Super Cult Cinema
Super Cult Cinema
  • 3 months ago
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Transcript
00:00:00I want to get a divorce, yes, I want to get a divorce, because I already have a lot of freedom.
00:00:06Yes, I want to get a divorce, yes, I want to get a divorce, but take care of your mother.
00:00:10I want freedom, and that's why I'm going to your mother's police station.
00:00:30I want to get a divorce, yes, I want to get a divorce, because I already have a lot of freedom.
00:01:00And here we are.
00:01:07All here.
00:01:08Yes, ma'am, but you don't have to be offended by appearances, you know.
00:01:11You know that Federico Fellini shot the film La Dolce Vita here.
00:01:14Have you seen it?
00:01:15Yes.
00:01:16In a scene there was a bed floating on the water.
00:01:21It's here that they shot it, ma'am.
00:01:23Here.
00:01:24And this is where the Roman and international aristocracy comes to have fun.
00:01:28Ma'am, anything can happen here.
00:01:30Thief! Thief! Thief! Thief! Thief! Thief!
00:01:35Ma'am, please.
00:01:36What a coward! What a coward!
00:01:38Calm down, ma'am, believe me, I'm mortified.
00:01:41Something like this has never happened here.
00:01:43Inside the pit there was a gun.
00:01:45The money is here, here!
00:01:47What? The money is here?
00:01:49Yes, it's here.
00:01:50Then, ma'am, if you want to settle in that shack, there's a delicious place there.
00:01:54I live there at the moment in the absence of a friend who is in exile.
00:01:58Listen, are you selling me a ring?
00:02:00No, ma'am, I'm amazed, I'm a good person, you know.
00:02:03And then here in the area I know everyone.
00:02:05In two minutes I'll let you find the bag and the revolter.
00:02:08That's what interests me, not the money.
00:02:10So let's go, ma'am.
00:02:12Can I trust you?
00:02:13Of course.
00:02:14As I said, you have to trust me, ma'am.
00:02:25He's laughing.
00:02:33Damn it!
00:02:34You stole the bag without money and the gun loaded safe!
00:02:38Are you crazy? What did you do?
00:02:40You unloaded the gun to the one who unloaded it.
00:02:43But why do you really want to give it back?
00:02:45It's logical, no, I had to steal the money from him.
00:02:47But look at this.
00:02:48But here are the bullets.
00:02:49Ah, yes, there are the bullets.
00:02:51Ah, here they are.
00:02:52These are the bullets of the revolter stolen by the FBI.
00:02:56I'm an honest person.
00:02:57Very good.
00:02:58Listen, get ready that soon the English will arrive for the usual thing.
00:03:02Oh, what a mess, all day out and in that bed.
00:03:06But there are also five bags per time.
00:03:08The five bags you say to give me that I never see?
00:03:11Well, this time I'll give the extraordinary ones too.
00:03:14Give me the bag.
00:03:15Here it is.
00:03:16Oh, be careful, five minutes of time.
00:03:22See you.
00:03:37How do you like them?
00:03:42Madam, I'm a potential.
00:03:44In two minutes I brought the bag.
00:03:46Thank goodness.
00:03:48Please, sir.
00:03:49I'm glad you came, Georgia.
00:03:51to see you with me.
00:03:52You know, I've been a regular customer here for years.
00:03:55And I've got a new man since I came.
00:03:57You will be the same if you try.
00:03:58Yes, all right.
00:03:59All right.
00:04:00Mm-hmm.
00:04:01Mm-hmm.
00:04:21S Will.
00:04:28Since I came here I feel so different.
00:04:30Yes.
00:04:30Come here.
00:04:31I thought I'd never seen night fair like this before when I was here.
00:04:35You are eager to see your revolving Eiffel Tower.
00:04:36Ah, yes, mean thing.
00:04:38What do you mean thing?
00:04:40They're amazing things.
00:04:41We look forward to hearing when you open them again.
00:04:43When?
00:04:44There?
00:04:45We should go check it out.
00:04:46Yes.
00:04:46Excuse me.
00:04:47I am so eager to see these things.
00:04:48We may be late.
00:04:49And you, when you get married?
00:04:51Oh, stop it!
00:04:53You'll make her die.
00:04:54Oh God, it could be my husband.
00:04:56If I stay here, I'll be on the wrong side.
00:04:59But no, ma'am, sometimes the police come here.
00:05:01There are exchanges of people, judicial errors.
00:05:03I understand, I have to hide.
00:05:05But where do you hide? Ma'am, come here.
00:05:07Listen, I'll give you some advice.
00:05:09Ma'am, listen to me.
00:05:10You have an honest, clean face.
00:05:12It could happen in the hands of dishonest people.
00:05:15At home.
00:05:16But when I catch him, I don't know what I'll do to him.
00:05:18I'll leave Rome, I won't move.
00:05:20Yes, but you have to move quickly, ma'am.
00:05:22Because if the police are knocking on the door,
00:05:24when they open the bag and find the revolver,
00:05:26you'll end up in jail.
00:05:28Oh my God, only this should happen to me now.
00:05:30You're right, you know.
00:05:32Ma'am, trust my eyes.
00:05:34There's an emergency exit over there.
00:05:36Trust me, ma'am. Please.
00:05:38Thank you, you're a real gentleman.
00:05:40Thank you, ma'am.
00:05:41Anyway, there's an emergency exit over there.
00:05:43Please, ma'am.
00:05:44Yes.
00:05:45Come, come.
00:05:49Thank you.
00:05:50Don't cry, ma'am, don't cry.
00:05:52Go, go, dear ma'am.
00:05:55Do you remember that Rome is big?
00:05:57It's hard to find your husband.
00:06:00What are you looking at?
00:06:01Go to bed, the English are knocking.
00:06:03Go.
00:06:07Let's go, hurry up.
00:06:08Get ready, they're coming.
00:06:10Ah, these English, what a hurry.
00:06:12Wait a minute, wait a minute.
00:06:15Oh, my friends, calm down, calm down.
00:06:18Please, moment, please, moment.
00:06:20Dear Dr. Fagiolini, how are you?
00:06:23Thank you, my dear, dear doctor.
00:06:25How's the money?
00:06:28Beautiful, really nice.
00:06:30More beautiful than ever.
00:06:34Half a place for one.
00:06:38Yes, but guys, stand up.
00:06:40Okay.
00:06:44What are you doing?
00:06:45And now, gentlemen, I'll show you a dress that is a wonderful thing.
00:06:50Wait a minute.
00:06:52Here, you make light.
00:06:55Do I have to make light?
00:06:56No.
00:06:57You, stopwatch.
00:06:58Yes.
00:07:00And you make wind.
00:07:02Wait a minute.
00:07:04Wait a minute.
00:07:05And you make wind.
00:07:06Wait a minute.
00:07:08Wait a minute.
00:07:26Frank.
00:07:27Yes.
00:07:28I used to be a firefighter.
00:07:30Danny Hawking behind the slated oil slide.
00:07:33According to the FBA command, this is the precise point.
00:07:37That is the main door.
00:07:39But we don't care about anyone, boys.
00:07:41We'll get in from the emergency exit.
00:07:43Yes.
00:07:44Okay.
00:07:51And now I'm getting out of here.
00:08:04Yes.
00:08:06Yes.
00:08:07Yes.
00:08:19And now I'm getting out of here.
00:08:21Yes.
00:08:22Yes.
00:08:23Yes.
00:08:24Yes.
00:08:25♪
00:08:32Oh my!
00:08:42♪
00:08:44What is it, Cap?
00:08:46Why is this rat not right?
00:08:48She's still 𠱁in command!
00:08:50This is not the emergency exit.
00:08:54What is it?
00:08:55We're in the middle of a chicken coop.
00:08:58Chickens?
00:08:59Yes.
00:09:00They could be cross-dressed spies.
00:09:03Mamma mia.
00:09:06We have no suspicions.
00:09:08Try to find out that I'm covering your back with the gun.
00:09:11Yes, of course.
00:09:25I'm a chicken, boss.
00:09:32An egg.
00:09:35Are you sure it's a fresh egg?
00:09:41So, before the exciting conclusion, a tranquilizer.
00:09:45Thank you, thank you.
00:09:48Avicii.
00:09:49Avicii.
00:09:50Avicii.
00:09:51Boss, the house is surrounded.
00:09:57Good, Fred.
00:09:58Ready?
00:09:59Very ready.
00:10:00Go first.
00:10:02I said go first.
00:10:04You go first.
00:10:05But you go second.
00:10:07You always go second.
00:10:09But you go first.
00:10:19Open the door.
00:10:24Do you want us to open it?
00:10:31Fred, shoot in the air.
00:10:37I said in the air.
00:10:44I'm Mancini.
00:10:45Shoot on the ground.
00:10:49Are you crazy to shoot?
00:10:51And this is not the time to buy guns or covers.
00:10:54Are you crazy?
00:10:56I have to do it.
00:10:57Guys, come here.
00:11:00Sergeant Smith, FBI.
00:11:03FBI.
00:11:04Agent Frank, Radio TV.
00:11:12Wait a second.
00:11:14Wait a second.
00:11:15Come on.
00:11:18Come on.
00:11:20Come on.
00:11:21Come on.
00:11:29She's dead.
00:11:30She's dead.
00:11:33Don't tell me this.
00:11:35Who was it?
00:11:36Why?
00:11:37Why this time?
00:11:38Take this.
00:11:40Stop.
00:11:47Nice.
00:11:51What are you looking for?
00:11:52What do you want from me?
00:11:53I'm an honest person.
00:11:55What are you looking for?
00:11:56Sergeant Smith, FBI.
00:11:59During the visit to our FBI command.
00:12:04He stole a gun from our FBI colleague.
00:12:07We don't know what gun it is.
00:12:10Where is the gun?
00:12:11I don't know.
00:12:12He must have hidden the gun in the FBI.
00:12:15You don't know?
00:12:17Sergeant Smith.
00:12:20All right.
00:12:22You stay there at my disposal.
00:12:25And you stay there at my disposal.
00:12:28All out.
00:12:29Come on.
00:12:30Let's go.
00:12:31Let's go.
00:12:32Come on.
00:12:33Come on.
00:12:34Come on.
00:12:35Come on.
00:12:36Come on.
00:12:37Come on.
00:12:38Come on.
00:12:39Come on.
00:12:40Come on.
00:12:41Come on.
00:12:42Come on.
00:12:43Come on.
00:12:44Come on.
00:12:45Come on.
00:12:46Come on.
00:12:47Come on.
00:12:48Come on.
00:12:49Come on.
00:12:50Come on.
00:12:51Come on.
00:12:52Come on.
00:12:53Come on.
00:12:54Come on.
00:12:55Come on.
00:12:56Come on.
00:12:57Come on.
00:12:58Come on.
00:12:59Come on.
00:13:00Come on.
00:13:01Come on.
00:13:02Come on.
00:13:03Come on.
00:13:04Come on.
00:13:05Come on.
00:13:06Come on.
00:13:07Come on.
00:13:08Come on.
00:13:09Come on.
00:13:10Come on.
00:13:11Come on.
00:13:12Come on.
00:13:13Come on.
00:13:14Come on.
00:13:15Come on.
00:13:16Come on.
00:13:17Come on.
00:13:18Come on.
00:13:19Come on.
00:13:20Come on.
00:13:21Come on.
00:13:22Come on.
00:13:23Come on.
00:13:24Come on.
00:13:25Come on.
00:13:26Come on.
00:13:27Come on.
00:13:28Come on.
00:13:29Come on.
00:13:30Come on.
00:13:31Come on.
00:13:32Come on.
00:13:33Are you crazy?
00:13:34Call thatios?
00:13:41Thatis better.
00:13:42He will not say anything if you do the same.
00:13:43Which one of you pays?
00:13:48Are you crazy?
00:13:49Call thatios now!
00:13:54Don't make it obvious.
00:14:00I am a mad man.
00:14:01Or mung bean.
00:14:02I'm going to the consulate to get an answer of this claim.
00:14:32You understand?
00:14:33I don't understand this! What language are you speaking?
00:14:35I speak English.
00:14:36Ah, he's looking for an English mother.
00:14:38A woman.
00:14:39Without a mother.
00:14:40Without a mother.
00:14:41No.
00:14:42Without a mother.
00:14:43Without a father.
00:14:44Orphan.
00:14:45Orphan!
00:14:46Gerard!
00:14:47Come out!
00:14:48Come out!
00:14:49To me?
00:14:50You Debra!
00:14:51You Debra!
00:14:52What is this?
00:14:53It's a watch.
00:14:54Not a bomb?
00:14:55No, not a bomb, it's a watch.
00:14:56Request!
00:14:57Who are you?
00:14:58Speak, speak!
00:14:59I am...
00:15:00Silence!
00:15:01Why don't you answer?
00:15:02I...
00:15:03Silence!
00:15:04Answer!
00:15:05I am...
00:15:06I am...
00:15:07I am...
00:15:08I am...
00:15:09I am...
00:15:10I am...
00:15:11I am...
00:15:12I am...
00:15:13I am...
00:15:14I am...
00:15:15I am...
00:15:16I am...
00:15:17I am...
00:15:18I am...
00:15:19I am...
00:15:20Goodbye.
00:15:21Goodbye.
00:15:22Call...
00:15:23Call people.
00:15:24Okay, got it.
00:15:25I apologize, but there's no need to apologize.
00:15:27Sergeant Smith, F.A.B.I., understood?
00:15:30Perquisition!
00:15:32Agent Frank of the N.G.K.2, understood?
00:15:37Shut up!
00:15:40No, nothing.
00:15:43I came to Rome to look for the number of Spogliarello,
00:15:47since Dr. Fagiolini...
00:15:49I don't care! Take off your pajamas!
00:15:52I don't have a jacket, I won't take it off.
00:15:54Take off your pajamas!
00:15:55What pajamas? This is a jacket...
00:15:57I don't want to lose my calm! Take off your pajamas!
00:15:59No, no, no, I'm sorry, I won't take off my jacket.
00:16:01You young man, where are you from?
00:16:03Calabria.
00:16:06This Calabria! There's nothing to do!
00:16:10Very hard!
00:16:13What do we do? Where do we send him?
00:16:15Montecitorio.
00:16:17Okay.
00:16:18Montecitorio? Okay. Goodbye.
00:16:20Goodbye.
00:16:21Another one ahead!
00:16:26Perquisition!
00:16:27Wait!
00:16:30Perquisition!
00:16:31Wait! Requisition!
00:16:34My dear, I love the American police.
00:16:39I like the FBI.
00:16:41I like it.
00:16:43You're handsome!
00:16:44You make me blush!
00:16:45You look like Marlon Brando.
00:16:47We're two milk brothers, we were born in two different cities.
00:16:50You're adorable!
00:16:52Perquisition!
00:16:54Capo Smith! Perquisition!
00:16:57What's going on, Smith?
00:16:59Come on, come on!
00:17:02Perquisition!
00:17:03But, but... Requisition!
00:17:08Capo, what do we do with this idiot?
00:17:11What... Cabinet! Okay!
00:17:16What do we do with this girl?
00:17:18What's going on, Smith?
00:17:20She's hiding a lot of things.
00:17:22Where do we send her?
00:17:23To my house.
00:17:28Bye, baby!
00:17:29Bye!
00:17:30Bye, baby!
00:17:31Beautiful!
00:17:32I feel the pain in my veins!
00:17:34The fire! I feel electric!
00:17:36Electric?
00:17:37Yes.
00:17:41Where do we send her?
00:17:43To Sweden!
00:17:44Nobel Prize for Ventilation!
00:17:47Stop!
00:17:49Requisition!
00:17:50Perquisition!
00:17:54Come on!
00:17:56Come on, another one!
00:18:01Requisition!
00:18:02Et voilà!
00:18:03So, if I have to undress, I undress!
00:18:05If I don't have to undress, I don't undress!
00:18:07But remember, I don't talk to you two!
00:18:09And don't make me angry, you know?
00:18:11Because if you do, I become a tiger!
00:18:13And I can even hit you!
00:18:14Maybe with a flower!
00:18:16Stop! Stop! Stop!
00:18:18You hurt me!
00:18:20He's hurt me.
00:18:23Boss, where are we going to send him?
00:18:26To your house.
00:18:28Is that all?
00:18:29Good.
00:18:30See you later.
00:18:31That thief!
00:18:32I didn't do anything.
00:18:33I didn't do anything.
00:18:34I didn't do anything.
00:18:36You, Cleopatra, come here.
00:18:39I didn't do anything.
00:18:41I didn't do anything.
00:18:43Where are the beans?
00:18:44Where are the beans?
00:18:45Beans?
00:18:46What beans?
00:18:47I was left alone with eggplant.
00:18:49Come here.
00:18:56What eggplant and beans?
00:18:59Where's the carrot?
00:19:00And the gun?
00:19:01Gun?
00:19:04But I...
00:19:05Where's the gun?
00:19:06What gun?
00:19:09Slow down.
00:19:10What are you doing?
00:19:11I'm sorry.
00:19:12What are you doing?
00:19:13I'm sorry.
00:19:14What are you doing?
00:19:15Come here.
00:19:16Come here.
00:19:17Go, go, go.
00:19:19Go, go, go.
00:19:33Madhouse!
00:19:38Come, Brand.
00:19:39Come out.
00:19:41Okay.
00:19:43Come.
00:19:44Where did those two people go?
00:19:48We went out of emergency. They ran away from the main entrance.
00:19:53What are you talking about now? I'm in command.
00:19:55Speak slowly.
00:19:56Is there anyone?
00:19:58There is no one.
00:20:03Here are the girls' clothes.
00:20:06I would like to take them off.
00:20:10Request, request.
00:20:15Come on, girls.
00:20:18Girls with guns.
00:20:20I didn't do anything.
00:20:22Here's a gun stolen by FBI agents.
00:20:25You're a thief, aren't you?
00:20:27No, no, I didn't do anything.
00:20:29What do we do with this woman?
00:20:31Nothing, Agent Frank.
00:20:32Our mission is only to recover the gun.
00:20:34You little girl, remember that we at the FBI are not thieves.
00:20:39Good.
00:20:40Agent Frank, mission accomplished.
00:20:43Promotion secured.
00:20:46Okay.
00:20:48Agent Frank.
00:20:49Huh?
00:20:50Up here.
00:20:52Up here.
00:21:13I'm sorry.
00:21:27I propose a toast to the promotion of our friend Circio.
00:21:31Oh, yes.
00:21:33Let's stop this nonsense.
00:21:35Who cares about my promotion?
00:21:37Circio, what are you saying?
00:21:38The truth is that I can't stand all this hypocrisy.
00:21:44Excuse me, I didn't expect this reaction.
00:21:48He must be a little nervous.
00:21:51Well, excuse me, I don't know what to say.
00:21:54I have a terrible headache.
00:21:56I'll get you a sedative.
00:21:57Yes, maybe it's better.
00:21:59Sorry, it's late, we have to go.
00:22:02But you won't be offended.
00:22:03I've already apologized.
00:22:04No, it's not that we're offended.
00:22:06It's just because we have to go.
00:22:08As you wish.
00:22:11Goodbye.
00:22:12Goodbye.
00:22:14Thank you.
00:22:15Goodbye, Massimo.
00:22:19Goodbye.
00:22:21Goodbye.
00:22:22Goodbye.
00:22:35But they all left.
00:22:36Yes.
00:22:37It's better this way, I couldn't stand them.
00:22:40Ah, the pill.
00:22:42Yes.
00:22:46Please, leave me alone.
00:22:47I'd like to rest.
00:23:04May I, lawyer?
00:23:05Come in, Mr. Fulgenzi, come in.
00:23:08Good morning.
00:23:09Make yourself comfortable.
00:23:10Thank you.
00:23:13What can I do for you?
00:23:15Well, it's really not me who should be useful,
00:23:17but a friend of mine who is in a bad situation.
00:23:20I know these friends who use friends as a shield.
00:23:24Well, I'm not a shield, lawyer.
00:23:26In fact, I was the one who lent it to me.
00:23:28Trigger.
00:23:29Yes.
00:23:30Lawyer, this friend is in trouble.
00:23:33It's clear.
00:23:34Otherwise, he wouldn't need a lawyer.
00:23:36Exactly.
00:23:37As I was saying, the character in question is a good person,
00:23:41an exemplary husband.
00:23:42In short, a serious person.
00:23:44Only he has a bad habit.
00:23:46What?
00:23:47That of trusting friends.
00:23:50I noticed that.
00:23:52In fact, he trusted you to consult a lawyer.
00:23:57What does it matter?
00:23:58I really love him.
00:23:59You can't imagine how much I love him.
00:24:01Trigger.
00:24:02Well, with the fact of trusting, he let himself be convinced
00:24:05and played in the stock market.
00:24:08I bet he lost.
00:24:10Yes, he lost.
00:24:11But I don't see what's so funny about it.
00:24:13Now he's in trouble because he doesn't know how to make his wife understand.
00:24:18Trigger.
00:24:19Yes.
00:24:21He's a bank employee.
00:24:23Silence, I'll continue.
00:24:24His friend, hoping to get back together,
00:24:27started by taking a small sum in the bank.
00:24:30Then he lost that too.
00:24:32He took a bigger one and so on.
00:24:35Now he has water in his throat.
00:24:37Isn't that so?
00:24:38Yes, it is.
00:24:39But he has every intention of returning the sum.
00:24:42Oh, everyone says that.
00:24:44No, he really wants to return the sum.
00:24:46I guarantee it to him.
00:24:47Trigger.
00:24:48Yes, Trigger.
00:24:49But he can't do it because he's been promoted.
00:24:52The exemplary employee.
00:24:54And they'll move him to another office.
00:24:56Then the employee who replaces him will realize the failure.
00:25:00And then...
00:25:01But it's clear.
00:25:02It's obvious.
00:25:03His career will be broken.
00:25:07The shame will fall on his family.
00:25:10And he will spend much of his days in jail.
00:25:16My lawyer, but you are catastrophic.
00:25:18Catastrophic.
00:25:20But you know what I would advise?
00:25:22If I were a friend of his friend.
00:25:24What would you advise?
00:25:26To throw himself into the river.
00:25:36My sweet Mara, forgive me.
00:25:48I was wrong.
00:25:49It is rare and human.
00:25:50And now I have paid.
00:25:52I'm going to reach the world of the most.
00:25:54Dear love, don't suffer.
00:25:56Just try to understand.
00:26:07What?
00:26:24What?
00:26:36What?
00:26:47Who is it?
00:26:54I'm sorry, lady of the accident.
00:26:56I'm mortified.
00:27:07Listen, I'm curious.
00:27:09It's a new kind of fishing.
00:27:11Sir, I beg you to have respect for my pain.
00:27:16But I had no intention of offending you.
00:27:19But it seems strange to me to see her throw flowers into a river.
00:27:22This is not a river.
00:27:24And what is it?
00:27:25This is a grave.
00:27:27A grave?
00:27:29Yes.
00:27:30But?
00:27:31This is where my poor Ciccio threw himself.
00:27:34The waters of the river have never returned his body.
00:27:39It's like his.
00:27:41Who knows how many other corpses.
00:27:44This cruel river will be buried.
00:27:52You say?
00:27:53Yes.
00:27:55Let me.
00:28:04Let me.
00:28:20Madam, I have another question.
00:28:24How long has your husband been dead?
00:28:28Today?
00:28:30It's been exactly three years.
00:28:33So you live alone?
00:28:36No.
00:28:38I live in memory of my poor Ciccio.
00:28:42Well, it's like living alone.
00:28:44I understand, madam.
00:28:46You know why I'm in the same condition.
00:28:48My only two companions are Canda and Lenza.
00:28:53Oh, you're alone too?
00:28:55Tremendously.
00:28:57Oh, poor thing.
00:29:03So?
00:29:26What?
00:29:27What's going on?
00:29:29Today is the anniversary.
00:29:31I know, but it's also the anniversary of the death of poor Ciccio.
00:29:37I think there's a bit of exaggeration in all this.
00:29:42Excuse me, Franco, but do you call exaggeration honoring a dead man?
00:29:46You honor him too much. In this house, all you do is talk about goodwill.
00:29:50It's as if he were living with us.
00:29:52You're unfair. You talk about it as if you were jealous.
00:29:57What do you mean jealous? I just feel uncomfortable.
00:30:00Well, I'm a little jealous.
00:30:04Fool, how can you be jealous of a dead man?
00:30:12I loved him so much, it's true, like I love you now.
00:30:15Me too.
00:30:16And then you should be happy, yes.
00:30:19Because this proves to you that even if you were to die,
00:30:24I will never forget you.
00:30:26You convinced me. Do we want to eat?
00:30:29Yes.
00:30:39Love, are we expecting guests?
00:30:42No.
00:30:43Then why did you dress up for three?
00:30:47See, Franco, it's something I always do,
00:30:50every time the anniversary of his death comes around.
00:30:53I waited for him so much, so much that day.
00:30:56I didn't know what had happened.
00:30:59And when I found out, I didn't want to believe it.
00:31:03I kept waiting for him until I resigned.
00:31:07But you didn't resign.
00:31:09So much so that you prepared the dish in front of me.
00:31:12But you see, it's like renewing a rite.
00:31:15Like feeling that anguish again.
00:31:18But do you like to live in anguish?
00:31:21Franco, why don't you try to understand?
00:31:24But understanding is understanding.
00:31:26I'm going to open.
00:31:28No, I'm going.
00:31:38But what are you looking at?
00:31:50Ah!
00:31:57Oh, my God!
00:32:03Come on, dear, I'm back.
00:32:06Mara, Mara, what happened?
00:32:09It's the emotion, she didn't expect to see me.
00:32:11She wants to explain it to me.
00:32:13Come on, come on, I'm back.
00:32:17But you're not...
00:32:19I'm the husband, and you?
00:32:22Me too.
00:32:25What should I have done?
00:32:27I don't know, maybe I was wrong.
00:32:29I just know that you didn't have the courage to see Mara suffer.
00:32:32That's why I organized all that mess.
00:32:36But when did you get married?
00:32:38Ten months ago, after the alleged death statement.
00:32:42Why did you come back to life after so many years?
00:32:46My friend, you don't know what I've suffered.
00:32:48The pains of hell, yes, the pains of hell.
00:32:51Poor thing.
00:32:52Then I couldn't take it anymore.
00:32:53I had to see Mara again.
00:32:55You didn't expect me, did you?
00:32:56Well, in a way, yes.
00:32:58Do you think I had prepared the dish for you?
00:33:01The dish?
00:33:02Yes.
00:33:03My dear.
00:33:11I'm going to make coffee.
00:33:17Signore.
00:33:18Eh?
00:33:19Potrei sapere le sue intenzioni?
00:33:22Beh, mi sembra abbastanza chiaro, no?
00:33:24Sono tornato.
00:33:25E con questo?
00:33:26Senta, giovanotto.
00:33:28È un po' difficile a dirsi.
00:33:31Ma lei se ne deve andare.
00:33:38Ma lei, pazzo!
00:33:39Di se c'è uno che se ne deve andare è proprio lei!
00:33:43Senta, piccoletto, io rivolgo mia moglie.
00:33:45È mia moglie!
00:33:46Non è vero, il vostro matrimonio non è valido.
00:33:48Il suo non è valido.
00:33:49Lei non esiste.
00:33:50Io sono qui, sono vivo.
00:33:51Ma civilmente è morto.
00:33:53Mi ascolti bene.
00:33:54Io ho cercato mia moglie per mare e per terra.
00:33:57E adesso che l'ho ritrovata, non la mollo più,
00:33:59a costo di andarmi a costituire.
00:34:01Ci siamo capiti?
00:34:02Disonesto!
00:34:03Va di come parla, eh?
00:34:04Simulatore di suicidi!
00:34:05Guardi che io...
00:34:06Ma cosa fate?
00:34:07Smettetela!
00:34:08Buoni, eh?
00:34:09Smettetela!
00:34:10Buoni, eh?
00:34:12Non litigate, su!
00:34:13Scusaci, stavamo chiacchierando.
00:34:16E poi?
00:34:18La mia opinione non conta?
00:34:22Franco, io ti amo.
00:34:25Tu sei buono, affettuoso, generoso.
00:34:28Un marito ideale.
00:34:31Ha sentito?
00:34:33Ed amo anche Ciccio.
00:34:36Sì.
00:34:37E adesso che l'ho ritrovato, sento di amarlo più di prima.
00:34:40Ha sentito?
00:34:41Ma a che gioco giochiamo?
00:34:43Giochiamo che uno di noi due è di troppo.
00:34:45E lei che è di troppo!
00:34:46Ah, buoni!
00:34:48Una soluzione?
00:34:50Chi sarebbe?
00:34:51Quale?
00:34:52Il signor Francesco Fulgenzi detto Ciccio
00:34:55è autorizzato a convivere mori e occusorio
00:34:58con la signora Mara Varelli ex Fulgenzi
00:35:01dalle ore zero del lunedì
00:35:03alle ore ventiquattro del mercoledì.
00:35:05A detta ora il signor Fulgenzi
00:35:07abbandonerà la camera matrimoniale
00:35:09per trasferirsi nella stanza attigua
00:35:11e il suo posto verrà preso dal signor Franco Varelli
00:35:14marito in carica
00:35:16il quale avrà pieni poteri
00:35:18sino alle ore ventiquattro del sabato.
00:35:22La giornata della domenica
00:35:24è della signora Mara dedicata al completo riposo.
00:35:27Articolo 2
00:35:28La signora Mara si impegna a distribuire equamente il suo affetto
00:35:32e ad assolvere senza parzialità
00:35:34i suoi doveri coniugali.
00:35:36Articolo 3
00:35:37I signori Fulgenzi e Varelli
00:35:39si impegnano ad improntare i loro rapporti alla massima lealtà
00:35:43senza minimamente tentare di nuocersi a vicenda.
00:35:50Siete d'accordo?
00:35:53Letto approvato e sottoscritto e qui ci vanno le firme.
00:35:56Allegria!
00:35:57Prego.
00:36:01Grazie.
00:36:04Qui sotto, cara.
00:36:06Grazie.
00:36:09Ecco fatto.
00:36:11Permetti che ci diamo del tour?
00:36:13Ma certo che permette.
00:36:15Dovete diventare amici.
00:36:16Fratelli di Letto.
00:36:22Beh, che facciamo?
00:36:28Potremmo guardare la televisione.
00:36:31Che giorno è oggi?
00:36:32Lunedì.
00:36:33E figurati, il lunedì danno sempre dei film vecchi
00:36:36e poi sono un pochettino stanco.
00:36:38Preferirei andare a letto.
00:36:40Vieni, cara.
00:36:44Buonanotte.
00:36:46Buonanotte.
00:36:48Buonanotte.
00:37:03Signore e signori, buonasera.
00:37:05Va ora in onda l'originale televisivo di Amedeo Sollazzo,
00:37:08la signora e i suoi mariti.
00:37:19Amore mio, sapessi quanto ho atteso questo momento.
00:37:24Quasi quasi non ci speravo più.
00:37:26Non ci pensiamo più, ormai siamo di nuovo insieme.
00:37:30Chi è?
00:37:32Sono io.
00:37:34Avanti.
00:37:39Scusate, ho dimenticato il pigiama.
00:37:42L'ho indossato io.
00:37:44Lo vedo.
00:37:47Ah, le mie pillole.
00:37:50Non dimenticarti più niente, tanto non ti apro più.
00:37:53Eh.
00:37:58Mara, hai bisogno di qualcosa?
00:38:00Non ha bisogno di niente, casomai ci sono io.
00:38:02Vai, vai, vai.
00:38:03Dicevo lei.
00:38:04Non ti preoccupare.
00:38:05Buonanotte.
00:38:06Buonanotte.
00:38:07Sognidore.
00:38:08Buonanotte.
00:38:09E non ci scocciare più.
00:38:16Che sentatore.
00:38:18Ma Tizio, Tizio, mi tocca.
00:38:20Per tutto questo tempo non ho sognato altro che stringerti di nuovo fra le mie braccia.
00:38:25Ma tu stringi troppo forte.
00:38:47Venezia, la luna e tu.
00:39:03Tu, io e Venezia.
00:39:08Ricordi la prima notte di nozze?
00:39:10Si che me la ricordo.
00:39:12Eravamo a Venezia.
00:39:14E questa è la seconda nostra prima notte di nozze.
00:39:18Tizio, che cosa fai?
00:39:21Ma che sta succedendo?
00:39:30Tutto come a Venezia, cara.
00:39:32Manca solo il canto dei gondolieri.
00:39:36E quella basura della luce meravigliosa che creava tanta suggestione.
00:39:43Quella possiamo averla.
00:39:48Tizio, Tizio.
00:39:50Amore mio.
00:39:52Non è niente, un po' di corrente.
00:39:54Sai che ti dico, cara, che io rinuncio a Venezia, ai gondolieri e soprattutto alla luce diffusa.
00:40:10Ma è un pazzo quello.
00:40:13Ma questo è un brutto, un maniaco sessuale.
00:40:17Io vado a vedere.
00:40:19Tizio, non ti prego.
00:40:25Me l'abbazza, me l'abbazza.
00:40:32Tizio, Tizio.
00:40:34Tizio, Tizio.
00:40:36Tizio, Tizio.
00:40:38Tizio, Tizio.
00:40:40Bravo, Tizio.
00:41:11E tutti rispettano la propria parte.
00:41:14Mara è davvero una brava consorte.
00:41:17Sono diventati tre ottimi amici.
00:41:19Tutti contenti e tutti felici.
00:41:30Vi siete messi la maglietta di Lani?
00:41:32Sì, cara.
00:41:33Sì? Bravi. Allora ci vediamo stasera, eh?
00:41:35Ciao.
00:41:36Sì? Ciao.
00:41:40Ciao, ciao.
00:41:41Ciao.
00:41:43Che amore di donna.
00:41:46Non sapevo che anche a te piacesse la pesca.
00:41:49Hai visto quante cose abbiamo in comune.
00:41:51Eh, ho visto.
00:41:54Pertanto si invitano le signore dell'associazione
00:41:57in occasione della giornata dell'orfano
00:41:59ad ospitare per qualche giorno
00:42:01una di queste creature colpite da una grande sventura.
00:42:05È un piccolo sacrificio che però procura alti meriti.
00:42:09Chi di voi è disposta ad ospitare per qualche giornata un orfanello?
00:42:14Io!
00:42:16Come di consueto, la signora Varelli
00:42:18è la prima a rispondere con gratitudine al nostro appello.
00:42:22Ma le pare!
00:42:23Grazie, cara, grazie.
00:42:24Grazie.
00:42:25Grazie.
00:42:29Scusasse, è la signora Varelli?
00:42:31Sì, sono io, prego.
00:42:34Scusi, ma chi è lei?
00:42:36Io sono l'orfano mandato dalla parrocchia.
00:42:41Prego, si accomodi.
00:42:49Mi chiami pure Totonno, signora.
00:42:51A Napoli mi chiamano tutti così.
00:42:54Che carino!
00:42:56Vero ciccio?
00:42:57Sì, simpatico.
00:42:59Buongiorno a tutti.
00:43:00Ciao.
00:43:01Ciao, amore.
00:43:03Chi è?
00:43:04E questo è l'orfano mandatoci dalla parrocchia.
00:43:07Mio marito.
00:43:10Lei sarà stupito per il colore della mia pelle.
00:43:13Ma si figure.
00:43:14Capirà, sono figlio della guerra.
00:43:18Buono, figlio della guerra.
00:43:24Questo è il bello di voi napoletani, prendete tutto a rire.
00:43:28Sì, ma quando si tratta di lavoro, chi le trova?
00:43:30Mi trovano mille scuse, e così mi costringono a campare di elemore.
00:43:34Ah, comprendo, ma domani è un altro giorno.
00:43:37Signor Antonio.
00:43:39Antonio, vogliamo pensare a mangiare, eh?
00:43:41Andiamo, grazie.
00:43:43Carino, andiamo Antonio, sediti qui.
00:43:46No, e poi no, stasera è il mio turno e non lo cedo per nessun motivo.
00:43:49Ma scusami caro, cerca di essere ragionevole.
00:43:51Ufficialmente io ho un marito solo, no?
00:43:53E quello sono io.
00:43:56Ma dico, hai pensato a quello che potrebbe pensare Totonno
00:43:58vedendo andare mia moglie a letto con un altro?
00:44:00Potrebbe dirgli...
00:44:01Non me ne frega niente, i patti sono patti.
00:44:04Come si dice, eh?
00:44:05Patti chiari, amici sia lunga.
00:44:07Ma allora non ti importa niente della reputazione del mio nome?
00:44:09Sei un mostro, ecco cosa c'è.
00:44:11Zitti, zitti, zitti, una soluzione ci deve essere.
00:44:14Anzi c'è.
00:44:15E qual è?
00:44:16Mara dormirà da sola nello stanzino.
00:44:18E noi?
00:44:19E noi tre, io, tu e Totonno, ci arrangeremo sul letto matrimoniale.
00:44:22A letto con un negro?
00:44:23Non sarai mica razzista.
00:44:25Non sono razzista, ma non mi sta bene.
00:44:28Ma dico io, una volta tanto, io e Mara, anche se sono fuori turno...
00:44:32Senti amico mio, chi mangia mangia e mi sta bene,
00:44:35ma le bevute devono essere uguali.
00:44:37Zitti, potrebbe sentirci.
00:44:39Potrebbe sentirci.
00:44:40E non me ne frega niente, va bene?
00:44:58Chi sta in una giornata che non dimenticherò mai.
00:45:01Neanche io.
00:45:03Siete stati tanto buoni con me.
00:45:06Beh, non ci pensare più, dormi.
00:45:09Anche la signora, è una donna invagabile, è tanto, tanto buona.
00:45:15Si dice buona.
00:45:19Buona.
00:45:21Buona.
00:45:23Buona.
00:45:25Buona.
00:45:27Buona, con la O, buona.
00:45:31Buona.
00:45:34Allora, buonanotte.
00:45:36Buonanotte.
00:45:38Buonanotte.
00:45:54Dove vai?
00:45:57Vado a fare la pipì.
00:45:59Ma che pipì, torna al letto.
00:46:02Scusate ma, ma che stiamo in collegio?
00:46:06Bisogna chiedere il permesso.
00:46:08Ma che permesso?
00:46:09Tu ci puoi andare, lui gliel'ha proibito il medico.
00:46:12Allora, ci va di...
00:46:14Vai, con permesso.
00:46:17Vai, vai, vai.
00:46:19Eh.
00:46:24Povero cocco, la pipì, eh?
00:46:28Che intenzioni hai?
00:46:50Sembra incredibile.
00:46:52Ma Franco e Ciccio si barcamenano in questo impiccio.
00:46:55Procede tutto brillantemente, anche se a volte c'è qualche incidente.
00:47:01Meno cinque, meno quattro, meno tre, meno due, meno uno, zero.
00:47:11Che vuoi?
00:47:12Mezzanotte, sloggia.
00:47:14Non lo sai che stanotte va in vigore l'ora legale?
00:47:17Quindi metti l'orologio alle undici e torna tra un'ora.
00:47:21Ah.
00:47:43Bruta giornata oggi.
00:47:45Siamo diventati antipatici pure ai pesci.
00:47:47Ma che vuoi farci?
00:47:48Non tutti i giorni è domenica.
00:47:49Ma oggi è domenica.
00:47:50Eh, se non è domenica oggi, quando è domenica?
00:47:52Già.
00:47:54Buongiorno, signor Varelli.
00:47:56Buongiorno, dottore.
00:47:58E auguri, eh?
00:47:59Grazie, ma di che?
00:48:01Ma come? Sua moglie non le ha detto niente.
00:48:03No.
00:48:04E allora credo di aver fatto una gap.
00:48:05Ma la prego, non mi tradisco alla sua signora.
00:48:07Sta per diventare padre.
00:48:09Io sto per diventare papà.
00:48:12Papà, papà, papà, papà.
00:48:16Eh, un momento.
00:48:18Papà potrei esserlo pure io.
00:48:20Eh, no, non è possibile.
00:48:22E chi lo dice?
00:48:23Eh, lo dico io, perché in tre anni di matrimonio non avete avuto mai un figlio.
00:48:27Ma perché, mare, con te quante volte è rimasta incinta?
00:48:29E senti, smettiamola con queste chiacchiere.
00:48:31È mio figlio, tant'è vero che porterà il mio nome.
00:48:34Senti, giovanotto, io ti ho sopportato fino a questo momento.
00:48:38Ma adesso basta, hai capito?
00:48:40No, basta, io lo dico a te.
00:48:41Basta.
00:48:42Basta, io lo dico a te.
00:48:43Va bene.
00:48:44Basta.
00:48:45Ma che siamo impazziti.
00:48:48Forse hai ragione, il figlio non è mio.
00:48:51Ah, finalmente l'hai capito.
00:48:53Ma nemmeno è tuo.
00:48:54Come non è mio?
00:48:55È di chi?
00:48:56È nostro.
00:48:57Nostro?
00:48:58Nostro.
00:49:02Stai fermo, che mi innervosisci.
00:49:04Anch'io sono nervoso, è più nervoso di te.
00:49:08Chi è il padre?
00:49:09Io.
00:49:10Io, io.
00:49:11Come?
00:49:12Siamo un padre e un accompagnatore.
00:49:14Padre e figlio, padre e accompagnatore.
00:49:16Il padre.
00:49:17Auguri.
00:49:18Grazie.
00:49:19Auguri.
00:49:23Ciccio.
00:49:24E questo chi?
00:49:25Cornute siamo.
00:49:26Hai capito Totonno l'orfanello.
00:49:28Che scherzo.
00:49:29Roba da Congo.
00:49:35Ci scusi.
00:49:42E dove è nostro figlio?
00:49:43E che ne so io.
00:49:44E il signor Varelli?
00:49:45Io.
00:49:46E noi.
00:49:47Ma come, ancora lei?
00:49:48E beh, prima c'è stato un epinozzo.
00:49:50Ecco, due gemelli.
00:49:51Due gemelli.
00:49:52Due gemelli.
00:49:58Brava Mara.
00:49:59E sono tutte due maschi.
00:50:00Questo è maschio e quello è femmina.
00:50:02Auguri.
00:50:03Grazie.
00:50:04Allora il maschio è mio figlio.
00:50:06Non dire sciocchezze.
00:50:07Il maschio è mio figlio, la tua è la femmina.
00:50:10No, guarda che il maschio è mio figlio.
00:50:11Ma non mi fare ridere.
00:50:12Tu padre di un maschio.
00:50:14Mi vuoi dare il mio bambino per piacere?
00:50:16Ma no.
00:50:17Guarda c'è che io scateno veramente una guerra.
00:50:19Sai, non scherzare.
00:50:20Levati le mani.
00:50:21Non scherzare.
00:50:22Levati le mani.
00:50:23Guarda, prendo mio figlio e gli dico di darti bastolate.
00:50:25Levati le mani.
00:50:26Stammi.
00:50:27Stammi, bambino.
00:50:28Non dato la femmina.
00:50:29Non dato la femmina.
00:50:30Prendo mio figlio e gli dico di darti bastolate.
00:50:32Levati le mani.
00:50:33Io ti denuncio.
00:50:34Stammi.
00:50:35Il figlio è mio.
00:50:36Non dato la femmina.
00:50:37Il figlio è mio, capisci?
00:50:38Il figlio è mio, mio.
00:50:40Caro, è il dottore che ho chiamato.
00:50:42Sì, sono il dottor Salvatore Pollara.
00:50:44Permette.
00:50:45Stia calmo.
00:50:46Lei non ha niente, è solo nervoso.
00:50:48Si rilassi.
00:50:49Ecco.
00:50:50Dottore, è grave.
00:50:52È un caso molto strano.
00:50:53Crede di aspettare un bambino.
00:50:58Due mariti?
00:50:59Oh, è un bel pasticcio.
00:51:02Sia per Franco che per Ciccio.
00:51:04Tutto ciò non è normale.
00:51:06Ma è un sogno, è naturale.
00:51:37A valigia tua mamma.
00:51:42Il divorzio è un'istituzione amorale alla quale dobbiamo contrapporre il nostro no.
00:51:48Bravo!
00:51:49Noi dobbiamo continuare a combattere per salvaguardare...
00:51:52Mi scusi, ma il suo cartello non è un po' equivoco?
00:51:54Viva la catena, perché?
00:51:56Scusi, il matrimonio non è una catena.
00:51:58E beh?
00:51:59Veda, siccome io ho un negozio di igienico-sanitari, mi faccio un po' di pubblicità.
00:52:04Tralalalala...
00:52:12Il carosello, eh?
00:52:14Franco Bello sono io, permette?
00:52:15E il Ciccio Merendino.
00:52:17Piacere.
00:52:18Cos'è la Svezia, con il divorzio, con l'amore libero?
00:52:23Diciottenni, diciassettenni, vergini appena sbocciate alla pubertà!
00:52:29Con la purezza che sublima ancora i loro occhi,
00:52:31with the innocence that adorns their white, tender hearts like virgults.
00:52:36They no longer think of the sacred bond of marriage as the crown of love.
00:52:42No, they only seek pleasure, eroticism, sex.
00:52:46They despise spiritual love and only want the material one.
00:52:51Do we want our teenagers to freely dispose of their bodies, their beauty, their virtue?
00:52:58No.
00:52:59No.
00:53:00Yes.
00:53:01No.
00:53:02Never.
00:53:03No to corruption, to perversion.
00:53:06No to moral debauchery, to vice and infamy.
00:53:10No.
00:53:11No.
00:53:12No.
00:53:13No.
00:53:14No.
00:53:15No.
00:53:16No.
00:53:17No.
00:53:18No.
00:53:19No.
00:53:20No.
00:53:21No.
00:53:22No.
00:53:23No.
00:53:24No.
00:53:25No.
00:53:28No.
00:53:34No.
00:53:35Cancer is my world, by the mercy of God.
00:53:40I'm moving on.
00:53:49Emperor, I demand no court candidate from your natural children.
00:53:54You must understand that you are the angel of the people.
00:53:56Yes, of the people.
00:53:58And if I were there, I would roast you.
00:54:04Ah, this use you do with the symbol of the family.
00:54:06Other than angel, you are the witch of the house.
00:54:08Come.
00:54:10But I exorcise you, you know.
00:54:12I also study you as the queen of the house.
00:54:14I, to save the marriage, I make the republic.
00:54:16Come, little republic.
00:54:20I kill you.
00:54:22I kill you.
00:54:28I did not think to see you again so soon.
00:54:30How come?
00:54:32Here, I came to cheer me up a little.
00:54:34And to cheer me up morally.
00:54:36And you gave me confidence from the first moment.
00:54:38Yes, yes.
00:54:40I feel a current.
00:54:42Where are you going?
00:54:44I'm going to close the door.
00:54:46There is a current.
00:54:48You said it.
00:54:50Ah.
00:55:04Eh?
00:55:06Say, say.
00:55:16And then?
00:55:20I'm going to ask Mr. Merendino for advice.
00:55:22He who is a happy husband.
00:55:24How much does your wife weigh?
00:55:26About 50 kilos. Why?
00:55:28Gallo weight.
00:55:30You are a lucky man.
00:55:32In what sense?
00:55:34Mine weighs about 65.
00:55:36So it returns to the average weights.
00:55:38Believe me, my battles are more cruel than yours.
00:55:40But how, you too ...
00:55:42And I do not always win.
00:55:44See, if you did not come to me,
00:55:46I would have come to you to have ...
00:55:48Garza, ready to help?
00:55:50No, no, to have advice.
00:55:52This life can not last.
00:55:54And what do we want to do?
00:55:56Do we want to send this marriage to puttane?
00:55:58This never.
00:56:00Do we want to go to Sweden where the virgins do what they do?
00:56:02What are you saying?
00:56:04But tell me one thing.
00:56:06To go to Sweden you need a special passport?
00:56:08Why?
00:56:10No, so, I say, a place of perdition like that,
00:56:12I would not want it to be open to everyone.
00:56:14But in short, there must be a solution to save the marriage.
00:56:16There is a solution.
00:56:18And we will look for it.
00:56:20The way to save the integrity of the family is one,
00:56:22infallible.
00:56:24Are you willing to everything?
00:56:26And how not, to everything.
00:56:28I more than him.
00:56:30I less.
00:56:32And what do we do, the graduation of the more than the less?
00:56:34No, I less, less just.
00:56:36I bite, I scratch, I kiss,
00:56:38I scratch my lady, understand?
00:56:40To save the marriage?
00:56:42Yes, it is the only one.
00:56:44I less.
00:56:46I less.
00:56:48I less.
00:56:50Possibly there is no other solution.
00:56:52No, no.
00:56:54I do not even touch my wife with a finger.
00:56:56Ah, finally.
00:56:58What do you do, what do you do?
00:57:00Yes, to save the marriage.
00:57:02How do you behave with your wife?
00:57:04Very simple, she thinks of another.
00:57:06To threaten her?
00:57:08To touch her with the finger?
00:57:10Also, to threaten her, to everything in short.
00:57:12And I am happy.
00:57:14Oh dear, come, come.
00:57:16I introduce you to two of my friends.
00:57:18Very pleased.
00:57:20Lady.
00:57:22Cat, why did not you tell me?
00:57:24You know I can not be without you, my puppy.
00:57:26No, no.
00:57:28Excuse me, ma'am, we're leaving right now.
00:57:30Yes, also because you have to do with the cat.
00:57:32Oh, sorry, I meant with your husband.
00:57:34But no, no.
00:57:36Stay, stay too.
00:57:38Accommodate yourself, please.
00:57:40She is not my wife.
00:57:42We would miss another.
00:57:44She is not his wife.
00:57:46But then his wife.
00:57:48It is with his husband.
00:57:50His of whom?
00:57:52Of his wife's husband?
00:57:54No, his, of her, of Giovanna.
00:57:56A very dear friend of mine.
00:57:58You are separated.
00:58:00But nothing at all.
00:58:02I agree with my wife.
00:58:04Very well.
00:58:06Let's be precise, let's be precise, excuse me.
00:58:08That is, his friend.
00:58:10That would be the wife of the husband
00:58:12of the friend of his wife.
00:58:14But no, the husband of the lady
00:58:16goes with his wife.
00:58:18I understand.
00:58:20The wife of the husband of his husband
00:58:22who goes with
00:58:24the friend of his husband.
00:58:26No, goes with
00:58:28the friend.
00:58:30No.
00:58:32Excuse me, can I give you some?
00:58:34But of course.
00:58:36Oh, you don't have it.
00:58:38Yes, and you too.
00:58:40My wife, her husband, all four.
00:58:42But it's as if we didn't have them,
00:58:44do you understand?
00:58:46The marital relationship today is in crisis.
00:58:48And what solution is there
00:58:50to save the unity of the family
00:58:52without resorting to divorce
00:58:54or other radical means like that?
00:58:56And he comes to ask us.
00:58:58And we came to find out.
00:59:00You see it, don't you?
00:59:02To expand the concept of family
00:59:04by living with the wife of another
00:59:06who in turn lives with your wife.
00:59:08So you become the husband of the lover
00:59:10who is the wife of the lover of your wife.
00:59:12Being able to become lovers of your own wife
00:59:14without breaking the marriage.
00:59:16Yes, but it's a bit complicated.
00:59:18And above all, it's amoral.
00:59:20Amoral.
00:59:22We are still at this point.
00:59:24If we are still with the old morality,
00:59:26goodbye marriage.
00:59:28You say.
00:59:30But psychologists, ecologists, sociologists.
00:59:32In short, here, if we don't change
00:59:34the sexual morality, we are fried.
00:59:36And not to be fried,
00:59:38these monologues say
00:59:40that we have to go with the woman of the others.
00:59:42Sure, and above all, not to have taboos,
00:59:44not to be inhibited.
00:59:46You are inhibited.
00:59:48No.
00:59:50I am very healthy, I have been vaccinated.
00:59:52Well, then let your wives
00:59:54go to bed with other men
00:59:56and you will finally be...
00:59:58Two hornets.
01:00:00What does happiness mean? Know it.
01:00:02Go, read, study the classics
01:00:04of the sexual revolution.
01:00:06Reich, Wolf, Van der Velde, Adorno,
01:00:08Levinson, Neville, Sanford.
01:00:10Eroticism is a matter of the brain.
01:00:12Populate it with voluptuous sensations.
01:00:14Make love with the head.
01:00:16But who is this dirt that says it?
01:00:18Emanuele is a key text.
01:00:20Emanuele?
01:00:22Vittorio, the king of Italy.
01:00:24Now I understand why the monarchy fell.
01:00:26But what king of Italy?
01:00:28Emanuele is a woman.
01:00:30And make love with the head?
01:00:32The head, to say the brain.
01:00:34It means that there is no taste
01:00:36to make love without thinking.
01:00:38That's how the beasts do it.
01:00:40But what do you have to think?
01:00:42Who knows?
01:00:44Maybe that's why our marriages
01:00:46have to be broken, it's clear.
01:00:48And these are the proofs.
01:00:50The fact is that we have always lived in the dark.
01:00:52We are few to not practice
01:00:54group love, to cede wives and more.
01:00:56And yet I hear inside me
01:00:58a voice that tells me
01:01:00Franco, don't do it.
01:01:02Don't do it, Franco.
01:01:04It's the voice of the taboo.
01:01:06No, it's the voice of the horns.
01:01:08Ah, but yours is a fixation.
01:01:10And this is the last aspect of the problem.
01:01:12Excuse me, let's assume
01:01:14that I'm going to bed with your wife.
01:01:16What?
01:01:18Just for the sake of it.
01:01:20I'm going to bed with your wife
01:01:22and you're not going with mine.
01:01:24I'm not going with yours.
01:01:26And what kind of hypothesis is this?
01:01:28No, but then you're really stupid.
01:01:30You start to subtilize with the hypothesis.
01:01:32No, no, we subtilize, we subtilize.
01:01:34All right, all right.
01:01:36So, if we exchange wives, what happens?
01:01:38That we are two horns.
01:01:40That's where the mistake is.
01:01:42Do you know that two forces equal and opposite
01:01:44are annulled?
01:01:46This is a mathematical rule.
01:01:48I'm illiterate.
01:01:50What are you doing, the card?
01:01:52This horn is you.
01:01:54And this is another horn, just like you.
01:01:56Excuse me, Ciccio, excuse me.
01:01:58And where are you?
01:02:00I'm a horn, even if you are.
01:02:02Otherwise, I'm not here.
01:02:04All right, let's assume
01:02:06that this other horn is me.
01:02:08But we're always the same.
01:02:10Of course we're the same, it's the basis.
01:02:12But you making me horn, you're against me.
01:02:14And because I don't like it so much
01:02:16that you make me horns.
01:02:18Exactly, so we're the same and opposite.
01:02:20Now let's say
01:02:22that you are more horned
01:02:24and I'm less horned.
01:02:26I answer you that I'm not here.
01:02:28Why?
01:02:30I have the same horns, I don't care.
01:02:32But no, these signs are to say
01:02:34that we are opposite.
01:02:36How to say, the positive and the negative.
01:02:38Then I ask you,
01:02:40a positive horn plus a negative horn,
01:02:42how much does it make?
01:02:44Always two horns.
01:02:46No, zero horns, they are annulled.
01:02:48Listen, rather the difficulty
01:02:50is to make your wife understand.
01:02:52Go and convince your wife
01:02:54that she must come to bed with me.
01:02:56That's true, she's honest,
01:02:58disgusting, not like yours.
01:03:00But why, what about mine, dishonest?
01:03:02No, it's smarter, mine is simpler.
01:03:04I want to make her understand
01:03:06that horns save marriage.
01:03:08Disgusting pig,
01:03:10you propose me some crap,
01:03:12I'm your wife, don't you be ashamed.
01:03:14Calm down, shut up.
01:03:16You see Testona,
01:03:18you didn't understand anything.
01:03:20We are in the middle of a revolution
01:03:22and if we don't intervene,
01:03:24we anti-divorcees,
01:03:26to set an example.
01:03:28What example, what revolution?
01:03:30We are in a sensual revolution
01:03:32and you see, even math
01:03:34has become a mess.
01:03:36Two horns are annulled,
01:03:38you have to...
01:03:40It has become such a mess
01:03:42that I don't even understand it.
01:03:44But what horn, what horn?
01:03:46What does the horn have to do with it?
01:03:48Taboo, taboo, you understand?
01:03:50You are inhibited.
01:03:52Me?
01:03:54How dare you insult me
01:03:56after proposing some things to me?
01:03:58Who insults you?
01:04:00It's a matter of psychoanalysis.
01:04:02What?
01:04:04It means that you have complexes
01:04:06and you have to free them.
01:04:08A priest?
01:04:10No, the father of psychoanalysis.
01:04:12Freck!
01:04:42Mazzaboo, mazzaboo boo.
01:04:44Mazzaboo, mazzaboo boo.
01:04:46Mazzaboo, mazzaboo boo.
01:04:48Here he is.
01:04:50What? That one?
01:04:52How disgusting!
01:04:54Are you crazy?
01:04:56Hey, let's start again.
01:04:58What? Me with that one?
01:05:00And you want me to go with that one?
01:05:02But with what courage?
01:05:04I'm going home, you stay here.
01:05:06No, no, no, wait.
01:05:08At first sight it seems,
01:05:10What does it mean?
01:05:12It means that you belong to a Sicilian
01:05:14like me, with a light.
01:05:16Yes, yes, but with that one
01:05:18I don't even go to the mortuary.
01:05:20Ah, so you want to choose.
01:05:22You do it for pleasure.
01:05:24You are a fool.
01:05:26It must be a sacrifice.
01:05:28And Ciccio as a sacrifice, the ideal.
01:05:30Look at him, look at him.
01:05:32How stupid Muzio sacrificed his hand
01:05:34for the homeland, you should sacrifice.
01:05:36What? But this is not about the hand.
01:05:38Do you want to insult me?
01:05:40Franco is ugly, okay, but he is sexy.
01:05:42You know what I tell you?
01:05:44If you like it so much with that one, you do it.
01:05:46Me? Yes, you.
01:05:48No, I do everything to save the marriage,
01:05:50but this one never.
01:05:52Come on, convince yourself, look at him.
01:06:02So, everything ready?
01:06:04Yes, I'm going to order dinner.
01:06:06Afrodisiac. Afro what?
01:06:08Listen, if they are African foods,
01:06:10you can't do anything about it.
01:06:12But no, they are used to excite,
01:06:14to make complex colonies, you understand?
01:06:16And rather, you thought about drugs.
01:06:18Of course I thought about it.
01:06:20Look, nutmeg, pepper, cinnamon.
01:06:24Good evening.
01:06:26What have you done?
01:06:28I had talked about real drugs,
01:06:30those that bring erotic visions.
01:06:32Ah, don't worry,
01:06:34I'll go quietly to my wife.
01:06:36What do you mean?
01:06:38Do you think my wife will let herself be looked at easily?
01:06:40If you don't drug her with the stuff that comes with you.
01:06:42So let's drug her right now.
01:06:44How? With salt, with pepper?
01:06:46What have you done?
01:06:48The dates.
01:06:50Wait, you could try with aspirin.
01:06:52Aspirin is influenced.
01:06:54But no, I heard that aspirin diluted in whiskey
01:06:56acquires a certain exciting property.
01:06:58Are you sure?
01:07:00I read.
01:07:02I need aspirin.
01:07:04I think of afro.
01:07:06Take a lot.
01:07:08Two kilos.
01:07:14Good evening.
01:07:16Are you the director?
01:07:18Yes.
01:07:20Listen, could you do me a favor?
01:07:22Please, tell me.
01:07:24But you have to stay between us.
01:07:26Between us?
01:07:28Tell me.
01:07:30I need aspirin.
01:07:32What?
01:07:34I need aspirin.
01:07:36I don't understand.
01:07:38I need aspirin.
01:07:40I don't understand.
01:07:42I don't understand.
01:07:44I don't understand.
01:07:46Girl, girl.
01:07:48Go get some aspirin for the gentleman.
01:07:50But she's crazy.
01:07:52What are you saying?
01:07:54She shouts it in front of everyone.
01:07:56What does she want?
01:07:58She can't send me to jail for drug trafficking.
01:08:00Drug trafficking?
01:08:02Look at her.
01:08:04No.
01:08:06Mr. Director.
01:08:08That gentleman wants...
01:08:10What?
01:08:12Yes.
01:08:14What does he want?
01:08:16I don't know.
01:08:18We have to keep an eye on them.
01:08:20All right.
01:08:22Drink, drink.
01:08:24There's aspirin.
01:08:26An entire tube.
01:08:28Yes.
01:08:30What's wrong?
01:08:32I don't know.
01:08:34Nothing.
01:08:36A small shower.
01:08:38No, no.
01:08:40You're drunk.
01:08:42What are you doing?
01:08:44Let's go to the bathroom.
01:08:46I'm your wife.
01:08:48Franco!
01:08:50Why are you crying?
01:08:52I'm sorry.
01:08:54I'm going to take a nice shower.
01:08:56Yes, a nice shower.
01:08:57Yes, but first I want to groom Ciccio, my wife.
01:08:59No, no, yes, yes.
01:09:01Come on, Franco, come on.
01:09:02Ma'am, get ready.
01:09:07And now what do we do?
01:09:08Are we leaving?
01:09:09Why?
01:09:10And if he's not feeling well, it means that first I'll groom him.
01:09:13If anything, he'll groom me tomorrow.
01:09:15What? But not even for a dream.
01:09:17And what do I do?
01:09:18You're not feeling well?
01:09:19Now I'll put your head under the water so we can go home.
01:09:22Are you crazy? Seto, are you crazy?
01:09:24I'm not going home because first I have to groom Ciccio.
01:09:28Do you understand? Yes or no?
01:09:29But how?
01:09:30But how? After everything I did to save our marriage,
01:09:32do you want me to retire? No.
01:09:34You stay there, good, and don't move.
01:09:36Franco, Franco, don't leave me here.
01:09:38Franco!
01:09:40Here I am.
01:09:41And your wife?
01:09:42Poor thing, she's not feeling well, but don't worry.
01:09:45Tonight I'll groom her, tomorrow you'll groom her.
01:09:48No!
01:09:49My wife won't touch you if you don't get married first.
01:09:51But she's not feeling well, she's more over there than over here.
01:09:54You have to trust me.
01:09:55To save the marriage tonight I'll sacrifice myself,
01:09:58tomorrow you'll sacrifice yourself.
01:10:00First kiss!
01:10:01Ah, that's it, she's not feeling well, eh?
01:10:03Yes.
01:10:04Give me the key.
01:10:05What key?
01:10:06Give me the key, I told you.
01:10:07The marriage will be saved together or nothing.
01:10:09Good faith.
01:10:10Sorry for the interruption, sir.
01:10:12In short, enough, I'm thirsty.
01:10:14But calm down, ma'am, calm down.
01:10:17I'm thirsty.
01:10:18It's your husband who's against it.
01:10:20Please, ma'am.
01:10:21Go away!
01:10:22Where is he?
01:10:23Where is he?
01:10:24Scoundrel!
01:10:25What do you want from me?
01:10:26I'll stay only with you.
01:10:27What are you saying?
01:10:28What are you saying?
01:10:29But why did you take me?
01:10:30Calm down!
01:10:31Calm down!
01:10:32If we fight, it's all over.
01:10:34It's all your fault, because if you left me alone with your wife,
01:10:37all this wouldn't have happened.
01:10:39Enough!
01:10:40You have to be correct.
01:10:41If you make a mistake, I'll withdraw.
01:10:42Right, then you have to withdraw.
01:10:45Silence!
01:10:46Silence!
01:10:47Silence!
01:10:48Silence!
01:10:49Enough!
01:10:50Shut up!
01:10:51Shut up!
01:10:52Shut up!
01:10:53Shut up!
01:10:54Shut up!
01:10:55Shut up!
01:10:56Shut up!
01:10:57Now you go home and wait for me.
01:10:59Yes, I have to go home and wait for you while you are here with her.
01:11:02And I have to save the marriage, do you understand, yes or no?
01:11:05No!
01:11:06Please, ma'am, calm down.
01:11:07No!
01:11:08In short, enough!
01:11:09Leave me alone!
01:11:10Leave me alone!
01:11:11Calm down!
01:11:12Leave me alone!
01:11:13What have you done?
01:11:15What have you done?
01:11:16Now I understand your behavior.
01:11:18You want to torture me with dirt.
01:11:20Bitch!
01:11:21Me?
01:11:22Yes.
01:11:23What are you doing?
01:11:24What are you doing to my wife?
01:11:26And you?
01:11:27What have you done to my wife?
01:11:29Stop it!
01:11:30Hey!
01:11:31Don't touch my wife!
01:11:33You'll be the one to be punished!
01:11:35You called me a cuckold?
01:11:36Yes!
01:11:37Am I not a little girl like your mother?
01:11:39Yes!
01:11:40Don't touch my wife!
01:11:42You'll be the one to be punished!
01:11:43Don't touch my wife!
01:11:44Look at him!
01:11:46Look at him!
01:11:47Kill Bubu.
01:11:48Kill Bubu.
01:11:51Kill Bubu.
01:11:54Kill Bubu.
01:11:57Kill Bubu.
01:12:00Kill Bubu.
01:12:02Kill Bubu.
01:12:05Kill Bubu.
01:12:08Kill Bubu.
01:12:11I'm not going to be able to do it.
01:12:13I'm not going to be able to do it.
01:12:15I'm not going to be able to do it.
01:12:17I'm not going to be able to do it.
01:12:19I'm not going to be able to do it.
01:12:21Even though it's a stupidity, this example clearly shows how the fear of horns can lead to tragic consequences.
01:12:27After all, it wasn't just reciprocal horns, or horn of the tall one, but horns of the most bearable.
01:12:41Thank you for watching.