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Short filmTranscript
00:00:00Thank you very much.
00:00:30Thank you very much.
00:01:00Thank you very much.
00:01:30Thank you very much.
00:02:00Thank you very much.
00:02:30Thank you very much.
00:03:01We had a quarrel.
00:03:04Damn her! She even took what I had.
00:03:07Try to hold out. We'll find some for sure.
00:03:11Please hold out. Please.
00:03:14Go now.
00:03:16Okay. Later. Okay.
00:03:19Goodbye.
00:03:30Goodbye.
00:03:59Oh, your scarf.
00:04:01Thanks. Goodbye.
00:04:29Goodbye.
00:04:55Goodbye.
00:05:25Goodbye.
00:05:38Help me!
00:05:43Jack!
00:05:46No!
00:05:48No!
00:05:50No!
00:05:52Jack!
00:05:54No!
00:05:56No!
00:05:57No!
00:06:00No!
00:06:29No!
00:06:58It seems to have come off again.
00:07:01Want me to fix it?
00:07:03No.
00:07:04No, not today.
00:07:05You can do it tomorrow.
00:07:33Listen, Isabella hasn't turned up again.
00:07:52I don't know what to do with that girl. This is the third time.
00:07:55All I suggest is a penalty. Make her pay a fine.
00:07:59It's all very well. The next time she does it, I'm going to fire her.
00:08:17Good night, madame.
00:08:18Good night.
00:08:22Nicole, look at this dress.
00:08:26I wish you'd take care of the things you wear. Tomorrow's the show. Now look at this.
00:08:30Yes, madame, I'm sorry.
00:08:31Yes, you are sorry, especially when it's time to leave.
00:08:34You have absolutely no mind for anything else.
00:08:38What does she expect? I'm not in mourning like her.
00:08:40Poor thing. She hasn't been the same since her husband died.
00:08:52No!
00:09:23How long were the lights out?
00:09:26About ten minutes.
00:09:28How long has the girl worked for you?
00:09:31About two years.
00:09:33Well.
00:09:35What was she like?
00:09:38She was rather lively.
00:09:41Perhaps lacking discipline. Nothing seriously wrong with her.
00:09:45Did she have many friends?
00:09:49Well, inspector, I'm afraid I can't be of much help to you.
00:09:52I suggest you ask the two girls who lived with her.
00:10:20Inspector Sylvester, Countess Christina Como, the owner of our salon.
00:10:26Good morning.
00:10:27Good morning.
00:10:29But we've already met, haven't we?
00:10:33Oh, yes, yes, I think so.
00:10:37After my husband's death.
00:10:40I remember.
00:10:42The car accident.
00:10:46You certainly can help me.
00:10:48You surely know everything about these girls.
00:10:51Inspector, I don't run a boarding school.
00:10:54When the girls finish here, they're free to go and do as they please.
00:10:59Well, I'll be in the studio.
00:11:02If you'll excuse me.
00:11:04Please.
00:11:16Oh.
00:11:30You say you went outside to repair the metal sign. At what time was it?
00:11:34About seven.
00:11:36Madame Christina complained that the noise got on the nerves.
00:11:39So I went out and I put up the sign again.
00:11:42But I came back inside at once.
00:11:43Mr. Marlin.
00:11:44I demand an explanation.
00:11:47I hardly put my foot inside the gate.
00:11:49When these two grabbed a hold of me.
00:11:51Ask the inspector.
00:11:52Inspector?
00:11:53Calm down and tell me why you're here.
00:11:55Allow me.
00:11:56Marquis Richard Murrell of Castle Fry.
00:11:58All right, all right. Now answer my question.
00:12:00He's here to see me. He's my fiance.
00:12:05Why are you laughing?
00:12:07Because I live with him.
00:12:09Did you know Isabella?
00:12:11Isabella?
00:12:13You introduced me to her.
00:12:15Didn't you?
00:12:17Yes, I can say I knew her.
00:12:19Only slightly, though.
00:12:20Only slightly.
00:12:32Well, you seem to be the only one who cares.
00:12:35They were close friends.
00:12:37The three of you lived together?
00:12:39Yes, entirely.
00:12:40What was she like?
00:12:41Tell me who your friend went out with.
00:12:43I don't know. I don't know.
00:12:45Leave her alone.
00:12:46Everybody knows who Isabella's lover was.
00:12:49Who are you?
00:12:50Cicero.
00:12:51I'm a dress designer.
00:12:53What about the other name?
00:12:54Which?
00:12:55The name of this lover.
00:12:56Ascalo.
00:12:57Frank Scalo.
00:12:58The antique dealer.
00:13:04Police.
00:13:05Tell me where is the inspector.
00:13:06In there.
00:13:11Would you excuse me for a moment?
00:13:17They confirm.
00:13:20Drugs.
00:13:22I see.
00:13:23Yes, sir.
00:13:32So...
00:13:35What kind of a relationship do you have with Isabella?
00:13:39What kind of a relationship was there with Isabella and you?
00:13:44We were just friends.
00:13:46Or lovers.
00:13:50Well, I hope it doesn't become scandalized if I tell you.
00:13:53I don't believe in permanent, exclusive relationships.
00:13:57I see. I see.
00:14:03Ever seen it before?
00:14:06No.
00:14:07I don't know.
00:14:09What is it?
00:14:11Cocaine.
00:14:13It was found in your friend Isabella's house.
00:14:18Isabella?
00:14:20You knew nothing about it?
00:14:22No.
00:14:24Never mind.
00:14:27However, I must ask you to remain at my disposal.
00:14:31I'll see you later.
00:14:36I'll see you later.
00:14:49Turn around.
00:14:51All right, you can go. Hurry.
00:14:58Well, Caesar, what is it?
00:15:00This should have been worn by poor Isabella.
00:15:02Yes, of course.
00:15:03Who shall I give it to?
00:15:04Well, let me see.
00:15:05Oh, Peggy, look.
00:15:06Here.
00:15:07Please, no, not me. No, no, please.
00:15:08Oh, for heaven's sake, stop that. You're going to ruin your makeup.
00:15:12Greta, you model it.
00:15:13Oh, no, I don't think I should wear it.
00:15:15Look, don't be so silly.
00:15:16It carries bad luck, I'm sure.
00:15:17But, girl, someone's got to model it.
00:15:19I'll wear the dress.
00:15:20All right, now, come on.
00:15:22What a cynic.
00:15:23She doesn't believe in anything.
00:15:26That's all right, you can go.
00:15:34I love you, too.
00:16:05Turn around.
00:16:06Walk.
00:16:08All right.
00:16:12Wait.
00:16:14There's something missing.
00:16:17The brooch.
00:16:18The brooch goes there.
00:16:19We'll soon put it right.
00:16:20Where is it?
00:16:21Well, it was Isabella's own.
00:16:23Wait a minute, she kept it in one of the boxes.
00:16:25Let's look for it.
00:16:27Here it is.
00:16:36Hey.
00:16:38Look at this.
00:16:40Isabella kept a diary.
00:16:49This is a gold one.
00:16:51And a silver one.
00:16:53This is a gold mine.
00:16:54Listen.
00:16:55He is a man that awakens such deep feelings in me
00:16:58that afterwards I feel limp.
00:17:01Empty.
00:17:02Let me see.
00:17:04I don't think we should.
00:17:06Come on, are you crazy?
00:17:08This is hardly the moment.
00:17:09Be off with you.
00:17:10Go on.
00:17:11Go on and change.
00:17:16This, you know, should be handed to the police.
00:17:19I found it.
00:17:20If you don't mind,
00:17:21I would like to give it to the police tomorrow.
00:17:26As you wish.
00:18:51Hello?
00:18:52Hello, Frank?
00:18:54Why haven't you come?
00:18:55I'm just leaving.
00:18:57But I don't feel well.
00:18:59I understand.
00:19:01Come out here.
00:19:02I've got some...
00:19:04Listen, Frank.
00:19:06I have found a diary.
00:19:08Isabella's diary.
00:19:10A diary?
00:19:12Who else knows?
00:19:15Isabella's diary.
00:19:17Isabella's diary.
00:19:18Who else knows?
00:19:20Everyone was looking.
00:19:22I didn't realize that there might be something about you in it.
00:19:25By the way,
00:19:26I said that I would give it to the police tomorrow.
00:19:29Good.
00:19:30That gives us time to look through it.
00:19:32I'll be right over.
00:19:34But you are terribly ill, Frank.
00:19:38Frank?
00:19:39Can you hear me?
00:19:41Nicole.
00:19:42I can hardly breathe.
00:19:44If you've got some, I'll feel better.
00:19:46Goodbye.
00:19:48Goodbye.
00:19:54Hurry up, girls.
00:19:55Greta, you're next.
00:19:58Everything all right, Marco?
00:19:59Yes, madam.
00:20:00Good.
00:20:06Well, Caesar, where have you been?
00:20:07Right here.
00:20:08Well, then send them in.
00:20:09Do I have to do everything myself?
00:20:11Nicole.
00:20:13You're wanted on the phone.
00:20:14Me?
00:20:15Yes, you.
00:20:21Hello?
00:20:22Hello.
00:20:23Is that you, Nicole?
00:20:24Yes.
00:20:25Who's speaking?
00:20:26Frank.
00:20:27I can't make it.
00:20:29I feel too bad.
00:20:31You come here, please.
00:20:32I feel like I'm suffocating.
00:20:34How can I come now?
00:20:36I'm afraid I can't.
00:20:37Please.
00:20:38I feel like I'm suffocating.
00:20:39How can I come now?
00:20:42Well, I will do my best.
00:20:45I will come right away.
00:20:51All right, hurry up, hurry up.
00:20:54Frank feels bad.
00:20:55He needs me.
00:20:56I'll have to go over.
00:20:57I can't wait anymore.
00:20:58Please, lend me your car.
00:21:00How are you going to get away?
00:21:01We're right in the middle of a show.
00:21:02Who cares?
00:21:03Please give me your keys, but don't let anyone see you.
00:21:08Peggy.
00:21:10What are you doing?
00:21:11Nothing.
00:21:12I was looking for a handkerchief.
00:21:19Be careful.
00:21:20Berglam is in the glove compartment, right at the back.
00:21:22Sure.
00:21:24Cover me.
00:21:37What are you doing?
00:21:38Cover me.
00:21:39What are you doing?
00:21:40Cover me.
00:21:41What are you doing?
00:21:42Cover me.
00:21:43What are you doing?
00:21:44Cover me.
00:21:45What are you doing?
00:21:46Cover me.
00:21:47What are you doing?
00:21:48Cover me.
00:21:49What are you doing?
00:21:50Cover me.
00:21:51What are you doing?
00:21:52Cover me.
00:21:53What are you doing?
00:21:54Cover me.
00:21:55What are you doing?
00:21:56Cover me.
00:21:57What are you doing?
00:21:58Cover me.
00:21:59What are you doing?
00:22:00Cover me.
00:22:01What are you doing?
00:22:02Cover me.
00:22:03What are you doing?
00:22:04Cover me.
00:22:05What are you doing?
00:22:07Cover me.
00:22:19Frank?
00:22:36Frank?
00:23:07Frank?
00:23:08Frank?
00:23:36Frank.
00:23:40Frank.
00:24:06Frank.
00:24:36Frank.
00:25:06Frank.
00:25:36Frank.
00:26:06Frank.
00:26:14Frank.
00:26:17Frank.
00:26:19Frank.
00:26:21Frank.
00:26:36Frank.
00:26:39Frank.
00:26:41Frank.
00:27:06Frank.
00:27:08Frank.
00:27:10Frank.
00:27:12Frank.
00:27:14Frank.
00:27:16Frank.
00:27:18Frank.
00:27:20Frank.
00:27:22Frank.
00:27:24Frank.
00:27:26Frank.
00:27:28Frank.
00:27:30Frank.
00:27:32Frank.
00:27:34Frank.
00:27:36Frank.
00:27:38Frank.
00:27:40Frank.
00:27:42Frank.
00:27:44Frank.
00:27:46Frank.
00:27:48Frank.
00:27:50Frank.
00:27:52Frank.
00:27:54Frank.
00:27:56Frank.
00:27:58Frank.
00:28:00Frank.
00:28:02Frank.
00:28:04Frank.
00:28:06Frank.
00:28:08Frank.
00:28:10Frank.
00:28:12Frank.
00:28:14Frank.
00:28:16Frank.
00:28:18Frank.
00:28:20Frank.
00:28:22Frank.
00:28:24Frank.
00:28:26Frank.
00:28:28Frank.
00:28:30I wanted to keep you company till Nicole gets in.
00:28:35Aren't you afraid in there alone?
00:28:38Well, to tell you the truth, I'm awfully tired.
00:28:40I want to go to sleep right away.
00:28:42But don't you have to wait till...
00:28:44till Nicole brings the car back anyway?
00:28:48Please.
00:28:50All right. All right.
00:28:52Come on up.
00:28:53Thanks.
00:28:54I couldn't have gone off with an easy mind
00:28:57knowing you were alone in this house.
00:29:21Oh, Clarice, you're still here.
00:29:24Good evening, miss.
00:29:26Yes, I've just finished.
00:29:31Miss Nicole hasn't come home.
00:29:33No, she's gone to a party. She'll be home later.
00:29:35She's always mothering us.
00:29:37Well, I'll be running along.
00:29:39Oh, I left the dinner heating on the stove.
00:29:43Oh, if Miss Nicole wants that mess of hers,
00:29:45she only has to warm it up.
00:29:47Thank you, Clarice.
00:29:48Good night. See you tomorrow.
00:29:57Peggy.
00:29:59You just don't seem to understand.
00:30:02Of course I...
00:30:03Peggy, I'm tired of trying to make you understand.
00:30:07Now, I've told you a thousand times.
00:30:10I've fallen in love with you.
00:30:14I don't care what happens, but...
00:30:17Calm down. Sit here.
00:30:27You see?
00:30:29I'm not well.
00:30:32I know I look like a fool.
00:30:35That's what makes me mad.
00:30:38I'm ill.
00:30:40I'm unlucky.
00:30:41Don't be like that. I understand you. I'm your friend.
00:30:43Come on, cheer up.
00:30:57I'll get yours.
00:30:59Don't touch it! Don't touch it!
00:31:01What's wrong? I just wanted cigarettes.
00:31:03What's wrong?
00:31:07I'll get the cigarettes.
00:31:08You're just untidying my bag.
00:31:27Hello?
00:31:28Good evening, Miss Peggy. This is Inspector Sylvester.
00:31:30I have to ask you something about your car.
00:31:33Your car has been found abandoned.
00:31:36I want to know if it has been stolen.
00:31:39No, I lent it to my friend, Nicole.
00:31:41Yes. Yes.
00:31:44She was in a hurry. A friend of hers called to say he felt ill.
00:31:47But has something happened?
00:31:50We'd better talk about this in person.
00:31:52I'll come over and see you right away.
00:31:54Very well, I'll be waiting.
00:31:56What's up?
00:31:58They found my car, but without Nicole.
00:32:00My God, what could have happened?
00:32:02Is he coming here?
00:32:03Yes, he wants to talk to me.
00:32:06Then I'd better leave.
00:32:09I don't want the police to find me here.
00:32:11Yes, it's best. No one knows you've been here.
00:32:14Yes, for me.
00:32:17And especially for you.
00:32:18I suppose so.
00:32:20I'll see you tomorrow.
00:32:21Tomorrow.
00:32:24Good night.
00:32:54October 16, I caught Peggy trying to steal $1,000 from my purse.
00:32:58She began to cry and explained how much she needed it.
00:33:01She was pregnant and not able to face the scandal.
00:33:04I felt sorry and I loaned her the money.
00:33:07It means that tomorrow I will ask him for $2,000.
00:33:24October 16, I caught Peggy trying to steal $1,000 from my purse.
00:33:27She began to cry and explained how much she needed it.
00:33:30I felt sorry and I loaned her the money.
00:33:33It means that tomorrow I will ask him for $2,000.
00:33:36It means that tomorrow I will ask him for $2,000.
00:33:39It means that tomorrow I will ask him for $2,000.
00:33:42It means that tomorrow I will ask him for $2,000.
00:33:45It means that tomorrow I will ask him for $2,000.
00:33:48It means that tomorrow I will ask him for $2,000.
00:33:51It means that tomorrow I will ask him for $2,000.
00:33:54It means that tomorrow I will ask him for $2,000.
00:33:57It means that tomorrow I will ask him for $2,000.
00:34:00It means that tomorrow I will ask him for $2,000.
00:34:03It means that tomorrow I will ask him for $2,000.
00:34:06It means that tomorrow I will ask him for $2,000.
00:34:09It means that tomorrow I will ask him for $2,000.
00:34:12It means that tomorrow I will ask him for $2,000.
00:34:15It means that tomorrow I will ask him for $2,000.
00:34:19No!
00:34:22No!
00:34:25No!
00:34:28No!
00:34:31No!
00:34:38No!
00:34:41No!
00:34:48No!
00:34:51No!
00:34:54No!
00:34:57No!
00:35:00No!
00:35:03No!
00:35:06No!
00:35:09No!
00:35:12No!
00:35:16No!
00:35:22I burned it! I burned it!
00:35:25I burned it!
00:35:46No!
00:35:49No!
00:35:52No!
00:36:15No!
00:36:45No!
00:36:48No!
00:37:14Miss Peggy.
00:37:18Miss Peggy.
00:37:48Miss Peggy.
00:38:19Miss Peggy.
00:38:37Good evening.
00:38:39I must ask you to excuse me. There's no time to be visiting.
00:38:42But it's a rather urgent matter.
00:38:44Please, make yourself comfortable.
00:38:46Why did you come here?
00:38:49Charles, you may go, please.
00:39:01Well then?
00:39:03A little while ago I...
00:39:05I found Nicole lying in my shop.
00:39:08She's been murdered.
00:39:10Oh, my God!
00:39:13I'd gone to the salon to pick up Nicole.
00:39:17Remember?
00:39:19I met you there at the time.
00:39:21I looked for her everywhere, but I couldn't find her.
00:39:25Then I went back to my shop.
00:39:27And believe me, I...
00:39:29I've never seen such a mess.
00:39:31You'll pardon me.
00:39:33But why have you come here instead of calling the police?
00:39:37Nicole was my girlfriend.
00:39:40She was murdered in my shop.
00:39:43The police will be accusing me of it.
00:39:45That ain't an alibi.
00:39:48And you've got to help me.
00:39:49Me?
00:39:51What have I got to do with it?
00:39:53Me?
00:39:54You're just as much to blame for it as I am.
00:39:58We've got to tell the police that we were always together at the salon.
00:40:01Right to the end.
00:40:03I'll back you up. You do the same for me.
00:40:07It's best for both of us.
00:40:08But you're mad.
00:40:09The police had no reason to accuse me of anything.
00:40:12You're the one who's in trouble.
00:40:14You really could have killed her.
00:40:16No, no.
00:40:17Call the police at once.
00:40:19Or I'll have to.
00:40:21All right, go right ahead.
00:40:22But don't forget to tell them about your bad debt.
00:40:24What debts?
00:40:26You signed IOUs to Isabella for a loan of several thousand dollars.
00:40:30And couldn't pay the money back.
00:40:33Is it true?
00:40:34Richard, you never told me.
00:40:35Is it true?
00:40:38My God, my God.
00:40:40You, my dear Marquis, don't have a single dollar to your name.
00:40:43You're absolutely flat.
00:40:45And afraid of a scandal.
00:40:47Which is a good enough reason for, for killing Isabella.
00:40:51At the same time, eliminating the possibilities of her diary being read by the police.
00:40:56Who knows?
00:40:58Perhaps the diary had the dates on which the payments were due.
00:41:02Which diary?
00:41:03I know nothing of it.
00:41:04Don't lie, Richard.
00:41:05I told you, Nicole had found Isabella's diary.
00:41:08As you see, we sink or swim together, Mr. Morales.
00:41:13And if you don't want the police meddling around in your private affairs,
00:41:17I suggest you take my advice.
00:41:20Go on back to my shop now and call the inspector.
00:41:24I'll tell him that we were always together.
00:41:27All right?
00:41:29Good evening.
00:41:35Good evening.
00:42:05You've got to believe me.
00:42:28I burned it.
00:42:29I tell you, I burned it.
00:42:30There was something in it about my private life I didn't want anybody to know about.
00:42:33You've got to believe me.
00:42:35I burned it.
00:42:43Please believe me.
00:42:45I burned it.
00:42:46You've got to believe me.
00:42:48I burned it.
00:43:07No!
00:43:08No!
00:43:09No!
00:43:10No!
00:43:11No!
00:43:12No!
00:43:13No!
00:43:14No!
00:43:15No!
00:43:16No!
00:43:17No!
00:43:18No!
00:43:19No!
00:43:20No!
00:43:21No!
00:43:22No!
00:43:23No!
00:43:24No!
00:43:25No!
00:43:26No!
00:43:27No!
00:43:28No!
00:43:29No!
00:43:30No!
00:43:31No!
00:43:32No!
00:43:33No!
00:43:34No!
00:43:35No!
00:43:36No!
00:43:37No!
00:43:39She had a key.
00:43:40How come?
00:43:42I've given it to her.
00:43:44She used to come and see me now and then.
00:43:46Her too.
00:43:50And Nicole was the reason why I left Isabella.
00:43:54And how many other people had a key to your door?
00:43:57No one else, except myself, naturally.
00:44:01Naturally.
00:44:04Did you take drugs with her, too?
00:44:12What do you mean, Inspector?
00:44:13Come, come, come, Scarlo.
00:44:16Don't try to fool me.
00:44:19You've got the habit.
00:44:21It's written all over your face.
00:44:24If you like, I'll even tell you where you get the stuff.
00:44:27And as for the girls who, who shall we say, keep you company, they either try to get you
00:44:35to drop the habit, like Isabella, or join you in it, like this one, for example.
00:44:42All right, perhaps.
00:44:45But that doesn't make me a murderer.
00:44:48Besides, I've got an alibi.
00:44:50I was with...
00:44:51I haven't asked you, for the time being.
00:44:55We'll go on with it later.
00:44:57When?
00:44:58In my office.
00:44:59Come along.
00:45:30Is this the one?
00:45:43Yes.
00:45:44Are you sure?
00:45:45Oh, yes.
00:45:46Wait a minute.
00:45:47I wrote down the first number, 453.
00:45:51You can see.
00:45:55Did you see a man or a woman?
00:45:57A man, I am sure.
00:45:58He was dressed in black, but he seemed to not have a face.
00:46:04Perhaps he was wearing a mask.
00:46:06Perhaps.
00:46:07I don't know.
00:46:08I was distracted by the horn.
00:46:09Which horn?
00:46:10The horn of this car, Inspector.
00:46:11I know it.
00:46:12I've serviced it.
00:46:14It blew for a time, and then it stopped.
00:46:20Has this car got a burglar alarm, Sergeant?
00:46:28Yes, it's here, in the glove compartment.
00:46:35How long did it blow?
00:46:36I don't know.
00:46:37I told you.
00:46:39It wasn't for long.
00:46:40This long?
00:46:42Stop.
00:46:44Not longer than that.
00:46:45If you don't know where it is, it would take quite a while to find it.
00:46:51We've wasted enough time on this.
00:46:53Let's go to the office.
00:47:24Come in, please.
00:47:38Look at them carefully.
00:47:40Have you ever seen any of them in Miss Peggy's car?
00:47:43Good morning, Mr. Moreland.
00:47:45Morning, Clarice.
00:47:46Have you seen him in the car?
00:47:48Certainly she's seen me before, in the car, on more than one occasion.
00:47:52What's so strange about that?
00:47:54And who said there was?
00:47:57Let's continue.
00:47:59Him. I've seen him in the car.
00:48:01Of course she's seen me.
00:48:02What does it prove?
00:48:04This is all so ridiculous.
00:48:06Be quiet.
00:48:08You didn't see only me, did you?
00:48:10Open your eyes, you idiot.
00:48:12Look at him.
00:48:13Haven't you ever seen him?
00:48:16Inspector, do you only want to know if I saw them in the car?
00:48:19Why?
00:48:22Because this gentleman came into the flat with Miss Peggy last night.
00:48:28We're beginning to see the light now.
00:48:31You swine.
00:48:32What are you getting at?
00:48:33You want to ruin me?
00:48:34I'll kill you.
00:48:35I'll kill you.
00:48:37Why don't you confess?
00:48:39Confess.
00:48:41Confess.
00:48:42You're the murderer.
00:48:43Inspector, look at his face.
00:48:45He hates women.
00:48:46Look at him.
00:48:47He's the killer, I tell you.
00:48:48He's the killer.
00:48:49He killed them all because he couldn't go with any of them.
00:48:53Why don't you tell the inspector that your wife left you for that very reason?
00:48:58My pills.
00:48:59My pills.
00:49:07Try to hold him still.
00:49:08He could hurt himself.
00:49:09Take him to the hospital.
00:49:11No, no, no.
00:49:18Didn't any of you know he was an epileptic?
00:49:21No, I didn't.
00:49:24You can go home now.
00:49:29Goodbye, Clarice.
00:49:33I'm sorry, but I'm afraid I'll have to ask you to stay here, Mr. Moran.
00:49:38You too, Mr. Lazar.
00:49:40What do you mean, stay here?
00:49:42I mean I shall have warrants made out for your arrest.
00:49:45Uh, pardon me, Inspector.
00:49:47What exactly is the reason behind this?
00:49:54Miss Nicole's murderer had used Peggy's car on other occasions.
00:49:58That's why he knew exactly where the burglar alarm was hidden.
00:50:02Can I go now?
00:50:03And me?
00:50:04No.
00:50:05You both stay too.
00:50:07But that's ridiculous.
00:50:09I've got an alibi.
00:50:11The Marquis has confirmed it.
00:50:12It's true.
00:50:13We were together.
00:50:15Oh, don't worry.
00:50:17I haven't forgotten it.
00:50:18You both were at his house till 11 o'clock while Miss Nicole was murdered at 10.
00:50:23So what do you want with us?
00:50:25Well, when I called Miss Peggy to say that I had found her car,
00:50:31it was about 11.30.
00:50:33About 15 minutes later, I was at her apartment.
00:50:36She wasn't there.
00:50:38And her apartment had been ransacked.
00:50:41Someone could have killed her and hidden her body in the meantime.
00:50:45And as far as that goes, gentlemen,
00:50:47your alibi isn't really worth much.
00:50:509 o'clock.
00:51:21Why must we sit in the dark?
00:51:23As if we weren't scared enough already.
00:51:27Do what you want, but please try to keep calm.
00:51:30How are we supposed to keep calm?
00:51:32Doesn't what's happening bother you?
00:51:35I'm frightened too.
00:51:37Don't think I'm not.
00:51:39But getting hysterical doesn't help.
00:51:43If only the men would come back.
00:51:45We're all weak.
00:51:47If only the men would come back.
00:51:49We're all women left alone.
00:51:57Hello?
00:51:59Oh, Mr. Morlan at last.
00:52:02What happened?
00:52:07What?
00:52:10But...
00:52:13But how can they?
00:52:15I mean... I mean, I want grounds.
00:52:24I see.
00:52:27All right.
00:52:31All right.
00:52:33Of course.
00:52:35All right, don't worry.
00:52:38Goodbye.
00:52:46They are holding all five of them.
00:52:48But why?
00:52:52The police obviously think one of them is the murderer.
00:52:56I thought so.
00:52:59Madam?
00:53:01Please, can we go?
00:53:03Oh. Oh, yes, yes, go.
00:53:06Goodbye.
00:53:09Good night.
00:53:10Good night, madame.
00:53:16How I envy them. They live together.
00:53:18At least they keep each other company.
00:53:21I must go, madame.
00:53:23All right.
00:53:28Wait, listen.
00:53:30Why don't you come home and sleep with me?
00:53:33What? I live a few yards from here.
00:53:35And you want me to come out into the countryside?
00:53:38Then I could come and stay at your place.
00:53:40No, I'm sorry.
00:53:42But I'd rather be alone.
00:53:44Anyway, you'd be even more afraid at my house.
00:53:47But aren't you afraid?
00:53:49Isabella and Peggy lived with you.
00:53:51Isabella's been killed, and Peggy...
00:53:54Yes, I know.
00:53:56But I don't think anything would happen tonight.
00:54:00All the men are under arrest.
00:54:03And I'm sure the murderer is one of them.
00:54:10Goodbye, madame. Good night.
00:54:13Madame, I'm not going home.
00:54:16I'll sleep here.
00:54:17No, you won't, dear.
00:54:18You're going home just like the others.
00:54:20But I'm all alone.
00:54:22I live out in the country, not here in town.
00:54:24Now, Greta, listen to me.
00:54:26Tomorrow we have a very hard day ahead of us.
00:54:28The show must go on, you know.
00:54:30Now, look.
00:54:32Isabella and Nicole were mixed up in some ugly business
00:54:35that has nothing to do with the rest of us.
00:54:37So we have nothing to be afraid of.
00:54:39Do you understand?
00:54:41Go now. Don't worry.
00:54:43Thank you. Good night, madame.
00:54:45Good night.
00:55:12Good night.
00:55:15Be careful.
00:55:41Be careful.
00:56:11Be careful.
00:56:41Be careful.
00:56:43Be careful.
00:57:11Be careful.
00:57:35Good evening, miss.
00:57:36He rang to say he'd be detained in town by an engagement.
00:57:41I know. I'll dine alone.
00:57:43Immediately, miss.
00:58:06Good evening.
00:58:37Hello.
00:58:39Hello!
00:59:06Hello.
00:59:36Hello.
00:59:59Your tea, miss.
01:00:01Just a moment, please.
01:00:07Oh.
01:00:32Come in.
01:00:36Come in.
01:00:55It's all right, Charles. I'll take care of the rest.
01:00:58Yes, ma'am.
01:01:06Oh.
01:01:36Oh.
01:02:06Oh.
01:02:36Oh.
01:03:07Oh.
01:03:19Oh!
01:03:36Oh!
01:03:40Oh!
01:03:42Oh!
01:03:45Oh!
01:04:07Oh!
01:04:11Look at how the murderer tortured her.
01:04:13He must have used a red-hot poker.
01:04:16He must have been a madman.
01:04:18Or a sex maniac in homicidal fury.
01:04:20Against beautiful women.
01:04:22Yes.
01:04:24Perhaps the sight of beauty makes him lose control of himself and kill.
01:04:29We'll have to start all over again.
01:04:32Excuse me, sir. If you want to see the footprints we found in the garden, we're ready now.
01:04:47Let's look at those footprints.
01:04:49The killer drove up to here.
01:04:51The footprints show that he started here, got out and walked up the embankment to the farm.
01:04:56They match the footprints we found at Morlan's villa.
01:04:59Are you sure?
01:05:00Absolutely. We have the proof in the plaster cast.
01:05:13I could have sworn that the murderer was one of the five suspects we have.
01:05:18Do we have to let them go?
01:05:20Of course.
01:05:21This time they've got a really foolproof alibi.
01:05:26I gave it to them.
01:05:29Morrel Richard.
01:05:30That's me.
01:05:31You want to check it?
01:05:32Of course I'll check it.
01:05:39Max Morlan.
01:05:58Max Morlan.
01:06:00Max Morlan.
01:06:28Max Morlan.
01:06:59Yes? Come in.
01:07:03Mr. Morlan, I would like to speak to you for a moment.
01:07:07Yes, darling. Come in.
01:07:15Mr. Morlan, I'm a calm person. I'm not nervous.
01:07:19But the thought that a sex maniac is prowling around your fashion house,
01:07:23Well, I don't like it.
01:07:25I'd like to take a short holiday.
01:07:29I have already booked a flight to Paris for tomorrow.
01:07:32To Paris?
01:07:34Very well, dear.
01:07:36By the way, you still live with the Countess?
01:07:40Yes. Why?
01:07:41Oh, nothing.
01:07:42Except a short while ago when the Count was alive.
01:07:46I visited there frequently.
01:07:48Lovely place.
01:07:49You know, from the terrace you can see all of Rome.
01:07:53Yes. I'd rather see the roofs of Paris at the moment.
01:07:56I understand. Have a nice time. Bye-bye.
01:07:58Goodbye.
01:08:18Goodbye.
01:09:18Mr. Morlan.
01:09:19Mr. Morlan.
01:09:20I burnt Peggy's clothes.
01:09:49There's nothing left to show that she was here.
01:09:53Then I had to do something else. I had to get her out of here.
01:09:57To give you an alibi.
01:10:00And then I killed Greta.
01:10:02Perfect.
01:10:04Perfectly awful.
01:10:07I don't know how I did it.
01:10:10As if it wasn't bad enough to find Isabella in the wardrobe.
01:10:15I nearly fainted.
01:10:18I wanted to tell you about it, but I couldn't.
01:10:21By the way, how did you manage to carry Peggy to Morrel's farm?
01:10:27Well, I... I didn't...
01:10:30I... somehow got her into the car.
01:10:34And Greta did the rest.
01:10:36Why did you pick on Greta?
01:10:38Well, uh...
01:10:40She was alone in the house, that's why.
01:10:45Well done.
01:10:48The police think it's the work of a sex maniac.
01:11:00First, second, third, fourth.
01:11:05Stop.
01:11:11Oh, darling, darling, what's the matter?
01:11:15Kiss me.
01:11:28What's the matter, darling?
01:11:31What a mess.
01:11:33All because of that idiot.
01:11:35That witch.
01:11:36Isabella.
01:11:38The blackmail.
01:11:40Money she wanted.
01:11:42Money, money, too much money.
01:11:45She should have realized when she found out about...
01:11:49that my husband's death wasn't an accident.
01:11:54That it was dangerous and unwise to ask for that money, but no, no, no.
01:12:00The more that we would give her, the more she wanted.
01:12:06She asked for it, she did.
01:12:08I'm topless.
01:12:10Too hard, my darling, she squeezed too hard.
01:12:14And the diary, that damn diary.
01:12:19If it hadn't been for that damn diary.
01:12:28It is done now, and we have nothing to worry about, my darling, nothing to worry about.
01:12:34No, you're wrong, you're wrong.
01:12:37We'll never have any peace.
01:12:40Until we've given the police their murderer.
01:12:43Peace?
01:12:46Chris, listen to me.
01:12:48We'll never get away with it, unless they find the maniac they're looking for.
01:12:53Never.
01:12:54Until they do, they'll keep their eye on us.
01:12:57You must remember, all the victims worked for us, but while they have no evidence against us...
01:13:03The whole thing has blown sky high.
01:13:05The press, the scandal, the salon being closed down.
01:13:09We've got to find a way out.
01:13:14What are we going to do?
01:13:17I know, darling.
01:13:20We're going to fly to the moon.
01:13:27We've got to act again, one more time.
01:13:30You've got to do it.
01:13:35Oh, no.
01:13:36Yes.
01:13:37I'm still being shadowed.
01:13:39Now, don't worry, darling.
01:13:40We'll find an alibi for you.
01:13:42Now, don't worry.
01:13:44Oh, no, Max, no.
01:13:46You can't ask me to do a thing like that.
01:13:48I can't do it, I can't do it, you know.
01:13:51You've done it before.
01:13:53I've done it before.
01:13:55I've done it before, but that was different, you know.
01:13:58Because you were in danger, I had to do it.
01:14:01Do it because, unless I hadn't done it, everything would have been lost forever.
01:14:08Only my love for you gave me the strength.
01:14:13But it was horrible.
01:14:16Horrible!
01:14:22Now, listen to me, you little idiot.
01:14:25Listen.
01:14:27There's more danger now than even before.
01:14:30More.
01:14:33If you don't listen to me, everything.
01:14:37This horrible nightmare.
01:14:39Everything.
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01:23:33Are you...
01:23:34Are you surprised to see me alive, Max, my love?
01:23:39Sure.
01:23:40Your plan was ingenious.
01:23:43The sharp awning... broke my fall.
01:23:58Please.
01:24:00Silence!
01:24:02I know what you planned to say.
01:24:05That you didn't do it.
01:24:07But I know you did.
01:24:09I know you did because you knew that I would be passing by the ledge.
01:24:13If there was any danger, remember?
01:24:16Remember, you told me to.
01:24:18You told me to.
01:24:22Oh, please, you must listen to me.
01:24:24You must listen.
01:24:28Yes.
01:24:30Yes, you had an ingenious plan.
01:24:33If the police found my body, everything would have been solved.
01:24:37Everything.
01:24:38And you would have been free.
01:24:41Now I understand why we had to get married.
01:24:44In secret.
01:24:45In such a hurry.
01:24:47You were so much in love.
01:24:50So much in love.
01:24:52Yes.
01:24:53But with my house, the apartment, the salon, the money.
01:24:58You loved everything I had.
01:25:01Everything.
01:25:08But me?
01:25:09Chris, listen to me.
01:25:11You're wrong, my darling.
01:25:13I want you.
01:25:16I love you.
01:25:20It's been a terrible shock for you, my darling.
01:25:22Terrible.
01:25:25Christina, I love you.
01:25:29It was an accident.
01:25:30Trust me.
01:25:32Very soon, my darling, we'll go away.
01:25:36Together.
01:25:37Just the two of us.
01:25:39Like we always planned.
01:25:58I love you.
01:26:25I love you.
01:26:53Police.
01:27:01I want...
01:27:03I want inspector.
01:27:06Inspector.
01:27:35Inspector.
01:28:04Police.
01:28:05Police.
01:28:06Police.
01:28:07Police.
01:28:08Police.
01:28:09Police.
01:28:10Police.
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01:28:59Police.
01:29:00Police.
01:29:01Police.