La Vida Prometida - Capitulo 7

  • 2 months ago

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00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:50Amapola, dolcissima amapola La luce dei miei giorni splendente
01:07Fai fiorire la passione Come il suono della mia canzone
01:37No, por favor, no, no, no, sueltame, sueltame
01:46Carmela!
01:48No, no, no
02:07Me engañaste Carmela, odio y amor son la misma cosa
02:14No, déjame, déjame, déjame, vete de aquí
02:22Carmela, he venido aquí por ti, por ti
02:38No, no, no
02:58Nueva York es como una gran tarta siciliana que repartirse
03:03Y hay tarta para todos nosotros
03:06No vale la pena pelear por ella
03:09Bien dicho, Lucky Luciano
03:11Los del Bronx estamos contigo, Lucky
03:13Luciano, estamos a tu entera disposición pero con una condición
03:17A mi familia le corresponde la zona este, es en lo que quedamos
03:22Encontraremos una solución, amigo
03:24Pues por mi parte puede contar con nosotros
03:27¿Ah, sí? Pero todavía no he escuchado a su business partner
03:31Mister...
03:33Espani...
03:35Espano
03:37Espano
03:39Llegué hace poco y me gusta escuchar
03:43Eso es muy educado
03:52Who are you?
03:54Salvoye Antonio
03:56Nos manda Mickey Mouse
03:58Somos Antonio, Salvo y Rosa
04:01Emily, you shit
04:03You shit
04:05Emily
04:08¿Has visto a dónde te traigo esta noche?
04:25Buenas noches a todos
04:27Vaya
04:29Qué guapa, ¿cómo te llamas?
04:31Angela
04:33Es una fulana, pero una fulana de mi propiedad
04:39Eh, Anton, esta noche están aquí todos
04:42Será porque las familias están preparando algo
04:44También hay un siciliano
04:46¿Le has visto? Acaba de llegar
04:48Dicen que es un pez gordo
04:50Es primo de Guarino
04:52You are so beautiful
04:53You too
05:01Come on
05:03Ve
05:10Eh, ¿qué haces?
05:11¿Qué haces?
05:22No puede ser
05:24No puede ser
05:42Cobarde
05:46Asesino
05:51Soy Antonio Carenzo, el hijo de Salvatore
05:56¿No reconoces, hijo de puta?
06:00¿No reconoces?
06:01¿No reconoces, hijo de puta?
06:04¿No reconoces?
06:16Un momento
06:22¿Necesitas todo el baño para ti solo?
06:24¿O es que ya tienes problemas para mear, chaval?
06:27Es un recadero de matranga afuera
06:32Por favor
06:53Esa paz que defiende la Kiruchia no me da igual
06:56Pero no sé si Matranga habrá entendido que queremos hacerle la cama
06:59Parecía nervioso
07:02Aunque tampoco parece un lince
07:04¿Qué va a ser un lince? Ese está dormido, Vince
07:08Si quisiera hacerse con la zona este, ya lo habría hecho sin tener que pedirle permiso a nadie
07:14Dentro de poco será toda nuestra
07:16Como todo Monroe Street, su bodega y puede que hasta su fulana
07:22Me ha gustado, ¿sabes?
07:24Le has echado el ojo, ¿eh?
07:26Wari
07:27¿Sí?
07:28¿Cuándo llega el cargamento de armas?
07:30Llegará pasado mañana, a los docks
07:33Tendremos tantas como para declarar una guerra
07:36¿Y la policía?
07:37Eso ya está pensado
07:39Les he dado un trozo de tarta para que no nos toquen los huevos
07:42Perfecto
07:43Vamos
07:48Don Matranga, lo oí con mis propios oídos
07:51Es Panó, el que acaba de llegar de Sicilia
07:53El primo de Guarino
07:54Sé quién es, dime
07:55Quiere quitarle el puesto
08:01¿Ese hijo de puta quiere jugármelo?
08:04¿A Santo Matranga?
08:07Pues yo me ocupo
08:09Muy bien, chaval, muy bien
08:11El cargamento de armas llega pasado mañana a los docks
08:14Pues allí los estaremos esperando
08:16Les daremos Mazarile con sus propias armas
08:19Y nos quedaremos con Nueva York
08:20Don Matra, perdone que me entrometa
08:23Dime
08:24Como usted bien sabe
08:26Lucky Luciano quiere que haya paz entre todas las familias
08:30Y tenemos pocos hombres
08:32Salvo a mí lo que dice Mr. Lucky Luciano
08:36Me importa una soberana y puñetera mierda
08:39Aquí mando yo
08:40Y si no te parece bien
08:42Te muelo el cuerpo a palos
08:44¿Queda claro?
08:46¿Perdone?
08:48Perdone
08:50Le pido perdón
08:52Esta noche haced lo que tenéis que hacer
09:02Ese acaba de llegar
09:04De Sicilia
09:06Y quiere quitarme Monroe Street
09:08A mí
09:10A mí quiere jugármela
09:12A mí, ese cornudo
09:14Ese hijo de puta
09:18Venga, vamos
09:20Están aquí, debajo de las palomas
09:22Estoy aquí, Anto
09:24Están aquí dentro
09:26Sí, lo sé
09:28Vamos
09:31¿Qué es eso?
09:47Cállate prisa
09:50Ciérralo
09:52Malditos palomas
09:54Lo tienen todo sucio, las asquerosas
09:56Tápalo, tápalo
10:02Cuidado
10:06Apáyalo aquí
10:11Tres revólveres
10:13Dos recortadas
10:15Una escopeta
10:16Y una metralleta
10:18Una miseria
10:20No digas tonterías
10:22Mañana por la noche matamos a todos
10:24¿Qué pasa, my friend?
10:26¿Que de repente te han salido huevos?
10:28Venga, vámonos
10:47Sí, sí, señora Piglietta
10:49Un momento
10:52No entiendo por qué
10:58Entra
11:01¿Le ha pasado algo a Rocco?
11:03No, él está bien
11:05Antonio estaba
11:07con salvo en la azotea
11:09Estaban cogiendo armas que había escondidas en la jaula
11:12No me
11:13No me
11:15Ese cabeza de chorlito
11:17Ahora anda con armas
11:19Todo es culpa de salvo
11:21No, esta vez Antonio era el más decidido
11:24Nunca le había visto así
11:26Decían algo de mañana por la noche
11:28No lo he oído bien
11:30¿Mi qué hablas tú con él?
11:32¿Y crees que no lo hago?
11:34Llevo toda la vida intentándolo
11:36Y con el descerebrado de salvo
11:38Los dos juntos tienen menos cerebro que Rocco
11:41Yo los mato
11:43Los mato a los dos
11:45¿Qué dices, mi qué?
11:47¿Qué dices?
11:56Vaya familia te has encontrado
12:08Rosa
12:11Rosa
12:14Rosa, ¿dónde estás?
12:16Rosa
12:19Rosa
12:21¿Dónde estás, Rosa?
12:24Rosa
12:26Tengo miedo
12:28Mamá está en el hospital, Rosa
12:31Tengo miedo
12:33Rocco es bueno y amable
12:36Pero tuvo mala suerte
12:38Cuando llega la noche
12:40Me da por pensar cosas raras
12:45No dejo de pensar en ti, amor mío
12:48Te he esperado siempre
12:50Desde la primera vez que te vi en el baterí
12:54Pero no puede ser
12:56No puede ser
12:58Así que tengo que tragarme todas esas ideas
13:02Y si no puedo
13:04No puedo
13:06Y soportar lo que me ha tocado
13:09Porque la vida que llevé
13:12Tú no lo sabes
13:14No lo sabes
13:16Y es mejor así
13:35Rosa
14:05Rosa
14:35No tenía por qué molestarse
14:41No es molestia, Carmela
14:45¿Qué le ha pasado?
14:49Me encontré muy mal
14:52No por cansancio, como dicen los médicos
14:55Sino por miedo
14:57Le vi
14:59Le vi, estaba ahí
15:01El tío
15:02Le vi, le vi, estaba ahí
15:05El diablo en carne y hueso
15:07Vincenzo Espano
15:09¿Espano?
15:10Era él
15:11Carmela, ha pasado mucho tiempo
15:12Tal vez se equivoque
15:13No
15:15No ha venido por mí
15:17Era él
15:18Me llevé a mis hijos de Sicilia porque
15:21No quería que se tomaran la justicia por su mano
15:24Pero si descubren que él está aquí
15:27Si lo descubre Miguel
15:29No se inquiete, Carmela
15:31No hay nada que temer
15:32Me ocuparé de este asunto
15:34Yo le juro por mi vida
15:35Que encontraré a ese hombre
15:37No, no quiero
15:39No quiero cargar con mis desgracias a la gente a la que quiero
15:46Perdón
15:49Perdón
15:51Yo no sé lo que digo
15:55No hay por qué disculparse, Carmela
15:57Estoy confusa por los medicamentos que me dan
16:02Déjeme sola
16:04Quiero descansar
16:06Por favor, es hora de irse
16:09Así descansa, Carmelita
16:12Hasta pronto, Carmela
16:16Señor, por favor
16:17Aire
16:18Ya me voy, hermana
16:19Aire
16:21Aire, aire
16:22¿Pero qué formas son esas?
16:24Tiene que descansar
16:25Tiene que descansar, querida
16:27Tiene que tratar bien a Mr. Ferry
16:30Tome un poco de agua
16:53¿Podemos hablar, Alfredo?
16:54Por favor
16:55Hello
16:56One moment, please
16:59Thank you
17:01Is the file ready, Maureen?
17:02Sure, Mr. Ferry
17:03Here
17:11Wall Street
17:12vuelve a condir el pánico
17:18Departamento de Policía
17:19Vincenzo Espanol
17:25Thank you
17:31¿Es cierto?
17:33¿Es cierto que Vincenzo Espanol, ese Vincenzo Espanol, está en Nueva York?
17:43
17:46Llegó hace dos semanas por negocios y puede llamarse así
17:49¿Y qué tiene que ver con ese delincuente?
17:51Yo nada, solo le pedí al capitán O'Connor que investigase
17:55Aunque, claro, tu madre me suplicó que no lo hiciera
17:58¿Esperen mi madre?
17:59¿Qué pasa?
18:00¿Corre peligro, Mr. Ferry?
18:01Por favor, cuéntemelo
18:02Alfredo, cálmate, siéntate
18:04Siéntate, te lo explico todo
18:12Tu madre lo vio aquí, en Nueva York
18:14Por eso se puso así
18:16¿Y por qué no nos lo ha dicho?
18:18Para protegeros
18:19La policía cree que la Mano Negra está organizando algo muy grande
18:22y que las familias se están aliando
18:24¿Y por qué no intervienen?
18:26Porque para incriminarlos hacen falta pruebas
18:29y la gente guarda silencio
18:31Algunos por miedo y otros por gratitud
18:34Eso sin contar los policías corruptos
18:38Antonio se mueve entre esa gente
18:41Si se encontrara Espanol...
18:43Tienes que protegerle
18:45De cualquier modo, tienes que protegerlo
18:48De cualquier modo, tienes que pararle
18:52Y prométeme una cosa
18:55No le digas a tu madre que te he dicho lo de Espanol
18:58Bastante nerviosa está ya
19:00Y por ahora tampoco se lo digas a tus hermanos
19:03Muy bien
19:17Busco a mi hermano, es urgente
19:20¿Puedo subir?
19:21Adelante
19:22Gracias
19:37¿Pero qué...?
19:48¿Me quieres decir qué coño ibas a hacer?
19:51Tú no lo entiendes, dame esa...
19:52Entiendo que si te dejo salir de aquí, volverás en una caja de pino
19:56¡En una caja de pino volveré! ¡Como no abras esa puerta!
20:00Quieto
20:02¿Entiendes en qué lío me estás metiendo?
20:05Esa gente no perdona
20:12Pero a ti no le importa
20:15Pero a ti te da exactamente igual, Antonio
20:20Porque ya está perdido, ¿no?
20:23Como dice siempre, mamá
20:24Cállate
20:36¿Te crees que lo sabes todo?
20:41¿Te gusta jugar a hacerte el héroe?
20:44
20:49Pero te estás acostando con la mujer de Rocco
20:54¿Crees que no sé que te fuiste de casa por Rosa?
20:59Porque si no vas a ver qué pasaba
21:02No te atrevas, ¿eh?
21:04¡O te acabo de rematar!
21:09Tú no te muevas
21:15¡No te muevas!
21:28¿Qué pasa, Alfredo?
21:29Estoy preocupado por Antonio
21:31Sí, sí, sí, lo sé, lo sé
21:32¿Sabes dónde está?
21:33Tranquilo, Antonio está conmigo, todo bien
21:36Le tengo vigilado, ya te contaré
21:38De aquí no se mueve
21:39Menos mal
21:40Oye, el problema es que mamá sale del hospital
21:42Pues yo no puedo
21:44¿Tú tampoco puedes ir?
21:45No, no, no puedo moverme de aquí
21:47¿Sabes qué? Llama a Mosé y que se pase con María a recogerla
21:51De acuerdo
21:52Muy bien
21:53Nos vemos luego
21:54Adiós
21:55Adiós
22:03¿Me quieres decir qué ocurre?
22:05¿Qué te pasa?
22:09Ya lo sabes
22:13Mosé me quiere y está a Salvatore
22:15Así no puedo estar
22:20¿Y no piensas en cómo estoy yo?
22:23Crucé el océano por ti, María
22:27María, mírame
22:29¡Mírame, María!
22:31He sido de todo por ti estos cinco años
22:33Peón de obra, minero, jornalero
22:36Y todo con la esperanza de volver a verte
22:39No puedo más
22:43No podemos seguir viéndonos
22:47No digas eso
22:50No digas eso
22:52Déjame
22:54Déjame
22:55No digas eso, por favor
22:56Me voy al hospital
22:59Mamá vuelve hoy a casa
23:12Hay una mosca aquí
23:13Hay una mosca aquí
23:16¿Has visto cómo vuela, cariño?
23:18Qué graciosa es
23:20Cariño, mira, viene mamá, ve a saludarla
23:22Mamá, qué bien que hoy la abuela vuelve por fin a casa
23:26Sí, qué bien
23:33Cariño, estás aquí
23:35No te esperaba
23:39Tu hermano me pidió que viniera al hospital
23:43Como tú no llegabas
23:47He ido a por Salvatore a la escuela
23:49Es que me encontraba mal y he ido a ver al médico
23:52Era la preocupación por mamá
23:55¿Haber venido aquí?
23:58Esto está lleno de médicos
24:04¿Y qué te ha dicho?
24:06Nada, que tengo la presión algo baja
24:09¿Puedes pedirle un poco de agua a la monja?
24:12Claro
24:18Claro
24:27Niños, id a jugar, vengan
24:31¿Y mis hermanos? ¿Dónde están?
24:34Están con Antonio
24:35Creo que se ha metido en un lío
24:37¿Un lío otra vez?
24:40¿Y tú?
24:41¿Has llegado tarde?
24:42Estaba con Alfio
24:45¡Marí!
24:46Ten mucho cuidado
24:48Al llegar Mosé estaba raro
24:50Y si se huele, lo que ocurre
24:52No me gusta mentirle
24:54No se lo merece, la verdad
24:56Pero quiero, Alfio, es lo que sé
24:58¡Ay, Dios!
25:00Toma
25:02Gracias
25:03Gracias
25:09Rocco, Rocco
25:11¿Dónde estás?
25:12¿Dónde está Rocco?
25:13Rocco, Rocco
25:15Rocco, ¿dónde te has escondido?
25:17No hay nadie
25:18Rocco
25:19Anda, ven, vamos con la abuela
25:21Mamá
25:22Mamá
25:24Ha vuelto
25:26Hola, cariño mío
25:29¿Dónde están mis otros hijos?
25:33¡Qué flores tan bonitas!
25:35Bienvenida, Carmela, a Medeo Ferry
25:37Son para ti, mamá
25:39¡Ah, Mr. Ferry! ¡Qué amable!
25:42¿Pero y mis hijos?
25:44No hacía falta que vinieran al hospital
25:46Pero en casa sí que los esperaba
25:49Miquel tenía una reunión en la fábrica
25:51Sí, y Alfredo también tenía una reunión de trabajo
25:55¿Y Antonio?
25:56¿Él también tenía una reunión?
25:58Ninguna de las dos sabe mentir
26:01¿Qué ha ocurrido?
26:03Quiero saberlo
26:05Nada, doña Carmela, no ha ocurrido nada
26:07¿Pero cómo que nada, Rosa?
26:09Dímelo, Mariuzza
26:11Nada, nada, mamá
26:13Tú tranquila, que ya no tardarán
26:15Vamos a poner la mesa
26:17Sí, pongamos la mesa
26:18Yo hasta que no vengan todos mis hijos, no como
26:23Perdonad, ¿al menos podríais contarme a mí qué pasa?
26:26¿Qué pasa?
26:32Mierda, es tardísimo
26:33¿Cuándo piensa venir ese idiota de Antonio?
26:35¿Qué está haciendo?
26:36Frank, ve a por la munición, mientras tanto, muévete
26:39Ese siempre está igual, Don Matra
26:41Habla y habla, pero cuando hay que actuar se caga encima y huye como un conejo
26:44Ya, pero los conejos son peligrosos porque pueden ser unos traidores
26:48No sería la primera vez
26:50¿Recuerda cuándo me mandó al reformatorio ese bastardo?
26:52A mí me lo dices, ¿sabes cuánto me costó?
26:54Pero tenemos que ir igualmente
26:56Es su oportunidad, Don Matra
27:18¿Ha visto?
27:20Antonio decía la verdad
27:22No hay vigilancia
27:25Todo parece en orden
27:27Frank, venga en marcha
27:40Deben de ser esas cajas
27:42Abridlas, venga
27:44Lucky Luciano
27:50Con todas estas armas
27:52Con todas estas armas
27:54Vamos a ser los dueños de Nueva York
27:59Bienvenidos, os esperábamos
28:04Eres un hijo de la grandísima puta
28:07Debo recordarte que nos criamos juntos
28:10Y me declaras la guerra en mi propia casa
28:12Barino, la guerra me la declaraste tú a mí
28:14¿Pero qué?
28:16A Don Matra le aconsejaron mal
28:19Pero la situación aún se puede arreglar
28:22¿Cómo, hispano? ¿Cómo?
28:25Bajad las armas
28:27Y os perdonaremos la vida
28:31Hay que respetar la tregua de Lucky Luciano
28:35Tienes que fiarte, Matranga
28:42Muchachos
28:44Soltad las armas
28:46Nos fiamos
28:48Bien
29:00Hispano
29:01También me matarás a mí
29:03Pero antes te diré una cosa
29:06Tú no eres un hombre de honor
29:09Eres un hijo de puta
29:10
29:12Y tu amigo, Guarino
29:14América se acabó para ti, Matranga
29:17Aquí estoy, matadme ya
29:21¿Pero fue Antonio?
29:23¿Me traicionó él?
29:27Te has quedado muy cerca
29:46Muy bien
29:48Has hecho lo que debías
29:51Ahora lo primero que tienes que hacer es encontrar a ese cabrón de mierda de Antonio
29:56Y traértelo aquí para que podamos matarlo
29:59Como a Matranga y a todos esos caballos de mierda
30:02Y diles a todos
30:04Que ahora es tu turno
30:06¿Qué?
30:08¿Qué?
30:10¿Qué?
30:12¿Qué?
30:14¿Qué?
30:16Y ahora, en Monro Estreet
30:18Manda Vincenzo Hispano
30:21Vete, vamos, corre
30:23¡Venga!
30:25Limpiadlo todo
30:35Creéis que es mejor para mi corazón que me ocultéis las cosas
30:40Pues no y además me encuentro bien
30:43Por favor decidme lo que ocurre
30:46Please!
30:50It's them.
30:55Where's Antonio?
30:56That's what I'd like to know. He must be with some new friend of yours.
31:00Where is he?
31:01I've already kicked you out of my house once. You and your friend, you whore. Get out!
31:03Where's Antonio?
31:04We haven't explained ourselves yet. The lady told you to leave and you're leaving. Is that clear or not?
31:09Hey, careful, huh? If you see Antonio, tell him I'm looking for him. Okay? And not just me.
31:15Where's your friend?
31:16Get out of here.
31:17Get out!
31:18No, thanks. There's a woman here.
31:20Get out!
31:21I'm going to your house.
31:22Get out!
31:29The problem is Antonio.
31:31The problem is Antonio.
31:34Last edition of La Voz d'Italia!
31:37Shooting between Italian mafiosos!
31:39Adjusting accounts between mafiosos. It's all in the papers.
31:43We're not talking about anything else.
31:45That's what you wanted, huh?
31:47If you want, you can cry over that bastard Matranga. Your boss.
31:51You haven't understood anything.
31:53If Matranga is dead, it means one thing.
31:56That the new boss of Monroe Street...
31:59...is Vincenzo Spano.
32:02What are you saying?
32:03What does it have to do with Spano?
32:05Did you know?
32:07Of course I knew, Anto.
32:10Mom ended up in the hospital because she saw Spano here.
32:13And why didn't you tell me anything?
32:14I would have killed him with my own hands.
32:20So you wanted...
32:23You took those guns to...
32:30I wanted to kill him.
32:34I wanted to avenge our father...
32:36...and our brother.
32:40I'm sorry.
32:55Migue.
32:56I am condemned.
32:58Guarino will come for me.
33:00Spano and he know that I tried to play them.
33:05Mr. Ferri will help you escape, no problem.
33:08I can't leave knowing that you're in danger.
33:11We'll get him if you stay here.
33:13You're right, Nanto.
33:19Be careful, Consalvo.
33:22He was the one who sold himself to Guarino.
33:35Mrs. Carmela.
33:37Alfio.
33:39Good morning, Carmela.
33:41Good morning, Mr. Ferry.
33:43Of course.
33:45Matranga is dead and Antonio is alive.
33:57You're going to kill me. You're going to kill me!
34:01What have you done?
34:02What?
34:05Who did this to you?
34:07It was me, Mom.
34:08What do you mean?
34:09You're always crushing him.
34:11He did the right thing, Mom.
34:13He deserved it.
34:14Besides, he saved my life.
34:18Tell me right now what's going on.
34:21What are you hiding from me?
34:24Why did you get involved in this mess?
34:26Because of you, Mom.
34:29What could I do to please you?
34:32Being rich like Alfredo or a man like Michele?
34:35I've tried everything to make you proud of me.
34:40Now you're blaming me. Is that clear?
34:42Perfect. That way you'll feel better.
34:44Mom, this isn't the time.
34:46Guarino's men are looking for him everywhere.
34:52He has to go.
34:53Where to?
34:54To California, Carmela.
34:56No one will look for him there.
34:59California?
35:03Antonio, we have to go. The car is ready.
35:07Alfio, this is a friend's address. He'll lend you a hand.
35:14Here, Anto.
35:16This will help you get started.
35:19Thank you.
35:27Good luck.
35:28Thank you.
35:29Good luck, kid.
35:32I'll walk you downstairs.
35:35Antonio.
35:40Are you leaving just like that?
35:49Son.
35:52My son.
35:54You're like everyone else.
35:56You're like everyone else.
35:59Poor thing. Poor thing.
36:06Forgive me, Mom.
36:26Dear Mom.
36:27I'm writing to Maria because I'm afraid that the mafiosos who are looking for me...
36:29Maria!
36:30Draco!
36:31...will find out the address of the new house our dear Alfredo has given you.
36:34Maria.
36:35Maria.
36:37A letter from Antonio has arrived.
36:39A letter?
36:40Yes.
36:41I can tell you that I'm fine.
36:43The trip was long and very difficult.
36:45I'm sorry.
36:46I'm sorry.
36:47I'm sorry.
36:48I'm sorry.
36:49I'm sorry.
36:50I'm sorry.
36:51I'm sorry.
36:52I'm sorry.
36:53I'm sorry.
36:54I'm sorry.
36:55The trip was long and very difficult.
36:57I saw misery.
36:58The real one.
36:59It's here that we had forgotten.
37:02Poor people, hungry and desperate, who have no home.
37:05No land, no job, nothing.
37:09This is America, Mom.
37:11A mirage that blinded us and separated us.
37:14Luckily, I arrived in California.
37:16It's a beautiful land and I've seen the sun again, which I had already forgotten in New York.
37:21It's almost as hot as in Sicily.
37:24Would you like it, Mom?
37:27For now, I work for Mr. Ferry's friend.
37:30You'll see him later.
37:32I send you a kiss with all my love.
37:34Oh, and a special hug for Rocco.
37:37There's everything here, but you're not here.
37:40A hug, your Antonio.
37:44And that's all?
37:45Yes.
37:48Show me, Maria.
37:49Give it to me.
37:54It's okay.
37:56It's what it says.
37:58And the letter you have is very beautiful.
38:12Since when do you smoke?
38:13Recently.
38:14Why?
38:17It calms me down.
38:19It calms you down?
38:25Come on.
38:28There was a surprise.
38:31For the pigeons?
38:32No, no, Rocco, don't touch it.
38:35Don't touch it.
38:55Vincenzo.
38:58Come back.
39:02Hasn't it been pretty good?
39:07I was expecting something more.
39:10Well, Matranga never complained.
39:17I'm not Matranga.
39:25You killed him, didn't you?
39:29I don't care about that.
39:32He was an old man.
39:35And he never brought me to places like this.
39:39He took me in the back.
39:45So you did it.
39:49Angeli.
39:50So you did it.
39:53Angeli.
39:55You don't ask the questions.
39:58With your mouth shut and legs open.
40:00That's your job.
40:03My friend Antonio has also disappeared.
40:06You wouldn't kill that poor man.
40:09Who is that Antonio?
40:11A thug at Matranga's service.
40:17Yes, I agree.
40:19I met him in the bathroom of the Spiky.
40:24I also always found him in the bathroom.
40:29I was with Antonio to annoy Mrs. Carmela, his mother.
40:36I could never stand that woman.
40:40The truth is that I slept with all his children.
40:44Except for one who was stupid and always got in my way.
40:53One question.
40:58Do you still see them?
40:59No, they were my neighbors at home.
41:02But well, in the end they moved.
41:05Where?
41:06What do you care about that?
41:08With your mouth shut and legs open.
41:12Where?
41:15I'll tell you everything I know.
41:21Good morning, Carmela.
41:22Hi, Brenda.
41:23I'm going to Mr. Ferry for shirts.
41:25Okay, see you later.
41:26See you.
41:30What happened?
41:31Was it a shot?
41:32I think it was a gunshot.
41:45Hey, what's going on?
41:51What's happened?
41:57Mr. Ferry.
41:58Please go back in your rooms, okay? There's nothing to see, okay?
42:10Mr. Ferry.
42:14It's a shame it's not you.
42:18I'm confused.
42:20My room is number 27, you know that, right?
42:22Yeah, but they're all the same.
42:24Come with me, I'll give you a drink.
42:27Poor people.
42:28Go back in your rooms, I'm calling the authorities, okay? There's nothing to see here.
42:40What is he doing? He's not answering?
42:42It must be the bank.
42:44Look, Carmela.
42:45There was a crash yesterday.
42:46The bag sank.
42:48It will be remembered as Black Thursday.
42:51I haven't lost it all.
42:52As you've seen, others have had it much worse.
42:56Only yesterday, 11 people died.
42:59And with today's, there are already 12.
43:01And do I have to worry about Alfredo?
43:03No.
43:04Alfredo is already a much better sailor than me.
43:10Well, it's getting late.
43:14Oh, I forgot.
43:27For you.
43:30Thank you.
43:31A gift?
43:33No, not yet.
43:34Because if you don't like it, I'll be sad.
43:38Very well.
43:39I'll open it at home.
43:41I'll go with you.
43:44Okay.
43:55See you soon, Carmela.
44:08It's his watch.
44:09He gave me his watch.
44:13He gave me his watch.
44:26He knows I can't read.
44:32He drew me the boat, our boat.
44:40And he sends me flowers.
44:42Even flowers.
44:46Miss Rizzo?
44:48Yes, I am.
44:49For you.
44:51From Mr. Ferry, right?
44:53I don't know.
44:55Valentine...
44:57Card.
44:58A love card.
45:00Sorry, no card.
45:02Ah, no.
45:04I'm sorry.
45:06I'm sorry.
45:07A love card.
45:08Ah, no.
45:10I don't know how to read.
45:12Thank you. Have a nice day.
45:13Thank you.
45:20What a detailer.
45:31Hello, operator speaking. How can I help you?
45:34I'm Miss Rizzo.
45:36To Mr. Ferry, Walford Hotel, please.
45:39Hold the line, Mrs. Rizzo.
45:43Hello?
45:45Walford Hotel speaking.
45:48Hello?
45:50Hello?
45:52Hello?
46:03Let me go! Let me go!
46:05Let me go!
46:07He found me.
46:09Damn it.
46:11Damn it.
46:16Damn it.
46:34I'll put it in the back, sir.
46:39Goodbye, Mr. Ferry. Your luggage is in the car.
46:42Thank you, my friend.
46:44No, Mr. Ferry. I can't accept this.
46:47Accept it. It's the last thing.
46:49Take advantage of it.
46:50Thank you very much.
46:54Sir.
47:04Goodbye.
47:06Goodbye, Mr. Ferry.
47:08I'll be back, Sam. It's been an honor having you here for so many years.
47:23Please, calm down. Let him talk.
47:27Friends, in the United States there are 17 million people unemployed.
47:32And in Europe it's even worse.
47:34Like all battles, they're here to win them.
47:37I'm telling you, this isn't the time to strike.
47:40No!
47:42Please, we must fight to win, but it's not time to strike right now. Please.
47:45I remember when we came here.
47:47Winters that never ended.
47:49Chilblains on the hands.
47:51And the coal wasn't enough to heat our houses.
47:54Do you remember our young comrade, Chiro?
47:56He was killed because he tried to rebel against them.
47:59I remember when our young friend, Chiro, was killed.
48:02I know what I'm talking about.
48:04My father fought all his life.
48:06His father fought all his life.
48:08And he lost in the end.
48:10He's dead.
48:12Throwing your head in the fire doesn't help you win battles.
48:16We have to know how to wait.
48:19And I'm telling you, striking today will become a suicide.
48:23Striking today will become a suicide.
48:26What do you mean, a suicide?
48:28We have to strike! We have to strike!
48:30Strike! Strike!
48:32You have to strike!
48:38What's going on?
48:40There's no class today.
48:42There were rumors of a strike.
48:44We're trying to calm things down.
48:46Yes, yes, of course.
48:48It's for the best.
48:50So...
48:51I'm going to pick up Pietro.
48:55Give him some memories.
48:57Yes.
48:59From your side.
49:09You have to listen to me!
49:11You have to listen to me!
49:13It's not the time to strike!
49:21Strike! Strike! Strike!
49:41How could you bring me to a restaurant that's closed?
49:45They're going to sell it.
49:47What are you doing?
49:49Have you gone mad?
49:51Mom!
49:53It's not for sale anymore.
49:55Now it's ours.
49:57It's ours?
50:01Well...
50:03It's yours.
50:06Mine.
50:08It's mine.
50:10My legs are shaking.
50:12Come, I'll show you.
50:14It's very pretty.
50:17How pretty.
50:19So?
50:21Thank you, Pedro.
50:23Thank you, really.
50:25Thank you.
50:27Come on, I'll take you to your kingdom.
50:29Come here.
50:31The kitchen.
50:35All for you, Mom.
50:37You get lost in here.
50:39Slowly, slowly.
50:41Remove the sauce, or it'll stick.
50:43Yes, yes.
50:45We have to put this tray in the oven.
50:47Spaghetti with meatballs for four.
50:48Cut that onion into thin slices.
50:50Cut it into thin slices.
50:53My God, so many people.
50:55Rocco, come here.
51:00From here, you can see the whole living room.
51:03If you do this with your head, it means you like it.
51:06And if you don't...
51:08What's the big deal?
51:10Perfect. Five minutes.
51:18Five minutes.
51:19Thank you.
51:21Thank you.
51:47The widow of Esquiabón.
51:48The widow of Esquiabón.
51:50Rocco, Rocco, go home.
51:52Go home and wait for me there.
51:55Why, Mom?
51:57It's very long and very difficult to explain. Go.
52:08But this isn't wine.
52:10It's grape juice.
52:11It's grape juice.
52:16There's no place for you here.
52:18What do you mean, there's no place?
52:20Don't you recognize me?
52:22I'm Vincenzo Espano, your countryman.
52:24Go away.
52:26Ma'am, are you really kicking us out?
52:28Don't worry, cousin.
52:30The lady is angry with me.
52:32We used to be intimate friends.
52:35You and I have never been intimate or friends.
52:38I remember it differently.
52:39Well, I can't forget my husband's murderer.
52:41How could I?
52:43Murderer? Even with that story?
52:45It was a legitimate defense.
52:47He shot him.
52:49Betrayal.
52:51And I'm not going to feed them.
52:53Leave.
52:55Ma'am, you're making a very serious mistake.
53:03She hasn't changed.
53:06In fact, she's even more beautiful.
53:08Didn't she thank me for the flowers?
53:13I came here to give her back that handkerchief.
53:16Go away.
53:18Go away.
53:20Let's go, Guarino.
53:22This lady is in charge here.
53:25So we have to go.
53:34Carmela.
53:35Carmela.
53:42You can't imagine how much I missed her.
53:47Of memories of her children.
53:49They will be very old.
53:51How is Rocco?
53:54Get out.
53:56Get out of here.
53:58Go away.
54:00Get out of here.
54:05Mrs. Carmela.
54:08Have you seen?
54:10She told me to bathe.
54:12It's amazing.
54:17I love you.
54:35I love you.
55:05I love you.
55:35I love you.
55:37I love you.
56:05I love you.
56:35I love you.
56:36I love you.