Blackmail -SD

Combo Film
Combo Film
  • 3 minutes ago
https://amzn.to/47oPglX
Transcript
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00:09:10Good evening, Miss White. How are you?
00:09:12I'm all right, thanks.
00:09:14I haven't seen you for a long time.
00:09:18Have you come to take Frank for a walk?
00:09:20Yes.
00:09:21That's right.
00:09:23Well, I must push along.
00:09:25Good night.
00:09:26Good night.
00:09:27Good night, Frank.
00:09:28Well, dear?
00:09:30I've been waiting here half an hour for you.
00:09:47Good night, George.
00:09:48Good night, Frank.
00:09:58Good night.
00:10:09Good night, George.
00:10:10Good night, Frank.
00:10:40♪♪
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00:10:50Thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you.
00:11:21Sorry, sir. Pull up here. More room upstairs.
00:11:27Go on.
00:11:28I think I told you there's more room upstairs.
00:11:32Sorry, sir. Pull up here. More room up...
00:11:34Hey!
00:11:51No?
00:11:52Of course.
00:11:53All right.
00:11:55What did you say, another box?
00:11:57Oh, yeah.
00:11:58Another box, please.
00:11:59No, thanks, sir.
00:12:01No, thank you.
00:12:02No.
00:12:32Frank, I've lost one of my gloves.
00:12:36I think I left it at the other table.
00:12:50Is this it?
00:12:52Yes, thanks.
00:12:53I thought so.
00:12:55There's a hole in two fingers.
00:12:57It's like a pair of nail scissors for Christmas.
00:13:00Funny, aren't you?
00:13:02Oh, miss! Miss!
00:13:04It's no good being impatient.
00:13:06You'll have to wait your turn.
00:13:08What's the matter with you today?
00:13:10Got out of bed the wrong side?
00:13:12I don't like waiting about for you.
00:13:15Oh, don't you?
00:13:16Oh, miss!
00:13:19Do you expect the entire machinery of Scotland Yard to be held up to please you?
00:13:25You and your Scotland Yard.
00:13:28If it weren't for Edgar Wallace, nobody'd ever heard of it.
00:13:31Funny, aren't you?
00:13:33Anyway, what's the hurry?
00:13:35We're only going to the pictures, and we've got all evening.
00:13:39Well, I don't think I want to go to the pictures.
00:13:43Oh, and why not?
00:13:45I've seen everything worth seeing.
00:13:47You haven't seen fingerprints. I'd like you to see that.
00:13:50Still, it's about Scotland Yard. It might be amusing.
00:13:54They're bound to get all the details wrong.
00:13:57I don't see why.
00:13:59I did hear they'd got a real criminal to direct it.
00:14:02So as to be on the safe side.
00:14:04Oh, miss! Miss!
00:14:06At long last.
00:14:17Come on.
00:14:40Well, I've ordered.
00:14:43I'll go to the pictures with you, if you like.
00:14:46Changes your mind.
00:14:53Have you got an ashtray, miss?
00:14:55I never seem to get an ashtray where I sit.
00:15:12Frank.
00:15:14Frank, I've changed my mind again.
00:15:19What about?
00:15:21About going to the pictures.
00:15:24You mean you don't want to go again?
00:15:27No, not particularly.
00:15:30Well, why not?
00:15:32I don't know.
00:15:34I just don't want to.
00:15:36Isn't that enough?
00:15:38No, it's not enough.
00:15:39Hi, miss!
00:15:40What are you going to do?
00:15:42I'm not fed up with you.
00:15:44You don't want to go, I do.
00:15:46Oh, all right.
00:15:48I'll come too.
00:15:50Hi, miss!
00:15:54Oh, don't let's have a row.
00:15:56I'm sorry.
00:15:58I know I've been rather beastly today.
00:16:00Miss!
00:16:01Frank!
00:16:02I've said I'm sorry.
00:16:06Here.
00:16:07That'll cover it.
00:16:12Here.
00:16:13That'll cover it.
00:17:13Hold on.
00:17:15I live here.
00:17:18Do you?
00:17:20Then you needn't come any further.
00:17:22Oh, Lorna, I said I'd see you home.
00:17:24I will.
00:17:26But I'm only just round the corner.
00:17:28Do you know White's?
00:17:30The news agent?
00:17:31Yes.
00:17:32In the King's Road?
00:17:33Yes.
00:17:34That's my house.
00:17:36I live there.
00:17:38Do you know White's?
00:17:39The news agent?
00:17:40Yes.
00:17:41In the King's Road?
00:17:42Yes.
00:17:43That's my father.
00:17:44No.
00:17:45Yes.
00:17:46Well, isn't that fine?
00:17:48Then we're neighbours.
00:17:51Have you ever seen an artist's studio?
00:17:54No.
00:17:55I'd love to.
00:17:57Come up and see mine.
00:17:59Oh, I can't now.
00:18:02Another time.
00:18:04Why not now?
00:18:06It's so late.
00:18:08Are you frightened?
00:18:10No.
00:18:11Of course not.
00:18:13Then why not now?
00:18:15No, really.
00:18:17Thanks awfully.
00:18:19I must be getting home.
00:18:21You are frightened.
00:18:23I'm certainly not.
00:18:25Take more than a man to frighten me.
00:18:27Yeah.
00:18:28That's what I thought.
00:18:30At first.
00:18:33What is the time?
00:18:35Not very late.
00:18:36Come on.
00:18:37What's the harm?
00:18:39Oh, there's no harm, really.
00:18:42Besides, I always think a girl knows instinctively when she can trust a man.
00:18:47Yes, of course she does.
00:18:50Do you trust me?
00:18:52Alice?
00:18:54May I call you Alice?
00:18:56If you like.
00:18:58Come on.
00:19:02Oh, Mr. Crewe.
00:19:04Before you go in, could I...
00:19:06Excuse me a minute.
00:19:22That chap's nothing but a sponger.
00:19:25Always pestering people up and down the street.
00:19:29Well, here we are.
00:19:34I'm right up there, at the top.
00:19:37Excuse me a minute, will you?
00:19:59I say, I'm awfully sorry.
00:20:01I won't be a minute.
00:20:03You start walking up.
00:20:05That's all right.
00:20:23Oh, good evening.
00:20:25Sorry to disturb you.
00:20:27About this note, did it leave any message?
00:20:29No, he wouldn't leave any message.
00:20:32Have you seen him before?
00:20:34Yes, the same gent would call you several times.
00:20:37I see.
00:20:39Thanks very much.
00:20:40Good night.
00:20:57Good night.
00:21:19Bit of a time, wasn't it?
00:21:28What a lovely room.
00:21:31Did you do it all yourself?
00:21:34Hardly.
00:21:36I say, do you feel cold?
00:21:38I think I'll light the fire.
00:21:57I say, that's good, isn't it?
00:22:21Who's that?
00:22:23Yes, that's a new one, just finished.
00:22:26Oh.
00:22:56How do you hold this?
00:23:10What?
00:23:12Oh.
00:23:18That's easy.
00:23:19I'll show you.
00:23:23Oh, Lord, not like that.
00:23:26Let me show you.
00:23:28You take this, hold it like that, you see.
00:23:31Then you get the brush and hold it there.
00:23:35You try.
00:23:37Yes.
00:23:41Yes.
00:23:44Like this?
00:23:45Yes.
00:23:46Oh.
00:23:48Look what I've done.
00:23:50Yes.
00:23:53Draw something, Alice.
00:23:57Shall I?
00:23:58Yes.
00:24:04Oh.
00:24:31Rotten.
00:24:35Never mind.
00:24:36We'll finish this masterpiece together.
00:24:38That's the idea.
00:24:39Now you hold, hold the brush.
00:24:41I'll hold your hand.
00:24:43Steady.
00:24:44On your neck.
00:24:45And around here.
00:24:47Not too quick.
00:24:49Down.
00:24:50Round by the leg.
00:24:53Foot.
00:24:55Along here.
00:24:59Knee.
00:25:01Side.
00:25:05There we are.
00:25:08And again.
00:25:09Back the ankle.
00:25:13Now there.
00:25:16There.
00:25:18There.
00:25:20Oh.
00:25:22You are awful.
00:25:27Wait a minute.
00:25:36There.
00:25:37Hooray.
00:25:38All ready for the academy.
00:25:40I'll go and get those drinks.
00:25:42Right you are.
00:26:12I say.
00:26:17How would I do for one of your models?
00:26:20That's an idea.
00:26:26Let's see it on you.
00:26:30Do you mean put it on?
00:26:33Yes.
00:26:34Why not?
00:26:37Oh, it's so strong.
00:26:41Go on.
00:26:46Oh, no, I don't think so.
00:26:48Besides, I'll have to go home soon.
00:26:53I see.
00:26:57Betty, I'd like to have sketched you a minute.
00:27:06Would you have really?
00:27:07Yes.
00:27:09Perhaps you're right.
00:27:10It wouldn't suit you.
00:27:15I bet it would.
00:27:25Shall I really try it on?
00:27:27Yes.
00:27:29Will you?
00:27:32All right.
00:27:34Do you think this will be big enough for me?
00:27:36What?
00:27:38I said, do you think this will be big enough for me?
00:27:42Oh, yes.
00:27:43I expect so.
00:28:02Go on.
00:28:22Play something.
00:28:24Wait a minute.
00:28:26How does that thing go?
00:28:31I know.
00:29:01It's so nice.
00:29:07They say you're wild and naughty, child, Miss Up-To-Date.
00:29:14That room, if you predict, for you an awful fate.
00:29:21Critics of the day won't pardon you.
00:29:26It's such a shame the way they're hard on you.
00:29:31Although you're no saint, stop a plate, smoke and paint, drink a cocktail or two.
00:29:37Why this alarm, for there's really no harm in the cute little things that you do.
00:29:45You've a heart of gold, so let them nag at school.
00:29:52You're absolutely great, Miss Up-To-Date.
00:30:00And that's a song about you, my dear.
00:30:05You haven't said how you liked it.
00:30:09Marvelous.
00:30:13I can't do it up.
00:30:15Wait a minute.
00:30:17Where is this trouble?
00:30:21I can't do it all up.
00:30:23Never mind.
00:30:27How do I look?
00:30:28Well, now wait a minute.
00:30:31This isn't quite right.
00:30:36That there.
00:30:42No, that's right there.
00:30:48Put your hand there.
00:30:50That's right.
00:30:53Yeah.
00:31:10I'd better go.
00:31:12I say.
00:31:41Oh!
00:31:42I've got it.
00:31:43Please give it to me.
00:31:44All right, come around.
00:31:45Come on, get it.
00:31:46Please, please.
00:31:47Come on, Alice.
00:31:48There it is.
00:31:50Oh!
00:31:52Oh!
00:31:53Oh!
00:31:54Oh!
00:31:55Oh!
00:31:56Oh!
00:31:57Oh!
00:31:58Oh!
00:31:59Oh!
00:32:00Oh!
00:32:01Oh!
00:32:02Oh!
00:32:03Oh!
00:32:04Oh!
00:32:05Oh!
00:32:06Oh!
00:32:07Oh!
00:32:08Oh!
00:32:09Oh!
00:32:10Oh!
00:32:11Oh!
00:32:12Oh!
00:32:13Oh!
00:32:14Oh!
00:32:15Oh!
00:32:16Oh!
00:32:17Oh!
00:32:18Don't be silly, Alice.
00:32:19Don't be silly.
00:32:20Don't!
00:32:21Let me go!
00:32:22Let me go!
00:32:23Oh!
00:32:24Oh!
00:32:25Oh!
00:32:26Oh, let me go!
00:32:27Let me go!
00:32:28Oh!
00:32:29Oh!
00:32:30Oh!
00:32:31No!
00:32:32No!
00:32:33Let me go!
00:32:36Oh!
00:32:37No!
00:32:38No!
00:32:39No!
00:32:40Don't!
00:32:41Let me go!
00:32:42Didn't!
00:32:43Give me back the―
00:32:44Give me back the―
00:32:45Give me back the―
00:32:46The felt-tip.
00:32:47No!
00:32:48Oh!
00:32:49Oh!
00:32:55Let me go!
00:32:56Oh!
00:33:17Oh!
00:33:22Oh!
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00:51:45Alice.
00:51:47Here a minute, will you?
00:51:54Well, I must be going now. Goodbye, Mr. White.
00:51:56Goodbye, Mr. White.
00:51:57Good morning.
00:51:58Now, you too.
00:52:04Shh.
00:52:06Be careful.
00:52:09What happened last night?
00:52:15Why don't you tell me?
00:52:30Look.
00:52:32You know what I found there?
00:52:42It's the only piece of evidence that you were there.
00:52:46I'm keeping it back at present.
00:52:50For God's sake, say something.
00:52:58If you're not using the phone, may I?
00:53:02I...
00:53:04I want to get on to Scotland Yard.
00:53:06Oh.
00:53:14I'll say.
00:53:21I want the best cigar in the shop.
00:53:24Certainly, sir.
00:53:27Perhaps you'd like the telephone while I get it down.
00:53:31No, thanks.
00:53:32That can wait.
00:53:33What does he mean?
00:53:34Very well, sir.
00:53:35Now, what sort of a cigar would you like, sir?
00:53:38I've got...
00:53:40I've got Henry Clay.
00:53:42Or Corona Corona.
00:53:44Corona.
00:53:45Certainly, sir.
00:53:56Any news of the murder?
00:53:58No.
00:53:59Nothing yet.
00:54:01Have you heard anything?
00:54:06No.
00:54:07No news.
00:54:13Are you...
00:54:18quite sure?
00:54:21What the hell business is of yours, anyway?
00:54:27You know...
00:54:28I looked everywhere for that...
00:54:31other glove last night.
00:54:35But of course, you detectives are better trained at finding these things.
00:54:39Here we are, sir.
00:54:43Excuse me, will you?
00:54:53Well, they look good.
00:54:55They ought to.
00:54:57I've had them for years.
00:55:06Corona.
00:55:16Is that all right, sir?
00:55:18Yes.
00:55:19I thought the top was broken, but it's all right.
00:55:23Corona.
00:55:25Corona.
00:55:29Excuse me.
00:55:36Corona.
00:55:40Corona.
00:55:44Corona.
00:55:46Corona.
00:55:48Corona.
00:55:57Have you a light?
00:55:58Yes.
00:55:59Here you are.
00:56:00Oh
00:56:03How silly of me
00:56:31Yeah, all right, sir, huh? Oh, of course, sorry
00:56:46But it told me
00:56:53All right, could I
00:56:55I say would you pay for this?
00:57:20Is this gentleman a friend of yours Frank
00:57:23Well, we're not exactly friends
00:57:25At least not yet, but we're going to do a little business together
00:57:30Aren't we afraid?
00:57:38I look after the shop father. You can finish your paper. What for?
00:57:45All right, my dear
00:57:56You
00:58:00You
00:58:04Rather unfortunate that poor man died around the corner last night
00:58:19Look here you
00:58:25Perhaps it's rather fortunate that your little secret only came into the hands of a man like me.
00:58:33Do you know, there are some men who would make money out of a thing like that.
00:58:38What a chance for blackmail.
00:58:41Oh, but that's all.
00:58:44I couldn't do a thing like that.
00:58:47One, miss. Two of each, there.
00:59:17By the way, if you're a detective, let me give you a tip.
00:59:29Don't wave important clues in telephone boxes.
00:59:33They've got glass doors.
00:59:36You know, detectives in glass houses shouldn't wave clues.
00:59:44Look here.
00:59:47A small contract, please.
00:59:55Come on, out with it. What do you want?
01:00:17What do I want?
01:00:21Oh, well...
01:00:25Couldn't we discuss that over breakfast?
01:00:41Mother, this is a friend of Fred.
01:00:45Mr...
01:00:47Tracy.
01:00:48Pleased to meet you.
01:00:50Mr. Tracy, would you like something to eat?
01:01:07Lovely weather we're having.
01:01:09Yes, splendid.
01:01:19Who did you say that man was?
01:01:21He's a very important friend of Fred's.
01:01:24I'll get the breakfast for him.
01:01:28Well, I'm very rude.
01:01:30Won't you take my chair?
01:01:31Oh, thanks.
01:01:40Hello.
01:01:59Did you see or hear anything during the night?
01:02:02No, sir.
01:02:04What time did you go to bed?
01:02:07Did you write this?
01:02:33Yes.
01:02:36How old would you say this man was?
01:02:39I'm afraid I couldn't tell you, sir.
01:02:41He had his hat on.
01:02:44Did you notice anything particular about his clothes?
01:02:48Well, he had a black hat and a loose kind of collar and a tie.
01:02:59And that's about all, I think.
01:03:01Was he dark or fair?
01:03:05Well, you couldn't say he was a blonde and you couldn't say he was a brunette.
01:03:10He was a bit of both.
01:03:11You know, kind of mousy.
01:03:15Anything else?
01:03:17No.
01:03:19Except when he spoke to you, he went like this.
01:03:24All right.
01:03:27Give me records.
01:03:54Well, bring him along.
01:03:56Let's hear what he's got to say.
01:03:58Understood?
01:03:59Yes, sir.
01:04:00Right.
01:04:01Get along with it.
01:04:17All right.
01:04:46That'll do to go on with.
01:05:15How much longer is that man going to stay?
01:05:22Don't tell me he'll be here to dinner.
01:05:24Don't make things awkward, Mother.
01:05:27It means a lot to me, in fact.
01:05:30Well, I don't see why they should carry on their business in my parlour.
01:05:33I'll take it.
01:05:35Very well.
01:05:36But I don't like that man.
01:05:38And the sooner he goes, the better.
01:05:39Shh.
01:05:43Italy, you're very clever.
01:05:45I can see that all right.
01:05:50Frank?
01:05:52Just a minute, will you?
01:06:12A fan of yours at the yard said he thought you might be here.
01:06:16Oh, all right.
01:06:25Hello?
01:06:27Yeah.
01:06:29Yes.
01:06:32Well, I thought you wouldn't mind if...
01:06:38What?
01:06:41Who?
01:07:07Any news, Frank?
01:07:32Alice.
01:07:34Lock that door.
01:08:03As you were saying, rather unfortunate the way that poor man round the corner died last night.
01:08:13On the other hand, perhaps it's fortunate, for us, that is, that a suspicious-looking man with a criminal record was seen hanging around the place.
01:08:26Shoot.
01:08:29Look here.
01:08:30Don't you try and swing this thing on me.
01:08:33That won't get you anywhere.
01:08:41Also rather unfortunate that Scotland Yard are at present looking for that man.
01:08:50I say, Frank.
01:08:52Just a minute, Alice.
01:09:06But there's one thing you seem to have forgotten.
01:09:10Oh?
01:09:13What's that?
01:09:14Before we get to any hanging, I shall have quite a lot to say.
01:09:19And the first thing I shall say is that she was there, too.
01:09:23Oh, you will, will you?
01:09:25Isn't the one thing you seem to have forgotten that are words as good as, or perhaps a bit better, than that of a jailbird?
01:09:35So we'll face that when the time comes.
01:09:39Well, we'll just sit quietly here until the squad van arrives.
01:09:47That surprises you, doesn't it?
01:09:49No, it doesn't surprise me in the least.
01:09:53When it comes, the surprise won't be for me.
01:09:57Very well, then.
01:09:58We're both satisfied.
01:10:00Yes, we're both satisfied.
01:10:03It's my word against hers.
01:10:14Frank, you... you can't do this.
01:10:18Why not?
01:10:22Well, because...
01:10:26Now, now, don't interfere, Alice.
01:10:27I know what I'm doing.
01:10:31You don't.
01:10:32You don't.
01:10:36Please, Frank.
01:10:37Oh, for God's sake, be quiet, Alice.
01:10:43Why can't you let her speak?
01:10:45You mind your own business.
01:10:47In any case, she'll speak at the right moment.
01:10:54Look here, Frank.
01:10:56Why can't we both of us chuck the whole thing now?
01:10:59I've got nothing against you.
01:11:01You've got nothing against me.
01:11:04Except, of course, I had some cash from you, but I wasn't serious.
01:11:10Well, look here.
01:11:12Have it back now.
01:11:26Well, can't you see that she wants to chuck it up too?
01:11:28And so do I now.
01:11:31Oh, look here, miss.
01:11:34You tell him.
01:11:36Tell him that he's playing with fire.
01:11:38And... and we shall all of us burn our fingers.
01:11:44Oh, I... I'm not bad, really.
01:11:47I... only things have gone wrong lately and one's got to live, you know.
01:11:57Hmm.
01:12:08All right, then.
01:12:11It's still my word against hers.
01:12:18That's it.
01:12:47Oi!
01:12:49You mean to get me on the back.
01:12:50Frank, follow me.
01:12:55Let's go.
01:12:56Come on, now.
01:12:57I'll drive on this way.
01:12:58I'll follow you down this way.
01:13:00Come on, let's go.
01:13:24Come on, let's go.
01:13:46Come on, let's go.
01:14:12Come on, let's go.
01:14:41Come on, let's go.
01:15:01Come on, let's go.
01:15:30Come on, let's go.
01:15:59Come on, let's go.
01:16:28Come on, let's go.
01:16:57Come on, let's go.
01:17:26I say, it's not me you want.
01:17:42It's him.
01:17:43Ask him.
01:17:44Why, he don't...
01:18:13Hello.
01:18:19Not very often I see you so early in the day as this.
01:18:38Called to see Frank?
01:18:41No.
01:18:43I want to see Inspector Walls, please.
01:18:47Ah.
01:18:50You'll have to fill up one of these forms, you know.
01:18:52All right.
01:19:16Do you know something about this?
01:19:19Yes.
01:19:24George, just a minute.
01:19:31Well, I suppose you're going to tell him who did it, miss?
01:19:58Yes.
01:20:01You can come along now.
01:20:05Here you are, miss.
01:20:29Come in, please.
01:20:59Won't you sit down?
01:21:04You've something to tell us about this case?
01:21:07Yes.
01:21:09Well, what is it?
01:21:13Ah, you see, I know who did it.
01:21:18Is this worthwhile, sir, now that everything's been cleared up?
01:21:21Yes, let's hear what she's got to say.
01:21:25What I was going to say is this.
01:21:28I'd better say what I have to say now.
01:21:32I'd rather not wait.
01:21:35What I wanted to say is that...
01:21:37I was the one...
01:21:38One moment, please.
01:21:40Hello?
01:21:42Yes?
01:21:44Yes?
01:21:46Yes, hold on.
01:21:48You deal with this young lady.
01:21:49I shall be busy for a minute.
01:21:51Yes, sir.
01:21:54This way, miss, please.
01:21:56Is he there now?
01:21:58Send him in at once.
01:22:22Alice, what ever made you come here?
01:22:29I did it.
01:22:50I know.
01:22:52You don't know.
01:22:54He tried.
01:22:56Oh, I can't tell you.
01:22:58It's too terrible.
01:23:01I was defending myself.
01:23:03I didn't know what I was doing.
01:23:05And then...
01:23:16My dear.
01:23:41So you found him, miss?
01:23:43Did she tell you who did it?
01:23:46Yes.
01:23:48You want to look out.
01:23:49She'll be losing your job, my boy.
01:24:00I say, I suppose we should soon have lady detectives up at the yard, eh?
01:24:05But I shall be all right on the door, won't I?