Gregorys Girl -HD (1980)
Category
🎥
Short filmTranscript
00:00:00Where is it?
00:00:07Where is it?
00:00:12In the middle!
00:00:16There!
00:00:17There!
00:00:18Yeah!
00:00:19I've got it!
00:00:20I've got it!
00:00:21Oh yes!
00:00:22Yes!
00:00:23Look at that!
00:00:24Calm down!
00:00:25I can't concentrate!
00:00:26Oh!
00:00:27That is a brazier!
00:00:28She's got a brazier!
00:00:29Take it off!
00:00:30Take it off!
00:00:33Transmit!
00:00:34Tell her to take off her bras!
00:00:47Take it off.
00:00:48Transmit.
00:00:50Tell her to take off her bra.
00:00:52Take off your bra, Zee.
00:00:53Concentrate, you bastards. Concentrate.
00:00:59Why?
00:01:01Why?
00:01:05I can't breathe.
00:01:06Oh, Andy, grow up.
00:01:07I can't see.
00:01:13God heck, where's your camera?
00:01:15What a picture.
00:01:17What a photograph.
00:01:19I could make a fortune with a photograph like that.
00:01:21Andy.
00:01:23Andy.
00:01:27What a doll, that. What a doll.
00:01:29That was terrific.
00:01:32Superb.
00:01:34What we do tomorrow night?
00:01:36Come on, you're right.
00:01:38We can bring sandwiches.
00:01:40Chicken sandwiches.
00:01:45A lot of fuss over a bit of dirt, eh?
00:01:47Yeah.
00:01:51Hey, look, the knickers.
00:01:53Oh, yeah.
00:02:15Oh, yeah.
00:02:45See you, Gregory.
00:03:16Terrible game, eh?
00:03:18Bad.
00:03:19Very bad.
00:03:21Yeah.
00:03:22I've got to laugh.
00:03:23And what have you got to laugh about?
00:03:25Us.
00:03:28Football is all about entertainment.
00:03:31Give them a good laugh.
00:03:33It's only a game.
00:03:34It's only a game.
00:03:36It's only eight games.
00:03:38Eight games in a row you've lost.
00:03:40You can't lose them all.
00:03:42You push us really hard.
00:03:44No mercy.
00:03:45Lots of discipline.
00:03:47Get tough.
00:03:49We need goals.
00:03:50It's your job to get them and you don't.
00:03:52No, nobody's perfect.
00:03:54It's a tricky time for me.
00:03:57You're doing a lot of growing.
00:04:01Slows you down.
00:04:03Five inches this year.
00:04:06Remember last year?
00:04:08I was away down here.
00:04:11Are you growing a moustache?
00:04:13I want to make some changes.
00:04:15Good idea.
00:04:17Make you look older.
00:04:18In the team.
00:04:20I want to make some changes in the team.
00:04:23You're the boss.
00:04:25I want to try out some other people.
00:04:28Switch the team around.
00:04:30Take some people out.
00:04:32I was going to take you out.
00:04:34You don't want to do that.
00:04:36Yes, I do.
00:04:38You don't.
00:04:39I do.
00:04:42You don't.
00:04:48What about Andy?
00:04:50He's not even started growing yet.
00:04:52He's going to be a real trouble.
00:04:54I'll tell him.
00:04:55I'll tell him.
00:04:57A week's trial and goal for you.
00:04:58Then I'll decide.
00:05:02A jersey my size.
00:05:04Andy's a lot smaller.
00:05:05Never mind about the jersey.
00:05:08A week's trial.
00:05:10Then I'll decide.
00:05:12You're the boss.
00:05:13Who's taking over my position?
00:05:15I want to try out some new people.
00:05:20You won't regret this.
00:05:22You won't regret this.
00:05:36Okay, so Phil Mains is daft.
00:05:38He's daft enough, maybe, to throw you out of the team.
00:05:40I'm not saying that he will fling you out.
00:05:42No, I didn't say that.
00:05:44But he's daft.
00:05:45He's daft enough to do it.
00:05:48Look, I'll tell you what.
00:05:50If, just supposing,
00:05:52Phil Mains is daft enough
00:05:54to throw you out of the team,
00:05:56well, I'll resign.
00:06:00Really?
00:06:03Yeah, well, when I say resign,
00:06:05what I'm getting at, what it boils down to,
00:06:07what I'm trying to say really is
00:06:09I'll resign myself
00:06:11to making a decision
00:06:13if it happens.
00:06:15I'm not saying that it will.
00:06:16It might, but it won't.
00:06:17I don't think so.
00:06:18Well, I'll see you later, Gregory, okay?
00:06:21How are you going?
00:06:23Well, I just want to stay here a wee bit longer
00:06:25and watch the traffic.
00:06:27I like looking at the big trucks.
00:06:29Huh.
00:06:31Look, do you know that
00:06:33at least 12 tonnes of cornflakes
00:06:35passes under here every day?
00:06:37Really?
00:06:38It's a well-known fact.
00:06:40Gee, is it?
00:06:42Never knew that.
00:06:44I'll see you later.
00:06:45Yeah, see you.
00:06:48See you.
00:07:11I thought I'd dream again last night.
00:07:13So much traffic.
00:07:19Have fun.
00:07:20Hello, darling.
00:07:21How are you doing today?
00:07:22All right now, darling, huh?
00:07:23There's a lot of traffic.
00:07:25Come on, darling.
00:07:27See you later.
00:07:28Have a good time.
00:07:48See you later.
00:08:48Meow.
00:09:18Meow.
00:09:49Hello, Gregory.
00:09:53Meow.
00:09:56Meow.
00:10:00Meow.
00:10:04Meow.
00:10:08Meow.
00:10:12Meow.
00:10:18Two advantages about learning to drive in this new town environment, very obvious ones.
00:10:25Up into third tier.
00:10:27The absence of traffic lights, total absence of street pedestrians.
00:10:30But you must remember that in other towns, things won't be so controlled.
00:10:34Mirror and brake.
00:10:36That's the way.
00:10:37Relaxed position.
00:10:38Brake.
00:10:39That's the way.
00:10:40Come here, you.
00:10:41Was that an emergency stop?
00:10:42Emergency stop.
00:10:43Unsimulated.
00:10:44Yes.
00:10:45Hi, Mike.
00:10:46Call me Dad, Gregory, or Pop or something.
00:10:47It makes me feel better when you call me Dad or Father.
00:10:48Listen, I won't take up any more of your time.
00:10:49I know what it's like when you're driving under instruction.
00:10:50That was my first emergency stop, by the way.
00:10:51Was it?
00:10:52Well, that was really good.
00:10:53Really good, that.
00:10:54Okay.
00:10:55Stay, Gregory.
00:10:56I'm sure Mr. Clark would like a minute or two to cleanse his thoughts, anyway.
00:10:57My name's Anderson.
00:10:58Anderson.
00:10:59Anderson.
00:11:00Anderson.
00:11:01Anderson.
00:11:02Anderson.
00:11:03Anderson.
00:11:04Anderson.
00:11:05Anderson.
00:11:06Anderson.
00:11:07Anderson.
00:11:08Anderson.
00:11:09Anderson.
00:11:10Anderson.
00:11:11Anderson.
00:11:12Anderson.
00:11:13Mr. Scorer, are you going to school late or coming home early?
00:11:18I'm breaking neutral, Mr. Glenn.
00:11:21How are you, anyway?
00:11:22Fine.
00:11:23We're all very well.
00:11:24Your mother.
00:11:25You remember your mother?
00:11:26Yes, I remember, Mum.
00:11:27She was asking after you just the other day.
00:11:29I told her we met briefly in the hallway last Thursday and you looked fine.
00:11:34I've got an idea.
00:11:36Why don't we meet up later in the week for breakfast?
00:11:39Eight o'clock in the kitchen Friday?
00:11:42Yeah, yeah, that sounds fine, yeah.
00:11:46So do it then.
00:11:47Yeah.
00:11:51Mission, mirror, signal, gear, that's the button.
00:11:56And we'll start the driving lessons
00:11:58when you've mastered the walking bit, okay?
00:12:13That's him.
00:12:19That's my bloody one.
00:12:21He's mad, he should be locked up.
00:12:24And his teeth.
00:12:28I think he's invisible.
00:12:30That stupid bastard.
00:12:32Who is it?
00:12:32That daft boy in fourth year.
00:12:35The one that's on your football team.
00:12:37Well, I heard they were awarded a corner last week
00:12:39and took a lap of honour.
00:12:40Or him.
00:12:42These days are numbered.
00:12:44After next week, he's out. Kaput. Finished.
00:12:48Got to get some new blood in the team. Big changes.
00:12:51Yeah. Have a sponge cake, Phil.
00:12:53A new regime. Signing a new striker this morning.
00:12:56Hey, uh, who made these?
00:12:59Aw, relax. It was Sandra and Alison three, eh?
00:13:02Very nice girls. Very clean.
00:13:05Oh, Sandra and Alison, eh?
00:13:07Very nice girls, eh, Alison?
00:13:09Still getting appointments from me, June, as well, eh?
00:13:12You'll get put away.
00:13:13I like your moustache.
00:13:15Was it short already?
00:13:16I've only been growing it two days. Thanks a lot.
00:13:18Oh, yeah.
00:13:20It's really nice.
00:13:22Makes you look very, uh, grown up.
00:13:25Thanks.
00:13:26Very, very mature.
00:13:28Yeah, right. I mean, you look at least 15 already.
00:13:31All I've got is scram.
00:13:33Got an appointment this morning.
00:13:35One place on the team for the best striker.
00:13:37Organise a trial. See what they're like under pressure.
00:13:43Well, I'll see yous later.
00:13:49Are you still getting those points from June?
00:13:53Oh, come on.
00:13:54You know it's no right to ask these sort of questions.
00:13:57We are dealing with the emotions of a vulnerable, sensitive 16-year-old.
00:14:03Redhead.
00:14:08Oh, uh, I may have some news for you by lunchtime, son.
00:14:12I'll keep you posted.
00:14:23Right.
00:14:24You all know what I'm looking for.
00:14:26A goal scorer.
00:14:27And that requires two basic skills.
00:14:29Ball control, shooting accuracy and the ability to read the game.
00:14:33Three things.
00:14:35Three things.
00:14:36So, this trial will allow me to assess these two...
00:14:40three basic aspects of your skills.
00:14:42Right?
00:14:44What's the idea of the sand shoes, boy?
00:14:46You've no boots.
00:14:48I'll get some, if I get in the team.
00:14:50Oh, that's a dead loss, son.
00:14:52Go and get changed.
00:14:54We play in real boots in this school.
00:14:56From the word go.
00:14:58Right. Basic ball control.
00:15:00Trotting with the ball at your feet, 50 yards and back.
00:15:03Two lines. Come on.
00:15:04Go.
00:15:17Both sides of the foot now.
00:15:18Come on, I want to see complete control.
00:15:22Come on. Faster now.
00:15:30Come on.
00:15:31A little bit more pace.
00:15:32Anybody can walk with a ball.
00:15:35Come on.
00:15:36What do you want, lass?
00:15:39Faster now.
00:15:40What do you want, dear?
00:15:42I'm here for the trial.
00:15:43Look, this is a football trial, dear.
00:15:45Maybe Miss McCall plans up to something with a hockey team.
00:15:48I don't know.
00:15:49But this here is football.
00:15:51For boys.
00:15:52That's right.
00:15:53Football trial's 11am.
00:15:55I saw the notice.
00:15:57Look, I'm sorry you picked it up wrongly, dear.
00:15:59But it was boys I wanted for the trial.
00:16:01Didn't say so in the notice.
00:16:03Just said talented players.
00:16:05Look, I'm sorry you picked it up wrongly, dear.
00:16:07There's been a slight misunderstanding, obviously.
00:16:09But there's nothing I can do about it now.
00:16:13Come on.
00:16:14You didn't say boys only.
00:16:16You're not allowed to anyway.
00:16:19I want a trial.
00:16:21It's not possible, dear. Not today.
00:16:23Well, we don't have a spare ball.
00:16:26Here's one.
00:16:29Come on.
00:16:59Come on.
00:17:07Okay, into twos now.
00:17:09I want to see some penetration work in a shot for goal.
00:17:12One attacker, one defender.
00:17:14It's an open goal, so let's see who's first to score.
00:17:17Right, you defend me then.
00:17:20What's going on?
00:17:23She's gorgeous.
00:17:25She is absolutely gorgeous.
00:17:33It's Dorothy.
00:17:35Do it again. Same pairs.
00:17:48You've got funny ears.
00:17:50Right.
00:17:51Three shots each at goal now.
00:17:53Let's see how you do against a real goalkeeper.
00:18:00You first, dear.
00:18:10Right. That's it.
00:18:12Finished.
00:18:13Stamina test.
00:18:14Once round the playing field, back to the dressing rooms.
00:18:17It's only a quarter of a mile and should be treated as a sprint.
00:18:19Off you go.
00:18:24All right.
00:18:50Well?
00:18:51I'll let everyone know in the fullness of time.
00:18:54I'll pass the word on to Miss McAlpine.
00:18:56I was the best. You know I was the best.
00:18:59It's not that simple.
00:19:01It could be out of my hands. We'll have to see.
00:19:05If I was the best, I should be on the team.
00:19:07The notice said so.
00:19:09I said we'll see.
00:19:10You might very well get into the team.
00:19:13We'll work it out soon.
00:19:15You've got to put me on the team list.
00:19:17I want to sign something.
00:19:19What a dream.
00:19:22Mr. Menzies, I want to sign something.
00:19:31Look, Charlie, we've got to get some girls.
00:19:33We've got to make a move.
00:19:35Even Gregory's at it now.
00:19:37We're falling behind.
00:19:41I don't think there's any advantage of putting it off any longer.
00:19:46Besides, it's making me depressed.
00:19:50Sorry.
00:19:57Sorry I'm late.
00:19:58That's just paint there.
00:20:00I've got the basket mix started. You go and put the oven on.
00:20:03450 degrees.
00:20:05Yes, boss.
00:20:13Hey, Steve, can you help me out with this pastry mix thing?
00:20:17Pastry mix?
00:20:19There's more than one kind, you know.
00:20:21Shortcrust, flaky, rough puff.
00:20:23Well, Margaret's doing the strudel soup and I'm doing the pies.
00:20:26It's eggs I'm not sure of.
00:20:28Strudel soup.
00:20:30I'd love to try some of that.
00:20:32It's noodle soup.
00:20:33You don't put eggs in a pastry anyway.
00:20:36It's eight ounces of flour, four ounces of margarine.
00:20:39Pinch of salt.
00:20:41Mix it up.
00:20:43Put it in the oven for 15 minutes.
00:20:45That's that. No eggs, no strudels, nothing.
00:20:47Okay.
00:20:48That's simple. Really easy.
00:20:51There are five guys in fifth year crying themselves to sleep over that.
00:20:54Six if you count the music teacher.
00:21:00Take it easy.
00:21:01Just take it easy.
00:21:06Have you ever been in love?
00:21:13I'm in love.
00:21:15Since when?
00:21:17About half an hour ago.
00:21:19It's great.
00:21:21I feel restless and I'm dizzy.
00:21:23Wonderful.
00:21:25I bet I don't get any sleep tonight.
00:21:27That sounds more like indigestion.
00:21:30No, I'm serious.
00:21:32Who is it?
00:21:33Is that a mature woman?
00:21:35Did you wash your hands?
00:21:37Don't be crude.
00:21:40Someone in the football team.
00:21:42Really?
00:21:43Yeah.
00:21:44Have you told anyone else about this?
00:21:47It's probably just a phase.
00:21:50Who is it, Andy?
00:21:52No, it's Dorothy.
00:21:53She's a girl.
00:21:55She's got lovely long hair.
00:21:57And she smells.
00:21:59Really gorgeous.
00:22:01Even if you just walk past her in the corridor.
00:22:04She smells gorgeous.
00:22:06She's got teeth.
00:22:08Lovely white teeth.
00:22:10White, white teeth.
00:22:14That Dorothy.
00:22:15The hair, the teeth and the smell.
00:22:17That Dorothy.
00:22:20And she's in the team.
00:22:22Well, I think she's taking my position.
00:22:24But she's a really good footballer.
00:22:26Can she cook?
00:22:28Can she do this?
00:22:29Look, Steve.
00:22:31When you're in love,
00:22:32things like that just don't matter.
00:22:34Give me the margarine.
00:22:40Think she'll love me back?
00:22:42No chance.
00:22:44That's your mixing.
00:22:45It'll go stiff, Gregory.
00:22:48No chance.
00:22:51No chance.
00:23:14No chance.
00:23:44No chance.
00:24:08This is a real farce.
00:24:10Nine games lost in a row and what do we do?
00:24:12Sack the goalie
00:24:14and put a girl on the forward line.
00:24:16It's a madhouse.
00:24:17Watch the game, Andy.
00:24:18Watch the game.
00:24:19She's good.
00:24:20She can move.
00:24:22It's not right.
00:24:23It's unnatural.
00:24:25It doesn't even look nice.
00:24:27It's modern, Andy.
00:24:28It's good.
00:24:29Modern girls.
00:24:30Modern boys.
00:24:32It's tremendous.
00:24:33Look.
00:24:43Goodbye.
00:24:47Goodbye.
00:24:48Girls weren't meant to play football.
00:24:50It's too tough.
00:24:51Too physical.
00:24:53Tough?
00:24:54Have you ever seen them playing at hockey?
00:24:56They're like wild animals.
00:24:58Even at 12 and 13,
00:24:59they'd kill you.
00:25:01You know, hockey was invented by the Red Indians
00:25:03as a form of torture.
00:25:04They used to make the cowboys play the squads.
00:25:06Shite.
00:25:07That was lacrosse.
00:25:09And anyway,
00:25:10if women were meant to play football,
00:25:11they'd have their tits somewhere else.
00:25:13They weren't designed for football.
00:25:15Gregory!
00:25:18Watch the ball.
00:25:19Go out and beat it.
00:25:20Don't wait for it.
00:25:21Watch the winger.
00:25:22Come on, fast.
00:25:23Wait for the cross.
00:25:28Give it.
00:25:30Come on, give us the ball.
00:25:41What a prick.
00:25:44Took my eye off the ball for a split second.
00:25:47Two microseconds.
00:25:49We need more women in this team.
00:25:51More new blood.
00:25:52Yeah, she's some girl.
00:26:12Go on, Danny, beat it.
00:26:21What a goal.
00:26:22What a girl.
00:26:23Yeah, she's got a nice pair of legs as well, eh?
00:26:26Andy, please.
00:26:29Look at that.
00:26:31It's disgusting.
00:26:33It's perverse.
00:26:35In a football field.
00:26:37With kids watching.
00:26:39There's a football game to be played.
00:26:42That's the sort of thing that gives football a bad name.
00:26:45That is disgusting.
00:26:49That's a girl.
00:26:50You're a genius, Robert, you're a genius.
00:26:54Hello.
00:27:07Do you get any plasters in here?
00:27:09There's none next door.
00:27:11No.
00:27:12Maybe.
00:27:14I'll get you some.
00:27:16Don't panic, it's just a scratch.
00:27:18I only want to save my tights getting blood on them.
00:27:24A big gorilla on the left wing.
00:27:29I got my own back.
00:27:30I got my boot in his shin and scraped it right down.
00:27:33Big animal.
00:27:35You'll have a bruise there.
00:27:37Not if I let it bleed.
00:27:38That's the idea.
00:27:39I don't bruise easily.
00:27:42I do.
00:27:43I bruise like a peach.
00:27:47Bruise.
00:27:49See that?
00:27:50See that?
00:27:51I was only three when that happened.
00:27:53I was chasing a wee boy on the beach.
00:27:56I wasn't going to hurt him.
00:27:57I fell on the bottom of him.
00:28:00That'll never go away.
00:28:01I'm marked for life.
00:28:03I'm imperfect.
00:28:05No, no, it's nice.
00:28:06I like it.
00:28:07Really?
00:28:08Yeah.
00:28:13I hurt my arm once.
00:28:15At the join.
00:28:16I can't get it any higher than this.
00:28:18I used to be able to get all the way up here.
00:28:20You just did.
00:28:22Nah.
00:28:23This arm.
00:28:24It's stuck.
00:28:26Look at this thing.
00:28:27My big brother threw a bike at me.
00:28:29I was only seven.
00:28:31I can only see it in the mirror.
00:28:33It's quite nice, isn't it?
00:28:34Nice shape.
00:28:35Yeah.
00:28:37Yeah.
00:28:38Ronaldo, that was a boy in Italy last summer.
00:28:41He said it was like a new moon.
00:28:43Very romantic.
00:28:44La luna.
00:28:46Ah, si, si.
00:28:48Bella, bella.
00:28:49Ah, parliamo italiano.
00:28:53Nah, not really.
00:28:54Just bella, bella.
00:28:56Oh.
00:28:57I think it's a wonderful language.
00:28:59It's so alive.
00:29:01I want to live in Italy when I leave school.
00:29:03Hmm?
00:29:04I can speak the language.
00:29:06I'm a quarter Italian and a quarter Irish.
00:29:09And my mother sings.
00:29:10Hey, I can speak Irish.
00:29:17What's Ronaldo doing down there anyway?
00:29:19He lives there.
00:29:21No.
00:29:22I mean down there.
00:29:23Ah.
00:29:24He was putting some suntan oil on for me.
00:29:27Bella, bella.
00:29:31Anything else to show me?
00:29:33Any major wounds when you were twelve?
00:29:36No.
00:29:37Anything else to show me?
00:29:39Any major wounds when you were twelve?
00:29:42Fourteen?
00:29:44Oh, hi, Dorothy.
00:29:45Nice to see you.
00:29:46Good game.
00:29:47Look, I'd like to have a chat with you for the school magazine.
00:29:49I want to interview you and that girl in 2A that had the triplets.
00:29:53You're pretty famous now, you know.
00:29:55I'm sorry, this is a dressing room.
00:29:56You can't come in here.
00:29:57Eric, get the whole dressing room thing
00:29:59and some nice big close shots of Dorothy.
00:30:02You don't mind if Eric flashes, do you?
00:30:07This is no place for a camera, Eric.
00:30:09People take their clothes off in here.
00:30:11Yeah, you're better.
00:30:13Look, I'm going to stand in there.
00:30:15Too many shadows.
00:30:16Just keep well in there, Eric.
00:30:17Thanks.
00:30:18I like to interview people like this.
00:30:20No preparation.
00:30:21Everything nice and natural.
00:30:23But tell me, Dorothy, how are the boys taking it?
00:30:26You being in the team now?
00:30:27You guys are so predictable.
00:30:29Always trying to cause trouble.
00:30:31We're all very happy.
00:30:33Dorothy's a very good player.
00:30:35Calm down, Gregory.
00:30:36This is an in-depth interview.
00:30:39Dorothy.
00:30:40Things are fine.
00:30:41I'm quicker than most boys,
00:30:43so I can keep out of trouble.
00:30:45I take dancing lessons too,
00:30:46and that helps my balance.
00:30:48What you've got to remember is that
00:30:50my body's quite different.
00:30:54You've got a good body.
00:30:56You must train a lot, keep in shape.
00:30:58Do you have time for anything else?
00:31:00I mean, what do you and your body do on a Saturday night, for instance?
00:31:04Saturday nights are special.
00:31:06I like to do something special.
00:31:07Right.
00:31:08How about doing something special this Saturday?
00:31:10Come on, this is a dressing room.
00:31:12You lot go and conduct your business somewhere else.
00:31:15I'll go and change too.
00:31:16OK, Dorothy.
00:31:17You're an interesting girl, you know.
00:31:19But I want to find a real Dorothy.
00:31:22The one underneath the football strip.
00:31:24Dorothy the woman.
00:31:27OK?
00:31:28OK.
00:31:31Cheerio, Gregory.
00:31:32Out of the dirtsy, Gordon.
00:31:33Hurry back.
00:31:36Bella, Bella.
00:31:37Bella, Bella.
00:31:39Bella Rinaldo, Bella Gordon.
00:31:42I like to do something special on Saturday nights.
00:31:47Bella, Bella!
00:31:49What's the sudden need to speak Italian, Gregory?
00:31:51Oh, it's not sudden.
00:31:53I've been thinking about it for about three years.
00:31:56It's just taken a while for me to make up my mind.
00:31:58It's very late in the term to start.
00:32:00I've got some free time.
00:32:02I'll catch up.
00:32:03It's very important to me.
00:32:05See, I want to live in Italy when I leave school.
00:32:07Been there, have you?
00:32:08No.
00:32:09I've been to Ireland, though.
00:32:10And I met some Italians there.
00:32:12They told me all about it.
00:32:14In English.
00:32:16Rinaldo could speak good English.
00:32:18Rinaldo? Is that your Italian friend?
00:32:20Well, not just him.
00:32:21There was girls there too.
00:32:22I just said Rinaldo because he could speak good English.
00:32:24Well, what kind of work do you want to do in Italy?
00:32:27Well, I'll just learn the language.
00:32:28And then I'll see where it is going.
00:32:30You know, you should think about taking a course in technical Italian.
00:32:33Is that worse to do with work and engines and...
00:32:36Mm-hmm.
00:32:38I think I'd rather do the normal Italian.
00:32:40And work my way down.
00:32:41Well, we'll leave it just now.
00:32:43I'll have a word with your form master.
00:32:44See what he can come up with it, OK?
00:32:46I'm really pleased that you're interested.
00:32:48It's a lovely country.
00:32:49Oh, yeah.
00:32:50Wonderful language.
00:32:52Don't you think it's so alive?
00:32:55Did he manage to pick any of it up at all?
00:32:57A couple of words.
00:32:58Mm-hmm.
00:33:01Um, Bella.
00:33:03And Bella.
00:33:05Do you know any words you could teach me just now?
00:33:07Tello di ro.
00:33:10Tello di ro.
00:33:12Tello di ro.
00:33:15It means I'll let you know, Gregory.
00:33:17OK?
00:33:21Tello di ro.
00:33:26Tello di ro.
00:33:30Tello di ro.
00:33:36What about Alan?
00:33:37Do you think he's still a virgin?
00:33:39Nah.
00:33:40He's been in the school orchestra for over a year now.
00:33:45Pass the sulfuric acid, will you?
00:33:48What's the pH on that?
00:33:50Um...
00:33:51Seven.
00:33:53Seven.
00:33:57How's the football going?
00:33:58Oh, it's good.
00:34:00You need to cut that up a bit.
00:34:02It's real big.
00:34:04What about the goalie, Gregory?
00:34:06Hmm?
00:34:07What do you make of Gregory?
00:34:10Well, he's a bit slow.
00:34:12And a bit awkward.
00:34:14Yeah, slow and awkward.
00:34:17He's got a nice laugh.
00:34:20Give me the bromide, will you?
00:34:23Yeah.
00:34:29Hey.
00:34:30Room four.
00:34:43Good afternoon.
00:34:48Do you know that when you sneeze
00:34:51it goes at 100 mils an hour?
00:34:54It's a well-known fact.
00:34:56100 mils an hour.
00:34:59Just like that.
00:35:11Room 16.
00:35:15Hurry up.
00:35:21Hello.
00:35:31Here comes my messenger.
00:35:33How now, mad spirit.
00:35:35What night rule now about this haunted grove?
00:35:38My mistress with her monster is in love.
00:35:40Near to her close and consecrated bore
00:35:43while she was in her dull and sleeping hour.
00:35:46A crew of patches, rude mechanicals,
00:35:48that work for bread upon Athean stalls
00:35:50were met together to rehearse a play
00:35:52intended for great Theseus' nuptial day.
00:35:55The shallowest thick skin of that barren sort
00:35:58who Pyramus presented in their spot
00:36:00forsook his scene and entered in a break
00:36:03when I did him at this advantage take.
00:36:06And forth my mimic comes when they him spy
00:36:09as wild geese that creeping fowl arrive
00:36:11sever themselves and madly sweep the sky.
00:36:14So at his sight away his fellows fly.
00:36:16He's missed.
00:36:17Here over and over one falls.
00:36:19He murder cries and help from Athens calls.
00:36:23Their sense thus weak, lost with their fears thus strong
00:36:27made senseless things begin to do them wrong.
00:36:30For briars and thorns under a platter snatch.
00:36:33Some sleeves, some hats from yielders all things catch.
00:36:36I led them on.
00:36:40Well, you said you'd come back and see me again.
00:36:43Here I am.
00:36:44Can I introduce my boss?
00:36:46Miss Welsh, this is Mr Hall.
00:36:48It's his own business.
00:36:49Pleased to meet you.
00:36:51Well, how's our Billy shaping up?
00:36:54He's a good lad.
00:36:55He's been telling me all about the characters in the school.
00:36:58He likes you.
00:37:00And he's washed a few windows as well.
00:37:02I hope you're doing mine for free, Billy.
00:37:04Well, for old time's sake.
00:37:06Give us your glasses and I'll do them as well.
00:37:08No chance.
00:37:10Thank you.
00:37:14See you outside at four, lads, eh?
00:37:16Listen, why don't you come up and see me some time?
00:37:20I'll do that.
00:37:21I'll use the stairs, though.
00:37:23I led them on in this distracted fear
00:37:25and left sweet Pyramus translated there.
00:37:28When in that moment, so it came to pass,
00:37:31Titania waked and straightway loved an ass.
00:37:40Donuts.
00:37:41Well, we're still doing the two kinds.
00:37:43There's a jam filled in the rings.
00:37:45What kind of jam?
00:37:47What would you like?
00:37:49Blackcurrant?
00:37:51That's no problem.
00:37:54I'll have half a dozen, okay?
00:37:55Half a dozen.
00:37:57I'll tell you what, I'll throw in a couple of ring donuts.
00:37:59There are usually some left on a Friday anyway.
00:38:01Good.
00:38:03Have you given the petite shoe any more thought?
00:38:06What was that again?
00:38:08It was a basic shoe pastry.
00:38:10I've been working on it.
00:38:11I think I've got it perfect.
00:38:21That's good.
00:38:22It's very good.
00:38:33I'd like everything in my office by about three o'clock Friday.
00:38:37Is that understood?
00:38:38Yes, sir.
00:38:40I'm sorry, I'm early.
00:38:46Have a seat, Mr. Manzies.
00:38:58There's a girl in the football team.
00:39:00Ah, well, yes and no.
00:39:03Yes and no.
00:39:04Yes.
00:39:06What do you mean?
00:39:07Well, we could have a girl in the football team if we wanted one.
00:39:10Do we want one?
00:39:12Well...
00:39:15I think it's a wonderful idea.
00:39:17Terrific.
00:39:18Yes, and she's a great wee player.
00:39:20She won't hold the team back one little bit.
00:39:22One possible problem area.
00:39:25The showers.
00:39:27What happens about the showers?
00:39:29Well, she'll bring her own soap.
00:39:32And you'll undertake to keep everything above board.
00:39:36Oh, yes, most definitely.
00:39:39Most definitely.
00:39:46Hello.
00:39:47Hello.
00:39:48Can I have a bag for you?
00:39:49I can't see today.
00:39:50I've got to go up to the big school.
00:39:51What for?
00:39:52Oh, family trouble.
00:39:54Is it Gregory?
00:39:56Guess what?
00:39:57He's fallen in love.
00:39:59That's big trouble.
00:40:01Well, maybe I can see you later on.
00:40:03Right.
00:40:04Bye-bye.
00:40:05Bye.
00:40:30Cigarette?
00:40:42Waiting for somebody?
00:40:44Yes.
00:40:51They're not giving much away.
00:40:52There's 2,000 people in there.
00:40:54Gregory, what's here?
00:40:56Gregory, what's here?
00:40:59Oh, Steve's phone.
00:41:03Are you Gregory's girl?
00:41:05I'm Madeleine.
00:41:27Hello.
00:41:38She's fancied me since first year.
00:41:40She's after my body.
00:41:41I might have to give in.
00:41:43Why don't you come up and see me sometime?
00:41:48Hey, watch the jacket.
00:41:50I had to wet, wash and polish 84 windows for this.
00:41:53That's some job.
00:41:54Do you need danger money for that?
00:41:55No, but if I die, my mother gets her windows washed for nothing for 25 years, inside and out.
00:42:04I'll tell you what you need danger money for.
00:42:06It's the women.
00:42:08There's something about window cleaners that just turns them on.
00:42:12Especially up that Loganville estate.
00:42:14You know, the private houses.
00:42:16They spend too much time on their own up there.
00:42:18So we turn up once a week, singing songs, telling jokes.
00:42:23Washing the windows?
00:42:24Right, washing the windows.
00:42:26Then, before you know it, round to the back door.
00:42:28Hello, darling.
00:42:29Could you give us some hot water?
00:42:33I don't get it.
00:42:36Hot water?
00:42:37Is that a code?
00:42:38No, it's for washing the windies.
00:42:40But that's just to get the conversation going.
00:42:42Anything can happen after that.
00:42:45I suppose the worst thing that could happen is they give you some hot water.
00:42:49Yeah, that sometimes happens.
00:42:51We saw a great thing last week.
00:42:53You know, a nurse up at the hostel.
00:42:55Kicked this bum fanny the lot.
00:42:58I could see that 50 times a day through a window.
00:43:01It's contacts, the thing.
00:43:03Doing it.
00:43:04Have you done it?
00:43:0511 times.
00:43:06In the one night?
00:43:08No, at different times.
00:43:10But something new always crops up.
00:43:12What, you mean stuff like foreplay?
00:43:15Foreplay is important.
00:43:17As long as you know it's leading up to something.
00:43:19Otherwise, it's just fooling around.
00:43:21I'll see you guys later, right?
00:43:23See you, Billy.
00:43:24Bye-bye, Madeleine.
00:43:25If I don't see you through the week, I'll see you through a window, eh?
00:43:30They grow up fast, don't they?
00:43:33Ten years old with a body of a woman of 13.
00:43:39You need some new trousers.
00:43:41These baggy ones are awful.
00:43:43I'll talk to Mum about it.
00:43:45Blue ones, Italian.
00:43:47If you're going to start falling in love, you'll have to start taking care of yourself.
00:43:51Are Italians good dressers?
00:43:53Yeah, they make nice trousers.
00:43:55They've got style.
00:44:00I was talking to Stephen's sister about Dorothy.
00:44:04She's very attractive.
00:44:06I knew you would fall for that type.
00:44:08She's quartered Italian.
00:44:11Don't get too serious about it if you could help it.
00:44:14Have you asked her out yet?
00:44:19I can help you.
00:44:20I can tell you things.
00:44:22I'm a girl.
00:44:23You were nice to me when other boys hated their sisters.
00:44:27If it was brown, it would be okay.
00:44:29Not enough brown, innit?
00:44:32Yeah.
00:44:37There's a dark brown.
00:44:40Well, the grey was quite nice too.
00:44:43You don't think about colours, do you?
00:44:45If you don't take an interest in yourself,
00:44:47how can you expect other people to be interested in you?
00:44:50Talk to Dorothy.
00:44:52Ask her out.
00:44:53She won't say no, I'll bet you.
00:44:55But don't treat her too special.
00:44:57You're too romantic.
00:44:58It could scare a girl off.
00:45:00What kind of things should I say?
00:45:02For goodness sake, don't plan it.
00:45:04Don't think about it.
00:45:05Do it!
00:45:06So,
00:45:07I should think less about love
00:45:09and more about colours?
00:45:11You've got it.
00:45:15What would you like?
00:45:16Ginger beer and lime juice with ice cream, please.
00:45:19But don't stir it.
00:45:21Coffee, please.
00:45:22Black or white?
00:45:23Erm...
00:45:26Brown.
00:45:29Good blue coffees here, Madeline.
00:45:31This isn't Italy.
00:45:33No style.
00:45:37Do you dream about her?
00:45:39That means you love her.
00:45:41It's the one that you have the dreams about that counts.
00:45:45What do you dream about?
00:45:47Just ginger beer and ice cream.
00:45:49I'm still a little girl, remember?
00:45:58That looks nice, doesn't it?
00:46:00Yeah, the nicest part is just before you taste it.
00:46:03Your mouth goes all tingly.
00:46:05But that can't go on forever.
00:46:15Do you know anything about Italians?
00:46:17Excellent seafood in the North West.
00:46:19Some of their regional pasta dishes are good too.
00:46:22Good with salads.
00:46:23Very stylish all round.
00:46:26Whoa, whoa!
00:46:27Go easy with the sugar, lady.
00:46:29Food, food, food!
00:46:30Is that all you think about?
00:46:36You're a natural, pal.
00:46:38You're a freak.
00:46:40You eat it, don't you?
00:46:41I've never seen you turn your nose up at anything I've made.
00:46:48Hours and hours I've spent making you lovely, lovely things.
00:46:52And all it means to you in the end is food.
00:46:55Look, pal, I don't know whether you've noticed,
00:46:57but I'm going through a crisis.
00:46:59Of course I've noticed.
00:47:01But what do you want me to do?
00:47:03The whole world's got problems.
00:47:05You're just obsessed by a beautiful, young, unattainable girl.
00:47:09So what?
00:47:10Stop saying things like obsessed and unattainable.
00:47:13It's love.
00:47:14OK, it's love.
00:47:15Go and attain her then.
00:47:17Sweep her off her feet.
00:47:18Oh, I forgot.
00:47:19You're the goalkeeper.
00:47:20She's the sweeper.
00:47:21Ha, ha.
00:47:23Look, one key question.
00:47:25Have you spoken to her?
00:47:26Asked her for a date?
00:47:27Anything?
00:47:29Well, do it.
00:47:30Then complain.
00:47:34I often like to serve meringues with tangerine shells
00:47:37and strawberries and cream.
00:47:39If I get a date, can I borrow your white jacket?
00:47:44No.
00:47:45You can also use meringues, of course,
00:47:47on top of lemon meringue pie, which is great,
00:47:49because it's very easy to make.
00:47:51Maybe that's her.
00:47:53Uh, lemon pie, of course.
00:48:00I wonder if Maddy's in.
00:48:02You mean Madeleine.
00:48:03She's out with her mother.
00:48:04That's a shame.
00:48:05I thought we'd go for a walk.
00:48:07Maybe I could wait.
00:48:08Nah, the wages.
00:48:10Maybe she could phone me later on.
00:48:11She has my number.
00:48:12Who are you anyway?
00:48:14You're talking about my sister,
00:48:16and she doesn't go for walks with anybody.
00:48:18What's the idea?
00:48:19Come to people's doors,
00:48:21seducing people's sisters.
00:48:23Act your age.
00:48:24Go and break some windows.
00:48:25Demolish some phone boxes.
00:48:28See, when I was your age...
00:48:30You're Gregory, aren't you?
00:48:32How are you feeling?
00:48:33Isn't it OK?
00:48:35There's nothing wrong with me, son.
00:48:37You're the one that should be worried.
00:48:39Seducing children.
00:48:41You're a freak.
00:48:43You're heading for big trouble.
00:48:45Underage walks, dates.
00:48:47You'll run out of vices before you're 12
00:48:49if you don't slow down.
00:48:51Go on, piss off.
00:48:53OK, Gregory.
00:48:54Fair enough.
00:48:55Richard's the name.
00:48:57Ask Maddy to call me anyway.
00:48:59The name's Madeleine.
00:49:00Madeleine.
00:49:01Go on, piss off.
00:49:31Meow.
00:49:39Meow.
00:49:41Meow.
00:49:43Meow.
00:49:45Meow.
00:49:47Meow.
00:49:50Meow.
00:49:52Meow.
00:49:55Meow.
00:49:59Meow.
00:50:04Meow.
00:50:11Meow.
00:50:17Meow.
00:50:22Meow.
00:50:33I had that dream again last night.
00:50:35That's four nights in a row.
00:50:37That's really good, that.
00:50:47Yeah, hold on.
00:50:48I'm in the dark.
00:50:53What is it?
00:50:55Can I come in?
00:51:00You know, I'd make a lousy photographer.
00:51:02I get scared in the dark.
00:51:04What do you want?
00:51:06I just wondered how the snaps turned out.
00:51:08You know, the ones in the dressing room.
00:51:10Oh, Dorothy.
00:51:11I'm working on her just now.
00:51:13She's a beauty.
00:51:14She's a dream to photograph.
00:51:16Very interesting.
00:51:18I could really go for this girl in a big way.
00:51:21Look at that nose.
00:51:23Very pretty.
00:51:25Some of the guys reckon that she's too much like a boy.
00:51:30I don't.
00:51:31I think she's wonderful.
00:51:33Or like a boy?
00:51:35Nah.
00:51:36She's just modern.
00:51:39You're right.
00:51:40It's modern.
00:51:41It's the future.
00:51:42In another million years,
00:51:44there'll be no men, no women.
00:51:46It'll just be people.
00:51:47It's logical evolution.
00:51:49Evolution is a thing.
00:51:50No more men or women.
00:51:52Just a whole world full of wankers.
00:51:54Drink.
00:51:59Yeah, this is a modern girl.
00:52:01Made to be photographed.
00:52:03Boy, I'd love to get my wide-angle lens on her.
00:52:08A low-key light.
00:52:10A soft fill.
00:52:12Oh, the face and the body of the 80s.
00:52:15Could really make that girl.
00:52:20One elephant.
00:52:22Two elephant.
00:52:23Three elephant.
00:52:24Four elephant.
00:52:25Five elephant.
00:52:26Six elephant.
00:52:27If you don't put any elephants, you don't get real seconds.
00:52:30Oh.
00:52:31Ten elephant.
00:52:33Each print needs an exact exposure.
00:52:36This one needs ten elephants.
00:52:43Here she comes.
00:52:45There you go, you beauty.
00:52:48Look how quickly Gordon moved in.
00:52:50He knows what he likes.
00:52:52I timed it.
00:52:53You know, one elephant, two elephant.
00:52:55One minute and 50 elephants and he had a date.
00:52:58That's a record, even for him.
00:53:00What a guy, eh?
00:53:02What an absolutely incredible guy.
00:53:06What a guy.
00:53:08Absolutely.
00:53:10Now give us a photograph, will you?
00:53:12Oh, I get it.
00:53:14You fancy her too, eh?
00:53:16No.
00:53:17It's for a friend.
00:53:19Someone really shy.
00:53:22Just give us a photograph, eh?
00:53:24This is really expensive.
00:53:26The chemicals and the paper.
00:53:28Really expensive.
00:53:30Twenty pence.
00:53:31Forty.
00:53:32Twenty-five.
00:53:33I'll frame it for a pound.
00:53:34No, take it where it is, thanks.
00:53:42I'll give you a dry one.
00:53:44It'll be dripping down the corridor.
00:53:55Hey.
00:53:56Are you Gregory?
00:53:57Yes, me sweetheart.
00:53:59Who wants to know?
00:54:00Dorothy wants to see you.
00:54:03You're Dorothy?
00:54:04That's what I said.
00:54:05She'll be in room nine at break time, okay?
00:54:15Thanks.
00:54:21Can we just call me?
00:54:22No.
00:54:23Can we just call?
00:54:24No.
00:54:38Oh.
00:54:40Hello.
00:54:41Hello.
00:54:44Hello.
00:54:54Hi, Dorothy.
00:54:55I got your message.
00:54:56Good.
00:54:57I just wanted to know what you're up to at lunchtime.
00:55:00Well, nothing that can't wait a million years.
00:55:02Will you help me out with some goal practice?
00:55:05Yeah, sure.
00:55:06It'll speed things up.
00:55:08I want to practice some shots at different angles.
00:55:11I'll bring my compass.
00:55:14Good.
00:55:15Well, I'll see you at half twelve then.
00:55:17Fine.
00:55:18Good.
00:55:20See you.
00:55:23Look at all these men.
00:55:26Boys.
00:55:27What's the difference?
00:55:29Come on, come on, let's go.
00:55:36I'm on the way, Steve.
00:55:38It's off the ground.
00:55:39Romance.
00:55:40It's in the air.
00:55:41Hi, Paul.
00:55:43Can I have your white jacket?
00:55:45No.
00:55:48I don't want to make a big thing about it.
00:55:51It's just that the jacket would really help.
00:55:53It'd put the affair off on the proper footing.
00:55:55Just for one night, eh?
00:55:57What are you raving on about?
00:56:00Me.
00:56:01Dorothy.
00:56:02Eh?
00:56:03It's in the bag.
00:56:04She's after me.
00:56:05She wants me to play with her at lunchtime.
00:56:07My, my.
00:56:08She wants you to play with her, eh?
00:56:09How do you do it, Gregory?
00:56:11Good ball we're playing.
00:56:13I'm going to be in goals.
00:56:14Not with my jacket, you won't.
00:56:17Morning, Kelvin.
00:56:18How's business?
00:56:19It's all right.
00:56:20No, the jacket's for later.
00:56:21For the real beat.
00:56:22The doughnuts are going like hotcakes, Steve,
00:56:24but the marzipan almonds don't seem to deserve a nice cup of tea.
00:56:28Tasteless psyllids.
00:56:29Come on, Steve.
00:56:31You gave Pete the jacket last week.
00:56:33Why not me?
00:56:34That's exactly why, Gregory, old son.
00:56:36Did you see that jacket the day after?
00:56:38Grass stains.
00:56:40Oh, what kind of stains?
00:56:42Yeah, but with Dorothy and I, things would be high class.
00:56:47No stains.
00:56:48No.
00:56:49Look, I'll make a deal with you.
00:56:51You get the date, sign sealed and delivered,
00:56:54and then come and see me about the jacket.
00:56:56Fair enough?
00:56:57Just keep the doughnuts coming, Steve.
00:56:59We're on the gravy train,
00:57:00but what the public says is ease off on the marzipans.
00:57:03It's a deal.
00:57:04Do you want to throw in your brown shoes as well?
00:57:07I could use a persuasive trick like you in the organisation.
00:57:11Help me offload some marzipan onto an uncaring population.
00:57:18Go on, get.
00:57:21I bought one of these this morning and it cost me 25 pence.
00:57:24Come on, see the boss.
00:57:2631 elephant.
00:57:2832 elephant.
00:57:3033 elephant.
00:57:3234 elephant.
00:57:3335 elephant.
00:57:3536 elephant.
00:57:53Don't touch that ravioli, it's garbage.
00:57:59Ravioli, please.
00:58:01Here.
00:58:03Hello, Brenda.
00:58:04Hi.
00:58:05Mind if I join you?
00:58:07How's lunch?
00:58:08Very usual.
00:58:09Meat looks OK.
00:58:14Have you got a tissue?
00:58:20Let's sweet-talk these two, eh?
00:58:26Good afternoon, ladies.
00:58:28Hello.
00:58:29Mind if we join you?
00:58:32Sure.
00:58:42How's the roast beef?
00:58:44It's veal.
00:58:46Veal?
00:58:47Do you know how they make veal?
00:58:49They get the little baby calves,
00:58:51and they hang them upside down,
00:58:53and they slit their throats and let the blood drip out.
00:58:56It's very interesting, isn't it?
00:59:03This is great.
00:59:05You can really use the practice.
00:59:09Thanks.
00:59:10Good girl.
00:59:13Just kick it out in future, it'll be much quicker.
00:59:16Good idea.
00:59:18Great idea.
00:59:19Do that the next time, eh?
00:59:21I'll see you later.
00:59:22Bye.
00:59:23Bye.
00:59:24Bye.
00:59:25Bye.
00:59:26Bye.
00:59:27Bye.
00:59:28Bye.
00:59:29Bye.
00:59:30Bye.
00:59:31Next time, eh?
00:59:35Great shot.
00:59:36Got me that time.
00:59:39Could you stop dancing around so much?
00:59:42It's very distracting.
00:59:44How can you judge a shot dancing around like...
00:59:49Great.
00:59:50First class.
00:59:52You know your son, girl.
00:59:54I haven't got near the ball yet, eh?
01:00:01Well held.
01:00:02You OK?
01:00:08Come on, we've only got another hour.
01:00:11Think I've broke my neck chain.
01:00:13Come on, come out and tackle me.
01:00:15Try and block.
01:00:17Then move back and block some more.
01:00:20And use your feet, don't grab for the ball.
01:00:23OK.
01:00:24OK.
01:00:25Keep them coming, Dorothy.
01:00:31OK.
01:00:32OK.
01:01:02Off you go, you small boys.
01:01:13Of course, you know we're in the wrong place.
01:01:17You know where we should be.
01:01:21South America.
01:01:24There's a town there.
01:01:27And it's called...
01:01:29There's a town there.
01:01:31And this is a well-known fact.
01:01:33But do you know the ratio of women to men?
01:01:37Eight to one.
01:01:40It's eight women per one guy.
01:01:42That's the sort of place for us, eh?
01:01:47It's called Caracas.
01:01:50Are you happy in goal?
01:01:52It's OK.
01:01:55You waste a lot of energy.
01:01:57No control.
01:02:00I've got tonnes left.
01:02:02Thanks for the practice.
01:02:05No sweat.
01:02:08Well, lots of sweat, actually.
01:02:13It's OK.
01:02:15Well, lots of sweat, actually.
01:02:19But no sweat if you get my meaning.
01:02:21I'm sorry you missed lunch.
01:02:23It's OK.
01:02:25Lunch means nothing to me.
01:02:27Some nuts.
01:02:28Some fresh fruit.
01:02:29Double apple pie and custard?
01:02:31That kind of thing.
01:02:33I'm off for a shower.
01:02:46Dorothy.
01:02:51I just wanted to say...
01:02:53Any time.
01:02:57For more practice.
01:02:59Any time.
01:03:01Right. Ta.
01:03:05Also...
01:03:07Would you like to come out with me?
01:03:09OK.
01:03:12I'm meaning a kind of date.
01:03:15I said OK.
01:03:20Come on, stop fooling around.
01:03:22I mean, a real...
01:03:24If you're going to argue about it, forget it.
01:03:27No, no. Fine.
01:03:30When?
01:03:32Tonight.
01:03:34Half past seven, at the clock in the plaza.
01:03:37Half past seven, at the clock in the plaza.
01:03:56Yeah?
01:03:59I just wanted to check.
01:04:01Yeah?
01:04:03Tonight.
01:04:04Tonight?
01:04:05Yeah.
01:04:06Half seven?
01:04:07Half past seven.
01:04:08And you'll be there?
01:04:10I'll be there.
01:04:11And I'll be there.
01:04:12Mm-hm.
01:04:13At the clock?
01:04:14At the clock.
01:04:17Yeah? What is it?
01:04:22Has that boy been bothering you?
01:04:24No.
01:04:25No.
01:04:26No.
01:04:27No.
01:04:28No.
01:04:29No.
01:04:30No.
01:04:31No.
01:04:32No.
01:04:33No.
01:04:34No.
01:04:35No.
01:04:36No.
01:04:37No.
01:04:38No.
01:04:39No.
01:04:40No.
01:04:41No.
01:04:42No.
01:04:43No.
01:04:44No.
01:04:45Has that boy been bothering you?
01:04:47No.
01:04:48He's harmless.
01:05:00How's the training been going?
01:05:02I was practicing some turns on the ball.
01:05:04I'm not very happy with it.
01:05:06I think I'm using my feet too much.
01:05:08That little remark tells me a lot about you, sweetheart.
01:05:11Now listen.
01:05:12When you trap a ball, what you've got to do first and foremost is kill that ball's energy.
01:05:16You've got to tame it.
01:05:18Now what do you use to kill a ball's energy?
01:05:20My feet.
01:05:21And what else?
01:05:22My chest.
01:05:23And?
01:05:26This!
01:05:27Your gluteus maximus trap, my dear.
01:05:30Now this is what you do, right?
01:05:32You've got a high ball and a fast ball.
01:05:35But it's behind you.
01:05:36And you want to trap it and turn it.
01:05:39So you let the ball bounce once.
01:05:41Kill the momentum.
01:05:42Then...
01:05:43And this is what foxes them.
01:05:45Reverse up to the ball.
01:05:47Catch it on the bounce with your...
01:05:49...fleshy part.
01:05:50Drop down low on it.
01:05:51And there it is.
01:05:53But you don't waste time.
01:05:54You're up on your feet.
01:05:55You turn.
01:05:56Steady.
01:05:58And it's yours.
01:05:59Jesus, Bambino.
01:06:01That's really nifty.
01:06:02Right.
01:06:03You try it and I'll walk you through it.
01:06:05Ready?
01:06:06Reverse.
01:06:07Reverse.
01:06:08Down.
01:06:09Trap.
01:06:10Up.
01:06:11Turn.
01:06:12Steady.
01:06:13Kick.
01:06:14Reverse.
01:06:15Down.
01:06:16Trap.
01:06:17Up.
01:06:18Turn.
01:06:19Steady.
01:06:20Kick.
01:06:21Reverse.
01:06:22Down.
01:06:23Trap.
01:06:24Up.
01:06:25Turn.
01:06:26Steady.
01:06:27Kick.
01:06:28Reverse.
01:06:29Down.
01:06:30Trap.
01:06:31Up.
01:06:32Turn.
01:06:33Steady.
01:06:34Kick.
01:06:35Reverse.
01:06:36Down.
01:06:38Mmm.
01:06:39Mmm.
01:06:40Mmm.
01:06:41Mmm.
01:06:42Mmm.
01:06:43Remember your neck?
01:06:45Yeah.
01:06:46And under your arms?
01:06:48Yeah.
01:06:49Yeah.
01:06:50Everything's under control.
01:06:56Think you should tell her some jokes.
01:06:58Maybe.
01:07:03Do you know any jokes?
01:07:05Don't tell her the one about Batman and Superwoman.
01:07:14Sit still.
01:07:35Hi there.
01:07:51Hi there.
01:08:01Hi there.
01:08:21Hi there.
01:08:48Hi, Gregory.
01:08:50Hi, Carol.
01:08:51Waiting for Dorothy?
01:08:53Yeah.
01:08:54She's not coming.
01:08:59Right, thanks.
01:09:06Wrong way.
01:09:09Something turned up.
01:09:10To do with her football, I think.
01:09:13Is that Steve's jacket?
01:09:16No.
01:09:17Steve's has got a stain there.
01:09:19There's no stain.
01:09:21Thanks for the word about Dorothy.
01:09:23Ah, it's okay.
01:09:24Couldn't leave you here all night.
01:09:27What will you do now?
01:09:31Fancy a walk?
01:09:32Where?
01:09:34Could go up to the sports centre.
01:09:36Nah.
01:09:37I'm pretty hungry, though.
01:09:39We could go up to Capaldi's and I'll buy you some chips.
01:09:42Yeah, okay.
01:09:43What's going on with you anyway?
01:09:56Gregory!
01:09:58Hold on a minute!
01:10:13I feel like a human being again.
01:10:43Look, I've got to go home.
01:10:45I really enjoyed the walk.
01:10:47You go that way, right, and I'll go this way.
01:10:49See you.
01:10:50Hold it, Gregory!
01:10:51Thought we were going for chips.
01:10:54Chips?
01:10:55Okay.
01:10:56There you are.
01:10:57Fifty pence.
01:10:58Got lots of chips with that.
01:10:59Bye.
01:11:00Don't be stupid.
01:11:01Come on, you're worse than my dad, and he's old.
01:11:03At least he's getting an excuse for being a prick.
01:11:06Okay, okay.
01:11:08Put your coat on.
01:11:11Oh, no.
01:11:12Look, come on, Gregory.
01:11:13All I'm asking for is a walk up to the chip shop.
01:11:16I've got a date.
01:11:17I'm going away.
01:11:19I've just got a funny feeling that something nice might happen up there, so come on!
01:11:25Okay.
01:11:26Walk ahead.
01:11:29Come on, Gregory, hurry up.
01:11:30I haven't got all night.
01:11:44Do you really fancy Dorothy?
01:11:47Yeah.
01:11:49Can you drive?
01:11:50Nah, but everyone's in the family, why?
01:11:52Well, it's just that Ricky's worse, but I can.
01:11:55Dorothy knows him.
01:11:56He's up at the physical ed college.
01:11:59He's quite old then, eh?
01:12:00He's nearly 19.
01:12:0219?
01:12:03Has he got any hair left?
01:12:05Ricky Swift.
01:12:06Sounds like something out of a comic.
01:12:08Does he fly through the air like Batman?
01:12:12Quick, Dorothy, to the rig mobile.
01:12:14Okay, calm down.
01:12:15Don't wet yourself.
01:12:19Well, lovely boy, I'm off.
01:12:21Hey, Margot, there's Gregory.
01:12:25Dorothy stood him up, so he's buying everybody chips and telling jokes.
01:12:29Have fun, Gregory.
01:12:30You can tell them all about it tomorrow.
01:12:33By the way, pickled onions and dates don't mix.
01:12:38You might have to do some kissing later on.
01:12:41Bye.
01:12:46Well, I'll buy my own chips.
01:12:48You keep telling jokes.
01:12:56What's going on?
01:12:58I don't know.
01:13:00I think Margot's after me.
01:13:03I get that feeling.
01:13:05It's a good night for her.
01:13:07Are you taking her up to Country Park?
01:13:11I don't know.
01:13:13I think I should.
01:13:14Aye!
01:13:17Yeah.
01:13:27Hello?
01:13:37Hello?
01:13:57It's a fine night, pretty.
01:14:02There's definitely something in there tonight, Charlie.
01:14:07There's definitely something in the atmosphere.
01:14:38Relax.
01:14:44Where are we going?
01:14:46Relax.
01:14:47Enjoy it.
01:14:50Um, hello.
01:15:02What are you up to?
01:15:04Nothing, nothing.
01:15:08Look, what's going on?
01:15:10Where are we going?
01:15:12Where are you and I going?
01:15:15I told you to relax.
01:15:16You can't enjoy yourself if you don't relax.
01:15:20I'm just a bit emotional tonight, OK?
01:15:23That's OK.
01:15:24It's fine.
01:15:25Nothing wrong with a bit of emotion.
01:15:26Come on.
01:15:49Hello, Gregory.
01:15:50What are you up to?
01:16:01We're just cruising.
01:16:05You're all dressed up.
01:16:07Anywhere to go?
01:16:18I've got somewhere to go.
01:16:20See you tomorrow, Susan.
01:16:23Relax.
01:16:33I believe you're short of a date.
01:16:36There was a bit of a mix-up earlier on.
01:16:38It's OK.
01:16:43Would you like to spend some time with me?
01:16:45On a kind of date?
01:16:49Look, I'm not very sure what's going on.
01:16:51Is this some kind of joke?
01:16:52All this with Carol and Margot and...
01:16:55It's a joke, isn't it?
01:16:57Not a joke.
01:16:58It's just the way girls work.
01:17:00They help each other.
01:17:02Who's Dorothy?
01:17:03Dorothy's a good sport.
01:17:06Anyway, how about it?
01:17:09What do you see in me?
01:17:10What do you see?
01:17:13Think about it.
01:17:18Sit down over there and think about it.
01:17:36OK.
01:17:45A kind of date.
01:17:47Did we start right away?
01:17:49Yeah.
01:17:52We'll go to the country park.
01:17:54It's too nice an evening to sit in a bar.
01:17:56Yeah, bar too nice.
01:18:10What we'll do is we'll just walk and talk.
01:18:14And we don't even need to talk that much either.
01:18:17We'll just see how it goes.
01:18:18Fine.
01:18:20I hope you don't think I do this kind of thing all the time.
01:18:23No.
01:18:25Can we whistle too?
01:18:26Yes, we can whistle too.
01:18:27Good.
01:18:33See, if we were going for a drink,
01:18:35what would you have to drink?
01:18:38Bacardi and Coke with ice.
01:18:41Same here.
01:18:43With ice.
01:18:45There's definitely something in the air tonight, Charlie.
01:18:49There's a wee woman in a row he's had.
01:19:04I like your jacket.
01:19:10I like your skirt.
01:19:18I like your shirt.
01:19:24I like your beret.
01:19:26Thank you.
01:19:32Do you want to swap?
01:19:39You know, this is really good.
01:19:41I'm really enjoying myself.
01:19:43Good.
01:19:44I'm glad we bumped into each other.
01:19:52Do you want to dance?
01:19:54It's really good.
01:19:55You just lie flat down and dance.
01:19:59I'll show you what I mean.
01:20:00I'll start it off and you just join in when you feel confident enough.
01:20:03Okay.
01:20:11Just dance.
01:20:15I'll tell you something.
01:20:17And not a lot of people know this.
01:20:20We are clinging to the surface of this planet
01:20:23while it spins through space at a thousand miles an hour.
01:20:27Held only by the mystery force called gravity.
01:20:30Wow.
01:20:31A lot of people panic when you tell them that and they just fall off.
01:20:36But I see you're not falling off.
01:20:38That means you've got the hang of it.
01:20:40That means that you have got...
01:20:42Natural ability.
01:20:44Yeah.
01:20:48A thousand miles an hour, eh?
01:20:51Why are boys obsessed with numbers?
01:20:54No, we're not.
01:20:56You are.
01:20:57Don't dance and you'll fall off.
01:21:27What are you two up to?
01:21:39What are you up to?
01:21:41I'm going down to the hospital to do the exposure test.
01:21:46The flesh tone experiment.
01:21:47Oh yeah, the flesh tone experiment.
01:21:49Of course.
01:21:51Have you got the right equipment?
01:21:52Of course.
01:21:55It opens up to 2.8.
01:21:57Which with 700 foot candles at, say, 100 yards.
01:22:02A falling speed of 360.
01:22:04And a forced processing for about 1.5 stops.
01:22:07Do you like numbers, Eric?
01:22:08Numbers make the world go round.
01:22:14How many elephants will you give it tonight?
01:22:19They can't have any time exposures.
01:22:21That would ruin the image definition.
01:22:23You don't want to ruin the image definition, eh?
01:22:25Right, so that means a fast shutter.
01:22:27Say at the outside, er...
01:22:29120 foot of an elephant.
01:22:32Sounds fine.
01:22:33Thanks.
01:22:34You coming?
01:22:35Erm...
01:22:37No.
01:22:38I'd be quite interested in the results, though.
01:22:40Put me on advance order on some 8 by 10s.
01:22:42Yeah, put me down for six.
01:22:46Make it half a dozen.
01:22:53Listen, I want to tell you something.
01:22:55Do you know when you sneeze comes out your nose at 100 miles per hour?
01:23:00Really?
01:23:03Just like that.
01:23:14One more number.
01:23:1611.
01:23:18Home by.
01:23:19I've got to be.
01:23:21OK, Mr. Spaceman.
01:23:23I'll walk you home.
01:23:27Really?
01:23:31I don't want to put you to any trouble.
01:23:33It's OK.
01:23:36If you just want to walk me to the bridge, that's fine.
01:23:38No, the way home, I don't mind.
01:23:42OK.
01:23:44I'll do the same for you sometime.
01:24:12That's good.
01:24:18You stopped kissing me like I was your auntie.
01:24:22Nobody's looking.
01:24:28What's my auntie going to say when I kiss her at Christmas?
01:24:41Say something.
01:24:45342.
01:24:51A million and nine.
01:24:58How come you know all the good numbers?
01:25:04Thanks for seeing me home.
01:25:10When can I see you again?
01:25:12Tomorrow. History. 10.30.
01:25:24I want a date.
01:25:32OK, Mr. Spaceman.
01:25:3412.30. Room 17 tomorrow.
01:25:37We'll talk about it.
01:25:4510.40.
01:25:55Good night, Mr. Spaceman.
01:26:04375.
01:26:085,672.
01:26:23How did it go? Are you going to see her again?
01:26:28Who? Dorothy?
01:26:30Who else?
01:26:32Well, maybe Susan, for instance.
01:26:35Tell me. I'll hurt you.
01:26:37OK, OK.
01:26:39Dorothy didn't show up, but I met Carol and then Margot and then Susan.
01:26:43She's lovely. We went into the park.
01:26:46I think she likes me.
01:26:48I'll see her tomorrow.
01:26:50Did you kiss her?
01:26:51No. Maybe tomorrow.
01:26:53You liar!
01:26:55I saw you. You kissed her about 50 times.
01:26:57Shh! You'll wake the maid. I haven't paid her.
01:26:59I'd better kiss you too, then.
01:27:03Sad work being in love, eh?
01:27:05Especially when you don't know which girl it is.
01:27:07Yeah. I'll work on it.
01:27:10Who's going to be Gregory's girl?
01:27:12You are.
01:27:27Come on, Andy, let's go home.
01:27:55That's not the way you spell Caracas, anyway.
01:27:59What?
01:28:01What do you mean?
01:28:05Caracas is spelt with an A. C-A-S, not C-U-S.
01:28:11Why didn't you tell me that before?
01:28:14Could you not have told me that four hours ago?
01:28:16We'd be standing here waiting here for you.
01:28:20Let's go home.
01:28:29Come on, we can start again tomorrow.
01:28:33There's some nice girls in third year.
01:28:36They always go for the older guys.
01:28:39At least the nice ones do.
01:28:43There's even a couple of dolls in second year.
01:28:46They're dining at home.
01:28:48Generally, it will be easy.
01:28:50Andy, I think everything's going to be all right.
01:30:16Oh,