Sueños de libertad Cap 111 (30-07-24)

  • 3 months ago

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00:00I
00:12Say deal you on three Valentin equal to the nation on a ninja
00:25Juliana's hija Jesus
00:30Mr.. Yetta
00:40When I came in contra de la puerta del Colegio Dina
00:46Dina this is being hola. See a cloud of custody
00:51Very good.
00:54It looks like silver.
00:56Yes, but it's very ugly. How can I clean it?
00:59Leave it here. I can clean it with baking soda.
01:02But first, I have to finish the cookies.
01:06Are you making cookies?
01:08And almonds?
01:10The ones you like.
01:12Let me help you.
01:14Do you want to help me?
01:16I can't.
01:17Yes, of course.
01:18I'm going to wash your hands.
01:19And then you put this on.
01:22Your apron.
01:26Look closely.
01:33You can put your hands on the apron.
01:38You know how to knead, right?
01:40Yes.
01:42Come on, let's knead.
01:44Sara.
01:48Dina, who taught you how to make these cookies?
01:53Well, I learned it from my mother.
01:58You're a grandmother.
02:00And she learned it from her grandmother.
02:03Your great-grandmother, Bienvenida.
02:05Bienvenida. What a beautiful name.
02:08Do you like it?
02:10This recipe is a recipe of cookies that has passed from generation to generation among the women of our family.
02:19I wouldn't like her to die with me.
02:22Well, for that you're going to have to wait for your children, you know.
02:26We asked Gemma if she was going to want to have babies.
02:29No, Gemma better not.
02:32But can I explain it to you?
02:35To me? If I'm not your granddaughter.
02:39Almost.
02:41You're my sister's granddaughter.
02:46I am...
02:49your great-aunt.
02:53I would have liked my grandmothers to have told me about recipes.
02:57But I haven't known any.
03:00Well,
03:02Mercedes, who is very sick now.
03:06But for that you have me.
03:09For that and for everything else.
03:14Okay?
03:17And now we have to finish the cookies.
03:19You're not going to eat until they cool down.
03:23They're going to be delicious.
03:26You know, Dina, I don't like you wearing black.
03:30It looks like you're sad.
03:40Knock on door.
04:07Knock on door.
04:10Knock on door.
04:12May I?
04:14Come in.
04:21I wanted to know how she was.
04:25The fever won't stop rising.
04:29And it's hard for her to breathe.
04:32The doctors don't think she'll make it through tonight.
04:36Put on the handkerchief, Andres, and go.
04:39The least I care is to get infected, Begoña.
04:41It's not just that. Jesus came and...
04:44and he saw the drawing you made for my mother.
04:48I can imagine how funny he made it.
04:52Do you think I'm telling you I don't care?
04:54I'm just worried about you.
04:59If I'm honest with you,
05:01I'm less affected by his jealousy.
05:03I'm less affected by his jealousy.
05:07More than affect you, they should scare you.
05:10Please, let's not argue about that.
05:12Please.
05:14Mom.
05:15Mom, mom, mom.
05:17Calm down, calm down, calm down.
05:19Calm down.
05:21Drink some water.
05:23Stop, stop, stop.
05:26Calm down, calm down.
05:27Okay?
05:30Now.
05:31A little bit.
05:33Like this.
05:36Is it better?
05:41Yes.
05:42Mercedes.
05:44How is she?
05:52What do you feel?
05:54My head.
05:56It hurts a lot.
05:58Of course.
05:59I'm going to see if the nurse gives me something.
06:01I'll be right back.
06:07Yes?
06:10Mrs. Lamberto is here.
06:12Let her in.
06:16Thank you.
06:18Patricia.
06:19Jesus.
06:23I would have preferred you to receive me
06:26with the same enthusiasm with which you said goodbye to me at noon.
06:30I'm also glad you came.
06:32I wanted to see you.
06:34I wanted to know if you could come with me to Madrid tonight.
06:37To Madrid?
06:39I have a friend who leaves me her apartment.
06:42In the Plaza de España.
06:43Oh.
06:44The views apparently reach the Monte del Pardo.
06:49We'll have to see if it's true, right?
06:51Or is she exaggerating?
06:54Well, I would love to, but I won't be able to.
06:56I won't be able to.
06:58Ah.
06:59You have to have dinner with your wife.
07:01I have work.
07:02And since you're here,
07:04we could talk about the business we have in hand.
07:08Wow, now it's your turn.
07:09Yes, it's my turn.
07:12Sit down, please.
07:20Good.
07:21So you've convinced your brothers to accept my 5%?
07:25No.
07:27And no, because you're the one who's going to give in
07:29and you're only going to take 2%.
07:35Are you kidding me?
07:38I'm not going to give in
07:40because you and I had a good time.
07:44Well, I do believe it.
07:45And firmly, too.
07:47Very well.
07:49I've heard enough.
07:50I've heard enough.
07:52Are you going to do it?
07:55Otherwise, I'm going to call your husband right now
07:58and tell him what happened between us a while ago.
08:03When I'm gone,
08:08take good care of her.
08:15Don't worry.
08:18I'll always take care of her.
08:21I'll always take care of her.
08:26So,
08:29now I can go in peace.
08:34Everything's fine.
08:37Let's see.
08:38Open your mouth.
08:39Under your tongue.
08:43You'll feel better right away.
08:46Andres, go.
08:47I'll take care of it.
08:48No, if you want, I can stay a little longer
08:51so I can rest or go down to eat something.
08:55No.
08:58I don't want to leave her alone just in case.
09:01Just in case anything happens.
09:04It's fine.
09:05If you change your mind, you'll know where I am.
09:08At the factory.
09:10Thank you for everything.
09:12Mercedes.
09:13Mercedes.
09:15Mucho ánimo.
09:19I leave you with the person who loves you the most in this world.
09:44Do you think I'm afraid of your threats?
09:47You've made a mistake with us.
09:50We're such a well-meaning couple
09:53that each of us makes his own life.
09:56Oh, Patricia.
10:00You're a big liar.
10:02So much so
10:04that I could have believed you
10:05if I hadn't been a lawyer.
10:08You're a liar.
10:10You're a liar.
10:11I could have believed you if I hadn't been a lawyer
10:13because I have information about you
10:15that says exactly the opposite.
10:19Oh, you've investigated me.
10:21Well, it's an obligation of any good businessman
10:23to know well the one you're going to do business with.
10:27And not just professionally, which also,
10:29but above all, personally.
10:32Because that's where everyone has their Achilles heel.
10:34Even you, Mrs. Alan Bell.
10:37I don't know what you're talking about.
10:38Yes, you do.
10:39Yes, you do.
10:41I'm talking about the lack of loyalty to your husband,
10:43who already forgave you a slip with a certain Italian duke,
10:46who, by the way,
10:47is neither a duke nor anything,
10:49just so you know.
10:51Anyway, I don't think Mr. Lambert will let another betrayal happen.
10:54On the contrary,
10:55he would repudiate you.
10:58And without his money or his contacts,
10:59I highly doubt that you are willing
11:01to demand a 5% of nothing from anyone.
11:05But,
11:06and now comes the good news,
11:08since neither you nor I want that,
11:10you're going to accept a 1.5%
11:12and everything is settled.
11:14What do you mean a 1.5%?
11:15You just said a 2%.
11:16Oh, yes.
11:17Sorry, I haven't told you before.
11:19For every minute you spend thinking about it,
11:21I'll lower my offer by half a point.
11:22What do you think?
11:24You're a pig.
11:26But hey,
11:27where's that French charm?
11:29That savoir-faire?
11:31And how did you tell me yesterday?
11:33Don't get mad about business.
11:36What?
11:37Are you challenging me?
11:41What would all this look like to your wife?
11:44Bad, no doubt.
11:46But who has more to lose?
11:48You or me?
11:50Shall we check it?
11:51Come on, let's check it.
11:55At this time...
11:57Yes, at this time,
11:58your husband must be in the office on Victor Hugo Avenue.
12:02Six...
12:05Let's see if Monique, your secretary,
12:07very pretty and very young, by the way,
12:09passes me by without having to give her too many details.
12:16And in four hours...
12:22I accept a 2%.
12:23Perfect.
12:30Isabel,
12:31bring me Mrs. Lambert's contract, please.
12:34Right away. I had it ready.
12:36Thank you.
12:57Don't worry, it's a 2%.
13:00If you're so kind.
13:04Thank you.
13:13And I hope you keep your skin
13:15so that the Queen's products succeed in France.
13:17I don't think I have to explain why, do I?
13:29Someday you'll find the shape of your shoe,
13:31Jesus of the Queen.
13:33It's been a great pleasure, Patricia.
13:35Doing business with you, I mean.
13:37Because the other thing...
13:39Nah.
13:53Good job.
13:59I agree.
14:04And he asked you to stay, just like that?
14:07Well, he's grateful for how I've been taking care of his mother.
14:10I know he hasn't forgiven me yet, but...
14:13It's an important step.
14:14Of course, yes.
14:16What's wrong?
14:20Nothing. When you lose confidence, it's hard to get it back.
14:24Sometimes you have to make an act of faith, and it's hard.
14:27Every time you see that person coming out the door,
14:29you can't help but think if he's really going to work or...
14:33Or if he's going somewhere else.
14:36I'm aware that it's going to be hard for Joaquín to trust me again.
14:39Every time he says he's going to Madrid,
14:41the thorn is going to be there.
14:43But that doesn't make me come down.
14:45On the contrary.
14:47I love my husband.
14:48So I'll do whatever it takes to fight for him.
14:52María, please.
14:55Let him think today that everything will be fine.
14:58Please.
15:00Of course.
15:02We're going to focus on you staying in the end.
15:06And that we're going to be able to continue sharing moments of confidence.
15:09Come here.
15:14I'm very happy for you.
15:16What about you?
15:18Because it's going to show soon, right?
15:25Let's see if we're going to have to ask for a vote in the end.
15:28Do you think a fashion designer could vote for me?
15:30Don't be crazy.
15:31Oh, Gemma.
15:32You have to end this now.
15:35I know, I know.
15:36And there's only one way to do it.
15:37Telling the truth.
15:38Dissipating the suspicions that Jaime and Dr. Borrell have about me.
15:42That they have the fly behind their ears and for a reason.
15:44And then what?
15:46Then something will happen to us.
15:48First things first.
15:52You're going to go with me to convince them.
15:55And you're going to go with me to convince them.
16:04How long are you going to be mad at me?
16:08I'm not mad at you, Luz.
16:10I'm just a little disappointed and a little sad, that's all.
16:13Jaime, you're being very unfair.
16:15I still feel the same way about you.
16:18Of course.
16:19Now I just need to find out what it is.
16:25I love you.
16:28And you know it.
16:30You wanted me to tell you the truth about Luis.
16:33And since you didn't like what I told you, you're punishing me with your silence.
16:37Is that what you think? That I'm punishing you?
16:40What do you want me to think after the indifference with which you treat me?
16:43Forgive me if it's hard for me to digest that you feel something for another man.
16:48Luz, I can't help but be jealous, I'm sorry.
16:50What else does it matter what he feels for Luis?
16:52I'm not with him, I'm with you.
16:55Well, you have no choice.
16:57It's very unfair.
16:59And it's very cruel of you to tell me.
17:01Well, it's what it seems.
17:03Jaime, I'm not that kind of woman.
17:06I don't need a man by my side to spend time.
17:09I really like being alone, enjoying myself.
17:12What do you mean by that?
17:14That if I'm with you, it's because I love you, because I like you.
17:17No, because you don't dare to plant a poor dying man.
17:20You're going too far.
17:21Come on, Luz, please.
17:22Admit that your life would be much easier if you let go of the burden.
17:26And you shouldn't have to be aware of a guy who only hurts you.
17:29Look, you're finally saying something you're right about.
17:31I feel pity, yes, a lot.
17:34But not for you, for us.
17:36Because it's unfair what's happening to us.
17:39Because it's unfair that our lives are complicated this way.
17:41Because we can't make long-term plans, that's why.
17:44Luz, please.
17:46Look, Jaime, I respect your pain a lot.
17:48And I respect...
17:50I respect the hard time you're going through.
17:53But that doesn't give you any right to kick me.
17:55To kick you?
17:56Yes, to kick you.
17:57This is kicking you?
17:58Yes.
17:59Okay, then it's clear that we have nothing else to talk about.
18:00Because...
18:06Jaime, what's wrong?
18:09Jaime!
18:11It's all black.
18:13What do you mean it's all black?
18:15It's all black, Luz.
18:16I don't see Luz.
18:17Don't worry.
18:18Don't worry, come with me.
18:19I don't see Luz, I don't see Luz.
18:20Sit down.
18:21Careful.
18:22I don't see Luz, I don't see Luz.
18:23Don't worry.
18:24I don't see Luz.
18:26I don't see her.
18:27I'm here.
18:31I won't leave you, I promise.
18:36Isabel.
18:37Good afternoon.
18:38Good afternoon.
18:39You disgust us.
18:40First of all, good afternoon.
18:41You disgust us.
18:43Anyway, I just wanted to tell you that I've met with Patricia Lambert.
18:47But what have you done?
18:49No, Jesus, we both had to have that meeting.
18:53As if I saw it.
18:54You cheated on her.
18:55Two cheats, sister.
18:56Because that's what I ended up accepting.
18:58A two percent.
19:01How did you get it?
19:02No, it had been set at a five.
19:04Negotiating, which is what we big businessmen do.
19:07And to show off, a button.
19:12I hope they lower it or it will be a detriment to their involvement.
19:16You can be sure that it will be made an effort,
19:18and a lot so that the Queen's products are sold like churros in France.
19:24Oh, what silence.
19:26Very good.
19:27I'm waiting for you to congratulate me.
19:28Both of you.
19:30Congratulations for getting me out of the middle of a negotiation that I should have closed.
19:34The thing came up like this.
19:36But is it so difficult to recognize your brother, who is very good at negotiating?
19:40I had negotiated to bring her here.
19:42So don't get so excited.
19:44That contract should have been closed by me, Jesus.
19:47Don't be a child, Marta.
19:48No, no, don't get me started on that.
19:50I'm sick of your stubbornness,
19:52and that you always try to show us that you are essential.
19:55It's like that.
19:58Look, I don't know how you managed to close that deal.
20:01But knowing you, there's nothing good there, Mr. Businessman.
20:08A little hysterical, don't you think?
20:09You know you need her.
20:11You should start recognizing her.
20:13Don't lecture me.
20:14You don't.
20:15And...
20:16I'm not done with you yet.
20:21May I know why Begoña's mother has one of your drawings in the sanatorium?
20:27I look good, don't I?
20:30Oh, are you really waiting for an explanation from me?
20:35There won't be another warning, Andrés.
20:38I'll have to be careful.
20:41I know how you spend them.
20:55Have you been able to talk to your mother?
20:56Yes.
20:57In short, I told her that she's going to marry a celito, Rita the singer.
21:00Because I don't.
21:03You did the right thing.
21:07I don't know, Mateo.
21:08The truth is, deep down, I'm sorry.
21:11Why?
21:13Because I've failed my mother.
21:16And I know she doesn't have to be having a good time.
21:19She's going back to town this afternoon.
21:21I see.
21:22But, well...
21:24That feeling honors you, Claudia.
21:26But your mother also has to understand that you have to make the decisions of your life.
21:30Just like she made them at the time.
21:32Yeah, but at the time, she abandoned her dreams because of me.
21:37I suppose I owe her something.
21:39Do you know what my mother used to say?
21:41What?
21:43That the cord that connects a mother and a child is not cut at birth,
21:47but remains there, invisible, for life.
21:52How nice.
21:54You'll always be together, no matter how angry you are.
21:58And if not, you'll tell me when you have your child.
22:00But I'm a good mother.
22:02But, please, Claudia, of course.
22:04I have no doubt.
22:05Yes?
22:06Of course.
22:08The sandwich.
22:10Thank you very much, Gaspar.
22:11You're welcome.
22:12I'm going to go now, Mateo.
22:14Yes, yes, I have to go too.
22:15I don't want you to make me walk all night.
22:18And why do you have to go so far?
22:20Well...
22:22Mrs. Begoña's mother is dying.
22:25And she asked me to give her the extreme option.
22:27Poor thing, what a shame.
22:28Yes.
22:29But, well, that's life.
22:32Some leave so that others can come.
22:35No.
22:36Well, I have to go, Mateo.
22:38See you later.
22:41Gaspar, how much do I owe you?
22:43Let's see.
22:45How much is the painful one?
22:47Do you really think that by apologizing to the doctor
22:49she will stop bothering you with the pregnancy?
22:51Seriously?
22:52Look, my brother-in-law Jaime suspects something.
22:54I can control it.
22:55But it's two and it's more complicated.
22:58There are many open fronts that I have to cut.
23:00Okay.
23:02Are you okay?
23:03Is it happening to you?
23:05Yes.
23:07You have to talk to your neurologist.
23:10No, he already told me that these episodes would occur.
23:14And that they would be more recurrent as the disease worsens.
23:20What do you think if we throw the poster away
23:22and we go for a walk?
23:23Walk near the pond?
23:25So you can air out a little.
23:28Now?
23:29Yes, we take a blanket and enjoy the breeze.
23:33So we forget our worries for a while.
23:37I love that smile of yours.
23:46Good afternoon.
23:48I was just going to go up to the pantry to see you.
23:51Is everything okay?
23:52Any problem with the pregnancy?
23:53No.
23:54No, no.
23:55It's just that I'm getting a bad coffee.
23:57You have already suffered it and I wanted to apologize.
24:00Well, don't worry.
24:02Yes, I'm worried.
24:04I was rude.
24:06I apologize from the bottom of my heart.
24:08Apologies accepted.
24:11If you want, I can schedule an appointment for tomorrow.
24:15Tomorrow?
24:17Yes, I would have to ...
24:20Doña María, I think I remember that tomorrow at 1 o'clock
24:23you have an appointment with your doctor in Madrid.
24:25It's true, yes.
24:26Yes, yes, no, I didn't remember.
24:27I knew I had something and no, I didn't remember.
24:30Well, I'll put this on the agenda.
24:32You know what?
24:33If I go tomorrow, it won't be necessary in a few weeks.
24:35And it's better if Dr. González takes me to the pregnancy.
24:38María, as you prefer.
24:40But please, communicate your decision to Andrés.
24:42He insisted that we follow you.
24:45Andrés worries too much.
24:46But yes, yes, yes.
24:48I'll tell him.
24:49We'll meet like this.
24:53Jaime, we have to go to work.
24:56If he needs us, he knows where we are.
24:59Thank you.
25:09What happened again?
25:12He gave me another puncture.
25:16Do you think they noticed?
25:21My God, Gemma, this didn't work.
25:23Why?
25:24Have you seen how my brother-in-law looked at us?
25:26I already told you I didn't know if it was a good idea.
25:29I have to know how much they suspect me.
25:43You don't know how sorry I am.
25:56I love you.
26:05It looks like you're burning up.
26:08Shit.
26:13Have you given up?
26:17No, it looks like there's been luck.
26:19Can I?
26:21Yes, yes, of course. Please.
26:26How wonderful.
26:28Do you know what that perfume suggests to me?
26:30A snack in the field.
26:32A tablecloth, a bucket of lime,
26:36a freshly cut watermelon.
26:39What ability do you have to evoke an image?
26:41All the merit of the perfumer.
26:44And I know very well where you got your talent from.
26:47I thank you very much for the compliment, Mario.
26:49But I don't reach my father or the sole of his shoes.
26:52Come on.
26:54He was already returning to his house.
26:56Yes, I left.
26:58But I found something that made me come back.
27:02You gave me back the intimate letters I wrote to your father
27:08because you felt that was what he would have wanted.
27:14Well, I also feel that he would like you to have something of his.
27:23Something personal.
27:25What is this?
27:27A project we were working on before he died.
27:31What kind of project?
27:33When you read it, you'll know what it's about.
27:36Do it calmly.
27:37In your house.
27:39And be discreet.
27:41Don't let it get out of hand.
27:44Are you leaving me out of this?
27:46No.
27:48I can only tell you that if I had gone ahead,
27:52I could have changed our lives forever.
27:56Well.
27:58Maybe I can change yours and your brother's.
28:04Leave me out of this!
28:06Can't you take the weight off your shoulders?
28:08Shut up, Mom.
28:09I don't want people to find out about my life.
28:11Come on.
28:12If you think you can hide it forever, you're in luck.
28:14Let's see what explanations you have.
28:16It would have been easy to cover it up.
28:18Easy? For whom?
28:19For you, for Anfila.
28:20And for that kid,
28:21who's going to spend his life listening to gossip and comments.
28:23No, Mom, I know you do it for my own good.
28:25But please let me make a mistake.
28:27You're going to spend your life in retirement.
28:30Marrying a man I don't love too.
28:33You're so jealous.
28:34Who's going to love you as a child?
28:36Well, if I have to be alone, I am.
28:39You don't know what you're saying.
28:41Do you know how hard it is to live without waiting for anyone at night?
28:45With the weight of your son, you alone, on your back.
28:47In addition to carrying a house.
28:50Well, I want love in my life.
28:52Not need.
28:53There is no love, daughter.
28:54Love is over.
28:55The important thing in life is to spend it with someone.
28:57Spending it alone is very difficult.
28:59Well, I'm not going to be alone, Mom.
29:00Because I'm going to have my friends who have told me
29:02that they are going to support me and help me with what I need.
29:04But what friends, daughter?
29:06That bad guy who has made you a mombo?
29:07It's a woman.
29:08The giraffe that looks with distrust.
29:12Or the young priest.
29:13Don't go there, Mom.
29:15The Lord says it very clearly.
29:17There are days when he makes others sin.
29:19When is his bus coming?
29:20Well, now it will come.
29:21But soon, because otherwise I'm going to miss the live of a Benito.
29:23Well, let's see if it really comes.
29:24Here you are, daughter.
29:25You alone.
29:26With your sin and your mistakes.
29:34And I look at that for you.
29:39You are the only thing I have left in this world.
29:42I don't want to see you suffer.
29:44Don't tell me that, Godmother.
29:47I had the best teacher in the world, which is you.
29:50Who taught me how to weaken the worst moments.
29:54Come on, stay calm, huh?
29:58And let me know when you get to Don Benito.
30:00Are you leaving? Are you staying with me for a while?
30:02No, Godmother, why?
30:03Because if I stay here,
30:04let's discuss six times before the bus arrives.
30:09I prefer to stay with this farewell.
30:17Oh, go away.
30:20Godmother.
30:21Go away.
30:36Good morning.
30:39What's going on?
30:41Nothing.
30:43I would only like us to toast to the success
30:45that will mean that our articles are sold in France.
30:51And I'll tell you more.
30:53After France, they will come to England, Germany, Italy, even Madagascar.
30:59And why aren't your brothers here?
31:01They should celebrate it with us.
31:03Well, if I wanted them to be, I would have invited them, right?
31:05I don't like the way you leave them out.
31:07They are also from the company, like you and me.
31:11And if you don't mind, I prefer to be alone.
31:23You haven't heard me.
31:25Perfectly.
31:27But first I want you to explain to me what's wrong with him.
31:30Because I don't think his bad mood is due to the fact
31:32that my brothers are not here.
31:34Nothing's wrong with me.
31:36I don't believe you.
31:38Problems with Digna?
31:45Seeing how you reacted when I told you about our commitment,
31:49you won't expect me to tell you more details.
31:53Yeah, but he's still my father.
31:55And yes, he's confused,
31:57but he's already an adult enough to make the mistakes he makes.
32:00He's earned the right to do so.
32:02That's a nice detail from you.
32:07Father, you know you can tell me anything that worries you.
32:14Jesus has done something.
32:19What thing?
32:23Father, no.
32:25No, don't make me insist.
32:27I've told you everything.
32:28Don't make me insist.
32:30I've told Digna that Julia is his granddaughter.
32:41Don't tell me you're leaving without saying goodbye.
32:44Good thing I also have to take the bus to visit a feligrés.
32:48I'm going back to town, I'm getting in the way here.
32:50Don't worry.
32:52Children always end up going back to the slaughterhouse.
32:55No, what worries me is the way to go back to the slaughterhouse.
32:56I think all this is going to get more complicated, Father.
33:01If you do me the favor of taking care of my Claudia...
33:04I will.
33:07And watch out for a crow, I stirred it up.
33:11Sorry.
33:16Watch out?
33:18I'm ashamed to say it out loud.
33:20Don't be afraid of me, I'm not going to judge you.
33:23The relationship my daughter has with that priest you instruct...
33:28The young man.
33:30Mateo.
33:32I think they get along too well.
33:34Do you know what I mean?
33:36But do you think they've been able to cross some lines?
33:38No, no, no, for God's sake, no.
33:40But who are you telling not to do it?
33:43Unless you guide them so that they don't commit that atrocity.
33:47Ah, be careful.
33:49I'll know how to guide them.
33:53Ah.
34:04How could he...
34:06How could he do something like that?
34:09Fuck.
34:11I saw her so devastated when she heard the news of Valentín's death.
34:17I don't know, I tried to cheer her up a bit.
34:20Father, that girl is my daughter.
34:23How dare you do something like that?
34:25Yes, I'm sorry.
34:27As soon as I did it, I realized that I had made a big mistake.
34:30Well, of course.
34:32With Valentín's death certificate, the whole story was closed, but you reopened it.
34:35Don't you realize that knowing that Clotilde and Valentín were lovers,
34:38someone will kill Cabos and they will come to me.
34:41And they'll find out that I killed them.
34:43Yes, that's why I've been living without a home all day.
34:47And what are you going to do about it?
34:48I don't know.
34:50I'll think of something.
34:52Do you know what your problem is, father?
34:54The weakness I feel for my aunt, which clouded her understanding.
34:57And besides, I don't know what she saw in her.
34:59She's just a bad imitation of my mother.
35:01I won't forgive you for speaking so unworthy.
35:03What are you going to do to me, father?
35:05What are you going to do to me?
35:07You can marry her if you want.
35:09And so you won't lose a granddaughter.
35:11But I'm going to lose my daughter.
35:13I'm not forgiving you for this, father.
35:15I'm not forgiving you.
35:16I'm not forgiving you.
35:18And you know what I'm telling you?
35:20If I fall, you'll fall with me.
35:24Because you're just as involved as I am.
35:27So solve it.
35:30And start by getting away from that woman as soon as possible.
35:47Thank you.
35:49Sorry, I don't know what I was thinking.
35:53Jesús told me that it is possible that Mercedes will not pass tonight.
35:57The damn asiatic flu is causing jams.
36:00I'm afraid it could spread.
36:02The factory is an ideal farmhouse.
36:04Jaime and Luz have the situation under control.
36:07Although it would not be wrong to establish some hygiene measures
36:10so that the workers can avoid contagion.
36:13We'll have to do something without fail.
36:14Well, speaking of happier things.
36:16María, how are you?
36:18How is my nephew?
36:20Fine, fine.
36:22Fine?
36:24That's it?
36:26Something else? Did the car tell you?
36:28Well, I haven't been able to talk to her for more than two minutes.
36:31I went to the dispensary, but I had a lot of work.
36:33She has appointed me for another day.
36:35When?
36:37In two weeks.
36:39So much?
36:41Well, I would like to accompany you.
36:42No, it's not necessary.
36:44I don't want you to fail your obligations for routine recognition.
36:47Well, it's not necessary.
36:49Sorry for the delay.
36:51What?
36:53Are you okay?
36:55Yes, why do you say so?
36:57Do you have a bad face?
36:59Well, because we had a bit of a fight in the dispensary.
37:01That's what I was telling you, María.
37:03Yes?
37:05Yes, she had gone to the dispensary to see Luz.
37:07Yes, yes, she has gone.
37:13Yes, tell me.
37:16Yes, she's here.
37:18One moment.
37:20It's Dr. Borrell.
37:22She wants to talk to you.
37:24At this time?
37:26Well, it must be important.
37:28I'm going to pick him up in the office if I don't bother you.
37:30Give him a second.
37:32I'll pick him up from the office.
37:34Thank you.
37:36I'll take the opportunity to say goodbye.
37:38I'm going to Madrid.
37:40At this time?
37:42I prefer to sleep in the apartment.
37:44So I avoid arriving late.
37:48I'm going to the bathroom. I'll be right back.
37:49I'll be right back.
38:10Yes, yes, I'm fine. Don't worry.
38:13In the end, we didn't go for a walk by the river.
38:16But tomorrow we will go for sure.
38:18And if you behave,
38:21I'll let you stay to sleep.
38:23Well, I'll try to behave very well
38:25so that you also give me breakfast.
38:28Hey, Luz.
38:31Thank you for being my light in the middle of so much darkness.
38:37You are wonderful.
38:39You too.
38:41Hey,
38:43I love you very much.
38:45See you tomorrow.
38:47See you tomorrow.
39:15Can I come in?
39:17It's raining a lot.
39:25I'm sorry, Digna.
39:27I'm very sorry.
39:29I know I should have told you
39:32before asking for your marriage.
39:34And why didn't you do it?
39:36Because I didn't know how to approach a subject like that.
39:41This afternoon, when I was making cookies,
39:43Julia appeared in the kitchen.
39:44I was tempted to tell her that I'm her grandmother.
39:47But I didn't.
39:50I thought that if I did,
39:52I would condemn that girl to live a life
39:54knowing that her real father had killed her mother.
39:57And she is very young.
40:00I prefer her to continue lying.
40:04Thank you for thinking about her.
40:07I know that one day you will have to tell her the truth.
40:11I leave the decision in your hands.
40:14You know I'm not going to do it.
40:17Not to her, not to my children.
40:20For now.
40:23There is too much pain and too much resentment in this house
40:27to bring light to something like this.
40:30You don't have to worry about that.
40:40I understand that you are angry with me.
40:44I am, and a lot.
40:49I made a mistake by not telling you before,
40:51and I assume it.
40:53I just hope that you are able to forgive me
40:55and that we can go back to the point where we were.
41:00I understand that it will not be now
41:02and that you will need time to fit it.
41:09Do you think time will heal this pain?
41:12This tremendous disappointment?
41:16You have hidden from me that she is my granddaughter.
41:20I will need time to resign myself.
41:24To keep the feelings that cause me to know
41:27that that girl carries the blood of my son.
41:30Tilda.
41:31Don't touch me.
41:33Tilda, your ...
41:35Tilda, your contempt kills me.
41:37Have you thought about it before?
41:39Yes, I know I made a mistake,
41:41but give me another chance.
41:43I have given you many, Damian.
41:46The last one was nothing.
41:49You had to see yourself cornered
41:52to confess your infidelity to my sister
41:55and I forgave you
41:57on one condition
42:00that you will never deceive me.
42:03I know,
42:05but this time you have to believe me.
42:07Take it.
42:09No.
42:11Tomorrow I will give you the plane tickets.
42:13There will be something I can do
42:15to solve this.
42:19You can't do this to me.
42:22I know you love me.
42:24Yes.
42:26I love you.
42:29That's why I've forgiven you so many times.
42:33I love you.
42:37But now I know you don't love me.
42:42So please,
42:45leave my house.
43:01Go to yours.
43:03It's very late.
43:06Go.
43:36Amen.
43:54Amen.
43:55Amen.
44:04You don't know how sorry I am
44:07Thank you, Mateo.
44:24The transition from earthly life to heavenly
44:28is always much harder for those who stay
44:31than for those who leave.
44:33So if you need comfort,
44:34come see me.
44:37I will.
44:39I'll leave you so you can be alone.
44:59Here.
45:01What for?
45:02What for?
45:08The medal.
45:13My mother gave it to me
45:17the day I was born.
45:22Wherever I go, I won't need it.
45:26I want you to have it.
45:32I'll never take it away from you.
45:36My love, don't be sad.
45:41I try not to be.
45:45But I think
45:47about the little time we've had together.
45:52And it's unfair.
45:55I've had many good moments by your side.
46:02Like the day Andrés drew that picture for us.
46:11Do you remember how well we had fun?
46:14I still remember the smell of the cream
46:18you put on my hands.
46:21It was the bomb.
46:26I was so happy
46:29because you were there with me
46:33and I felt
46:36that nothing bad
46:38could happen.
46:46You have to do me a favor.
46:50What?
46:52Always keep
46:54that picture.
46:56Always.
46:58Why do you want me to keep it?
47:00Because every time you see it,
47:03you have to remember
47:05that your life
47:08has to be full of happy moments
47:12like that one.
47:17I promise you.
47:20I promise I'll try to be proud of every day of my life.
47:26But you'll have to send me all your strength
47:28from up there
47:30because
47:32I'm going to need it.
47:40Mom.
47:47Mom.

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