Marta y Fina (Mafin) Parte 16-30
Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:05Marta.
00:00:07I've been looking for you.
00:00:09I needed to move.
00:00:12In the office, he won't stop going around.
00:00:14It's horrible.
00:00:15Oh, yeah?
00:00:17I can't believe our cousin Valentín did something like that.
00:00:20And poor Clotilde.
00:00:22I haven't slept a wink thinking about them.
00:00:25Oh.
00:00:26Oh.
00:00:27Oh.
00:00:29Are you going to report him?
00:00:31I don't know, Marta. I don't know.
00:00:33What can we do?
00:00:35I don't know. It's all done.
00:00:37Then let's not say anything.
00:00:39Let's be friends.
00:00:42You say that.
00:00:44We can't stop being a part of this family
00:00:46as long as we don't resist.
00:00:48I don't have the strength to keep a secret like that,
00:00:52even if it's what Dad wants me to do.
00:00:54I spoke to him this morning.
00:00:57I suppose that if they have been able to keep it all these years, we can too.
00:01:02But we have not chosen this.
00:01:04And our brother, yes.
00:01:07Because he had to go through a calvary.
00:01:10Are we going to condemn him to suffer again?
00:01:12I don't see myself with strength.
00:01:14And what's going to happen to us, Marta?
00:01:17The family can't choose so much.
00:01:21But they, they were wrong.
00:01:23It was their decision.
00:01:24I know.
00:01:30Hello.
00:01:31See you later.
00:01:32I'll see you later.
00:01:35Have a good day, Mr. Andrés.
00:01:37Likewise.
00:01:45You arrived early.
00:01:47You too.
00:01:49Claudia and Carmen were where Luis ...
00:01:51We had to reposition some shelves.
00:01:53I'm going with them.
00:01:54No.
00:01:57I don't want to be alone.
00:02:00Me neither.
00:02:03My father spent the night at the dispensary.
00:02:06Yesterday he had a stroke, but everything was left in a shock.
00:02:12I'm sorry.
00:02:14If I can do something, please ask me.
00:02:18Don't look at me like that, Marta.
00:02:20Don't do this to me.
00:02:22Yesterday you told me that we could only be a boss and an employee.
00:02:25And I asked you to distance yourself.
00:02:28Well, that I can't offer you what you want doesn't mean we're not friends.
00:02:32No, Marta.
00:02:33I don't want to be your consolation or your pity only when you're interested.
00:02:40I'm sorry.
00:02:42It's okay.
00:02:43I just ... I just wanted to help.
00:02:45Sorry to be so direct, Marta.
00:02:47Really.
00:02:48I know you don't do it with bad intentions.
00:02:52But you confuse me.
00:02:55And you hurt me.
00:03:09I'll talk to him.
00:03:10Okay.
00:03:11You tell me.
00:03:15What a face you give me.
00:03:18Nothing, my father is for chucho.
00:03:21Is it something serious?
00:03:23No, no.
00:03:24Small bruises.
00:03:26The good Isidro.
00:03:27Don't let me know anything happens to him.
00:03:30What a nice father you have.
00:03:32You don't know how much I appreciate him.
00:03:34He also appreciates you a lot.
00:03:40You know how happy I would be to see you with someone?
00:03:42I know.
00:03:43That you can enjoy as I enjoyed with your mother.
00:03:45So many years.
00:03:47And that I can see it.
00:03:49Gaspar, you would do me a very, very big favor.
00:03:53You don't have anything else to ask for.
00:03:57I don't feel like it.
00:03:58No, no woman.
00:03:59Come on, ask for that mouth.
00:04:02Would you go out with me?
00:04:03Are you asking me to go out?
00:04:04Yes, but without commitment.
00:04:06Like friends?
00:04:07Yes, but let's look like something else.
00:04:09More than friends?
00:04:10Yes.
00:04:11But without getting to boyfriends?
00:04:12I'm lost.
00:04:14Let's see.
00:04:17As I have already told you, my father is not very well.
00:04:20And he would like to see me with a good boy.
00:04:22And you are a very good boy.
00:04:23Oh, I mean.
00:04:24That would suit you with anyone.
00:04:26No, no.
00:04:27That you like him very well.
00:04:28Let's see, for me to find out.
00:04:29Do you want us to pretend that we are boyfriends
00:04:31so that your father sees you with someone?
00:04:33That's it.
00:04:34And it has to seem that we are very serious.
00:04:36But if it wasn't serious?
00:04:37Just face the gallery.
00:04:38But who do you think I am?
00:04:40Hey, Gaspar.
00:04:41If you don't like it, tell me and that's it.
00:04:43So I had you for a sensible girl and you get me with this?
00:04:46But in what head does such a proposition fit?
00:04:48Gaspar, please, calm down.
00:04:50I don't think it's that bad.
00:04:52Yes, of course.
00:04:53Maybe you think no girl is going to look at me again, right?
00:04:56No, no.
00:04:57Poor Gaspar.
00:04:58Gaspar, no, I didn't say that.
00:05:00Look, I'm telling you, don't count on me for that crazy idea.
00:05:03And I thought twice before proposing to someone
00:05:05because they're going to think you're crazy.
00:05:11I'm sorry.
00:05:31Oh, what are you doing, Mrs. Marta?
00:05:33I thought you were coming in to steal.
00:05:35What are you doing here?
00:05:37I knew you were in exchange and I took the opportunity to bring coins.
00:05:41And you, half an hour before the opening?
00:05:44I wanted to fill the soap basket, the balance basket.
00:05:49Remember to put them under the inventory.
00:05:51Don't worry about it.
00:05:53I'm really happy that you decided to stay and work with us.
00:05:56You've had a lot to do with that decision.
00:06:00Then I deduce that there was a reason to ask for the transfer.
00:06:04That had nothing to do with changing airs or personal growth.
00:06:08Well, you already knew that.
00:06:10Me? No way.
00:06:12I know what you told me.
00:06:14That, about growth.
00:06:16Yeah, that's why Otasio mysteriously went to the night shift the next day.
00:06:21I'm not very subtle, am I?
00:06:23Very little, but I'm grateful.
00:06:28As I told you, sometimes you have to put the workers in their place.
00:06:32Now you don't have to worry about Tasia, you have to worry about yourself.
00:06:35Thank you very much, Mrs. Marta.
00:06:39Hello.
00:06:41Mrs. Marta.
00:06:45Do you know everything about Tasia's story?
00:06:50Something came to me.
00:06:52Although I don't like gossip, this place is small, as you said.
00:06:57And the other thing you know?
00:06:59Well, you don't know that when I went to the hospital...
00:07:03You don't have to give me explanations.
00:07:06No one should go through that and much less feel shame or discomfort.
00:07:10You have all my support.
00:07:12Thank you very much.
00:07:14So Tasia has gone to the night shift as a punishment for what she did to me?
00:07:20Let's say they are measures for the well-being of my employees.
00:07:25I don't want you to come to work uncomfortable.
00:07:28It's not fair.
00:07:29Really? Mrs. Marta is behaving very well with me, I appreciate it.
00:07:33You're welcome.
00:07:35But for my part, Tasio can recover his usual shift.
00:07:40Did he ask you?
00:07:41No, no, no.
00:07:43This is my thing.
00:07:45I think he really regrets what he has done.
00:07:50Do you believe it or do you know it?
00:07:52Well, I don't really care.
00:07:54I do this for me.
00:07:56I don't want to be a resentment.
00:07:58What you are is too good.
00:08:00You say it a lot.
00:08:02If I were you, I would be doing shifts in the moonlight for a few more weeks.
00:08:07Well, do what you want, Mrs. Marta.
00:08:09I'll think about it.
00:08:11The truth is that despite everything, he does a lot of work and is very useful in his usual shift.
00:08:17And as for you, you are worthy of admiration.
00:08:19There are many people who hold on to resentment to get strength from weakness.
00:08:22Well, it's a matter of education.
00:08:24My mother always tells me that with resentment I look like vinegar.
00:08:28Then nothing.
00:08:30Well, I'm going to continue, Mrs. Marta.
00:08:36Good morning.
00:08:38Marcos.
00:08:40Did we meet?
00:08:42I was in Portoledo and well, after your father showed up the other day at the office, I was worried about how he could have taken it.
00:08:49No, everything is fine.
00:08:52But hey, you could have called, you didn't have to come.
00:08:57Well, we were also looking at the new job.
00:09:00You told me you wanted to select more photos.
00:09:02Well, that won't be necessary in the end.
00:09:06You're not making it easy for me.
00:09:10The truth is that I wanted to see you again and invite you out one of these days.
00:09:16Well, you're not making it easy for me either.
00:09:20I'm also going to be honest.
00:09:23I'm a married woman and it's not going to happen.
00:09:27When you called me the other day, it gave me the feeling that there was something more than work.
00:09:31True.
00:09:33I let myself go.
00:09:34I'm sorry, I'm sorry if I confused you.
00:09:37You let yourself go.
00:09:41Is this really because you're married?
00:09:44What are you insinuating?
00:09:46Your interest may go in another direction.
00:09:49Why do you insist on the same thing?
00:09:51Does it bother you so much that a woman rejects you?
00:09:54Don't get me wrong, I don't have a problem with that.
00:09:56Then?
00:09:58They had never rejected me in this way.
00:10:02I'm sorry.
00:10:04I just hope it's clear that my heart is already occupied.
00:10:10By a husband you see a few times a year.
00:10:14Marta, I think you deserve to be loved full time.
00:10:18Look, I'm very tired of dealing with suppliers who try to sell me things.
00:10:23And when I'm strict with them, it's because I know what I want.
00:10:45Are you putting soap in again?
00:10:47Well, the offers have flown.
00:10:50Well, go to the break.
00:10:52You've earned it, very good job.
00:10:54But I don't expect Carmen or Fina to come.
00:10:56No, I'll stay.
00:10:57Besides, Fina will be about to return from her break.
00:11:00Well, if Gaspar doesn't entertain her.
00:11:03Why? What's going on with Gaspar?
00:11:05Oh, I'm sorry, Mrs. Marta, I don't want you to think I'm a gossip.
00:11:08It's just that, as it is said, because of the factory, I thought you had already found out.
00:11:11But nothing.
00:11:13Well, if it's a public domain, I can also find out, right?
00:11:17Of course.
00:11:19Well, Gaspar and Fina have started dating.
00:11:23Yes.
00:11:24Yes, yes, yes.
00:11:25Come on, it's obvious that it's something very recent.
00:11:28But it's just that, well, they make a couple.
00:11:30Gaspar is very good.
00:11:32And Fina deserves all the good things that happen to her.
00:11:35But well, I'll shut up now.
00:11:37She talks a lot.
00:11:38As my mother says, in a closed mouth against a fly.
00:11:42Well, Mrs. Marta.
00:11:47Yes.
00:11:52Hi.
00:11:54Am I late?
00:11:56I thought Claudia would cover for me until she arrived.
00:11:58She left earlier, as I indicated.
00:12:01Is something wrong?
00:12:03What about the break? Any news?
00:12:06No.
00:12:08But if you tell me why you are so serious, we will finish earlier.
00:12:11You ask me for sincerity.
00:12:13This is the last straw.
00:12:14Look, Marta, I don't know what's wrong with you today.
00:12:18I don't know.
00:12:22I heard you are dating Gaspar.
00:12:25Who told you?
00:12:26Claudia.
00:12:27She is so happy about how happy that good man is going to make you,
00:12:29that she couldn't stand the secret.
00:12:32Let me explain it to you.
00:12:33Explain what to me?
00:12:34That you are going to use that poor man to keep your secret safe?
00:12:37No, no, no, no.
00:12:38It's not that.
00:12:39Oh, so what is it?
00:12:40That you like men now?
00:12:41Marta, don't be sarcastic.
00:12:42You know I don't.
00:12:43No, I don't know anything anymore.
00:12:44One day you tell me that I don't have the courage to be with you,
00:12:46and the next day you say you are dating.
00:12:48Marta, you are married.
00:12:50It's not the same. Don't be hypocritical.
00:12:51Why? Why is it not the same?
00:12:52Because your last name is De la Reina.
00:12:54Oh, so now you are going to show off your class complex.
00:12:56Are you really going to attack me here?
00:12:57No, you have taken the whole issue out.
00:12:58Look, enough.
00:13:00You have your private life and I have mine.
00:13:01That's clear.
00:13:02Like water.
00:13:03Then why are you so interested in knowing who I go out with or stop going out with?
00:13:15Answer this question.
00:13:32What are you doing to me?
00:13:34Come in.
00:13:43Come in.
00:13:50Come in and close the door.
00:13:53Better sit down.
00:13:54Yes.
00:13:55We better keep our distance.
00:14:01I wanted to tell you about Gaspar.
00:14:02I have no right to meddle in your life.
00:14:04I'd love for you to kiss me.
00:14:12I'm sorry.
00:14:13I'm sorry.
00:14:14I'm sorry.
00:14:15I'm sorry.
00:14:16I'm sorry.
00:14:17I'm sorry.
00:14:18I'm sorry.
00:14:19I'm sorry.
00:14:20I'm sorry.
00:14:22And I want you to know that I have nothing against him.
00:14:25I don't feel anything for him.
00:14:28So you're with him just to hide your appearance?
00:14:31No.
00:14:32No, I would never do that to him.
00:14:35But my father will leave this world much calmer if he thinks he leaves me alone
00:14:39and accompanied by a good man.
00:14:42I'm doing it for him.
00:14:43For my father.
00:14:45And all this you're telling me,
00:14:47Gaspar knows.
00:14:48Yes, yes, yes.
00:14:49Of course.
00:14:50I asked him to follow me to the farce,
00:14:52without giving him explanations of ...
00:14:55of everything else.
00:14:56Wow.
00:14:59But it seems that every day he is taking me more at face value and ...
00:15:03I can't believe it.
00:15:04Poor.
00:15:05Yeah, he doesn't deserve it.
00:15:06He's not good.
00:15:08And your father doesn't deserve it either and you're cheating on him too.
00:15:11And ...
00:15:13how did you do it with your husband when you got married?
00:15:16I got married in love.
00:15:18Or believing that I was in love.
00:15:22I couldn't think that ...
00:15:24I could feel something like that.
00:15:28And much less for a woman.
00:15:29I don't believe that.
00:15:31I couldn't understand or even imagine that it wasn't my nature.
00:15:36I guess everyone discovers it when ...
00:15:38I've always been clear about it.
00:15:41Yes.
00:15:42Yes.
00:15:43I knew it since I was a child.
00:15:45I've known you since then and I never would have said that ...
00:15:48Well, they don't teach us that there are other options either.
00:15:53What do we do now, Fina?
00:15:57Let's go far away from here.
00:15:59Far away from everyone.
00:16:02I'm going to Madrid tomorrow.
00:16:04If I stop you.
00:16:05Because we're leaving right now.
00:16:08But ...
00:16:09we have to watch out that they don't discover us because ...
00:16:11We'll watch out. Don't worry.
00:16:14I hope you can fix it with Gaspar before.
00:16:18And I hope your husband doesn't show up at your brother's wedding, which is in two days.
00:16:22Don't worry.
00:16:25I haven't even texted him to tell him to get married.
00:16:29What a disaster!
00:16:33And do you still have doubts?
00:16:38No.
00:16:48No.
00:17:18No.
00:17:26Good afternoon, Fina.
00:17:28Good afternoon, ma'am.
00:17:45It was a very nice dinner.
00:17:49And your rice with milk was delicious.
00:17:51It really is my favorite dessert.
00:17:53What a score!
00:17:55It was nice to see your father believing that we are a couple in love.
00:17:58That illusion is better than any medicine.
00:18:04Look, Gaspar ...
00:18:07I thank you very much for everything you have helped me so far,
00:18:10because really my father is much calmer.
00:18:14But we both know that this is a party.
00:18:17And the sooner we finish the joke, the better.
00:18:21What if I tell you that I would prefer to continue?
00:18:23A little more time, nothing more.
00:18:25Through the canteen?
00:18:26I see myself living in the little apartment that my father is looking for.
00:18:29How can we continue like this?
00:18:30Well, it would be very nice.
00:18:31Imagine it, full of light, of plants ...
00:18:33No, Gaspar, don't make it more difficult for me, please.
00:18:36It may be that over time you look at me with different eyes.
00:18:39That is not possible.
00:18:40But why not?
00:18:41Well, because it is clear that I do not feel the same, Gaspar.
00:18:44For now?
00:18:46Things don't work that way.
00:18:48Your father and you make me feel very uncomfortable.
00:18:50Can you stop getting my father involved in this conversation?
00:18:52Yes, yes.
00:18:53More things are needed to have a serious relationship.
00:18:56But you need to be in love, at least.
00:18:59Believe it or not,
00:19:01I've started to feel something in my stomach
00:19:03every time I see you enter the canteen,
00:19:05or I see you in the final colony ...
00:19:06No, no, no.
00:19:07Gaspar, listen to me.
00:19:08What you want is to grab a burning nail after what happened with Sonsoles.
00:19:11But I, frankly, want something else.
00:19:15Well, tell me what it is and I'll give it to you.
00:19:18You're getting confused.
00:19:20Can we do something?
00:19:22You have been honest with me and I thank you for it.
00:19:25And it has become clear to me that for now you do not feel anything at all.
00:19:28No, I'm not going to feel it.
00:19:30Well, we don't need to focus on that either.
00:19:33But we can improve your father's health
00:19:35by following the game a little finer.
00:19:38The truth is that he is better than ever since we spent time with him.
00:19:41You see?
00:19:42You do it for him.
00:19:44And then God will tell you.
00:19:46Look, if I have to make you rice with milk every day to make you,
00:19:49I'll do it for you.
00:19:51Oh my God, Gaspar.
00:19:52What am I going to do with you?
00:19:53Well, if I told you.
00:19:55Come on.
00:20:08Thank you very much.
00:20:13Is everything ready?
00:20:15There is something left.
00:20:16Around here.
00:20:27That basket is too small.
00:20:29It's going to be stuck.
00:20:31You need something bigger.
00:20:33And won't it be a little poor?
00:20:34Poor?
00:20:36No.
00:20:38If you put paper on it.
00:20:49So that the products support.
00:20:52That way it looks better.
00:20:54You have very good taste.
00:20:58Likewise, if you resist any composition,
00:21:01ask Carmen for it.
00:21:02She has golden hands for these things.
00:21:05I'll call you so you can go to the rescue again.
00:21:09I won't be able to rescue you this afternoon.
00:21:11I was just coming to tell you.
00:21:14I'm going to Madrid to supervise the change of sandpaper.
00:21:17To Madrid?
00:21:18I'm going with Carmen.
00:21:20So you'll be alone.
00:21:22Don't worry, we'll get along.
00:21:25Okay.
00:21:29Marta.
00:21:32Is something wrong with me?
00:21:35No, why?
00:21:37Because you already told me about Madrid and I thought that maybe ...
00:21:42Last night I saw you with Gaspar and ...
00:21:44and I thought it would be better to put a little distance.
00:21:47No, no.
00:21:48I was just going to tell him not to keep seeing us.
00:21:50But my father arrived and I didn't tell him to have dinner for the three of us.
00:21:53I saw him so excited ...
00:21:54What's up? Don't believe me.
00:21:56No, no, you'll know.
00:21:57But ...
00:21:58But it is that according to what things you never find the moment.
00:22:01Marta, I just wanted to save a disgust for Gaspar.
00:22:04But especially for my father and things as they are.
00:22:06You won't be able to save the disgust for either of them.
00:22:10I know.
00:22:12But there are steps that are difficult to take.
00:22:14Even if you are convinced that it is what you have to do.
00:22:17And you think about the consequences.
00:22:19And what they will say.
00:22:20And then you go on and on.
00:22:23And you think that one day you will have the courage to do it.
00:22:26That day never comes, Fina.
00:22:29And you go on and on.
00:22:30And then you think, well, now what for?
00:22:33And you keep going until one day ...
00:22:37One day, all you can do is stay in the cage.
00:22:41That's how you feel.
00:22:43Like in a cage.
00:22:46Don't delay it any longer.
00:22:49Don't get to a point where there is no going back.
00:22:52Listen to me.
00:22:59Hello.
00:23:02I wanted to invite you to a coffee.
00:23:03My body has been feeling bad after the conversation before.
00:23:07Of course.
00:23:08A coffee, Gaspar.
00:23:09Of course, Mrs. Marta.
00:23:11I'll take the table.
00:23:18You have to repeat the dinner with your father.
00:23:21I don't know.
00:23:23I don't know.
00:23:25I don't know.
00:23:26You have to repeat the dinner with your father.
00:23:29But next time at my house.
00:23:32At your house?
00:23:33My mother is going to love you.
00:23:35You have a lot in common.
00:23:46Just in time, Mrs. Marta.
00:23:47Here is your coffee.
00:23:49Thank you, Gaspar.
00:23:50No, tomorrow is Don Andrés' wedding.
00:23:53Are you going with your husband?
00:23:54No, he's on a cruise.
00:23:56Oh, my God.
00:23:57I'm so sorry.
00:23:59No, because at these events,
00:24:00it seems that one likes to go accompanied, right?
00:24:03I'm used to it.
00:24:05It's the life I've had to live.
00:24:07And I live it.
00:24:09Have your coffee.
00:24:10Thank you very much.
00:24:12Thank you, Mrs. Marta.
00:24:13I'll be right there.
00:24:18You have to see how sad this woman always seems to me.
00:24:21It's true that she doesn't surprise me.
00:24:22She must lead a very unfortunate life,
00:24:24always alone, the poor woman.
00:24:26Gaspar, I'm not going to your house.
00:24:28Oh, well.
00:24:29Well, it's okay.
00:24:30Later.
00:24:31No, neither.
00:24:32I just don't feel good about what's going on.
00:24:35Well, in the end, we've talked, right?
00:24:37We hold on and ...
00:24:38Gaspar, this game is not doing us any good,
00:24:40neither of us.
00:24:41Well, it does your father.
00:24:43Well, okay, okay, okay.
00:24:44I'm not getting your father in this conversation.
00:24:46No, because we're not going to be like this forever
00:24:48just to please my father.
00:24:49And besides, it's not fair to him.
00:24:52I just don't want to stop, Fini.
00:24:55No, Gaspar.
00:24:56Don't do this to me, please.
00:24:57Don't do this to me.
00:24:58There are things that you can't avoid even if you want to.
00:25:01And you are such a wonderful woman.
00:25:04Listen to me.
00:25:05Maybe you don't feel the same now,
00:25:07but over time ...
00:25:08No, no, Gaspar.
00:25:09We can't live in a lie.
00:25:11We can't.
00:25:12This is not good for us.
00:25:14And not for my father either.
00:25:16A life full of expectations that are not fulfilled.
00:25:19A life full of expectations that are not fulfilled is not life.
00:25:22It's a cage.
00:25:25Do you understand what I'm trying to tell you?
00:25:28That I can forget, right?
00:25:30Please, Gaspar, don't get mad at me.
00:25:32I beg you, huh?
00:25:33No, no, no, no.
00:25:34Don't get mad.
00:25:35Yes, don't get mad at me.
00:25:37But it hurts me.
00:25:39A little bit.
00:25:40Oh.
00:25:41I'm sorry.
00:25:42It's just that ...
00:25:44I haven't been able to avoid making my dreams come true
00:25:46these days with you.
00:25:47I know.
00:25:49That's why I have to finish this and that's it.
00:25:52I don't know if Isidro's good guy is going to take it as well as I do.
00:25:57I don't know.
00:25:59I've had to make an effort to make him understand.
00:26:04Maybe I can help you with that.
00:26:07Yes.
00:26:19Come on.
00:26:20I think they're going to trust him, right?
00:26:22I don't know.
00:26:26What's up, couple?
00:26:27Very good, Isidro.
00:26:28Hello.
00:26:29How are you, Gaspar?
00:26:30Tired?
00:26:31Or did we make you long last night, huh?
00:26:33Oh, shut up, shut up.
00:26:34It took me a world to get up this morning.
00:26:36But hey, I think it was worth it, right?
00:26:38Well, let's move on from the movie.
00:26:40We'll have to repeat this one day.
00:26:41We'll have to repeat this one day.
00:26:42We'll have to repeat this one day.
00:26:43We'll have to repeat this one day.
00:26:44We'll have to repeat this one day.
00:26:45We'll have to repeat this one day.
00:26:46We'll have to repeat this one day.
00:26:47We'll have to repeat this one day.
00:26:48We'll have to repeat this one day.
00:26:49Wouldn't you agree?
00:26:50Father.
00:26:51Please, I can't go through your house anymore.
00:26:53Well.
00:26:54I know you love being close with people.
00:26:56But I like to see him.
00:26:59To get to know your boyfriend better.
00:27:02Well.
00:27:05Well, I'm not your boyfriend, Isidro.
00:27:08What?
00:27:10Well okay, we get it.
00:27:12You got into another fight?
00:27:13No, Father.
00:27:14No, Father, no. We haven't quarreled, not now, not the next day.
00:27:17Because we can't quarrel if there's nothing going on between us.
00:27:23What do you mean?
00:27:26Let's see. Come with me. Sit down.
00:27:36Father, I'm very sorry.
00:27:39But I made him believe he had a relationship with Gaspar so he could stay calm.
00:27:44And so he would stop thinking I was going to be alone for the rest of my life.
00:27:53And you say you did it for me.
00:27:55Father, I really didn't want to lie to him.
00:28:02A glass of water, please.
00:28:04Okay.
00:28:06Thank you.
00:28:13Here, sir.
00:28:21Breathe.
00:28:25What is it that worries you, Isidro?
00:28:28What worries me is that one day I'll leave
00:28:32and my daughter won't have a husband or a family to rely on.
00:28:38But all her friends will be by her side,
00:28:41who love her and respect her,
00:28:44and who won't leave her helpless if she ever has a problem.
00:28:47I'll be the first, Isidro.
00:28:49Yes, yes, yes. But her friends will have their lives, their families.
00:28:54And my daughter will come home and be alone.
00:28:58Anyway, we're getting ahead of ourselves
00:29:01and we're assuming that Fina is going to stay to dress as a saint.
00:29:06One day she will find someone who will suit her.
00:29:10Yeah.
00:29:11What happens, Gaspar,
00:29:13is that my daughter is very demanding and not worth anyone.
00:29:16Father, please.
00:29:17Okay, okay, okay.
00:29:19I don't insist anymore. I leave you alone.
00:29:23Let it be what it has to be.
00:29:27And let it be when you want it.
00:29:30I appreciate it.
00:29:34I'll pay you back later.
00:29:37What an actor you two are.
00:29:39I don't know if you forgave each other.
00:29:41You've screwed it up, but good.
00:29:43Yes, especially you,
00:29:45who had those sheepish eyes every time you looked at her.
00:29:52Anyway, although everything has been a mess,
00:29:55you have to admit that you have left the bar very high for him to come after you.
00:30:00Yes, he has left it, yes.
00:30:02Yes.
00:30:04Well.
00:30:06I'm going for a walk.
00:30:11I have to digest all this.
00:30:14Sure.
00:30:15Sure.
00:30:16Bye.
00:30:21Oh, Gaspar.
00:30:25Thank you, thank you, thank you.
00:30:28All that you've said about me has been beautiful.
00:30:32Shut up.
00:30:34This has been almost worse than my breakup with Sonsol.
00:30:37No.
00:30:39Gaspar.
00:30:46Gaspar.
00:30:52It's done.
00:30:55What's done?
00:30:56I've already told my father that my relationship with Gaspar was a lie.
00:31:00Wow.
00:31:01And how did he take it?
00:31:03Well, at first, terrible.
00:31:05In fact, he was short of breath and everything.
00:31:07But when things started to get ugly, Gaspar arrived.
00:31:10And?
00:31:11And he started throwing flowers at me and at one point he deactivated my father.
00:31:13It was incredible.
00:31:15Let's see if in the end you're going to end up really falling in love, huh?
00:31:19No, Marta, no.
00:31:22I know perfectly well what I feel.
00:31:26Are you okay?
00:31:29You've been very brave.
00:31:33And it's a shame that we're not free to scream the whole truth to the four winds.
00:31:37With how good it is to have one left when I face it.
00:31:41But of course, there are steps that are hard to take.
00:31:45I'm really glad you were able to clear it up with your father.
00:31:49I'm glad too.
00:31:52And now, Marta, I want to clear things up with you.
00:31:57Marta, listen to me.
00:32:01But hey, who changed the tape box?
00:32:03Well, I don't know, Carmen, but don't blame me.
00:32:05I haven't used it in a long time.
00:32:08Look at her.
00:32:09What a job to find it.
00:32:11I'm sorry, Mrs. Marta, but I have to wrap a lot of soap
00:32:13and I'm seeing that in the end I'm late today.
00:32:16Then it will be better if you accompany me, Fina.
00:32:19Accompany you where?
00:32:21To Madrid.
00:32:22They have called me from the sand store and they want me to talk to the new escapist, so ...
00:32:26Yes, yes, better.
00:32:27Let's do it like this and you have time to finish what you're doing.
00:32:30Do you mind?
00:32:31No, of course not.
00:32:35Then I'll confirm the time.
00:32:39Yes, of course.
00:32:46What's wrong with her?
00:32:48Well, I don't know, Carmen.
00:32:50But I'm sorry because I know you're the one who usually accompanies her to these things.
00:32:53No, don't worry about me.
00:32:54The truth is that today I felt very bad.
00:32:56But really.
00:32:57Because if I don't talk to her and tell her that I'll come another day ...
00:32:59No, no, calm down.
00:33:01Yes.
00:33:02Come on, I already have my plans made and everything for tonight.
00:33:05But don't go to Madrid without bringing me some purple candies.
00:33:09No, I'll try.
00:33:32Hello.
00:33:33Hello.
00:33:36We could have stayed in Madrid but ...
00:33:39But tomorrow by tomorrow we wouldn't have made it on time to the store.
00:33:46Do you like the hotel?
00:33:48What hotel?
00:33:50Yes, I'm in a cloud right now.
00:34:01Thank you.
00:34:05I'm in a bad mood.
00:34:07I know.
00:34:09It's normal, it's all very new.
00:34:11I can tell.
00:34:13You haven't stopped shaking since we entered the room.
00:34:16And that's because of the television.
00:34:18I'm sorry.
00:34:20Don't worry.
00:34:22Marta, and if nothing happens tonight,
00:34:25can we put Carmen's excuse again that we have to go to Madrid
00:34:28and then go back to this beautiful hotel in Illescas?
00:34:33We can wait for whatever it takes.
00:34:36I'm where I want to be and with whom I want to be.
00:34:43It's just that ...
00:34:46this is very new to me.
00:34:50I know.
00:34:53Come on, let's make it easy.
00:34:59You're right, I think ...
00:35:02I need space.
00:35:04Sure.
00:35:05Whatever you need.
00:35:09I think these things don't work out very well for me.
00:35:13With Jaime, the relationships aren't that ...
00:35:16that flow too much, let's say.
00:35:19And I'm not just saying this because of the few nights of intimacy.
00:35:21Marta, don't overwhelm yourself.
00:35:23Of course I'm overwhelmed.
00:35:26I disappointed him completely.
00:35:30I don't want that to happen to me with you.
00:35:32That's it.
00:35:34And no husbands.
00:35:36Nor fake boyfriends.
00:35:39Because you know what?
00:35:41Fear is fought with a lot of affection.
00:35:47And many kisses.
00:35:56I'm giving you the night.
00:35:57Calm down, really.
00:35:59If I just look you in the eye, I already have enough.
00:36:03I finally have Mrs. Marta in my arms.
00:36:05Don't you dare call me that again.
00:36:08Whatever you say, Marta.
00:36:12And when did you look at me for the first time?
00:36:17Guess.
00:36:19No, seriously.
00:36:20Tell me.
00:36:23I've always admired you since I was a girl.
00:36:28Always so independent, so ...
00:36:31So sophisticated, so elegant.
00:36:35So distant.
00:36:36Distant?
00:36:37Yes, yes.
00:36:38Remember that at first you scared me.
00:36:40I'm not a man either.
00:36:42No, but when you get angry ...
00:36:45When you get angry, it's better to stay away.
00:36:48Not like now, I hope.
00:36:51No, not like now.
00:36:56Well, what about you?
00:36:57What did you like about me?
00:37:01That you are very cheerful.
00:37:04Your mouth.
00:37:05The contagious smile when you laugh at Carmen's nonsense.
00:37:09You see?
00:37:10You part your hair like that, above your shoulders.
00:37:14When you try to control that fighty character you have.
00:37:17Stop, stop, stop.
00:37:19No, I'm not going to stop.
00:37:20I'm never going to stop.
00:37:24I want to know everything about you.
00:37:26Every detail.
00:37:28Every corner.
00:37:30Everything.
00:37:40Is it really okay if we only hug?
00:37:43Yes, Marisa.
00:37:45We have all our lives ahead of us.
00:38:01I love you.
00:38:12We left the hotel too soon.
00:38:15Next time I'm not going to get up so early.
00:38:19Next time?
00:38:23I'm looking forward to it.
00:38:31It's been the best night of my life.
00:38:39Mrs. Marta.
00:38:40What are you doing working on your brother's wedding day?
00:38:43Come on, we're taking care of it.
00:38:45Well, it will only be a moment.
00:38:47I left some things to check before going to Madrid.
00:38:49How did it go for the beauty of Cortes?
00:38:51How beautiful the city is on this date, huh?
00:38:53We can hardly enjoy it because, pff, how much work.
00:38:56No, and Arrenal's shopkeepers are doing an incredible job.
00:38:59A lot of talent.
00:39:00Yes?
00:39:01Yes.
00:39:02Uy.
00:39:04In this trip you've seen something more than work.
00:39:07It's not out of disrespect, but they've run out of simulacrum.
00:39:09Carmen, I don't know what you mean.
00:39:12Well, what am I going to refer to?
00:39:14What did you go to for wine?
00:39:16Come on, don't worry, I'm not going to say anything
00:39:18because I would have been the first one to leave.
00:39:21What are you laughing at?
00:39:22Come on, in a million years, I wouldn't even think about drinking at work.
00:39:26Sorry, Mrs. Marta, if I exaggerated.
00:39:29Well, be careful with that tongue.
00:39:33I'll go get the fans of the ceremony.
00:39:35Very well. Have a good time.
00:39:37Mrs. Marta.
00:39:42And now you're going to tell me the truth.
00:39:44What did you go to for wine?
00:39:45Well, yes, Carmen, we drank a little.
00:39:47But I'm not going to tell you in front of her.
00:39:49Yeah.
00:39:50No, I know it's a stretch.
00:39:51It's hard for me to imagine the piripi.
00:39:54The only thing is that she has never gone to us for wine.
00:39:56But the truth is, what luck, huh?
00:39:58She can travel to Madrid, spend the afternoon, spend the night.
00:40:03And why do you have to work now?
00:40:04But she's leaving for a wedding.
00:40:06It's good that some live.
00:40:08You know what, Carmen?
00:40:09That you and I don't need to go anywhere to have a good time.
00:40:13In fact, we have the herbs and the wine that Mr. Damián has given us.
00:40:16Did you go for him?
00:40:18No.
00:40:19No, and Tassio didn't go either because he suffered, I don't know what important thing.
00:40:24What important thing?
00:40:26Well, that's not the worst thing, Fina.
00:40:29Oh, Carmen.
00:40:30What has that bastard done now?
00:40:33I'll take him to the Civil Guard.
00:40:35What?
00:40:38Hi, Rosa.
00:40:40I wanted to talk to Mrs. Marta.
00:40:42Fina, come in.
00:40:48Rosa, with the ceremony there won't be much work.
00:40:50Take the afternoon off.
00:40:57I was waiting for you.
00:40:59How did you know I was coming?
00:41:01I didn't know.
00:41:03But I was looking forward to it.
00:41:15You haven't dressed up yet.
00:41:17You have to comb your hair.
00:41:19Leave that for the old ladies.
00:41:22Are you nervous about the wedding?
00:41:24It's an important day for Andrés and I want everything to go well.
00:41:28But I know it won't be perfect.
00:41:30Why?
00:41:32Because for it to be perfect, you would have to come.
00:41:35We would have to be able to go together.
00:41:38What a big role.
00:41:39Can you imagine?
00:41:41I've been imagining it several times and with different endings.
00:41:45And you always win the most fun.
00:41:47Who are we going to fool?
00:41:50We will never be able to have a relationship like the others.
00:41:55As long as we are together, what does it matter to us?
00:41:57Of course it matters, Marta.
00:41:59Of course it matters.
00:42:01We will never be able to walk hand in hand or kiss in public.
00:42:05Not even have dinner with our families at Christmas.
00:42:07Don't talk about that now.
00:42:09I don't want to.
00:42:11I don't want to.
00:42:12I don't want to.
00:42:13Not even have dinner with our families at Christmas.
00:42:15Don't talk about that now.
00:42:18The only thing I want to think about is our next escape.
00:42:23I know.
00:42:25I'm dying to do it.
00:42:27As much as you are.
00:42:29But I know what it's like to hide.
00:42:32And, Marta, I want you to be aware that it's going to be very hard.
00:42:38You think I don't know?
00:42:40I'm a married woman.
00:42:42We are two women and all this is crazy.
00:42:47I don't want to stop feeling happy.
00:42:50Not today, Fina.
00:42:53I think we have to focus on that.
00:42:56On the now.
00:42:59I've never felt so alive or so strong in my life.
00:43:03I think I've never been in love before.
00:43:07It was something else, yes.
00:43:09But nothing like this.
00:43:12And I don't want to give it up.
00:43:15Do you think I'm crazy?
00:43:17Totally crazy.
00:43:18As much as I am.
00:43:23This is going to test us both, Marta.
00:43:27And we have to be prepared.
00:43:29I'm willing to face it.
00:43:32You?
00:43:39Yes.
00:43:48Andres, your wife is looking for you.
00:43:50They're about to take out the cake.
00:43:51Yes, I'm going.
00:43:52But I'm not going to cut it if you're not there.
00:43:54No?
00:44:00Sister-in-law, I've already told you that you're very beautiful.
00:44:04Another fulfillment to compensate for my husband's absence, no, please.
00:44:07No.
00:44:08You're wrong.
00:44:09I told you the truth.
00:44:11Besides, I wasn't going to ask you about him.
00:44:13Thank you.
00:44:15Well, he must be the only person.
00:44:17A while ago, an aunt, my aunt...
00:44:20I don't know, a distant aunt, I don't remember the name.
00:44:22I asked him and he made a sad face.
00:44:26Well, Jaime is crossing the Mediterranean, the way to Cyprus, or...
00:44:31It seems that I'm the only one who has gotten used to his absence.
00:44:36It's hard.
00:44:38Kiss, kiss, kiss, kiss!
00:44:43How disgusting.
00:44:44All weddings are the same, they seem to be written by the same author.
00:44:48It's true.
00:44:49It's always the same.
00:44:51The nerves, the ceremony, the guests, the celebration,
00:44:54the kiss, kiss.
00:44:58But then no one tells you.
00:45:00Do you mean the wedding night?
00:45:03Or not, the idealization of marriage.
00:45:06But yes.
00:45:07Since you say it, the wedding night deserves a separate chapter.
00:45:12Especially for us.
00:45:15Well, for them it's also important, right?
00:45:17I guess.
00:45:19No one asks them to be virgins at the wedding.
00:45:24So most of them, at least, already know where they're going.
00:45:29With so much idealization,
00:45:31disappointments are inevitable.
00:45:33It doesn't matter if it's the wedding night or days later.
00:45:37You're right.
00:45:39No one explains to us that marriage is not a path of roses.
00:45:41Precisely.
00:45:44Although I have no complaints about mine with Jesus.
00:45:48Although you complain a little, it wouldn't be serious either.
00:45:53We should tell the wedding author to put a rule.
00:45:56Please, one day.
00:45:57One day we can choose our companion.
00:46:00One day.
00:46:03What we should do is start writing our own story.
00:46:08Without caring what others think.
00:46:11I toast to that.
00:46:17Let's go.
00:46:18Your brother is able to wait for us to cut the cake.
00:46:22For how little you have treated him, you know him well.
00:46:25Well, Andres is like an open book.
00:46:28Not like Jesus.
00:46:29Let's go.
00:46:31I'll be right there.
00:46:33I want to make a call to the store before they close to see how it is.
00:46:36Okay.
00:46:37Oh, by the way.
00:46:39Excuse me, the doctor has called Borrell.
00:46:41Call her as soon as you can.
00:46:43Okay.
00:46:44Thank you.
00:46:59Good morning.
00:47:24Marta, you look beautiful.
00:47:26Thank you very much.
00:47:27Thank you.
00:47:28You too.
00:47:30Now I understand why you took so long.
00:47:33I loved that you called me, but I was caught by surprise.
00:47:35I made you so happy at the wedding.
00:47:37I don't think anyone has realized that I have left there.
00:47:40Has all this given you time to eat something?
00:47:41No.
00:47:43I had to run to catch the bus.
00:47:45And Yesca is a long way away.
00:47:47We would have to look for a closer place.
00:47:49Eh ...
00:47:50No, no, no.
00:47:52I haven't said anything.
00:47:53No near places.
00:47:55Give me.
00:47:57Give me.
00:48:03Look.
00:48:04And that?
00:48:05The gift your family gave us for the wedding.
00:48:09Cheese.
00:48:10Cheese.
00:48:11And bread.
00:48:12Well, it's going to be perfect with the champagne I asked for at the ceremony.
00:48:17Champagne and cheese.
00:48:19Good combination, yes ma'am.
00:48:22I just miss the bones.
00:48:28They are going to make fun of us for being scandalous.
00:48:30Well, let's toast.
00:48:32For the scandal.
00:48:33For the scandal.
00:48:53Everything is new and different with you.
00:48:56I know.
00:49:00With you I am learning to feel alive again.
00:49:04To love.
00:49:27Marta.
00:49:28Are you sure?
00:49:30I'm sure.
00:49:56I love you.
00:50:27Good morning.
00:50:28Hello.
00:50:29Oh, don't look at me, please, I must be horrible.
00:50:32You are beautiful.
00:50:33No.
00:50:34I hate that you wake up before me and see me with this sleepy face.
00:50:38And I hate that we have to go to work.
00:50:42But what time is it?
00:50:47Well, if we skip breakfast, we can eat a little more.
00:50:52I would stay here forever.
00:50:56I have booked another week in the hotel.
00:51:00Another week?
00:51:01If you feel like it, we can come tonight.
00:51:03But with what it costs a week here, you can pay a whole flat in Madrid.
00:51:08Well, there are more expensive hotels.
00:51:11But it's not a bad idea.
00:51:13What? Rent a flat?
00:51:15A waitress.
00:51:16That's what they call it in France.
00:51:18Yes.
00:51:19That's what they call the small apartments they rent for...
00:51:23for love meetings.
00:51:25Like the French, my goodness.
00:51:29Right now you could be in Paris with Esther.
00:51:32And lose this?
00:51:35Sometimes I feel a little sorry that the reason you stay is for your father's health.
00:51:40Even if we can be together.
00:51:42Well, I also stayed for you, silly.
00:51:45Although Esther would say that you would not dare to take the step.
00:51:49Well, you can already tell Esther that she is very wrong.
00:51:52I'm willing to rent that flat so that...
00:51:55so that we can meet whenever we want.
00:51:57No, Marta. Marta, you're crazy.
00:52:00They could put us in jail if they find out.
00:52:03Precisely.
00:52:04They wouldn't find us in a flat.
00:52:09Can you imagine how well we would be without having to pretend that we are cousins?
00:52:13No, Marta, I can't imagine it.
00:52:16I don't like to have illusions of things that are impossible.
00:52:19Maybe it's not that impossible.
00:52:20I know it's impossible, yes.
00:52:22They could report us and you're a married woman.
00:52:25With a marriage that hasn't worked for years and...
00:52:28I've never felt this I feel for you.
00:52:30What do you want me to do?
00:52:32Oh, my love.
00:52:41I would like to be able to live this love without having to hide.
00:52:46No.
00:52:48I would run away with you to the end of the world.
00:52:50But you know that's not the solution, right?
00:52:54We have no choice but to accept what we have.
00:52:58And I don't want you to suffer.
00:53:15Open up.
00:53:16Just in time.
00:53:17Open up.
00:53:18I'm coming.
00:53:19We're the first ones.
00:53:20Carmen hasn't even arrived yet.
00:53:24Done.
00:53:26I give you back the raw reality.
00:53:27That's right, Mrs. Marta.
00:53:33If you think how little I like to pretend.
00:53:36I know.
00:53:37But here you are my boss and that's it.
00:53:39I don't have any problem.
00:53:41The hours go by very quickly.
00:53:45Good morning.
00:53:46Good morning, Carmen.
00:53:47I was going to place the poster right now.
00:53:49We just arrived.
00:53:50Yes, we have to reposition it.
00:53:52I'll bring it here, Mrs. Marta.
00:53:54Last night I left it ready to be placed today at the first hour.
00:53:56Perfect.
00:53:57I'll be in the office.
00:54:05Look, Carmen.
00:54:07I couldn't go for your violets, but I brought you cat tongues.
00:54:10I know you love them.
00:54:12Thank you very much for the detail.
00:54:15Carmen, what's wrong with you?
00:54:18I don't understand, Fina.
00:54:20I don't know when Mrs. Marta decided that she doesn't go to the representation.
00:54:25Carmen, I don't decide whether to go or not.
00:54:29But you don't say anything to her either.
00:54:30Woman.
00:54:31And I don't have anything against you, Fina.
00:54:33You know that.
00:54:35But she's leaving me aside.
00:54:38It's a better deal, Fina.
00:54:40I've been here longer than anyone and it's not for nothing.
00:54:42But I make more sales than anyone else.
00:54:44Well, look, that's precisely why she wants you here.
00:54:47For how well you sell.
00:54:48Well, so that she makes me saleswoman of the whole company.
00:54:50But no.
00:54:51She leaves me here, responding, disgusted.
00:54:54I'm sure she thinks that I already have enough with Tassio.
00:54:57Woman, what does Tassio have to do with this?
00:54:59Well, I'm sure Mrs. Marta has already found out that I'm back with Tassio.
00:55:02And she will think that one day we are going to get married and that goodbye is very good.
00:55:06Well, no.
00:55:07Carmen, Carmen.
00:55:08Don't go crazy either.
00:55:10Anyway, you are going to get married someday.
00:55:11Which is what you have always wanted, right?
00:55:13No.
00:55:14What worries me right now is to prosper in my profession.
00:55:17And for that, I have to make a career here in the company.
00:55:20Because the actress and model was the flower of a day.
00:55:22Carmen, listen to me.
00:55:23You are worth a lot.
00:55:25You are going to get what you want in life.
00:55:27It will depend on Mrs. Marta.
00:55:28If I get it or not.
00:55:30So, I'm going to talk to her.
00:55:32Let her tell me what's wrong with me.
00:55:34No.
00:55:36No.
00:55:37Well, Carmen, what are you going to tell her?
00:55:39Don't worry.
00:55:40Nothing will hurt you.
00:55:41I just want to know why.
00:55:42Why have you stopped trusting me?
00:55:44Because if I have no future here, turn it off and let's go.
00:55:47You won't leave here for this nonsense, will you?
00:55:52Fina, for me it is a very serious thing, huh?
00:55:54If Mrs. Marta thinks that because of this contagion I already have a life to solve, she is very wrong.
00:55:59And give her a contagion that has nothing to do with it, Carmen.
00:56:01Well, she will tell me when I stand in front of her.
00:56:04Think about it.
00:56:05Really.
00:56:06Look, you shouldn't face the boss.
00:56:08Well, don't worry.
00:56:09Imagine that I also know how to be very fine when it comes to asking for something fair.
00:56:13And as my mother used to say, who doesn't cry doesn't suck.
00:56:19You tell me what you wanted.
00:56:21I wanted to talk to you about my future in the company, Mrs. Marta.
00:56:25Your future?
00:56:26Yes.
00:56:27I need to know if you have any problems with me.
00:56:30Why would I have a problem with you, Carmen?
00:56:32Well, because you have stopped treating me like before.
00:56:35I have gone from being the image of the company and your trusted person to being the last monkey.
00:56:39And you were no longer interested in working as a model.
00:56:41And you hadn't told me in advance.
00:56:43Sit down.
00:56:45No, but that doesn't mean that I can continue to perform the work of representing the perfume.
00:56:50And travel.
00:56:52Even if it's alone, I don't care if you don't want to accompany me.
00:56:55Or is it that you no longer trust me?
00:56:57Not at all.
00:56:58Quite the opposite.
00:57:00Well then, recognize my work, Mrs. Marta.
00:57:03Take me on a trip, as you do with Fina.
00:57:05And that I don't want to harm my partner at all.
00:57:08Because besides, Fina works very well.
00:57:11But it seems that you only trust her.
00:57:14It's not just a matter of trust.
00:57:17Well then.
00:57:19Then I have no choice but to think that you think that I have other interests.
00:57:24What do you mean?
00:57:26And be clear, please.
00:57:28My relationship with Tassio.
00:57:30Carmen, you are very free to get married or stay single.
00:57:32I don't make business decisions based on the civil status of my employees.
00:57:37Very well.
00:57:39Then there is nothing to do.
00:57:41Keep working as before.
00:57:44And since you bring up the subject ...
00:57:47Forgive me, but ...
00:57:50Think if you are interested in that relationship with Tassio.
00:57:53Ah.
00:57:55So that's it?
00:57:56No.
00:57:57Tassio has never been a saint of his devotion.
00:57:59And he doesn't want me to be with him.
00:58:01I'm just worried that he will hurt you.
00:58:04He already did it with you and ...
00:58:06And with Claudia.
00:58:08Mrs. Marta, don't change the subject.
00:58:10What really bothers me is your comparative aggravation.
00:58:12What comparative aggravation?
00:58:14Well, you know that I am not the only one who can be bothered by your favoritism towards Fina.
00:58:17We can all look unmotivated if we are not recognized for our work.
00:58:21Well, you will see what you do.
00:58:23If your dedication decays, then yes, I will have to be forced to take measures that ...
00:58:28That I don't want to take.
00:58:32Anything else?
00:58:34No, Mrs. Marta, that was all.
00:58:37Have a nice day.
00:58:53Carmen.
00:58:55I'm here.
00:58:57Hey.
00:58:59All good?
00:59:01Have you spoken to Claudiano?
00:59:03I haven't seen him since this morning. What happened?
00:59:06Tassio, he asked me to marry him.
00:59:09Very well.
00:59:11Well, and that you wanted for so long, now you're sad.
00:59:14Why?
00:59:15Because your face doesn't look very happy.
00:59:17I told him no, Fina.
00:59:19What?
00:59:21We've only been dating for a week.
00:59:23Well, that's technically a lie.
00:59:24You've been coming and going for about two years.
00:59:27Well, but where are we going to live?
00:59:32Because I have something saved from Modena's job, but not much less,
00:59:36he gives us to pay for a house, come on.
00:59:38But then it's an economic issue.
00:59:40You didn't have a problem with that before.
00:59:42Well, because Tassio had a salary.
00:59:44But now, you know how hard it is in the store.
00:59:46Why do you say that?
00:59:49Do you remember that you warned me not to talk to Mrs. Marta, right?
00:59:51Because of how I felt in the company.
00:59:54Well, I don't even listen to you.
00:59:56Well, very well.
00:59:58Well, great.
01:00:00It's been a pleasure to give you advice, Carmen.
01:00:02Fina, it seemed very unfair to me
01:00:04that he was so displeased with me
01:00:06and that he didn't realize how old I am.
01:00:08What do you want me to tell you?
01:00:10No, I couldn't help it.
01:00:12Well, what did he say to you?
01:00:14Well, he took it badly.
01:00:16Badly, but badly.
01:00:18And the truth is that I didn't express myself very well either, let's say.
01:00:20I feel worse because he let me fall
01:00:22that he was going to kick me in the street.
01:00:24Marta wouldn't do that.
01:00:26What are you talking about? I wouldn't do it with you.
01:00:28Whatever it is, they have a thing for you.
01:00:30But with me, he has a thing for me, Fina.
01:00:32But how is he going to have a thing for you, Carmen?
01:00:34If you are the best shop assistant.
01:00:36Yeah, well, if he has to take someone on a trip, he takes you.
01:00:38If he has to do a tedious task in the warehouse, I do it.
01:00:40That you speak is all heard.
01:00:42That I speak as if it were heard, you see.
01:00:44Fina, I feel it, I feel it.
01:00:46Carmen, but it's not because he doesn't like you.
01:00:47You see, he's on his feet in the street.
01:00:49No, of course he likes you more, it's clear.
01:00:51Yes, I like him more.
01:00:53Don't you see? Even you yourself say it.
01:00:55No, Carmen, you haven't understood me.
01:00:57Fina, really, what do I have to understand?
01:01:01Tell me.
01:01:03What do I have to understand?
01:01:05That we have fallen in love.
01:01:07How?
01:01:13But let's see.
01:01:15Mrs. Marta is married?
01:01:17How, how is it going to be?
01:01:19Well, it is.
01:01:21And please, I ask you for absolute discretion.
01:01:23No one can know about this.
01:01:25If my father finds out, he will die instantly.
01:01:27I just can't imagine the consequences it could have, really.
01:01:31Oh my God.
01:01:33But Fina, what do you think is going to happen if his family finds out?
01:01:36Well, it would be the end.
01:01:38That's why you have to swear to me for your whole life
01:01:40that this is not going to get out of here.
01:01:42Fina, really, I loved you badly, huh?
01:01:44Hey, don't talk to me like that, huh?
01:01:45I'm your friend.
01:01:47But let's see.
01:01:49Since when has a loving relationship with a boss gone well?
01:01:51Do you know many or what?
01:01:53I don't need to know.
01:01:55Fina, your lover is called Marta de la Reina,
01:01:57the owner of the store, the boss's daughter,
01:01:59a married woman.
01:02:01How long is this divorce going to last you?
01:02:03Really, I shouldn't have told you, huh?
01:02:05No, you shouldn't have gotten into this mess.
01:02:07We haven't decided it.
01:02:09Don't you see?
01:02:11That we have fallen in love.
01:02:13I thought you could understand it, that you are my friend.
01:02:15No, Fina, I can't understand it.
01:02:17And now I'm the one who warns you.
01:02:19You're getting into the lion's den.
01:02:41Come in.
01:02:46Can I?
01:02:48And close the door.
01:02:59Last night I wanted to be with you.
01:03:01And me?
01:03:05Do you forgive me?
01:03:07I don't have to forgive you.
01:03:09You had a family commitment.
01:03:11It's understandable.
01:03:13And you don't know how boring it was
01:03:15for me and him
01:03:17while I could only imagine us walking around Venice.
01:03:20We'll go some day, right?
01:03:23Would you like that?
01:03:25Of course.
01:03:27We're going to the hotel tonight.
01:03:29Tonight, yes.
01:03:32See you at the usual place.
01:03:40Marta, I have to tell you something.
01:03:42I've been thinking about it,
01:03:44but I think it's best you know.
01:03:46Tell me.
01:03:48I don't know how you're going to take it.
01:03:50What?
01:03:52I had to tell Carmen about us.
01:03:55What?
01:03:57What?
01:03:59Are you crazy?
01:04:01How could you tell Carmen?
01:04:03No, Marta, Marta, before you panic,
01:04:05I'll tell you that Carmen is the best friend I have
01:04:07and I assure you she won't say anything.
01:04:09But I had no choice.
01:04:11She told me she came to the office
01:04:13and was worried about a conversation you had.
01:04:15The poor thing didn't understand anything.
01:04:17And what did you want me to tell her?
01:04:19She practically cornered me
01:04:21to tell her why I'm taking you to Madrid and not her.
01:04:23Well, because she feels you don't value her work
01:04:25and that you have something against her.
01:04:27What nonsense.
01:04:29Now I do have reasons to be tense with her.
01:04:32What if she blackmails us?
01:04:34No, no.
01:04:36Fina, you can't expose me like this in front of an employee.
01:04:38Marta, no.
01:04:40I put my hand in the fire for her.
01:04:42She was convinced that our trips to Madrid
01:04:44were a professional reward.
01:04:46That's why I had to explain it to her.
01:04:48And you couldn't come up with anything else?
01:04:50No, no, I had to tell her the truth.
01:04:52I couldn't justify it any other way.
01:04:55Marta, really.
01:04:57Really, trust me.
01:05:00Carmen is the best friend I have
01:05:02and she would never hurt us.
01:05:05She's like a sister to me.
01:05:07She's like a sister to me.
01:05:14Thank you very much for your purchase.
01:05:16You'll see how your husband will love it.
01:05:18See you later.
01:05:20Goodbye.
01:05:24Well, Carmen, what a surprise you've brought me.
01:05:27Oh, Fina.
01:05:29What?
01:05:31That I'm getting married.
01:05:33What are you saying?
01:05:35Well, I'm very happy for you, Carmen.
01:05:37Well, I know you don't like it because Tassio...
01:05:40No, no.
01:05:42Look, Carmen, Tassio is what he is,
01:05:44but he seems to have focused, right?
01:05:46And I want to trust that he has changed,
01:05:48as Claudia and you think.
01:05:50Oh, Carmen.
01:05:53If what I want is the best for you.
01:05:55Thank you very much for your sincerity, Fina,
01:05:57but I really know that this time it will go well.
01:06:00Let's see.
01:06:01I don't want to be the one who spoils this moment of happiness,
01:06:04but I have to talk to you about something else.
01:06:06What's going on?
01:06:08Come with me.
01:06:14I told Mrs. Marta that you are aware of what is ours.
01:06:19Of your...
01:06:21Silence.
01:06:23Yes.
01:06:25Fina, but how do you do that?
01:06:27You know in a hurry, now that I see her.
01:06:29Oh, Carmen, I couldn't help it.
01:06:31I couldn't hide it from her that you knew.
01:06:33Hey, your lover is there.
01:06:35Well, what did she say?
01:06:37Well, she was worried,
01:06:39but in the end I showed her that you are trustworthy
01:06:41and that you are not going to say anything.
01:06:43And of course.
01:06:45And please, I ask you, Carmen, please,
01:06:47you, when you are with her, you have to do as always.
01:06:49Don't show yourself weird or different or anything.
01:06:52You as always, so that she doesn't feel uncomfortable.
01:06:54Okay.
01:06:57Hi, Mrs. Marta.
01:06:59Good afternoon.
01:07:01Where are the new doses of Essences of the Queen?
01:07:03The store can't seem out of stock or out of order.
01:07:07Don't worry, I'll go.
01:07:20Well, look what they said it was going to be cold today.
01:07:23In the end, look what a good weather we have.
01:07:27What a good day.
01:07:31It's not a bad weather.
01:07:35Of course, I also say that it has to be very complicated, right?
01:07:38Because between the anticyclones, the storm, the clouds ...
01:07:42I guess.
01:07:45Oh, look, Mrs. Marta, I have to tell you.
01:07:49I want you to be very calm.
01:07:51And I speak to you as a good friend of the fine I am,
01:07:54that you don't have to worry about anything.
01:07:57I don't know what you're talking about.
01:07:58What are you talking about?
01:08:00About your situation.
01:08:03I mean, for me, Fina is like a sister,
01:08:07and I've never judged her.
01:08:09Come on, you can be so calm that no one will know about me.
01:08:12I have no idea what you're talking about,
01:08:14and I have a lot of work in the office.
01:08:16When Fina comes, you'll fix it.
01:08:17Come on.
01:08:27And Mrs. Marta?
01:08:29Oh, Fina.
01:08:31No.
01:08:33Yes.
01:08:35I screwed up.
01:08:37Carmen, it hasn't even been a minute.
01:08:48Marta, are you still angry?
01:08:50Marta.
01:08:54It's not that I'm angry.
01:08:56It's just that I still don't believe what you've done.
01:08:58How could you tell her everything and ruin it?
01:09:01Marta, really, I just wanted to get rid of a problem for you.
01:09:04And you left me naked in front of her, do you understand?
01:09:06I just wanted to get rid of a problem for you, really.
01:09:09Well, you've created a bigger one for me.
01:09:11I can't even look her in the face.
01:09:13I feel uncomfortable, helpless.
01:09:15But don't take it so seriously.
01:09:17Carmen took it very naturally.
01:09:19Really, nothing happens.
01:09:21Are you crazy? She's your friend, not mine.
01:09:23She's my employee.
01:09:25She even dared to tell me to keep the secret.
01:09:27Do you know the power that gives that?
01:09:29But she'll never use it. She's not like that.
01:09:31That's what I'm telling you.
01:09:33And now she just came back with Tassio.
01:09:35Do you know the secret?
01:09:37That one is told in bed.
01:09:39Fina, you have to understand that I'm also your boss.
01:09:42And that you can't expose me like that in front of my employees.
01:09:45Unfortunately, I can't go back anymore.
01:09:49But I can.
01:09:51What do you mean?
01:09:54That it would be best if we left this madness here and now, before it goes any further.
01:09:59No, Marta.
01:10:01No.
01:10:03Marta, listen to me.
01:10:05What we have here is worth it.
01:10:07Really.
01:10:09I can't, I'm not capable.
01:10:11Yes, you are. What are you going to do? Are you going to give up now?
01:10:12What do you really want? Life?
01:10:14Maybe I've let myself go and...
01:10:16No, no. What you feel is real and makes you happy.
01:10:18Then why have you ruined everything?
01:10:24Are you going to tell Carmen that...
01:10:26that you made it up?
01:10:28That you and I are not together, we've never been together.
01:10:31I'll tell her what it takes. Really, if it's what you want, I'll do it.
01:10:34But please, I ask you to see us alone one more time.
01:10:36No.
01:10:37Just once, Marta.
01:10:38No, no.
01:10:39Marta, just once. I'm asking you.
01:10:40We can fix this together.
01:10:44Good afternoon.
01:10:45Good afternoon.
01:10:50Mrs. Marta.
01:10:58This afternoon, when I finish my shift, we'll meet as usual.
01:11:10Thank you.
01:11:30Come on, Marta, please.
01:11:31My God, my father's game.
01:12:02I wasn't going to come.
01:12:04You were in your right.
01:12:14I'm alone here to do things right.
01:12:17I didn't want to end up like this after everything we've been through.
01:12:21Can I talk?
01:12:23Of course.
01:12:25Marta, I need to apologize.
01:12:28You really don't know how bad I feel for you.
01:12:31I thought it was normal to expose myself in front of Carmen.
01:12:33No, no, of course not.
01:12:35I told you to avoid...
01:12:36To avoid a problem, yes.
01:12:37Leave it.
01:12:39And if I confessed to you, Marta, it's because I don't want there to be a single secret between us.
01:12:42Not one.
01:12:44Because I wanted this relationship to be...
01:12:46honest.
01:12:47Trustworthy.
01:12:49Me too.
01:12:51But between you and me.
01:12:53No one else.
01:12:54I know. You're right.
01:12:57Very good. Very good, partner. That's it.
01:12:59Oh, I want to see it.
01:13:01It's nothing, man.
01:13:02This is fucked up.
01:13:11Come on, Isidro.
01:13:12The play is coming.
01:13:14I told you in the end if it was coming.
01:13:16No, no, no. No idea.
01:13:19You think I wouldn't like people...
01:13:22to take our relationship as...
01:13:24as normal?
01:13:27It's not like that, you know that.
01:13:29I know.
01:13:31I've been suffering all my life.
01:13:34But you, on the other hand, had a happy and settled life.
01:13:37With your job, with your husband...
01:13:39My husband.
01:13:41Well, maybe not with your husband.
01:13:43But you had a life made.
01:13:45And I had to get there to put my feet up.
01:13:48Absolutely feet up.
01:13:51And that's why I feel guilty, Marta.
01:13:54Because I see you suffering.
01:13:56Isidro plays or not.
01:14:00Nothing, Isidro plays, I'm telling you.
01:14:06It was a good one.
01:14:09It was a good one, huh?
01:14:11I deserved it.
01:14:14I feel exposed, waiting...
01:14:16for everyone to judge me.
01:14:18And despise me.
01:14:21I started having nightmares with my father and my brothers.
01:14:24They point at me and shout at me.
01:14:26My God, Marta.
01:14:27Since I've known you,
01:14:29I've never seen so much fear in your eyes.
01:14:32I'm a coward.
01:14:34No, you're not a coward, Marta.
01:14:36You haven't been since the moment you decided to take the step
01:14:39and start something with me.
01:14:41Because I thought it was worth it.
01:14:43And we could create a small, exclusive world for the two of us.
01:14:47And we will continue to have that world within our reach.
01:14:50Of course we will.
01:14:54But I will understand
01:14:55perfectly well
01:14:57if you decide to close the door
01:15:00and end this.
01:15:03I even prefer it so as not to see you suffer.
01:15:09Marta, I love you too much.
01:15:11I love you very much and I feel very selfish.
01:15:14Forgive me.
01:15:16I am where I am by my own decision.
01:15:20If I have learned something,
01:15:22it is that no one will ever force me to do something again.
01:15:25Not my family, not my father, no one.
01:15:29My life before I looked at you and you at me
01:15:32was normal.
01:15:35It was very empty.
01:15:38What a disaster. I guess that...
01:15:42I guess that fear,
01:15:44hope and uncertainty
01:15:46are emotions of life.
01:15:48Especially of love.
01:15:52Who would want to go through this life
01:15:53without...
01:15:55without loving and being loved?
01:16:01That's what I think.
01:16:08Does this mean
01:16:11that you will continue to bet for what is ours?
01:16:15It means that, in spite of everything, I don't want to live without you.
01:16:20There will be many lies in front of others.
01:16:23But I will never lie to myself again.
01:16:37Carmen.
01:16:39Herbal soaps.
01:16:41I had to go to the packaging office because there was none left.
01:16:43I know, since yesterday.
01:16:45They are prioritizing shipments to perfumeries.
01:16:47Very good. I don't understand how they do things here.
01:16:49But well, as you spend, no.
01:16:50If you should be happy like a chestnut,
01:16:52they have already told me the number of your fiancé in the canteen.
01:16:55Oh, Espina, if I had the look on my face
01:16:57when I saw that man screaming that we were getting married.
01:17:00Oh, my God.
01:17:02You don't know how happy it makes me to see you happy.
01:17:04Oh.
01:17:05And for me, that you see it that way too.
01:17:07Because, look, you've been given...
01:17:09I'm not going to get into that.
01:17:10Let's see if you're going to catch me after everything I've said about that...
01:17:12Liar, shameless, cool, whatever you want.
01:17:14If I'm the first one who has said it.
01:17:16But what can I tell you?
01:17:18Well, nothing.
01:17:19That the past is this.
01:17:21It's the past.
01:17:23And now what you have to do is focus on our life in common.
01:17:26That gives me a little bit of respect, really.
01:17:29But why?
01:17:30You already know Tassio from the right and from the wrong.
01:17:32No, Tassio, yes.
01:17:34But his mother...
01:17:36Oh.
01:17:38We have talked about not living with her
01:17:40until we have some savings to buy our house.
01:17:43And I think I said yes very quickly, Fina.
01:17:46Why?
01:17:47Well, because she showed up as a surprise in the canteen.
01:17:50And...
01:17:52I don't know, I don't know, I don't know.
01:17:54Oh, Carmen.
01:17:56You should want to congratulate them, right?
01:17:59That she has finally managed to get over her son's pearl.
01:18:02Fina!
01:18:04No, seriously now.
01:18:06I don't know, give the lady a chance.
01:18:08I'm sure she's a beautiful person.
01:18:10You're right.
01:18:12Look, all I want is for everything to go well,
01:18:14for that lady to love me, to accept me.
01:18:15But how can they not love you?
01:18:17If you are the most beautiful thing in the world.
01:18:19Oh, you are beautiful.
01:18:21On the inside, even more than on the outside.
01:18:23By the way,
01:18:25thank you very much for helping me with Mrs. Marta.
01:18:27Oh, are you still with that?
01:18:30Man, I don't get it out of my head.
01:18:32The truth is, it has to be very uncomfortable for her
01:18:34for me to know what I know.
01:18:36Well, we've been through a bit because of that.
01:18:38Oh, don't tell me that, Fina.
01:18:40But don't worry, everything is more than solved.
01:18:42Now only you are overwhelmed.
01:18:44It's not easy to assimilate all that.
01:18:46First, I never in my life imagined
01:18:48that the boss was ...
01:18:50And second, that with you, Fina,
01:18:52I, what do you want me to tell you?
01:18:54I'm worried.
01:18:56Oh, Carmen, I don't understand you.
01:18:58Because I'm from two very different worlds.
01:19:00And she's from a very different social class from yours.
01:19:02If something goes wrong,
01:19:04the one who loses is you.
01:19:06Yeah, yeah.
01:19:08And it's true that she'll never be able to shout in the canteen
01:19:10that she loves me or that she wants to marry me, but ...
01:19:12is that ours is always going to have to be clandestine.
01:19:15I'm so happy, Carmen.
01:19:17It's true, I'm so happy.
01:19:19And don't miss, I don't know,
01:19:21showing yourself as a normal couple.
01:19:23You're going to have to always hide.
01:19:26Yeah, but I'm fine with that.
01:19:28But until when?
01:19:30Because a marriage is for life,
01:19:32and I don't think you're going to break it for you.
01:19:33I don't think you're going to break it for you.
01:19:39Father? Father?
01:19:41Excuse me.
01:19:43Are you okay? What happened?
01:19:45Yes, no, nothing happens, I'm sorry.
01:19:47I came to bring you the dessert,
01:19:49see if you like it.
01:19:51We'll talk later.
01:19:53Thank you.
01:19:56Double coffee at this time.
01:19:58Then you won't be able to sleep.
01:20:00We'll see about that.
01:20:01I'm exhausted.
01:20:09Father?
01:20:11What are you doing here at this time?
01:20:13Are you okay?
01:20:15Yes, yes, yes, I'm fine.
01:20:17And you?
01:20:19Of course, why wouldn't I be?
01:20:21I don't know, you'll know.
01:20:23Father, what's wrong? I feel very strange.
01:20:26It's just that I'm worried about you.
01:20:28Lately you've been giving me a lot of beatings.
01:20:31One day you're very happy,
01:20:33and the next day you're as if you were ending the world.
01:20:36Do you want me to tell you the truth?
01:20:40I felt terrible losing your game, Domino.
01:20:43I felt very guilty.
01:20:45Well, we've already talked about that and you're forgiven.
01:20:48Besides, you were working in Madrid,
01:20:51weren't you?
01:20:53Yes, but you're always above work,
01:20:56you know that perfectly well.
01:20:58And how can you trust me?
01:21:01You can tell me anything that happens to you,
01:21:04you know that too.
01:21:06Father, sometimes it gets so intense that it's scary.
01:21:09I'm perfectly fine, you don't have to worry about me.
01:21:12Really.
01:21:14Well, I'm leaving, I've left Carmen alone in the bathroom.
01:21:18Gaspar, will you write it down for me?
01:21:20Of course.
01:21:28Bye.
01:21:41Hey, careful!
01:21:48Father?
01:21:50What are you doing here? You shouldn't come in.
01:21:52This is a private area.
01:21:54We need to talk.
01:21:56Come in.
01:22:10Daughter, I'm very worried about you.
01:22:14And that's why Gaspar sent me to spy on you.
01:22:17Wow, it hasn't even taken you two hours to get your foot in.
01:22:21It's not Gaspar's fault, it's yours.
01:22:23For talking about me behind my back.
01:22:26And on top of that, he goes around listening to other people's conversations.
01:22:29Hey, I overheard Carmen and you talking by accident.
01:22:34And I told Gaspar about it because I was so worried that he didn't stop until he got it out of me.
01:22:39To get what out of you, Father?
01:22:41What? Tell me now because I'm going crazy.
01:22:46You have to end that absurd relationship immediately.
01:22:49If you don't open the door to someone you already know, you're going to be a disgrace for the rest of your life.
01:22:56Father, I'm sorry. I didn't want him to find out this way.
01:23:01It's shameful to see you two hiding like two vulgar criminals.
01:23:05Father, please understand.
01:23:07It's impossible for me to have a normal relationship like the rest of the girls.
01:23:10No, it's not true, Fina, it's not true.
01:23:12You've had a lot of opportunities, but you've rejected them all.
01:23:15And now you're left with the worst, right?
01:23:17With the most hateful, with the most repulsive.
01:23:19Father, it's because we love each other.
01:23:21And even if it's very difficult for you to understand where there is love, there is nothing repulsive.
01:23:26Please, daughter, you know what you're saying.
01:23:29You deserve the best.
01:23:31You deserve someone you can admire, a full life, a family.
01:23:36You will never be happy living there in a hidden way, that kind of love.
01:23:42An adult man is not the best option for a decent girl.
01:23:45Who do you think I'm seeing?
01:23:48Well, I don't know his name.
01:23:50Yes, I know he's a married man.
01:23:57You're making a mistake again.
01:23:59I'm making a mistake in what?
01:24:01That he's not married?
01:24:03Tell me, because if not, I don't understand so much mystery.
01:24:05Father, leave it now.
01:24:07Right now I know better than ever that I would never understand it.
01:24:09But I wouldn't understand what?
01:24:11Leave it now, I'm telling you, please, leave it now.
01:24:12No, I won't leave it.
01:24:14And stop playing mouse and cat with me.
01:24:17Come on, let's see who it is.
01:24:19Is it someone from here, from La Colonia? Is it a foreigner?
01:24:21No, no.
01:24:23Fina, why do you always hide that part of your life from me?
01:24:28One day I'll leave this world, you know?
01:24:31And I'll do it without knowing who my daughter really is.
01:24:38Are you going to tell me right now who that man is?
01:24:40Father, leave it now, will you?
01:24:42No, I won't leave it.
01:24:44No, I won't leave it. Not now.
01:24:46And I won't stop until you tell me.
01:24:48Tell him what, father? Tell him what?
01:24:50If there's no man.
01:24:52Come on, you're denying it, obviously.
01:24:54Don't tell me it wasn't the truth.
01:24:56I'm telling you there's no man.
01:24:58What don't you understand?
01:25:00So what? I don't understand.
01:25:02That it's a woman.
01:25:04What?
01:25:07I'm in love with a woman, father.
01:25:13No, no, no. You're not one of those.
01:25:18Please, tell me it's not true.
01:25:21Tell me you're saying it just to hurt me.
01:25:25I would never hurt you.
01:25:28But I am what I am.
01:25:30And I can't help it.
01:25:39For once in my life,
01:25:42you've made me happy
01:25:44that your mother is dead.
01:26:00Look, Fina's coming this way.
01:26:02I'll pretend she's mad at me later for conspiring with you.
01:26:05The manzanilla is really good.
01:26:08Don Isidro.
01:26:10Hi, Fina.
01:26:12Good morning, father.
01:26:17Let me know if you need anything.
01:26:24How are you?
01:26:31Why are you doing this to me?
01:26:34What I told you doesn't change anything.
01:26:36What I feel for you doesn't change anything.
01:26:38And I hope what you feel for me doesn't either.
01:26:43What?
01:26:45You're not going to say anything?
01:26:51You have no idea how much I regret telling you the truth.
01:26:54I should have kept quiet, like I've been doing for so long.
01:27:09I'm sorry to see you like this.
01:27:12I've grown fond of both of you.
01:27:15So do me a favor and fix this once and for all.
01:27:18I'm going to see how much he wants to fix things.
01:27:20Don't you think you could put a little more on your side?
01:27:23I have to put on my side.
01:27:25He's the one with the problem, not me.
01:27:27Don't burden him too much.
01:27:29And don't talk about things you don't know.
01:27:31I wasn't born yesterday.
01:27:33And I'm old enough to know that a married man
01:27:36offers you gold and gold,
01:27:38but if I've seen you later, I don't remember.
01:27:40That man only exists in my father's imagination.
01:27:42And now, if you don't mind,
01:27:44stop meddling in my life,
01:27:46especially when you have no idea what's going on with me.
01:27:53Cardamom soap is very good for the skin.
01:27:56It has many properties.
01:27:58They are very good properties, very healing.
01:28:02Do you want to try it?
01:28:10Healing.
01:28:12Can you tell me what's wrong with you?
01:28:14Nothing.
01:28:16No, Fina, don't lie to me.
01:28:18That client decided to buy a soap
01:28:20and left without anything.
01:28:22And that's not your fault.
01:28:24It's my father's fault.
01:28:26What's wrong with Isidro?
01:28:28He's worse.
01:28:30No, no, no.
01:28:32It's not that.
01:28:34Fina, then?
01:28:36Well, I went to the canteen before.
01:28:38I tried to talk to him,
01:28:40but he didn't even look me in the face.
01:28:42Why did you run away?
01:28:44I don't understand.
01:28:46What...
01:28:48What happened?
01:28:50I told him, Marta.
01:28:52No.
01:28:54What?
01:28:56What did you tell him?
01:28:58That I fell in love with a woman.
01:29:00For God's sake!
01:29:02Fina!
01:29:04Come here.
01:29:06Come.
01:29:08You did the same thing with Carmen
01:29:10and we almost broke up.
01:29:12I don't know who said what,
01:29:14so it only concerns me.
01:29:16My father thought it was much worse.
01:29:18Worse?
01:29:20Yes, he thought he was dating a married man.
01:29:22Do you think it's worse
01:29:24that your father thinks you're a pervert?
01:29:26Please.
01:29:28I don't know what you're thinking.
01:29:30You look stupid.
01:29:32Don't insult me.
01:29:34I'm sorry, but I don't understand.
01:29:36First Carmen, now your father,
01:29:38and then who?
01:29:39My father is not a pervert, is that clear?
01:29:41My father is the person I trust the most in the world.
01:29:44I know he's your father,
01:29:46but a man his age,
01:29:48who you tell you're talking about a woman
01:29:50who loves another woman,
01:29:52he thinks it's a mortal sin
01:29:54or something worse,
01:29:56not to say vulgarity.
01:29:58Don't talk about my father because you don't know him.
01:30:00And you do.
01:30:02Fina, does he talk to you now?
01:30:04Does he look at you now?
01:30:06Our parents will never understand.
01:30:10For God's sake.
01:30:12Why?
01:30:14Tell me why!
01:30:16Because I'm tired of living like this, Marta.
01:30:18Of not being who I am.
01:30:20Of having to lie to the people I love.
01:30:22But those lies are also to protect you.
01:30:24You and the people you love.
01:30:26I'm sorry, Marta.
01:30:28I'm really sorry,
01:30:30but now at least my father knows who I am.
01:30:32You know people are arrested for this, right?
01:30:34Of course I know.
01:30:36What do you think? That I'm naive?
01:30:37Do you think my father will eventually
01:30:39understand?
01:30:41My father won't report me.
01:30:43Don't you see? I'm the only thing he has.
01:30:45Do you know about families that are arrested for something like this?
01:30:48Sometimes it's the social one who discovers people,
01:30:50but many others it's the family itself who gives the alarm.
01:30:52For God's sake.
01:30:54We're talking about prison, Fina.
01:30:56We live in the time we live in
01:30:58and we can't change that.
01:31:00Of course we can't change it,
01:31:02but my father loves me and will eventually understand.
01:31:04I'm telling you.
01:31:05Not all parents are the same, I'm telling you.
01:31:07Your father will be whatever you want,
01:31:09but mine...
01:31:13What about your father?
01:31:15My father knows sin, but not the sinner.
01:31:19So your perfect life
01:31:21and your indelible reputation will be safe.
01:31:24Don't worry.
01:31:36Don't worry.
01:31:37Don't worry.
01:32:03What a happy time, right?
01:32:07I thought I was going to be six years old.
01:32:09And you, well, you were a kid.
01:32:12And life was so easy that everything seemed possible.
01:32:16Until...
01:32:18Until what happened happened.
01:32:21You were a little older,
01:32:23but I...
01:32:25It was so hard to say goodbye.
01:32:28We had a good time there, huh?
01:32:31The farm is a very special place for everyone.
01:32:34I wouldn't like to lose it either.
01:32:36No one could forgive us for losing the farm.
01:32:39Despite the fact that it was the only thing
01:32:41that was put to end the loan.
01:32:44But is it because you don't trust
01:32:46that the operation will go well
01:32:48or just because it was Jesus' idea?
01:32:50You too, really?
01:32:52Don't get mad, it wouldn't be so strange.
01:32:54It's just that you're always the same.
01:32:56Well, I think it has many points to be successful.
01:32:58If I had the money, I would put it without hesitation.
01:33:00But I don't want to take risks.
01:33:02In this case, the risk is minimal.
01:33:03Think about it.
01:33:05I don't want to influence you anymore.
01:33:07I don't even know the parties you planned.
01:33:09For me, Los Olmos is much more
01:33:11than the good times we spent there.
01:33:13I know.
01:33:15Mom spent a lot more time with you there.
01:33:17She was always so busy here.
01:33:20It almost seemed like part of the service.
01:33:23I've never forgotten where I came from.
01:33:25They grew up in Los Olmos
01:33:27without knowing that those lands
01:33:29would someday be worth what they are today.
01:33:31They have been in their family for many generations.
01:33:33That's why Jesus and I
01:33:35wouldn't risk losing the farm.
01:33:37I know you wouldn't risk it if you had doubts.
01:33:39What I'm not so sure about
01:33:41is that we deserve to succeed
01:33:43with this new plan, Marta.
01:33:45Come on, don't be more papist than the Pope.
01:33:47The way the information has been obtained
01:33:49is floral.
01:33:51I don't think it's good.
01:33:53And it shouldn't be here either.
01:33:55It's the competition.
01:33:57It's business, Andres.
01:33:59The war.
01:34:01I hear Jesus, Marta.
01:34:04You're calling me soft.
01:34:06Absolutely.
01:34:08You're one of the strongest people I know.
01:34:10But you're also sentimental.
01:34:12And feelings in business don't work.
01:34:15Well, they should.
01:34:17Growing up or dying
01:34:19is the only thing that matters.
01:34:21If you're not in your place,
01:34:23others take the place without contemplation.
01:34:26Look, I'm not trying to convince you.
01:34:31If you want to dedicate yourself to this,
01:34:33sometimes you have to put your heart aside
01:34:35to think with a cool head.
01:34:37Things are like that.
01:34:39I don't question them.
01:34:55We've talked about everything we had to talk about.
01:34:58Father, please.
01:35:00I came straight from work
01:35:01in a hurry to eat.
01:35:04Aren't you ever going to talk to me again?
01:35:09Father, I'm still the same.
01:35:12That's what hurts me the most.
01:35:14The deceit you've given me.
01:35:16No, Father, I haven't deceived you.
01:35:18I've only hidden a part of me
01:35:20that I assure you has hurt me more than anyone else.
01:35:22No one forced you to be like that.
01:35:24I haven't chosen him either.
01:35:27My mistake was telling him.
01:35:28I thought he could understand me,
01:35:30that he could support me.
01:35:33And Father, I still need him,
01:35:35just like I always did.
01:35:37I don't need you.
01:35:39It's no good for me to have you by my side.
01:35:43I would have liked to disappear from the map.
01:35:46I can't understand you anymore.
01:35:48I can't support you.
01:35:50I can't see you as my daughter anymore.
01:35:52But I'm the same as always, Father.
01:35:54I'm still the same.
01:35:56I've always been.
01:35:58But nothing has changed, I assure you.
01:36:00What I feel has accompanied me
01:36:02since I have reason.
01:36:04Shut up, please.
01:36:06If your mother heard you,
01:36:08she would die of shame.
01:36:10My mother would have understood me anyway.
01:36:12Of course not.
01:36:14Your mother was a straight, devout woman from the beginning.
01:36:16You would have killed her out of disgust
01:36:18like you're killing me.
01:36:20Enough, Father, enough.
01:36:22I've come here to fix things
01:36:24and I'm already regretting it.
01:36:26I don't deserve to be spoken to like that.
01:36:28So what?
01:36:30It has nothing to do with the other woman.
01:36:32I don't see it.
01:36:34What do you want me to see?
01:36:36I have two hundred women left.
01:36:38Let's leave it.
01:36:40It will be impossible for her to understand.
01:36:42Yes.
01:36:44I don't want her to get worse because of me.
01:36:46Yes, let's leave it.
01:36:48Mine has no remedy,
01:36:50but yours does,
01:36:52if you wanted to.
01:36:54But it seems you don't want to
01:36:56because you've told me.
01:36:58I didn't want to tell you.
01:37:00Because I'm going to die.
01:37:02Yes.
01:37:04And you've ruined the days I have left.
01:37:23I'm going to take you.
01:37:25Thank you.
01:37:28You're welcome.
01:37:33Has Natalie left today, Pater?
01:37:35Worried, rather.
01:37:37Make me a little coffee, Gaspar.
01:37:40I keep thinking about something I talked about with Isidro
01:37:43and well, maybe it's crazy, but...
01:37:45Tell me.
01:37:47Maybe from my humble position I can help you.
01:37:50Come on, you have your parish and I have mine.
01:37:53It's true, you have to see everything in this cellar
01:37:55that sometimes when people drink,
01:37:56they must take out their true self.
01:37:58If only I told him, Pater.
01:38:01Hey, do you...
01:38:03Do you have any evidence that there is
01:38:06a deviation here?
01:38:10A deviation here in La Colonia?
01:38:13Do you want to lower your voice?
01:38:15It's not about generating a collective hysteria now.
01:38:18But what does that have to do with it, Pater?
01:38:20Do you know someone?
01:38:22No, no, I don't, but talking to Isidro
01:38:23made me feel like I suspected something strange.
01:38:26I just wanted to find out and get out of my mistake.
01:38:28Well, I'm telling you,
01:38:30I have a sixth sense to face people
01:38:32that here in La Colonia
01:38:34there is no deviation, Pater.
01:38:36I hope you're right, Gaspar.
01:38:39Those people are like cancer, you know?
01:38:41If you don't take it in time,
01:38:43it can spread all over the body.
01:38:45Are you saying that homosexuality is contagious?
01:38:50Well...
01:38:51Well...
01:38:54Someone like that
01:38:56is a bad example for the whole community.
01:38:58It can cause confusion, and you should know that.
01:39:01That's the biggest stupidity I've heard in my life,
01:39:03if you'll allow me, Pater.
01:39:05I knew it, but I'd like to know who it is
01:39:07to try to cut the trend.
01:39:09I don't know if I'm making myself clear.
01:39:11And put the sinner in the back seat.
01:39:13Isn't that right?
01:39:15Do you think it's wrong?
01:39:17I'm doing it for the good of the factory.
01:39:19There are behaviors that we must correct
01:39:21before it's too late.
01:39:23Mrs. Marta, Mr. Agustín means...
01:39:25Yes, I know what he means.
01:39:27It's not that I think it's wrong
01:39:29to correct the behavior of those people,
01:39:31but I deny it.
01:39:33There are no homosexuals in La Colonia.
01:39:36And the last thing we want
01:39:38is for a rumor like that to spread.
01:39:40I understand your concern.
01:39:42We don't want La Colonia
01:39:44to be associated with a nest of...
01:39:46Sarasas? Violetas?
01:39:48Let's call it what it is,
01:39:49but it's not my intention to judge anyone,
01:39:51but to cut the root of the problem
01:39:53before it ends up rotting the earth.
01:39:55And for that, I must know who it is.
01:39:58Why are you so sure
01:40:00of that person's existence?
01:40:02It's an intuition.
01:40:04We all lack intuition.
01:40:06You don't believe me.
01:40:08For these issues, instinct doesn't fail me.
01:40:10Well, you're going to leave it here
01:40:12because my family has more important things
01:40:14to deal with.
01:40:16More important than having a black sheep
01:40:17telling me what to do.
01:40:19I'm going to be clear.
01:40:21In no way
01:40:23do I want a rumor to spread
01:40:25that compromises the honor of my family
01:40:27and this company.
01:40:29Is that clear?
01:40:32I can't hear you.
01:40:34I don't know if it's clear.
01:40:36It's clear, Mrs. Marta.
01:40:38I'm sorry to have worried you.
01:40:40I just wanted to do things right.
01:40:42Well, to do things right,
01:40:44we're going to end this conversation
01:40:45and I hope you agree.
01:40:47Of course, Mrs. Marta, of course.
01:40:49I'm glad.
01:40:51Good morning.
01:40:53Good morning.
01:41:09We work in the same space
01:41:11and it's inevitable that we're close at some point.
01:41:13Why are we talking about this here?
01:41:15I don't know what's going on with me.
01:41:17It's like I have leprosy.
01:41:19No one wants to be close to me.
01:41:21Don't say that.
01:41:23You know it has nothing to do with it.
01:41:29Today is my mother's death anniversary.
01:41:32I know.
01:41:34You know?
01:41:36I kept the file the last time you told me.
01:41:39Well, you didn't tell me anything.
01:41:41I know, I'm sorry.
01:41:43I'm sorry.
01:41:45I'm very worried, Fina.
01:41:48I'm afraid your father has talked too much.
01:41:51About me?
01:41:53Not exactly, but...
01:41:55Good morning.
01:41:57We'll take care of you right away.
01:41:59Fina, come with me.
01:42:06Apparently, your father talked to Mr. Agustin.
01:42:09He didn't give him any details, but the priest isn't stupid.
01:42:12And he found out that there's a sick person among us.
01:42:15I had to cut the conversation in the canteen.
01:42:17Oh my God, why does this have to happen to us?
01:42:20We'd be doing so badly.
01:42:22Don't punish yourself.
01:42:24Right now, what we have to do is avoid each other.
01:42:28Do you agree?
01:42:32Even outside the colony.
01:42:35Anywhere.
01:42:37They could see us, Fina.
01:42:39Do you realize how dangerous this is?
01:42:44I was going to ask you to come with me to my mother's grave.
01:42:48To bring her flowers.
01:42:50To the cemetery.
01:42:52Are you crazy?
01:42:54Right now, if your father sees us together there, how will he react?
01:42:57My father doesn't want to go with me.
01:42:59It can't be.
01:43:01He doesn't want to show up in front of my mother's grave with a whore like me.
01:43:07I'm sorry.
01:43:10Right now, I'd give you the warmest hug in the world.
01:43:18I know he doesn't want you to suffer.
01:43:21The thing is, he doesn't know how to do it better.
01:43:25You shouldn't have told him, Marta.
01:43:27It's too late to think about that.
01:43:31Right now, the only thing we can do is...
01:43:34keep our distance.
01:43:40What does that mean?
01:43:43For the moment, it's best if we don't see each other.
01:43:46Until when?
01:43:49Until when?
01:43:54Fina, please!
01:44:04Isidro.
01:44:06Mrs. Marta.
01:44:08How are you?
01:44:10And how is Mateo?
01:44:12Fine. I've left him upstairs with Dina.
01:44:14He's in good hands.
01:44:16I'm glad.
01:44:18Can I go now?
01:44:20Come with me.
01:44:22It's been a long time since we've seen each other,
01:44:24and I've always enjoyed our little chats.
01:44:26That's mutual affection.
01:44:28You've always been for me and my family.
01:44:30I could say the same.
01:44:32It's been many years holding on to us and our whims.
01:44:37Well, I've always been very happy working here.
01:44:40And the truth is, I've never felt like a burden.
01:44:45I remember what I enjoyed as a child,
01:44:47hearing you tell those trips you made with my father
01:44:50to Madrid or Barcelona.
01:44:52Yes, I remember too.
01:44:54You were kids.
01:44:56You, Don Jesús, Don Andrés.
01:44:58Things I did to entertain you.
01:45:00But you did it so well.
01:45:02You had so much art.
01:45:04From a simple trip, you made an adventure.
01:45:05I'm sure Afina liked listening to you too.
01:45:08Yes.
01:45:10Yes, she liked it too.
01:45:12Despite her grace and kindness.
01:45:14And you just need to see them together
01:45:16to understand the love they have for each other.
01:45:19Well, you know, Mrs. Marta,
01:45:21how can you not love a daughter?
01:45:23Girls are so pure, so innocent.
01:45:26But it's much more than that.
01:45:28What they've always shared
01:45:30is understanding, respect
01:45:32and an enormous love
01:45:34that I've envied a lot.
01:45:37I wish my father had given me
01:45:39one of those hugs you give.
01:45:41Well, Mrs. Marta,
01:45:43love isn't just about giving hugs.
01:45:45I'm sure Damián loves you.
01:45:47And above all, he's given you a good education,
01:45:49a good discipline.
01:45:51My God, Isidro, it's like you're talking to me about the army.
01:45:54Discipline is very important
01:45:56because it helps our children
01:45:58understand the right thing and get it.
01:46:00It's the path to success.
01:46:02It's the path to virtue.
01:46:04Damián, I've made you people
01:46:06who are straight and with principles.
01:46:08Sometimes I wonder
01:46:10if I've been able to do it,
01:46:12if I've done enough.
01:46:14You really doubt it?
01:46:16When I look at Afina,
01:46:18I see an excellent girl,
01:46:20hard-working, kind,
01:46:22with many virtues.
01:46:24In the end, the result has been just as good.
01:46:26I could even tell you
01:46:28that I think it's better.
01:46:30Maybe you're exaggerating a little.
01:46:32But seeing her work every day,
01:46:34the only thing I do
01:46:36is reassure myself
01:46:38that I made the right decision.
01:46:40You have to be very proud of her, Isidro.
01:46:42Very proud.
01:46:44She's given you an excellent education.
01:46:48Afina is an extraordinary woman.
01:46:51Thank you, Mrs. Marta.
01:46:59Thank you, Tere.
01:47:02Thank you.
01:47:08You're not going to leave me alone.
01:47:10Why didn't you go to the cemetery?
01:47:12How do you know?
01:47:14Because Petunia's bouquet
01:47:16that she leaves every year
01:47:18on her mother's grave wasn't there.
01:47:20I knew she didn't want to go with me,
01:47:22but I thought she would go on her own.
01:47:24Why?
01:47:26Out of disrespect?
01:47:28I don't understand that.
01:47:29I know what I know about you,
01:47:31and you don't talk about it.
01:47:33How can you say that?
01:47:35And we couldn't go after...
01:47:37Enough, Father, enough.
01:47:39Don't you realize the terrible damage
01:47:41you're doing to me?
01:47:43I'm still Afina, her daughter,
01:47:45not a whore.
01:47:47And you've also destroyed me, daughter.
01:47:49You've broken my heart in two.
01:47:51Father, please.
01:47:53I don't know if you'd at least tell me
01:47:55that it's happened to you or you were confused.
01:47:57That it's happened to me?
01:47:59How can you say that?
01:48:01How can you expect me to regret something that's inevitable?
01:48:03What are you asking?
01:48:05That I be someone else?
01:48:07No, not someone else.
01:48:09My daughter, the one before.
01:48:11But your daughter, the one before,
01:48:13has always been like that.
01:48:15That's what I'm trying to make you understand
01:48:17once and for all.
01:48:19That you didn't know, doesn't change who I am.
01:48:21Very well.
01:48:23If you're not right, there's nothing to do.
01:48:25Well, no, Father.
01:48:26If you miss me, I won't do it.
01:48:28How dare you come into this house, Afina?
01:48:31The house that has given you everything.
01:48:34You don't deserve it.
01:48:36And much less that a queen speaks well of you.
01:48:39Who has spoken well of me?
01:48:41Obviously your boss, who you have so deceived.
01:48:44Mrs. Marta?
01:48:46Mrs. Marta, yes.
01:48:48Who has filled her mouth
01:48:50telling her how professional and wonderful you are.
01:48:52And I didn't know where to look.
01:48:54I didn't know where to look.
01:48:56If they really knew.
01:49:13How cute Maribi has lent you her wedding dress, huh?
01:49:17Yes, it's a love.
01:49:19And it's practically new.
01:49:21Oh, how happy I am, really.
01:49:22And my Tassio, when he sees me with the wedding dress,
01:49:25he's going to have a face
01:49:27because he thinks I'm going to marry your jacket, Afina.
01:49:30Well, and how beautiful it is.
01:49:32Yeah, but it has nothing to do with it.
01:49:34Come on, let's toast, this has to be celebrated.
01:49:36Carmen, but I don't drink alcohol
01:49:38and those anis, that's very strong.
01:49:40Come on, but this is anisette.
01:49:42This is lowered.
01:49:44Well, pour me a little bit, huh?
01:49:46Come on.
01:49:48Carmen, don't pour me, I don't feel like drinking.
01:49:50Yes, but where is the desire to party?
01:49:53Forgive me, you're absolutely right, absolutely right.
01:49:56Come on, come on.
01:49:59And for me.
01:50:03Long live the bride, right?
01:50:05Long live.
01:50:07Our Carmen is getting married.
01:50:12A little stronger.
01:50:15You're going to be beautiful, Carmen.
01:50:17And I'm not just saying it because of the dress.
01:50:19Here.
01:50:21Oh, no.
01:50:25But what is this?
01:50:30We wanted to repay you for what you lost.
01:50:33It's gold.
01:50:35We wanted to give you something special
01:50:37and that it was good.
01:50:40It's beautiful.
01:50:42Oh, thank you very much.
01:50:44You're welcome.
01:50:45Beautiful.
01:50:47Oh, thank you very much.
01:50:51I'm coming.
01:50:56Good evening.
01:50:58Good evening, Mrs. Marta.
01:51:00Is something wrong?
01:51:02I know it's a little late and well, I don't want to interrupt your celebration,
01:51:04but I wanted to see Carmen for a moment.
01:51:06Don't interrupt anything, Mrs. Marta.
01:51:08Come in, please.
01:51:10You are dazzling.
01:51:12Thank you very much.
01:51:13I came to give you a wedding gift.
01:51:17Thank you very much, Mrs. Marta.
01:51:20I really didn't need it.
01:51:22I hope you like it.
01:51:29What ...
01:51:32What a beautiful chain.
01:51:35I'm glad you like it.
01:51:37Thank you very much, Mrs. Marta.
01:51:38Thank you very much, Mrs. Marta.
01:51:43Carmen, I really want you to be very happy with Tassio.
01:51:46You are appreciated.
01:51:48Thank you very much.
01:51:50Would you like to have a drink with us?
01:51:53Thank you very much, but I don't want to interrupt your celebration.
01:51:56No, no, no, Mrs. Marta, don't interrupt.
01:51:58On the contrary, with the inconvenience you have taken to come, have a drink.
01:52:01Of course you want.
01:52:04Thank you very much.
01:52:06It's late for me.
01:52:08Very well, tomorrow at a good time.
01:52:10Thank you very much.
01:52:12Good night.
01:52:13Good night.
01:52:16Carmen.
01:52:18Carmen, how beautiful you are going to be with Mrs. Marta's medal.
01:52:21My precious, Carmen, you have to wear it at your wedding, they don't deserve you.
01:52:24Of course.
01:52:26It's bad luck that you also gave me the same thing.
01:52:28Don't worry.
01:52:30That's it, we'll give it back and that's it.
01:52:32Of course.
01:52:33Oh no, we can't give it back, it's recorded.
01:52:35Look, we're stupid, huh?
01:52:36But you can wear something else at our wedding.
01:52:38Of course.
01:52:40Look, I can lend you earrings that my Salamanca aunt gave me.
01:52:46They are beautiful.
01:52:48They are turquoise blue and you will look great with the dress.
01:52:50Look.
01:52:52Oh, how beautiful.
01:52:54They are very beautiful.
01:52:56And Carmen, I can leave you some shoes that you will look great with the suit.
01:52:59I'm going to the service and I'll look for them.
01:53:01So we leave everything ready for tomorrow, right?
01:53:03Take it, Carmen.
01:53:06Take it.
01:53:14Come on, beautiful.
01:53:16What a face of pancilas we had yesterday when Mrs. Marta showed up with the cardigan.
01:53:19I can't forget it.
01:53:21It's beautiful.
01:53:23A detail of very good taste.
01:53:25And a lot of power, right?
01:53:27She's not ugly either, Claudia.
01:53:29Well, she who has the chance.
01:53:31Yes.
01:53:32The important thing is that Carmen is going to take my earrings and your shoes.
01:53:37And she's going to have us present throughout the wedding.
01:53:39Yes, that's the most important thing.
01:53:47Claudia, are you okay?
01:53:50The truth is that I have a very bad headache.
01:53:53I don't know if it was the anesthesia that Carmen gave us or what,
01:53:56but I had thought of going for a strip before opening the store.
01:53:59Sure, go. If we open in ten minutes, go.
01:54:02Sure?
01:54:04Good morning.
01:54:06Good morning, Mrs. Marta.
01:54:08Does it matter that I'm absent for a moment?
01:54:11It's just that I don't feel very well and I wanted to go for an infusion before I opened.
01:54:15Of course, leave.
01:54:17If when you open the store you still feel bad, let me know and I'll make up for the hours.
01:54:22Well, I don't think it's necessary, but thank you very much, Mrs. Marta.
01:54:25Claudia.
01:54:26Claudia.
01:54:28The rag?
01:54:30Yes.
01:54:39Do you have a lot left?
01:54:41With these two bottles, I'm done.
01:54:43Good.
01:54:45Hello.
01:54:51Can I come closer now that Claudia has left or is it better that we keep our distance?
01:54:56I don't like you to joke about that.
01:54:59Marta.
01:55:02What?
01:55:05I wanted to thank you for helping me with my father.
01:55:09In the end, you went to the cemetery together.
01:55:11No.
01:55:15The truth is that lately you have been quite indiscreet and ...
01:55:19And you kick me in something.
01:55:21As if you didn't know the consequences of going with the truth ahead.
01:55:24Why don't you tell that poor man anything?
01:55:27Are you crazy?
01:55:28I know.
01:55:29No, but ...
01:55:30Forgive me.
01:55:31I'm not going to throw it in your face again, because in the end you're going to get me and I don't want that either.
01:55:34No, no.
01:55:35I don't want it either.
01:55:37It's just that I don't like seeing your father and you angry.
01:55:40Yes.
01:55:42I'm very sorry that my talk with him was useless, not even to go to the cemetery together.
01:55:47No.
01:55:49I went alone to the cemetery.
01:55:51He didn't even pass for the first time since my mother died.
01:55:54And do you know why?
01:55:55Why?
01:55:57Because he is ashamed to appear in front of his wife's grave knowing what he knows about his son.
01:56:02Did he tell you that?
01:56:04Look, for me to be judged or rejected by someone who doesn't know me already seems absurd and inhumane.
01:56:12But my own father ...
01:56:15He says he doesn't know me, but I'm the one who doesn't know him.
01:56:18You're right.
01:56:20It's very unfair and it doesn't make any sense.
01:56:23But you're not the first nor are we going to be the last to suffer because of this.
01:56:27Things are like that.
01:56:29You already know.
01:56:30We have to settle.
01:56:32If we want to live this, it will have to be in secret.
01:56:35No, in real secret.
01:56:37But if I can't share the most beautiful thing that has happened to me in life with him ...
01:56:43Marta, I feel very alone.
01:56:45But you are not alone.
01:56:48You will never be.
01:57:02Do you need help?
01:57:04Yes, thank you. The truth is that I'm getting a little messy.
01:57:07Go singing me the quantities.
01:57:11This is a tedious day.
01:57:14Between the two, it is the most bearable.
01:57:19Marta, before I had the feeling that you were no longer so angry with me.
01:57:25It's just that it's impossible for me.
01:57:27Come on, it's above my strength.
01:57:31In fact, you are the one who should be hurt with me for not having accompanied you to the cemetery.
01:57:34No, Marta, no.
01:57:36I shouldn't have asked you.
01:57:38But I insist that our relationship is normal because it is what I would like most in this life, but it is not.
01:57:44But I have failed you.
01:57:46And I have strained the rope too much.
01:57:48The truth is that I don't know what's happening to me.
01:57:51I'm losing the sense of reality now.
01:57:53Come on, neither of us have done things too well.
01:57:56No, but it's hard to do things right.
01:57:58It's just that we can't act as it comes out of us.
01:58:01It's very difficult.
01:58:03Well, yes.
01:58:05To feel the corset, the lack of freedom, the pressure from outside.
01:58:07That's why, Marta, between us, between you and me, we should make things easy for ourselves.
01:58:13And that means being honest with each other, forgiving each other, supporting each other, covering each other.
01:58:19We agree.
01:58:21We agree.
01:58:24I have something for you.
01:58:26Yes?
01:58:28Yes.
01:58:39And this?
01:58:41The keys to the apartment I rented in Madrid.
01:58:43Madrid, a big city where no one knows us.
01:58:45What?
01:58:47Marta.
01:58:49Yes.
01:58:50Really?
01:58:52I made the arrangements a few days ago, but with this being angry, with your father ...
01:58:54If there is nothing else in the world other than this.
01:58:56We have our own intimate space.
01:58:58A place where we can love freely.
01:59:00A secret place.
01:59:02For God's sake, Fina, secret.
01:59:04Yes, yes.
01:59:05I beg you.
01:59:07We won't have to pretend to be cousins anymore when we go to the hotels.
01:59:10We can go as soon as we want.
01:59:13And let go of our love.
01:59:17And whatever comes up.
01:59:19Marta, please tell me I'm not dreaming.
01:59:22No.
01:59:24What?
01:59:26Yes, yes.
01:59:27I love you.
01:59:28I love you.
01:59:29I love you.
01:59:31I'm going.
01:59:35Perfumerías de la Reina, tell me.
01:59:38Don Damián, do you need anything?
01:59:41Yes?
01:59:42Yes, yes, yes.
01:59:43It's around here.
01:59:46Mrs. Marta, it's for you.
01:59:54Tell me, Father.
01:59:57Now?
01:59:59Has something happened?
02:00:03Okay.
02:00:05Yes, yes, I'm on my way.
02:00:11Father.
02:00:13You scared me when you told me you wanted to see me urgently.
02:00:16Sorry, I didn't want to worry you.
02:00:18I wanted to see you at home to tell you about a matter
02:00:21that I found in the account a while ago.
02:00:24Sit down, please.
02:00:28Tell me.
02:00:31Well, those two guys are getting married today, right?
02:00:35Yes, Carmen and Tasio.
02:00:37The workers are very excited about the wedding.
02:00:39We should give them a gift from the company, don't you think?
02:00:42I've already given Carmen a beautiful gold chain.
02:00:45I think she's going to wear it at the ceremony.
02:00:47As a personal gift.
02:00:49Yes, but I can tell her it's for everyone.
02:00:51And Tasio?
02:00:53Tasio.
02:00:55I can look for something for him and with that...
02:00:58With that, we'll all be satisfied.
02:01:00And would you have time today to buy him something?
02:01:04Yes, I'm going to Toledo right now.
02:01:06No, no, wait, wait.
02:01:08There's no hurry.
02:01:09We can do it on the way.
02:01:11Better.
02:01:12I'll take advantage of the fact that I'm going to Madrid tomorrow
02:01:13and I'll calmly think about what to give him.
02:01:15What are you going to Madrid for?
02:01:18By the way,
02:01:20I wanted to tell you that I've rented an apartment in Madrid
02:01:23for my work trips.
02:01:26What have you done?
02:01:28I've been doing accounts
02:01:30and with all the times I travel in the week,
02:01:32well, it pays off.
02:01:34It doesn't pay off at all.
02:01:36We're not for expenses, Marta.
02:01:38The cost is the same as the hotel's.
02:01:40There's no point in charging with a fixed expense right now.
02:01:42Well, I'll pay for it with my money.
02:01:44If the offer had come from Andrés or Jesús,
02:01:46it would already be approved.
02:01:48Where are you going?
02:01:50To Toledo.
02:01:51To get Tassio's gift.
02:01:53No, wait.
02:01:55What do you want me to wait for?
02:01:57Father, you're making me come here to,
02:01:58excuse me, to talk about shipments.
02:02:00You know I'm busy,
02:02:01I can't walk all day going and coming.
02:02:03Have you finished?
02:02:05I don't know, I've finished.
02:02:07I don't know, have you finished?
02:02:08Yes, I've finished.
02:02:10Then turn around, come on.
02:02:14Jaime!
02:02:16Not bad at all, huh?
02:02:20Jaime wanted to give you a surprise
02:02:22and I've been his accomplice.
02:02:24That's why I called you.
02:02:26Of course, I didn't understand anything.
02:02:28Thank you, Damián.
02:02:30You've done it as if you were a great actor.
02:02:32Marta didn't suspect anything.
02:02:35My life, you're...
02:02:37You're beautiful.
02:02:39Thank you.
02:02:41You're beautiful.
02:02:43Thank you.
02:02:45You look good.
02:02:47Well, it's a sea wolf
02:02:49fed by those seas of God.
02:02:51And how long are you going to be with us?
02:02:54I just got here
02:02:55and you already ask me when I'm leaving.
02:02:57It's a surprise, I wasn't expecting you.
02:03:08Where is that old sea wolf?
02:03:10What a surprise.
02:03:12Right, sister?
02:03:13Of course.
02:03:15Your surprise, that you're married.
02:03:17The free soul of the family.
02:03:19Maria, this is Jaime, my brother-in-law.
02:03:21How I wanted to meet him.
02:03:23To meet you, please.
02:03:24You tell me that we are family.
02:03:27Now you've made him a gentleman,
02:03:29but when he arrived a while ago, what a beard.
02:03:31It seemed that he had come out of a swamp or I don't know.
02:03:34By the way, now that I have you together,
02:03:36I would like to apologize
02:03:38for not being able to go to your wedding.
02:03:39Unfortunately, it was impossible.
02:03:40I was on a boat on my way to Cyprus.
02:03:42There is nothing to apologize for.
02:03:44It was very difficult that you could come for a day.
02:03:46I felt bad for Marta.
02:03:48For me?
02:03:49Yes, everyone was in a relationship
02:03:51and you alone, I assure you,
02:03:53it was difficult to hide your sadness.
02:03:55Did you miss me?
02:03:57Of course.
02:03:59Man, Jaime, what a joy to see you.
02:04:01Jesus of the Queen,
02:04:03as elegant as always.
02:04:05Of course.
02:04:06Begoña, you are beautiful.
02:04:07Are you going to stay a long time?
02:04:09Well, I don't know.
02:04:11It depends on how long it takes to fix the boat.
02:04:13I guess three or four days.
02:04:15I don't think I can scratch much more.
02:04:17We'll have to take advantage of the time.
02:04:19We will.
02:04:22I'm going to get a bottle of wine.
02:04:24We have things to celebrate.
02:04:26Yes, I'm going to ask the worthy
02:04:28to serve us.
02:04:29I'll go with you, Maria.
02:04:31Well, I'm going to tell the Father.
02:04:33Sit down.
02:04:38I was thinking that
02:04:40maybe we can skip this meal
02:04:42and take a walk you and me alone.
02:04:45We have to get up to date on so many things.
02:04:48We can't make the family look bad.
02:04:51They want to enjoy you.
02:04:54We'll have time.
02:04:56Yes, yes, of course.
02:04:58Sit down next to the Father.
02:05:00Do you want to be the guest?
02:05:02No, as you wish.
02:05:04Thank you.
02:05:07You're welcome.
02:05:15A few days ago I thought...
02:05:17I'm so sorry to see you like this.
02:05:19The truth is that your father
02:05:21has a harder head than a pedernal.
02:05:23But in this world you don't stay forever.
02:05:25And sometimes you have to give up.
02:05:27Maybe I'm not the one who has to give up this time.
02:05:29Your daughter.
02:05:31I'll think about it.
02:05:33Hello.
02:05:35Have you come to teach in the store?
02:05:37Sorry, I'm late.
02:05:39Bye.
02:05:41Good afternoon, Mrs. Marta.
02:05:43And...
02:05:45Jaime, do you remember Fina?
02:05:47Yes, of course I remember.
02:05:49I see you very well.
02:05:51And from what I see now, independent.
02:05:53I hope my wife is behaving.
02:05:55Your wife is an excellent boss.
02:05:57And if she doesn't, tell me.
02:05:59I'm sure I can do something.
02:06:01I think I still have some influence left.
02:06:03Is Mr. Jaime going to stay here for a long time?
02:06:05As long as they fix his bow.
02:06:07I have to admit that the sea is starting to tire me a little.
02:06:10But if it's your life, you've always said it.
02:06:12Yes, yes, yes, it is, it is.
02:06:14But, well, loneliness weighs.
02:06:16And feeling that you see your loved ones
02:06:18two or three times a year is not enough.
02:06:21Sure.
02:06:23Fina, go get dressed for Carmen's wedding.
02:06:25So you'll have time, huh?
02:06:27I'll close.
02:06:30Do you remember Carmen?
02:06:32Yes, I think so.
02:06:34The girl from the campaign you told me about at home.
02:06:35Yes.
02:06:37And she's getting married, right?
02:06:39With Tassio, another employee.
02:06:41Good afternoon, Mr. Jaime and Mrs. Marta.
02:06:43Congratulate the grooms on our behalf.
02:06:45Of course, sir.
02:06:49Well, I'll close and I'll show you the old area of the factory.
02:06:52My sister has done a magnificent job with the rehabilitation.
02:06:55You see, Marta, I have no doubt about your brother's experience.
02:06:58But I think I would still prefer
02:07:00that you show me how much the mushrooms have grown by the river.
02:07:02What?
02:07:04As if you were going to notice the difference.
02:07:06No, no, I'm sure not.
02:07:08I'll only have eyes for you.
02:07:10Come on.
02:07:12After you.
02:07:21The bank has already granted us the credit.
02:07:23We just have to close some gaps
02:07:25and start producing women's longings.
02:07:27Women's longings?
02:07:31Why are you looking at me like that?
02:07:33Women's longings.
02:07:36I like how it sounds when you say it.
02:07:39And I like how you talk about your job.
02:07:41Look who's talking.
02:07:43You haven't stopped doing it all afternoon.
02:07:45It's true, I'm passionate.
02:07:47Although I must tell you that what I said before is true.
02:07:51Loneliness weighs me down.
02:07:54I can't help but remember those first years
02:07:56when we traveled together.
02:08:01We had a good time, didn't we?
02:08:04We had a good time.
02:08:07Do you remember that cruise across the Greek islands?
02:08:11I couldn't stop vomiting the eight days that the cruise lasted.
02:08:14You didn't stay behind either.
02:08:16Yes.
02:08:18It was our first trip together,
02:08:20just after we got married,
02:08:22when we couldn't stop repeating how much we loved each other.
02:08:26But now...
02:08:29Now we barely see each other, Jaime.
02:08:31And we haven't written to each other in weeks.
02:08:36You can write to me too.
02:08:39Marta, I don't blame you for anything.
02:08:42I just expose the pain that the situation we've come to produces.
02:08:46But I don't want to be like this.
02:08:49I want us to be what we were before.
02:08:52Our jobs are what they are.
02:08:53I know, I know, I know.
02:08:56That's why I thought maybe you could come with me.
02:08:59Like we used to.
02:09:05Jaime, you know you can't ask me that.
02:09:08You know that.
02:09:10Yes, you're right. I'm sorry.
02:09:12I had to try.
02:09:18You haven't ruined everything, have you?
02:09:23Of course not.
02:09:30Well,
02:09:32it's best if we meet in bed.
02:09:36Jaime.
02:09:38Yes?
02:09:40I should go over some business with the company before I go up.
02:09:45What time is it?
02:09:47I know, it's important. The launch had us all up all night.
02:09:50Of course. As you wish.
02:09:52Thank you.
02:09:54No, please.
02:09:56Get some rest.
02:09:58Don't wait for me to wake up.
02:10:14What's up, miss?
02:10:16Won't you give your uncle a kiss?
02:10:20So, what?
02:10:22What's the couple up to today?
02:10:24To be honest, I wasn't planning on doing anything big.
02:10:27I'm just going to stop by the store for a bit to annoy Marta a bit.
02:10:30You could go to Madrid.
02:10:32I read there's a very interesting cartography exhibition at the Naval Museum.
02:10:35I'm sure you'll have a lot more fun than being in the factory all day
02:10:39waiting for us all to finish work.
02:10:41Well, I might go there, yes.
02:10:43I'm sure your father would like to go with you.
02:10:45Well, if you ask him.
02:10:46He's been out for a while now.
02:10:48I think he was going to go to the Palo Roto waterfall.
02:10:51That's very far away.
02:10:53About ten kilometres.
02:10:55If you're up for it, we can go one day.
02:10:57Yes, please.
02:10:59We could do something similar.
02:11:01And we could take that old camera we bought.
02:11:04You never know.
02:11:06I have a lot of work to do now.
02:11:08Is Susa going to make breakfast?
02:11:10Daddy!
02:11:14Good morning, Julia.
02:11:17Sit with us.
02:11:20Come on.
02:11:22Of course.
02:11:39What are you doing with that?
02:11:41I'm looking for the right colour for the boxes for the new launch.
02:11:44In a book of art?
02:11:46Well, you have to have the best as a reference.
02:11:49What do you think of this gold used by Klimt?
02:11:54What about you?
02:11:56I think it's the right one.
02:11:58I'd like women's yearnings to be a jewel.
02:12:01From its envelope.
02:12:03Of course, you're in everything, my dear.
02:12:05Well, I like to take care of the little details, you know.
02:12:09And that each thing has a meaning.
02:12:11You're tremendously detailed.
02:12:12I told you I've had good references.
02:12:14And you've been one.
02:12:16Yes, but you haven't learned the best from me.
02:12:20What do you mean?
02:12:22For me, the company has always been very important,
02:12:25but my family has always been ahead.
02:12:28Do you have any complaints?
02:12:31I thought we had overcome that stage.
02:12:33I have no complaints, dear,
02:12:35but I think you're neglecting your husband since he arrived.
02:12:38And why do you say that?
02:12:39Today he asked me to accompany him to a visit to the Naval Museum
02:12:43instead of going to the store to make plans with you.
02:12:46Well, it's not that you neglect him,
02:12:48it's that he understands that I'm very busy.
02:12:50And last night I saw him go to bed alone.
02:12:52He told me you were going to stay to work until very late
02:12:55and you don't have to be very smart to know what all this means.
02:12:58Well...
02:13:00And don't tell me you have a lot of work
02:13:02because that's just an excuse.
02:13:03I've been a little detached, it's true.
02:13:07Father, it's been many months since we've seen each other.
02:13:10You should be in bed recovering your time, right?
02:13:13Please, Father.
02:13:15We're adults.
02:13:17We're not going to have a quarrel at this point.
02:13:19He's asking me for a conversation that...
02:13:21No, that style won't work.
02:13:23No, what I'm asking you is that you be honest, Marta.
02:13:25And I'm not being honest.
02:13:29What do you want?
02:13:30Well...
02:13:33What do you want me to tell him?
02:13:36That I'm not afraid to hug him for no reason,
02:13:39or steal a kiss from him,
02:13:41or even hold his hand.
02:13:43What's more, I feel uncomfortable when he does it.
02:13:45But why?
02:13:47Things have changed a lot.
02:13:49I understand. You've fallen in love.
02:13:51What?
02:13:53With that photographer, the one who made us
02:13:55in the Queen's Essences campaign.
02:13:57The other day I caught you in a more than suspicious attitude
02:14:00in Madrid.
02:14:02I already told him at the time, Father,
02:14:04that there was nothing going on with the photographer
02:14:06and that the apartment is to save costs in hotels.
02:14:08Sure, or to have a discreet place
02:14:10where you can meet your lover.
02:14:12He doesn't know what he's talking about and he offends me.
02:14:14Well, explain it to me.
02:14:16Help me understand what's going on with you.
02:14:18With all due respect,
02:14:20if he wants to help me,
02:14:22he shouldn't meddle in my life.
02:14:24It's very funny that you tell me that
02:14:26when a few days ago you accused me
02:14:28of not paying attention to you,
02:14:30and now you're being understanding with me.
02:14:32It seems to me that you're judging me.
02:14:34Do you think it's so strange that I'm worried
02:14:36because you're looking for comfort in the arms of someone else?
02:14:38No!
02:14:40Marta, you have to stop fantasizing
02:14:42with stories that don't give you anything
02:14:44and give your marriage a chance.
02:14:46Jaime loves you.
02:14:48And what about what I want?
02:14:50And what do you want, daughter?
02:14:52What the hell do you want?
02:14:54Because sometimes you leave us frozen with your coldness
02:14:56and your husband is about to freeze to death.
02:14:58Very encouraging.
02:15:00Very understanding, without a doubt.
02:15:02Maybe that's why I need to protect myself
02:15:04behind a shield.
02:15:06You created that shield yourself.
02:15:08Don't blame others for being how you are.
02:15:11Listen to me, Marta.
02:15:13Jaime, you need to regain the complicity you had.
02:15:15It was nice to see you
02:15:17always joking, so accomplices, so friends.
02:15:19It was always just that, maybe.
02:15:22Better friends.
02:15:24Whatever you want.
02:15:25But he's your husband
02:15:27and he will be until the end of your days.
02:15:29It's in your hands to have a pleasant relationship with him
02:15:31or to live a calvary.
02:15:56You're here again.
02:15:58Don't give up.
02:16:00Never.
02:16:04She was worthy in the store yesterday.
02:16:06Don't worry.
02:16:08I haven't told her anything about our argument.
02:16:12There's no argument if they don't want to.
02:16:14You're the one who's disgusted with yourself
02:16:16for judging your daughter so harshly.
02:16:20I have a very calm conscience.
02:16:23I'm sure I didn't educate you
02:16:25to become someone like that.
02:16:27No, I was educated to be a free woman
02:16:29with the right to decide
02:16:31what I like and what I don't like.
02:16:33And this is what I'm doing.
02:16:35Yes, offending me with your actions.
02:16:37Father, I can't control my nature.
02:16:39Yes, if you want to.
02:16:41I understand what society dictates to you.
02:16:43Really.
02:16:45I understand what Don Agustin dictates to you.
02:16:47It's a crime, daughter.
02:16:49Unfortunately.
02:16:51But I can't change that.
02:16:53You can't change me either.
02:16:55You can't go down the wrong path.
02:16:57You just lack a little willpower.
02:16:59Willpower?
02:17:01Father, it's not about being honest with yourself.
02:17:04Even if it's harmful to you.
02:17:06More harmful is a life full of lies, right?
02:17:10I'm not hurting anyone.
02:17:12Your father, yes.
02:17:14You're selfish.
02:17:16Father, look at me.
02:17:20This person in front of you
02:17:22is the same as always.
02:17:23The one who was with you
02:17:25when you had the appendix surgery.
02:17:27The one who accompanied you to Cáceres
02:17:29to meet your cousin.
02:17:31The one who knitted you a scarf
02:17:33so you wouldn't catch a cold.
02:17:35The one who didn't go to Paris
02:17:37so you wouldn't be alone.
02:17:39And I promise I'll do it again and again.
02:17:41What do you want?
02:17:43To thank you?
02:17:45No, to realize that nothing has changed.
02:17:47Everything has changed.
02:17:49Look how stupid he is.
02:17:51And he doesn't reason.
02:17:53You can't put doors in the field
02:17:55or stop the fury of a storm.
02:17:57That's what he says.
02:17:59What does he say?
02:18:01That he can't repair
02:18:03what he's done to Ñicos.
02:18:05And where's the willpower
02:18:07you were talking about a moment ago?
02:18:09On top of that, it's irrelevant.
02:18:11Well, that's it. I've done everything I can.
02:18:13I won't back down anymore.
02:18:15Then let's not waste any more time.
02:18:23Goodbye, Father.
02:18:26This time, forever.
02:18:30Close the door when you leave.
02:18:48Fina.
02:18:50What do you want?
02:18:51To know how you are.
02:18:53You've talked to your father, haven't you?
02:18:58I just made the last attempt
02:19:00to fix things with him
02:19:02because he doesn't accept me as I am.
02:19:04So value him.
02:19:07You don't know how I feel.
02:19:09But I'm sure you'll soon settle things.
02:19:12Your father and you love each other madly.
02:19:19Do you know what
02:19:22I would have needed from you?
02:19:25What?
02:19:28That you hug me tightly.
02:19:31There's nothing I want more in the world.
02:19:34People coming and going,
02:19:36and my husband in the factory.
02:19:38Your husband, of course.
02:19:40Yes.
02:19:42My husband.
02:19:44I know what you're thinking.
02:19:48But I'm asking you to be patient.
02:19:49It won't be long
02:19:51before he comes back.
02:19:53I feel so ridiculous, Marta.
02:20:06Ridiculous because of love.
02:20:08And you're still asking me
02:20:11because I have to pretend
02:20:13that I don't care that he's back.
02:20:15That he holds your hand,
02:20:17that he caresses you, that he kisses you.
02:20:19That he looks for intimacy.
02:20:21That's not...
02:20:23I swear that hasn't happened.
02:20:25But it will happen, Marta.
02:20:27Well, I'll keep flirting with him.
02:20:29Then he'll wonder what's happening to you.
02:20:31He already does that.
02:20:33But I'll give him another excuse.
02:20:35Excuses end.
02:20:37He's your husband, Marta.
02:20:39Whatever happens,
02:20:42I love you.
02:20:44And it's with him
02:20:46that you'll spend the night.
02:20:47Do you think it's easy for me?
02:20:50That I like him or that I don't care?
02:20:53I'm the one who's going to be with him
02:20:55enduring something I wish wouldn't happen.
02:20:57Then do something, Marta.
02:21:01Forgive me.
02:21:03Forgive me, Marta.
02:21:05I'm behaving like a capricious girl.
02:21:08I don't have the right
02:21:11to stop you in something you can't.
02:21:13I don't have your fine red.
02:21:15I feel your eyes.
02:21:17I have a position.
02:21:19And a scandal like this in my family
02:21:21with all that would mean...
02:21:23Of course.
02:21:25Look at me.
02:21:27Look at me.
02:21:31You're the love of my life.
02:21:34And there's nothing I want more
02:21:36in this world than to be with you.
02:21:39I just ask you to hold on a little longer.
02:21:41I need you now, Marta.
02:21:43I know.
02:21:46And I need you to be strong.
02:21:49Soon we'll be together,
02:21:51you and me,
02:21:53with no one else.
02:22:11What are you doing?
02:22:14Checking out the new merchandise.
02:22:16I've just robbed your father's library.
02:22:20Which one do you think I'll like more?
02:22:26Morel's invention.
02:22:29I don't like it.
02:22:31I don't like it.
02:22:33I don't like it.
02:22:35I don't like it.
02:22:37I don't like it.
02:22:38Morel's invention.
02:22:40You're getting married before Flaubert?
02:22:42They're both big, but...
02:22:44Madame Bovary...
02:22:47She's very romantic.
02:22:49She'll make you sad.
02:22:51You know me so well.
02:22:53Well, we've been together for many years.
02:22:55One doesn't change so much in a few months.
02:22:58Well, I don't know if I agree with that.
02:23:00You've changed a lot.
02:23:02Yes, you've already told me that.
02:23:04It's true, you're...
02:23:06You're more and more beautiful every day.
02:23:08You look at me with good eyes.
02:23:10That too.
02:23:12Although I'm not the only one who's in love with you.
02:23:15What?
02:23:17Your father adores you.
02:23:19They're all compliments for the...
02:23:22Entrepreneurial businesswoman
02:23:25and self-confident in which she has become.
02:23:27Well, it's easy.
02:23:29With him by your side, you have to learn fast.
02:23:31Well, don't take away your merits.
02:23:33I know that the Queen's Essences campaign was a success thanks to you.
02:23:36All I did was not spoil the magic that my cousin created with that perfume.
02:23:40No, no, no.
02:23:42That's alchemy.
02:23:44Yours is magic.
02:23:46Look, you're exaggerating.
02:23:48I've also been told about the wonderful campaign you created with the faces of the company
02:23:51and the magnificent work that photographer...
02:23:55Marcos Carvajal.
02:23:57Carvajal.
02:23:59An artist.
02:24:01Yes, the truth is that everything was filmed.
02:24:03Don't lie to me.
02:24:04Both your father and Jesus had certain reservations about the campaign
02:24:07and in the end you came up with yours.
02:24:09Yes.
02:24:12As entrepreneurial as always.
02:24:14And to think that now you could be the gem of pastry.
02:24:18What do you mean?
02:24:20Don't you remember your plans to set up a pastry shop in Nice?
02:24:24I hadn't thought about it for a long time.
02:24:26What times, huh?
02:24:28Yes, far away, but not so bad.
02:24:32No.
02:24:34I mean, I can't imagine you surrounded by croissants and tarte tatin
02:24:38waiting for my boat to arrive in Puerto, like Penelope.
02:24:41I suppose you were expecting something more from me.
02:24:44No, no, no. I always knew how you were.
02:24:47And I've always been clear that the future I offered you was much narrower
02:24:51than the one you've created here with your family and your company.
02:24:56But hey, those were good times.
02:24:58Yes.
02:25:00What's up, partner?
02:25:02What, enjoying the day?
02:25:04The truth is that I'm not going at the moment.
02:25:06Why don't you go to Madrid this afternoon?
02:25:09The two of you together, alone.
02:25:11It's a splendid day.
02:25:13I can't think of a better plan.
02:25:15You could go to the theater.
02:25:17They say that Aurora Bautista is proud of a woman.
02:25:20Well, that would be great, wouldn't it?
02:25:22And we could have dinner at the Palace of Tares.
02:25:24Do you like it a lot?
02:25:26But we'd be back very late at night.
02:25:28Can't you stay in the new apartment?
02:25:30That's what it's for, isn't it?
02:25:32What apartment?
02:25:34I rented an apartment not long ago in Madrid.
02:25:36There wasn't a week that I didn't spend two days there for work.
02:25:39Well, that would be perfect if we don't have to drive at night.
02:25:42Well, we'll talk about it.
02:25:44I have business at the factory.
02:25:46Let's go there.
02:25:48Padre is coming with me.
02:26:05Good morning, Mrs. Guzmán.
02:26:07How can I help you?
02:26:09Can I help you with something?
02:26:11Excuse me, Mrs. Marta.
02:26:13It's a pleasure to see you, Pilar.
02:26:17Tell me.
02:26:19Look, we have a doubt in the warehouse.
02:26:21We don't know if Alicante's order is for today
02:26:23or we have to prepare it for tomorrow.
02:26:25Did you check it?
02:26:30Alicante?
02:26:32Yes.
02:26:34The order is for a first communion.
02:26:36They should be there tomorrow.
02:26:38So it's better to have them ready this afternoon.
02:26:40Okay, I'll let you know in the warehouse right now.
02:26:42Thank you very much, Mrs. Marta.
02:26:44Look, come with me.
02:26:46Look, we have this baby water.
02:26:48But we also have the talcum powder
02:26:50that mothers and children like a lot.
02:26:52And if you need anything else,
02:26:54I'm here and I'll help you right away.
02:26:57Is something wrong with Mrs. Guzmán?
02:26:59No, no, no.
02:27:01On the contrary.
02:27:03It's pure admiration.
02:27:05Admiration?
02:27:07Yes.
02:27:09I wonder where she will get the courage and strength
02:27:11to take care of that little baby alone.
02:27:14Don't think that for her
02:27:16it has been a road of roses.
02:27:18Really?
02:27:20Mrs. Guzmán and I have been together
02:27:22for many years.
02:27:23Really?
02:27:25Mrs. Guzmán and I have been in the same social group
02:27:27and since she had the little one,
02:27:29she hasn't been around.
02:27:31Well, I imagine that the first few months
02:27:33were the most difficult.
02:27:35Well, in her case it has been
02:27:37the discomfort for a long time.
02:27:39Really?
02:27:41Let's see,
02:27:43Pilar has always been a very capable woman
02:27:45and with a very intelligent sense of humor.
02:27:47But since she had the little one,
02:27:49something has gone wrong with her.
02:27:50I'm in a depression
02:27:52that I'm just getting out of.
02:27:54And if I tell you this,
02:27:56it's not for real gossip,
02:27:58that you already know me.
02:28:00But it seems to me that women
02:28:02talk little about these things
02:28:04and I assure you that it is not the first case I hear.
02:28:06Yes, yes, well ...
02:28:08How strange, with how much she sees her.
02:28:10Now yes,
02:28:12but she has had the support of her husband
02:28:14and an assistant day and night.
02:28:16If not, we don't know how long it would have taken
02:28:18to get out of that melancholy.
02:28:20They take care of their children alone.
02:28:22With a lot of effort, I imagine.
02:28:24I myself have wanted to have children.
02:28:27But well, with my husband so far away,
02:28:29I working all day, in the end ...
02:28:32I suppose that ...
02:28:34that life is a little different
02:28:36from what we imagined when we got married.
02:28:38Yes.
02:28:40It is clear that to take care of yourself alone
02:28:42you have to be very strong.
02:28:44And above all, have a lot of support.
02:28:46Someone who helps you get that life ahead.
02:28:48Having children is a matter of two.
02:28:56Has the messenger arrived?
02:28:58Well, if you receive your customers like that,
02:29:00I'm leaving right now,
02:29:02where I came in, huh?
02:29:04I guess he's not coming for glycerin soaps.
02:29:06Well, look, yes.
02:29:08Give me a couple.
02:29:10I'll take them to the big house.
02:29:12And I also want you to tell me
02:29:14what is happening to you at once.
02:29:16I already knew it.
02:29:18Well, look, Digna,
02:29:20the same thing happens to us as yesterday
02:29:22and the same as before yesterday,
02:29:24and I'm exhausted already.
02:29:26Daughter, but you told me you were going to fix it soon.
02:29:28I don't see the fix anywhere.
02:29:31Fina,
02:29:33your father needs you more than ever.
02:29:35You can't be angry not even one more day.
02:29:38It's too late.
02:29:40We have broken our relationship.
02:29:42Well, it's over, huh?
02:29:43You don't bother me anymore,
02:29:45neither of you.
02:29:47Your father needs you and period.
02:29:49Do you know what he did to me today?
02:29:51I had to be right now
02:29:53in the consultation with him.
02:29:55Well, this morning he arrived
02:29:57and told me that he had already been there
02:29:59because he had been given an early appointment.
02:30:01Lies, of course.
02:30:03How do you know?
02:30:05Well, because I stayed with the fly behind my ear,
02:30:07I called the consultation
02:30:09and they told me that your father
02:30:11had not gone there at any time.
02:30:13Daughter, for God's sake,
02:30:15don't you feel bad seeing your father like this?
02:30:17And what do I do?
02:30:19What do I do, Digna?
02:30:21If every time I approach him, he despises me.
02:30:23That hurts me too, you know?
02:30:25For you, you have to stop being proud.
02:30:27It's not pride, Digna, it's not pride.
02:30:29It's impotence.
02:30:31My father doesn't want to know anything about me.
02:30:33What do I do?
02:30:35How can I avoid it?
02:30:37Daughter,
02:30:39I'm going to get in where they don't call me.
02:30:41But I have to ask you.
02:30:45How much does that relationship bring you?
02:30:48The one you have with the married man.
02:30:54Digna, please, forget about the reasons.
02:30:57Forget it, if in the end
02:30:59this is something that concerns me and my father, that's it.
02:31:01No.
02:31:02What do you mean no?
02:31:04We also care about people.
02:31:06We love you, I care.
02:31:08Well, I'm very sorry, really, I'm very sorry,
02:31:10but I can't take it anymore.
02:31:12It's so hard and so sad.
02:31:14Well, I don't understand it.
02:31:16I don't understand it.
02:31:18It escapes me.
02:31:20Daughter, I'm always going to take care of your father.
02:31:22That's why you don't have to worry.
02:31:25But only if he lets himself be taken care of.
02:31:33That's it, right?
02:31:35Goodbye.
02:31:37Goodbye.
02:31:40Let me try that again.
02:31:42Okay.
02:31:44What?
02:31:46What do you say?
02:31:49This is sweeter.
02:31:51Sweeter?
02:31:52Try it.
02:31:54Sweeter? I don't think so.
02:31:56No, maybe more aromatic.
02:31:58No, but what do you say?
02:32:00But it does have a touch of molasses.
02:32:02It doesn't matter, which one do you stay with?
02:32:04Because one is for you, the other is for your father,
02:32:06and with so many cards,
02:32:07it's a shame.
02:32:09Only you would think of giving a bottle of cognac to your wife.
02:32:13And what did you expect?
02:32:15That she would bring you a lavender soap from Marseille?
02:32:17No.
02:32:19Hey, I remind you that when we were on the boat,
02:32:22you gave her a few drinks.
02:32:24Because we would freeze to death in those cabins.
02:32:26Yes, of course.
02:32:28Don't you remember?
02:32:30Of course I remember, it's my day-to-day.
02:32:32To forget about it,
02:32:34there were days much more bearable with you there.
02:32:35Cognac,
02:32:37and human warmth.
02:32:41Are you really going to give my father an open bottle?
02:32:44Yes, I don't know.
02:32:46Is it bad or what?
02:32:48I was going to fill this up with a little water,
02:32:50and that's it.
02:32:52Like when we emptied Captain Asensio's bottle,
02:32:54remember?
02:32:56Do it, please.
02:32:58He deserved it for being stingy.
02:33:00Stingy with the crew.
02:33:02Are those men still active?
02:33:03I don't know.
02:33:05I think he retired two or three years ago.
02:33:07Can you believe that I miss him?
02:33:09It's normal, you spent many years
02:33:11surfing the seas together.
02:33:13But who I really miss
02:33:17is the woman I left on the ground.
02:33:20I couldn't care less.
02:33:23Marta,
02:33:25thank you for this time.
02:33:27You made me remember what it was to laugh together
02:33:29and have a good time.
02:33:33I don't know if it's appropriate
02:33:35to tell you this now,
02:33:37but when you welcomed me with such coldness,
02:33:40I dreamed of finding a moment
02:33:42when you were
02:33:44minimally relaxed.
02:33:47You caught me off guard.
02:33:49And you know I don't like surprises.
02:33:51I see.
02:33:53Not even having to see your husband
02:33:55after so many months of absence.
02:34:00I'm sorry you felt that way.
02:34:04The last thing I want
02:34:06is to hurt you.
02:34:08I know, I know.
02:34:10You've shown it to me with your complicity tonight.
02:34:15But understand me,
02:34:17I'm going to be here for a few days
02:34:20and I'd like to share something more with you
02:34:22than a glass of cognac.
02:34:26I see.
02:34:33Come on.
02:34:50Are you okay?
02:34:54Yes.
02:35:01Shall we go upstairs?
02:35:03Yes.