“The Lover” without deletion movie Turkish Romantic Movie
Category
😹
FunTranscript
00:00:00I'm Dr. Mahmoud Abdelsalam,
00:00:03acting professor and history of drama at the Institute of Theatrical Arts.
00:00:08And my wife, Suad, teaches violin at the Institute of Music.
00:00:14We fell in love while studying together.
00:00:18I've never acted in front of the camera,
00:00:21but I love it.
00:00:25I've never acted in front of the camera,
00:00:29but I love it.
00:00:54I've never acted in front of the camera,
00:00:57but I love it.
00:01:24I've never acted in front of the camera,
00:01:27but I love it.
00:01:55Distribute this paper.
00:01:59I'll keep this research and ask the Institute of Theatrical Arts
00:02:03to publish it in scientific journals so that the whole world can benefit from it.
00:02:09Hisham Mustafa!
00:02:14The effects of modern forms,
00:02:17video clips, and competition programs in acting curricula.
00:02:21It's a good title.
00:02:24But you forgot the most important thing.
00:02:27When I say research should be done from the book, it should be done from the book.
00:02:31Doctor!
00:02:32You're here to learn and understand.
00:02:35It's too early for you to come up with theories.
00:02:39Get out!
00:02:43I have to talk to him after the lecture.
00:02:45I'm going to waste my time.
00:02:46But you're a professor.
00:02:47Isn't that right, Bayezid?
00:02:49A play is a play.
00:02:51A play is a play.
00:02:53And the most important thing that distinguishes a play from a novel,
00:02:56a story, a painting, or a sculpture,
00:02:58is the identification.
00:03:00That is, the identification of a person with a character,
00:03:02a trait, or a nature other than their character.
00:03:05And the identification may take on a human or animalistic nature.
00:03:10Like the early plays,
00:03:13which depict hunting and war.
00:03:16And it's possible that the identification
00:03:18may take on a human or animalistic nature.
00:03:21Like mercy or justice in moral plays.
00:03:25And as we know,
00:03:27through our studies of theatrical production methods,
00:03:30in all stages and through all schools,
00:03:34it has been proven that appearance, content, and ignorance are one and the same.
00:03:39Damn it!
00:03:41Dr. Mahmoud.
00:03:43Yes, Ms. Zanata.
00:03:45Doctor, I'm almost done.
00:03:47I don't have any time left.
00:03:49It's a must.
00:03:50Doctor, you're always 5 or 10 minutes late.
00:03:53Today was just one second.
00:03:55Five minutes is like five hours.
00:03:57You know that no one comes in after you.
00:03:59And this is part of the lecture for lies.
00:04:02I mean, if you can't stick to your lectures,
00:04:05what are you going to do when you graduate and start working?
00:04:08Or do you want to stay up all night
00:04:10thinking about my empty talk
00:04:12and yell at Dr. Mahmoud's lecture?
00:04:15You're free.
00:04:16Dr. Mahmoud, my lectures are like my job.
00:04:18Besides, where do I get the experience?
00:04:20First you learn, and then you go to work.
00:04:23But this experience in a respectable job,
00:04:25theater, cinema,
00:04:27serious work,
00:04:29not the jokes and video clips you make.
00:04:32No, Doctor, I've never done these things.
00:04:35But, Doctor, I'm sure this is one of the things I can do.
00:04:38And you don't have the courage to defend what you're doing?
00:04:41You're lying.
00:04:43Come see me if you're lucky.
00:04:47You're lying.
00:04:49No one can imagine the amount of effort I put
00:04:52to create a well-organized and well-preserved theater
00:04:55amidst all this chaos.
00:05:00I'm a man who cherishes order.
00:05:03And happiness, too.
00:05:13I'm a man who cherishes order.
00:05:16♪
00:05:21♪
00:05:26♪
00:05:31♪
00:05:36♪
00:05:41♪
00:05:46♪
00:05:51♪
00:05:56♪
00:06:01♪
00:06:06♪
00:06:11♪
00:06:16♪
00:06:21♪
00:06:26♪
00:06:31♪
00:06:36♪
00:06:41♪
00:06:46♪
00:06:51♪
00:06:56♪
00:07:01♪
00:07:06♪
00:07:11♪
00:07:16♪
00:07:21♪
00:07:26♪
00:07:31♪
00:07:36♪
00:07:41♪
00:07:47♪
00:07:52♪
00:07:57♪
00:08:02♪
00:08:07♪
00:08:12♪
00:08:17♪
00:08:22♪
00:08:27♪
00:08:32♪
00:08:37♪
00:08:42♪
00:08:47♪
00:08:52♪
00:08:57♪
00:09:02♪
00:09:07♪
00:09:12♪
00:09:17♪
00:09:22♪
00:09:27♪
00:09:32♪
00:09:37♪
00:09:42♪
00:09:47♪
00:09:52♪
00:09:57♪
00:10:02♪
00:10:07♪
00:10:12♪
00:10:18Mahmoud!
00:10:20What a nice surprise!
00:10:22Where have you been?
00:10:24He's just arrived, Mr. Abdo.
00:10:34What's the matter, Mahmoud?
00:10:36What's wrong? You don't look well.
00:10:39Did something happen? Did Suad do something to you?
00:10:43Look at him.
00:10:48Let Fatouma prepare you a chair so you can rest.
00:10:53Fatouma!
00:10:55Prepare me a chair for Dr. Mahmoud.
00:10:58Prepare me a chair for Dr. Mahmoud.
00:11:28♪
00:11:33♪
00:11:38♪
00:11:43♪
00:11:48♪
00:11:54What's wrong?
00:11:57What do you mean?
00:11:59The silent lecture.
00:12:01Silence and silence are two sides of the same coin.
00:12:05♪
00:12:10♪
00:12:15♪
00:12:20♪
00:12:25♪
00:12:30♪
00:12:35♪
00:12:40♪
00:12:45♪
00:12:50♪
00:12:55I'll show you!
00:12:57Come on!
00:12:59Hands up!
00:13:01Hands up!
00:13:03Hands up!
00:13:05Hands up!
00:13:07Hands up!
00:13:09Hands up!
00:13:25♪
00:13:30♪
00:13:35♪
00:13:40♪
00:13:45♪
00:13:51Thank you, Abdo.
00:13:53Yes, Mahmoud.
00:13:54You'll spend the night in the room.
00:13:56Don't go out.
00:13:58God willing.
00:13:59Come and sit with me.
00:14:01Let's watch TV and play table tennis.
00:14:04I don't want to.
00:14:05What's the point of this?
00:14:07Leave me alone!
00:14:12I'm sorry, Abdo.
00:14:14I didn't mean to force you.
00:14:21♪
00:14:26♪
00:14:31♪
00:14:36♪
00:14:41♪
00:14:46♪
00:14:51♪
00:14:56♪
00:15:01♪
00:15:06♪
00:15:12♪
00:15:17♪
00:15:22♪
00:15:27♪
00:15:32♪
00:15:37♪
00:15:42♪
00:15:47♪
00:15:52♪
00:15:57♪
00:16:02♪
00:16:07♪
00:16:12♪
00:16:17♪
00:16:22♪
00:16:27♪
00:16:32♪
00:16:37♪
00:16:42♪
00:16:47♪
00:16:52♪
00:16:57♪
00:17:02♪
00:17:07♪
00:17:12♪
00:17:17♪
00:17:22♪
00:17:27♪
00:17:32♪
00:17:37♪
00:17:42♪
00:17:47♪
00:17:52♪
00:17:57♪
00:18:02♪
00:18:07♪
00:18:12♪
00:18:17♪
00:18:22♪
00:18:27♪
00:18:32♪
00:18:37♪
00:18:42♪
00:18:47♪
00:18:52♪
00:18:57♪
00:19:02♪
00:19:07♪
00:19:12♪
00:19:17♪
00:19:22♪
00:19:27♪
00:19:32♪
00:19:37♪
00:19:42♪
00:19:47♪
00:19:52♪
00:19:57♪
00:20:02♪
00:20:07♪
00:20:12♪
00:20:17♪
00:20:22♪
00:20:27♪
00:20:32♪
00:20:37♪
00:20:42♪
00:20:47♪
00:20:52♪
00:20:57♪
00:21:02♪
00:21:07♪
00:21:12♪
00:21:17♪
00:21:22♪
00:21:27♪
00:21:32♪
00:21:37♪
00:21:42♪
00:21:47♪
00:21:52♪
00:21:57♪
00:22:02♪
00:22:07♪
00:22:12♪
00:22:17♪
00:22:22♪
00:22:27♪
00:22:32♪
00:22:37♪
00:22:42♪
00:22:47♪
00:22:52♪
00:22:57♪
00:23:02♪
00:23:07♪
00:23:12♪
00:23:17♪
00:23:22♪
00:23:27♪
00:23:32♪
00:23:37♪
00:23:42♪
00:23:47♪
00:23:52♪
00:23:57♪
00:24:02♪
00:24:07♪
00:24:12♪
00:24:17♪
00:24:22♪
00:24:27♪
00:24:32♪
00:24:37♪
00:24:42♪
00:24:47♪
00:24:52♪
00:24:57♪
00:25:02♪
00:25:07♪
00:25:12♪
00:25:17♪
00:25:22♪
00:25:27♪
00:25:32♪
00:25:37♪
00:25:42♪
00:25:47♪
00:25:52♪
00:25:57♪
00:26:02♪
00:26:07♪
00:26:12♪
00:26:17♪
00:26:22♪
00:26:27♪
00:26:32♪
00:26:37♪
00:26:42♪
00:26:47♪
00:26:52♪
00:26:57♪
00:27:02♪
00:27:07♪
00:27:12♪
00:27:17♪
00:27:22♪
00:27:27♪
00:27:32♪
00:27:37♪
00:27:42♪
00:27:47♪
00:27:52♪
00:27:57♪
00:28:02♪
00:28:07♪
00:28:12♪
00:28:17♪
00:28:22♪
00:28:27♪
00:28:32♪
00:28:37♪
00:28:42♪
00:28:47♪
00:28:52♪
00:28:57♪
00:29:02♪
00:29:07♪
00:29:12♪
00:29:17♪
00:29:22♪
00:29:27♪
00:29:32♪
00:29:37♪
00:29:42♪
00:29:47Ashteen.
00:29:52Ashteen, love.
00:29:55Flash the keys.
00:30:16What did you do about the exhibition?
00:30:19Nothing.
00:30:21Why, Tarek?
00:30:24I don't like it.
00:30:27What do you like?
00:30:30When all my photos
00:30:32are in the same direction
00:30:38I have good news for you.
00:30:40What is it?
00:30:41I called Hossam
00:30:43to ask him to take pictures of cars.
00:30:45Again?
00:30:46Again?
00:30:47I've told you a hundred times
00:30:49I won't take pictures of soap and grease.
00:30:52I'm talking about cars.
00:30:54You still don't get it.
00:30:55I'm sure you're talented
00:30:57but people need to see your work to know you.
00:30:59I can introduce you to people who can help you.
00:31:00Hind!
00:31:02You're not my type.
00:31:03You don't get along with anyone.
00:31:04You do anything to me.
00:31:05I'm not asking you to be like me.
00:31:06But you can't go on without a job.
00:31:09I don't get what gets you into my work.
00:31:11Because you're broken and I'm afraid for your future.
00:31:13Or are you going to depend on your parents
00:31:15and spend our money even after we get married?
00:31:20Get married?
00:31:22Why do you always predict events?
00:31:25You know very well that I don't think about it.
00:31:28Besides, we agreed that the most important thing is that we're together.
00:31:30Isn't that right?
00:31:32And when did the agreement end?
00:31:34We've been together for two and a half years
00:31:35and nothing has changed.
00:31:36Are you happy?
00:31:37The hashish on the table
00:31:38and the beer in the fridge
00:31:39and you're taking pictures of your mood while I'm here.
00:31:42Have you ever thought about what I'm wearing?
00:31:44The one who loves someone changes because of him.
00:31:46Can't you hear what I'm saying, Hind?
00:31:49I've told you a hundred times
00:31:50I'm like this and I won't change.
00:31:52And then, Hind...
00:31:53The one who loves someone
00:31:54doesn't try to change him.
00:31:56He loves him as he is.
00:31:58This is called selfishness.
00:31:59Don't you have any responsibility at all?
00:32:01The responsibility of love, the responsibility of work, the responsibility of marriage?
00:32:03I'm tired, Tarek. I'm really tired.
00:32:05Come on, grandma.
00:32:06Can you calm down a little?
00:32:07Don't be upset.
00:32:08I'm not a small child
00:32:09because every time you say this to me, you tell me not to be upset.
00:32:11It's not possible, Hind.
00:32:12Every time you come down and you're upset.
00:32:13This time it's not like every time, Tarek.
00:32:15I'm really tired.
00:32:23I'm really enjoying it.
00:32:24I'm tired.
00:32:54Tarek, okay, but...
00:32:56I can't take it anymore.
00:32:57Every time you say this to me, you tell me not to be upset.
00:32:59Every time you come down and you're upset.
00:33:00This time it's not like every time, Tarek.
00:33:01I'm really tired.
00:33:02I'm really enjoying it.
00:33:03This time it's not like every time, Tarek.
00:33:04I'm really tired.
00:33:05I'm really enjoying it.
00:33:06This time it's not like every time, Tarek.
00:33:07This time it's not like every time, Tarek.
00:33:08This time it's not like every time, Tarek.
00:33:09This time it's not like every time, Tarek.
00:33:10This time it's not like every time, Tarek.
00:33:11This time it's not like every time, Tarek.
00:33:12This time it's not like every time, Tarek.
00:33:14What's up, Abu Hanifi?
00:33:16I have a terrible headache.
00:33:19There are a lot of tenants in the house.
00:33:22Do you want a chair or something?
00:33:33I want to talk to you about something.
00:33:35I told you that you would come to talk to me.
00:33:39What do you want to talk about?
00:33:41India.
00:33:42India who?
00:33:44That devil when he rides alone.
00:33:48What?
00:33:49The girl is pregnant and she wants to see you, doctor.
00:33:52What pregnant?
00:33:53It's a shame for you, Abdo.
00:33:54Let me continue.
00:33:55The secretary.
00:33:57This is a new actress.
00:33:59She came to the institute to attend a lecture.
00:34:02After the lecture, she commented on you.
00:34:04She found me annoying and cursing.
00:34:06And you put her in front of people in a very ridiculous way.
00:34:09How do you know her, Mahmoud?
00:34:11That's not the point.
00:34:13I feel guilty and I want to apologize.
00:34:16You feel guilty and you want to apologize to her?
00:34:23But where do I look for her?
00:34:26Hanifi, I'm waiting for you.
00:34:28How are you, doctor?
00:34:31I'm fine.
00:34:33I want to ask you something important.
00:34:36Yes.
00:34:41Yes.
00:34:52If you're late, we'll go to the movies.
00:34:54Where are we going at 3 o'clock?
00:34:56We're still on schedule.
00:34:57I don't have time. I have an order at 6 o'clock.
00:34:59I'm sorry.
00:35:01I might be late.
00:35:06Just a second.
00:35:09Yes?
00:35:13I came to tell you that my conscience has been bothering me since yesterday.
00:35:17Good. And then?
00:35:22I...
00:35:24I want to explain to you...
00:35:27the situation.
00:35:29Actually, I...
00:35:31No, don't explain anything to me.
00:35:33I'm the one who's wrong.
00:35:35Can you imagine that Mr. Zayma gives himself the right to express his opinion to strangers?
00:35:39He might hear it from others.
00:35:41Or is this a one-way thing?
00:35:46Hello? Yes, Yara, where are you?
00:35:48No, we're still in Beria, me, Yahya, and Maryam.
00:35:51The rest of them are supposed to come here.
00:35:54Okay, okay, we'll wait for you.
00:35:56But don't be late. The movie starts at 4 o'clock.
00:35:59Okay, bye.
00:36:02Anyway, if you came here to relax, that's all.
00:36:05Nothing happened.
00:36:09This is my phone number.
00:36:12Call me.
00:36:15Maybe then we can talk.
00:36:19I'm sorry.
00:36:31I'm sorry.
00:37:01I'm sorry.
00:37:25I'm sorry.
00:37:31I'm sorry.
00:38:02Hello?
00:38:04Yes, who is this?
00:38:06I'm Hind.
00:38:08Can I speak to Dr. Mahmoud, please?
00:38:10No, he's not here.
00:38:12Actually, we found the hospital yesterday.
00:38:14Hospital?
00:38:16How? I saw him yesterday and he was fine.
00:38:18He's sitting in your room, I'm sure.
00:38:20You don't know what hospital?
00:38:31I don't know.
00:39:02Good morning.
00:39:04How are you, Dr. Mahmoud?
00:39:06I'm fine, thank God.
00:39:15Your test results are negative.
00:39:18What happened?
00:39:20It's a result of a nervous breakdown.
00:39:22You should rest a bit.
00:39:24You need a break from everything that's bothering you.
00:39:26How are you?
00:39:28I'm fine, Doctor.
00:39:30Thank God.
00:39:32Thank God, Mahmoud.
00:39:34You've lost a leg.
00:39:36You still have a leg.
00:39:41Listen, Abdo.
00:39:43I want you to rent me an apartment next to yours.
00:39:46Why, Mahmoud?
00:39:48Am I upsetting you?
00:39:50No, no, no.
00:39:52I wanted to do this from the beginning,
00:39:54but I was embarrassed.
00:39:56I was afraid you'd be upset.
00:39:58That's why I want you to rent me an apartment next to yours.
00:40:00That's why I want you to rent me an apartment next to yours.
00:40:04I want you to see it, Mahmoud.
00:40:07Yes, Abdo.
00:40:10Why would I do that?
00:40:13Yes, Mahmoud, what you're saying.
00:40:15I don't understand.
00:40:17No.
00:40:19You understand and you're embarrassed.
00:40:22Tell me, you're my friend.
00:40:24What's wrong with me?
00:40:26What's wrong with you is that you're blind.
00:40:29You look at life from one angle.
00:40:32Life is already messed up.
00:40:34And you think too much of it.
00:40:36Good morning.
00:40:40Good morning.
00:40:42Thank God.
00:40:44Thank God.
00:40:46Yes, sir.
00:40:48Introduce us to this young lady.
00:40:50Yes.
00:40:52This is Mr. Abdo, my friend and colleague at the institute.
00:40:54Welcome.
00:40:56He's the one who takes care of me.
00:40:58The young lady is an actress.
00:41:00She's young, but she'll be big tomorrow.
00:41:03Thank you, doctor.
00:41:05I'm going to make the agreement.
00:41:08Goodbye.
00:41:10Goodbye.
00:41:17How are you?
00:41:19Thank God.
00:41:22I want to thank you for your visit.
00:41:25And I want to apologize to you for the other time.
00:41:29I was wrong too.
00:41:31I could have said something nicer.
00:41:34But I think we should forget about it.
00:41:37As if it never happened.
00:41:52Did you like the apartment, Mahmoud?
00:41:55It's nice.
00:41:57I was afraid you wouldn't like it.
00:41:59What can I do for you?
00:42:01No, it's okay.
00:42:03You can see if you need anything.
00:42:05Come with me.
00:42:07I'll get you some apples and fruits.
00:42:10I'll build you an apartment.
00:42:12Let's go.
00:42:14Let's go.
00:42:20I'll leave you to rest.
00:42:22I'm fine, thank God.
00:42:24I still have work to do.
00:42:26I can help you if you want.
00:42:28I don't have anything.
00:42:33No one lives with you?
00:42:35No.
00:42:38I was married.
00:42:41What's this?
00:42:43It's nice.
00:42:45It's from the Ba'ath days.
00:42:47Yes, I know.
00:42:49It's not hard.
00:42:51It looks like a coin.
00:42:53Like the King and the Book.
00:42:56Are you laughing at me?
00:42:58No, nothing.
00:43:02What do you do these days?
00:43:04I'm a cook.
00:43:06I'm a cook, but I talk sometimes.
00:43:09The director is good, and I like working with him.
00:43:12I'm sure you'll have a great role.
00:43:15Come with me for a shoot.
00:43:17A shoot?
00:43:19No, no.
00:43:22It's going to be hard if I don't sleep.
00:43:25Why didn't you sleep?
00:43:27I finished work two hours ago.
00:43:30I'm doing a role in another movie.
00:43:32The director doesn't want to change the shooting order.
00:43:35I told him to do it and that's it.
00:43:37Are you sure you're going to act in another movie?
00:43:40I'm going to be tired if I don't sleep.
00:43:43But I'm going to die crying.
00:43:45Are you serious?
00:43:47Yes.
00:44:03Good morning.
00:44:05We're going to shoot a long shot in the Antiquities Museum.
00:44:08The boy and the girl.
00:44:10Mr. Khan is here.
00:44:12Mr. Khan, let me introduce you to him.
00:44:14No, wait.
00:44:18Good morning.
00:44:20Good morning.
00:44:22Mr. Mohamed Khan, the great director,
00:44:24the director of photography,
00:44:26Dr. Mahmoud, the actor in the play.
00:44:29Welcome.
00:44:31You're late. Hurry up with the make-up.
00:44:34Let's go.
00:45:04Let's go.
00:45:11Excuse me, sir. I'd like to buy this place.
00:45:53Quiet!
00:45:55Rolling.
00:45:59Click.
00:46:01One more time.
00:46:08Action.
00:46:10Look at me.
00:46:15I'm telling you.
00:46:17Look at me.
00:46:19Look at me.
00:46:21Look at me.
00:46:23Look at me.
00:46:31Look at me.
00:46:41Stop.
00:47:01I'm going to eat a great meal.
00:47:03I've eaten everything.
00:47:05What are you going to eat, doctor?
00:47:07I don't know. You choose.
00:47:09Hamada, two kibbeh, two soujouks,
00:47:11two moukhs, two ashtas with honey,
00:47:13and some salads.
00:47:15Don't forget the cold.
00:47:17Okay. We're going to eat quickly.
00:47:19I want to introduce you to my friends.
00:47:21Are we going somewhere else?
00:47:23You've been up since 5 a.m.
00:47:25I've been up since yesterday.
00:47:27Yes, doctor. I'm not done yet.
00:47:31Let's go.
00:47:51Hi.
00:47:53Dr. Mahmoud,
00:47:55a doctor of theater arts.
00:47:57Mariam, Rami, Yahya,
00:47:59Yara, Ahmed, and Dalia.
00:48:01They're all working in the theater.
00:48:03Ahmed is an engineer,
00:48:05but he works in the theater.
00:48:07Where have I seen you before?
00:48:09You applied at our institute, didn't you?
00:48:11Yes, exactly.
00:48:13Did you apply or not?
00:48:15Some young people apply,
00:48:17and some don't.
00:48:21How long have you been in Russia, doctor?
00:48:23What?
00:48:25How long have you been in Russia, doctor?
00:48:27Four years.
00:48:29Rami wants to study in the U.S.
00:48:31What's he going to study?
00:48:33He's going to study American women's fertility.
00:48:37Why is it so dark in here?
00:48:39Let America help you.
00:48:41It'll help me instead of sitting here.
00:48:43Do you think people will recognize you?
00:48:45No, they won't.
00:48:47They'll think I'm a salesman.
00:48:57Do you want to dance?
00:48:59No, no, no.
00:49:01You dance.
00:49:27I've known you for a long time
00:49:29But you don't know
00:49:31How much I miss you
00:49:33You take my eyes
00:49:35My love, come closer
00:49:37Kiss me, kiss me, kiss me
00:49:39Don't be sad, don't be sad
00:49:41Kiss me, kiss me, kiss me
00:49:43I'll give you coffee
00:49:45Kiss me, kiss me, kiss me
00:49:47You'll be green
00:49:49My love, come closer
00:49:51Kiss me, kiss me, kiss me
00:49:53Don't be sad, don't be sad
00:49:55Come, doctor, please.
00:49:57No, no, no.
00:49:59No, no, no.
00:50:01No, no, no.
00:50:03Come with me for a second.
00:50:05I know you. I'm Dr. Mahmoud.
00:50:07Tarek.
00:50:09Come with me.
00:50:15What?
00:50:17Busy again?
00:50:19The phone's in the bag, I can't hear you.
00:50:21Oh.
00:50:23Dr. Mahmoud.
00:50:25He's a play doctor.
00:50:27Is that what you were arguing about?
00:50:29Now you're friends?
00:50:31I'm free to argue.
00:50:33Isn't that right?
00:50:37Doctor, I can't believe I found you here.
00:50:39You did a miracle in India.
00:50:43Do you know where India is from?
00:50:45Oh, her father.
00:50:47Her father died 15 years ago.
00:50:49Oh.
00:50:54Tarek, this is the last time I'm considering this.
00:50:56You're the one who doesn't want to believe it.
00:50:59So you're done talking?
00:51:01I want to talk now.
00:51:03I'm not the one who doesn't want to listen to anyone
00:51:05and look at people's lives and their moods.
00:51:07You're the one who sees yourself all the time
00:51:09and doesn't care.
00:51:11You're the one who supports me and laughs
00:51:13and you don't even think about yourself.
00:51:15You're the one I'm looking for, India, not me.
00:51:23HIDALGO, INDIA
00:51:48Good night, Doctor.
00:51:50No, I won't let you go like this.
00:51:52How are you?
00:51:53I'm fine.
00:51:55Go out and have a drink.
00:51:58I want to give you something.
00:52:08Take this.
00:52:09What is it?
00:52:10A gift.
00:52:13Don't open it. I'll open it at home.
00:52:15I'll make something to drink.
00:52:22The number you have dialed is not available at the moment. Please try again later.
00:52:40Do you need help?
00:52:42No, thank you.
00:52:45Can I ask you a personal question?
00:52:48Go ahead.
00:52:49Who was that man you were talking to?
00:52:54He was my friend.
00:52:56Why?
00:52:58Because we all think differently. I don't know how to continue.
00:53:05All relationships go through hard times. I have a good movie. Do you want to watch it?
00:53:11Okay.
00:53:19I love you.
00:53:49I love you.
00:54:20I love you.
00:54:32Where have you been? You left us.
00:54:36I was with Dr. Mahmoud.
00:54:39What happened?
00:54:40He was rude to you.
00:54:42I don't know he was rude to me.
00:54:49Good morning.
00:55:11Good morning, Hind.
00:55:12Good morning, doctor.
00:55:14I'm sorry. I don't know how I slept last night.
00:55:18When did you come down?
00:55:19After I slept.
00:55:21What are you going to do today?
00:55:23I'm going to watch a movie at Yahya's.
00:55:26Why don't you bring your friends and watch it here?
00:55:29Okay.
00:55:35Thank you for the gift.
00:55:37Do you like it?
00:55:39You know I like it.
00:55:47I spent most of my life among students.
00:55:50I grow older, and they are always younger.
00:55:54The distance between me and them is a centimeter.
00:55:57But suddenly, I thought of a question.
00:56:00Am I really close to them?
00:56:03The strange thing is that they are not much younger than me.
00:56:06Their ideas and ambitions are older than their age.
00:56:09They try their best to find their way in a situation that is more difficult than what I'm used to.
00:56:15Being close to them makes me not know if they need me or if I need them.
00:56:24Where have I been all this time?
00:56:27Where have I been?
00:56:44What are you doing?
00:56:46What are you doing?
00:56:48What are you doing?
00:56:50What are you doing?
00:56:52What are you doing?
00:56:54What are you doing?
00:56:56What are you doing?
00:56:58What are you doing?
00:57:00What are you doing?
00:57:02What are you doing?
00:57:04What are you doing?
00:57:06What are you doing?
00:57:08What are you doing?
00:57:10What are you doing?
00:57:12What are you doing?
00:57:15What are you doing?
00:57:17Is there still time for the First Cinema?
00:57:19Please, Doctor. We're almost there.
00:57:22And if you get tired soon enough, you can come here to rest for a few days.
00:57:26No, my brother. I'm fine, that's enough.
00:57:28It's boring, doctor. People don't sit down to take pictures or much...
00:57:30...and all that's yours! Why did you sell your BMW?
00:57:33I sell it so that I can travel.
00:57:34But then I'm not sure how to get around this
00:57:44You
00:58:14See
00:58:16What's that?
00:58:18I have to go now. My family is waiting for me.
00:58:20I don't want you to go alone.
00:58:22If I get scared, I'll go by myself.
00:58:24I don't want to eat alone.
00:58:26Shall we go?
00:58:28Let's go.
00:58:30Okay.
00:58:45I'll pick you up at 12.
00:58:47Okay.
00:59:03My father used to work a lot.
00:59:05He used to travel all over Egypt.
00:59:07We didn't stay in one place for more than a year.
00:59:09That's why he didn't have any friends.
00:59:11He was a friend of the cinema.
00:59:14I used to watch the movie
00:59:16and go home to act in front of the mirror.
00:59:18I loved acting.
00:59:20But I couldn't apply for the institute
00:59:22because my father wanted me to get into law school.
00:59:24I got into law school.
00:59:26He died a year later.
00:59:28I applied for the institute.
00:59:30I got a bachelor's degree.
00:59:32I traveled the world.
00:59:34I got married.
00:59:36I found myself back in teaching.
00:59:39Here.
00:59:41What? I'm not done yet.
00:59:49I graduated from a good university
00:59:51and went to Egypt to act.
00:59:53At first, it was very difficult
00:59:55to leave my mother alone.
00:59:57Especially since my brother is married
00:59:59and lives abroad.
01:00:01I asked her to come and stay with me.
01:00:03But she couldn't leave Alexandria.
01:00:08I visit her sometimes.
01:00:10She comes to stay with me.
01:00:12But that's not what I'm asking.
01:00:14What do you want to know?
01:00:16I want to know if I see you right.
01:00:18How do you see me?
01:00:20You smile, you run,
01:00:22you give energy to those around you.
01:00:24Doesn't anything bother you?
01:00:26You think nothing bothers me?
01:00:28But I can't change what bothers me.
01:00:30Should I change the way I look
01:00:32when I go up and down the stairs?
01:00:34Girls.
01:00:36They rent an apartment and work in the market.
01:00:38They think I'm an artist.
01:00:42Or the director who says,
01:00:44your teeth...
01:00:46I didn't think you'd fix them.
01:00:48Try me.
01:00:50Maybe next time you'll do better.
01:00:54The way I look around the world
01:00:56has brought me back to one thing.
01:00:58Cool.
01:01:00Do we have to get married?
01:01:02Why? We're good together.
01:01:04Love me the way you love me.
01:01:06What kind of love is this?
01:01:08What kind of love is this?
01:01:10The one you came to tell me about.
01:01:16I'm going to buy a brain.
01:01:30How are you, Sidi?
01:01:32What do you want me to do?
01:01:36Do you remember the job you told me about?
01:01:38I told you.
01:01:40It's done.
01:01:42But if you want me to fly it for you,
01:01:44I'll fly it for you.
01:01:46No, no.
01:01:48It's not a problem.
01:01:50Wait.
01:01:52There's another good job.
01:01:54Call me when you're done.
01:01:56But don't tell me
01:01:58you don't see or feel anything.
01:02:00I want to work.
01:02:02What do you mean you don't feel anything?
01:02:04He's on his cell phone.
01:02:06He said he left early.
01:02:08Maybe he has another job.
01:02:10I don't believe you.
01:02:12Go get him.
01:02:14Good morning, Mr. Hind.
01:02:16Where are the accessories?
01:02:18I'll get them in half an hour.
01:02:20Go get them.
01:02:22Go get the make-up.
01:02:26Good morning, Mr. Ali.
01:02:28Good morning.
01:02:30Dr. Mahmoud.
01:02:32How are you, doctor?
01:02:34Stay where you are.
01:02:36I'll be back in a minute.
01:02:44Excuse me, Mr. Khan.
01:02:46What is it?
01:02:48The officer isn't coming.
01:02:50Can we ask Dr. Mahmoud to do the job for him?
01:02:52Who?
01:02:54The guy over there.
01:02:56I don't need an actor.
01:02:58Dr. Mahmoud!
01:03:00Let's ask him to do the job.
01:03:02No, I can't do it.
01:03:04It's a small role.
01:03:06I can't do it.
01:03:08Come with me.
01:03:10I'll knock on the door.
01:03:12The soldiers are behind you.
01:03:14You'll come in.
01:03:16You'll tell them to come in.
01:03:18Remember the dialogue?
01:03:20Yes, sir.
01:03:22Let's go.
01:03:24Rolling.
01:03:26Click.
01:03:30Action.
01:03:34Action.
01:03:36Action.
01:03:38Action.
01:03:40Stop.
01:03:46Why didn't you knock?
01:03:48I'm sorry.
01:03:50You'll knock after the action.
01:03:52Ready, sir?
01:03:5456-2, take 2.
01:03:58Action.
01:04:00Action.
01:04:18Stop, stop, stop.
01:04:20When did you come, doctor?
01:04:22I'm sorry.
01:04:24I'm sorry.
01:04:26Let's go.
01:04:28Again.
01:04:3056-2, take 3.
01:04:34Stop.
01:04:36Stop.
01:04:40Take 6.
01:04:42Action.
01:04:46Stop.
01:04:50Take 9.
01:04:52Take 12.
01:04:56Action.
01:04:58Take 14.
01:05:00Again.
01:05:02Take 17.
01:05:04Let's go.
01:05:06Action.
01:05:10Take 19.
01:05:12Action.
01:05:14Let's go.
01:05:16Search the place.
01:05:18Stop.
01:05:48Action.
01:06:18Stop.
01:06:20Stop.
01:06:22Stop.
01:06:24Stop.
01:06:26Stop.
01:06:28Stop.
01:06:30Stop.
01:06:32Stop.
01:06:34Stop.
01:06:36Stop.
01:06:38Stop.
01:06:40Stop.
01:06:42Stop.
01:06:44Stop.
01:06:46Stop.
01:06:48Stop.
01:06:50Stop.
01:06:52Stop.
01:06:54Stop.
01:06:56Stop.
01:06:58Stop.
01:07:00Stop.
01:07:02Stop.
01:07:04Stop.
01:07:06Stop.
01:07:08Stop.
01:07:10Stop.
01:07:12Stop.
01:07:14Stop.
01:07:16Stop.
01:07:18Stop.
01:07:20Stop.
01:07:22Stop.
01:07:24Stop.
01:07:26Stop.
01:07:28Stop.
01:07:30Stop.
01:07:32Stop.
01:07:34Stop.
01:07:36Stop.
01:07:38Stop.
01:07:40Stop.
01:07:42Stop.
01:07:44Stop.
01:07:46Stop.
01:07:48Stop.
01:07:50Stop.
01:07:52Stop.
01:07:54Stop.
01:07:56Stop.
01:07:58Stop.
01:08:00Stop.
01:08:02Stop.
01:08:04Stop.
01:08:06Stop.
01:08:08Stop.
01:08:10What brings you here?
01:08:13I called you. I've been trying to reach you.
01:08:16I'm back late. Is something wrong?
01:08:18No, I just want to make sure you're okay.
01:08:20I'm fine.
01:08:22Why are you talking to me like that?
01:08:24Why have you changed?
01:08:25I haven't changed at all.
01:08:27I've always been like this.
01:08:29But in the last two days, I haven't seen another man.
01:08:34Yes.
01:08:35A stupid man.
01:08:37No, that's not true.
01:08:39Why do you want to isolate yourself again?
01:08:41Are you afraid that your life will change?
01:08:43You're the one who's going to change my life.
01:08:45Don't you feel that the last two days were much better?
01:08:47No, the first day was better.
01:08:49No, the first day there was nothing at all.
01:08:51Shut up.
01:08:52And what's the problem that you tried something and it didn't work?
01:08:55That's not the problem.
01:08:57The problem is that I discovered that everything I've done in my life
01:09:00was for fear.
01:09:01I called it something else.
01:09:03A fear of acting.
01:09:04I called it the message of the Holy Teaching.
01:09:07A failure in dealing with the world that is changing.
01:09:10An order.
01:09:13The fake feelings between me and my wife that I called love.
01:09:19I failed.
01:09:22In everything in my life.
01:09:24Because I was afraid.
01:09:31We want to remove this fear from you.
01:09:35To build the other face.
01:09:39The beautiful face that I saw.
01:09:43The same face that the whole world sees with me.
01:10:04I don't know if you understand me or not.
01:10:11I love you.
01:10:14And I'm afraid of you.
01:10:34I love you.
01:11:04I love you.
01:11:11Okay.
01:11:13We're ready for the next pack shot when the hand model is ready.
01:11:20How are you?
01:11:21I'm fine. How are you?
01:11:23Thank God.
01:11:24Congratulations, sir.
01:11:25Congratulations for what?
01:11:27I heard you won a train.
01:11:29Yes.
01:11:30That's even better.
01:11:31This girl is playing with all the colors.
01:11:33Even these days, she walks with a big guy and kisses him.
01:11:36What guy?
01:11:37A guy who wants to be in their back and take them out of the train.
01:11:41And you heard this from whom?
01:11:43From me.
01:11:44My aunt put these two before me.
01:11:47But I gave them to her.
01:11:49Go, son. God really loves you.
01:11:53Do you believe that you're a dirty guy?
01:11:56Dirty?
01:11:57Yes, dirty.
01:11:58It's my right, uncle.
01:11:59Get up. Get up.
01:12:19Hello.
01:12:20Hello.
01:12:21Dr. Mahmoud.
01:12:23I'm sorry, I'm late.
01:12:26Yes, I remember you.
01:12:28I wanted to talk to you.
01:12:31About what?
01:12:35Good morning, sir.
01:12:36Would you like something to drink?
01:12:37Drink what?
01:12:39Nothing, thank you.
01:12:40Cappuccino.
01:12:44What's your relationship with Hind?
01:12:49What do you mean?
01:12:52I mean that I love her.
01:12:54And I'm sure that she loves me too.
01:12:57And when you're so sure, why are you afraid of me?
01:13:02No, I'm not afraid of you.
01:13:04But sometimes girls think that a grown man is more mature and calm.
01:13:12I think that this discussion should be between you and Hind.
01:13:16I have no place in it.
01:13:18No, there's something important that you should know very well.
01:13:21That I can't leave Hind.
01:13:24Give it to me, sir. I know what I'm doing.
01:13:31You're making fun of me.
01:13:33It doesn't matter.
01:13:35I just wanted to tell you what I have.
01:13:40I also want to tell you what I have.
01:13:42The story is not about age, maturity or anything else.
01:13:46There's a problem between you two.
01:13:48The day you solve it, you'll find that she's the one running after you.
01:13:54You're mistaken.
01:13:57I don't want her to run after me.
01:13:59I want her with me.
01:14:04Excuse me.
01:14:23I'm sorry.
01:14:30Hind, the road is outside.
01:14:53I'm sorry.
01:15:04I still love you.
01:15:06It's hard to love someone for real and leave them easily.
01:15:11When we left each other, everything changed.
01:15:15And I felt that I had to change too.
01:15:18I was afraid.
01:15:20I don't know why I was afraid.
01:15:22Maybe I was afraid of change.
01:15:24But this fear was very strange.
01:15:26I never felt it before.
01:15:29Then I was able to stand up and decide.
01:15:32What is important to me and who is important to me.
01:15:37Hind, I love you.
01:15:39I changed because I really loved you.
01:15:49But I'm like a fool.
01:15:53There's nothing clear to me.
01:15:57I don't know what I want.
01:16:00I don't know what's right or wrong.
01:16:03I know.
01:16:04I was also like a fool like you.
01:16:08But I'm sure that after this mistake, everything will be clear to you.
01:16:13You'll understand yourself.
01:16:15You'll know exactly what you want.
01:16:18And that's what's important.
01:16:22I love you.
01:16:26Hind, I heard that they were talking about you.
01:16:28And then you said two sentences in an hour and a half.
01:16:30Mr. Sosan, should we let our madam go?