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00:04:30You're amazing.
00:04:32It's all sold out.
00:04:33Of course, except for me.
00:04:41Teacher.
00:04:43You were really cool today.
00:04:48Oh!
00:04:49I heard that guy called the gallery again today.
00:04:53He said he took a lecture from you when he was in college.
00:04:56He said he was a 9th or 10th grader.
00:04:59That's what he said.
00:05:01If you want to meet him, go see him yourself.
00:05:08Should I tell him not to come?
00:05:10No.
00:05:12Tell him to come.
00:05:16Are you going to sell Natalie?
00:05:20The reporters are wondering who Natalie's real model is.
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00:06:10Hello.
00:06:11I'm Jang Min-woo.
00:06:13Oh, yes.
00:06:14Hello.
00:06:15I'm here to see Ms. Hwang.
00:06:18Are you there?
00:06:19What's going on?
00:06:20I...
00:06:22I told you I wanted to buy a Natalie statue.
00:06:26You took a wrong step.
00:06:28I'm sure they won't sell it even if you bring a class.
00:06:32Why...
00:06:33Why won't they sell it?
00:06:36Why do you want a Natalie so badly?
00:06:41I have a secret, too.
00:06:43A secret?
00:06:45What secret?
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00:08:07The exhibition is over.
00:08:09Mr. Hwang.
00:08:11What is it?
00:08:13Hello.
00:08:14I'm Jang Min-woo.
00:08:16I'm deeply moved by your work.
00:08:18Hold on.
00:08:19Hold on.
00:08:24If you allow me,
00:08:27I'd like to write a review of your work.
00:08:30You want to review my work?
00:08:34You idiot.
00:08:36No, no, no.
00:08:38I'm a student of yours
00:08:41from the Department of Art.
00:08:44♪♪
00:08:54Natalie.
00:08:57I'd like to hear about Natalie.
00:08:59♪♪
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00:09:20Don't touch me.
00:09:31What do you want to hear about Natalie?
00:09:35I can feel her soul.
00:09:42It's like she's alive and breathing.
00:09:49She's waiting for someone.
00:09:54Who are you?
00:09:59Tell me about her.
00:10:03The real woman.
00:10:05Who is Natalie?
00:10:08Are you asking about the boundary between art and reality?
00:10:11I'm talking about Natalie's real model.
00:10:15Hey.
00:10:17Art and the model are two different things.
00:10:22Are you saying that Natalie is also two different things?
00:10:26I don't know what you're talking about.
00:10:28I'm talking about Natalie.
00:10:39Have a cup of tea.
00:10:47Here.
00:10:54Don't even think about criticizing my work.
00:11:01Criticizing doesn't mean
00:11:04changing the author's permission.
00:11:13Hey.
00:11:17Are you Jang Min-woo or Jung Min-woo?
00:11:20Yes, I'm Jang Min-woo.
00:11:22Are you Jang Byung-ro, who eats other people's work for my own?
00:11:27What do you want me to do?
00:11:32What?
00:11:33What?
00:11:44People like you have no value in this world.
00:11:49Don't just chew on other people's blood.
00:11:52Do something creative.
00:11:56Yes.
00:11:59I think so, too.
00:12:03Who promotes your great works of art?
00:12:09If it weren't for critics like me,
00:12:11your stones...
00:12:14Stones?
00:12:17No.
00:12:18Your great works
00:12:21will be valued depending on their weight.
00:12:34Don't be surprised.
00:12:35As you said, it's a stone.
00:12:40In your eyes,
00:12:41does it look like a turtle or an elephant?
00:12:50Do you know the difference between a sculpture and a stone?
00:12:56I don't know.
00:12:57Do you know the difference between a sculpture and a stone?
00:13:03I don't know.
00:13:05If you think and break the stone, it's a sculpture.
00:13:08If you break the stone without thinking, it's a stone.
00:13:12Of course.
00:13:14Who engraved your ancestor's tombstone?
00:13:18Is it a sculpture or a stone?
00:13:23That's it.
00:13:27Do you know art?
00:13:29Can you see the essence of things?
00:13:34No.
00:13:35But I don't think you can see
00:13:39a woman's innermost thoughts.
00:13:43Oh!
00:13:46You must have met Director Park.
00:13:50Why?
00:13:52Did she swear at me?
00:13:57Are you afraid of other people's evaluations?
00:14:00No.
00:14:02No matter what she says,
00:14:04it doesn't matter to me.
00:14:06Why?
00:14:09Because I love her.
00:14:13I don't know.
00:14:17How much do I know about my relationship with her?
00:14:22At least you don't use the expression
00:14:25that you love someone.
00:14:31Young man.
00:14:33A poet said that
00:14:36love is a son of a bitch.
00:14:41Do you want to have sex with her?
00:14:51Yes.
00:15:15The world is made up of men and women.
00:15:17It's the law of sound and quantity.
00:15:21At first, she liked my work.
00:15:25Then she liked my body.
00:15:28When I hold her in my arms,
00:15:30I can feel her sincerity.
00:15:33She just got angry
00:15:36because she couldn't fully accept me.
00:15:38I know there's another woman in me.
00:15:41A well-known, but extremely vulgar sculptor.
00:15:45A curator who has to receive your work.
00:15:50Isn't that her fake orgasm?
00:15:53Is it?
00:15:55Anyway,
00:15:57when you have sex, don't forget it for a while.
00:16:00When the sex is over,
00:16:02you get angry again.
00:16:14Huh?
00:16:16Huh?
00:16:18Huh?
00:16:20Huh?
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00:17:02Huh?
00:17:03Huh?
00:17:04Huh?
00:17:05Huh?
00:17:06Huh?
00:17:07Huh?
00:17:08Do you only have sex with one woman?
00:17:12Huh?
00:17:13Tell me about yourself.
00:17:17I'm curious about who you are.
00:17:25Are you married?
00:17:30Of course you are.
00:17:32And you must love your wife very much.
00:17:37What are you talking about?
00:17:40A beautiful woman who knows how to cheat is nothing.
00:17:44Do I look stupid to you?
00:17:47No.
00:17:49You look diligent.
00:17:51You look so diligent that I'm sick of it.
00:17:56Not all men
00:17:58should have sex with any woman like you.
00:18:02Huh?
00:18:04Huh?
00:18:07It's very common in this country.
00:18:10Don't you know what the owners of motels in this country
00:18:15eat and live on?
00:18:20Yes, honey.
00:18:24I'm at the office.
00:18:33Huh?
00:18:36No.
00:18:39I have a headache.
00:18:45I have to go to a meeting. Bye.
00:18:48Have you ever had sex with a married woman
00:18:52who made her husband go to work at 11 a.m.
00:18:58in a motel with a view of the Han River?
00:19:02What you see is not the truth.
00:19:05The world is already falling apart.
00:19:08There is not a single sin.
00:19:32Ah!
00:19:34Ah!
00:19:38Ah!
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00:21:00No!
00:21:01No!
00:21:02No!
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00:21:44No!
00:21:49Don't generalize what I'm saying.
00:21:52There are many people in this world
00:21:54who live with only love and truth.
00:22:01Why do emperors and kings
00:22:03hate each other?
00:22:07Do you want to be an emperor?
00:22:12I'm just a sculptor.
00:22:15Didn't you say 10 years ago
00:22:17that you would no longer
00:22:19present your work
00:22:21after the individual exhibition?
00:22:23I did.
00:22:25Why did you change your mind?
00:22:28Can you explain the difference
00:22:30between art and change in words?
00:22:33Why did you make the Natalie
00:22:35you made 10 years ago
00:22:37into a special issue
00:22:39in newspapers and magazines?
00:22:41I planned it in the gallery.
00:22:43I have to make a living in the gallery.
00:22:45I know there's someone
00:22:47who wants to buy Natalie
00:22:49at a very high price.
00:22:51I didn't sell it.
00:22:53Why not?
00:23:00Because I don't want to.
00:23:12I'll buy it.
00:23:16You know the price of my work.
00:23:18Yes, of course I know it well.
00:23:20Kanyakumari is $10,000.
00:23:22Chitali is $2,000.
00:23:24Kalli is $3,000.
00:23:26The God of Mother who gives
00:23:28all the land is $50,000.
00:23:32That's impressive.
00:23:35It's better than Director Park.
00:23:37How much would you sell this Natalie for?
00:23:41Do you think this is a bean sprout shop?
00:23:43No.
00:23:44It's only natural to pay the price.
00:23:46Do you have money?
00:23:48Yes, I have enough.
00:23:52I don't think you earned it on the street.
00:23:56Do you have a lot of inheritance?
00:23:58As far as I know,
00:24:00I don't have a lot of money.
00:24:02I don't have a lot of money.
00:24:04I don't have a lot of money.
00:24:06What I want to know is the price of Natalie.
00:24:09Natalie is a work that cannot be evaluated with money.
00:24:18Then are your other works
00:24:21works that can be evaluated with money?
00:24:24In that respect,
00:24:26I'm sorry for other works.
00:24:28Anyway,
00:24:31I can't sell Natalie.
00:24:33Do you have a special story about Natalie?
00:24:40All right.
00:24:44It's not easy to break the stubbornness of an artist.
00:24:50Excuse me.
00:24:58You!
00:25:01Why are you so obsessed with Natalie?
00:25:07It's an excuse to meet me.
00:25:22Do you know Natalie?
00:25:25Tell me.
00:25:28Do you know who Natalie is?
00:25:30Tell me!
00:25:37Before I answer that question,
00:25:40I need to know who Natalie is.
00:25:47I'll tell you who Natalie is.
00:25:58This Natalie is me.
00:26:03It's Park Hyorim.
00:26:08Director Park.
00:26:12Did you really think Natalie was you?
00:26:19You weren't Natalie from the beginning.
00:26:23Then,
00:26:27did you play with me
00:26:30with all the money you had?
00:26:36Son of a bitch.
00:26:53Son of a bitch.
00:27:04The woman you're holding is the woman I love.
00:27:22Son of a bitch.
00:27:53I wanted to create the most beautiful woman in the world.
00:27:57I'll get ready.
00:28:02Anyway, Director Park was a woman who inspired me,
00:28:07but none of it helped me.
00:28:23It was all obvious.
00:28:31I couldn't do anything for months.
00:28:52I'm sorry.
00:29:22I'm sorry.
00:29:52I'm sorry.
00:30:04Provocative gestures, fatal temptation.
00:30:10That's how she entered my life in an instant.
00:30:15Art, woodwork, construction.
00:30:18It was used in a variety of ways.
00:30:23I used the pyramids of Egypt,
00:30:26which you know well.
00:30:32Especially, the shapes and three-dimensional...
00:30:37At that time,
00:30:39I wanted to create a new desire
00:30:41from the tip of her hand.
00:30:49Human beings can't last forever,
00:30:52so they always live with a desire to dream forever.
00:30:56That's why we want to preserve the most beautiful moment.
00:31:03And the desire to be beautiful forever.
00:31:07This human desire is the beginning of all art.
00:31:11Do you understand?
00:31:13That's all.
00:31:18Congratulations.
00:31:25Congratulations.
00:31:26Congratulations.
00:31:27Congratulations.
00:31:34Sir.
00:31:36Yes?
00:31:37Please sign this.
00:31:40Sign?
00:31:43Okay.
00:31:46What's your name?
00:31:47You don't know my name?
00:31:49What?
00:31:51Mirani.
00:31:52Oh Mirani.
00:31:53Oh, Mirani.
00:31:58What do you want me to write?
00:32:01I want you.
00:32:07What?
00:32:08I want you.
00:32:10Write it like that.
00:32:12Okay.
00:32:17Okay.
00:32:31I want to be a model for your work.
00:32:40No way!
00:32:42She seduced you first?
00:32:45Yes.
00:32:48It was a big temptation.
00:32:51No one could refuse.
00:32:56She's not the Oh Mirani I know.
00:33:02I decided to act out that temptation.
00:33:18I'm ready.
00:33:31Shall we start?
00:33:34Yes.
00:33:47Okay.
00:34:11Don't drink too much.
00:34:17Okay.
00:34:23Let's sit next to each other.
00:34:47Okay.
00:35:18Mirani, sit where you're comfortable.
00:35:39Okay.
00:35:48Mirani.
00:35:49Mirani.
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00:44:40♪♪
00:44:50♪♪
00:45:01Yes.
00:45:05Your name is Mi Ran?
00:45:08Mi Ran, Oh Mi Ran, right?
00:45:10Yes.
00:45:20Here.
00:45:21Thank you.
00:45:22Thank you.
00:45:28Can I talk to you for a minute?
00:45:30It won't take long.
00:45:31I...
00:45:34It's nothing.
00:45:35I just want you to be my model.
00:45:38It's not that hard.
00:45:40Wait a minute.
00:45:43It won't take long.
00:45:44I...
00:45:46I took her away from you in a very pathetic way.
00:45:52♪♪
00:46:02♪♪
00:46:12♪♪
00:46:22♪♪
00:46:32♪♪
00:46:42♪♪
00:46:53I trampled on her thoroughly.
00:46:56Why don't you write a novel?
00:46:58No.
00:47:00You are distorting the memory of the past
00:47:03to degrade your work.
00:47:07I think it's you who is distorting the memory of the past.
00:47:12What?
00:47:14No, I'm not.
00:47:15I'm not.
00:47:20Okay.
00:47:21I can understand.
00:47:26A woman you loved but couldn't have.
00:47:30A desire for comfort and jealousy of me.
00:47:34Your memory must have been distorted thoroughly.
00:47:42It doesn't matter what you say.
00:47:45The truth that can't be avoided is that
00:47:49the writer, Hwang Joon-hyuk,
00:47:52has trampled on a woman thoroughly for his work.
00:47:56Shut up!
00:47:58If not, why did you abandon a woman you loved so much?
00:48:04I didn't abandon her.
00:48:07Was it hard for a 15-year-old Mi-ran to handle?
00:48:13Or did you feel guilty
00:48:15after you impulsively fell in love with a young girl
00:48:21and ruined her life?
00:48:42I'm sorry.
00:49:13Sir.
00:49:19Did you do well on the exam?
00:49:20Yes.
00:49:21Hello, sir.
00:49:24I missed you.
00:49:27Do you want to go eat?
00:49:29I was worried because I thought I didn't see your letter.
00:49:32When did you get up?
00:49:33Early in the morning.
00:49:36Why aren't you saying anything?
00:49:42You understand what I'm saying.
00:49:53I won't deny it.
00:49:57But it wasn't a problem.
00:50:00My problem wasn't morality.
00:50:04The problem was...
00:50:12The more time passes,
00:50:14the more I feel sorry for Mi-ran.
00:50:16I'm sorry.
00:50:41The more time passed,
00:50:42the more we clung to the hope that it would be a pleasure.
00:51:12Mi-ran.
00:51:42Mi-ran.
00:52:12Mi-ran.
00:52:42Mi-ran.
00:52:47Sir.
00:52:52Will you
00:52:54marry me?
00:53:12One son, one daughter.
00:53:14You look happy.
00:53:18Why do people get married
00:53:21and have children?
00:53:24That's because
00:53:27a man met a cruel woman.
00:53:30When a man gets married,
00:53:32he meets the cruelest woman in the world.
00:53:37No way.
00:53:39Then is your mother cruel, too?
00:53:43No.
00:54:07Let's not get married.
00:54:12Let's just live together.
00:54:16Because of tradition and convenience,
00:54:18I don't want to go into the grave of love.
00:54:25Well,
00:54:27it's hard for Mi-ran to understand you.
00:54:31It's hard for me, too.
00:54:40My desire for a woman grew into art,
00:54:44and I had no choice but to love her.
00:54:48On the other hand,
00:54:50my desire for art
00:54:54felt like it was disappearing.
00:55:01Mi-ran.
00:55:31Mi-ran.
00:56:01Mi-ran.
00:56:31Mi-ran.
00:57:01Mi-ran.
00:57:24However,
00:57:26I will continue to love her,
00:57:29the woman
00:57:32who wanted me.
00:57:59I love you.
00:58:07I love you.
00:58:12Goodbye.
00:58:28Goodbye.
00:58:38In 10 years,
00:58:41I want to compare
00:58:45myself to you.
00:58:58I love you.
00:59:2010 years later,
00:59:24Mi-ran left me
00:59:26because I didn't love her.
00:59:36At that time,
00:59:38I hated myself
00:59:43for not being able to hold onto her.
00:59:56In the end, you abandoned Mi-ran.
01:00:02As promised,
01:00:04are you waiting for Mi-ran to appear like an angel?
01:00:09But why doesn't she show up?
01:00:14I don't know.
01:00:17I don't know.
01:00:19I don't know.
01:00:21I don't know.
01:00:23I don't know.
01:00:26Your love is always in your imagination.
01:00:30You are an irresponsible adult
01:00:32who can't come out of a childhood accident into the real world.
01:00:37Mi-ran may have forgotten you.
01:00:4110 years is too long
01:00:43to be a expiration date for love.
01:00:48Don't interpret it however you want.
01:00:55You.
01:01:02Why are you so obsessed
01:01:06with your 10-year-old crush?
01:01:10I may have been the only comfort
01:01:15to the desperate Mi-ran
01:01:16who was abandoned by you.
01:01:25I'm sorry.
01:01:55I'm sorry.
01:02:26When she came into my heart,
01:02:31she was not seen by me.
01:02:55I'm sorry.
01:03:26Do you know Mi-ran
01:03:29better than I do?
01:03:35I know her very well.
01:03:46Because she is my wife.
01:03:53What?
01:03:55Because she is my wife.
01:04:25I'm sorry.
01:04:55I'm sorry.
01:05:05I've been looking for you all week.
01:05:10Is something wrong?
01:05:20Do you
01:05:23like me?
01:05:26Yes.
01:05:29Really?
01:05:39Min-woo.
01:05:41I...
01:05:44Even if there is someone else in my heart,
01:05:49can you love me?
01:05:56Yes.
01:05:58Forever?
01:06:01Yes, forever.
01:06:25Forever.
01:06:49You promised me eternal love.
01:06:52No way.
01:07:05While I was missing Oh Mi-ran
01:07:08and struggling,
01:07:11she was eating
01:07:13with you
01:07:16and sleeping
01:07:18and having sex
01:07:19with you.
01:07:30Why did you come to me?
01:07:33Why did you come to me?
01:07:40If it weren't for you,
01:07:44I would have missed her all my life
01:07:46and lived
01:07:49like that.
01:07:53Did she tell you
01:07:56to bring me Natalie?
01:08:05Now get out of here.
01:08:09Give me
01:08:11Natalie again.
01:08:12No.
01:08:14I can't do that.
01:08:16She's my wife.
01:08:18Natalie is just
01:08:22an easy woman
01:08:24among the women
01:08:25who were in a relationship with me.
01:08:28Do you feel better
01:08:29when you make Natalie
01:08:30so humble and low?
01:08:31Yes.
01:08:34I'm going to punish
01:08:37that lowlife
01:08:38with a room salon interior.
01:08:41That's enough.
01:08:44Go
01:08:46and tell your wife
01:08:47that you
01:08:49deeply regret
01:08:50and deny
01:08:51my past,
01:08:52my work,
01:08:54and our promise.
01:08:57I won't tell her.
01:08:59Go and tell her.
01:09:01Tell her everything
01:09:02I say.
01:09:04Tell her that Natalie is
01:09:05a lowlife
01:09:07and a dirty
01:09:08lowlife.
01:09:10Do you understand?
01:09:11Stop it.
01:09:13I won't tell her
01:09:14whatever you say.
01:09:16Why?
01:09:18Why can't you?
01:09:20Why can't you tell her?
01:09:22Why?
01:09:23Why?
01:09:24Why?
01:09:27Because
01:09:31Miran
01:09:34and Miran
01:09:38are dead.
01:09:43They're dead.
01:10:13Oh Miran!
01:10:17Oh Miran!
01:10:43No.
01:10:44I can't.
01:10:46I'll die without you.
01:10:49I can give birth
01:10:50to another baby.
01:10:56Who's going to die?
01:11:00I'm not going to die.
01:11:04Miran wanted to give birth to Yerim.
01:11:05I'm not going to die.
01:11:09If you had given birth to her,
01:11:10Miran could have lived.
01:11:15In the end, Miran decided
01:11:17to stop the chemotherapy
01:11:19at the hospital
01:11:22and thanks to her,
01:11:25a healthy daughter, Yerim,
01:11:26was born.
01:11:40Are you okay?
01:11:43I'm okay.
01:11:48Our baby is sleeping.
01:11:50Come here.
01:11:57Miran
01:11:59was a miscarriage.
01:12:03Yerim,
01:12:05I'm sorry.
01:12:07I'm sorry.
01:12:09Yerim.
01:12:11After Yerim was born,
01:12:14her cancer spread
01:12:15without being able to use her hands.
01:12:19But Miran
01:12:21was brave.
01:12:26Are you up?
01:12:39It's okay.
01:12:43Give me a hug.
01:13:00You know,
01:13:01I'm
01:13:03allowed to have sex.
01:13:06The doctor said
01:13:08I can't have it.
01:13:17I'm sorry, honey.
01:13:31Honey.
01:13:39I love you.
01:13:41What?
01:13:44I love you.
01:13:50Me, too.
01:13:52I love you, too.
01:14:08I love you, too.
01:14:38I love you, too.
01:15:08I love you.
01:15:38I love you.
01:15:39I love you.
01:15:40I love you.
01:15:41I love you.
01:15:42I love you.
01:15:43I love you.
01:15:44I love you.
01:15:45I love you.
01:15:46I love you.
01:15:47I love you.
01:15:48I love you.
01:15:49I love you.
01:15:50I love you.
01:15:51I love you.
01:15:52I love you.
01:15:53I love you.
01:15:54I love you.
01:15:55I love you.
01:15:56I love you.
01:15:57I love you.
01:15:58I love you.
01:15:59I love you.
01:16:00I love you.
01:16:01I love you.
01:16:02I love you.
01:16:03I love you.
01:16:04I love you.
01:16:05I love you.
01:16:06I love you.
01:16:07I love you.
01:16:08I love you.
01:16:09I love you.
01:16:10I love you.
01:16:11I love you.
01:16:12I love you.
01:16:13I love you.
01:16:14I love you.
01:16:15I love you.
01:16:16I love you.
01:16:17I love you.
01:16:18I love you.
01:16:19I love you.
01:16:20I love you.
01:16:21I love you.
01:16:22I love you.
01:16:23I love you.
01:16:24I love you.
01:16:25I love you.
01:16:26I love you.
01:16:27I love you.
01:16:28I love you.
01:16:29I love you.
01:16:30I love you.
01:16:31I love you.
01:16:32I love you.
01:16:33I love you.
01:16:34I love you.
01:16:35I love you.
01:16:36I love you.
01:16:37I love you.
01:16:38I love you.
01:16:39I love you.
01:16:40I love you.
01:16:41I love you.
01:16:42I love you.
01:16:43I love you.
01:16:44I love you.
01:16:45I love you.
01:16:46I love you.
01:16:47I love you.
01:16:48I love you.
01:16:49I love you.
01:16:50I love you.
01:16:51I love you.
01:16:52I love you.
01:16:53I love you.
01:16:54I love you.
01:16:55I love you.
01:16:56I love you.
01:16:57I love you.
01:16:58I love you.
01:16:59I love you.
01:17:00I love you.
01:17:01I love you.
01:17:02I love you.
01:17:03I love you.
01:17:04I love you.
01:17:05I love you.
01:17:06I love you.
01:17:07I love you.
01:17:08I love you.
01:17:09I love you.
01:17:10I love you.
01:17:11I love you.
01:17:12I love you.
01:17:13I love you.
01:17:14I love you.
01:17:15I love you.
01:17:16I love you.
01:17:17I love you.
01:17:18I love you.
01:17:19I love you.
01:17:20I love you.
01:17:21I love you.
01:17:22I love you.
01:17:23I love you.
01:17:24I love you.
01:17:25I love you.
01:17:26I love you.
01:17:27I love you.
01:17:28I love you.
01:17:29I love you.
01:17:30I love you.
01:17:31I love you.
01:17:32I love you.
01:17:33I love you.
01:17:34I love you.
01:17:35I love you.
01:17:36I love you.
01:17:37I love you.
01:17:38I love you.
01:17:39I love you.
01:17:40I love you.
01:17:41I love you.
01:17:42I love you.
01:17:43I love you.
01:17:44I love you.
01:17:45I love you.
01:17:46I love you.
01:17:47I love you.
01:17:48I love you.
01:17:49I love you.
01:17:50I love you.
01:17:51I love you.
01:17:52I love you.
01:17:53I love you.
01:17:54I love you.
01:17:55I love you.
01:17:56I love you.
01:17:57I love you.
01:17:58I love you.
01:17:59I love you.
01:18:00I love you.
01:18:01I love you.
01:18:02I love you.
01:18:03I love you.
01:18:08I love you.
01:18:13I love you.
01:18:18I love you.
01:18:33♪♪
01:18:43♪♪
01:18:53♪♪
01:19:03♪♪
01:19:13♪♪
01:19:23♪♪
01:19:28Please.
01:19:30Will!
01:19:31Will!
01:19:33Will!
01:19:35Will!
01:19:37Will!
01:19:39Will!
01:19:41Will!
01:19:43Will!
01:19:45Will!
01:19:47Until the moment of death,
01:19:49I have only missed you.
01:19:58I love you.
01:20:18This is the last letter Miran left me.
01:20:42We have to meet.
01:20:47I may not be able to keep the promise
01:20:52to meet you in 10 years.
01:20:55I want to see you just once.
01:21:01I have something to tell you.
01:21:16Do you know what it is?
01:21:26That's why I came to see you.
01:21:45I told you I had a child.
01:21:53Can you bring him back?
01:22:03I love you.
01:22:27♪♪
01:22:37♪♪
01:22:47♪♪
01:22:57♪♪
01:23:07♪♪
01:23:17♪♪
01:23:27♪♪
01:23:37♪♪
01:23:47♪♪
01:23:57♪♪
01:24:07♪♪
01:24:17♪♪
01:24:27♪♪
01:24:37♪♪
01:24:47I don't care what Miran was going to say.
01:24:51Now I want to love you as I want.
01:25:00If I can meet you again after 10 years,
01:25:08I'll send myself to you now.
01:25:15♪♪
01:25:25♪♪
01:25:36♪♪
01:25:46♪♪
01:25:57♪♪
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