smoke?
20:57No, no.
20:59The father is close.
21:01What happens is that you can't do...
21:04He can't be a father as such,
21:07because he's in a bit of a difficult situation.
21:10Well, come on.
21:12I'm sorry.
21:13No, no, no.
21:15You're absolutely right, Joselito.
21:17You're very brave.
21:19You're very brave.
21:21You know?
21:23Well, more than brave, I'd say I'm a survivor.
21:27Because I don't have a choice.
21:29Are you sure about that?
21:31Because if you're afraid,
21:33my hand will still be there.
21:35Like when we came back from the era.
21:37What do you mean?
21:40Well, if necessary, I'll give you my hand and...
21:44and whatever comes.
21:46No, no, no, Joselito.
21:47Really.
21:49You're a very good person, but...
21:52but it's not a good idea.
21:55But, well, Joselito,
21:57we'll always have good memories
22:00between us and the affection we have for each other.
22:03Well.
22:05More than affection,
22:08I'd call it something else.
22:10Really, you don't.
22:14Oh, Joselito.
22:15I've had a great time with you.
22:17And you've made me laugh a lot.
22:21And I'll always have you in my heart.
22:32That was a very nice kiss.
22:46I'm sorry, Mrs. Ángela.
22:48I met a client and I was entertained.
22:50Don't worry.
22:52Carmencita Maja.
22:54How are you?
22:56How can I be worried about my son?
22:58Well, don't worry.
23:00I told you it wasn't important.
23:02So what is it?
23:04You've been so mysterious on the phone
23:06that you don't know what to think.
23:08Look,
23:10your son has been upside down for a few days
23:12because of a piece of news that broke his heart.
23:15Well, tell me, please.
23:17Are you going to break my heart?
23:19You know who his father is.
23:24Mother of God.
23:26In the end...
23:28Yes.
23:30Mr. Damián spoke to him.
23:32And since then, everything has gone from bad to worse.
23:34But why didn't he tell me anything?
23:36Why didn't he call me?
23:38Well, I don't know either.
23:40From dinner.
23:42From one night to the next,
23:43he does some very strange things.
23:45I already had the fly behind my ear,
23:47so I had no choice but to tell him.
23:49Yesterday I went to talk to Mr. Damián
23:52and he told me to keep it a secret.
23:54And to think that I was the one who insisted
23:57that he tell him.
23:59But I did it with good intentions.
24:01No, of course, and I have no doubt, Mrs. Ángela.
24:03But the news has made him lose his mind.
24:06He's very disoriented.
24:08And he's in a big mess.
24:10What mess?
24:11Tell me about it, please.
24:14Well...
24:16Because he was at the level of his father and his brothers,
24:19he wanted to become a businessman,
24:21reselling household goods to the people here in the neighborhood.
24:24And he couldn't do it.
24:26Who? Do I know him?
24:28No.
24:30He's a swindler.
24:32He was here working in the factory
24:34the right amount of time,
24:36so he could invest all our money in that business.
24:37What do you mean?
24:39He kept the money, the payment,
24:41and all the household goods,
24:43and then he disappeared overnight.
24:45But it can't be. My Tassio isn't that stupid.
24:47Your Tassio isn't your Tassio right now.
24:49Mrs. Ángela, we're lost.
24:52He spent a night in the dungeon.
24:54And there would have been more
24:56if Mr. Damián hadn't been in charge
24:58of paying all the people affected by the scam.
25:02He did that?
25:04Yes.
25:05He took care of everything,
25:07except for our money.
25:09Of course, why would he do that?
25:11I don't know. He's fine.
25:13But he left me with a hand in front and another behind.
25:16You're right, Carmencita.
25:19Mrs. Ángela,
25:21I...
25:23I understand that
25:25I can't let this pass.
25:28We've argued,
25:31and I've kicked him out.
25:36You're right.
25:38This son of mine has to die.
25:40Mrs. Ángela,
25:42it's a given.
25:44I'm afraid he'll go down the wrong path again,
25:47but I can't do anything.
25:49I have to stay firm in my decisions.
25:51That's why I thought
25:53maybe your mother
25:56would help me with him.
25:58Of course, my dear.
26:00Of course.
26:02Where's that Zopinco?
26:03Give me the bags, Maja.
26:05I can't do this.
26:07What are you doing here, Gordio?
26:09I'm bringing you food and canned goods
26:11for your flight.
26:13Do you still have a fridge or have you lost it?
26:33No.
26:57Good afternoon.
26:59Good afternoon, Isabel.
27:01I don't know if you know,
27:03but I saw Maria preparing the verbena.
27:05Hand in hand.
27:07Of course I know.
27:09Hand in hand and elbow to elbow.
27:11I must say,
27:13Zema has an enviable energy.
27:15You're going to tell me.
27:18I wanted to do something.
27:20I haven't even asked him about the verbena.
27:22No, don't worry.
27:24I wanted to tell Jesus something.
27:26In fact, you can tell him.
27:28Of course, tell me.
27:30Tomorrow I'm going to enter
27:31the factory.
27:33And why?
27:35Good afternoon.
27:37Because I have to take the car to the workshop.
27:39And you can't take it in the afternoon,
27:41as God commands?
27:43No, because it's the only gap they have.
27:45Wow.
27:47Yes.
27:49And look, in fact, Jesus,
27:51I wanted to tell you something.
27:53I think we should be more flexible in this company.
27:55More flexible?
27:57Yes, be more flexible with the workers.
27:59I think they should have
28:01more freedom
28:03to solve their issues.
28:05That way they would be happier
28:07and later they would perform better.
28:09What do you think, Isabel?
28:11My cousin is doing a lot of work
28:13to get his head in the board,
28:15as his brother Listo did.
28:17What's the matter?
28:19Have you already thought about
28:21the cocktail invitation?
28:23No, no.
28:25I don't think it's such a crazy idea
28:27to give the workers a hand.
28:29Listen to me, Joaquín.
28:31Stop talking nonsense
28:33about what to do or not in this company.
28:35The less you think,
28:37the more you work.
28:39Sure.
28:41You're the boss,
28:43so you do it.
28:45Exactly. I'll see.
28:47And what you'll see
28:49is that tomorrow we can have
28:51all the cocktails you want
28:53and toast to life.
28:55But never forget
28:57what your place is, Joaquín.
29:01Anything else?
29:03No.
29:05Well, see you tomorrow.
29:07See you tomorrow.
29:32Come in.
29:34What is it, Jaime?
29:36Luz has gone out
29:38to do some housework.
29:40Not the Luz I want to see.
29:42I want to talk to you.
29:44I don't know what we have to talk about, Luis.
29:48I'm sorry.
29:50Maybe it's better
29:52if I don't bother you.
29:54No, it's fine.
29:56It's fine.
29:58It's fine.
29:59No, it's fine.
30:01It's fine. I'm sorry.
30:03If you're worried about her,
30:05you've come to the right place.
30:09Let's enjoy these talks.
30:11I don't have many left.
30:15It's fine.
30:17Don't lose your sense of humour.
30:19Sit down, please.
30:21You see, Jaime,
30:25Luz has told me about her past,
30:26about what she's hiding.
30:28I assumed she would.
30:30How is that possible?
30:32I can't believe it.
30:34How can a woman
30:36as responsible and prudent as Luz
30:38be acting without a title?
30:40I thought something similar
30:42when she told me.
30:44Why didn't she report you?
30:46Was it because you were together?
30:49Well, it's more complicated than all that.
30:51It was because she kept the secret
30:53about your illness from you, right?
30:55I suppose it affected me at first,
30:57but then I realised
30:59that Luz is an exceptional doctor.
31:01Yes, yes, yes.
31:03I have no doubt about that.
31:05But imagine...
31:07Imagine, Jaime,
31:09that any misfortune happens to a patient
31:11and someone asks for responsibility.
31:13The consequences would be devastating
31:15for Luz and the company.
31:17Yes, yes.
31:18And what do you propose?
31:21I need a reason not to report her.
31:24A reason?
31:27Have you stopped to think
31:29that maybe there isn't one?
31:32Jaime, I...
31:34I'm part of the company's board.
31:37I can't allow myself...
31:39Luis,
31:41with or without a title,
31:43Luz is one of the best doctors I know.
31:45Her commitment to the patients
31:47is way above many colleagues
31:49who fill their offices
31:51in the centre of Madrid
31:53with titles they don't even deserve.
31:55If you let a role
31:57be placed between her and you,
31:59you'll regret it for the rest of your life.
32:02You can have a future with her.
32:06Take advantage of it.
32:16How do you feel?
32:20A little better.
32:23How's school?
32:25Very good.
32:27Today was like being on holiday.
32:29Why?
32:31Because first we had crafts
32:33and then, at the last minute, drawing.
32:35Do you want me to show you what I've done?
32:37Please.
32:39Do you like it?
32:44It's beautiful.
32:46This landscape gives me
32:48calm and serenity.
32:51I wish I could live in it.
32:55It's beautiful.
32:57It's beautiful.
32:59It's beautiful.
33:01It's beautiful.
33:03It's beautiful.
33:05It's beautiful.
33:07I'm giving it to you.
33:11You're welcome.
33:13In fact, I thought a lot about you
33:15when I was drawing it.
33:17I'm going to keep it
33:19as a gift.
33:21I think it's the most beautiful thing
33:23you've given me in a long time.
33:25I love seeing you so excited.
33:27I'm going to bring you a drawing every day
33:29so you can continue like this.
33:31You're a sun.
33:33You don't have to.
33:34I've slept a little
33:36and now I feel clearer.
33:38And after seeing you,
33:40I feel even better.
33:42You're my vitamin.
33:47I was thinking of taking a walk.
33:49Do you want to come with me?
33:51I'm sorry, I can't.
33:53Isidro is taking me to Rita's house.
33:55Her father has bought a new projector
33:57and he's going to show us a movie.
33:59That's a good plan.
34:01It's been so long since I've seen a movie.
34:03Do you remember we could go
34:05to Toledo together this weekend?
34:07Alone, both of us?
34:09Of course.
34:11We could go shopping
34:13and then we could have a snack
34:15at the confectionery in Plaza de la Mar Galena.
34:17Yes, please.
34:19Yes?
34:21What are you doing?
34:23I wanted this lady
34:25to take me for a walk,
34:27but she has plans.
34:29Isidro is taking me to Rita's house.
34:30Good.
34:32But tell him to pick you up before eight.
34:34I want you back for dinner.
34:36Very well, I'll tell him.
34:38You'd better, miss.
34:40What about you?
34:42How are you?
34:44Better.
34:46I'm glad to hear that.
34:48I'm going to tell Tere
34:50to make you an infusion with some candy
34:52and then we can go for a walk if you want.
34:54That's great.
34:56You have someone to go with you.
34:58I'll leave the drawing there.
35:00See you later.
35:04How nice.
35:06Jesus, the truth is that
35:09I'm a little tired
35:11and I think it's better to leave that for another day.
35:15I'm fine with going out to the garden for a while.
35:19Of course.
35:21Don't worry, rest as much as you can.
35:24Tomorrow is going to be a very busy day
35:26for everyone in this house.
35:28So what?
35:30A snack with the Merinos
35:32to celebrate the company's anniversary.
35:35Do you want to go?
35:37I don't know what to tell you.
35:39The truth is that days go by
35:41and I'm not feeling well.
35:43Well, be patient.
35:45I'm going to the kitchen.
35:47I'll bring you that infusion in five minutes.
35:49I'd better go.
35:51That way I can stretch my legs.
35:53There are a lot of people I see in the kitchen.
35:55You'd better have a snack here
35:57and then go for a walk in the garden.
35:58It won't be long before you get that infusion.
36:17It didn't go well with Claudia, did it?
36:20My pleasure.
36:22Although it has something to do with her being in Toledo
36:25and me in Dominito.
36:27You don't have to hide it from me.
36:30I know what Claudia is waiting for.
36:33But it's better not to say it out loud
36:36because there are people who...
36:38There are people who don't know.
36:41I just don't get it.
36:43We've known each other since we were kids.
36:45We like each other.
36:47And I can give her a future and...
36:49And you know who.
36:51Why doesn't she want to see me in painting?
36:53Do you really think that what I can offer her
36:54is worse than what she expects?
36:58Look, Joselito.
37:00Claudia chose her path a long time ago.
37:02And...
37:04In fact, if it wasn't for her mother,
37:06I don't think your paths would have crossed again.
37:09No, it's clear
37:11that what Ramona wanted was to fuck my grandson.
37:13You know what I'm saying?
37:15I'm delighted.
37:17Your third coffee.
37:19One more and you're on your way
37:21to spending the night under the candle.
37:22What's that?
37:24With coffee or without coffee.
37:26I already figured that out.
37:28What's wrong with you, kid?
37:30What is it?
37:32A toothache?
37:34Debt? Love sickness?
37:36Health, money or love?
37:38Well, in terms of health, I'm like a bull.
37:40And I don't need money for luck.
37:43Your heart has been broken, come on.
37:45No, it's not broken.
37:47It's just a little broken.
37:49And I don't understand why.
37:50The last thing she said
37:52was that she would always carry me in her heart.
37:54Did she really say that to you?
37:56She keeps talking about how much fun we had
37:58when we were together as kids.
38:00Well,
38:02where do you get the idea
38:04that she gave you a ticket to the Alba de Cantaló?
38:06That she's not rejecting you,
38:08that she's begging you, it's not the same.
38:10Really?
38:12It's very clear.
38:14Let's see, Gaspar, be careful,
38:16because you're messing with me.
38:18What do you know about these things?
38:20I don't want to kick you.
38:22Well, I didn't see her that way.
38:24Well, if you didn't see her that way,
38:26it's for a reason, don't you think?
38:28Because she probably told you what she told you
38:30because she likes you and wants to comfort you.
38:32No, man, no, no.
38:34You have to go for her.
38:36But if she's left it to you,
38:38I'll always carry you in my heart, man.
38:40You have to know how to get in line.
38:42You're right.
38:48Thank you very much for the coffee.
38:50And especially for the advice.
38:52I'm accompanied by Don Benito again
38:54like my name is José Francisco Pérez Pulido.
38:57Yes, sir.
39:01What do you say, Mateo?
39:03How's it going?
39:05Good or bad?
39:09I think it's good.
39:21Well, mother, the desire I had...
39:25I understand that Carmen told you everything, right?
39:28What do you think?
39:30She's cheating on you and she's right.
39:32Look, letting you mess with her like a child,
39:34you're not going to learn.
39:36It's normal for a woman not to be able to do it anymore.
39:38Especially now that you're scared of her
39:40because you're leaving her.
39:42Mother, I'm not leaving her.
39:44Look, I'd take you out of your house
39:46if it weren't because your wife doesn't want to see you.
39:48Look, please, I don't need any more fights.
39:50They've cheated on me and they've cheated on me,
39:52so please don't make me any more blood.
39:54There's something else, right?
39:57Has Damian told you?
39:59Well, yes.
40:01So you can see that I'm not the only one
40:03who does bad things here.
40:05How could he have cheated on me all these years?
40:07My position was the least easy,
40:09but you're right.
40:11My father was a traveler.
40:13You know I was looking for him like an idiot.
40:15I'm very sorry.
40:17No, no, I'm the one who's sorry.
40:18He was right in front of me
40:20and I didn't realize it all these years.
40:22Damian and I made a deal.
40:24I couldn't break it.
40:26He was married and I couldn't face him.
40:28But he always made sure you had everything, Tassio.
40:31He's already told me a few details.
40:34Can I ask at least how you met?
40:43I worked as a waitress
40:45at a restaurant in Villescas
40:46where Damian went with his partners.
40:48And one day...
40:50No, no, no, don't tell me anymore.
40:52The man got drunk with the waitress
40:54when he was going out with his friends, right?
40:56It wasn't just one night.
40:58If that's what you mean.
41:00For me, it was a very beautiful time.
41:02Beautiful and sad, don't lie.
41:04What a great role model.
41:06Imagine when I got pregnant.
41:10That's when we both woke up from sleep
41:13and I decided to fade away
41:14and start a new life outside Toledo.
41:17And you don't hold a grudge against him?
41:20On the contrary.
41:22I'll always be very grateful to him.
41:24When you were just getting into trouble,
41:27he didn't hesitate for a second
41:29to find you a job here, in La Colonia.
41:31He's never had a no for you.
41:33I see.
41:35But I'll always be a second son to him.
41:39Don't say that, son.
41:41I don't think he deserves it.
41:42Neither do you.
41:44I know, but it's the truth.
41:46I'll never be a second son to Mr. Damián.
41:49Never.
42:13Digna.
42:15Did Luis tell you about tomorrow's aperitif?
42:18Yes, he called this afternoon to tell me.
42:20He's been very insistent.
42:22And I suppose he also told you
42:24that you don't need to cook anything,
42:26that the Salvatierra guys will bring the food.
42:28Very well.
42:30My father will be very happy
42:32to see us all together for a day.
42:34Jesús, don't try to hide it from me.
42:37We know this is...
42:39This is what he needs right now.
42:40And above all, it's what Begoña needs.
42:42Maybe she'll cheer up a bit.
42:44Yes, I also hope she'll cheer up.
42:47Yes, I'm very worried about her.
42:50Especially after the reaction she had last night.
42:53I had never seen her so...
42:55She didn't look like her.
42:57We all saw that she's having a very bad time.
42:59Digna, tell me something.
43:01I spend all day at the factory
43:03and I can't be aware of her.
43:05But do you know if a few days ago
43:07she was in a very bad mood?
43:08I've only seen that she's very sad
43:10and that she misses her mother a lot.
43:12I see.
43:14It's been a very hard blow for her.
43:16But I confess that I don't know what else to do
43:18to make her feel better.
43:20If you're interested in my opinion,
43:22I think Begoña needs a lot of care.
43:25And also that we leave her alone.
43:27Time will take care of the rest.
43:30I don't know what to do.
43:32I don't know what to do.
43:34I don't know what to do.
43:35Time will take care of the rest.
43:42Me too.
43:44I thought it was just sadness.
43:46But after last night,
43:48I don't know what to think anymore.
43:50Do you think
43:52what happened has anything to do
43:54with her mother's illness?
43:56No, don't say that.
43:58The idea terrifies me.
44:01But I would deceive her
44:03if I told her it hadn't crossed my mind.
44:05You're in a hurry.
44:07The pain of a loved one
44:09is a hard and slow process.
44:11And we both know
44:13what we're talking about.
44:15Yes.
44:17Yes, I hope I'm wrong,
44:19but there are certain things
44:21that don't get me married
44:23by going through a duel.
44:25Jesus, now that her mother is dead,
44:27you're the most important person for her.
44:29Don't you think you should
44:31put the company's needs aside
44:33and focus on your wife's?
44:35Do you think I'm neglecting her?
44:37No, I didn't say that.
44:39I'm saying that things happen
44:41in a marriage.
44:43And if we see that our partner
44:45is having a bad time,
44:47a very bad time,
44:49we have to do everything we can
44:51to help her get out of the hole.
44:53Who was it?
44:55Who woke her up?
44:57Calm down, calm down.
44:59What is this?
45:01It's a gift Julia gave me this afternoon.
45:03I told her I'd keep it forever
45:05because I don't want another drawing.
45:07When I kept it in my book,
45:09it was perfect, it was intact.
45:11Someone had to take it and destroy it.
45:13But someone else had seen it,
45:15apart from Julia and you.
45:17No one, no one.
45:19I swear
45:21I kept it in my book
45:23with all the care in the world.
45:25Someone could have taken that book.
45:27I don't know.
45:29I'm confused.
45:32My love,
45:33you're going through
45:35a very difficult time
45:37and it's normal for you to forget things.
45:39But it's just a drawing.
45:43It gave me a lot of peace,
45:45that landscape.
45:47I wanted to mark it.
45:50How about
45:52you take a nap and rest?
45:54That.
45:56Sleeping will do you good.
45:58When you wake up, you'll be better.
46:00Yes.
46:01I'm very tired, auxiliary.
46:03Come on, lean on me.
46:07Let's go upstairs to rest
46:09and don't worry,
46:11I'll stay with you until you fall asleep.