Super Cult Cinema
Super Cult Cinema
  • 3 months ago
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Transcript
00:00:30Oh, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
00:01:00yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
00:01:18Oh,
00:01:19Oh.
00:01:21Oh.
00:01:23Why do those boats always have to dock in the coal rail draw?
00:01:26Yeah, there ought to be a law making them stay out there
00:01:28till after breakfast anyway.
00:01:30Don't worry, Barney.
00:01:31After today, you'll be shooting that one-eyed monster
00:01:33at yours and Uncle Sam's.
00:01:35Yeah, and you'll be seeing plenty of cold,
00:01:37gray dawns then, brother.
00:01:39You'll find out that the signal cord is a lot of other things
00:01:41besides false signals.
00:01:43After 10 years in this racket, it'll be a vacation.
00:01:47Simple so, isn't it, boys?
00:01:49Woo!
00:01:56Hmm.
00:02:05Well, what do you think of that?
00:02:10Sounds spacey to me.
00:02:24You're Dr. Randall, no?
00:02:26Yes.
00:02:27You hear of me?
00:02:28I guess it must be, aren't you?
00:02:30Well, I...
00:02:52You're Carter of the Globe Tribune, aren't you?
00:02:54Uh-huh.
00:02:56Say, there's a woman on that boat
00:02:57in the name of Agatha Brewster.
00:02:59Yeah?
00:03:00What about her?
00:03:01Of course, Carter.
00:03:03She's a sister of that missing Dr. Brewster.
00:03:06Good story.
00:03:08A great story.
00:03:10Captain.
00:03:19Hey.
00:03:20What's this?
00:03:21Yeah?
00:03:22Trying to sell your bootlegs again?
00:03:24Yeah, well, a screwball, I guess.
00:03:33That's her over there with the first piece.
00:03:37Agatha, I'm awfully glad you're here.
00:03:41Come on, Bonnie.
00:03:44George, this is terrible.
00:03:45What happened?
00:03:46Miss Brewster?
00:03:47I am from the Globe Tribune.
00:03:48Well?
00:03:49Miss Brewster's too upset over her brother
00:03:50to give an interview right now.
00:03:52Yes, but how did time...
00:03:53Oh, well, may we have a picture?
00:03:54Go ahead, Bonnie.
00:03:55A pretty smile now.
00:03:57Smile?
00:03:58Oh, excuse me.
00:04:00Hey, about that interview, when may I see you?
00:04:03Oh, some other day.
00:04:04The next week.
00:04:05Where?
00:04:06Miss Brewster will phone you.
00:04:09Oh, let her give you the brush off.
00:04:11It's a great story.
00:04:12Hey, what is this, anyway?
00:04:17If you'd only have listened to me,
00:04:19all this wouldn't have happened.
00:04:20Well, what about the police?
00:04:21Haven't they been able to trace us?
00:04:23Fortunately, no.
00:04:24Fortunately?
00:04:25Yes, very fortunately.
00:04:27Agatha Jim is lost, except for this one.
00:04:30She's hidden away at Springdale in the old mansion.
00:04:34You'd be better off in the family cemetery plot.
00:04:37John.
00:04:38I'm sorry, but it's true.
00:04:40What?
00:04:41Six months ago, we made an astounding discovery.
00:04:44It was so far in advance of anything
00:04:46that's been done to date that Jim decided
00:04:50to be the guinea pig for this experiment himself.
00:04:55I tried to talk him out of it.
00:04:56But you know how stubborn he is when
00:04:58he gets an idea in his head.
00:05:01We made the experiment.
00:05:02And unfortunately, it was a great success.
00:05:07So great, in fact, that we've been
00:05:10unable to counteract the results.
00:05:12And Jim, he's...
00:05:14He's still alive, isn't he?
00:05:17Yes.
00:05:18And the story of his disappearance is a fake?
00:05:20Yes, I put that out to cover the whole affair up
00:05:23so that if the worst comes to the worst,
00:05:26it saves him a great deal of untrustworthiness.
00:05:30John, what have you done?
00:05:33Prepare yourself for a great shock.
00:05:36Thank you.
00:05:59Thank you.
00:06:25I warned you.
00:06:26It's poison.
00:06:28It's poison.
00:06:59Oh!
00:07:03Ah!
00:07:18I...
00:07:22I shouldn't have brought her here.
00:07:25Stop shaking that.
00:07:27I won't hurt you.
00:07:29Oh, you poor boy.
00:07:33Open the door.
00:07:42Get back!
00:07:54Close the door!
00:08:25What are they doing?
00:08:26I don't know.
00:08:27I don't know.
00:08:31I don't know.
00:08:36Mike!
00:08:54Mike!
00:09:24Mike!
00:09:35Yes?
00:09:36How are you coming with that ghost yarn?
00:09:38I couldn't get a thing out of her, suppose.
00:09:40Now I'm going through the morgue.
00:09:42Boy, is she a screwy dame.
00:09:44I don't want that junk.
00:09:45I want a personal interview.
00:09:47And get me some more pictures.
00:09:48Good ones.
00:09:49Barney Smell.
00:09:50I'm sending someone down to replace him.
00:09:52Name's Billy Mason.
00:09:54Okay, chiefie.
00:09:55Now hop to it.
00:09:57And don't call me chiefie.
00:09:59Okay, chiefie.
00:10:06Going into the army has sure done something to Barney.
00:10:09Looks more like a ghost than a ghost hunter to me.
00:10:12Now just what could have happened to get such a piece of tripe?
00:10:17Well, it's out of focus.
00:10:19It's underexposed and overdeveloped.
00:10:22Besides, there's two pictures on the same negative.
00:10:25Is that all?
00:10:27Yes.
00:10:32Yes, sir?
00:10:33Take Miss Mason down to Carter's.
00:10:34She's taking Barney's place.
00:10:36Well, thank you very much, Mr. Martin, for giving me the break.
00:10:39I'm sure I can...
00:10:40Ah, forget it.
00:10:41But remember, I'll be satisfied with just one picture on each negative.
00:10:44I'll do the very best I can.
00:10:52Carter?
00:10:53Billy Mason.
00:10:54Okay, sit down and take the load off your feet.
00:10:56I'll be with you in a minute.
00:11:22Hmm.
00:11:23Don't be nice.
00:11:25What went by when I wasn't looking?
00:11:30I see you know your perfume.
00:11:32I know that one.
00:11:33In fact, I'll never forget it.
00:11:34The first girl I met that used it, either.
00:11:36Nice?
00:11:37Yeah, but she lied to me.
00:11:38So?
00:11:39She told me her boyfriend was in boot camp.
00:11:51Okay, Mason, let's go.
00:11:54Mason!
00:11:56I'm Billy Mason.
00:11:58Huh?
00:11:59I said I'm Billy Mason.
00:12:01I'm taking Barney's place, wherever he is.
00:12:06Well, why didn't you say so?
00:12:08Come on, let's go.
00:12:22Where are we going, if I may ask?
00:12:24To Springdale, the old booster home.
00:12:26I'm going to interview a screwy old dame to get some pictures.
00:12:29Good pictures, I hope.
00:12:31Why, the I hope?
00:12:32A good reported gent will only get some interviews.
00:12:34I'm not worried about the interview.
00:12:35It's the pictures I'm worried about.
00:12:37Oh, I get it.
00:12:39Well, listen, Mrs. Brisbane.
00:12:41You take care of your end of it and don't worry about mine.
00:12:44My pictures will be as good as your interviews.
00:12:46And maybe you'll get some pictures.
00:12:48My pictures will be as good as your interviews.
00:12:50And maybe a little bit better.
00:12:52Cocky little wench, aren't you?
00:12:54Well, I've had to hold my own against four brothers all my life.
00:12:57I guess I can handle a 4F like you.
00:12:594F? And what gives you the idea I'm in 4F?
00:13:02I can't think of any other good reason you're not in uniform.
00:13:05Listen, baby, you're looking smack dab at a 14-carat 1A.
00:13:09No dependence, physically perfect, with a personal letter in his pocket from the president.
00:13:13Thirty days from now, I'll be Jefferson B. Carter's Beeman's third class.
00:13:17Oh.
00:13:18Oh, yes, 30 days past September, April, June, and Jefferson B. Carter.
00:13:23Well, I'll take back a part of it about 4F.
00:13:25But the rest of it's still sand.
00:13:27Makes me wish I was in the Navy right now.
00:13:30That makes two of us.
00:13:31All right, sailor, shove off.
00:13:47Oh.
00:14:17Oh.
00:14:48Oh.
00:14:58You have no idea what I've gone through in the last three months.
00:15:03Sometimes I'm perfect in all of them.
00:15:09Just for hours and hours, looking in the mirror,
00:15:14hoping and praying for the slightest sign of my future change.
00:15:22It doesn't come.
00:15:25And I feel myself going back to the animal instinct.
00:15:31I try to fight it.
00:15:33I try to fight it with all my willpower.
00:15:38And I feel I can't live it.
00:15:42I lock myself in there with him,
00:15:47seeing if I might do something terrible.
00:15:53Oh, I can't stand it any longer.
00:15:57I can't stand it.
00:15:59I am a monster.
00:16:01I must do what I am asked.
00:16:06What would you ask him to do, James, if he refused?
00:16:10I must have human spinal fluid injected into me.
00:16:15It's my only chance.
00:16:18Sandra and I both agreed to it.
00:16:21It's the only way to counteract the aqueous injection.
00:16:25But he won't do it.
00:16:28Won't do it.
00:16:30Please, James, please.
00:16:32I'll talk to George.
00:16:33I know he'll do anything to save you.
00:16:35I'll ask him.
00:16:37I'll ask him.
00:16:39No, he won't.
00:16:42I plead and beg.
00:16:53James tells me you refuse to help him any further.
00:16:56Did he tell you why?
00:16:57No.
00:16:58Then I'll tell you.
00:16:59I'd have to commit murder to do it.
00:17:01Murder?
00:17:02Yes, cold-blooded murder.
00:17:03You see, this spinal fluid that Mike's using
00:17:06there's a great possibility of this.
00:17:08It's just a chance, you know.
00:17:10That fluid must be taken from a living person.
00:17:13And the taking of it means instant death.
00:17:23Well, I must say the house matches the old girl who was seen.
00:17:26What do you mean?
00:17:27She's a ghost hunter.
00:17:29Did you say ghost?
00:17:30Yes.
00:17:31Ever seen any?
00:17:32Ha, don't be silly.
00:17:33She has.
00:17:35No, she hasn't.
00:17:36She hasn't looked about them.
00:17:37She's been all over the world poking around in cemeteries and haunted houses.
00:17:41She just said back to them a good story of haunted castles in Europe.
00:17:45Come on.
00:17:46Let's go.
00:17:51Over.
00:17:52That way.
00:17:53Come on.
00:17:54It's your job.
00:18:00Shut up!
00:18:01Stop that!
00:18:02I'm going to set it!
00:18:06Whoa!
00:18:16Well, here's a chance for you to photograph a ghost.
00:18:20Very funny.
00:18:21Very funny.
00:18:36Better see who it is.
00:18:38It may allay any suspicions or screams around.
00:18:41Jim has probably seen who it is in the televisor.
00:18:44He won't give himself away.
00:18:52Hello.
00:18:53Remember me?
00:18:54From the boat?
00:18:55Ghost hunter?
00:18:56Oh, yes.
00:18:57Uh, this is Billy Mason.
00:18:58I brought her along, uh, to get some more pictures.
00:19:01The others were lost.
00:19:02They weren't here.
00:19:03Well, uh, I'm afraid it's too dark in here for pictures.
00:19:06Oh, no.
00:19:07It'll be perfectly okay.
00:19:08Oh, sure it's okay.
00:19:10She makes pictures in tunnels.
00:19:12Doesn't she?
00:19:13Oh, right.
00:19:24I'll be going, Miss Brewster.
00:19:26Just keep on with the prescription I gave you.
00:19:28Oh, uh, I will, Doctor.
00:19:30Won't you come into the library?
00:19:37If you don't mind, Miss Brewster,
00:19:38I'd like to know a little more about your work, your books.
00:19:40Except, I think our readers would be interested.
00:19:42Oh, certainly.
00:19:43Won't you sit down?
00:19:44Thank you.
00:19:50I hope you'll pardon me at first, Miss Williams.
00:19:52But I don't dare.
00:19:53I don't dare.
00:19:54I don't dare.
00:19:55I don't dare.
00:19:56I don't dare.
00:19:57I don't dare.
00:19:58I don't dare.
00:19:59But I don't dare claim to see the end of things
00:20:02that haunts this house without a fear.
00:20:05It is quiet in here.
00:20:08Seen only through the old familiar surroundings.
00:20:11And you think this house is really haunted?
00:20:14Certainly, child.
00:20:16All houses are haunted.
00:20:18All persons are haunted.
00:20:20Brawns and spirits follow us everywhere.
00:20:24We are never alone.
00:20:26This room is crowded right now.
00:20:30I don't see anything.
00:20:32Oh, you can't see anything.
00:20:34Any more than you can see the room.
00:20:37The state in which this volume is sufficiently enraged.
00:20:42What a spirit of honor.
00:20:44Gentle and kind.
00:20:46And only what a great happiness for the few.
00:20:50For the few are evil.
00:20:53And having been wicked in life,
00:20:56are wicked in death.
00:20:58And only haunt the scenes of death and crime.
00:21:02Revelling.
00:21:04Mad.
00:21:06That must have been the one we heard when we drove up, huh?
00:21:09Sure.
00:21:10You heard it?
00:21:12Yes.
00:21:13Do I hear it?
00:21:14Oh, no.
00:21:15That's what I brought from Scotland.
00:21:17A stone of that record.
00:21:19No kidding.
00:21:20I thought I heard everything.
00:21:21Would you like to hear it?
00:21:23Well.
00:21:24Watch and learn.
00:21:43This spirit in Scotland
00:21:46is known as the galloping ghost of the moon race.
00:22:16Did it bother you, child?
00:22:29Oh, no.
00:22:30I just want to sleep all night, that's all.
00:22:32Suppose we get the picture before Miss Mason passes out, huh?
00:22:34Certainly.
00:22:35Now, listen.
00:22:36You stand right over here by the corner grass.
00:22:38And you hold this record.
00:22:40Hold it like that.
00:22:45Beautiful.
00:22:46All right.
00:22:47Come on, come on.
00:22:48Get yourself together.
00:22:54Thanks very much, Miss Brewster.
00:22:56Oh, just a moment.
00:22:57One more.
00:22:58I see this thing.
00:22:59Oh, yes.
00:23:00Do you mind?
00:23:01No, no, no.
00:23:02Sit down.
00:23:03I'll take the galloping ghost.
00:23:04Now, you sit there and try and give me a pose like you were
00:23:06hunting for a ghost.
00:23:07That's it.
00:23:08Get it.
00:23:11That was very kind of you, Miss Brewster.
00:23:13I'll send you a couple of those pictures.
00:23:14I bet you'll look great.
00:23:15Come on, honey, let's go.
00:23:24I'll send you a copy of the article.
00:23:26I might want to check with you later.
00:23:27May I come out again?
00:23:29I guess so.
00:23:30Please phone me, sir.
00:23:32Oh, certainly.
00:23:33Thank you very much.
00:23:34Well, uh, good-bye.
00:23:45James!
00:23:46Are you mad?
00:23:47He's coming here.
00:23:48What if I'm not staying?
00:23:50You will not be a prodigal man.
00:23:54You're going to let me go through life?
00:24:03I told you he wouldn't help you.
00:24:06I told you.
00:24:11Hey!
00:24:12Huh?
00:24:13Are you going to town?
00:24:14Yeah.
00:24:15Fine.
00:24:17Go right ahead.
00:24:22That couldn't be the galloping ghost himself, could it?
00:24:25If he was by himself, all right, that wouldn't get a laugh out of me.
00:24:28All right, let's go.
00:24:30Got any gas?
00:24:34What a lot of noise.
00:24:36The galloping ghost, huh?
00:24:38I don't know who she thinks she's kidding.
00:24:40Meaning what?
00:24:42Does that record sound like the noise we heard when you drove up?
00:24:46Come to think of it, no.
00:24:49You're right.
00:24:51Well, there's something screwy about the whole thing.
00:24:53I feel it in my bones.
00:24:55Maybe it's rheumatism.
00:24:57Yeah.
00:25:02I don't know.
00:25:04A lot of tears of collaboration.
00:25:07You can die like this, but you won't get away with it.
00:25:10Oh, please, James, stop him.
00:25:12Oh, leave me alone.
00:25:15Get up.
00:25:16Get up there.
00:25:19Get out of there.
00:25:20Oh, watch them.
00:25:50Watch them.
00:26:51Are you completely insane?
00:26:54How did you get here?
00:26:56That's how experiments are thought to be fixed.
00:26:58You know.
00:26:59No, I thought there was someone around.
00:27:01Why did you take such a chance?
00:27:03I had to, George.
00:27:04I had to.
00:27:05I'm desperate.
00:27:06You must be.
00:27:07You must be.
00:27:08You must be.
00:27:09You must be.
00:27:10You must be.
00:27:11You must be.
00:27:12You must be.
00:27:13You must be.
00:27:14You must be.
00:27:15You must be.
00:27:16You must be.
00:27:17You must be.
00:27:18You must be.
00:27:19You must be.
00:27:20Get me that lawyer.
00:27:21Do you realize what you're asking me to do?
00:27:24Murder.
00:27:25Oh, call it what you like.
00:27:27Call it what you like.
00:27:29I must write this lawyer.
00:27:31It's my right against somebody else's.
00:27:33And I don't want to live the rest of my life this way.
00:27:36And I won't.
00:27:38Well, well.
00:27:40Yes?
00:27:41I'm on the street headquarters to see you, sir.
00:27:44All right.
00:27:45Ask him to wait in the library.
00:27:47I'll be right back.
00:27:48Very good, sir.
00:27:50Do you suppose anybody saw you come in here?
00:27:53No, I'm sure nothing.
00:27:54Stay right here.
00:27:55Don't take a chance on me.
00:27:57Oh, the captain sent me over to get some more soap on that Lucifer Caterham case.
00:28:17I've already told him all I know.
00:28:19Well, there's a few things I'd like to check on.
00:28:22Very well.
00:28:23When's the last time you saw Mr. Sturgeon?
00:28:26Is that right?
00:28:46Why don't you?
00:29:06You were very closely associated with Dr. Booth, sir.
00:29:10Weren't you?
00:29:11Oh, yes.
00:29:12Yes.
00:29:13Oh.
00:29:31Hello, fountain.
00:29:33Dr. Brewster.
00:29:35Yes.
00:29:38Dr. Brewster.
00:29:56I see.
00:30:12Perhaps I could drop in tomorrow sometime and...
00:30:14Oh, there's just a few more things.
00:30:16How do I get this down?
00:30:32Well, I guess that's all.
00:30:33Thanks a lot.
00:30:34Not at all.
00:30:36Oh, and do you think of anything else in connection with Dr. Booth, sir?
00:30:39Let us know.
00:30:40Looks like we sure can use a lot of help on this one.
00:30:43All right, I will.
00:30:45Thanks.
00:30:46Goodbye.
00:31:13Get me the proof.
00:31:30Who was the man?
00:31:31No one but one of your men.
00:31:33Who was that?
00:31:34I don't know.
00:31:35I didn't get his name.
00:31:36Came about the Brewster case.
00:31:37When did you discover this?
00:31:38Right after he left.
00:31:40You mean this happened while a cop was in the house?
00:31:42Evidently.
00:31:43It sounds unadmittedly.
00:31:45It sounds real.
00:31:46Right there.
00:31:53How about that?
00:31:54Sangulation.
00:31:56By someone with horrific strength.
00:31:58There's a mark on his throat.
00:32:22You sure needed a haircut.
00:32:24You're all up, are you?
00:32:28Hello.
00:32:29Hey, isn't that the guy we saw at Brewster's?
00:32:34He does look like him, doesn't he?
00:32:35Yeah.
00:32:36Here are those pictures.
00:32:37Okay.
00:32:39What's happened to him?
00:32:40Just lost his butler by strangulation.
00:32:42Cops are trying to pin it on an ape.
00:32:44Can you tie that?
00:32:45Here.
00:32:48Well, I see you've got something on the film anyway.
00:32:52Now, this is no man's river.
00:32:54Uh-oh.
00:32:55Trying to pull a Barney, huh?
00:32:57What do you mean?
00:32:58Two pictures for the price of one again.
00:33:00Look at that.
00:33:01Where?
00:33:02Right there.
00:33:07I never saw that before.
00:33:09What is it?
00:33:10How did it get there?
00:33:11It's like a gorilla to me.
00:33:13A gorilla?
00:33:14Yeah.
00:33:16So, what heading does that come under?
00:33:18Switch photography?
00:33:19Is it a gag?
00:33:20I didn't do it.
00:33:21It was in the picture.
00:33:22It was there when I shot it.
00:33:28Hey, wait a minute.
00:33:30Maybe this is a galloping ghost and grand raven or whatever his name was in the flesh.
00:33:33Remember those sounds?
00:33:34Yeah.
00:33:35Isn't that the way a gorilla sounds?
00:33:37Not much of a parasite, but could be.
00:33:40So, the butler of the guy we saw there was murdered by an ape.
00:33:44I wonder.
00:33:45What are you going to do?
00:33:46Try to tell the boss that they were good.
00:33:47Don't you want me to go home?
00:33:48No, no, honey.
00:33:49You stay right there.
00:33:50Hey, maybe you're my lucky number.
00:34:11Have they come yet?
00:34:12No, I expect not.
00:34:14Yes.
00:34:15I got it, I got it.
00:34:17I got it.
00:34:18What?
00:34:19Fluid.
00:34:20The final fluid.
00:34:21You know you've got it?
00:34:22Yes.
00:34:23That's what I expected.
00:34:25You said you wouldn't have...
00:34:27See, it's idle.
00:34:29He is going to make the injection.
00:34:34If he refuses, I'll kill him.
00:34:37Yes.
00:34:40I mean just what I said.
00:35:02Stand with him.
00:35:04He is going to do surgery.
00:35:17See to me, but go ahead if you want to.
00:35:18Thanks.
00:35:19Taking Billy Mason with you?
00:35:20Oh, no.
00:35:21I might have to do some second story work,
00:35:23and she might get a run in her stockings.
00:35:35Jim, do you realize what you've done?
00:35:39Yes, yes.
00:35:41What about it?
00:35:43I've got it, and I have a chance to be cured.
00:35:46That's more important.
00:35:48Even if it costs a man his life?
00:35:50Yes.
00:35:51It's my life I'm thinking about.
00:35:53But we're wasting time.
00:35:55Look.
00:35:56Everything is ready for you to make the injection.
00:35:58Come.
00:35:59Jim?
00:36:00I lied to the police to save you yesterday
00:36:02and made myself almost as guilty as you are.
00:36:05But I won't incriminate myself any further.
00:36:08I'm through.
00:36:09Oh, no, you're not.
00:36:11Churchill, do you know good?
00:36:13If necessary, I'll go to the police
00:36:15and tell them the whole story.
00:36:17You'll do anything you want, Jim.
00:36:19I'm not going to do it.
00:36:20I'm not going to do it.
00:36:21I'm not going to do it.
00:36:22I'm not going to do it.
00:36:23I'm not going to do it.
00:36:24I'm not going to do it.
00:36:25I'm not going to do it.
00:36:26I'm not going to do it.
00:36:27I'll go to the police and tell them the whole story.
00:36:29You'll do as James says.
00:36:32Go on, hurry.
00:36:35Ready, doctor?
00:36:57Oh, no.
00:36:58Oh, no.
00:36:59Oh, no.
00:37:00Oh, no.
00:37:01Oh, no.
00:37:02Oh, no.
00:37:03Oh, no.
00:37:04Oh, no.
00:37:05Oh, no.
00:37:06Oh, no.
00:37:07Oh, no.
00:37:08Oh, no.
00:37:09Oh, no.
00:37:10Oh, no.
00:37:11Oh, no.
00:37:12Oh, no.
00:37:13Oh, no.
00:37:14Oh, no.
00:37:15Oh, no.
00:37:16Oh, no.
00:37:17Oh, no.
00:37:18Oh, no.
00:37:19Oh, no.
00:37:20Oh, no.
00:37:21Oh, no.
00:37:22Oh, no.
00:37:23Oh, no.
00:37:24Oh, no.
00:37:25Oh, no.
00:37:26Oh, no.
00:37:27Oh, no.
00:37:28Oh, no.
00:37:29Oh, no.
00:37:30Oh, no.
00:37:31Oh, no.
00:37:32Oh, no.
00:37:33Oh, no.
00:37:34Oh, no.
00:37:35Oh, no.
00:37:36Oh, no.
00:37:37Oh, no.
00:37:38Oh, no.
00:37:39Oh, no.
00:37:40Oh, no.
00:37:41Oh, no.
00:37:42Oh, no.
00:37:43Oh, no.
00:37:44Oh, no.
00:37:45Oh, no.
00:37:46Oh, no.
00:37:47Oh, no.
00:37:48Oh, no.
00:37:49Oh, no.
00:37:50Oh, no.
00:37:51Oh, no.
00:37:52Oh, no.
00:37:53Oh, no.
00:37:54Oh, no.
00:37:55Oh, no.
00:37:56Oh, no.
00:37:57Oh, no.
00:37:58Oh, no.
00:37:59Oh, no.
00:38:00Oh, no.
00:38:01Oh, no.
00:38:02Oh, no.
00:38:03Oh, no.
00:38:04Oh, no.
00:38:05Oh, no.
00:38:06Oh, no.
00:38:07Oh, no.
00:38:08Oh, no.
00:38:09Oh, no.
00:38:10Oh, no.
00:38:11Oh, no.
00:38:12Oh, no.
00:38:13Oh, no.
00:38:14Oh, no.
00:38:15Oh, no.
00:38:16Oh, no.
00:38:17Oh, no.
00:38:18Oh, no.
00:38:19Oh, no.
00:38:20Oh, no.
00:38:21Oh, no.
00:38:22Oh, no.
00:38:23Oh, no.
00:38:24Oh, no.
00:38:25Oh, no.
00:38:26Oh, no.
00:38:27Oh, no.
00:38:28Oh, no.
00:38:29Oh, no.
00:38:30Oh, no.
00:38:31Oh, no.
00:38:32Oh, no.
00:38:33Oh, no.
00:38:34Oh, no.
00:38:35Oh, no.
00:38:36Oh, no.
00:38:37Oh, no.
00:38:38Oh, no.
00:38:39Oh, no.
00:38:40Oh, no.
00:38:41Oh, no.
00:38:42Oh, no.
00:38:43Oh, no.
00:38:44Oh, no.
00:38:45Oh, no.
00:38:46Oh, no.
00:38:47Oh, no.
00:38:48Oh, no.
00:38:49Oh, no.
00:38:50Oh, no.
00:38:51Oh, no.
00:38:52Oh, no.
00:38:53Oh, no.
00:38:54Oh, no.
00:38:55Oh, no.
00:38:56Oh, no.
00:38:57Oh, no.
00:38:58Oh, no.
00:38:59Oh, no.
00:39:00Oh, no.
00:39:01Oh, no.
00:39:02Oh, no.
00:39:03Oh, no.
00:39:04Oh, no.
00:39:05Oh, no.
00:39:06Oh, no.
00:39:07Oh, no.
00:39:08Oh, no.
00:39:09Oh, no.
00:39:10Oh, no.
00:39:11Oh, no.
00:39:12Oh, no.
00:39:13Oh, no.
00:39:14Oh, no.
00:39:15Oh, no.
00:39:16Oh, no.
00:39:17Oh, no.
00:39:18Oh, no.
00:39:19Oh, no.
00:39:20Oh, no.
00:39:21Oh, no.
00:39:22Oh, no.
00:39:23Oh, no.
00:39:24Oh, no.
00:39:25Oh, no.
00:39:26Oh, no.
00:39:27Oh, no.
00:39:28Oh, no.
00:39:29Oh, no.
00:39:30Oh, no.
00:39:31Oh, no.
00:39:32Oh, no.
00:39:33Oh, no.
00:39:34Oh, no.
00:39:35Oh, no.
00:39:36Oh, no.
00:39:37Oh, no.
00:39:38Oh, no.
00:39:39Oh, no.
00:39:40Oh, no.
00:39:41Oh, no.
00:39:42Oh, no.
00:39:43Oh, no.
00:39:44Oh, no.
00:39:45Oh, no.
00:39:46Oh, no.
00:39:47Oh, no.
00:39:48Oh, no.
00:39:49Oh, no.
00:39:50Oh, no.
00:39:51Oh, no.
00:39:52Oh, no.
00:39:53Oh, no.
00:39:54Oh, no.
00:39:55Oh, no.
00:39:56Oh, no.
00:39:57Oh, no.
00:39:58Oh, no.
00:39:59Oh, no.
00:40:00Oh, no.
00:40:01Oh, no.
00:40:02Oh, no.
00:40:03Oh, no.
00:40:04Oh, no.
00:40:05Oh, no.
00:40:06Oh, no.
00:40:07Oh, no.
00:40:08Oh, no.
00:40:09Oh, no.
00:40:10Oh, no.
00:40:11Oh, no.
00:40:12Oh, no.
00:40:13Oh, no.
00:40:14Oh, no.
00:40:15Oh, no.
00:40:16Oh, no.
00:40:17Oh, no.
00:40:18Oh, no.
00:40:19Oh, no.
00:40:20Oh, no.
00:40:21Oh, no.
00:40:22Oh, no.
00:40:23Oh, no.
00:40:24Oh, no.
00:40:25Oh, no.
00:40:26Oh, no.
00:40:27Oh, no.
00:40:28Oh, no.
00:40:29Oh, no.
00:40:30Oh, no.
00:40:31Oh, no.
00:40:32Oh, no.
00:40:33Oh, no.
00:40:34Oh, no.
00:40:35Oh, no.
00:40:36Oh, no.
00:40:37Oh, no.
00:40:38Oh, no.
00:40:39Oh, no.
00:40:40Oh, no.
00:40:41Oh, no.
00:40:42Oh, no.
00:40:43Oh, no.
00:40:44Oh, no.
00:40:45Oh, no.
00:40:46Oh, no.
00:40:47Oh, no.
00:40:48Oh, no.
00:40:49Oh, no.
00:40:50Oh, no.
00:40:51Oh, no.
00:40:52Oh, no.
00:40:53Oh, no.
00:40:54Oh, no.
00:40:55Oh, no.
00:40:56Oh, no.
00:40:57Oh, no.
00:40:58Oh, no.
00:40:59Oh, no.
00:41:00Oh, no.
00:41:01Oh, no.
00:41:02Oh, no.
00:41:03Oh, no.
00:41:04Oh, no.
00:41:05Oh, no.
00:41:06Oh, no.
00:41:07Oh, no.
00:41:08Oh, no.
00:41:09Oh, no.
00:41:10Oh, no.
00:41:11Oh, no.
00:41:12Oh, no.
00:41:13Oh, no.
00:41:14Oh, no.
00:41:15Oh, no.
00:41:16Oh, no.
00:41:17Oh, no.
00:41:18Never discuss those things with me.
00:41:21Well, I guess you can't be any help to me.
00:41:23I'll just have to dig up what I can for myself.
00:41:27Hey.
00:41:33Oh, by the way, Miss Lucifer, did your brother have a
00:41:35laboratory here in the house where he works?
00:41:37Nothing I know of.
00:41:39OK, I thought maybe I could find something there that
00:41:41might give me a lead.
00:41:42Well, thanks, and good-bye.
00:41:44Goodbye, Mrs. Carter.
00:41:48A very clever young man, Matt.
00:41:55Yes, I heard.
00:41:56George, do you think the fluid will cure James and be free permanently?
00:42:10I don't know.
00:42:11But it's useless for him to look to me for any more help.
00:42:15I warn you, I'll go to the police first.
00:42:45You can't let Clayton up there.
00:43:14I'll go to Clayton.
00:43:15Oh!
00:43:22It's worn off.
00:43:26It wasn't enough.
00:43:28It wasn't enough.
00:43:31I need more.
00:43:39George!
00:43:41I got him!
00:43:44I must have more!
00:43:55Nothing.
00:43:56I need more.
00:44:04I need more.
00:44:24I need more.
00:44:44I need more.
00:45:04I need more.
00:45:26Why wouldn't you go around that way if I were you?
00:45:30Why?
00:45:31I don't know.
00:45:32I don't know.
00:45:33Come on.
00:45:34There's been three murders committed in this precinct and not one single suspect brought
00:45:40in.
00:45:41Where did that put us?
00:45:42Right on the spot.
00:45:43It all looked like it was committed by the same person, Captain.
00:45:47Outside of that, we haven't got a single thing to go on.
00:45:51Thanks, Cap.
00:45:52I suppose you expect the killer to come in and give himself up, huh?
00:45:56Now listen.
00:45:57We're out of transport. There's a fire back in the 6th.
00:45:59The bears will be chasing up the trees.
00:46:01Come on, now. Get out.
00:46:03Get out.
00:46:13Comfortable?
00:46:14Well, hello, stranger.
00:46:16Where have you been all week?
00:46:17I thought your draft board had caught up with you.
00:46:19I've been parked in the bushes outside the booster home so long, I nearly took root.
00:46:23Waiting for the galloping goats to go by?
00:46:25No, I've got a hunch there's something scarier than goats in that joint.
00:46:29Well, why didn't you let me in on it?
00:46:31Because if my hunch is correct, there's no place for a babe in the woods like you.
00:46:36Oh, by the way, if you need any more body tins, you'll find mine in the second drawer.
00:46:41Thanks.
00:46:55You see what we've got?
00:47:19Where have you been this time? Where are you?
00:47:27But George, if it's only a chance to become...
00:47:29Absolutely no. And don't call me again.
00:47:32The police have been here several times this week.
00:47:34They may trace the call.
00:47:50Well, what did he say? How soon will he be here?
00:47:54He's not coming.
00:47:58He's not coming?
00:47:59That's what he said.
00:48:01He must.
00:48:03The food is all ready.
00:48:04He won't keep.
00:48:06Go.
00:48:07Tell him that, quick.
00:48:08If it won't do any good, he won't do it.
00:48:15He won't do it, huh?
00:48:16All right.
00:48:18Here.
00:48:19It doesn't matter.
00:48:20James, what are you going to do?
00:48:23He won't come here. I'm going to him.
00:48:26But you mustn't. The police are watching you.
00:48:28I don't care. I'm going.
00:48:36James, please.
00:48:37Leave me alone.
00:48:38They'll kill you.
00:48:39Let me go. Let me go.
00:48:41They'll kill you.
00:48:42Let me go. Let me go.
00:49:08Oh, it's you.
00:49:09Yes.
00:49:10Were you expecting someone else?
00:49:11No.
00:49:12No, I'm not.
00:49:13Come in.
00:49:19A little touch-up on the hair.
00:49:20A new pair of lips, and you're as good as new.
00:49:22Where are you going?
00:49:23Back to my listening post.
00:49:25Lucy?
00:49:26Can I go with you?
00:49:28Why not?
00:49:29No place for little girls.
00:49:30There's too many snakes, frogs, and lizards.
00:49:32Big ones. Big as alligators.
00:49:34Besides, if I have to run, I don't want to wait for you.
00:49:37Oh, don't wait up for me.
00:50:08We're no nearer to the killer than we were before.
00:50:13Yes.
00:50:14All right, we're coming in.
00:50:28Good night, doc.
00:50:29Good night, gentlemen.
00:50:30Good night.
00:50:38All right, let's go.
00:50:40No, I've got a hunch he's expecting somebody.
00:50:42Let's wait around and see.
00:50:59I could kill you before they got here.
00:51:01So be careful.
00:51:04I could kill you before they got here.
00:51:06So be careful.
00:51:08It's here, George.
00:51:09I have it.
00:51:10Look.
00:51:11It's enough for half a dozen injections.
00:51:13This time it can't fail.
00:51:16Come on.
00:51:17Hurry.
00:51:34You are going to do as you hear me.
00:51:37All right.
00:51:40Here.
00:52:03Here.
00:52:34You're hit.
00:52:36Back broken.
00:52:42George!
00:52:43George!
00:52:48Who's going to what?
00:53:03Who's going to what?
00:53:33George!
00:53:34George!
00:53:35George!
00:53:36George!
00:53:37George!
00:53:38George!
00:53:39George!
00:53:40George!
00:53:41George!
00:53:42George!
00:53:43George!
00:53:44George!
00:53:45George!
00:53:46George!
00:53:47George!
00:53:48George!
00:53:49George!
00:53:50George!
00:53:51George!
00:53:52George!
00:53:53George!
00:53:54George!
00:53:55George!
00:53:56George!
00:53:57George!
00:53:58George!
00:53:59George!
00:54:00George!
00:54:01George!
00:54:02George!
00:54:03George!
00:54:04George!
00:54:05George!
00:54:06George!
00:54:07George!
00:54:08George!
00:54:09George!
00:54:10George!
00:54:11George!
00:54:12George!
00:54:13George!
00:54:14George!
00:54:15George!
00:54:16George!
00:54:17George!
00:54:18George!
00:54:19George!
00:54:20George!
00:54:21George!
00:54:22George!
00:54:23George!
00:54:24George!
00:54:25George!
00:54:26George!
00:54:27George!
00:54:28George!
00:54:29George!
00:54:30George!
00:54:31George!
00:54:32George!
00:54:33George!
00:54:34George!
00:54:35George!
00:54:36George!
00:54:37George!
00:54:38George!
00:54:39George!
00:54:40George!
00:54:41George!
00:54:42George!
00:54:43George!
00:54:44George!
00:54:45George!
00:54:46George!
00:54:47George!
00:54:48George!
00:54:49George!
00:54:50George!
00:54:51George!
00:54:52George!
00:54:53George!
00:54:54George!
00:54:55George!
00:54:56George!
00:54:57George!
00:54:58George!
00:54:59George!
00:55:00George!
00:55:01George!
00:55:02George!
00:55:03George!
00:55:04George!
00:55:05George!
00:55:06George!
00:55:07George!
00:55:08George!
00:55:09George!
00:55:10George!
00:55:11George!
00:55:12George!
00:55:13George!
00:55:14George!
00:55:15George!
00:55:16George!
00:55:17George!
00:55:18George!
00:55:19George!
00:55:20George!
00:55:21George!
00:55:22George!
00:55:23George!
00:55:24George!
00:55:25George!
00:55:26George!
00:55:27George!
00:55:28George!
00:55:29George!
00:55:30George!
00:55:31George!
00:55:32George!
00:55:33George!
00:55:34George!
00:55:35George!
00:55:36George!
00:55:37George!
00:55:38George!
00:55:39George!
00:55:40George!
00:55:41George!
00:55:42George!
00:55:43George!
00:55:44George!
00:55:45George!
00:55:46George!
00:55:47George!
00:55:48George!
00:55:49George!
00:55:50George!
00:55:51George!
00:55:52George!
00:55:53George!
00:55:54George!
00:55:55George!
00:55:56George!
00:55:57George!
00:55:58George!
00:55:59George!
00:56:00George!
00:56:01George!
00:56:02George!
00:56:03George!
00:56:04George!
00:56:05George!
00:56:06George!
00:56:07George!
00:56:08George!
00:56:09George!
00:56:10George!
00:56:11George!
00:56:12George!
00:56:13George!
00:56:14George!
00:56:15George!
00:56:16George!
00:56:17George!
00:56:18George!
00:56:19George!
00:56:20George!
00:56:21George!
00:56:22George!
00:56:23George!
00:56:24George!
00:56:25George!
00:56:26George!
00:56:27George!
00:56:28George!
00:56:29George!
00:56:30George!
00:56:31George!
00:56:32George!
00:56:33George!
00:56:34George!
00:56:35George!
00:56:36George!
00:56:37George!
00:56:38George!
00:56:39George!
00:56:40George!
00:56:41George!
00:56:42George!
00:56:43George!
00:56:44George!
00:56:45George!
00:56:46George!
00:56:47George!
00:56:48George!
00:56:49George!
00:56:50George!
00:56:51George!
00:56:52George!
00:56:53George!
00:56:54George!
00:56:55George!
00:56:56George!
00:56:57George!
00:56:58George!
00:56:59George!
00:57:00George!
00:57:01George!
00:57:02George!
00:57:03George!
00:57:04George!
00:57:05George!
00:57:06George!
00:57:07George!
00:57:08George!
00:57:09George!
00:57:10George!
00:57:11George!
00:57:12George!
00:57:13George!
00:57:14George!
00:57:15George!
00:57:16George!
00:57:17George!
00:57:18George!
00:57:19George!
00:57:20George!
00:57:21George!
00:57:22George!
00:57:23George!
00:57:24George!
00:57:25George!
00:57:42Darling!
00:57:47Darling!
00:57:55Darling!
00:57:56Darling!
00:57:57Darling!
00:57:58Darling!
00:57:59Darling!
00:58:00Darling!
00:58:01Darling!
00:58:02Darling!
00:58:03Darling!
00:58:04Darling!
00:58:05Darling!
00:58:06Darling!
00:58:07Darling!
00:58:08Darling!
00:58:09Darling!
00:58:10Darling!
00:58:11Darling!
00:58:12Darling!
00:58:13Darling!
00:58:14Darling!
00:58:15Darling!
00:58:16Darling!
00:58:17Darling!
00:58:18Darling!
00:58:19Darling!
00:58:20Darling!
00:58:21Darling!
00:58:22Darling!
00:58:23Darling!
00:58:24Darling!
00:58:25Darling!
00:58:26Darling!
00:58:27Darling!
00:58:28Darling!
00:58:29Darling!
00:58:30Darling!
00:58:31Darling!
00:58:32Darling!
00:58:33Darling!
00:58:34Darling!
00:58:35Darling!
00:58:36Darling!
00:58:37Darling!
00:58:38Darling!
00:58:39Darling!
00:58:40Darling!
00:58:41Darling!
00:58:42Darling!
00:58:43Darling!
00:58:44Darling!
00:58:45Darling!
00:58:46Darling!
00:58:47Darling!
00:58:48Darling!
00:58:49Darling!
00:58:50Darling!
00:58:51Darling!
00:58:52Darling!
00:58:54Who came to Randall to warn him about someone?
00:58:57Ah, who was it?
00:59:02All right, Susie.
00:59:04What?
00:59:06What?
00:59:08Okay.
00:59:09Okay.
00:59:11Get over to the Brewster home as quick as you can.
00:59:13There's trouble over there.
00:59:14Take her with you.
00:59:15Come on, lady.
00:59:16Come on, hurry up.
00:59:23Go home!
00:59:25Go on!
00:59:27Go on!
00:59:29Go on!
00:59:31Go on!
00:59:33Go on!
00:59:35Go on!
00:59:49Timmy!
00:59:50Come on, let's get out of here!
01:00:14Help!
01:00:32Go back in there! Go back in there! Run!
01:00:43Go back in there!
01:01:13Help! Help!
01:01:16There's a button back there. Let's try to press it.
01:01:19Help! Please help! We've got to get out!
01:01:38Help!
01:01:43Help! Help!
01:01:50Help!
01:01:57Hennigan, stay here. Vince, you step in the back. Come on.
01:02:04You step it down in there. I can't open that thing.
01:02:07She knows how it works. Come on, make her open it up. Quick!
01:02:11All right, open it up.
01:02:18Help!
01:02:40Help!
01:02:43Help!
01:03:07You know, how about you over my knee and paddle you good?
01:03:11Don't be a chump.
01:03:16Hey, what are you doing in my car?
01:03:19Who are you anyway?
01:03:21Me? Oh, I'm the author of the story.
01:03:24Screwy idea, wasn't it?