The phrase "nearest and dearest" often evokes a sense of warmth, family, and close relationships. It's a term that brings to mind the people we hold closest to our hearts—our family, friends, and loved ones. However, in the context of British television, "Nearest and Dearest" takes on a different meaning, referring to a classic sitcom that captured the hearts of many.
"Nearest and Dearest" was a British television sitcom that aired from 1968 to 1973. The show starred Hylda Baker and Jimmy Jewel as Nellie and Eli Pledge, siblings who inherit their father's pickle business in Colne, Lancashire. The series was known for its humor derived from the characters' squabbles, malapropisms, and the unique dynamics of a family-run business.
The premise of the show was simple yet effective: Nellie, a hard-working spinster, and Eli, a womanizing slacker, must run the family business together to inherit their father's fortune. This setup led to comedic situations and memorable catchphrases that are still recognized by fans of classic British comedy.
Despite the on-screen chemistry between Baker and Jewel, it was widely reported that the two did not get along off-screen, adding a layer of intrigue to the show's history. Their tumultuous relationship is often cited as one of the most toxic in British sitcom history.
"Nearest and Dearest" also serves as a cultural touchstone, reflecting the era's social norms and the changing landscape of British comedy. It's a show that, while rooted in the 1960s and 70s, continues to find new audiences who appreciate its wit and charm.
For those who grew up watching "Nearest and Dearest," the show remains a nostalgic reminder of a bygone era of television. And for newcomers, it offers a glimpse into the rich tapestry of British humor and the timeless appeal of family dynamics in storytelling.
Whether you're revisiting the series or discovering it for the first time, "Nearest and Dearest" stands as a testament to the enduring nature of well-crafted comedy and the universal themes of family and ambition. It's a piece of television history that continues to be nearest and dearest to many viewers' hearts.
Listen to our radio station Old Time Radio https://link.radioking.com/otradio
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Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
"Nearest and Dearest" was a British television sitcom that aired from 1968 to 1973. The show starred Hylda Baker and Jimmy Jewel as Nellie and Eli Pledge, siblings who inherit their father's pickle business in Colne, Lancashire. The series was known for its humor derived from the characters' squabbles, malapropisms, and the unique dynamics of a family-run business.
The premise of the show was simple yet effective: Nellie, a hard-working spinster, and Eli, a womanizing slacker, must run the family business together to inherit their father's fortune. This setup led to comedic situations and memorable catchphrases that are still recognized by fans of classic British comedy.
Despite the on-screen chemistry between Baker and Jewel, it was widely reported that the two did not get along off-screen, adding a layer of intrigue to the show's history. Their tumultuous relationship is often cited as one of the most toxic in British sitcom history.
"Nearest and Dearest" also serves as a cultural touchstone, reflecting the era's social norms and the changing landscape of British comedy. It's a show that, while rooted in the 1960s and 70s, continues to find new audiences who appreciate its wit and charm.
For those who grew up watching "Nearest and Dearest," the show remains a nostalgic reminder of a bygone era of television. And for newcomers, it offers a glimpse into the rich tapestry of British humor and the timeless appeal of family dynamics in storytelling.
Whether you're revisiting the series or discovering it for the first time, "Nearest and Dearest" stands as a testament to the enduring nature of well-crafted comedy and the universal themes of family and ambition. It's a piece of television history that continues to be nearest and dearest to many viewers' hearts.
Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon
Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
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FunTranscript
00:00Nearest and Dearest, P584, Program No. 15, Part 1, Take 1.
00:30Quick, quick! There's a fella following me.
00:59Congratulations, madam.
01:01He's got rubber shoes on.
01:02Well, they're his feet, love.
01:04Yeah, well, he's got rubber shoes on so he can make a quick getaway, you see.
01:07What he's gonna do is stick me up and grab all I've got.
01:11Have you not brought your bodyguard this week?
01:13No, yes, here he is.
01:15I'm sorry, missionary, I got held up.
01:17Did you?
01:18By a policeman.
01:19Oh.
01:20Well, did you not tell him you were going to protect me with your weapon?
01:27He made me put it away.
01:31He said it was offensive.
01:34So I hid it under me mat.
01:37Look at the state of him, Jeremy.
01:39Humphrey Bogart lives.
01:41I take it he's just won the weekly wages for the factory?
01:44That's right, yes.
01:45Help me! Help me!
01:46It's him! It's him!
01:48No!
01:49Stop! Stop!
01:50Before you put your boot in, Humphrey, perhaps you'd like to be introduced.
01:53This is Mr. Mildew, our new manager.
01:56Oh, don't get to it.
01:59How do you do, Mr. Mildew?
02:02You haven't had the pleasure of me yet, have you?
02:05No, but I'm delighted to meet you, Miss Pledge.
02:07Oh, thank you, very glad.
02:09I've been looking forward to meeting you, Miss Pledge.
02:11I wanted to talk to you about your enormous overdraft.
02:14What do you mean? How dare...
02:16Oh, I beg your pardon.
02:18Oh, yes, my overdraft.
02:19Oh, don't worry about that.
02:21I mean, I'll soon settle that.
02:22Oh, splendid.
02:23Yes, I'll make you out a cheque.
02:25Oh, Johnny...
02:27What do you mean, you can't do that?
02:29Oh, it's no trouble at all, no trouble.
02:31You just give Stan the wages, and I'll make out the cheque.
02:34Have it.
02:36Miss Pledge, your firm is virtually bankrupt since that new company,
02:40Hardcastle's Pickles, set up in opposition to you.
02:42The bank can no longer extend you any credit.
02:45Oh.
02:46Well, how about lending us some money, then?
02:50What you're saying, Mr Hardcastle, is that if I sign this
02:52and your firm takes over my factory,
02:54I get a seat on your board of directors?
02:56You shall have an office with your name on it
02:59and a key to our executive lavatory.
03:03It is inside, is it?
03:05Aye, well, it will be.
03:06Oh.
03:07And you shall also have your own personal private secretary.
03:10Could I have one of those with long legs?
03:13I'll go further, and I'll slip in one with a nice pair of the other as well.
03:17Well, this takes a lot of thinking over, you know.
03:19I'll have to give it great consideration, and the answer's yes.
03:21By God, Eli, you know how to play hard to get.
03:24Well...
03:25Oh, bloody hell.
03:27We can't pay the wages.
03:29We've been bankruptured.
03:33You've been bankrupt?
03:34Yes, yes, it's that hard-hearted Harry Hardcastle that's done it.
03:37You wait till I get the hands on him.
03:39I'll stuff his olives for him.
03:42What are you doing for him, that?
03:44That's hard-hearted Harry.
03:45I mean, meet Mr Hardcastle.
03:46Oh, so you're the one that believes in this new method of mass prostitution, eh?
03:54Let me tell you that it is the pickle that counts.
03:59Every pickle of pledges has to be handled by human hand.
04:04Hand feet, hand feet.
04:06Come here, come here.
04:07He's made us a very generous offer for this dump, I mean place.
04:10Haven't you, Mr Hardcastle, sir?
04:13Please, please.
04:14I were, but why should I buy you out if I can starve you out?
04:21I'll fight you to the last drop of pickling vinegar.
04:24Hold on about that.
04:26You know for the last six months we've been swiping our vinegar off bloody chip shop counters.
04:30I'm not going to lie down in front of him and let it get on top of me.
04:36Nelly, we can't compete with him.
04:38He's got a modern factory.
04:39You've just said yourself we're bankrupt.
04:41We've got over those sort of things before.
04:43Look at me mum and dad in the 1930s during the depression.
04:46Yes, but they never knew anything good, so they never missed anything.
04:50Well, I know my mother was a tower of strength.
04:52Look how she took him washing when we were in trouble.
04:55I thought the people's bloody clotheslines.
04:58Plenteous pickles have survived for 129 years.
05:01And they will survive for another 125 years.
05:05And I know how we're going to survive, love.
05:07How?
05:08I'm going down on my knees to Mr Hardcastle and ask him to take his offer.
05:10He will take us over over my dog's body.
05:13You mean over your dead body?
05:15I don't care whose dog's dead body he's going to take us over.
05:18He's not going to take us over.
05:20I won't.
05:27And three, and that's it.
05:29Is that all the wages I'm getting this week, Miss Nelly?
05:33We've all got to make sacrifices, you know.
05:35I mean, where do you think all our furniture is, you know?
05:37Ah, Lily Entwistle walked past Paul's shop this morning.
05:40She looked out the window.
05:41She went in for a cup of tea.
05:42She thought it were our bloody house.
05:45See, things have changed, you see, Stan.
05:48We're not exactly in the affluent society.
05:52If you ask me, we're in the affluent right up to our eyeballs.
05:56I can't live on this.
05:58The cost of living's very high in me new skyscraper council flat.
06:03Skyscraper council flat?
06:05Ah, you know, Freddy Finnegan had one of them.
06:07Did he?
06:08Ah, first Aunt Rentman called.
06:10He hopped out the back window, as usual.
06:12He forgot he were on 19th floor.
06:15I thought I hadn't seen him.
06:18Can't you spare me another few shillings?
06:21What if I could, but I can't?
06:23Oh, well.
06:25Back as a bloody colour television set.
06:31I see what you've done.
06:32We'll have them all round here with their hard luck stories.
06:34Well, they can come, because there's no forum.
06:37Mog off, we're broke.
06:38Mog off, we're skint.
06:41I've told you we've got enough for you.
06:42Go on, up you get.
06:43Oh, Mr Hardcastle, sir.
06:45Oh, it is nice to see you.
06:46Excuse me, your shoelaces are undone.
06:48Come out of it.
06:49Didn't I tell you not to doorstep my darken again?
06:52Hang on, Nellie, hang on.
06:54Hey, I'm glad you've come, sir.
06:55You have come to take us over, please, sir, haven't you?
06:57Get out of it.
06:58You get out of it.
06:59Get down to the wine cellar and get the best bottle of our burgundy,
07:02so we can celebrate takeover.
07:04Burgundy?
07:05I shouldn't think you've got a bottle of dandelion and burdock between you.
07:08Look at the state that you're in.
07:10Ah, you're supping bout, Eli.
07:13Bricks is down and the bottoms fell out,
07:15or as we say down on the stock exchange,
07:17you're well and truly knackered.
07:19We are not.
07:21Oh, yes, we are.
07:22Oh, no, we are not knackered.
07:24We are not knackered, knickered or knockered.
07:27Not while my loyal workers give me their loving infection.
07:33That's a good one, your loyal and loving workers.
07:36They're under contact to me now.
07:39To whom do you think you're undressing?
07:43Do you think I came up the ur-well on me mam's piano?
07:47Those loyal workers will stand by this stinking ship.
07:51Well, if you don't believe me, ask them yourself.
07:53Come on, lads, mush, mush.
07:58Bloody hell, it's the Magnificent Seven.
08:02This is going to make you laugh, this lot.
08:04You're going to laugh like anything you are.
08:07I had a concert, I'll tell you the truth.
08:09Do you know what this fella says here?
08:11This one here.
08:13He says that you are all going to pickle for him.
08:17He says that you are all going to pickle for him.
08:22That makes you laugh, doesn't it, eh?
08:25Well, say something.
08:27It's true, Miss Nelly.
08:29We are going to work for him.
08:32You specky-eyed skunk heap, you.
08:38You bunch of quislings.
08:40Only this morning our Nelly was saying,
08:42listen to the happy chatter coming from the pickling shed.
08:45That wasn't happy chatter, Eli.
08:47That was our bellies rumbling.
08:51We'll soon settle that tonight at that lovely hot pot supper
08:54that I've promised you at the Spread Eagle.
08:56What do you think about that?
08:58Can I come too, please, sir?
09:00You don't want his hot pot supper.
09:02Besides, spoiler appetite,
09:04for the lovely supper I've cooked for you.
09:06Have you cooked your supper for me?
09:08Honest, Nelly, honest.
09:09All right, come on, me lucky lads,
09:11you are under contract to me from now on.
09:13It's now days of wine and roses.
09:16Get fell in down to that pub,
09:18feed under the table,
09:19and wrap some of that lovely hot pot round your gums.
09:22That's right, go and get your lousy hot pot.
09:25Go on, you wine and roses.
09:27All you get is potatoes and bristle.
09:30I'm telling you, that's right,
09:32get down to the Spread Eagle.
09:34Hot pot, ask the landlord of the Spread Eagle
09:37about the hot pot.
09:39Ask him what happened to his greyhound
09:41that ran backwards at Rochdale.
09:45You have all sold yourself
09:47for a message of potash.
09:49Come on, Nelly, get in that kitchen.
09:51Where's this big dinner you've cooked for me?
09:53By, I'm waiting to go to work on it.
09:55Wait a minute, there you are.
09:57Go to work on that.
10:01One flaming egg?
10:02Is that all I'm getting?
10:04No, you are not getting one flaming egg.
10:06You're getting one half a flaming egg.
10:09The other half of the flaming egg is for me.
10:39Hang on, what did you say, mate?
10:45I'm doing the best I can.
10:47I'm trying to get you something to eat, love.
10:50Oh, have you nothing better to do than talk to yourself?
10:53I'm talking to me stomach. Listen.
10:56I think that last message was its final communique.
10:59Hey, what are you doing? Stop sitting there for a week now.
11:02You'll be getting cogs on your behind.
11:04Nelly, I must have something to eat. I'm starving.
11:07Look at me, it's dropping off me.
11:09Bloody suits you.
11:11Look, I can't keep that factory going by myself.
11:14Did you manage to keep the production line going on your own this morning?
11:17Well, me beetroot's boiled over twice,
11:19and I didn't like the look of me chutney.
11:22Well, you'll have to come over with me this afternoon.
11:25You know, anyway, better get something to eat.
11:27What we having?
11:28Keep up your strength.
11:29What we having?
11:30We're having, er, pickle salad.
11:32Oh, not again.
11:34Well, I've done it different for you this time, love.
11:36How?
11:37I've grilled a pickle early.
11:39Nelly, a man can't survive on a diet of pickled onions,
11:42pickled cabbage, pickled beetroot,
11:44followed by stuffed olive pudding.
11:46You've no sooner had a meal like that than it's gone with the wind.
11:51Oh, I had a lovely dream last night.
11:53I dreamt I had a great big steak and kidney pudding,
11:56all full of lovely onion gravy.
11:58Don't, Nelly, don't.
12:00I just took a great big bite and then I woke up.
12:02I ain't never went through.
12:04What happened?
12:05I bit a big hole in me hot water bottle.
12:10Hey, you know what I dream about, don't you?
12:14No, not that. I'm too weak for that.
12:18Last night, I dreamt I had great big juicy steaks.
12:21I'd runt for starters,
12:23fillet for middle course,
12:25and sirloin for sweets.
12:27I never looked at the topless waitress once.
12:29Nelly, it's the fourth night since we had any meat.
12:33Why can't we have any meat?
12:35Well, we haven't got any money.
12:36That's why we can't have any meat.
12:38And don't look at me like that.
12:41Don't get any ideas about me and that pork butcher.
12:46I'm not doing that for a bit of neck end.
12:52Hey, hey, hey, hey, hey, hey.
12:54What are you doing?
12:55I must have meat, Nelly.
12:56Meat?
12:57Hey, a slice of that would go down very well
13:00with some mint sauce or a bit of redcurrant jelly.
13:03What have you got to do with redcurrant jelly?
13:05Well, in that case, there's only one thing left.
13:07What do you mean?
13:08The horse.
13:09Not Storm.
13:11This won't be the first time this family's had horse, you know.
13:14Where do you think his mother went to
13:16during the bloody depression?
13:18She must be in her nap and forking to Storm.
13:21Or into me, for that matter.
13:23There's only one thing we can do.
13:25Think of something else to pawn.
13:28Well, don't look at me.
13:30You won't get much for this lot. I've tried.
13:33Even the oily firewood man sent it back.
13:37With note left now, my slave bangle's gone.
13:40Nelly, we have the attic,
13:44the family heirlooms.
13:46Well, we can't do that, Eli. We can't do that.
13:48Nelly, think.
13:49Roast pork with crispy crackling.
13:51Roast beef, Yorkshire pudding
13:54with lovely crispy potatoes and Brussels sprouts
13:56followed by spotted dick.
13:58Covered in crusted.
14:00Made in a big dolly tub.
14:01Yes.
14:02What are we waiting for? Come on.
14:04Right.
14:07The last days of Storm
14:13They left me in the blue
14:20All the lovely old times
14:27Are faded and gone
14:32Oh, we can't pawn those, you know.
14:34They were me mother's favourites.
14:36What are you doing?
14:41Nelly, we wouldn't get out for that lot.
14:43I mean, if music today, it's all hi-fi and unzipped, you fly.
14:47Who wants a 78 if he played his ukulele as the ship went down?
14:51This, Sonny Boy.
14:54You remember Al Jolson?
14:55He, when I was little,
14:57me mother used to put me on with her knee and she used to sing
15:00Climb upon my knees, Sonny Boy
15:04She never sang Sonny Boy to you, did she?
15:06Well, what else could she do? You were in the brownies.
15:11Oh, look.
15:13Me first little baby clog.
15:16Is it true you were wearing them when you were born?
15:19Me mother always said it was a difficult birth.
15:23Hey, there's only one thing to do. We'll have to get rid of this, then.
15:25Sorry, Walt. You'll never do that. That's me mum's wedding dress.
15:29Oh, I can see her now, at her wedding,
15:33walking down the aisle with it on.
15:36Of course, you were there at the time, weren't you?
15:40I was not even expecting.
15:42I mean, expected.
15:44Well, as far as I know.
15:47Hey, look.
15:48What?
15:49There's somebody downstairs.
15:50Is it burglars, do you think?
15:52Well, I hope for their sake it's cat burglars.
15:54It's the only thing left to bloody well sell is the cat.
15:57Cooey, Nelly, Eli, have you flipped it?
16:01Oh, bloody hell.
16:03It's Pinky and Perky.
16:05No, not family, no, no.
16:07I mean, I'm too ashamed. I couldn't face them.
16:09Let's keep quiet and they'll go away.
16:11No, no, no, Nelly. I've got an idea.
16:13We'll keep them here.
16:14Why? What for?
16:15Well, you know Walter's always been tight with his brass.
16:17Get down there and touch him up.
16:18You what?
16:20I mean, touch him up for some money alone.
16:23We can't lose.
16:24What do you mean, we can't lose?
16:25He's bound to kick the bucket before we have to pay him back, isn't he?
16:30It's right, then.
16:32Come on, we might as well sit down.
16:34We can't damage note.
16:37Oh, it's a cold hall, is this.
16:40Well, it's true what they say.
16:42They really are scratting.
16:44Oh, really are.
16:46But Walter, flower of the morning and flavour of the month.
16:51Oh, it is nice to see you.
16:54What's that heavy perfume you've got on?
16:56Oh, it's not perfume.
16:58No, I spilled it all down myself this morning.
17:00It's our Walter's bowel water.
17:03Oh, Nelly, Walter.
17:05You've caught us all on the front.
17:07Just as we've been cleaned out.
17:09I mean, sent the furniture to the cleaners.
17:11Oh, fancy.
17:13Oh, how are you, Walter?
17:15Hey, love.
17:16Have they told you when you have to go in to have it out?
17:21He's not telling.
17:22They've told him to get plenty of fresh air.
17:25As a matter of fact, we're on our way to have a picnic now.
17:28Where are you going? The Garden of Remembrance?
17:31No, we're going to that new lay-by on the bypass.
17:34We've never been there yet.
17:36He's got his sandwiches with him.
17:39Oh, he does like a bit outside, doesn't he?
17:43Hey, you've cut him plenty, haven't you?
17:45Yes, I mean, that cucumber will murder him, you know.
17:48Hey, do you think you'd bother facing him a bit?
17:50Oh, no, he's got his appetite back since he recovered from that accident.
17:54Accident?
17:55What accident was that?
17:57You know, about a month ago.
17:59When he got swept along the gutter by that mechanical road sweeper.
18:03Oh, yes, and after he came out in that awful rash, didn't he?
18:07They said it were leaf mould.
18:10He got his compensation from Corporation, did he?
18:13Oh, yes, it's all come through.
18:15Oh, it must have been a great sort of magnanimous lot of money you got then,
18:20seeing as how he was in his own garden when it happened.
18:24We're not complaining. It was a tidy sum.
18:27Wouldn't be surprised if they happened to put the rates up again.
18:30Hmm, so you'll be thinking of infesting the money somewhere, will you?
18:34Like in some shares in an old established company, you know,
18:38with a forward-looking bunch of directors?
18:40You mean like Pledge's Pickles?
18:42Oh, Nellie, she's caught on. She has got a brain, this girl.
18:45How much?
18:46Note.
18:47What?
18:48Note?
18:49What a fisty toe-rag, you.
18:51Don't you call me Nellie Pledge.
18:53When her chippy told everybody at Christian Fellowship,
18:56I was ashamed to be related.
18:58You ashamed of me? You're getting a bit above yourself, aren't you, madam?
19:02I've seen you before you had a brass doorstep.
19:05Both of you having your dinners off one plate.
19:08We've never asked nobody for a shilling for gas, we haven't.
19:11No, that's because you're still using candles.
19:13And you've no room to talk, here, like Pledge.
19:15It's you that's brought this firm down.
19:17Look at my Walter. He's never strained his resources.
19:20I can tell that, that way he walks.
19:23Come on, Walter, we're not stopping here
19:25Come on, Walter, we're not stopping here
19:27to be insulted by a jealous Fort Watt's-got-note.
19:30Yes, well, you won't be seeing the merry witty Walt, you know,
19:33when he kicks the bucket,
19:35because he's the sort that'll leave it to a cat's home
19:38in a sweaty sock.
19:42Nellie, Nellie.
19:43What?
19:44Offer you, offer me.
19:45Wait, you take us bread from us now.
19:50Well, when your own flesh and blood turn their back
19:54and give you the cold shoulder, you can see the ends in sight.
19:58Nellie, you're not throwing towel in, are you, love?
20:01And bucket as well, too, if you haven't formed it.
20:03Well, it's the old saying, Nellie,
20:05from clogs to clogs in three generations.
20:08Only me managed it in one.
20:10A Pledge has pickled on this infested soil
20:15since time immemorial.
20:18And that was before the war, immemorial.
20:22I never thought that sick day when pickling had to stop.
20:25No.
20:26It hurts when you're cut off suddenly.
20:30I wonder what me dad's thinking up there,
20:33turning in his grave.
20:35We did our best, Dad.
20:36I mean, he'd have been proud of us.
20:38I mean, even our Eli did some work at the end.
20:41Didn't he, Eli? Where's he gone?
20:43Eli, Eli, where are you?
20:45Gas, I can smell gas.
20:47No, well, it turned off.
20:49Hey!
20:50Oh, you gave me palpitation in the pulpit.
20:53I thought you'd gone to do something.
20:55What, in the pulpit?
20:57No, Nellie.
20:58I heard postman at yard, so I went out.
21:01Thought I might have got some replies
21:02to those begging letters I wrote
21:03to football pools with us last week.
21:05Begging letters?
21:06We haven't sunk as low as that, have we?
21:08Begging letters?
21:09Aren't you ashamed of yourself?
21:11Did they send you anything?
21:13No.
21:14You know what these are, don't you?
21:15No.
21:16Bloody tragic.
21:17They're orders for pickles from all o'er the place.
21:19Listen to this, Nellie.
21:21Dear sir, please send four dozen jars
21:23of your pungent piccolilli
21:25and all the gherkins you've got.
21:27I've got a piccolilli packer in the place.
21:33Bloody hell, they're back the skinheads.
21:37Well, you fine person that I matured in my bosom,
21:40what do you want, holiday pay?
21:44No, no, Miss Nellie.
21:45We've come to ask for us jobs back.
21:47Well...
21:49What?
21:50Your jobs?
21:51Oh, thank you very much.
21:52Oh, thank you.
21:53From the bottom of my heart, I thank you.
21:56And from our Eli's bottom, too.
22:01Well, it's cos we've all been sacked from Hardcastle.
22:04Sacked?
22:05Didn't you see the article in the newspaper?
22:09Article?
22:10I haven't seen a bloody chip in a newspaper
22:12never mind about an article.
22:13Hardcastle's been had up with Corporation under Hygienic Act.
22:17He's a pound of foreign body and he's pickled.
22:21Foreign body? Whose was he?
22:23He's one of me schlock irons.
22:27How the hell did he get in there?
22:29He were hiding in his feet in Hardcastle's vinegar
22:32back before he went on a charity walk.
22:36Oh, you dirty thing, you.
22:38Anyway, they've closed him down and he's gone bust.
22:41The phantom clogger strikes again.
22:44Welcome back, all of you.
22:46And thank you.
22:47Yes, and in the words of the poet, none of you get pickling.
22:50Go on.
23:00Well, Nanny Love, we've won through.
23:02Yes, we have and we always will.
23:05There's just one thing, Nanny Love.
23:07Yes, love?
23:08I'm still bloody starving.
23:09Me too.
23:10Me too.
23:11My stomach thinks me throat's cut.
23:13Still, we should get some money this weekend.
23:16I know, but it's already bloody Monday.
23:19Hello.
23:20Oh, and what can we do for you, Lily No-Knicks?
23:26Well, me and Walter's been talking it over
23:28and we're prepared to bury the hatchet.
23:30Oh, so am I.
23:32Right in the middle of your Walter's bloody bald head.
23:37Well, you may be pig-ignorant, but you are family
23:40and you are in trouble and we think we ought to help you.
23:43Pig-ignorant and what?
23:45You mean you want to give us a bit of Walter's compensation money?
23:49No, but we've decided to give you sandwiches.
23:52Sandwiches?
23:53I wouldn't take your sandwiches
23:55if you shoved them down my throat with a shovel.
23:58Well, is that your attitude?
23:59No, this is my attitude to your sandwiches.
24:07So, there.
24:08There.
24:09I see.
24:10Yes, this firm's back on its feet.
24:12We can buy and sell you five times over.
24:14Yeah, so get out.
24:15Right, we will do.
24:16And don't come back here when you're playing in charity.
24:21That told them.
24:22It did.
24:25I want the spouts. Give me the spouts.
24:36THE END
25:06THE END
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