Sueños de Libertad - Capítulo 99 (en Español)
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00:00But if my father's collection does not have the 1953 stamp, that would prove that the letter is false.
00:16Andres?
00:18You are an angel like my daughter, and it turns out that we are leaving today.
00:23Are you leaving?
00:25Yes.
00:27For a moment I thought that someone had falsified it, but no.
00:32The collection is complete.
00:34Yes, they were ordered by year. 1952, 1953 ...
00:41How strange, in 1953 one is missing.
00:48What do you tell me? Are we a team or not?
00:51Let me go! Let me go!
00:53Animal, look what you've done!
00:54I'm sorry, let me help you.
00:57She's not your daughter, liar.
01:01Mercedes.
01:03She's not your daughter, she's mine.
01:06She's not yours, she's mine!
01:09Shut up!
01:11Shut up!
01:24To live in another way.
01:27Wings to fly.
01:29Wherever the soul wants.
01:31Dreams of freedom.
01:33The heart does not wait.
01:35It's asking for another chance.
01:39Dreams of freedom.
01:41Although the past hurts.
01:44Start again.
01:46Love whoever I want.
01:48Tell them my truth.
01:50Live without fear and without looking back.
01:54Go.
02:10Dreams of freedom.
02:25She has high blood pressure.
02:27But it is normal if it has changed as much as you say.
02:30It will go down as she relaxes.
02:32Well, now it's much better.
02:34And what happened? Why has she become nervous?
02:37Nothing out of the ordinary, doctor.
02:39I came to look for Julia and when the baby came out,
02:42she started screaming out of herself.
02:44Without any reason?
02:46Without any reason.
02:48She said incongruous things.
02:50And since I couldn't calm her down, I told Begoña.
02:52I don't know.
02:54It's weird that she got like that without coming to account.
02:58Sometimes she confuses me with Julia.
03:00She thinks I'm the baby.
03:02Do you think that could be it?
03:04Maybe she is reliving the trauma of when she was separated from you.
03:07And she has associated Julia's departure with your separation.
03:11But do you think it hurts Julia?
03:13No, I don't think so.
03:15But we would have to talk to the sanatorium specialist.
03:17Maybe it wasn't a good idea to get her out of there, right?
03:20On the contrary.
03:22I don't think she's going to be anywhere better than with her daughter.
03:25What happens is that she needs a little patience and affection until she gets used to it.
03:28And wouldn't it be good for a tranquilizer if it happened to her again?
03:32No, she's already taking her medication.
03:34What would be good for her is to rest in her room for a while.
03:37Well, what worries me is the tension.
03:39Because the other day she had a sudden low and now...
03:42Look, if she's under surveillance, there's no need for a problem.
03:45Let's hope so.
03:47Anyway, if it happens again,
03:49you know you can call the dispensary if Dr. Berenguer isn't around.
03:54Call again.
03:56Mercedes, rest.
03:59You know you can call me when you need me.
04:02Anytime.
04:05Have a good day.
04:12Well, I also have a lot of things to do.
04:15If you need anything, I'll be in the office.
04:23Well...
04:25Are you feeling better?
04:29He's bad.
04:34Who's bad?
04:36He's bad.
04:39He yelled at me.
04:43Who yelled at you, Mom?
04:45That man.
04:49That man is bad.
04:52I'm scared.
04:54But how?
05:12I don't know how I'm going to dry my father's furniture.
05:15It's very damp.
05:17You should take it out in the sun, like all papers.
05:20But I'm sorry, I can't help you take it out now
05:24because my foot hurts again.
05:26Again?
05:28You forced your ankle by going to Toledo, right?
05:31You saw the bus and you jumped without telling anyone.
05:34No, I was really careful.
05:40Don't answer it.
05:42Why?
05:44Because it's our free time and they never leave us alone.
05:47Well, Gemma, it could be a personal call.
05:50Maybe it's from your friend Maria.
05:52We both like to talk on the phone.
05:55Yes?
05:57Hi, Luis.
06:00Ah.
06:06Look, up there.
06:14Thank you very much, Tasio.
06:15You're welcome, woman.
06:17Besides, you're not here to make any effort
06:19and you know you can ask me anything.
06:21Is that okay?
06:22That's perfect.
06:23Do you need anything else?
06:25No, I bought these things for the kid, for when he's born.
06:28I'll ask you to help me take them down before I go to town.
06:31To town for what?
06:33Well, at some point I'll just have to tell my mother, I mean.
06:37Although I'd rather not,
06:39because the first thing she'll do is give him a heart attack
06:41and then she'll send me to hell.
06:43To all that, we have to prepare for the arrival of the child.
06:46I'll buy the crib and whatever is needed.
06:48No, Tasio, that's very expensive.
06:50I don't want you to spend the money you don't have on that.
06:53Claudia, don't worry, I'll take care of everything.
06:55How are you?
06:57Better.
06:59I don't have nausea at night anymore and I can sleep well.
07:01Well, that's very good.
07:03I'll leave you, I have to go to work.
07:09Tasio.
07:11Carmen.
07:12Don't go.
07:14But I have to go to work.
07:16We have to talk to you.
07:22I still have to finish tidying up the floors so that my mother can come.
07:26Yes.
07:29Ah, great, I would appreciate it very much.
07:34Very well.
07:36Thank you very much.
07:38See you later, little brother.
07:40My brother.
07:42He will come this afternoon to help me with the furniture and the papers of our father.
07:47Look how good.
07:49Yes.
07:51Did you get scared already?
07:53Yes, yes, yes.
07:55It's just that he caught me by surprise.
07:57I see.
07:59Let's see if we can go and make that escape, right?
08:01And we relax a little.
08:03Do you feel like going to dinner this weekend?
08:05Uh-huh.
08:07Are you okay, Gemma?
08:10Sure?
08:12You feel a little weird.
08:15Do you love me?
08:19Of course I love you, Gemma.
08:21You are what I love most in this world.
08:24It's just that sometimes I think you could stop loving me.
08:28Why?
08:30Because of the things I do sometimes.
08:33Darling.
08:35If I haven't stopped loving you already,
08:36with the smoke you sometimes spend,
08:38that's because my love for you
08:41is made of bombs.
08:43Joaquín, it's just that I have many defects,
08:45perhaps more than you can imagine.
08:48That's true.
08:50Because you always go impeccable
08:52and today you haven't even realized that you're going a little bald.
08:57I would like to be as good a person as you.
09:00What are you saying, darling?
09:03I wouldn't change you for anything else.
09:06Not in this world.
09:12It's just that...
09:18I'm so bald today.
09:20No.
09:22Come on, woman. It was a joke.
09:37The keys to the big house aren't here.
09:40They must be around here.
09:42No, the only place they could be is in my bag,
09:45and they're not in my bag.
09:47Calm down, woman.
09:49Maybe they got lost in Toledo.
09:51It's okay.
09:53We're a team, aren't we?
09:55Let me go.
09:57Let me go.
09:59Animal, look what you've done.
10:01I'm sorry, Gemma. Let me help you.
10:03What if someone has taken them?
10:04It's okay, woman.
10:06No one can know where they are.
10:08This afternoon we can go get a copy.
10:10What do you think?
10:12Okay.
10:13It's not the end of the world, darling.
10:21Is this a lock-up or what's going on?
10:23Come on, Tassio, don't get mad.
10:25Carmen is worried about you, and so am I.
10:27What a mess.
10:29So you've been telling Claudia
10:31as if I were a criminal or something like that?
10:32I told her to help me find out what's wrong with you.
10:34Does she care if her father and son are okay?
10:37Who told you I'm not okay?
10:39Tassio, please, tell us.
10:41We just want to help you if you have a problem.
10:44My problem has no solution.
10:46Okay.
10:48All problems have a solution.
10:50Besides, we can help you
10:52if you don't have any serious consequences.
10:54So you think I'm stealing money too?
10:56What are we going to think?
10:58Tassio, if you don't tell us something else,
10:59the only thing that comes to mind
11:02is what you've stolen or what you've played.
11:05But tell us, Tassio,
11:07for God's sake, we're here to help you.
11:09Look, you can't trust me without me telling you anything.
11:12No, because if you don't tell us anything,
11:14something's wrong with you.
11:16Well, you can stay as long as you want,
11:18because where the money comes from,
11:20it's just my problem.
11:22Very good.
11:24Very good.
11:26Then don't tell me I don't trust you.
11:27With everything I've forgiven you,
11:29the least I deserve is sincerity.
11:32Well, right now I can't be more honest, Carmen.
11:35Yes, I can see that.
11:37You don't know how disappointed I am, Tassio.
11:39I don't even want to think
11:41how far you can go.
11:58Darling,
12:00I was going to ask you how your mother was
12:02before I went to the factory.
12:04She's much better.
12:06I've managed to calm her down
12:08and now she's sleeping.
12:10Great, then let's hope she doesn't run again.
12:12I'm sure it can be avoided.
12:14Luz didn't seem very convinced
12:16that that change of mood
12:18was something spontaneous.
12:20And it seems strange to me too.
12:22Strange, why?
12:24You yourself have said that she confuses Julia with you, right?
12:26Well, she got nervous
12:28when she saw that the girl was leaving
12:30and that she was alone, I don't know.
12:32I see.
12:34I'm sure nothing else has happened.
12:36And what else would have to happen?
12:38Begoña, I remind you that your mother
12:40suffers from a mental illness
12:42and that she always has her nerves at bay.
12:44No, my mother doesn't get upset
12:46if she doesn't get the opposite,
12:48or if she doesn't argue with her.
12:50Well, I was there and I assure you
12:52that there was no argument.
12:53I'm sure she'll be fine
12:55and we can ask her when she gets back from school.
12:57That's great, isn't it?
12:59Having children so you can blame them.
13:01Are you insinuating something?
13:03It's obvious.
13:05Do you know what I think, Jesus?
13:07That you've been unpleasant with her
13:09because you don't like her being in this house.
13:11Where do you get that pilgrim idea from?
13:13Because I know you well enough
13:15and I know my mother's comments aren't funny to you.
13:17Like when I thought Andrés could be my husband.
13:19What nonsense.
13:21How can I be offended
13:23if you've forgotten I brought her here?
13:25My mother told me you yelled at her
13:27and I'm convinced
13:29that was the reason for her stress.
13:31How can you think that of me?
13:33Because we both know how easily you lose your nerves.
13:35Yes.
13:37Yes, but I would never face a poor sick woman.
13:39Begoña, I...
13:41All I care about is your happiness
13:43and I'm willing to do anything.
13:45Stop making promises
13:47and behave like a normal person.
13:49But why are you so sure it was me?
13:51Do you prefer to believe her than me
13:53because she's so unbalanced?
13:55Stop repeating that, Jesus!
13:57I swear I've never yelled at your mother.
14:00I don't know.
14:02Maybe she imagined it.
14:04Just like she imagines you're Julia
14:06and I'm Andrés.
14:08Look, look.
14:10Let's leave it.
14:12Okay, let's leave it.
14:14I'll be at the factory.
14:16If you need anything,
14:18call me.
14:23Bye.
14:36You'll see,
14:38there'll be a break and no problem.
14:40We can meet at the canteen or at the church.
14:42Mateo.
14:46Can I talk to you for a minute?
14:48Sure, what do you need?
14:50I thought you were waiting for me to come by to talk to you.
14:53No, no.
14:55I have to ask you for a favour.
14:57Sure, tell me. What do you need?
14:59Well, look, it's about Tasia.
15:01Carmen and I are a bit worried about him.
15:03Don't tell me he's in trouble again
15:05because of how well he was doing.
15:07That's what we suspect.
15:09We don't know what he's up to.
15:11Everything was great
15:13until he quit his job as a driver.
15:16He quit his job as a driver?
15:18Why?
15:20We'd like to know that.
15:21With Mr. Damián, his job...
15:23He even asked Mr. Damián to be the boy's godfather.
15:26Yes, yes, Carmen and he told me.
15:28Besides, he has a lot of respect for Mr. Damián.
15:31Now he doesn't want to know anything
15:33about him, his job,
15:35let alone being the boy's godfather.
15:37It's very strange.
15:39Yes, yes, but I'll tell you something.
15:41Tasia will soon...
15:43No, but it wasn't like that, Mateo.
15:45He was very calm.
15:47Now Carmen says he's always angry.
15:49He even wanted to leave.
15:51Leave?
15:53Leave the factory?
15:55What about the boy?
15:57He insisted you didn't leave.
15:59Imagine how serious it must be.
16:01Of course it is.
16:03I don't know, maybe he argued with someone.
16:06You know how Stasio is.
16:08I don't know, Mateo.
16:10That's not the worst part.
16:12The worst part is that Carmen has found
16:15a lot of money among her belongings.
16:18My God.
16:20I see.
16:22I understand you're worried.
16:24Of course, if he doesn't want to tell us where he's from,
16:27the only thing we can think about
16:29is that he's back to nothing,
16:31that he hurts us or that he stole from us.
16:33Of course. Yes, I understand.
16:35He doesn't want to tell us anything,
16:37but maybe he does.
16:39If you ask him as a friend and not...
16:41As a priest.
16:43You know, it's just because he rejects
16:46everything that sounds religious, Mateo.
16:49He doesn't want to talk about faith.
16:55You're good at convincing people.
16:57You're the best person we could turn to.
17:05Andres, you don't have to.
17:07I already told you I'm better.
17:09The flu is very treacherous.
17:11You could catch it if you don't take good care of yourself.
17:13Especially in your condition.
17:15How could you go for a walk in the garden?
17:17You wanted to stretch your legs.
17:19No, I found my wife's crazy head
17:21walking around the garden.
17:23With the flu she has.
17:27Are you okay, Gemma?
17:29Yes, yes, I was cutting some onions
17:31and my eyes got a little irritated.
17:33Do you mind if I go with you upstairs?
17:35I have to go.
17:37I'd like a glass of milk with honey.
17:39Sure. Before going to bed.
17:41No, I'm not going to bed at this hour.
17:43I'm going to the distributor.
17:45Can you bring me a blanket and some pillows?
17:47Keep an eye on her, please.
17:49If she gets worse, it could be terrible for her pregnancy.
17:51Don't worry, I'll take care of her.
17:53Thank you, Gemma.
17:56Well, maybe you should look for a substitute
17:59as a guard counselor.
18:01Why?
18:03I don't have much time in this convent.
18:07Well, I've been called by the archbishop
18:10and they want to find me a...
18:12a destination where I can be of greater use.
18:16I'm sorry, Claudia.
18:18I wanted to meet you to tell you,
18:20but everything happened so fast...
18:22So, you won't be able to baptize my son?
18:25No, no, no. I'm going to baptize your son,
18:27no matter what, even if I have to come from Patagonia.
18:31I hope you don't go so far.
18:34Is that what you really want?
18:36Yes.
18:38Well, Don Agustín is...
18:41well, he's speaking very well of me in the archbishop's office.
18:44He's very kind.
18:46And...
18:48and, well, with his contacts,
18:50I think they can give me a destination, well...
18:53quite important.
18:57Yeah, you'll tell him.
18:59Man, he's doing everything he can
19:01to keep you away from here.
19:03Besides, he's doing it so well
19:05that he'll have to thank me.
19:07No, it's not about that grudge, Claudia.
19:11What's the problem with him staying here alone?
19:12He's always been like that.
19:16I know you.
19:18Something must have happened in my absence
19:20to make you distrust him.
19:22You also distrusted him
19:24when you found out about the boy and the hospital.
19:26Yes, well, and he apologized
19:28and told me it was the first time he had done it.
19:30But, well, we're not going to judge him for a slap, are we?
19:33A slap, he says, Mateo, please.
19:35A whole book slapped.
19:37Don Agustín is not clean. He wasn't, nor is he now.
19:40What do you mean, Claudia?
19:42Mateo, let me tell you.
19:44Face to face.
19:46From man of God to man of God.
19:56Rosa, what's wrong with you?
20:01Don't tell me it's because of that character
20:03who's so flamboyant and so straight.
20:05And a shameless one.
20:07And a swindler, María.
20:09What are you saying?
20:13Don't tell me it's because of that character
20:15who's so flamboyant and so straight.
20:17And a shameless one, María.
20:18What's wrong with you?
20:20And a shameless one?
20:22Don't tell me it's because of that character
20:24who's so flamboyant and so straight.
20:26What?
20:28He's taken advantage of me
20:30and hit me in the face
20:32when I was about to get to the hospital.
20:34When I had to lie at the nightstand
20:36for a month.
20:38He's a used man.
20:40He's so useless.
20:42And very nice. Don't say that.
20:45I've been an idiot. How could I let myself be trapped by a bastard like him, having a wonderful man in my house?
20:52What happened? Tell me, what did he tell you?
20:57Gemma, what? Tell me.
20:59Well, he asked me to help him steal here.
21:03What? Here? Steal in this house?
21:07He stole my keys.
21:08What? The keys? The house keys?
21:10Gemma, please, we have to go to the Civil Guard.
21:12No, don't even think about it.
21:13Gemma!
21:14No, Joaquín could find out and it would be terrible.
21:16Or even worse, that man would come in here and do I don't know what.
21:19Maria, please, I beg you, don't do anything.
21:21I'll stay here all night watching in case that bastard dares to come.
21:25And what? What are you going to do? Face him?
21:28What if he doesn't come alone? What if he comes with more men?
21:30If he comes, I'll give him the voice of an alarm. I promise you.
21:34Please, Maria, don't call.
21:37I'll risk my marriage with this.
21:57Here you go, Mateo.
21:59Let's see if you ever have less trouble.
22:01And you tell me how life is at the seminary.
22:03That has to be like a student residence, right?
22:06Well, more or less.
22:08Only there you can only pray and study.
22:12A verbena, come on.
22:14Let's see, Gaspar, no.
22:15Yes, I'm going, I'm going.
22:16Well, I've said it and you pass.
22:17Since you came back, you haven't taken off your clothes.
22:24I was thinking about you and I find you here.
22:26Can I?
22:27Please.
22:28Yes.
22:34Yesterday I doubted whether to tell you or not,
22:36but I want you to know that the secretary of the DEAM
22:39has told me that they are valuing your file,
22:41so it is practically done.
22:43Aren't you happy, Mateo?
22:45I would be happier if they promoted me for my own merits
22:49and not for their excessive interest in taking me out of the way.
22:52What does that mean?
22:53Please, Mr. Agustín,
22:54if you see the pen since the first time we met,
22:57can you tell me what happened so that you come to me now with that?
23:00Well, the truth always comes to light in the end.
23:03But come on, if you want to keep lying, go ahead.
23:05Lying? Lying, Mateo, what?
23:07Aren't you going to be honest once and for all?
23:10That all this is not done for me, it is done for you.
23:13To keep doing your thing
23:14without any brat just out of the oven watching him.
23:23Good afternoon.
23:24Hello, son.
23:28Any news?
23:29That's what I was going to ask you.
23:31This morning I heard you a little tense talking to someone.
23:34I even heard one word louder than the other.
23:38Where?
23:40In the office at home.
23:42You were talking on the phone with a client.
23:44Ah, yes.
23:46I have made an offer to Perfumería Sirera
23:49and they found it very interesting.
23:52Well, they will finally be our clients.
23:55It is more than likely.
23:57They have negotiated hard, but I have been firm.
24:00And hence the one word louder than the other, I suppose.
24:04Well, I'm glad to hear that, son.
24:06It seems that you come from a funeral.
24:10What has been this time?
24:14I have had an altercation with Mercedes.
24:18It was a matter of time before something like this happened.
24:21It was a matter of time before something like this happened.
24:25It would be strange for her stay at home to go unnoticed,
24:29without pity or glory.
24:31I realize that I rushed out of the sanatorium.
24:36Instead of serving so that Begoña looks at me with other eyes,
24:39things are getting worse.
24:41But if Begoña is delighted to have her mother at home.
24:44She was until today.
24:46Mercedes has suffered a rise in tension because ...
24:49Well, I yelled at her for a nonsense.
24:51Dr. Borrell had to come to visit her.
24:54I don't like that woman coming home.
24:56Father, if Begoña wants her to be, she will be.
24:59The important thing is that Begoña is happy.
25:01You said it yourself, didn't you?
25:03And has Begoña seen you yell at her mother?
25:05No, Begoña has not seen anything.
25:07But his mother has told him.
25:09Curious, because I would swear that woman is unable to do more coherent.
25:12That's what I told Begoña when she asked me for explanations.
25:16And can you tell me why you yelled at the good Mercedes?
25:21Because he took me out of my house
25:23when he told me that Julia is not my daughter.
25:25How? How?
25:28Did Begoña tell you about Julia's paternity?
25:31No, man, no, no.
25:33What's going on? That's nonsense.
25:35Mercedes, with his thing, confuses Julia with Begoña when she was a girl.
25:39And sometimes he even thinks she's his daughter.
25:41Ah, we're done. Then you don't have to give it the least importance.
25:48I do care.
25:51I thought I had overcome the fact that Julia is the daughter of Valentín, that miserable.
25:57But Mercedes has managed to put his finger in the wound and yes, I have lost my nerves.
26:08Tell me something, Jesus.
26:11What does Julia mean to you?
26:16Well, she's my daughter.
26:19And I love her above all things.
26:21Well, that's the only thing that counts. Julia is your daughter.
26:24Because it has always been that and it can't stop being so.
26:28And for you? What does Julia mean?
26:31We've never talked about this since I told you what it is.
26:34Julia is my granddaughter and I love her as such.
26:36The only thing I feel is that Edina can't know the truth.
26:41That woman is unfair what she has lost in this life.
26:45She lost her son, she lost all her money.
26:48We took away her granddaughter.
26:50She won't be thinking about ...
26:53Tell her? No, I wish I could.
26:55No, don't do it, father.
26:57Don't worry, I have my priorities.
27:01Which are the same as yours, so you know what you have to do.
27:04You have to be brave and start treating Mercedes like what she is.
27:08Begoña's mother.
27:10Jesus, you have to take deadly steps if necessary to please Begoña.
27:22Who told you the story?
27:24Carmen or Claudia?
27:29You don't know what it is to pass needs.
27:32You're right.
27:34But I gave up all my privileges when I entered the seminary.
27:39I, on the other hand, got into the seminary to be able to eat.
27:43My sister and I were so poor that we had nowhere to fall dead.
27:48Getting into Cura was my salvation.
27:50I put a plate of food on my table, but my sister ...
27:53I abandoned my sister to her luck. I had a terrible time.
27:57I've always felt indebted to her.
27:59I already know that story.
28:02And I even understood why she kept part of the money I was collecting.
28:08But of course, even if it seems reprehensible to me,
28:13the point is that she lied to me.
28:15What did I lie about?
28:17That it was not the first time she did it.
28:19And that she has also continued to do so all this time.
28:23For what it has served me, God has ended up punishing me through my sister.
28:28Has something happened to her?
28:29No, no, no. She's fine.
28:31I was the one who ended up being punished.
28:34She set me up with a miserable man. She stole everything from me.
28:38She has betrayed me.
28:41I thought that this way I had paid for my sins,
28:43and that from now on I would live devoted to my pastoral work.
28:48But no one escapes their past, Mateo. No one.
28:54I deserve everything bad that happens to me.
28:57Father, I don't know anything else about her.
29:02I don't want to know, but that's the least I can do.
29:06The time has come to confess everything to you as well and leave this place, no matter how much it weighs on me.
29:10No one is asking you to leave, Father.
29:12But the Lord has not forgiven me yet.
29:15Despite my repentance and my purpose of living, that is why he has sent you here.
29:20So that you can help me get on well with him.
29:24You know that the mercy of God is infinite.
29:28And if your repentance is sincere, you are forgiven.
29:33But there are still people who look at me with evil eyes.
29:36Even you, who are a pure soul, turn your back on me.
29:40I won't, Father.
29:42And to prove it, I'm going to reject the promotion of the archbishop.
29:46And I'm going to stay here with you.
29:49I'm going to help you clear your name.
29:53I'm going to help you clear your name.
30:18Hi, Begoña.
30:20Hi.
30:21Digna told me that you were here with your mother and she wanted to know how Mercedes was doing.
30:26I just took her to her bedroom because she was a little tired.
30:28She had a busy day today.
30:30Yes, I already found out about the attack she had and that's why I wanted to know how she was doing.
30:34She's fine, don't worry.
30:36And you?
30:38I guess you'll be happy to have your mother around.
30:42Although I guess it won't be easy to see the damage that the disease does to someone you love.
30:48She's my mother, Don Damián.
30:50I don't mind being with her in good times and bad times.
30:52And we're here to support you.
30:54What I mean is that you can count on me and my son, Jesus, for anything you need.
31:03And I won't keep you any longer.
31:04I just wanted you to know that you have your family here for whatever it is.
31:09Don Damián.
31:10Tell me, daughter.
31:13What's this kindness all about?
31:16Do you think it's bad that I'm worried about your mother?
31:19I think it's hypocrisy.
31:21After how she threatens me over and over again with locking her up in the worst sanatorium she can find.
31:25This is my house.
31:26And if there's one thing I am, I'm a good host.
31:29I don't wish any harm on your mother here.
31:31Nor on you.
31:33And what does she want with that?
31:34To clear her conscience?
31:36Because I doubt she'll get it with the number of hideous secrets she keeps.
31:41If you want to be kind, leave my mother alone.
31:44Wait, Begoña.
31:47Like I just told you, I'm a good host.
31:51And your mother is my guest here.
31:53But that doesn't mean that outside of these walls, things can get very ugly for her.
31:57If you persist in this attitude.
32:02I sincerely hope that your marriage to my son continues on the good path you have begun.
32:15I love you.
32:27Are you leaving?
32:28Yes, do you need anything?
32:30Well, yes.
32:32Can you explain to me why you have to go to the big house?
32:36I don't understand, Gemma.
32:37It's very bad that Maria is here.
32:38I don't know why you have to be the one to sacrifice yourself.
32:41She's pregnant.
32:42She doesn't want to infect Andrés.
32:43Oh, and you can get infected.
32:46Joaquín, really.
32:47I'll be in the room next door.
32:49It's just in case I have to give him cold water cloths for the fever.
32:52If I have to tell Jaime if he feels worse, that's it.
32:54And your husband can't do that?
32:56Joaquín, she's pregnant.
32:57It's not good to take the opposite.
32:59I'm not bad at doing it.
33:00Nothing happens, really.
33:03Did you find the keys?
33:05Ah, yes.
33:07Yes, yes, they were in the door rack.
33:10My head.
33:13Well, I'm leaving now.
33:15And why don't you take advantage and throw away the useless things?
33:18That way we make some room for the clothes,
33:20which we always have packed.
33:23Goodbye, Luis.
33:24Wait, wait, wait.
33:25Wait a minute, honey.
33:28What's wrong?
33:29I'm going to miss you a lot tonight.
33:34Hey.
33:36Me too.
33:37Goodbye, Luis.
33:38See you later.
33:43We should varnish the mother's room again.
33:46Not to mention all the traces that are accumulating in my room,
33:49which should also all go to the garbage.
33:51Yes.
33:52It's the best option.
33:54Because some furniture is fine,
33:56but others are rotting the wood.
33:59Father's file.
34:04Didn't you empty it?
34:05It weighs very little.
34:07I can't believe it.
34:09Is there something interesting?
34:10They are father's formulas.
34:11Well,
34:13proofs.
34:14Many of them are proofs.
34:18Would you mind if I took all this to take a look?
34:22No, I don't care.
34:24On the contrary, you've already heard Gemma.
34:26She's wanting us to clear all this up.
34:28Well, before we clear anything up,
34:30we have to check it well.
34:32Let's see if there's anything else.
34:34We have to check it well.
34:35Let's see if there's anything worth keeping, right?
34:39Very well.
34:40By the way, why didn't you take all the furniture?
34:43If you want, I can help you load it in my car.
34:45That's also true.
34:46Can you lend me a hand?
34:53There are also a couple of boxes in the back.
34:55A couple.
34:56And a pile of...
34:57A couple.
34:58Do you want to shut up and give me another one, please?
35:01I'll call you tomorrow.
35:04See you tomorrow.
35:13I'll give you one, and you'll go to sleep.
35:15You're wearing a drunk.
35:18I know.
35:19Look, if you're drunk, you won't even have any reflexes left.
35:22Give me the bottle, man, I won't leave without paying.
35:24Look.
35:28Where did you get that money from?
35:30What's the matter with you?
35:31Can't you earn what's rightfully yours?
35:33I don't care if you can pay, I won't leave you the bottle.
35:45What are you doing, you bastard?
35:47What are you doing?
35:48If it's not enough to pay you, at least it's enough to light me a cigarette.
35:52Look, you're finally here.
35:54Here, your husband has gone mad.
35:56He's burning bills like they were diapers.
35:59If you manage to get him to come to his senses...
36:04I'm sorry.
36:09Do you mind if I come with you?
36:11Please.
36:13You're at home, Dina.
36:16This is the best moment of the day.
36:18When the house is quiet.
36:20And on top of that, I can have some time alone with you.
36:24Can I ask for more?
36:26I'm still a little confused.
36:29It's true.
36:30You don't like to sleep outside your house.
36:33And you spend most of the day here.
36:36But one's house...
36:37Yes, it's one's house.
36:41You're being very generous, Damian.
36:43And not just with me.
36:45With Isidro and...
36:47And now also with Mercedes.
36:49You're my family.
36:51Including Isidro, who was always like an older brother to me.
36:55God willing, he'll heal completely.
36:58Even Julia.
36:59She asked me to buy her a box of sweets for her recovery.
37:03Look how smart she is.
37:04You know she's going to eat them all.
37:09That girl is very smart.
37:12The smartest of all.
37:15You say so.
37:18And she grows up too fast.
37:20Although she still likes someone to read her a story at night.
37:23Yes, that's what I'm coming from.
37:25But she told me nothing about stories.
37:27All she wanted was for us to talk.
37:29But she...
37:31She wanted to tell you something.
37:33She's told me a lot of things.
37:35She told me about school, her friends...
37:38I thought she'd never shut up.
37:40And suddenly...
37:41She fell asleep.
37:44She'll be very happy to have you here.
37:46Now that Begoña can't take care of her so much.
37:49The only thing that worries me is that she ends up exhausting you.
37:52Oh, my God.
37:54Quite the opposite.
37:55I'm delighted to enjoy my little one more.
37:58You have a wonderful granddaughter.
38:01You're very lucky.
38:09What do you think, Norma?
38:13I'm fed up, Carmen.
38:15That's what I think.
38:17And the truth is that people care about me a lot.
38:20Really?
38:22Look at me.
38:24Tasio, look at me.
38:27I care about you too.
38:30And our marriage and the family we want to have.
38:33I care about that too.
38:36You're breaking my heart, Tasio.
38:39I was born with a broken heart.
38:41Now you know.
38:43Why do you say that?
38:45Because it's the truth.
38:47My whole life is a lie.
38:49A lie as big as a house.
38:53No one has ever loved me.
38:55Even you are fed up with me.
38:57No, my love.
38:59I'm here to help you.
39:03Look, if you're like this for the money, you give it back and that's it.
39:06Okay?
39:08Do you see what's worse?
39:11You give it back to its owner and to Pechuga.
39:14But tell me what's wrong with you, because if not, I can't help you.
39:17I can't tell you anything.
39:20Yes you can.
39:21Yes you can.
39:23Listen to me, I'm your wife.
39:25And I love you more than Ana in this life.
39:28I'm not going to leave you alone for anything in the world.
39:33Come on, tell me.
39:37Promise me you won't tell anyone.
39:40I swear on the most sacred.
39:46The money is from Don Damián.
39:51Did you steal it from the boss?
39:56Shut up, shut up, Carmen, shut up.
39:59Because you don't even know anything.
40:02You'd better shut up.
40:07I'm going to miss you a lot when you come back home.
40:12I've been here all my life.
40:14You said it.
40:15Yeah, but it's not the same.
40:16The house is too empty when you leave.
40:19What are you going to do when you go out that door every night?
40:22Here you are a crowd.
40:24But you know that the only person I really trust is you.
40:29And that was evident yesterday when you opened your heart to me and told me about your relationship with Gervasio.
40:36Well, I could do it because I had already told my children.
40:41Otherwise, I would never have dared.
40:43I also need to tell you something.
40:54It's something that affects your sister.
41:02You know that I always loved her with all my soul.
41:06But despite that.
41:08Despite that, what?
41:09I was unfaithful to her.
41:12It's horrible, I know.
41:13And it was only once, a slip.
41:16But unfortunately it had consequences.
41:19That woman had a son of mine.
41:25A son?
41:26Yes, now he is a man made and right.
41:29And recently I told him that I am his father.
41:33And you met him.
41:34And recently I told him that I am his father.
41:38And you met him.
41:41Who is it?
41:43Estasio.
41:48That's why I offered him the job of a driver, but since he knows the truth, he doesn't want to show up here.
41:56Lina.
42:05Good night. Come on, rest.
42:13Good night.
42:14Good night, Gaspar.
42:15I'm about to close, but if you want another sandwich, I'll make you a pariquete.
42:20I would prefer a double tortilla skewer.
42:23Well, you were lucky because I had my tortilla left over.
42:25I was going to eat it for dinner, but I think you need it more than me.
42:29Thank you, Gaspar, you are the best.
42:31Hello.
42:32Hello.
42:33Excuse me, I didn't realize you had come in.
42:36No, right now I think you are unable to see anything other than those papers.
42:41How are you?
42:42How has Sara San Sebastian been?
42:45Fine, fine.
42:46Although we haven't spoken for two days.
42:49And you were still with the relationship despite the distance, right?
42:52No.
42:54We have decided that each one follows his own path.
42:57Well, I'm sorry.
42:58I saw you two very happy together.
43:01It hasn't given us much time to get to know each other well.
43:06We have been good friends and...
43:09Who knows?
43:10You never know.
43:12Are you okay?
43:13Yes.
43:14Now is the best time for both of us.
43:18Doctor, I've split half of the tortilla.
43:20I'm going to put it in the fridge.
43:22I'm going to put it in the fridge.
43:24I'm going to put it in the fridge.
43:26I've split half of the tortilla as if it were two skewers.
43:29I'll bring you the plate tomorrow and I'll pay you.
43:31Very well.
43:32But take a breath, please.
43:34It's not going to be all work.
43:36Yes, I live at work.
43:38And what about the student?
43:40He has been there for a long time without looking at the papers and look at the time.
43:44That's why he's excellent at everything he does.
43:46See you tomorrow, guys.
43:48See you tomorrow.
43:52But man, Luis...
43:54What?
43:55You should have invited her to dinner with you.
43:57You're angry.
44:00What are you saying, man?
44:01I'm sure she has other things to do.
44:02Yes.
44:03Bored like a monkey.
44:05But come on.
44:06With how still you are,
44:07I'm sure she has left with the desire to share the tortilla with you.
44:10No, man, no.
44:11Look, Gaspar, she took two skewers of tortillas.
44:13I'm sure she's not going to have dinner alone.
44:15What do you have in your hands?
44:17What is it?
44:18A new formula?
44:20No.
44:21They are some papers that I found in an old file of my father.
44:25The truth is that you don't know what you can find when you look back.
44:30Well, I would look a little more at what the present offers you.
44:34Because I've seen how the doctor looked at you.
44:37And where there was fire...
44:41Look, I won't bother you anymore.
44:43Besides, I have to prepare something in the kitchen.
44:45Because the doctor has taken my dinner.
44:54I'm going to bed.
45:10Oh, son.
45:11Father.
45:12What are you doing up?
45:14I was going to sleep.
45:15And you?
45:17Think.
45:19Everything will be fine, son.
45:20Begoña will return to the Redil.
45:24Father.
45:27How dare you threaten her with dissociating her mother?
45:31I've heard her talk to my wife before.
45:34I had to do it to prevent her from denouncing you.
45:40In that case, I have no choice but to thank her.
45:42I don't know what would happen to me without her help.
45:44Well, you could start putting something on your side.
45:49A while ago I wanted to be kind to your wife,
45:51because I was interested in her mother.
45:53And out of all the answers, Begoña asked me to stay away from her.
45:59That woman is just going to bring us trouble.
46:03I think it's time to take her back to the sanatorium.
46:06Begoña is going to oppose and fight tooth and nail.
46:10Then we'll have to convince her in a good way.
46:12Do you think you can?
46:14Because I consider it an impossible task.
46:18And know that I'm not comfortable with that woman at home either.
46:21Yeah.
46:23And as long as she's around,
46:24so much more lost than a mill, Begoña will only have eyes for her.
46:29I'm having a hard time with that woman's presence, really.
46:32What you have to do is beat your mother-in-law.
46:37Let Begoña see you as if you were the best man in the world.
46:41She knows I'm not.
46:42Everyone can change.
46:44And you're going to become a saint.
46:48Think that when Begoña returns to the dispensary,
46:51she will no longer be able to take care of her mother so much.
46:54I don't think she wants to go back to work,
46:56now that she is dedicated in body and soul.
46:58You don't know your wife.
47:00She's not good enough to be locked up at home.
47:03You'll see how she gets back to work as soon as she can.
47:06But no, father, it's not necessary there.
47:09They are two doctors.
47:10You could even say that there are too many hands.
47:13Begoña herself will have realized that it would be too much.
47:17Well, then you will have no choice but to thank Mercedes.
47:22And even convince you that you adore her.
47:25No.
47:27What I have to do is find a way for that woman to get out of the house.
47:30And as soon as possible, better.
47:33Don't rush, son.
47:36Do you hear me?
47:38Trust me, father.
47:40Trust me.
47:47Trust me.
47:55It seems incredible to me that no factory worker
47:57has ever looked around.
47:59Yeah.
48:01What surprises me is that Mr. Evaristo
48:03would never have worried about something so primordial.
48:07I had it among my priorities.
48:09But I ended up so exhausted from the vaccination campaign
48:11that I left it for later.
48:14Maybe some of us get angry
48:15because we have to wear glasses.
48:17No.
48:19When they discover the world through the lenses,
48:21they will adore us.
48:24Dr. Borrell told me what it meant for him to wear children's glasses.
48:28It was so funny.
48:30How he discovered that you could see the leaves of the trees from a distance.
48:33The bricks of the houses.
48:39Do you want an infusion or a coffee?
48:44Well, maybe an infusion.
48:46If I have a coffee, I won't be angry.
48:48The same thing happens to me.
48:51Hey, we have to admit that Gaspar has a good hand.
49:05Jaime!
49:06Jaime, what's going on?
49:08Jaime.
49:09I'm very scared.
49:11Don't worry.
49:12I'm going to get an analgesic for the pain, okay?
49:29Drink slowly.
49:32That's it.
49:34Careful.
49:36It won't take long to be perfect.
49:39Don't worry.
49:42Don't worry.
49:44Catalina knew it.
49:46She knew it?
49:47And not only did she forgive me,
49:49but she asked me to never misunderstand her.
49:52I want to get out!
49:54It's okay.
49:55I want to get out!
49:56It's okay.
49:57I'll talk to her right now.
50:00Are you happy?
50:02Are you happy?
50:04Do any of you know where my mother is?
50:06She's not in her room, honey.
50:07No, no.
50:08Not in her room or anywhere else.
50:09I've looked all over the house.
50:10You can tell me what's wrong with you
50:12and everything will be sealed by the secret of confession.
50:16My father, Don Damián de la Reina.
50:18My God.
50:20Besides, I don't have to give you explanations.
50:23Much less if you treat me like that.
50:25What did I do wrong?
50:27Tell me.
50:28Those dresses you liked to borrow were yours.
50:30Leave me alone.
50:32Very well, I have to talk to your husband.
50:35I'll go to the factory and ask for Joaquín Medina.
50:38From what you're telling me,
50:39you had no idea what it could mean
50:44to have found Valentín's ring.
50:46No.
50:48I'm just guilty of covering it up.
50:50That's enough.
50:52Casey went out for a walk
50:53and saw that the cellar in the south was open.
50:56No, no, no, no, please.
50:58We have to go to the police.
51:00No.