Category
🎥
Short filmTranscript
00:01:00CCoSp4 3.50 (-1.00)(Bonus 1.00)(Consolation 1.00)(StSq2 2.60)(Fall 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Fall 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(St
00:01:30Sq2 2.60)(Bonus 1.00)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Fall
00:01:381.00)(StSq2 2.60)(Bonus 1.00)(Finish 1.00)(StSq2 2.60)(Fall
00:01:421.00)(Fall 1.00)(StSq2 3.60)(Bonus 1.00)(StSq2 3.60)(Bonus 1.00)(Compromise
00:01:451.00)(A быстрo vote?
00:01:47A better Charity Vote can lead to more members heating the town with a sail 15 times and
00:01:49handing over the currency.
00:01:50The Shannon-ied vote kit
00:01:53♪
00:02:03♪
00:02:13♪
00:02:23♪
00:02:33♪
00:02:43♪
00:02:53♪
00:03:03♪
00:03:13♪
00:03:23♪
00:03:33♪
00:03:43David Bourne.
00:03:45Catherine Hill.
00:03:47American.
00:03:49What brings you to Paris?
00:03:51Painters.
00:03:53Painters or paintings?
00:03:55Are you a painter?
00:03:57No, a writer.
00:04:01So how long are you staying in Paris?
00:04:04I don't know.
00:04:06You?
00:04:07I live here.
00:04:08Came after the war.
00:04:10Did you fight like your friend?
00:04:12Yes, we were in the flying corps together.
00:04:15An aviator.
00:04:16How exciting.
00:04:20The end of October usually shrouded Paris with the low grey clouds of coming winter.
00:04:25But Monday held the promise of an Indian summer.
00:04:28Monday afternoon followed by days of warm sun.
00:04:31And by Friday, everyone had forgotten winter and thought summer would never end.
00:04:43Come down, you hermit.
00:04:45I'll be right down.
00:04:52You caught me just as I was putting pencil to paper.
00:05:02So what do you think?
00:05:04What do you mean?
00:05:06The car.
00:05:08It's yours.
00:05:10I bought it for you.
00:05:12You did what?
00:05:15Because I love you.
00:05:25You're crazy.
00:05:29If I'm going to marry an impoverished genius, you'll have something to drive me around in.
00:05:33Getting married?
00:05:34You know we are.
00:05:36Can I come up?
00:05:39No, let's go out in the car.
00:05:45Set.
00:05:46Contact.
00:06:09It was only six weeks since we first met at the Hotel Crayon in Paris.
00:06:13We had a whirlwind romance, but I wasn't overly concerned about my writing or anything else.
00:06:18I was just so happy being with this girl that I loved and was married to.
00:06:45This is cozy.
00:07:04And lie by me.
00:07:16Monsieur?
00:07:26Mm, breakfast.
00:07:55Why do people always get so hungry after they have sex?
00:07:58Do they?
00:08:00I do.
00:08:03What should we do today?
00:08:05Well, how about a swim and then a nap before lunch?
00:08:09A nap?
00:08:11What an absolutely novel idea.
00:08:13Where do you get these ideas?
00:08:15I'm the inventive type, you know.
00:08:18And I'm the destructive type.
00:08:22What will you destroy next?
00:08:24You.
00:08:26One night I'm going to do something.
00:08:28Something you've never even heard of or imagined.
00:08:32Luckily I can count on you to sleep like a lull.
00:08:35Don't lull yourself into any false security.
00:08:44You love me like I love you.
00:08:49You love me the way I am.
00:08:53That's a funny question.
00:08:55If I changed, would you still?
00:08:58Sure.
00:09:01Do you need the bug?
00:09:03No.
00:09:04Are you going somewhere?
00:09:06I have a little surprise for you.
00:09:08Will I like it?
00:09:09I hope you will.
00:09:47Sorry, missy.
00:09:48Sorry.
00:09:49Don't try to bring him in too quickly.
00:10:18Look at him.
00:10:19What is he?
00:10:20He's a sea bass.
00:10:21A fish such as this has not been caught here for years.
00:10:26Quick.
00:10:27We must put him on ice.
00:10:33You are full of surprises.
00:10:36I can do with this one.
00:10:40What have you done?
00:10:53Kiss me, please.
00:11:05Kiss me, please.
00:11:11Now feel the back.
00:11:15You see, I'm a girl, but now I'm like a boy, too,
00:11:17and I can do anything and anything and anything.
00:11:22Tell me you like it.
00:11:24It's just a little unexpected.
00:11:27You do like it, don't you?
00:11:31Here, come and sit behind me.
00:11:35Now, what are you drinking?
00:11:38Give me a whiskey. Don't be stingy.
00:12:06Kiss me.
00:12:31Now I've got you.
00:12:33Hold me, girl.
00:12:37I'm holding you, girl.
00:12:39This is my dowry.
00:12:41The new is my surprise.
00:12:44Feel.
00:12:58Careful there.
00:13:01Careful here.
00:13:04You're changing.
00:13:07Yes, you are.
00:13:11And you're my girl.
00:13:15Girl?
00:13:17Yes.
00:13:21I'm Peter now,
00:13:23and you're my beautiful, lovely Catherine.
00:13:31Oh, you're so good to change.
00:13:34Thank you.
00:13:36Oh, thank you.
00:13:38I'm going to make love to you forever.
00:13:52You don't mind if we've gone to the devil, do you?
00:13:55I like being brothers.
00:13:58Though when we're naked like this,
00:14:00I don't suppose we look much like brothers, do we?
00:14:04I'm not naked.
00:14:07No, you're not.
00:14:13Come on, darling, don't dwell on things.
00:14:16It was fun.
00:14:18It was a game.
00:14:20It was fun.
00:14:22It was fun.
00:14:24It was a game.
00:14:26And you were wonderful to let it happen.
00:14:37Monsieur, your mail.
00:14:40It arrived from American Express.
00:14:43Merci.
00:14:52Thank you.
00:15:08$1,250.
00:15:10Not bad.
00:15:13Darling.
00:15:16I have your mail.
00:15:21Will you join me?
00:15:26You seem in a better mood.
00:15:30Here.
00:15:35William wants to know if I started the new book.
00:15:39William wants to know if I started the new book.
00:15:42C'est Monsieur?
00:15:44Yes, it certainly is.
00:15:46Is it about the marriage?
00:15:48No, it's about a book written by Monsieur.
00:15:54David.
00:15:56The things they say.
00:15:58He writes like a poet, indeed.
00:16:04Things like this could hurt you
00:16:06if you thought about them too much.
00:16:08Not if you're careful.
00:16:10I like to read them once more.
00:16:12How many times have you read them?
00:16:15You're not going to carry them around, are you?
00:16:18It would be like carrying around someone's ashes in a jar.
00:16:22Some people would be a little happy if the husband got a good review.
00:16:25I'm not some people.
00:16:27It's making us some money.
00:16:30But it's as though you're suddenly everybody's.
00:16:36Besides, it's not as if we need your money.
00:16:49I have to start writing.
00:16:52Then write. I'm not stopping you.
00:16:57What will you write about?
00:17:00Africa.
00:17:02You could write about us.
00:17:05We'd make a good story, don't you think?
00:17:09Yeah, I think we'd make a great story.
00:17:35Do we like it here?
00:17:41It's not a good day for driving.
00:17:50What about here?
00:17:57That's about right.
00:18:00That's about right.
00:18:30That's about right.
00:19:00That's about right.
00:19:30That's about right.
00:20:00Did you write, poet?
00:20:03I see you're ahead of me.
00:20:06What are you drinking?
00:20:09Absinthe.
00:20:12Garcon.
00:20:14Monsieur?
00:20:16Deux, s'il vous plait.
00:20:18Oui.
00:20:20Oui.
00:20:22Oui.
00:20:24Oui.
00:20:26Oui.
00:20:29So, how many?
00:20:31Two.
00:20:33Or six.
00:20:42Voilà.
00:20:44Merci.
00:20:46Je vous en prie.
00:20:48Merci.
00:20:51Come on, Oblivion.
00:20:54Sounds like a horse.
00:21:01You know, you want to be careful about absinthe.
00:21:05It tastes exactly like remorse, and yet it takes it away.
00:21:09It makes everything easy.
00:21:12Seem easy.
00:21:15I've been stuck here all morning while you wrote,
00:21:18and now you want to deny me my one pleasure,
00:21:21you clipping reader?
00:21:23Now, why didn't you shut up about the clippings?
00:21:26Why should I?
00:21:28Just because you wrote this morning?
00:21:34Don't be stupid, David.
00:21:37Please sit down.
00:21:40Don't be stupid, David.
00:21:43Please sit down.
00:21:45It's just the weather getting to me.
00:21:48Please.
00:22:01I'm sorry.
00:22:03About the clippings, I mean.
00:22:05I was just trying to make a joke and it misfired.
00:22:10I'm sorry.
00:22:22I thought I'd drive into Biarritz.
00:22:25I don't think you should drive.
00:22:27You rest.
00:22:29I'm sure you're tired after all that writing.
00:22:40I'm sorry.
00:23:11What have you done, devil?
00:23:17You don't like it?
00:23:19Mm-hmm.
00:23:21I wanted to be a new girl for you.
00:23:24Girl?
00:23:26Yes, girl.
00:23:30See?
00:23:41I told the man that I wanted it cut like an English boy
00:23:44when he first goes to school.
00:23:47Eaten, I said.
00:23:50But then I wanted it shorter.
00:24:11No, leave them.
00:24:25So where shall we go?
00:24:27A city. I'm tired of small places.
00:24:30We could go to Madrid.
00:24:32Yes.
00:24:40Good afternoon.
00:24:48Good morning.
00:24:59Trunks.
00:25:01What is it?
00:25:03He's talking to himself.
00:25:05Colonel, what the hell are you doing here?
00:25:07Paris was too crowded, so I came down here.
00:25:11Anyway, what are you so indignant about?
00:25:14Criticism.
00:25:16What are you drinking?
00:25:18It's an Angelus 98.
00:25:20Bring me a bottle of what he's having.
00:25:22Very good, sir.
00:25:24Criticism, you said?
00:25:26Yes, about my book.
00:25:28Actually, it's doing pretty well.
00:25:30I'm pleased. I liked it.
00:25:33Anyway, that British officer who crashes his plane
00:25:38wasn't supposed to be me, was he?
00:25:40No, of course not.
00:25:42What brings you to lofty Madrid?
00:25:45Honeymoon.
00:25:46Sounds sticky.
00:25:48What? No Angelus?
00:25:50What kind of folly is this?
00:25:54Excellent.
00:25:56So tell me, who did you marry?
00:25:59Anyone I know.
00:26:00Catherine Howell.
00:26:03Was I?
00:26:04Yes.
00:26:05I knew her father. Odd fellow.
00:26:08Killed himself in a car. Wife, too.
00:26:11Silly way for grown-up people to die.
00:26:13So she never got over it?
00:26:15She never really talks about them.
00:26:16She has an uncle in Paris. He's really worthless.
00:26:18Do you know him?
00:26:19Yes, I met him once at the races.
00:26:21Long time no see. How could you miss him?
00:26:24Well, I didn't marry her family.
00:26:27But you always do, you know.
00:26:29Dead or alive.
00:26:31That's where you find the skeletons at the cupboard.
00:26:39Hi.
00:26:41Catherine.
00:26:42You remember my old friend, Colonel Boyle?
00:26:44Yes. Good to see you.
00:26:46You, too.
00:26:48I missed you today.
00:26:52I left you so you could write.
00:26:56Clippings?
00:26:59I believe I saw you this morning at the Prada, looking at the El Grecos.
00:27:03That's right. I saw you, too.
00:27:10Do you always look at pictures as if you own them?
00:27:12Sometimes.
00:27:15You were devouring El Greco's portrait of his wife.
00:27:18Devouring?
00:27:20I like you.
00:27:24I envy you, David.
00:27:25You'll have to live with that, Colonel.
00:27:27Are you entirely sure he's everything you'd hoped for?
00:27:31Why?
00:27:33Would it be all right if I had an absinthe?
00:27:35Sure. I'll join you.
00:27:38An excellent drink, but I'll stick with the wine.
00:27:41So, uh...
00:27:43You like the real Pernod?
00:27:46I'm shy with people, and it helps.
00:27:49Are you really shy?
00:27:51Truly. Ask David.
00:27:54Your father was very shy.
00:27:56He knew my father?
00:27:57Quite well.
00:27:59And how was he?
00:28:01He was the shyest man I ever knew.
00:28:06And did he drink the real Pernod?
00:28:08He drank everything.
00:28:12Go on.
00:28:14Try a sip of that Wormwood-tasting serum.
00:28:19I don't need it now.
00:28:21Well, you're not shy anymore.
00:28:23You rode over it.
00:28:24Did I?
00:28:25No.
00:28:28Let's say you, we three have dinner together.
00:28:31All right. David?
00:28:34Okay.
00:28:36I'll go up and get my coat.
00:28:40Don't worry. I won't be shy.
00:28:45Was I too rough?
00:28:46I hope not.
00:28:47She's a very lovely girl.
00:28:49You were fine.
00:28:50You'll have to take good care of her.
00:28:52I am.
00:28:54I know, my friend. I understand.
00:28:56You're going to have to take very good care of her.
00:28:59Remember, everything's right till it's wrong.
00:29:23How are you feeling, Devil?
00:29:26Devilish.
00:29:28It was you who wanted to go to Madrid.
00:29:30I know, but it was too crowded.
00:29:32And I want you to myself.
00:29:35So where should we go?
00:29:37What about Cannes?
00:29:38It'll be scorching there.
00:29:53Look at that. Paradise.
00:30:23Hello.
00:30:49Hello, sir.
00:30:50Madam.
00:30:51Can I help you?
00:30:53Can I help you?
00:30:54Bonjour, madame.
00:30:56What a beautiful place you have.
00:30:58Merci. You're most kind.
00:30:59Maybe you could help us.
00:31:01Monsieur?
00:31:02It's perfect. It's just perfect.
00:31:04You see, my wife and I have been searching for somewhere ideal to spend our honeymoon.
00:31:08Nearly wet. How wonderful.
00:31:10Thank you.
00:31:11Now, is there any way we could persuade you to open up?
00:31:14Ah, no. I'm sorry.
00:31:16It's impossible to open for just a few days.
00:31:18There is too much work to be done.
00:31:20Oh, no, madame. Not for a few days.
00:31:21For the whole summer.
00:31:22We will pay you handsomely.
00:31:24We'll be no trouble. We'll need only the simplest things.
00:31:27It would make us so happy.
00:31:31D'accord.
00:31:33You can stay.
00:31:34Merci beaucoup, madame.
00:31:35Merci.
00:31:36But you will have to give me some time.
00:31:40Oh, look. I can walk up there.
00:31:44It's wonderful.
00:31:45It's so close to Cannes.
00:31:52Oh, David.
00:31:53Oh, David.
00:31:54Please.
00:32:20Oh, David.
00:32:21We're going to be so happy here.
00:32:24Here.
00:32:29Merci.
00:32:31Je vous remercie.
00:32:32Merci, madame.
00:32:33This is nice.
00:32:35I've bought all the latest tunes.
00:32:38And I've bought something for you, too.
00:32:40Do you want a Tom Collins?
00:32:41Yes.
00:32:55Merci.
00:33:04Oh, my.
00:33:05Now you can write our story so much faster.
00:33:25Go!
00:33:42I can't wait any longer.
00:33:43Come and have breakfast.
00:33:45We're going to Cannes.
00:33:46You've worked long enough.
00:33:55I will cut it as you ask.
00:33:58We could, of course, experiment on you, monsieur,
00:34:00in case anything goes wrong.
00:34:04You see, monsieur,
00:34:05this is as important to me
00:34:07as your métier is to you.
00:34:11I'm sorry, monsieur.
00:34:12I'm sorry.
00:34:13I'm sorry.
00:34:14I'm sorry.
00:34:15I'm sorry.
00:34:16I'm sorry.
00:34:17I'm sorry.
00:34:18I'm sorry.
00:34:19I'm sorry.
00:34:20I'm sorry.
00:34:21I'm sorry.
00:34:22I'm sorry.
00:34:23I'm sorry.
00:34:26Voilà.
00:34:28Très bien.
00:34:39I have admitted we kissed years ago.
00:34:54It's all gone wrong.
00:34:56Madame,
00:34:57why would I wish to impair your beauty?
00:35:01Maintenant, attention.
00:35:03S'il vous plaît.
00:35:04Voilà.
00:35:06Chut.
00:35:11Alors.
00:35:16Voyez, madame.
00:35:19Vite.
00:35:21It's...
00:35:26changing.
00:35:31Et voilà.
00:35:33You should not have despaired, madame.
00:35:37It's like my pearls.
00:35:39I love it.
00:35:42So much.
00:35:43Does monsieur wish to cut?
00:35:45It is...
00:35:47transportif.
00:35:48Oh, I haven't had a haircut in...
00:35:49Yes, David.
00:35:51You must have it too.
00:35:54How's our story coming?
00:35:58It's hard writing so close to life.
00:36:00Can we publish it soon?
00:36:03It hasn't gotten an end yet.
00:36:05I'm so proud of it already.
00:36:08You have to put in the devil things.
00:36:10And how much I love you.
00:36:20Wow.
00:36:21There's a spectacle.
00:36:27Sisters?
00:36:29I don't think so.
00:36:31Let's stick around.
00:36:32See what happens.
00:36:38Watch out.
00:36:39Here comes the pretty one.
00:36:41I'm sorry to trouble you.
00:36:43Please sit.
00:36:45I shouldn't, I know.
00:36:46But I told my friend he would forgive me.
00:36:48Should we forgive you?
00:36:50I'm sorry.
00:36:51I'm not making myself understood.
00:36:54Your hair.
00:36:55It's wonderful.
00:36:57Monsieur Jean is his name.
00:37:00He's very good.
00:37:05Send him our best.
00:37:07You are so very kind.
00:37:09Garcon?
00:37:12I hope I see you sometime.
00:37:14Gracias.
00:37:19She's nice.
00:37:21She make you nervous with all that blushing, huh?
00:37:24I think she's in love with you.
00:37:35Will Madame be back for lunch?
00:37:37No, I don't think so.
00:37:38She went into Cannes.
00:37:40Sometimes the wind does this.
00:37:43Not a true mistress.
00:37:45But it will blow for a while.
00:37:49That's it.
00:37:50Madame is here.
00:37:54Look who I brought for you.
00:37:55Please, I should not have come.
00:37:59I see you've been to Monsieur Jean.
00:38:02Aren't you happy to see her?
00:38:04Come on, won't you make us a martini?
00:38:07We can eat later.
00:38:08Right now, I want a martini.
00:38:18It is so strong.
00:38:20Well, it's a strong wind today,
00:38:21and we drink according to the wind.
00:38:24Do all Americans do that?
00:38:26Look at her, David.
00:38:27Aren't you glad I brought her?
00:38:32She was impossible.
00:38:34We will have another fight in public again.
00:38:38It was lucky Catherine was there.
00:38:39Yes.
00:38:41Nina wasn't happy and she went away.
00:38:43Well, she just left.
00:38:45It doesn't matter.
00:38:47We did have a jolly time this morning, didn't we?
00:38:50Yes, a lot.
00:38:52Are you staying far from here?
00:38:54I was staying in Canada.
00:38:56She was going back to Torino.
00:38:58Oh, Torino. Is that where you're from?
00:39:00My family has a house there.
00:39:02Tell him the truth, Marito.
00:39:03You are funny.
00:39:05It's a palace, David.
00:39:07Oh, an heiress.
00:39:09Her family goes back to God knows when.
00:39:15Anyway,
00:39:17I thought if you liked her,
00:39:18we could see if Madame has a room.
00:39:20Do you like her, David?
00:39:22Yes, but...
00:39:23Well, then that's settled.
00:39:27My things are in Canada.
00:39:29No, no, no. Come.
00:39:30Stay for a few days.
00:39:32David will go with you to get your things.
00:39:34Won't you, David?
00:39:40Canada is so wonderful!
00:39:42You must love it very much.
00:39:44Yes, I do.
00:39:46I'm in love with ours.
00:39:48And with you, too.
00:39:50Isn't that right?
00:40:05I can't bear it.
00:40:07I'm going to take this off.
00:40:09I want to get brown all over.
00:40:11Who's coming for a swim?
00:40:16Wouldn't you like one of the girls to like you?
00:40:21You're not my girl.
00:40:29Do you dislike me for what I said last night?
00:40:32No.
00:40:35I just don't think you can be in love
00:40:36with two people at the same time.
00:40:38Come, let's swim.
00:41:09Help!
00:41:12I'm in heaven!
00:41:25Patrice?
00:41:27Patrice?
00:41:31Come on, swimmers, we deserve a drink.
00:41:35We're going to transform this bar.
00:41:36We should buy a mirror for it.
00:41:38A bar is no good without a mirror.
00:41:40Let's get the one tomorrow.
00:41:42Yes, let's.
00:41:44There's sure to be one in Cannes.
00:41:46Then we can all see each other.
00:41:48When I look too deeply into a bar mirror,
00:41:50that's when I know I'm lost.
00:41:52How can you lose with two girls?
00:41:54Don't you like the way your girls look?
00:41:56I'm the fair one.
00:41:58Darker than the one I married.
00:42:00So are you.
00:42:02And I brought you a dark girl for a present.
00:42:04And I like my present very much.
00:42:06How do you like your future, dark one?
00:42:08It isn't a dark future, is it?
00:42:14She's not only beautiful, she makes jokes.
00:42:17I'd rather be a dark present than a dark future.
00:42:20She did it again.
00:42:23Give her a kiss, David, make her a fair present.
00:42:31That's a bit mean.
00:42:33You can do better than that, surely.
00:42:37Come on.
00:42:57Maybe we made too many jokes.
00:43:06Let's go.
00:43:27Hello, madam.
00:43:29Hello, Mr. David.
00:43:31How are you?
00:43:33I'm fine, thank you.
00:43:35They have left you alone?
00:43:37No, not for long, I'm meeting them in Nice.
00:43:40Alas, I won't be needing one of your wonderful lunches today.
00:43:43Dommage.
00:43:57How are you?
00:43:59Devil.
00:44:01Does he mean me?
00:44:03Did you work well, David?
00:44:05Of course he did.
00:44:07It's the only way he ever works.
00:44:09Now, can we have some drinks?
00:44:11It's so hot.
00:44:16So what have you two been up to?
00:44:18We bought things and ordered things
00:44:20and generally made a scandal.
00:44:23And Marita bought both her books.
00:44:26Oh, well, I hope you like them.
00:44:28What was the scandal?
00:44:30There is no scandal.
00:44:32Not true.
00:44:34I did it and I liked it.
00:44:37When did they say the mirror was going to arrive?
00:44:40Did what?
00:44:43What did you do?
00:44:45She didn't do anything.
00:44:47This morning I stopped the car on the way to Nice
00:44:50and kissed her and she kissed me and I liked it.
00:44:54Maybe you should give it another try, David.
00:45:03I'm sorry.
00:45:21You finished it.
00:45:23It is very good.
00:45:26The ending made me so sad.
00:45:29Don't overreach.
00:45:31The man in the book is...
00:45:33My friend.
00:45:35Marita, when you kissed David yesterday
00:45:39and liked it so much,
00:45:41were you thinking of him as a writer?
00:45:44I didn't think anything.
00:45:47I'm glad.
00:45:49I thought it was going to be like the clippings all over again.
00:45:53His press cuttings,
00:45:55rave reviews,
00:45:57with pictures of him galore.
00:45:58I think it's time for bed.
00:46:00We're all getting a little tired.
00:46:02You're right.
00:46:04I'm desperate to get out of these clothes.
00:46:06I think I'll have a cool shower.
00:46:10May I come and see you later?
00:46:28Can I tell you now?
00:46:31Can we skip it?
00:46:33No.
00:46:35Let me tell you.
00:46:43When we stopped the car,
00:46:45she said it was better if I was the girl
00:46:47and really I was glad
00:46:49because I didn't know what to do.
00:46:52I think she wanted to show me.
00:46:55And?
00:46:56And I liked it.
00:46:58And I'm really going to do it.
00:47:00No, you're not.
00:47:02I have to, to really see.
00:47:04If I don't, it would be like
00:47:06stopping in the middle of something.
00:47:09I'll come back to you.
00:47:11When it's over, there will only be the two of us.
00:47:16Don't do it.
00:47:18If you have her after,
00:47:20that will wash everything away.
00:47:22That's crazy.
00:47:24Just stay here and be quiet.
00:47:28I am quiet.
00:47:35I love you so.
00:47:41I'm going to go now.
00:47:53Bye.
00:48:23I love you.
00:48:42I love you too.
00:48:44I love you too.
00:48:46I love you too.
00:48:48I love you too.
00:48:50I love you too.
00:48:51I love you too.
00:49:08Yes!
00:49:18Come on, Kiko, come on, come on.
00:49:21Come on.
00:49:30The story started with no difficulty,
00:49:32as a story does when it's ready to be written.
00:49:34An elephant!
00:49:42Nini!
00:49:44We've seen a huge elephant.
00:49:46With tusks.
00:49:48Huge tusks.
00:49:49It's an elephant, father.
00:49:51Huge elephant.
00:49:53We tracked it.
00:49:55Who tracked it?
00:49:57We did.
00:49:59Kiko and me.
00:50:01You're sure it was an elephant?
00:50:03Yes, father.
00:50:05I can show you.
00:50:07Do you remember where you saw it?
00:50:09It was just over there.
00:50:11It was a good story,
00:50:13and I remembered how long I'd intended to write it.
00:50:20Buana!
00:50:22Buana!
00:50:25Burugani.
00:50:28Sikumoja.
00:50:30Sikumoja?
00:50:31Yeah.
00:50:38Are you all right, Davy?
00:50:40Yes, sir.
00:50:44I don't know what to do.
00:50:46I don't know what to do.
00:50:48I can carry more, father.
00:50:55Un paquete.
00:51:17Un paquete.
00:51:48How does it feel?
00:51:50It doesn't hurt.
00:51:52Buana.
00:51:54Asante.
00:52:01Where's he going?
00:52:03Who?
00:52:05The elephant.
00:52:07Oh.
00:52:09Juma says he's going to visit his ascari.
00:52:11Ascari?
00:52:13Mm.
00:52:15His friend.
00:52:18Juma killed him.
00:52:24Here.
00:52:26Juma killed the elephant's friend.
00:52:30Eat the biscuit slowly,
00:52:32and drink plenty of water.
00:52:47Thank you.
00:52:57I thought you'd gone away.
00:52:59I didn't take anything.
00:53:01Yes.
00:53:03You're all right.
00:53:08Wind's dropping.
00:53:10Should be a good day.
00:53:12I don't care about today.
00:53:14You want a drink?
00:53:15I love what you're having.
00:53:37Here's to us.
00:53:40Are we us again?
00:53:42Why not?
00:53:43I'm so glad.
00:53:45Here's to us.
00:53:47The Bournes.
00:53:49I wasn't unfaithful, David.
00:53:51I couldn't be.
00:53:53You know that.
00:53:55Half the time she only wanted to talk about you anyway.
00:54:03I've told him all about everything, and he's fine with it.
00:54:06He approves.
00:54:08Drink?
00:54:10It's very early.
00:54:11No, thanks.
00:54:15Of course, I'm just an apprentice, but I will always be.
00:54:18Oh, Catherine, please, do you have to?
00:54:20Now, perversion's so dull.
00:54:22I suppose it's only interesting the first time one does it.
00:54:25And only to the one who does it.
00:54:27Do you agree, Aris?
00:54:29Aris?
00:54:31That's a nice, funny name.
00:54:33Do you agree, Aris, about perversion?
00:54:39I think I will have the drink.
00:54:42Maybe you need to kiss her again, David.
00:54:45I'm making a drink.
00:54:47I forgot about the surprise, Arisbot.
00:54:49I'll go get it.
00:54:53Patrice!
00:54:59Do you want me to go away?
00:55:01You'd be smart to.
00:55:03I don't think so.
00:55:07Would you kiss me so we know it is all right?
00:55:12No.
00:55:26That's a wonderful kiss.
00:55:28We all saw it.
00:55:30Aris has bought some Ballinger and caviar.
00:55:33Isn't it lucky Aris and I are so rich she'll never have anything to worry about?
00:55:37We'll take good care of him, won't we, Aris?
00:55:56She's very beautiful.
00:56:00Did you write this morning?
00:56:03Yes, I did.
00:56:04Yes, I did.
00:56:15What's going on?
00:56:18We lost his trail.
00:56:20Look. Look what I got.
00:56:23You did good today, baby.
00:56:25Thank you.
00:56:27We're set for rations now.
00:56:29Juma!
00:56:32How big do you think he is?
00:56:35The elephant.
00:56:37Bigger than anything I've ever seen.
00:56:39How does Juma know where he's going?
00:56:41Juma killed his friend.
00:56:43We're far from here.
00:56:46When?
00:56:48I don't know. Five, eight years ago.
00:56:51You mean the elephant's been alone since then?
00:56:54All alone?
00:57:05Come on.
00:57:17I'm so tired.
00:57:19You want an early night?
00:57:21I want to sleep forever.
00:57:27You don't look well, Catherine.
00:57:29I'm fine.
00:57:31Just deadly sleepy.
00:57:35Come on.
00:57:43It's a little high.
00:57:46Can I sleep now?
00:57:48Of course, Del.
00:57:50Go to sleep.
00:58:05Are you?
00:58:07No, I'm going up to Juma.
00:58:12Kiss me goodnight.
00:58:15Go to bed, darling.
00:58:18Don't make much noise.
00:58:20Remember, I'm on the next floor.
00:58:34I love you.
00:59:04I love you.
00:59:22I can't.
00:59:28I'm sorry.
00:59:31It's Catherine.
00:59:34I'm sorry.
00:59:50You are very beautiful.
01:00:04I love you.
01:00:23I did it.
01:00:25Here.
01:00:30This is where I hurt it.
01:00:32Here.
01:00:34This is where I hurt it.
01:00:38Here.
01:00:40Here.
01:00:50This is where Juma knocked him down.
01:00:52And then he shot him in the ear.
01:00:54How long were they friends?
01:00:56I haven't the faintest.
01:01:05Hello.
01:01:10Where's Catherine?
01:01:12She went into camp.
01:01:14She won't be back until dinner.
01:01:20Are you all right?
01:01:22Yeah, sorry.
01:01:24I just wanted to talk to her about something.
01:01:26I'm fine.
01:01:28I'm fine.
01:01:30I'm fine.
01:01:32I'm fine.
01:01:35Is it important?
01:01:37It is to me.
01:01:39I think that I'm on to something.
01:01:42Your book?
01:01:44It's still flying around in my head.
01:01:46Well, it's over for today.
01:01:48Leave it behind.
01:01:50I'm going to take you swimming. Come on.
01:02:05Come on.
01:02:24You said that you were on to something.
01:02:26Yeah, I think so.
01:02:28Can you tell me?
01:02:31It's not fully formed yet.
01:02:32I wish I could help.
01:02:34I wish you could too.
01:03:03Do you want me to stop?
01:03:05No.
01:03:32No.
01:03:57We've been discussing you, David.
01:04:00Studying your needs.
01:04:03And we've decided that you must share us both.
01:04:11And how's that going to work?
01:04:13I get you for two days and Eris here gets you for two days.
01:04:30I want to talk to you.
01:04:32God, David. What's there to talk about?
01:04:43Well?
01:04:45Why do you want to do this?
01:04:47I didn't bring her here just for me, you know.
01:04:50You do like her, don't you?
01:04:53What? You want me to fuck her? Is that it?
01:04:56You have. That's not the point.
01:04:59David, we don't have to live life like normal people.
01:05:02We can do what we want.
01:05:04Live life the way we want.
01:05:06And what kind of life is that?
01:05:10Alright, let's just say I agree to this new craziness.
01:05:15And where does this leave us?
01:05:18It doesn't leave us anywhere.
01:05:20We just carry on.
01:05:24Can I tell you a secret?
01:05:26You're not very hard to corrupt.
01:05:32This isn't funny.
01:05:34Come on. It was just a joke secret.
01:05:40We just have fun.
01:05:43Come on, do it for me.
01:05:58Yuma!
01:05:59Yuma!
01:06:01It's Mama!
01:06:04Rest in here.
01:06:07It's slowing down.
01:06:09It won't be much longer.
01:06:12Fuck elephant hunting.
01:06:14What's that?
01:06:16Fuck elephant hunting.
01:06:22You better not fuck this up.
01:06:29Yuma?
01:06:31Open it.
01:06:34Come on.
01:07:29Go!
01:07:30Go!
01:07:31Go!
01:07:32Just go!
01:07:33Go!
01:07:34Go!
01:07:35Go! No! Go! Go! Just go!
01:07:42Go!
01:08:05An elephant heart? Was that really you?
01:08:13Me and my father.
01:08:16Did you stop loving him when he shot the elephant?
01:08:20That was when I got to know him.
01:08:25Hello, you two. Had a nice day together?
01:08:29Be a darling, David. Make me a drink. Martini, strong.
01:08:35It's just like meeting an ex-husband. It makes me feel very sophisticated.
01:08:42I think it agrees with you, too.
01:08:46Do you think he's all right? And well, you might blush.
01:08:51Look at her, David.
01:08:53She looks very well to me. As do you.
01:08:57Can we try and be civil today?
01:08:59What? Like Miss Sweet and Innocent here?
01:09:03I must say, I'm glad I had her before you.
01:09:05Catherine!
01:09:07All right, give me my drink.
01:09:11That mirror's awfully critical.
01:09:15Did the dark girl tell you she's read our story? She agrees it's wonderful.
01:09:20Oh, you've read it?
01:09:22We both have.
01:09:24I think you should have asked me.
01:09:25I know I should have.
01:09:27But I started to read it for myself and thought it's so interesting, Eris ought to read it, too.
01:09:32I'd have said no.
01:09:34The point is, Marie-Teddy, if he ever says no about anything, just keep right on. It doesn't mean a thing.
01:09:41It's very good, David.
01:09:45Just wait till he takes our story up till now. You'll find out.
01:09:48Oh, I'm through with that story.
01:09:49What's that?
01:09:53That's dirty. That was my present. And our project.
01:09:59I'm working on something new.
01:10:01New?
01:10:05Oh, I see.
01:10:09Is that what she's reading?
01:10:11It's wonderful.
01:10:13You know, I've never read a story of David's until now.
01:10:17I wouldn't interfere.
01:10:19I've only made it economically possible for him.
01:10:25Is there any reason why I can't read this masterpiece?
01:10:29Can I read this?
01:10:31Yes, read it.
01:10:42Okay.
01:10:53It starts well, although your grammar's atrocious.
01:10:57Your description of the country's pretty.
01:11:13How could you write about your father and his whores? His revolting?
01:11:18It's not about that.
01:11:20And who cares about natives and flies and filth?
01:11:23How could your father involve you in such a thing?
01:11:26Nothing can make me finish it.
01:11:28I didn't want you to read it in the first place.
01:11:33You two conspired to make me read it.
01:11:36I asked you not to read it.
01:11:39I hate you. I hate you both.
01:11:43Catherine!
01:11:45David.
01:11:47Catherine!
01:11:49But I was worried now,
01:11:51and thought what would become of us if things had gone this wildly,
01:11:54and this dangerously, and this fast.
01:12:00Why have you stopped writing our story?
01:12:03You never cared what I wrote before.
01:12:07I've let you alone, and now she's me.
01:12:10No. No.
01:12:12Listen to me. This is something I had to do.
01:12:16It's horrible. It's horrible.
01:12:19Stop it. Stop it.
01:12:21Shh.
01:12:41You finished it.
01:12:43Oh, the first story, anyway.
01:12:45Then let's go to town and celebrate.
01:13:11You two look wonderful together.
01:13:14I'm so proud. I feel as though I'd invented you.
01:13:17Is it lunch already? Do you mind if I join you?
01:13:20No, of course you must join us, David.
01:13:23Sure.
01:13:25What have you been up to, devil?
01:13:27I've had a fine morning.
01:13:29I made decisions and planned things.
01:13:32What sort of plans?
01:13:34They're all straightforward. You don't have to groan about them.
01:13:37I'm sorry.
01:13:38They're all straightforward. You don't have to groan about them.
01:13:41You've been doing just whatever you wanted to these past few days,
01:13:44and I was pleased for you.
01:13:46But I have the right to make a few plans.
01:13:48Of course you do.
01:13:50First, we have to start seeing about getting the book published,
01:13:54see about getting illustrations, see artists.
01:13:57Yeah, I've been busy.
01:13:59Were you going to let me go over them before?
01:14:01Someone has to get started.
01:14:03All right. Who'd you come up with?
01:14:05Different ones for different parts.
01:14:06Durand, Picasso.
01:14:09Can't you see a nice Laurent Saint,
01:14:11with Marit and I in the car when we stopped on the way to Nice?
01:14:14I haven't written that.
01:14:16Well, write it then.
01:14:18It's certainly more interesting than your father staggering around
01:14:21smelling of sour beer and shooting helpless elephants.
01:14:23Keep your voice down.
01:14:25Well, I knew I'd made you happy, and I'd accomplished something.
01:14:29It's very good of you to let us spend some time together.
01:14:32I'm sorry I was rude about you, Marita.
01:14:35I couldn't be happier about you, really.
01:14:38But can't you see David's mixed up?
01:14:41Jumping back and forth, trying to write this African thing
01:14:45when all he had to do was keep on with a narrative
01:14:47that meant so much to all of us.
01:14:49It was going so well, too,
01:14:52and we were just coming to the most exciting parts.
01:14:54Well, you must feel better now that you're planning things.
01:14:57I do.
01:14:59But I can't help it if I'm practical and sensible.
01:15:02I don't know why David's being so difficult
01:15:05the moment I put a little order into things.
01:15:08The whole thing is dragged along in such a haphazard way,
01:15:11I suddenly feel ashamed of us all.
01:15:13Christ!
01:15:15Can't we talk about something else?
01:15:23You know, David,
01:15:24Marita was never my type.
01:15:26I'm not attracted to the gammon type.
01:15:29I'll have to try another to find out what I'm missing.
01:15:54Hey.
01:16:12I felt bad about leaving her there.
01:16:16I think she was happy,
01:16:18being the great publisher.
01:16:20You don't think about her when you make love to me?
01:16:23No, of course not.
01:16:26You don't want me to do her things
01:16:28because I can do them better than she can.
01:16:30Marita.
01:16:39I can't believe what's happening.
01:16:50No matter how it is,
01:16:53I love you.
01:16:56And tomorrow,
01:16:58you're going to continue your writing.
01:17:19I love you.
01:17:49I love you.
01:18:19I love you too.
01:18:50Hello, husband.
01:18:52I'm making a drink. Do you want one?
01:18:55That would be nice.
01:18:57Martini.
01:18:59And put in one of those olives,
01:19:01although I don't think it will help.
01:19:03How about?
01:19:06I drove along the little corniche
01:19:08and stopped above the Villefranche
01:19:10and watched a battle cruiser come in.
01:19:12And then it was late.
01:19:14It was very strange.
01:19:16All the colors were too bright.
01:19:18Even the grays in the olive trees were glittery.
01:19:21And that's the twilight.
01:19:23No, I don't think so.
01:19:26It wasn't very nice and it was lovely.
01:19:30The ship didn't look big enough for such a big name.
01:19:37Too much salt?
01:19:39No.
01:19:41Too much sun.
01:19:43Here.
01:19:44Drink your drink.
01:19:47Can we have a bottle of Bollinger?
01:19:50It was always such a nice wine
01:19:52and we were always happy with it.
01:19:54If you want.
01:19:56I'll get a bowl.
01:20:05It was fun when David really did live with me.
01:20:07Before he was writing those dreadful stories.
01:20:10I certainly hope you like stories, Eris.
01:20:13I like them.
01:20:15That's good.
01:20:18David used to have so many other interests.
01:20:21Now all he thinks about is his drunken father
01:20:24and his press clippings.
01:20:26Has he ever shown you his clippings?
01:20:28No.
01:20:30Well, he will.
01:20:32He was pushing them on me before,
01:20:34but I put a stop to that.
01:20:35There were dozens of them.
01:20:37And almost all had his picture.
01:20:39Always the same picture.
01:20:41He carries them around like obscene postcards.
01:20:43Fine.
01:20:45Take the clippings and burn them.
01:20:47That would be the soundest thing.
01:20:49How did you know I did it?
01:20:51Did what?
01:20:53Burn the clippings.
01:20:55Did you, Catherine?
01:20:57Of course I did.
01:20:59Only the clippings?
01:21:01Oh, David, pour the champagne.
01:21:05Thank you.
01:21:07Thank you.
01:21:34Please tell me you didn't burn it.
01:21:36No, David.
01:21:38It was worthless and I hated it.
01:21:40Why? For God's sake, why?
01:21:43I paid for them.
01:21:45I know you did.
01:21:47I know it was very generous of you.
01:21:49Now where is it?
01:21:51Ask her to leave.
01:21:53No, stay where you are.
01:21:55Catherine, Catherine, please.
01:21:57Where is it?
01:22:06Where is it?
01:22:37Where is she?
01:22:39In bed.
01:22:41I'm going to kill her!
01:22:43Don't talk like that.
01:22:45You can't be angry. Someone is ill.
01:22:47I don't care. I want to kill her.
01:22:49I want to strangle the very life out of her.
01:22:51You can't write it again.
01:22:53No!
01:22:58I'm going to kill her.
01:23:00I'm going to strangle the very life out of her.
01:23:02You can't write it again.
01:23:04No!
01:23:06I'm going to kill her.
01:23:12You only get so many good ones.
01:23:14And that was a good one.
01:23:36Thank you.
01:23:44Thank you for sleeping here.
01:23:49Would you kiss me good night?
01:23:57I'm going away in the morning.
01:24:00Away where?
01:24:02Paris.
01:24:04To see about artists for the book.
01:24:06I've wasted so much time as it is.
01:24:08I just need to keep on with it.
01:24:10How are you going to get there?
01:24:12With the bug.
01:24:14Is that what you want?
01:24:16Yes.
01:24:19I'll look at the car for you in the morning.
01:24:21Thank you.
01:24:23It's good of you.
01:24:29I'll speak with my lawyers also.
01:24:33Your lawyers?
01:24:37The African story is obviously worth a lot to you.
01:24:40It's bothering me terribly now.
01:24:43I know my responsibility.
01:24:45I'll do exactly what I should.
01:24:47What do you mean?
01:24:49I'll have them valued.
01:24:51I'll reimburse you.
01:24:55It's not about the money.
01:24:57Can't you understand that?
01:25:01I understand I've done something bad to you.
01:25:07I'm sorry.
01:25:17God, Catherine.
01:25:37Are you having to drive so fast?
01:25:39I want to make sure it's safe.
01:26:07David.
01:26:09She has gone to the station.
01:26:11She took Marita's car.
01:26:13She left this.
01:26:16What time did the train leave?
01:26:18No, it's gone by now.
01:26:20She was very sweet and thanked me.
01:26:23I didn't know what to do.
01:26:26There's nothing you could have done.
01:26:28She took the car.
01:26:30No, she wasn't well.
01:26:32She was weird.
01:26:36I don't know what to do.
01:27:06I'm sorry.
01:27:28My dearest David,
01:27:30I'll cut this short.
01:27:32Do not worry at all.
01:27:33I'll write and do all the things for my book.
01:27:35So if you ever finish it,
01:27:37only I will try to do this one thing.
01:27:39I had to burn the other things.
01:27:41The worst was being righteous about it,
01:27:43but I don't have to tell you that.
01:27:45I do not ask for forgiveness,
01:27:47but please have good luck.
01:27:49You must meet a young friend of mine.
01:27:51An illustrator?
01:27:53No, but she knows a lot of people.
01:27:55She's great fun.
01:27:57Will she like me?
01:28:04Aris has been good to you and me both,
01:28:06and I don't hate her.
01:28:08I won't end as I would like to,
01:28:10because it would sound too preposterous to believe,
01:28:12but I will say it anyway,
01:28:14since I was always rude and presumptuous
01:28:16and preposterous too lately, as we both know.
01:28:19I love you, and I always will,
01:28:21and I am sorry.
01:28:23What a useless word.
01:28:25Kathy.
01:28:33Kathy.
01:28:58Davy, the elephant.
01:29:00He was a murderer, you know.
01:29:01No telling how many people he killed.
01:29:03Weren't they trying to kill him?
01:29:06A pair of tusks like that.
01:29:08Well, how was he a murderer then?
01:29:10Huh?
01:29:12Huh?
01:29:14You want to look at it that way?
01:29:16I wish he'd killed Juma.
01:29:19Juma's your friend.
01:29:21Not anymore.
01:29:23Juma killed his friend.
01:29:25You'd kill Kibo if he had ivory.
01:29:26This is what I do.
01:29:28Juma too.
01:29:30And the porters.
01:29:32I wish I'd never seen that elephant.
01:29:34But you did.
01:29:36You did see him.
01:29:38And you gave him to me.
01:29:48Friends?
01:29:56Friends.
01:30:26Friends.
01:30:50That was awfully close.
01:30:53I loved it.
01:30:56What's happened?
01:30:58The bones did not burn out.
01:31:00Marita, it's all coming back.
01:31:02Everything.
01:31:07The bones?
01:31:09Are we the bones?
01:31:11Yes.
01:31:13We are most definitely the bones.
01:31:27It always made me happy to remember my father.
01:31:30And I knew he would have liked this story.
01:31:56I love you.
01:32:26I love you.
01:32:56I love you.
01:33:26I love you.
01:33:28I love you.
01:33:56I love you.
01:33:58I love you.
01:34:26I love you.
01:34:27I love you.
01:34:28I love you.
01:34:29I love you.
01:34:30I love you.
01:34:31I love you.
01:34:32I love you.
01:34:33I love you.
01:34:34I love you.
01:34:35I love you.
01:34:36I love you.
01:34:37I love you.
01:34:38I love you.
01:34:39I love you.
01:34:40I love you.
01:34:41I love you.
01:34:42I love you.
01:34:43I love you.
01:34:44I love you.
01:34:45I love you.
01:34:46I love you.
01:34:47I love you.
01:34:48I love you.
01:34:49I love you.
01:34:50I love you.
01:34:51I love you.
01:34:52I love you.
01:34:53I love you.
01:34:54I love you.
01:34:55I love you.
01:34:56I love you.
01:34:57I love you.
01:34:58I love you.
01:34:59I love you.
01:35:00I love you.
01:35:01I love you.
01:35:02I love you.
01:35:03I love you.
01:35:04I love you.
01:35:05I love you.
01:35:06I love you.
01:35:07I love you.
01:35:08I love you.
01:35:09I love you.
01:35:10I love you.
01:35:11I love you.
01:35:12I love you.
01:35:13I love you.
01:35:14I love you.
01:35:15I love you.
01:35:16I love you.
01:35:17I love you.
01:35:18I love you.
01:35:19I love you.
01:35:20I love you.
01:35:21I love you.
01:35:22I love you.
01:35:23I love you.
01:35:24I love you.
01:35:25I love you.
01:35:26I love you.
01:35:27I love you.
01:35:28I love you.
01:35:29I love you.
01:35:30I love you.
01:35:31I love you.
01:35:32I love you.
01:35:33I love you.
01:35:34I love you.
01:35:35I love you.
01:35:36I love you.
01:35:37I love you.
01:35:38I love you.
01:35:39I love you.
01:35:40I love you.
01:35:41I love you.
01:35:42I love you.
01:35:43I love you.
01:35:44I love you.
01:35:45I love you.
01:35:46I love you.
01:35:47I love you.
01:35:48I love you.
01:35:49I love you.
01:35:50I love you.
01:35:51I love you.
01:35:52I love you.
01:35:53I love you.
01:35:54I love you.
01:35:55I love you.
01:35:56I love you.
01:35:57I love you.
01:35:58I love you.
01:35:59I love you.
01:36:00I love you.
01:36:01I love you.
01:36:02I love you.
01:36:03I love you.
01:36:04I love you.
01:36:05I love you.
01:36:06I love you.
01:36:07I love you.
01:36:08I love you.
01:36:09I love you.
01:36:10I love you.
01:36:11I love you.
01:36:12I love you.
01:36:13I love you.
01:36:14I love you.
01:36:15I love you.
01:36:16I love you.
01:36:17I love you.
01:36:18I love you.
01:36:19I love you.
01:36:20I love you.
01:36:21I love you.
01:36:22I love you.
01:36:23I love you.
01:36:24I love you.
01:36:25I love you.
01:36:26I love you.
01:36:27I love you.
01:36:28I love you.
01:36:29I love you.
01:36:30I love you.
01:36:31I love you.
01:36:32I love you.
01:36:33I love you.
01:36:34I love you.
01:36:35I love you.
01:36:36I love you.
01:36:37I love you.
01:36:38I love you.
01:36:39I love you.
01:36:40I love you.
01:36:41I love you.
01:36:42I love you.
01:36:43I love you.
01:36:44I love you.
01:36:45I love you.
01:36:46I love you.
01:36:47I love you.
01:36:48I love you.
01:36:49I love you.
01:36:50I love you.