Juan, casado con María, tiene el rancho La Troja con su hermano menor Luis y los padres de ambos. Al volver de cobrar un dinero en un pueblo, Juan es asaltado por tres hombres y salvado por la llegada de un tal Tomás, que mata a tiros a los bandidos. En el rancho, Juan encuentra que su padre ha sido asesinado por un forastero después de un juego de cartas.
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FunTranscript
00:00:00Welcome back to another video!
00:00:02Today we're going to be playing a game called
00:00:04The Legend of Zelda
00:00:06Hope you guys enjoy the video!
00:00:08Don't forget to like, comment, and subscribe!
00:00:10See you guys next time!
00:00:30Thank you for watching!
00:01:00The Legend of Zelda
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00:06:37Felicides
00:06:43Felicidades.
00:06:44¡Ay, qué loco!
00:06:45Gracias.
00:06:46Felicidades.
00:06:47Permítame.
00:06:48¿Qué es esto?
00:06:49¿Qué pasa aquí?
00:06:50Nada.
00:06:51Esta bola de cachondos, que no sé qué quiere.
00:06:52¿Pero cómo?
00:06:53¿No te acuerdas de él?
00:06:54Es mi primo.
00:06:55Primo.
00:06:56Hola, primo.
00:06:57Felicidades, primo.
00:06:58Permíteme.
00:06:59¿Me permites felicitar a la novia?
00:07:00Cómo no.
00:07:01Muy amable.
00:07:02Gracias.
00:07:03Oye, vámonos ya.
00:07:04Vámonos, vámonos ya.
00:07:05Vámonos a cambiarnos para irnos a la luna de miel.
00:07:06Vámonos, vámonos.
00:07:07Vámonos a cambiarnos.
00:07:08Vámonos a cambiarnos.
00:07:09Vámonos a cambiarnos.
00:07:13Vámonos.
00:07:14Vámonos.
00:07:15Vámonos.
00:07:16Vámonos.
00:07:17Vámonos.
00:07:18Vámonos.
00:07:19Vámonos.
00:07:20Vámonos.
00:07:21Vámonos.
00:07:22Vámonos.
00:07:23Vámonos.
00:07:24Vámonos.
00:07:25Vámonos.
00:07:26Vámonos.
00:07:27Vámonos.
00:07:28Vámonos.
00:07:29Vámonos.
00:07:30Vámonos.
00:07:31Vámonos.
00:07:32Vámonos.
00:07:33Vámonos.
00:07:34Vámonos.
00:07:35Vámonos.
00:07:36Vámonos.
00:07:37Vámonos.
00:07:38Vámonos.
00:07:39Vámonos.
00:07:40Vámonos.
00:07:41Vámonos.
00:07:42Vámonos.
00:07:43Vámonos.
00:07:44Vámonos.
00:07:45Vámonos.
00:07:46Vámonos.
00:07:47Vábmonos.
00:07:48Vámonos.
00:07:49Vámonos.
00:07:50Vámonos.
00:07:51Vámonos.
00:07:52Vámonos.
00:07:53Vámonos.
00:07:54Vámonos.
00:07:55Vámonos.
00:07:56Vámonos.
00:07:57Vámonos.
00:07:58Vámonos.
00:07:59¿Cómo vasיח?
00:08:00Y bien, y bien para ti.
00:08:01Gracias.
00:08:02La vida era una alegría, una felicidad en un pays más grande.
00:08:04En Puerto Rico
00:08:07I'll help you with the clothes.
00:08:09You'll help me?
00:08:10Yes.
00:08:11Come on.
00:08:12No, not with that one.
00:08:13No, no, with this one.
00:08:14Oh, hello, boss.
00:08:15But, hey.
00:08:16You see?
00:08:17That's me, man.
00:08:18I'm going to be the boss.
00:08:19I'm going to work with the boss, huh?
00:08:20Come on.
00:08:21Come on.
00:08:22Come on.
00:08:23Come on.
00:08:24Come on.
00:08:25Come on.
00:08:26Come on.
00:08:27Come on.
00:08:28Oh, it doesn't bring anything.
00:08:29Come on.
00:08:30Come on.
00:08:31Oh, it's so hot.
00:08:38Oh, it's so hot.
00:08:48Ay, ay, ay.
00:08:55Ay, ay.
00:08:56Ay, ay.
00:08:57Ay.
00:08:58Ay, ay.
00:08:59Ay.
00:09:00Ay, ay.
00:09:02Ay.
00:09:03Ay.
00:09:04Ay, ay.
00:09:05Ay.
00:09:06Ay.
00:09:07Ay.
00:09:08Ay, ay.
00:09:15Ay.
00:09:20Ay.
00:09:25I have to go.
00:09:27Really? Do you have a boyfriend?
00:09:29Yes.
00:09:30Who is your boyfriend?
00:09:32Policarpo, the cop.
00:09:34What? The cop?
00:09:36So you have a boyfriend, cop?
00:09:38Yes.
00:09:39Hanging out with cops?
00:09:40What a degenerate you are.
00:09:41That can't be, right?
00:09:43With someone who bites.
00:09:44You don't know how good it is.
00:09:46When he started biting me here, here, there.
00:09:50Hey, have you ever done that to yourself?
00:09:52Yes, I've been bitten a few times.
00:09:54But not a lot, because the other time, the cat was in a bad mood.
00:09:57We'll see about that.
00:09:58Who is this from?
00:09:59It's not yours?
00:10:00Nor is it my wife's.
00:10:01Who could it be from?
00:10:03Leopoldo!
00:10:07Leopoldo!
00:10:12Where did he go?
00:10:14Let's go.
00:10:23Leopoldo!
00:10:25Here comes his wife.
00:10:29Watch out for the cars, old man.
00:10:39What's up?
00:10:40I'm fixing the TV antenna.
00:10:42Come down right now, I need to talk to you.
00:10:47They caught him.
00:10:49How about I go talk to the boss?
00:10:51Leopoldo!
00:10:52Yes, yes.
00:10:54I'm coming, I'm coming.
00:10:55Don't make me laugh.
00:10:58Now, little chick.
00:10:59Now, at night, I'm going to fall for you and you're going to leave me half-open.
00:11:04Half-open.
00:11:05They're going to leave you in your ass and you're not coming down.
00:11:09Now, we're going to eat a roasted chicken.
00:11:11Roasted chicken, old man.
00:11:13I'm going to have a heart attack.
00:11:38Hello.
00:11:42Good afternoon.
00:11:44Excuse me, do you know where the bride is?
00:11:47She must be inside.
00:11:49Hey, what about the groom?
00:11:51He's probably with her.
00:11:53Thank you.
00:11:54You're welcome.
00:11:59Good afternoon.
00:12:03Good afternoon.
00:12:11Good afternoon.
00:12:41Ouch!
00:12:54What are you doing here?
00:12:56I'm your cousin.
00:12:57What are you going to do with my cousin?
00:12:59You're a fraud, a cynic, a bastard.
00:13:01Why did you kiss me at church?
00:13:02Because I couldn't kiss you anywhere else.
00:13:04I'm not your cousin.
00:13:05I'm not your cousin.
00:13:06I'm not your cousin.
00:13:07Besides, it's your wedding night.
00:13:09That's how you practice.
00:13:11Mommy, please.
00:13:12No, listen to me.
00:13:13I'm bleeding.
00:13:14Well, if you want to help me bleed, I don't have any problem.
00:13:17Mommy, it's good that you practice.
00:13:19It's going to heal.
00:13:20Wait, honey.
00:13:21I'm going to help you bleed.
00:13:22Really, wait.
00:13:23Look at this.
00:13:24Look at this condom.
00:13:25Look at this.
00:13:26Look at this.
00:13:27Look at this.
00:13:28Look at this.
00:13:29Mommy.
00:13:30Now, help me.
00:13:31Mommy.
00:13:32You're going to get better.
00:13:33Come in.
00:13:39Hurry up, my dear.
00:13:40The plane is leaving.
00:13:41Hurry up, my dear.
00:13:42You want me to help you, my love?
00:13:43Nothank you.
00:13:44I can do this on my own.
00:13:45What did we do?
00:13:46Can you help me, my love? The plane is taking off.
00:13:54Can you help me, my love?
00:14:01Can you help me, my love?
00:14:04No, thank you. I can do it myself.
00:14:11Why did you tie my arm?
00:14:13Is something wrong?
00:14:26What happened to you?
00:14:28I don't know. I got tangled up.
00:14:35Sorry.
00:14:38That's it.
00:14:40I'm sorry.
00:14:48I'm sorry, young man.
00:14:50That's it.
00:15:09I'm sorry.
00:15:22Damn!
00:15:26You scratched my plane!
00:15:34Hey! Hey!
00:15:36Where are you taking him?
00:15:37It's not a taxi.
00:15:39But he already got on.
00:15:41Hey, young man. I'll buy you an overall.
00:15:43What do you mean?
00:15:45I'll give you $20.
00:15:47No, it's almost $9.
00:15:49$25.
00:15:51Why don't you double it?
00:15:53Come on.
00:15:55It's late.
00:15:57Hey, young man.
00:15:59Lend me your scooter.
00:16:01Come on. I've been in a lot of trouble.
00:16:04No, I've been in a lot of trouble.
00:16:07Come on.
00:16:11There you go.
00:16:19That's a nice scooter.
00:16:22Look at you.
00:16:24Do you want to explain to me
00:16:26why every time I'm not at home,
00:16:28I find you on the roof?
00:16:30Oh, young lady.
00:16:32You know, the boss
00:16:34turns his antenna every now and then.
00:16:36Yes, that's true.
00:16:38But thanks to Petra,
00:16:40I can straighten it.
00:16:42And why thanks to Petra?
00:16:44Because Petra helps me straighten it.
00:16:46If I knew what kind of work it costs me.
00:16:49Well, I don't like those little straighteners.
00:16:52Why don't you call a technician?
00:16:54But a technician?
00:16:56Oh, what a joke, ma'am.
00:16:58Imagine, it's not the same electric technique
00:17:00as manual technique.
00:17:02Of course, of course.
00:17:03If you call a technician,
00:17:05he's going to charge you $500.
00:17:07And Petra does it for free.
00:17:09The antenna is already very bad.
00:17:11Even the wind swallows it.
00:17:33Hey.
00:18:04And the firemen came
00:18:06in a special car
00:18:08with sirens on the stairs
00:18:10to put out the fire.
00:18:12And the firemen came
00:18:14in a special car
00:18:16and took out the hose.
00:18:18I wanted to faint.
00:18:21Put the hose here,
00:18:23Mr. Fireman.
00:18:25Put the hose here,
00:18:27put out the fire.
00:18:29Put the hose here,
00:18:31Mr. Fireman.
00:18:33Put the hose here.
00:19:00Hello Mexico.
00:19:01I hope you don't pass out.
00:19:04Put the hose down here.
00:19:07Put the hose down here.
00:19:10Put the hose down here.
00:19:13And?
00:19:16Excuse me, sir, but the garbage is on Saturday.
00:19:20And close the door on Friday, okay?
00:19:23No, what I need is that you take care of my wife.
00:19:26That she doesn't find out about this.
00:19:28That you give me water.
00:19:31Okay.
00:19:49Honey, what happened to you?
00:19:54Did you change jobs already?
00:19:56Yes, I found out that the gardeners earn more than the architects.
00:20:00Honey, but look at this mess.
00:20:02Yes, my chalupa sank.
00:20:04Oh, my love.
00:20:07What a mess I made, boss.
00:20:10It's just that I didn't have a wife.
00:20:13Eva!
00:20:15Yes, madam!
00:20:17Eva, bring some towels to dry the sir, please.
00:20:21Yes, madam!
00:20:24What a mess I made, huh?
00:20:26A huge mess.
00:20:28Eva, hurry up with the towels, please.
00:20:31Yes, madam!
00:20:36Eva, we have to take this wet clothes off and dry the sir, okay?
00:20:39Yes, madam!
00:20:59Oh, my God.
00:21:01Eva!
00:21:02I told you to dry it, not to mess it up.
00:21:05No, no, my love, let him do it, he's doing it right.
00:21:07I can't let him catch me.
00:21:09Oh, no, sir, I would be incapable.
00:21:12Enough!
00:21:13Don't you want me to do it for you, my love?
00:21:15Yes, my love, thank you, my love.
00:21:18You go to your room.
00:21:22Eva, when the situation gets worse, they catch you.
00:21:27Sorry, my love.
00:21:30What happened?
00:21:31The underwear is cold.
00:21:32Oh, my life.
00:21:44Oh, my son, he's going to sleep.
00:21:49He's going to sleep with his mommy, this baby.
00:21:53Sleep, sleep, sleep.
00:21:57He's asleep.
00:21:59He's asleep.
00:22:12My little one.
00:22:19You're going to stay here for a few hours until mommy comes and blows you under the nose, okay, baby?
00:22:27Sleep.
00:22:31What do you think, my love?
00:22:32Oh, my love.
00:22:34My little one.
00:22:37My little one.
00:22:39My little one.
00:22:41My little one.
00:22:57Why can't you answer, damn it?
00:23:00Hey, are you crazy?
00:23:01It seems they don't pay you.
00:23:04Hello? Laura?
00:23:07I want you to meet all of us tonight to give us a tight hug.
00:23:13If you're going to leave as always early, it doesn't matter.
00:23:17No, woman, that was before.
00:23:20Today I'm going to stay until I die.
00:23:23Oh, my heart. Give it to me, give it to me, give it to me, my heart.
00:23:27That was before when my husband scolded me.
00:23:30But today I have everything under control.
00:23:34Or maybe you don't have the same problem?
00:23:36I don't.
00:23:37My husband is always like an idiot looking the other way.
00:23:43Well, don't forget, okay?
00:23:45Black in the cheese.
00:23:47In fact, I send you a kiss.
00:23:50Leopoldo, tonight I'm going to give you permission to go play dominoes with your friends.
00:23:55Oh, yeah?
00:23:57But why?
00:23:58Because I'm going out.
00:24:00Well, okay, okay, but I can stay here at home.
00:24:03I can watch TV, watch the soap opera, which is very interesting.
00:24:08What you want is to be alone with the maid.
00:24:12Alone? Why do you want to offend me?
00:24:14You are offending my dignity.
00:24:16Me with that unhappy cat.
00:24:19What?
00:24:20What unhappy cat?
00:24:23Secretary, lady of the house.
00:24:26I don't like that kind of trust.
00:24:28And I didn't forget about the union.
00:24:31Say what you want, I don't trust you.
00:24:34Go play ping-pong, football, whatever you want.
00:24:37But I don't want you alone at home.
00:24:40Well, you can tell me then,
00:24:42until what time do you give me permission to return to my own house?
00:24:47I don't know, when the milkman arrives.
00:24:50Well, okay, thank you.
00:24:52Goodbye, Bodoquito.
00:25:06See you later, Chocolate.
00:25:07I'll bring you your churros later.
00:25:09Psst.
00:25:15Don't be a barbie, don't shake me.
00:25:18Look.
00:25:19Don't wait for me, I'll be late.
00:25:22You go to your room.
00:25:24Yes, madam, but what do we do with the milkman?
00:25:28The milkman? You leave him with me.
00:25:32I'll take care of him when he arrives, you go to sleep.
00:25:34Yes, madam.
00:25:36Goodbye.
00:25:39Carlos, please.
00:25:40Yes, madam.
00:25:48Goodbye, madam.
00:25:58Don't worry.
00:26:01I'm the boss without any mercy.
00:26:05Long live peace.
00:26:10Let's go.
00:26:17Hello?
00:26:18How are you?
00:26:19How are you?
00:26:21It's me.
00:26:23I have a wonderful invitation.
00:26:26I want you to invite all the colleagues of La Colonia
00:26:29to come to my house tonight.
00:26:33Yes, it's going to be great.
00:26:35But please, don't invite Petronila.
00:26:38I hate that girl.
00:26:40She looks like a model from Vogue.
00:26:43And I think she sells quesadillas at Xochimilco.
00:26:48We're going to have fun.
00:26:50Please, don't fail me.
00:26:54Bye-bye.
00:26:56I'm so excited.
00:26:58Some of them are older, others are younger.
00:27:01Some of them are older, others are younger.
00:27:05I love myself.
00:27:14Do you know what's riding me in 2 hours?
00:27:16I'm on track on the Z24.
00:27:18I'm on track on the R10.
00:27:19I hope I can meet a friend.
00:27:21I understand.
00:27:31It's me.
00:27:32Who are you?
00:28:03Bring loose the verbal flow
00:28:05What do you do to me that you want to impress me with your Domingueras words?
00:28:08I like you a lot
00:28:10Hey, and speaking of that
00:28:12Let's scratch
00:28:14Swell to the caliph
00:28:16Hey, what happened to him?
00:28:18What did he bite?
00:28:19If today is not my day off, there is the boss
00:28:21She sees me, what does she want?
00:28:23Oh, don't do it, don't do it
00:28:24If I just saw your boss leave
00:28:26I left this one and they left her alone and her soul
00:28:28Well, let's put it
00:28:30Attention to the queen
00:28:32Well, no more, because it will not be possible
00:28:35Why not?
00:28:37Come on, don't be stubborn, give me a little test
00:28:39And that girl, what does she want?
00:28:40What does she have?
00:28:41That clown, huh?
00:28:42Come on, give me a little test
00:28:44Come on, don't be stubborn
00:28:46That I would like, that I would like
00:28:48But it will not be possible
00:28:50Yes, they told me that the police are very good
00:28:52To entice the sects as decent as me
00:28:55But notice that no, huh?
00:28:56Because then they leave one there
00:28:58Like the bread of Puebla
00:29:00How is that?
00:29:01Well, with the profit inside
00:29:03No, no, no, no, don't listen, don't listen
00:29:05I give you a fulfilling word of honor
00:29:07I swear to my life
00:29:08They all say the same
00:29:10Well, that's it, that's it
00:29:11Enough of the nagging
00:29:12And get out of here
00:29:13Come on, my boss is going to scold me
00:29:14Come on
00:29:18She's perfect
00:29:22Another one that leaves me for lack of experience
00:29:25But the police always watch
00:29:31Petra!
00:29:34Petra!
00:29:47Petra!
00:29:49Yes, Mrs. Laura?
00:29:51Can't you hear the phone ringing?
00:29:53I'm calling you
00:29:55I'm calling you
00:29:57I'm calling you
00:29:59Can't you hear the phone ringing?
00:30:02I can hear it, but it's not answering
00:30:04Of course, but I'm busy
00:30:06Well, should I answer or not?
00:30:08Answer!
00:30:13Hello?
00:30:14Here I am, who?
00:30:16Hello
00:30:17Hi Petra, this is Roberta
00:30:19Look, Eva told me not to tell you anything, okay?
00:30:24But don't get mad at me
00:30:27There's going to be a big bang in your house
00:30:29Thank you, little hand
00:30:31I'm more dressed than a sock
00:30:33Clarine, I'll see you there
00:30:35Okay, bye
00:30:40Yes, ma'am
00:30:43Who was it for?
00:30:45It wasn't for you
00:30:47It was for me
00:30:49Damn
00:30:52Let's see, how many are there?
00:30:56I'll go with two
00:30:58I'll pay
00:31:00You?
00:31:02Two
00:31:03Okay, two and two more
00:31:05Well, two and two more
00:31:08What do you have?
00:31:10Let's see
00:31:11One of each, nothing
00:31:13Nothing
00:31:14Let's see, the one she bet on
00:31:16King's Poker
00:31:19Looks like it's your night
00:31:21Looks like it, doesn't it?
00:31:23Well, yes, but remember,
00:31:25lucky in the game, unlucky in love
00:31:28Where's your husband, cutie?
00:31:31Well, tonight I'm calm
00:31:34I know Carlos is a womanizer
00:31:36But I'm sure he's asleep
00:31:40Asleep, alone or with someone?
00:31:44Alone, dear
00:31:46I'm sure of that
00:31:48Not like your husband, who we all know
00:31:50doesn't come out of his cave
00:31:55Well, don't laugh so much, Elizabeth
00:31:57You've caught your husband on several occasions
00:31:59with his secretary
00:32:11How are you?
00:32:13I have to go, baby
00:32:15Hey, hey, do you think I can give you all the batteries?
00:32:19Come on, she's loaded with energy
00:32:23I wasn't prepared for this
00:32:25but I'll give you three, okay?
00:32:28Oh no, I'm out of batteries
00:32:30You animal
00:32:34Oh, you're always showing off
00:32:36If you don't look like an iron, you're not happy
00:32:39What, because I'm tough or because I'm hot?
00:32:43Do you have a lot of scoundrels in your neighborhood?
00:32:46A lot
00:32:48The one from the paint shop, the one from the bakery
00:32:51the policeman, the one from the ice cream shop
00:32:57Oh my, have you eaten all of them?
00:33:01I've eaten all of them
00:33:03And the priest, too
00:33:05Oh, evil Petra, don't be like that
00:33:08Roberta, come in, my queen
00:33:12No, it's better if Petra comes in, since she's a talker
00:33:15Let's see what she has to show us
00:33:17Oh, you said it
00:33:19I'm going to give you a demonstration
00:33:22Are you very peculiar?
00:33:24Peculiar and different from all of you
00:33:29Oh, this woman, no, I hate her
00:33:32I hate her
00:33:34But let's get to the point, little hand
00:33:36I have bad tastes, but not bad times
00:33:39It's flipped
00:33:41Oh no, it's flipped to Traiguanica North
00:33:43which is the best huaraz, huaraz in the neighborhood
00:33:46The concept is flipped
00:33:49Well, that's why the concept is where?
00:33:54This is too much, taruga
00:33:56I'm ashamed to lose all of them
00:33:58Help me get it out, I'm going to throw it out
00:34:02Oh, I'm going to fall
00:34:05Be careful, please
00:34:07Hey, that wet Petra March
00:34:10Take it, Maria
00:34:16Maria, be careful, please
00:34:18I'm going to blow on your nose, so you wake up and the party is over
00:34:26Where am I?
00:34:27In my arms, daddy
00:34:31And who are you?
00:34:32Eva!
00:34:33What does all this mean?
00:34:35Monsieur, I'm the hostess of La Colonia
00:34:39Nice to meet you
00:34:41What are you doing here?
00:34:43We wanted to invite you to La Cazajo
00:34:46I think it's very democratic, look how wonderful
00:34:49Yes, monsieur
00:34:51What? Who is La Cazajo?
00:34:54You, monsieur
00:34:56Look how wonderful, I'm the king of everything
00:34:58And this, you still haven't brought it with you, boss
00:35:02I brought it with me, with this hot girl
00:35:05And who brought me this folkloric?
00:35:07Do I also have to make love to her?
00:35:09Yes, because if not, I'll break up with the boss of all these
00:35:12What do you think, daddy?
00:35:14You see what I told you not to invite her?
00:35:16I told you
00:35:17Look, when I don't find out who invited her, I'm going to beat her
00:35:24I pay 10
00:35:26And the rest?
00:35:28Well, the rest too
00:35:32I have something to see
00:35:36What are you doing?
00:35:38That's nothing, I'm in a hurry
00:35:40Very bad for me
00:35:42I have a flower in a hurry at 5
00:35:44Just a moment
00:35:47Imperial flower
00:35:51Damn, good luck is following you, I insist
00:35:55Well, if I were superstitious, I would already be thinking where my husband would be
00:35:59But no
00:36:01Good luck is a holy sleep
00:36:32A cop
00:36:37Sir, what happened?
00:36:39Did you kill my husband? Did you rob my house?
00:36:42No, no, no, no, sir, you know what?
00:36:44The thing is, I'm the watchman of this area
00:36:47And I'm here to look for Eva
00:36:49Eva?
00:36:51She stole my jewels
00:36:53No, no, no, look, so you understand me, I'm...
00:36:56Well, you understand me
00:36:59Well, you understand me, right?
00:37:02You're her husband
00:37:04Well, well, look, not as much as her husband
00:37:07I'm her...
00:37:09I'm her lover
00:37:12Well, I'm going to tell you frankly, I'm her lover
00:37:16Oh, her lover, hey, you should have told me from the beginning
00:37:20One here wasting time
00:37:22Do me a favor, get him in, okay?
00:37:25No, no, no, no, no
00:37:27I don't mess with anyone, look, even Chinito put me in, thank God
00:37:30A police officer, but an honest one
00:37:32I'm loyal to the country
00:37:34The car, sir, the car
00:37:38I'll send Eva right now, okay?
00:37:40Thank you, sir
00:37:42Now I'm going to...
00:37:54Eva!
00:37:57Madam?
00:37:59Madam?
00:38:01Can you explain to me what this means?
00:38:04I don't know, madam
00:38:06I was partying
00:38:09I invited my friends
00:38:11And then I invited Chupac
00:38:15And Chupac, and then Monsieur Patron
00:38:18We drank, I mean, the Monsieur Patron came
00:38:22And the Monsieur Patron was sitting on the sofa
00:38:27Surely you brought all these women, right?
00:38:29So they could abuse him
00:38:32Madam, why are you making such a fuss?
00:38:34In the house where I work, the boss and I use the lady
00:38:37And nothing happens
00:38:40Police! Police!
00:38:43My lawyer, my lawyer, please
00:38:45I want to see you
00:38:48Eva, what are you doing here?
00:38:50I'm trying to get out
00:38:58What do you think, Mr. Policeman?
00:39:01Too many women for one man
00:39:04They should have invited me
00:39:06What?
00:39:08Eva, my love, what are you doing there?
00:39:12Don't tell me, don't tell me
00:39:16Don't tell me, don't tell me
00:39:19Mr. Policeman, I'm sorry, I didn't know what I was doing
00:39:25But you did what you wanted, right?
00:39:27And I've always been good to you
00:39:29I've been good to you until death
00:39:31Remember?
00:39:33And you don't tell me anything, you bastard
00:39:35After you swore eternal love to me
00:39:37And with this
00:39:39Did you mean to tell me you were cheating on me with this damn Petronila?
00:39:42You evil watchman
00:39:46Academic policeman, expert in ballistics and terrorism
00:39:49What a watchman, what a scoundrel
00:39:52Well, that's enough
00:39:56I called you to ask for help, and it turns out you're in love with these two
00:40:01Stay out of this, ma'am
00:40:03The love triangle is between the two of us
00:40:06And that guy
00:40:08With this we can prove that all men are degenerates, filthy
00:40:13That they only use us to satisfy their sexual pleasures
00:40:17Well, they'll use you
00:40:19Because I don't give a damn where you are
00:40:22And that's when I get to grab you
00:40:24Well, well, it's over
00:40:29Everyone get out of my house, but quickly
00:40:32Damn woman
00:40:34Excuse me, ma'am
00:40:36Get out of here
00:40:38And you, Eva
00:40:40You and I are going to eat a chicken
00:40:44What are you talking about?
00:40:46Policeman!
00:40:47And you and I, you bastard
00:40:49We're going to eat a guajolotito
00:40:52Yes, I agree, let's go
00:40:55Let's see, explain to me what happened, policeman
00:40:59Poor thing, my dear, look at that
00:41:02They didn't even let you go to the bank
00:41:06But after eating so much meat with bones
00:41:10Now you're going to know what a delicious steak is
00:41:19A toy?
00:41:37Why do you get like that?
00:41:39We can live in harmony, the three of us
00:41:41I'm working overtime
00:41:43Are you crazy, you bastard?
00:41:45After you take my money, you kill me while I'm working like a donkey?
00:41:47Donkey, you say donkey
00:41:49And you gave me two pieces of meat
00:41:51You told me I was going to earn them with the sweat of my forehead
00:41:54You damn bastard
00:41:56In Mexico you say padrote
00:41:58And the rest is a lie, because with the sweat of my forehead
00:42:00While my padrote lies in my bed
00:42:02You damn bastard
00:42:06Police!
00:42:13What's going on here, couple?
00:42:15What's going on here, couple?
00:42:17I'm glad you came
00:42:19These damn girls are making a scene on a public day
00:42:22They scandalized your mother
00:42:24Come with me to the police station
00:42:26What happened to the police station?
00:42:28Come with me to the police station
00:42:30I'll go first
00:42:32I'll go first
00:42:34I'll go first
00:42:36I'll go first
00:42:38I'll go first
00:42:40Police!
00:43:03Manu, Manu
00:43:11Yes
00:43:13Yes
00:43:15What?
00:43:17No, no, sir, she's not crazy
00:43:19She's French
00:43:21Her name is Eva
00:43:23Don't tell me
00:43:25No, no, she's not stupid to talk, sir
00:43:27She's a foreigner
00:43:29I'm an architect... Yes, sir, I'll go to her right now
00:43:36What happened?
00:43:38Nothing, I'm just walking around
00:43:40I'm going to take a walk
00:43:44I have to get Eva out of jail
00:43:49Of course, right?
00:43:51You're going to get your lover out of jail
00:43:53You go, so she doesn't look so stupid
00:43:55You go, so she doesn't look so stupid
00:44:04Enough!
00:44:07It's a police station, not a flea market
00:44:10You should be ashamed to have problems with two women
00:44:14But, sir, the small family lives better
00:44:18Besides, you don't have a small house
00:44:22Yes, but I don't have it so close
00:44:24I have one in La Villa and the other in Xochimilco
00:44:27Not that you, in the same neighborhood, two women...
00:44:29Mr. General
00:44:31No, I'm not a general, my dear, I'm a commander
00:44:34Oh, I'm sorry, but I don't know anything about degrees
00:44:37This foreigner doesn't know anything
00:44:40They call any officer a general
00:44:43Don't defend me, please
00:44:45Take them to my office and I'll give them to you
00:44:48Understood
00:44:54My dear commander
00:44:56How did she say that?
00:44:59I don't have the pleasure of belonging to this beautiful country
00:45:03But, to tell you the truth, I'm sure that you have a degree
00:45:07And that you don't have it, sir
00:45:09Yes, well, well, if you don't mind, come in, please
00:45:12Thank you, sir
00:45:22And you, Policarpo, what do you have to say about it?
00:45:24Several things, sir
00:45:26First of all, I'm not a wife, a lover, or a concubine of this officer
00:45:33And, of course, with all due respect to this beautiful police force
00:45:37That protects us, the citizens
00:45:40Don't bring up the police force, please
00:45:42So, what am I to you?
00:45:44Oh, well, I'm just a lovely little girl
00:45:46A little flirt
00:45:48But you and I, our lives are in a mess
00:45:50I'm sorry, sir
00:45:52Now you're talking to me
00:45:54Policarpo, be careful with what you say
00:45:56There's a lady here, and a woman
00:46:00Oh, Maxi, Maxi, Mr. Commander
00:46:05Enough, enough, enough, enough, please
00:46:10Well, I don't care about the medal
00:46:13I was impressed by your uniform
00:46:15But now, meeting you
00:46:18I imagine you have medals and these things hanging
00:46:22What things hanging do you mean?
00:46:24Well, the tie, or what did you think?
00:46:28Look, Miss, or whatever
00:46:31Don't you want to find out?
00:46:32No, I can't imagine
00:46:34What do you have to say?
00:46:36That I'm not a woman, or a girlfriend, or a wife, or anything like that
00:46:40Well, you must have something, Policarpo
00:46:43For two women to fight
00:46:45Of course, do you want me to show you?
00:46:51You don't teach me anything
00:46:53You do
00:46:56Miss, I don't want you to do this or that
00:46:59Because it's been two times that I've touched the amygdala
00:47:02But, Commander, the amygdala is up here
00:47:04Everyone has them wherever they want
00:47:06They can't have the amygdala
00:47:08Excuse me, I'm going to read the book of the law
00:47:10Yes, Mr. Commander
00:47:16Scandalous, scandalous, scandalous
00:47:19Mr. Commander, I'm sorry, but you're reading the book backwards
00:47:24It's true, it's true, this old woman is a fool
00:47:27Well, eat
00:47:36Isn't this delicious, Comanche?
00:47:38Oh, it's delicious
00:47:40Please, don't eat, don't eat
00:47:43Do you know why there are scandals?
00:47:45The meat is weak, the woman is stupid, the devil comes and blows
00:47:49And you blew it at two?
00:47:51Rather, at four
00:47:53Well, that's enough, please, please, don't send them
00:47:56I beg you, don't send them, don't send them
00:47:58That's enough of these scandals, it's over
00:48:00We're going to apply all the weight of the law
00:48:02They're going to go to jail, the three of them
00:48:04I can't stand it anymore, I can't stand it anymore
00:48:07I can't stand it anymore
00:48:22Commander, good afternoon
00:48:24I'm the architect Carlos Fregoso
00:48:26Yes, sir, and what do you have to do with this mess?
00:48:28Well, I'm all dirty because I've got problems
00:48:30Look, I'm the cause of EF being in the country
00:48:33And who is she?
00:48:35No, it's not her, it's her. French is her.
00:48:37The young lady.
00:48:39Yes, her, because I am the young lady.
00:48:41And it's a great honor.
00:48:43If I told you how good I am,
00:48:45it would seem that I could.
00:48:47Yes, I am her.
00:48:49And do you know what these two women have done with Policarpo?
00:48:53What?
00:48:54Don't tell me that these women are already on drugs.
00:48:56Policarpo is the name of the policeman.
00:48:58Oh, don't tell me.
00:49:00How can you call the policeman Policarpo?
00:49:02Do you call yourself very handsome?
00:49:04No, but I'm saying it.
00:49:06Policarpo, that's what my father was called,
00:49:08that's what my grandfather was called, my great-grandfather, sir.
00:49:11And you don't hold a grudge against them?
00:49:13Honestly, yes.
00:49:15No, don't worry.
00:49:16No, look, my problem is not with Carpiopolo.
00:49:18My problem...
00:49:19Policarpo!
00:49:20Oh, Policarpo, yes.
00:49:21No, I came for the young lady.
00:49:23Well, well, it's okay, architect.
00:49:25Look, either you pay the fine of these three,
00:49:27or you stay to live forever in this hospital place.
00:49:30No, my love.
00:49:31My darling.
00:49:32Damn, with the young lady.
00:49:34It's not only the boss' love, but also this one.
00:49:37Oh, yes, yes, yes.
00:49:38Don't tell me you're also in love with Cachiporpo.
00:49:40Policarpo.
00:49:41Sorry, it's just that he's horrible, anyway.
00:49:43Policarpo.
00:49:44Yes, please, sir.
00:49:45Don't leave me here in this house.
00:49:46I beg you, my darling, my love.
00:49:48I don't want to be in a house like this.
00:49:49But what is it?
00:49:50The family is going to kill me.
00:49:52Yes, please, sir.
00:49:53Leave me alone.
00:49:54Yes, please, sir.
00:49:55My darling.
00:49:56My love.
00:49:58Don't do it, man.
00:49:59If you do it, you'll also end up falling.
00:50:00Well, well, it's okay.
00:50:02Take out the money from your wallet and pay the bail,
00:50:04or the three of you stay in the damn house forever.
00:50:07Yes, please, sir.
00:50:09Now, please, let me work.
00:50:15Commander.
00:50:16Yes, architect.
00:50:17Either you pay in cash,
00:50:19or these three stay to live here forever in this cozy place.
00:50:23What cards do you accept?
00:50:25None, sir.
00:50:27Unfortunately, I don't have any cash.
00:50:29I'm sorry.
00:50:33My dear commander.
00:50:37Commander, look at this.
00:50:39We don't accept clothes here.
00:50:41No, no.
00:50:42I'm not begging you.
00:50:44Then what?
00:50:45I want you to look at it.
00:50:46Look at it.
00:50:47Don't you feel that your lips are heavy?
00:50:49That has always been heavy for me.
00:50:51Yes, it's true.
00:50:52What a moustache.
00:50:53It's easy for you to break your nose.
00:50:55Why?
00:50:56Wherever it hits you.
00:50:57All that, yes.
00:50:59Close that thing.
00:51:05Commander.
00:51:06Yes.
00:51:07Order to release the detainees.
00:51:09Release the detainees.
00:51:11No.
00:51:12Shout.
00:51:15Shout to release the detainees.
00:51:17Release the detainees.
00:51:19That's it.
00:51:22Cachipulpo.
00:51:23Yes.
00:51:24Pechicarpo.
00:51:25Policarpo.
00:51:26Do what the commander says.
00:51:28Tell the guard officer to release the detainees.
00:51:31Understood.
00:51:36Officer.
00:51:37The commander says the detainees are free.
00:51:40But it's only been an hour since I brought them.
00:51:42Don't give me orders.
00:51:44Orders are orders and they are not disputed.
00:51:52Ready, boss.
00:51:53Thank you.
00:51:54Let's go, my love.
00:51:58Let's go, my love.
00:52:02Officer.
00:52:03Your commander has a very strange disease.
00:52:06He falls asleep.
00:52:07To wake him up, you have to blow under his nose.
00:52:11Blow it.
00:52:16What are they laughing at?
00:52:18I don't know, but the rich laugh at pure bullshit.
00:52:2420 meters.
00:52:28What's going on?
00:52:29The man who came out told me to blow it.
00:52:31And what did he do to me?
00:52:32I blew it.
00:52:35Eva, you're back home again.
00:52:38Thank you, my lord.
00:52:40Thank you, my love.
00:52:44Thank you, my love.
00:52:46Thank you, my love.
00:52:48Thank you, my love.
00:52:50Thank you, my love.
00:52:52Thank you, my love.
00:52:53My love.
00:52:55Look what I brought you.
00:52:57Who did I bring you?
00:52:58We got our Eva back again.
00:53:01Thank you, my lord.
00:53:04What do you think?
00:53:05Yes, what happiness, right?
00:53:09My husband has his wife and his lover in the same house.
00:53:15Let's toast to the sultan.
00:53:17Sorry, sorry, my love, but I think we're wrong.
00:53:20It's a verbal aggression that I don't deserve.
00:53:22And the sultan's is very wrong because I'm not a dog.
00:53:25What happens is that I suffer from something strange.
00:53:31A psychological problem.
00:53:33Look, it happens that I've had a decline in hormones
00:53:37because of a problem I have with my neurons
00:53:40that when they decline, they cause a psychological crisis.
00:53:47What does that mean?
00:53:50Well, it's...
00:53:53It's something, how can I say it, strange.
00:53:56Because it starts with a tickling that goes up and down.
00:54:01No, it just goes up.
00:54:02Through the noble parts.
00:54:04It recharges in my stomach.
00:54:06It goes around in my lung arm
00:54:08and stays in the corner of my knee.
00:54:12And what is that?
00:54:14I don't know what it is, but it feels rough.
00:54:17That's why when I get home from work
00:54:19and I find my wife asleep,
00:54:21the least I want is to disturb her sleep.
00:54:24On the contrary, I want to enlarge her beauty with rest,
00:54:28with the rest that your skin gives,
00:54:30that schoolgirl's naturalness.
00:54:33I look at you for ten minutes
00:54:36and I'm going to let the cat fall.
00:54:38What do I do?
00:54:39That's great!
00:54:40So you're saying that you've developed with your wife
00:54:42and you're breaking up with me.
00:54:44That's why I can't stand your genius.
00:54:46No, wait a minute.
00:54:47You can't stand me.
00:54:48And not the genius.
00:54:49You can stand me if that's what you want.
00:54:51But the problem with that is that
00:54:53so as not to bother you,
00:54:54so as not to make fun of women,
00:54:56which is the most divine being on earth,
00:54:59I go out on the street,
00:55:01in danger.
00:55:05So that women can make me a victim
00:55:08with unusual sexual assaults.
00:55:11Oh, Mr. Boss, you're not a man.
00:55:14You're a coward.
00:55:16Please, don't do this to me.
00:55:18Of course.
00:55:19And after those outbursts of conscience,
00:55:21you come to play with me, don't you?
00:55:23And it's not fair, boss.
00:55:25It's not fair that you do that to us both.
00:55:27And in my own bed.
00:55:29My life confuses things.
00:55:31I feel all the love of my life for you.
00:55:34Yes, since you have your pilgrims, don't you?
00:55:39You're a degenerate!
00:55:41Oh, my dear.
00:55:42My dear, the cat hit me.
00:55:44That's very good, look.
00:55:45Oh, my dear.
00:55:46Cat, my life hit me.
00:55:48Oh, Eva, let's go.
00:55:50Oui, madame.
00:55:53Where are we going?
00:55:55To put ourselves up to the gallows
00:55:57for the perverts and adults of men.
00:56:00Oui, madame.
00:56:01Yes, ma'am.
00:56:03What are you doing?
00:56:04Well, we're not going to stay the same.
00:56:06No, man, you're right.
00:56:08Come, come with me to change.
00:56:10Oui, madame.
00:56:11Women.
00:56:15If they were tremendous apart,
00:56:17together,
00:56:19let's see who can stand them.
00:56:30Do I talk to a glass,
00:56:32or do I drink a chava?
00:56:34I mean, do I drink a glass?
00:56:37I drink a glass.
00:56:41And I'm going with Perico.
00:56:43Wherever you want to see me.
00:56:49Are there seven with that?
00:56:51Don't worry, I'll hurry up.
00:57:00Look at that, what a little thing gets there.
00:57:05Ah, her.
00:57:13Calm down, calm down.
00:57:15I'm the one who hunts.
00:57:23What can I do for you, miss?
00:57:26Bring me something that will help with the loneliness.
00:57:30When I sit alone,
00:57:32I drink a martini, what do you think?
00:57:34Good idea.
00:57:36Bring me one, but double.
00:57:38Double.
00:57:45Hey, Perico.
00:57:47Who is the lady?
00:57:48I know, but she feels lonely.
00:57:50Don't tell me.
00:57:52She asked me for a drink for loneliness.
00:57:54I recommend the double martini.
00:57:57Don't do it.
00:57:58The martini?
00:57:59No, man.
00:58:00This is to put up the cheeks of a donkey.
00:58:03Yes, even the cheeks.
00:58:09Martini double.
00:58:17How does it suck?
00:58:20Will it be like this for everything?
00:58:23Bring another.
00:58:37Excuse me, miss.
00:58:40Forgive the imprudence.
00:58:42You and I don't know each other.
00:58:44Forgive me, but I don't even know him.
00:58:47I don't even want to know him.
00:58:49Another martini double?
00:58:51Martini double.
00:59:01Bring another.
00:59:02Work.
00:59:10Excuse me, miss.
00:59:12Are you used to drinking double martinis like this?
00:59:16Yes, you don't give a damn.
00:59:19Yes, it sucks.
00:59:21I mean, to speak like this.
00:59:23It's that I'm reminded of the consciousness that double martinis take in that way.
00:59:28It's a man's drink.
00:59:30Hey, miss.
00:59:32Aren't you transvestite?
00:59:34Maybe.
00:59:35Let me see.
00:59:37Nora.
00:59:50Another martini double?
00:59:52Miss, please.
00:59:53Don't be wild.
01:00:00That's how I am.
01:00:02What?
01:00:04My husband gets scared because I eat four raw eggs every morning.
01:00:10Don't play with me.
01:00:12Raw.
01:00:13I don't play.
01:00:15And I don't want to know who you are.
01:00:18No, look, look.
01:00:20I'm a psychiatrist.
01:00:22Adalberto Martinez.
01:00:24Resorte?
01:00:27Ay, mamuchita.
01:00:29Ay, mamuchita.
01:00:30No, it's my homonym.
01:00:32No, I only resort with my patients on the couch.
01:00:36So, you think I'm crazy.
01:00:41No, man.
01:00:43But you're almost there.
01:00:47Another martini double?
01:00:49Look, miss.
01:00:50Before I drink it, tell me your address.
01:00:53Just in case.
01:00:57I live on Avenida del Encanto, number 222.
01:01:06It's good that you remember.
01:01:10Let's go.
01:01:13Here.
01:01:15Be careful.
01:01:16Be careful.
01:01:20How are you?
01:01:22How are you?
01:01:23What if I hit you?
01:01:25Breathe.
01:01:26Wait.
01:01:27Listen to me.
01:01:29You're disrespectful.
01:01:31You're the waiter.
01:01:36No, no.
01:01:37You're going to get fat.
01:01:39Let's take her to the cellar.
01:01:41Wait.
01:01:42Don't be a clown.
01:01:43No, no.
01:01:44If it's true, he'll like it a little faster.
01:01:46Let go.
01:01:47Let go.
01:01:48Come here.
01:01:49No, man.
01:01:50Not that way.
01:01:51No, no, no.
01:01:53That's it.
01:01:54Oh, my heart.
01:01:56Oh, you can see everything.
01:01:59Wait, man.
01:02:01Wait.
01:02:02Come on.
01:02:03Come on.
01:02:04Wait.
01:02:05Don't be a clown.
01:02:06There you go.
01:02:07No, you know what?
01:02:08Let go.
01:02:09Give it to me.
01:02:10Give it to me.
01:02:11That's it.
01:02:12Give it to me.
01:02:13Now, please.
01:02:14Put the bag in the heel.
01:02:16Yes.
01:02:17No, let's see, in the crack.
01:02:19No, put it in.
01:02:20Come on.
01:02:21Hey.
01:02:22What?
01:02:23We'd better put her in the cellar.
01:02:25In the cellar?
01:02:26You're not going to get her out.
01:02:27Come on.
01:02:31For them, even if they pay me poorly, okay?
01:02:33You have to charge them, madam.
01:02:35Son of a bitch.
01:02:37My husband is cheating on me with you, with the other cat,
01:02:41and with all those women who were there.
01:02:43It can't be.
01:02:44But...
01:02:45But...
01:02:46Son of a bitch.
01:02:47Madam, you have to walk.
01:02:49Hey.
01:02:50Hey, madam.
01:02:51Hey.
01:02:52Oh, my God.
01:02:53What's going on with the car?
01:02:55Hey, I don't know.
01:02:57Hey, who's been dancing like that in his car?
01:02:59Chuck.
01:03:00Oh, it's me who wanted to follow her.
01:03:01This car is filthy.
01:03:03No, madam, we're going to...
01:03:05Hey, madam, we're going to follow her.
01:03:07We're going to follow her.
01:03:08Don't go too far.
01:03:09Don't go too far.
01:03:10I beg you.
01:03:12Hey, man.
01:03:13Hey, madam.
01:03:14Can we follow her to the workshop?
01:03:16What do you think?
01:03:35Madam, have you seen the nose of that cave?
01:03:48Wow.
01:03:50Oh, Eva, please.
01:03:53I have these more elevated.
01:03:55Elevated?
01:03:56I raise my heels more, madam.
01:03:59Buy me some melons.
01:04:01Celeste.
01:04:06Celeste.
01:04:07Celeste.
01:04:08Celeste.
01:04:09Celeste.
01:04:10Celeste.
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01:10:49Celeste.
01:11:10You're going to see what it's like to love God in the land of the Indians.
01:11:17Really?
01:11:18Do you want to enjoy it?
01:11:19Yes, please.
01:11:21That's all we needed.
01:11:23The name of Quadsmith.
01:11:25Do you know how you're going to feel?
01:11:27No.
01:11:28No?
01:11:29I'll take you.
01:11:31Let's go.
01:11:34You two turn around and come for me.
01:11:40Let's go over there.
01:11:48Let me see you.
01:11:50No, let me try you.
01:11:51Let's see.
01:11:54Take me.
01:11:55Take me.
01:11:56Yes.
01:11:57Do you know why I'm not taking you?
01:11:58Why?
01:11:59Don't you think I don't love you?
01:12:00So?
01:12:01If you don't be a boy, you're a bad girl.
01:12:02I'll take you.
01:12:03No, I'll take you.
01:12:04I'll take you.
01:12:05No, I'll take you.
01:12:06No, I'll take you.
01:12:07No, I'll take you.
01:12:08Okay.
01:12:11Here.
01:12:12Here.
01:12:13Oh, my life.
01:12:14What can I do?
01:12:15Yes, right?
01:12:16Yes.
01:12:17I say the same.
01:12:18Yes?
01:12:19Yes.
01:12:20Of me?
01:12:21Well, yes.
01:12:22You're drunk, you don't even know what you're saying.
01:12:24Yes, I know.
01:12:25Well, well.
01:12:26Look.
01:12:27But maybe I don't know what I'm saying, but I do.
01:12:29I don't know.
01:12:30I don't know.
01:12:31I don't know.
01:12:32I don't know.
01:12:33I don't know.
01:12:34I don't know.
01:12:35I don't know.
01:12:36I don't know.
01:12:37I don't know.
01:12:38I don't know.
01:12:39I do know what I'm saying, but I do know what I want.
01:12:41What do you want?
01:12:42You.
01:12:44My little one.
01:12:46I'll tell you something, babe.
01:12:56I'm curious.
01:12:57I don't know what you're talking about.
01:12:58I don't know what you're talking about.
01:12:59I don't know what you're talking about.
01:13:00I don't know what you're talking about.
01:13:01I don't know what you're talking about.
01:13:02I don't know what you're talking about.
01:13:03I don't know what you're talking about.
01:13:04I don't know what you're talking about.
01:13:05I don't know what you're talking about.
01:13:06I don't know what you're talking about.
01:13:07I don't know what you're talking about.
01:13:08I don't know what you're talking about.
01:13:09I don't know what you're talking about.
01:13:10I don't know what you're talking about.
01:13:11I don't know what you're talking about.
01:13:12I don't know what you're talking about.
01:13:13I don't know what you're talking about.
01:13:14I don't know what you're talking about.
01:13:16I don't know what you're talking about.
01:13:17I don't know what you're talking about.
01:13:18I don't know what you're talking about.
01:13:19I don't know what you're talking about.
01:13:20I don't know what you're talking about.
01:13:21I don't know what you're talking about.
01:13:22I don't know what you're talking about.
01:13:23I don't know what you're talking about.
01:13:24I don't know what you're talking about.
01:13:25I don't know what you're talking about.
01:13:26I don't know what you're talking about.
01:13:27I don't know what you're talking about.
01:13:28I don't know what you're talking about.
01:13:29I don't know what you're talking about.
01:13:30I don't know what you're talking about.
01:13:31I don't know what you're talking about.
01:13:32I don't know what you're talking about.
01:13:33I don't know what you're talking about.
01:13:35There, there.
01:13:36In the closet.
01:13:49Did you buy Lucha?
01:13:51Did you buy him?
01:13:53No.
01:13:54Not anymore.
01:13:55No, he didn't buy him.
01:13:57Lucha.
01:13:58Lucha!
01:13:59Lucha!
01:14:00Lucha, why are you fighting?
01:14:02Honey, what are you doing here naked?
01:14:05Don't tell me you're sunbathing.
01:14:07No, I'm sunbathing.
01:14:10Sunbathing?
01:14:11I smell like horn.
01:14:13Yes, yes, I smell like horn.
01:14:14I smell like guay.
01:14:15No, honey, no.
01:14:19I smell like guay.
01:14:20No, no, no.
01:14:21You're the only one who's come in.
01:14:22Ah, it's your adversary, surely.
01:14:25No, let go of me.
01:14:26I'll kill him.
01:14:28I'll kill him.
01:14:29I'll kill him.
01:14:30I'll kill him.
01:14:31I'll kill him.
01:14:32I'll kill him.
01:14:34My gun.
01:14:35My gun.
01:14:36Where's my gun?
01:14:37My gun.
01:14:41My gun.
01:14:42My gun.
01:14:43I want my gun.
01:14:46How's the gun, my love?
01:14:47Give it to me.
01:14:48Give it to me.
01:14:49You made me a worthy representative of the Guards, but I swear I'm going to kill him.
01:14:53I'm going to kill him.
01:14:54I'm going to kill him.
01:15:02He's special.
01:15:03He's very special.
01:15:09Ah, the pistol.
01:15:10Down.
01:15:17Hey.
01:15:18Hey.
01:15:19Hey.
01:15:20Hey.
01:15:21Hey.
01:15:23Oh, my God.
01:15:49Hey.
01:15:52My gun.
01:15:53My gun.
01:15:54My gun.
01:15:55Now I've got you, you scoundrel!
01:16:22I'm going to tear you to pieces, you scoundrel!
01:16:38Oh, Chief! Another bullet!
01:16:41Oh, Chief!
01:17:12What happened? Did you get mugged?
01:17:14No, I got mugged.
01:17:16Look, officer, do me a favor and take me to jail.
01:17:19Where?
01:17:20To my house.
01:17:21Okay, but how are you going to get in the car?
01:17:23Before the Chief comes out.
01:17:42Oh, my dear Chupas, why do you dance so well?
01:17:46Because I'm the best chupacludo in the Caliphate.
01:17:52Hey, Reina, does your husband really not appreciate you for who you are?
01:17:56No, he deceives me with all the girls in La Colonia and others.
01:18:02Oh, really? Well, you have to get rid of him.
01:18:05Remember that revenge is sweet.
01:18:08Really?
01:18:09Yes.
01:18:10Well, let's get out of here.
01:18:11Yes.
01:18:18Wait a minute, I'm going to wash the squid.
01:18:21Hey, that's enough. Let's go to the five letters that are around here.
01:18:27What is that, sir?
01:18:29The hotel. Look, H-O-T-E-L. Five letters.
01:18:33Four, Chupas.
01:18:35Karina, what am I saying? H-O-T-E-L. Five.
01:18:39Four, Chupas. Why don't you see that the H doesn't sound good?
01:18:43It's mute.
01:18:45You're right.
01:18:47It's French.
01:18:49You know what? Go to the bathroom first.
01:18:51Because I don't know what to color it with.
01:18:53White, brown, chocolate.
01:18:55Okay, yes, sir.
01:18:57But at the hotel, you and I rub our backs, right?
01:19:02Boss, boss.
01:19:04Oh, sorry, boss. I can't stand it anymore.
01:19:06I'm already very fat, boss.
01:19:08Well, me too, bro.
01:19:09I already convinced the charras. Let's go to the five letters that are around here.
01:19:13Let's go, let's go.
01:19:14Can you imagine that you make garlic, boss?
01:19:16You're already there, what a change of locomotive.
01:19:19What do you mean, change of locomotive?
01:19:21Well, change of trains, man.
01:19:23Oh, like a change of chicken?
01:19:25Sure.
01:19:26Well, but don't touch my eggs.
01:19:29Listen to me, eh.
01:19:31We are very serious ladies.
01:19:35Besides, besides, everything was a product of alcohol.
01:19:39But you're not my type.
01:19:41But I don't want you for blood transfusion.
01:19:45I want you to iron the taco, right?
01:19:48Okay.
01:19:49Pay these gentlemen the bottle and the car.
01:19:53And let's go.
01:19:54Okay, madam.
01:19:55No, no, don't eat.
01:19:57You're going to leave us like the dog of the butcher shop or what?
01:20:01Hey, no, wait.
01:20:03No.
01:20:04About the dance, sir.
01:20:06About the dance?
01:20:07How do you eat the dance?
01:20:0910 careas?
01:20:11In Bombay, for 30, 5 maromas, 4 chippers, 4.
01:20:15That's what I say, boss.
01:20:17Boss, I can't stay like this.
01:20:19Well, me less.
01:20:20Tomorrow my eyes are going to hurt.
01:20:23I'm looking at it and it's beautiful, boss.
01:20:25This shopkeeper even has a nose, boss.
01:20:27Do you see me as Chato?
01:20:29I'm a good dog, boss.
01:20:31And you and me?
01:20:33We take off?
01:20:34Well, yes, boss.
01:20:35Okay.
01:20:36What do you think if we have?
01:20:39And that for what?
01:20:41Well, to give us courage, boss.
01:20:43Well, it would be goodbye, boss.
01:20:53What are we going to tell the butcher, boss?
01:20:55The guy is going to be infected.
01:20:58Don't worry, Eva, don't worry.
01:21:01Look, I have a good plan.
01:21:03Hey, which one, madam, which one?
01:21:05We're going to resort to hypnosis.
01:21:09Ah!
01:21:11Bravo!
01:21:12Hello, madam.
01:21:13Oh, yuppie, yuppie.
01:21:15We discovered it.
01:21:18Bravo!
01:21:19Hello, madam.
01:21:20Oh, yuppie, yuppie.
01:21:22I discovered it.
01:21:23I discovered it.
01:21:25I found a book that I had saved.
01:21:28Oh, I know all this, madam.
01:21:30But don't worry.
01:21:31Oh, madam.
01:21:32I have a headache.
01:21:33I have a pimple.
01:21:34I have a hair that if you don't know what it is, you don't know.
01:21:38Oh, my boss.
01:21:39And you with such a beautiful wife.
01:21:42So decent.
01:21:43So...
01:21:44And with some hips that are like...
01:21:46What's up, what's up, what's up, what's up?
01:21:48Don't make me remember that you're also flirting with my maid.
01:21:53Well, just a little bit, boss.
01:21:56Hey, and now how are we going to do it?
01:21:58Well, I don't know.
01:21:59But get in because I have to get home to change.
01:22:01Something's going to happen to me.
01:22:03Well...
01:22:14The shadows have gone home.
01:22:19I'm glad my husband isn't here, Eva.
01:22:22Yes, madam.
01:22:23He probably went out to look for us.
01:22:26You know what?
01:22:27Yes?
01:22:28This makes my job easier.
01:22:31Shh, shh, shh.
01:22:33I think a cow is coming, madam.
01:22:43Hey.
01:22:53Ay, nanita, los apaches.
01:22:55Es el Mesías Patrón.
01:22:57En una patrulla.
01:22:59Policapio.
01:23:02El Mesías Policapio.
01:23:04El Mesías Patrón.
01:23:06Madam.
01:23:11It's the Policapio, the policeman.
01:23:13He's coming in a patrulla with the Mesías Patrón.
01:23:15And...
01:23:17Who knows what problems he's got.
01:23:20You know what?
01:23:21That's going to help us continue with our plan.
01:23:27Ay, what a thrill.
01:23:29Oh, la la.
01:23:30The boss is very smart.
01:23:32Oui, oui, oui, oui.
01:23:33Eva.
01:23:38Are you going to retouch again, madam?
01:23:41To retouch.
01:23:42We've already been retouched enough, madam.
01:23:49To the attack, my brave ones.
01:23:51To the attack?
01:23:52Again?
01:23:59Wait for me, my dear cartipolo.
01:24:02Because I need to change.
01:24:04Because they're going to think I really work in the garbage.
01:24:10My dear.
01:24:11Look, I was with...
01:24:13Look what a nice gift we brought you, my love.
01:24:17Sleep.
01:24:19Sleep.
01:24:21Your eyes feel heavy.
01:24:24Heavy.
01:24:25They can't take it anymore.
01:24:26Sleep.
01:24:27Sleep.
01:24:29They're asleep.
01:24:31It's all yours, Eva.
01:24:33Yes, madam.
01:24:34Now yes, my love.
01:24:36You're going to see what it's like to change colors.
01:24:38Come here.
01:24:39Ay, madam.
01:24:40This chupal left me like hell in the tower.
01:24:42Come here, my love.
01:24:44My dear.
01:24:47Come, my love.
01:24:50My love.
01:24:55Sit down, my love.
01:24:58I'm going to get sexy for you.
01:25:19You don't know.
01:25:21But I'm going to tell you a secret.
01:25:25The cats I loved,
01:25:28they don't last for anything.
01:25:31I'm going to give you your Christmas, baby.
01:25:34Magnificent.
01:25:35Magnificent.
01:25:37Oh, come here.
01:25:38Come here, my devil's acolyte.
01:25:41You're a wonderful spirit.
01:25:43Oh, don't leave me alone.
01:25:47Let me take your horns off.
01:25:49I mean, your throat, my love.
01:25:51Oh, you're so beautiful.
01:25:53Don't leave me alone.
01:25:54Oh, how nice.
01:25:55Let me kiss you.
01:26:00Do you love me a lot?
01:26:02You're a gun.
01:26:05My love.
01:26:06You're wonderful.
01:26:08Don't leave me alone.
01:26:10Oh, how nice.
01:26:14Oh, my love.
01:26:16Oh, come here.
01:26:17I'm going to tell you a secret.
01:26:22Oh, my love.
01:26:24Oh, my love, are you still drunk?
01:26:26I brought you a macaroon.
01:26:28Oh, how fast I am.
01:26:30Oh, my love.
01:26:35Oh, how nice.
01:26:36You see everything.
01:26:41I'm sorry, boss.
01:26:43I know I'm a mess.
01:26:44But the other day when you and I were going to have sex.
01:26:49Your old lady came.
01:26:51Oh, she didn't let us do anything, boss.
01:26:54But what about now?
01:26:56Now you can play with me.
01:26:59And do whatever you want.
01:27:01And I'm going to kiss you.
01:27:06But open your eyes.
01:27:08And stand up straight.
01:27:11You don't want to undress me.
01:27:12You don't want to help me.
01:27:13So you can touch me.
01:27:15And you can feel me.
01:27:16And you can enjoy me.
01:27:17And we're going to dance.
01:27:18And we're going to...
01:27:21I'm going to love it.
01:27:22My love.
01:27:23If you do it, you're going to captivate me.
01:27:25You're going to fascinate me.
01:27:27I'm going to like you.
01:27:28And you're going to see.
01:27:30Oh, get off me.
01:27:33Yes, my love.
01:27:34And now hold me here.
01:27:36Take me here.
01:27:38Here, my love.
01:27:40And there.
01:27:41And we're going like this.
01:27:42Here.
01:27:43And we're going to play.
01:27:45And we're going to play.
01:27:47And we're going to play.
01:27:59Those cats are just fur.
01:28:02Just fur.
01:28:05What do you want?
01:28:07Kitten.
01:28:08Your Christmas present.
01:28:11Your hand and all that stuff, so you can see.
01:28:16In case he kisses me.
01:28:17In case he hugs me.
01:28:18In case you touch me.
01:28:26I think he's okay.
01:28:34I think the hypnotism didn't work here. I don't know what's going on, Volando.
01:28:49Viva la France! Viva la liberté! Viva l'amour! Vamos!
01:29:04Oh my God!
01:29:35What are you doing with my husband?
01:29:37Oh, well, everything, ma'am.
01:29:39No, no, no, you don't believe me, do you? I was just taking a bath.
01:29:42You can't find me here.
01:29:44Please, get out of here.
01:29:46Oh, but now!
01:29:47With pleasure, but pass me the towel.
01:29:50Here.
01:29:52Thank you.
01:29:53Ay, y yo que me habías dicho? Hasta que se le hizo la salada, y resulta que este tiene dueña.
01:30:10Fíjense que sí, tiene dueña, y con un genio del carajo. Así es que más vale que se me ande saliendo, porque si no llamo a la policía.
01:30:18La policía en primer lugar no creo que pueda venir, porque está bastante ocupado en su red cámara con la gata disque francesa que tiene.
01:30:26Ah, sí? Y luego?
01:30:28En segundo, que cree usted que soy hermana del Chupas, y me contó unos secretitos de usted, la gata, y el mecánico. Así que yo creo que mejor nos quedamos calladas, ¿no cree?
01:30:44Sí, ¿verdad? Este, mejor nos quedamos calladas. Pero ya vayas, ¿sí? Por favor.
01:30:50Ay, claro. Acabo que ni quería. Este, ni paraguas.
01:30:59¿Cómo que ni paraguas? Eso lo vamos a ver.
01:31:05A ver si cierto mi candil de la calle y la oscuridad en su casa. Vamos a ver si no me alumbras, papacito. Ay, mi vida.
01:31:20Contigo, mi amor.
01:31:34El gato con gatas, que a diario se acotan.
01:31:39Cortitas o placas, les quito las botas.
01:31:44El gato con gatas, no quiere ligar.
01:31:49Hueritas o pardas.
01:32:04Subtítulos realizados por la comunidad de Amara.org