Aval Media
Aval Media
  • 3 months ago
Marta y Fina (Mafin) Parte 1-15
Transcript
00:00:00Good morning, ladies.
00:00:02Good morning, Mrs. Marta.
00:00:04Hello.
00:00:06Fina, some of the new colleagues
00:00:08will be in the packaging area.
00:00:10Help them with what they need.
00:00:12Very well, Mrs. Marta.
00:00:14And Carmen, I introduce you to Miss Diez.
00:00:16She will be in the store.
00:00:18Nice to meet you. I am Carmen, your colleague.
00:00:20Claudia, nice to meet you.
00:00:22Likewise, Claudia.
00:00:24Where is Mariví?
00:00:26Mariví has just gone out for a shopping.
00:00:28We were just about to close to eat.
00:00:30Well, when I see her, tell her I want to talk to her.
00:00:32Of course.
00:00:34As you can see, here we sell all the products
00:00:36that have made us famous.
00:00:38Soaps, vaselines, water from Cologne.
00:00:40How elegant everything is, how lucky I have been.
00:00:44Fina.
00:00:45Sorry, sorry, Mrs. Marta.
00:00:47Don't worry, I don't think anything has broken.
00:00:49But it could have been broken.
00:00:51You look like the new one.
00:00:53Excuse me, Mrs. Marta, and the uniforms?
00:00:55You will find them in your bedrooms.
00:00:58The envelopes have the keys to their rooms.
00:01:04I have to go to number 4.
00:01:06Well, look how lucky you are.
00:01:08You share a room with Fina and me.
00:01:10Carmen, accompany them to the bedrooms, please.
00:01:12I'm closing.
00:01:14Very well. Come with me.
00:01:16See you later.
00:01:18Claudia is on her way.
00:01:20We'll see if we work tomorrow.
00:01:22Yes, and here you will be.
00:01:24Will the factory be your last words?
00:01:26I don't know the truth.
00:01:28So far away from who knows.
00:01:30Oh, you're here.
00:01:32I'm glad you came.
00:01:34What's up?
00:01:36Can you help me? My sock has broken.
00:01:38Of course.
00:01:40Are you going to give me the days off?
00:01:42Well, look, with the bets we are, Petra.
00:01:44Well, if they pay them, welcome.
00:01:46At this point I was already in the store
00:01:48charging more.
00:01:50You were interested in the job, Petra?
00:01:52Well, yes.
00:01:54Hey, Carmen, pretty,
00:01:56don't you know if the boss
00:01:58was thinking of expanding the squad?
00:02:00So I could do substitutions,
00:02:02change shifts ...
00:02:04Come on, yes, you know that here
00:02:06they are locked up.
00:02:08Having Mariby, Claudia and me,
00:02:10these don't spend more money, I tell you.
00:02:12Hey, thanks.
00:02:14I've been all day with a race in the middle.
00:02:16Good thing you're always there to give me a hand, Fina.
00:02:18Anyway,
00:02:20even if they give us days off,
00:02:22I don't know if I could leave
00:02:24the truth alone, having Don Dami
00:02:26at my feet in another neighborhood.
00:02:30Yes,
00:02:32everything that has happened is very tremendous.
00:02:34Poor man.
00:02:36He has always behaved so well with me.
00:02:38One Christmas, one year, he gave me
00:02:40a basket full of products,
00:02:42with his letter and everything written by hand.
00:02:44Yes, he is a gentleman.
00:02:46Yes, yes, yes, you see.
00:02:48Well,
00:02:50I'm leaving.
00:02:52Thank you, Fina.
00:02:54See you later, Petra.
00:03:02Don't worry, you haven't realized anything.
00:03:04About what?
00:03:06About Mariby.
00:03:08Don't worry,
00:03:10as soon as he's free, you'll be the first to know.
00:03:12You're a very good friend, Carmen.
00:03:14Well, what if you think I'm not going to charge you?
00:03:16Well, charge yourself whatever you want.
00:03:18You deserve it all.
00:03:26Oh my God, can you believe I can't find my Carmen?
00:03:28I can't touch myself like this and I won't be able to take care of myself.
00:03:30This girl is very nervous.
00:03:32Let's see, come.
00:03:34Come here.
00:03:36That's it.
00:03:38Look, ready to enjoy you as a dependent.
00:03:40Thank you very much, Carmen.
00:03:42Do you want us to review all the products of the queen?
00:03:44No, I accept it.
00:03:46My favorite is the lavender one.
00:03:48You already know that it has that part of cantuoso
00:03:50and that's why it has that touch of thyme.
00:03:52Look at her, I didn't know that.
00:03:54If you sell it to customers like that,
00:03:56you win the first day.
00:03:58I love it, I would use it all the time.
00:04:00It's a shame it's so expensive.
00:04:02Well, here you can use it as a sample.
00:04:04I'll do it.
00:04:06What if Mrs. Marta finds out?
00:04:08It's better to apologize than to ask for permission.
00:04:10Very good.
00:04:12She's always with the same canteen.
00:04:14They're going to kick us both out for wasting the perfumes.
00:04:16You tell me.
00:04:18In this life you have to be a little more forward, Pato.
00:04:20With this boy who hit you too.
00:04:22It's true, how are you?
00:04:24Did you go to the appointment at the end or did you break up?
00:04:26I'm sure he broke up.
00:04:28And look, I encouraged you.
00:04:30No, no, I didn't break up.
00:04:32And he didn't break up either.
00:04:34What? But we want details.
00:04:36Good morning.
00:04:38How is your father?
00:04:40Well, we are very happy that he is already out of the danger zone.
00:04:42Improving, thank God.
00:04:44Very good.
00:04:46Mrs. Marta, we also wanted to formally apologize
00:04:48for everything that has happened these days.
00:04:50Well, the problem has already been solved.
00:04:52But thank you very much.
00:04:54Well, let me see.
00:04:58Miss Diez, I hope you adapt well to your new job
00:05:00and that you are up to what is expected
00:05:02of a queen's perfumery dependent.
00:05:04I hope I don't disappoint you, Mrs. Marta.
00:05:06Good.
00:05:08Any questions for Carmen.
00:05:10Of course, of course.
00:05:12Well, or Maribí.
00:05:14That either of us will be aware, of course.
00:05:16Well, I think that's going to be complicated.
00:05:18Right, Maribí?
00:05:20Yes, girls.
00:05:22I'm marrying Tipti.
00:05:24Congratulations.
00:05:26Congratulations.
00:05:28We are very happy with this news.
00:05:30And be sure that on the day of your wedding
00:05:32you will receive a beautiful gift
00:05:34from Perfumerías de la Reina.
00:05:36Thank you.
00:05:38Yes, congratulations.
00:05:40How quiet you had it, huh?
00:05:42A wedding is always a blessing.
00:05:44Thank you. Thank you all.
00:05:46I'm ... I don't believe it.
00:05:48But you have to see how brave Maribí is
00:05:50that it is just now, huh?
00:05:52Because, well, he leaves us the store in one piece.
00:05:54Well, Carmen, I hope you can do everything.
00:05:56Even be a little aware of Claudia.
00:05:58Of course.
00:06:00I'll have to think about hiring someone.
00:06:02Yes, yes. Well, I accept the responsibility, of course.
00:06:04And Mrs. Marta, if you allow me,
00:06:06I have someone who may, in addition to being extra ...
00:06:08I'll talk to you later because we would have to be opening.
00:06:10Eh? Okay.
00:06:12To work everyone?
00:06:14Yes.
00:06:16Well.
00:06:18Hello, good morning.
00:06:20Welcome.
00:06:22Good morning.
00:06:24Good morning.
00:06:26I wanted to know if you were going to apply for that position or not.
00:06:30Well, I think so.
00:06:32Well, let's be two.
00:06:34Let's know.
00:06:36We are friends no matter what happens, right?
00:06:38Of course.
00:06:40Don't doubt that.
00:06:42Well, then.
00:06:44That's it. May the best win.
00:06:46May the best win.
00:06:48Come on, let's go downstairs.
00:06:50If we want that position,
00:06:52Mrs. Marta has to see us working like sluts.
00:06:54Oh, wait.
00:07:00Much better.
00:07:02They have to see us like this, pretty.
00:07:04Let them see that we can be in front of a showman.
00:07:16I wanted to know if you were going to apply for that position or not.
00:07:20Well, I think so.
00:07:22Well, let's be two.
00:07:24Let's know.
00:07:26We are friends no matter what happens, right?
00:07:28Of course.
00:07:30Don't doubt that.
00:07:32Well, then.
00:07:34That's it.
00:07:36May the best win.
00:07:38Come on, let's go downstairs.
00:07:40If we want that position,
00:07:42Mrs. Marta has to see us working like sluts.
00:07:44Oh, wait.
00:07:50Much better.
00:07:52They have to see us like this, pretty.
00:07:54Let them see that we can be in front of a showman.
00:08:00Much better.
00:08:08It hasn't been bad.
00:08:10But remember, always go to the customers
00:08:12with a smile on your face.
00:08:14It's the first thing they receive when they enter the store.
00:08:18Sorry, I didn't want to interrupt.
00:08:20I'll wait outside until they finish.
00:08:22It's not necessary.
00:08:24And you arrive on time.
00:08:26We're done.
00:08:28Of course, Mrs. Marta.
00:08:32How did it go?
00:08:34At first, I was nervous.
00:08:36My voice was shaking.
00:08:38But little by little, I've calmed down
00:08:40and I think it went very well.
00:08:42I hope Mrs. Marta gives me that position.
00:08:46Sorry.
00:08:48I got carried away by the emotion.
00:08:50I'm sorry.
00:08:52Don't worry, you're going to do it very well.
00:08:54I don't know.
00:08:56You've been away for a long time.
00:08:58No, well, just enough for her to ask me
00:09:00about the queen's products and the store's operation.
00:09:02And then we did a little play.
00:09:04What?
00:09:06You know, pretend she's a client and I'm a client.
00:09:08But she's been very kind.
00:09:10She made things very easy for me.
00:09:12I shouldn't have told you anything.
00:09:14In the end, I made you more nervous.
00:09:16No, Petra, really. On the contrary, I thank you.
00:09:18I'm more prepared knowing what's going on.
00:09:20Although I don't have your calm.
00:09:22And if you say you've done it so well...
00:09:24Listen to me well.
00:09:26You've been here all your life.
00:09:28You know this place like the back of your hand.
00:09:30I trust you, Fina.
00:09:32I hope Mrs. Marta trusts me, just like you do.
00:09:34You'll see how she does it.
00:09:36Can you imagine what she says about hiring both of us?
00:09:38I hope, I hope.
00:09:40As good as we wouldn't spend it together behind the counter.
00:09:42It would be great fun.
00:09:44But there's only one option.
00:09:48I don't know, the truth is that I'm a little afraid
00:09:50that all this could affect us.
00:09:52Why do you say that?
00:09:54I don't want this competition to separate us.
00:09:56No, Petra, I don't see it as a competition.
00:09:58If Mrs. Marta hires you,
00:10:00I'll be as happy as if she had hired me.
00:10:02The same thing happens to me.
00:10:04If you're the dependent,
00:10:06I'll be very happy for you.
00:10:08So...
00:10:10May Mrs. Marta win.
00:10:12That's it.
00:10:18Good luck, Fina.
00:10:20I'll be waiting for you on the street.
00:10:34Are you ready?
00:10:36Yes.
00:10:42Fina, almost all of my interviews
00:10:44always start the same way,
00:10:46trying to get to know the candidates a little more.
00:10:48What do you want to know about me?
00:10:50Well, that's the point.
00:10:52You could say that we practically know each other,
00:10:54that we've seen each other grow up on the farm.
00:10:56Unless you want to tell me something
00:10:58that I don't know and that's of interest.
00:11:00Well, it's just that since I've worked at the factory
00:11:02I've always wanted to be a dependent.
00:11:04See? I admit that was a mystery to me.
00:11:08I'm sorry, ma'am, I'm a little nervous.
00:11:10Well, calm down
00:11:12and prove that you're useful for this job.
00:11:14We'll do a test with the different products
00:11:16and you'll tell me...
00:11:18Of course, what do you want me to do?
00:11:20If you let me finish and don't interrupt me,
00:11:22I'll be able to tell you.
00:11:24In the display cabinet we find some of the products
00:11:26that we have in the store.
00:11:28I want you to imagine that I'm a demanding client.
00:11:34Good afternoon, ma'am.
00:11:36Good afternoon.
00:11:38I see you're looking for a perfume.
00:11:40Yes, I wanted something special.
00:11:42Of course, all of the Queen's fragrances are special,
00:11:44but if you allow me to give you some advice,
00:11:46I'd go with Aires de la Reina.
00:11:48It's a mixture of bergamot and rose.
00:11:50Excuse me.
00:11:52May I see your wrist?
00:11:56What do you think?
00:11:58I don't like it. I feel it's a little strong.
00:12:00Yes, at first it may seem so,
00:12:02but wait a few seconds and you'll see how it doesn't smell so much.
00:12:04I've already told you it doesn't convince me.
00:12:06Doesn't it have something fresher?
00:12:08Of course, yes.
00:12:10We can always opt for Lavandas de la Reina.
00:12:12It's one of our first fragrances
00:12:14and one of the best-selling among our older clients.
00:12:16We don't need to continue.
00:12:18I've done it badly.
00:12:20Let's see, Fina,
00:12:22to begin with, if a client doesn't like something at first sight,
00:12:24don't insist.
00:12:26She won't feel heard and won't buy anything.
00:12:28And the older clients thing has been an impertinence and a rudeness.
00:12:30I was realizing it as soon as I said it,
00:12:32but it came out like this.
00:12:34You can tell what's going on.
00:12:36You're clenched.
00:12:38And that smile is not natural.
00:12:40What I need is that you show me a lot of respect.
00:12:42Me?
00:12:44Well, I assure you that our clients
00:12:46are much more demanding than me, Fina.
00:12:48That's who you have to show them
00:12:50every day that you're worth it.
00:12:52Yeah.
00:12:54Do you want to try again?
00:13:02Well, we just need to pack these orders
00:13:04for the Arenal store and that's it.
00:13:06Great.
00:13:08It's time to rest.
00:13:10If you want, go to the canteen to have lunch.
00:13:12I'll stay. I'll set it up.
00:13:14No, no, you go. I'll take care of it.
00:13:16I'm not hungry.
00:13:18Well, come on.
00:13:20I don't fit a pin in my stomach.
00:13:22This is a real life-or-death situation.
00:13:24Please, let Mrs. Marta come and tell us who the chosen one is.
00:13:26It's a shame there's no other vacancy in the store,
00:13:28with how good that would be for both of us.
00:13:30Well, better for you than for me.
00:13:32Don't miss it.
00:13:34And you said the test turned out great.
00:13:36Well, I did it again later and I overdid it.
00:13:38I hope Mrs. Marta takes it into account.
00:13:40And that she has compassion.
00:13:42Compassion? Mrs. Marta?
00:13:44It seems like a lie that you don't know her.
00:13:46Well, maybe that's the problem,
00:13:48that I know her too well.
00:13:50Sometimes I get the feeling
00:13:52that she's judging me all day long.
00:13:54But what are you afraid of?
00:13:56Whoever judges you
00:13:58can only say good things about you.
00:14:00You,
00:14:02you look me in the eye.
00:14:04Marina, you're a great woman
00:14:06and very capable.
00:14:08And since I'm another woman, just as great and capable,
00:14:10no matter what happens with the job
00:14:12as a shop assistant,
00:14:14life will end up smiling at us.
00:14:16Sorry for the delay.
00:14:18I've been turning off the lights all morning.
00:14:20Don't worry, Mrs. Marta.
00:14:22We're almost done with the order list.
00:14:24Yes. Well, I'm going to say goodbye
00:14:26because tomorrow one of you
00:14:28won't be in charge of your orders anymore.
00:14:31I'm not going to torture you anymore.
00:14:34But before I tell you which one of you
00:14:36will be the new shop assistant,
00:14:38I want you to know that both of you
00:14:40did a great job. Thank you.
00:14:42It's the truth.
00:14:44Both of you are more than capable.
00:14:46Although I got the impression that one of you
00:14:48has a special spark for sales.
00:14:52And that's you, Fina.
00:14:54Congratulations.
00:14:57Oh.
00:14:59I told you, partner.
00:15:01You deserve it. Congratulations.
00:15:04Is everything okay?
00:15:06Yes, of course, Mrs. Marta.
00:15:08It's good that I'm very grateful to you.
00:15:10There's nothing to be grateful for.
00:15:12I'm just asking you to understand tomorrow
00:15:14and do it as well as in the test.
00:15:16I'm going back to the office.
00:15:18You're opening tomorrow.
00:15:20Already?
00:15:22Yes.
00:15:24Congratulations.
00:15:28Petra, I can't believe it.
00:15:30You're starting to believe it.
00:15:34I would have loved to be the chosen one.
00:15:36But seeing you so happy,
00:15:38the truth hurts a lot less.
00:15:40You're such a good friend, Petra.
00:15:42And what are friends for?
00:15:44To laugh when you have to laugh
00:15:46and to cry when you have to cry.
00:15:48And don't make plans this afternoon
00:15:50that you and I are going to Parranda
00:15:52What do you think?
00:15:54I think it's great.
00:15:56But I invite you tonight.
00:15:58I was counting on it.
00:16:00Congratulations, Fino.
00:16:02You're going to be an exceptional saleswoman.
00:16:10Mrs. Marta needs to laugh more.
00:16:12Always with that face of vinegar.
00:16:14If she saw us now, she would slap her.
00:16:16You weren't doing anything wrong.
00:16:18No, no.
00:16:20I was just joking.
00:16:22Oh my God,
00:16:24the wine from that winery was delicious.
00:16:26We should tell her
00:16:28to come and eat with us now.
00:16:30What are you thinking?
00:16:32Yes.
00:16:34Well, I already told you.
00:16:36It's a discovery.
00:16:38Whenever you want,
00:16:40I'll take you to more places.
00:16:42Toledo has no secrets for me.
00:16:44And it's good to miss you.
00:16:46It seems to me that you haven't been out much.
00:16:48Let's sit down for a second.
00:16:50These shoes are killing me.
00:16:58Well,
00:17:00now I would be celebrating
00:17:02a whole week.
00:17:04Does it make you so excited?
00:17:06Of course.
00:17:08But not just because of the position,
00:17:10but because I think
00:17:12this has brought us closer
00:17:14instead of separating us.
00:17:16How can I not be happy for you?
00:17:18Because you're a good person.
00:17:20And a better friend
00:17:22than someone else in your place
00:17:24who would have bothered.
00:17:26You're going to make me blush.
00:17:28It's true, Petra.
00:17:30You're a very special person.
00:17:32Like you, Fina.
00:17:34I've known that for a long time.
00:17:36But what are you doing?
00:17:38I'm sorry.
00:17:40Are you an imbecile?
00:17:42No, Petra.
00:17:44How dare you?
00:17:46You think I'm like you?
00:17:48I don't know what happened to me.
00:17:50What's going to happen to you?
00:17:52That you like women and you don't respect anything?
00:17:54Please don't get like that, Petra.
00:17:56It was silly.
00:17:58You call this silly?
00:18:00You're not even ashamed.
00:18:06No.
00:18:28You again.
00:18:30Petra, please.
00:18:32Let me talk to you.
00:18:34I have nothing to talk to you about.
00:18:36But give me a chance to explain myself.
00:18:38I don't want to know anything about you after what you've done.
00:18:40But really, Petra, I didn't want to bother you.
00:18:42It was a mistake.
00:18:44What mistake?
00:18:46Don't lie to me.
00:18:48It's clear what you did.
00:18:50Petra, I'm really sorry.
00:18:52I thought...
00:18:54That I was a warning like you?
00:18:56No, no, no.
00:18:58I didn't mean to say that.
00:19:00Forgive me.
00:19:02Forgive me and our friendship.
00:19:04It's shameful what you've done.
00:19:06You'll see when they find out.
00:19:08No, no.
00:19:10Petra, please don't say anything.
00:19:12I didn't mean to hurt you.
00:19:14Please don't say anything.
00:19:16What can I do?
00:19:18Maybe you can do something.
00:19:22Tell me what I can do.
00:19:24I just want to fix this.
00:19:26Quit your job at the store.
00:19:32I don't want to hear that.
00:19:34You'll have to compensate me somehow.
00:19:36Compensate you for what, Petra?
00:19:38You know how long I've been wanting that job.
00:19:42And I couldn't do that.
00:19:44Of course you can.
00:19:46Another thing is that you don't want to.
00:19:48But if the decision was mine,
00:19:50that it was Mrs. Marta who chose me...
00:19:52Well, you tell her you don't care anymore.
00:19:54And what happened will remain between us.
00:19:56No one will know anything.
00:19:58If I quit,
00:20:00no one will know.
00:20:02Yes.
00:20:04It's obvious.
00:20:06But you don't care, do you?
00:20:08You said you'd be happy.
00:20:10You'd keep it, not me.
00:20:12So this is all a plan, right?
00:20:16That's why you came to me.
00:20:18You made me trust you.
00:20:20Do you really think I'm so twisted?
00:20:22You're the only one to blame here.
00:20:24You've been cheating on me, Petra.
00:20:26Enough of all this talk.
00:20:28But how could you?
00:20:30How could you?
00:20:32If you don't want everyone to know
00:20:34what kind of person you are,
00:20:36you know what you have to do.
00:20:54Hello, Mrs. Marta.
00:20:56Petra.
00:21:00How was your first day?
00:21:02Fine, fine for now.
00:21:04Let's see how the afternoon shift is going.
00:21:06You look like someone else with the uniform.
00:21:08Sorry I couldn't come earlier.
00:21:10I was with the sales training.
00:21:12Ah, don't worry. Claudia has helped me a lot.
00:21:14Although the training is for commercials,
00:21:16I have included some of the saleswomen
00:21:18so that you become familiar with the new system.
00:21:20Sure, whenever you say.
00:21:22And don't be so tense.
00:21:24You're doing well.
00:21:26Thank you very much for the opportunity, really.
00:21:28I'm not doing you any favor, Fina.
00:21:30The job is hard.
00:21:32And I expect great results from you.
00:21:34I'll do my best.
00:21:36I hope so.
00:21:38And go eat.
00:21:40I'll be right back.
00:21:46See you later.
00:21:50Fina.
00:21:52Now you had the opportunity
00:21:54to quit your job without scandals.
00:21:56But you let it pass.
00:21:58Serious mistake.
00:22:00Leave me alone.
00:22:02You've been harassing me all day.
00:22:04I'm harassing you.
00:22:06Rather, it's the opposite.
00:22:08What are you saying?
00:22:10Since I tried to kiss you and you rejected me,
00:22:12I haven't gotten close to you again.
00:22:14I'm quite traumatized.
00:22:16But you know what?
00:22:18I'll get over it as soon as I see myself working here.
00:22:20It's an investment.
00:22:22So?
00:22:24I imagine your father wouldn't take long to find out.
00:22:26Leave my father alone.
00:22:28I'm sure he's taking you to the altar dressed in white.
00:22:30Look around.
00:22:32It turns out that his daughter likes girls.
00:22:34Stop it.
00:22:36Do yourself a favor and be a little smart.
00:22:38Tell me.
00:22:40But why do you want to ruin this opportunity
00:22:42that I have so cleanly achieved?
00:22:44You heard Mrs. Marta.
00:22:46There will be more vacancies.
00:22:48It's not fair.
00:22:50Since when is the world fair?
00:22:52We've been fighting all our lives
00:22:54and we have to open up as much as we can.
00:22:56But like this?
00:22:58Do what I have to do.
00:23:00Do it yourself.
00:23:18Petra, what did you want to tell me?
00:23:20It's so important.
00:23:22I'm in a hurry and I want to see my father.
00:23:24We can leave it for another time.
00:23:26No, I'm already here.
00:23:28Tell me.
00:23:30It's a delicate matter
00:23:32and it's disgusting.
00:23:34I've tried to forget it, but I can't.
00:23:36What's going on?
00:23:38It has to do with Cina.
00:23:40It's horrible.
00:23:42With Cina?
00:23:44Did something happen to her?
00:23:46Did someone hurt her?
00:23:48No, no. She was the one who did something.
00:23:50I don't understand.
00:23:52How could Cina do something so disgusting?
00:23:54You're worrying me.
00:23:56Look, even if it seems like a lie,
00:23:58Cina is not the dead fly
00:24:00that she seems to be.
00:24:02Stop beating around the bush and talk, Petra.
00:24:04Did she take money from the box?
00:24:06Any product?
00:24:08She tried to kiss me.
00:24:10Kiss you how?
00:24:12How do you kiss a man and a woman?
00:24:16Are you sure?
00:24:18Maybe she tried to have a gesture of affection
00:24:20and you took it from where it wasn't.
00:24:22She wanted to kiss me in the mouth
00:24:24and I was surprised she saw what I said.
00:24:26I should have realized
00:24:28that it's not normal after
00:24:30some things.
00:24:32What do you mean?
00:24:34That I've ever caught her looking at me
00:24:36in a strange way.
00:24:38But since I've never met anyone like that,
00:24:40I didn't know she was a degenerate.
00:24:42No wonder she's never had a boyfriend
00:24:44and she doesn't like going out with guys
00:24:46because she likes women.
00:24:48And she thought I was just like her.
00:24:50Watch your tongue.
00:24:52I'm sorry, Mrs. Marta,
00:24:54but you'll understand how indignant it was
00:24:56for me to have to put up with her
00:24:58throwing herself at me.
00:25:00From what you've told me,
00:25:02she tried to kiss you.
00:25:04Was there anything else?
00:25:06No, it's not a way of speaking.
00:25:08But I've had a big fight with her.
00:25:10I thought she was a good friend
00:25:12and all she wanted
00:25:14was to take advantage of me.
00:25:16I understand your disappointment.
00:25:18And I also understand
00:25:20that she felt attracted to you
00:25:22and it's obvious she was wrong.
00:25:24Well, imagine if she was wrong
00:25:26with a client in the store.
00:25:28In the store?
00:25:30She's sick, Mrs. Marta.
00:25:34I'll talk to her
00:25:36and see how to fix it.
00:25:38Yes, you can find her in the store now.
00:25:40I saw how she was coming back from her break.
00:25:42I'll wait for the closing.
00:25:44Petra, I want to ask you
00:25:46to be discreet.
00:25:48I don't want her voice to be heard
00:25:50in the neighborhood.
00:25:52Of course, it would be necessary.
00:25:54Thank you for listening to me, Mrs. Marta.
00:26:06How are you?
00:26:08Enjoying your last day
00:26:10in the store?
00:26:12Yes.
00:26:14I just talked to Mrs. Marta.
00:26:16I don't know how you did it.
00:26:18I warned you. Who warns is not a traitor.
00:26:20You have no right to do this to me.
00:26:22I apologized and I told you it wouldn't happen again.
00:26:24But you know what I wanted.
00:26:26Yes, but I wasn't going to give up.
00:26:28I was waiting for ...
00:26:30What? For it to go out of control?
00:26:32Well, you see, Mrs. Marta has been scandalized
00:26:34with what I told her.
00:26:36I agree that I made a mistake with you,
00:26:38but I would never hurt you on purpose,
00:26:40nor you, nor anyone.
00:26:42I asked you to give up your position in the store,
00:26:44but you refused. Now you have to face the consequences.
00:26:46But Mrs. Marta has given me that position
00:26:48because she considers that I am better than you for her.
00:26:50Well, now you're going to have to give up your strength.
00:26:52Because you're not going to work here,
00:26:54you're not going to be able to go back to the warehouse,
00:26:56and all for your pride.
00:26:58You're a snake, and you're a slug and an inverted.
00:27:00You should stay in your place.
00:27:02Do you want to know what's going on here?
00:27:04Scandals and fights are not tolerated in this house,
00:27:06Barrio Bajeras.
00:27:08This is a ... No, I'm not done yet.
00:27:10This is the last time I see you involved
00:27:12in such an ugly, fine fight.
00:27:14This is not your own.
00:27:16Especially now that you are working in front of the public.
00:27:20Don't do it again.
00:27:22Is that clear?
00:27:24Does this mean that I will continue to work here?
00:27:26Of course. Unless you give me reasons to fire you,
00:27:28even after what I just saw.
00:27:30No, no, no. I'm going to be an exemplary employee.
00:27:32I promise.
00:27:34I hope so.
00:27:36As for you, Petra,
00:27:38I'm sorry to inform you that we're going to have to
00:27:40turn down your services.
00:27:42What do you mean?
00:27:44He's firing me.
00:27:46In the secretariat you will find your dismissal letter
00:27:48and the money that belongs to you.
00:27:50No, no crying.
00:27:52You should go now.
00:27:54I want to make sure you don't create more problems.
00:27:56You're making a mistake from head to toe.
00:27:58And I'm going to report this degenerate to the police.
00:28:00It was your word against his.
00:28:02But I'm going to be there.
00:28:04And guess what?
00:28:06Guess who I'm going to support?
00:28:08La Enzufada.
00:28:10You gave her the job because her father is her chauffeur.
00:28:12You're taking too long, Petra.
00:28:14Contact Chachara.
00:28:16Elena must already have the papers and they will be collecting dust.
00:28:22You finish and go home.
00:28:24I don't want you to have to cross paths with her again
00:28:26until she leaves.
00:28:30I love you.
00:28:36This is for you.
00:28:38Mrs. Marta has left it signed for you to take it.
00:28:40It's amazing.
00:28:42I still don't understand how she could fire me.
00:28:44I'm sorry.
00:28:46And this is a letter of recommendation that she also told me to give you
00:28:48so that it is easier for you to find a job.
00:28:50What a detail, right?
00:28:52First she kicks me and then the consolation prize.
00:28:54That's right, Mrs. Marta.
00:28:56But cheer up, woman, I'm sure you'll find a quick job.
00:28:58I wanted to make a career here.
00:29:00I dreamed of being a housemaid.
00:29:02I almost got it.
00:29:04I also dreamed that one day my work would be recognized in this company,
00:29:06but you see,
00:29:08I also have a foot in the street because of that woman.
00:29:14You're still here, Petra.
00:29:16I had to sign some documents.
00:29:18I'm leaving anyway.
00:29:22Elena, is my brother Jesus in the office?
00:29:24He hasn't left.
00:29:26Can you come with me?
00:29:28No, you can go.
00:29:34Mrs. Marta,
00:29:36can you give me a minute?
00:29:40I want to apologize for my last words before leaving.
00:29:42But I really need to know
00:29:44why she fired me.
00:29:46There is no place here for gossipy people
00:29:48who defame their colleagues.
00:29:50What I told you about Fina is true.
00:29:52That woman...
00:29:54What I said was for the good of this company.
00:29:56Don't lie. You were looking for a job as a housemaid
00:29:58and that's why you made up that stupid lie.
00:30:00I swear to God
00:30:02that I haven't lied to her.
00:30:04I've seen worse moves, Petra.
00:30:06It's been many years.
00:30:08It's clear that you want to protect her.
00:30:10There must be a reason.
00:30:14I'm trying to treat an untouchable worker fairly.
00:30:18And if you lie about her here or at the police station,
00:30:20I'll personally make sure
00:30:22that no one hires you again.
00:30:26Is that clear?
00:30:50Yes.
00:31:04Dear Esther,
00:31:06I've tried to listen to you
00:31:08and find love with another woman,
00:31:10but it didn't work out.
00:31:12Do you remember Petra,
00:31:14the lovely colleague I told you about?
00:31:16We've gotten quite close lately
00:31:18and I thought she felt the same way about me,
00:31:20but I was wrong.
00:31:22I tried to kiss her and she rejected me.
00:31:24She threatened to tell Mrs. Marta
00:31:26if I didn't give her my job as a housemaid.
00:31:30In the end, as I didn't quit my job,
00:31:32she fulfilled her threat.
00:31:34What I didn't expect
00:31:36was that instead of saying goodbye to me,
00:31:38Mrs. Marta said goodbye to her.
00:31:40I still can't believe it.
00:31:44Now I just hope that no one finds out
00:31:46because I still have the same fear as always.
00:31:48I know that in Paris,
00:31:50you've redone your life,
00:31:52but at times like this,
00:31:54I regret not having gone with you.
00:31:56Although,
00:31:58deep down,
00:32:00what really stops me
00:32:02is that I'm still unable
00:32:04to leave my father
00:32:06and tell him the truth.
00:32:08I didn't know you were here.
00:32:10What did you hide?
00:32:12Nothing.
00:32:14Are you a journalist?
00:32:16No.
00:32:18What are you doing?
00:32:20If you have a pen in your hand,
00:32:22what were you writing?
00:32:24It's new stuff.
00:32:26It's very personal.
00:32:28Well,
00:32:30it's very personal too.
00:32:32In fact, you're the person
00:32:34who knows the most about my life
00:32:36and I don't know anything about yours.
00:32:38Because your life is more interesting than mine.
00:32:40I see.
00:32:42Well, about your mother's death,
00:32:44may she rest in peace,
00:32:46there's nothing important in your life.
00:32:56Fina,
00:32:58I know
00:33:00it's hard for you to talk about your stuff,
00:33:02but it seems like you don't trust me.
00:33:04Of course I trust you, Carmen.
00:33:06You're my best friend.
00:33:08Well,
00:33:10why did you leave with Petra?
00:33:12Because she also wanted to be dependent
00:33:14and I felt indebted.
00:33:16Well, I would have liked
00:33:18to be told the truth.
00:33:20Don't worry about that, please.
00:33:22I suppose you know that Marta
00:33:24fired him, right?
00:33:26I've heard something, yes.
00:33:28Well, it doesn't seem like you care much
00:33:30to be your best friend.
00:33:32Carmen, please stop punishing me.
00:33:34He's not my friend and he never will be.
00:33:36Well,
00:33:40Fina,
00:33:42I know you
00:33:44and I know there's something
00:33:46that worries you.
00:33:50Whatever it is,
00:33:52I'll understand.
00:33:54Whatever it is.
00:33:56I won't judge you.
00:34:04Well.
00:34:06Carmen.
00:34:08Carmen, wait.
00:34:16I was writing a letter
00:34:18to a very special person
00:34:20and I was explaining
00:34:22what happened to me.
00:34:26What happened to you?
00:34:30Do you want to read it?
00:34:32No.
00:34:34A letter is something
00:34:36very intimate, Fina. I understand
00:34:38that you don't want me to read it.
00:34:40What makes me sad is not knowing
00:34:42that you had someone special in your life.
00:34:46He's no longer in my life, unfortunately.
00:34:59Here.
00:35:01I want you to read it.
00:35:05And then
00:35:07tell me
00:35:09if you still want to be my friend.
00:35:21Thank you very much for your purchase.
00:35:23Your mother-in-law will love the perfume.
00:35:25I hope to see her around soon.
00:35:27Hello.
00:35:34Hello.
00:35:40Where were you last night?
00:35:42I waited for you until late,
00:35:44but I fell asleep.
00:35:46I stayed at my father's house.
00:35:54Did you read the letter?
00:36:04Do you really not care?
00:36:06All I feel is no.
00:36:08I knew it before, Fina,
00:36:10to understand you better.
00:36:12Why did you feel so alone?
00:36:14I needed to explain it to someone
00:36:16and get rid of this burden.
00:36:18Well, you chose the right person.
00:36:20Your best friend.
00:36:22Now I understand a lot of things.
00:36:24Did Petra really do that
00:36:26to get rid of you?
00:36:28Yes, that's why she invited me out.
00:36:30She made me understand
00:36:32and when I tried to kiss her,
00:36:34she showed me all her letters.
00:36:36Oh my God,
00:36:38what a shame.
00:36:40I'm tired of hiding, Carmen.
00:36:42I'm tired of pretending
00:36:44to be someone I'm not.
00:36:46It's very unfair, Fina.
00:36:48You're more right than a saint.
00:36:50But...
00:36:52I'm afraid you'll have to keep hiding it.
00:36:54But you understand me.
00:36:56You accept me
00:36:58as I am, right?
00:37:00Yes, of course.
00:37:02But people here are different.
00:37:04It's not like in London or Paris,
00:37:06where Esther lives.
00:37:08At least not at the moment.
00:37:16They said they were cousins
00:37:18until someone found out
00:37:20that they had nothing in common
00:37:22and reported them to the Civil Guard.
00:37:24So you've met
00:37:26other people like me.
00:37:28And you were wonderful.
00:37:30But now Pilar is in a convent
00:37:32and Luis is in Santander.
00:37:34And good luck to you,
00:37:36you know that here
00:37:38they have you for public scandal.
00:37:40Good morning.
00:37:42Good morning.
00:37:44Is everything okay?
00:37:46Yes, yes, we were discussing
00:37:48Petra's dismissal.
00:37:50I would have liked to be the one
00:37:52to inform you while you were together.
00:37:54Well, yesterday the voice ran
00:37:56and everyone found out, Mrs. Marta.
00:37:58What?
00:38:00We don't know the reasons.
00:38:02But it's true that Petra was a bit rebellious
00:38:04and was telling some gossip that...
00:38:06Well, enough.
00:38:08So it has become clear to us
00:38:10that here we don't come to tell gossip,
00:38:12but to work,
00:38:14not to get into people's lives.
00:38:16I'm glad.
00:38:20Carmen, I'm just going to ask you one thing.
00:38:22Fina, we're friends.
00:38:24No matter what happens.
00:38:28Your secret is safe with me.
00:38:38This is the worst time.
00:38:40But you'll see that as soon as the break passes,
00:38:42time flies by.
00:38:44In the warehouse it was much worse.
00:38:46There we didn't see the sunlight.
00:38:48But you could listen to music.
00:38:50Oh yes, I missed that.
00:38:52We're going to Toledo tonight.
00:38:54We're going to relax a bit.
00:38:56We're going to a dance in this room
00:38:58that everyone talks about, the Babel.
00:39:02Fina, have I done something wrong?
00:39:04No, no.
00:39:06It's just that
00:39:08the last time I went there
00:39:10it was with Esther.
00:39:14You miss her a lot.
00:39:22I never thought
00:39:24we'd be together.
00:39:26I saw her in La Colonia
00:39:28and it was obvious that she was doing very well.
00:39:30But of course, I still thought
00:39:32about the rest.
00:39:34As she said, we moved well
00:39:36among the shadows.
00:39:38How dramatic, right?
00:39:40And funny, like her.
00:39:42She had a few blows.
00:39:44That was what I liked most about her,
00:39:46how much she made me laugh.
00:39:48Sometimes I wonder what I would be doing now
00:39:50if I had given her courage
00:39:52and gone with her.
00:39:54Have you thought about it?
00:39:58In Paris, we could be ourselves
00:40:00without having to hide.
00:40:02We had everything planned.
00:40:04We were going to live in Montmartre
00:40:06and we were going to spend the day
00:40:08eating bread or chocolate.
00:40:10Bread what?
00:40:12Like a kind of Neapolitan
00:40:14with French chocolate.
00:40:16Really? But where did you get
00:40:18all those things from?
00:40:20You wouldn't have left Toledo alive.
00:40:22Well, from a magazine we found one afternoon
00:40:24in a bank in Zocodover Square.
00:40:26Well, but you stayed here.
00:40:28I was about to leave.
00:40:30I was about to leave.
00:40:32But...
00:40:34after having organized everything
00:40:36and having everything planned,
00:40:38the night before we left,
00:40:40I found my father in his bedroom
00:40:42on his knees, looking for
00:40:44the reading glasses on the floor
00:40:46and he was wearing them.
00:40:48At that moment, I realized
00:40:50that he had grown up
00:40:52and that I couldn't leave him alone.
00:40:54Well,
00:40:56you did what you had to, Fina.
00:40:58We both know that if you had left,
00:41:00Fibio wouldn't have been calm.
00:41:02Yeah, but I had to give up being with her.
00:41:06There you go.
00:41:17Are you going to treat Toledo?
00:41:19No, I can't.
00:41:21Oh, my God.
00:41:23Don't worry, it's okay.
00:41:25Try not to leave things on the floor.
00:41:27I'm sorry. Are you okay?
00:41:29Yes, yes.
00:41:31You seem very happy, Mrs. Marta.
00:41:33And I am. The truth is, I am.
00:41:35Soon we will add a new product to the shelves,
00:41:37maybe even to the right.
00:41:39Congratulations. Thank you.
00:41:41Although not everything is joy.
00:41:43Today is inventory day.
00:41:45I did it with Mariby.
00:41:47And since Fina has just joined
00:41:49and is the last one,
00:41:51I think it would be fair
00:41:53for you to take care of it, Claudia.
00:41:55And it has to be today?
00:41:57Do you have anything more important to do?
00:42:01It's just that today
00:42:03I had an appointment with a cousin of mine
00:42:05who is passing through Toledo.
00:42:07A cousin?
00:42:09Yes, I know it's not a case of force majeure.
00:42:11No, it's not.
00:42:13Yeah, but my cousin Angelina
00:42:15is leaving for Barcelona tomorrow.
00:42:17And I don't know when
00:42:19I'm going to see someone from my family again.
00:42:21Well, Mrs. Marta, I'm sure
00:42:23you can make an exception.
00:42:25It's okay to have a delay, right?
00:42:27The truth is that we would have to
00:42:29do it as soon as possible.
00:42:31We need to assess how
00:42:33the factory shutdown has affected sales.
00:42:35The longer we delay,
00:42:37the longer we will be acting
00:42:39without knowing the real damage to the company.
00:42:41Well, I'll do it.
00:42:43You?
00:42:45Yes, it's okay.
00:42:47You go with your cousin.
00:42:49But you don't mind?
00:42:51Well, today for you, tomorrow for me.
00:42:53Thank you, Carmen.
00:42:55Solved.
00:42:57Come with me to the warehouse and I'll explain to you
00:42:59what I need exactly.
00:43:05Your cousin, the one from the village.
00:43:11This is the most important perfume launch
00:43:13of the Queen in recent years.
00:43:15And personally, I want this campaign
00:43:17to be different from the previous ones.
00:43:19More modern?
00:43:21Yes, but with nuances.
00:43:23We are a family business,
00:43:25we do not seek to be transgressors.
00:43:27Wow.
00:43:29But calling you to take charge
00:43:31is already a declaration of intentions.
00:43:33Sit down, please.
00:43:35I'm going to tell you
00:43:37what I think.
00:43:39It's already a declaration of intentions.
00:43:41Sit down, please.
00:43:43Thank you.
00:43:49Can I be conventional if the client wants it?
00:43:51That's not what interests me.
00:43:53I'm looking for a new point of view.
00:43:55I don't know if he explained it to me.
00:43:57I think so.
00:43:59Although the first thing I have to ask you
00:44:01is that you come.
00:44:03I don't usually.
00:44:05If we are going to work together,
00:44:07I think it has been a success
00:44:09to hire you, Marcos.
00:44:13That is the spirit
00:44:15I am trying to convey.
00:44:17And what else?
00:44:19It is not a perfume that a man
00:44:21will give to his wife or lover.
00:44:23No, it is the one she chooses to buy.
00:44:25Do you like it?
00:44:27For a woman who knows what she wants
00:44:29and makes her own decisions.
00:44:31Yes, but without going overboard.
00:44:33Preserving the essence of tradition.
00:44:35Exactly.
00:44:37Is it the one you wear?
00:44:39It smells very good.
00:44:41No.
00:44:43It has not left the laboratories,
00:44:45but I can make them bring you some samples.
00:44:47It would help me.
00:44:49Also that you describe it to me.
00:44:51What makes it different?
00:44:53It is sophisticated but not pungent.
00:44:55It has a freshness that lasts.
00:44:57And it is not a perfume
00:44:59that is only for some occasions.
00:45:01It is incredible how light it is
00:45:03and how much it remains.
00:45:05I like it.
00:45:07Now I have to find the woman
00:45:09who transmits all this.
00:45:11I have brought a portfolio of the models
00:45:13with which I usually work.
00:45:15There are some less known models
00:45:17with which I have worked abroad.
00:45:19I don't know if professional mannequins
00:45:21will fit me.
00:45:23It is more to capture the personality.
00:45:25Take a look.
00:45:27Let's see what you think.
00:45:33Can I keep the folder?
00:45:35I want my brothers to take a look at it.
00:45:37Your brothers?
00:45:39To be faithful to the campaign,
00:45:41the election should be made to a woman.
00:45:43Don't you think so?
00:45:45Yes, but this time I think
00:45:47they will think the same as me.
00:45:49None of them convince me.
00:45:51They are the best in the sector.
00:45:53I know.
00:45:55I have seen them announce jewels,
00:45:57dresses, even motorcycles.
00:45:59But they are professional models.
00:46:01They don't seem credible to me.
00:46:03Do you want a new face?
00:46:05I don't know if new is the word.
00:46:07Maybe the term is natural.
00:46:09I'm looking for a unique woman,
00:46:11but not distant,
00:46:13who transmits...
00:46:15Truth.
00:46:17Who allows other women
00:46:19to identify with their aspirations.
00:46:21Exactly.
00:46:23It's going to be difficult, isn't it?
00:46:25I like challenges.
00:46:27This is not looking for a new face.
00:46:29It's a new concept in itself.
00:46:31And it's a good starting point.
00:46:33Now we just have to find that woman
00:46:35that I think exists.
00:46:37Can I take a walk around the factory
00:46:39to get the essence?
00:46:41I think it's a great idea.
00:46:43And if you give me a moment,
00:46:45I'll call Joaquín,
00:46:47who is totally confident
00:46:49to bring you some of the samples.
00:46:51Perfect.
00:46:53As an exercise, it is very good.
00:46:55I see simplicity, naturalness.
00:46:57That's what you asked me.
00:46:59I don't know how to assess
00:47:01if there is beauty without seeing the faces.
00:47:03I don't know why you hide the models.
00:47:11But if it's Carmen.
00:47:13Claudia.
00:47:15And Fina.
00:47:17Does it go along with what you wanted?
00:47:19I don't know,
00:47:21I was surprised.
00:47:23What do you think?
00:47:25I had my doubts,
00:47:27but when I revealed the photos,
00:47:29I knew there was something.
00:47:31Well, it seems that you have taken advantage
00:47:33of your visit to Perfumerías de la Reina.
00:47:35I have absorbed the values of the factory
00:47:37and I have to say
00:47:39that I was also surprised.
00:47:41You didn't imagine it that way.
00:47:43Yes and no.
00:47:45The factory is what it is.
00:47:47But these girls,
00:47:49seeing them gathered at their rest,
00:47:51all that truth they convey is beautiful.
00:47:53These photos speak for themselves.
00:47:55Freshness, youth, tenderness.
00:47:59Pure magic.
00:48:01I would never have imagined them like that.
00:48:03Well, it was you who opened my eyes.
00:48:05With a subtle make-up
00:48:07and the right background,
00:48:09we can set up a campaign, don't you think?
00:48:13No one has done anything like it so far.
00:48:15It's a risk I would take,
00:48:17but I don't decide.
00:48:19I don't know.
00:48:21When I was thinking about the campaign,
00:48:23I was thinking a little about myself.
00:48:25About a hard-working, independent woman
00:48:27who is not subject to the opinion of a man.
00:48:29Well, I'm also married.
00:48:31Really?
00:48:33But you are not one of those
00:48:35who let yourself be picked up in the clothes.
00:48:37Do you think it will be understood?
00:48:41The beauty that these women convey
00:48:43speaks of the values of the company.
00:48:45It is tradition, family treatment,
00:48:47but also innovation and modernity.
00:48:49It is a statement of intentions
00:48:51of how the perfume is understood.
00:48:53I like it, I like it a lot.
00:48:55But this must be left to rest.
00:48:57I will not make any hot decision.
00:48:59And which of the candidates
00:49:01do you think is the right one?
00:49:03One thing is the photo report
00:49:05and another thing the commercial photography.
00:49:07There are very beautiful women
00:49:09who do not meet the goal.
00:49:11I will have to do tests.
00:49:13Tests among the workers?
00:49:15That will cost me
00:49:17my father and my brothers.
00:49:19They are coming out again,
00:49:21let them let you work.
00:49:23It is not so much for the campaign,
00:49:25but for the stir that will form in the factory.
00:49:27This is a gear, and if a piece dances,
00:49:29the whole chain moves.
00:49:31I think the ad will cause the opposite effect,
00:49:33excite the employees.
00:49:35Good argument.
00:49:37And these photos speak for themselves.
00:49:41If your brothers have the concept of perfume
00:49:43as clear as you,
00:49:45you will not have any problem.
00:49:59No, no, no, Claudia.
00:50:01That showcase is new
00:50:03and those soaps are on sale.
00:50:05What?
00:50:07Remove that from there.
00:50:09If Mrs. Marta sees it, she will get mad.
00:50:11I'm sorry, I'm distracted.
00:50:13I don't know where my head is.
00:50:15Well, you know where you have to have it.
00:50:17There are few mistakes here.
00:50:19I know.
00:50:21I'm distracted by Tassio.
00:50:23You're still with that.
00:50:25It's not what Fina thinks.
00:50:27I've broken with him.
00:50:29Man, you finally listened to me, Claudia.
00:50:31You've done the best, really.
00:50:33If you say so.
00:50:37Girls,
00:50:39I wanted to talk to you,
00:50:41because, well, I have news.
00:50:43You tell me.
00:50:45I don't know if you are aware
00:50:47that we want to launch a new fragrance,
00:50:49something different from what we have done so far.
00:50:51Yes, we had heard something,
00:50:53but nothing official.
00:50:55It's not official, but I'm telling you
00:50:57because I need your collaboration.
00:50:59Our collaboration is that of the dependents.
00:51:01That of the workers,
00:51:03do you understand?
00:51:05And how can we collaborate, Mrs. Marta?
00:51:07Hold on.
00:51:09We have decided that the image
00:51:11of the new fragrance
00:51:13is the image of one of the employees of the company.
00:51:17We want one of you
00:51:19to lend her face to Perfumerías de la Reina.
00:51:21But as a model.
00:51:23Exactly.
00:51:25We have hired a photographer
00:51:27who will make some portraits of the workers
00:51:29who are interested,
00:51:31and from there we will select the chosen one.
00:51:33What do you think, Claudia?
00:51:35Well, don't you think, Mrs. Marta?
00:51:37It's like a dream.
00:51:39Fine.
00:51:41No, very good, right?
00:51:43It's very modern.
00:51:45That's the idea.
00:51:47Well, I'm going to the rest of the departments to communicate it
00:51:49before the voice runs
00:51:51with the gossip.
00:51:53See you later, Mrs. Marta.
00:51:57Don't tell me.
00:51:59I don't want anyone to look at me all over the world.
00:52:01What are you saying?
00:52:03Can you imagine your face all over the place?
00:52:05Do you know what the models see?
00:52:07With their dresses,
00:52:09with their luxury.
00:52:11Girl, girl, get off the clouds.
00:52:13This is like when they raffle a car
00:52:15and then they give you the toy one.
00:52:17Fina, don't be a whore.
00:52:19We don't do it to anyone for dreaming.
00:52:21Well, well, the illusion that my mother would make.
00:52:23I don't even want to think about it.
00:52:25No, what you have to think about is fixing the showcase.
00:52:27Come on, take that off.
00:52:29You'll see how your mother loves it.
00:52:31Next time you wear a perfume.
00:52:33You're beautiful, I know you're beautiful.
00:52:35And come by more often, there will be news very soon.
00:52:37See you later.
00:52:41Can you tell me what manners are those, Fina?
00:52:43Since when do we treat your clients?
00:52:45Mrs. Marta, I...
00:52:47No, not Mrs. Marta or anything, don't reply to me.
00:52:49I asked you a question.
00:52:51And I'm trying to answer it.
00:52:55She's a friend from school, I've known her all my life.
00:52:57There are no friends from school here.
00:52:59As soon as a person enters through that door,
00:53:01that door becomes a client, is that clear?
00:53:03It's clear.
00:53:05I really didn't want to bother you.
00:53:07It doesn't matter what you want or don't want.
00:53:09Here we treat all clients with the utmost respect.
00:53:11Don't you ever think about
00:53:13talking about you to a client again.
00:53:15Understood?
00:53:17Understood?
00:53:19Understood, Mrs. Marta.
00:53:21It won't happen again.
00:53:23Well, now that it's clear,
00:53:25leave the warehouse ready and close the store.
00:53:27I have a family dinner and I'll be late.
00:53:31Bye.
00:53:37I'm her and I'm looking for another job.
00:53:41What do you say if you just started?
00:53:43It looked like she had set the store on fire.
00:53:45The girl didn't know where to go.
00:53:47Marcos, there are things that can't be let go.
00:53:49You don't like it, do you?
00:53:51Yes.
00:53:55Why do you say that?
00:53:57Well, I hope I don't bother you
00:53:59if I tell you that everything has been a bit exaggerated.
00:54:03No, it doesn't bother me.
00:54:05I suppose that
00:54:07when one of my employees
00:54:09loses his professionalism,
00:54:11it annoys me.
00:54:23I understand.
00:54:25Shall we go?
00:54:29Let's go.
00:54:33This perfume bottle
00:54:35made me look like a lady.
00:54:37As soon as we get there,
00:54:39I'm going to put my feet in salt water
00:54:41and I'll be out in two hours.
00:54:43Look, it's just that your mother
00:54:45doesn't organize the warehouse.
00:54:47After the quarrel that Mrs. Marta made with me,
00:54:49I don't know what I was going to do.
00:54:51You haven't seen how she got on.
00:54:53But if she doesn't know so much,
00:54:55it's not what you've told me.
00:54:57What do you think?
00:54:59That she doesn't care about what Petra said about me.
00:55:01Come on.
00:55:03That she wants me out of the store.
00:55:05This is what happens. Out.
00:55:07But if it's Petra, Fina,
00:55:09it can't be what you're saying.
00:55:11Well, judge it yourself.
00:55:13If it's not Antodeque, that's a problem.
00:55:15I don't understand.
00:55:17I don't think she's telling me the truth
00:55:19because of the relationship my father has with the family.
00:55:21No, Fina, no.
00:55:23Besides, you know how Mrs. Marta is.
00:55:25She's a pain in the head.
00:55:27And if she makes my life impossible,
00:55:29until I can't take it anymore and I have to let it go.
00:55:31And if she does that...
00:55:33And if nothing.
00:55:35If Mrs. Marta is so stubborn to do that to you,
00:55:37what you have to do is put up with it
00:55:39in your job, which is why you've earned it.
00:55:41And no one has the right to kick you for being what you are.
00:55:43Does she like it or not?
00:55:45Well, not everyone is like you, Carmen.
00:55:47Well, then I have a couple of noses and I'll make it clear to you.
00:55:49No, I don't know what's worse, the truth.
00:55:51Well, don't get like that.
00:55:53With my soul on the line, I...
00:55:55Anyway, it doesn't matter.
00:55:57Thank you, Carmen.
00:55:59I don't know what I would do without you.
00:56:01Come on.
00:56:03And what I'm not going to do now is present myself
00:56:05to that model campaign.
00:56:07I'm not going to give her the opportunity to judge me.
00:56:09Well, then neither do I.
00:56:11You? No.
00:56:13Come on, you're not going to go with how jealous you are.
00:56:15Yeah, but with all this jealousy,
00:56:17I don't have the spirit to compete for beauty.
00:56:19That's why you're going to present yourself,
00:56:21Of course, and come out in the whole picture with a funeral face.
00:56:23A funeral face, not your funeral face,
00:56:25you with a smile from ear to ear, come on.
00:56:27And you're not going to spend a second thinking about that face.
00:56:29As if it were that easy.
00:56:31Well, look, I'll go with you to the session.
00:56:33And every time you put on a funeral face,
00:56:35I pinch you.
00:56:37So I'm going to come out with a scared face?
00:56:39Look, let's make a deal.
00:56:41You help me forget about Mrs. Marta.
00:56:43And I'll help you forget about the room.
00:56:47Yes, it's fair, right?
00:56:49It's fair.
00:56:51Well, come on.
00:56:53Japanese, huh?
00:56:55Oh, I left the carnation in the store.
00:56:57Well, I'm going to throw your carabullo.
00:56:59Lower your chin.
00:57:01Raise the perfume.
00:57:03And smile a little more.
00:57:07Very good, thank you.
00:57:11How do you see the session?
00:57:13I get the impression that none of them has just exploded.
00:57:17Don't worry.
00:57:19They're not professionals, but I've seen very interesting gestures.
00:57:21They trust your idea.
00:57:23What a remedy.
00:57:25And what pressure.
00:57:27There are the next ones.
00:57:29Fina and Carmen, right?
00:57:31That's it.
00:57:33I'll be right with them.
00:57:35I shouldn't have come.
00:57:37I don't know why I let myself be convinced.
00:57:39Carmen, please don't do this to me.
00:57:41You know that when I have Mrs. Marta in front of me,
00:57:43I can't.
00:57:45Carmen, really.
00:57:47Between everything you know about me and the fight I had yesterday,
00:57:49I'm not going to be calm.
00:57:51Look at her.
00:57:53I was very nervous and I went for a walk.
00:57:55Well, we're two now.
00:57:57I'll leave you with her and I'm leaving.
00:57:59Please.
00:58:01You could have combed a little too, daughter.
00:58:03I have some hairs that seem to have come out of the eye of the hurricane.
00:58:05Really?
00:58:07Yes, a little better now.
00:58:09Who's next?
00:58:11Marcos is ready.
00:58:13Follow his instructions.
00:58:19Hi, Fina.
00:58:21One moment.
00:58:25I'll explain what we're going to do.
00:58:27And don't worry,
00:58:29I'm a little softer than your boss.
00:58:33I want you to take one of those perfumes
00:58:35and show it to me as if I were a client.
00:58:37Okay?
00:58:39Okay.
00:58:41You don't have to.
00:58:43Just take the bottle,
00:58:45turn to me
00:58:47and smile naturally.
00:58:51Don't take it so hard.
00:58:53As if you were showing it to a client
00:58:55for the rest of your life.
00:59:01Okay, but don't turn your back on me.
00:59:03Turn to me.
00:59:11Sorry.
00:59:13Fina,
00:59:15it's so hard to follow his instructions.
00:59:17You just have to do what he tells you.
00:59:19You're more stubborn than a log.
00:59:21Yeah, but I'm not very focused
00:59:23and I don't want to waste their time.
00:59:25It's normal that it's hard for you to get into a situation.
00:59:29Here.
00:59:31For your information,
00:59:33you're more photogenic than you think.
00:59:35You'll see that you look good in the picture.
00:59:37I don't know if I can do it.
00:59:41Can you excuse us for a minute?
00:59:43I need a moment alone with her.
00:59:51Trust me.
00:59:53We're going to play a game.
00:59:55Okay?
00:59:57I want you to imagine
00:59:59that I'm a client for the rest of my life
01:00:01who has lost her mind.
01:00:03Really?
01:00:05Shall we play?
01:00:07Yes.
01:00:11This trick never fails.
01:00:13Let's go, Fina.
01:00:21See? It wasn't so hard.
01:00:23Like this.
01:00:25Like this.
01:00:27That's it. I love it.
01:00:29Now you're yourself.
01:00:31That's it.
01:00:33Like this.
01:00:39Good morning, Mrs. Marta.
01:00:41Good morning.
01:00:47To tell you the truth,
01:00:49I want to photograph one more model.
01:00:51Who?
01:00:53If you think it's necessary,
01:00:55we still have time to let you know.
01:00:57It's about you.
01:00:59Don't be silly.
01:01:01Of all the women in the factory,
01:01:03you're the most photogenic.
01:01:05I know a lot about that.
01:01:07You're beautiful.
01:01:09You act as if you don't care
01:01:11about being the least bit.
01:01:13That makes you irresistible.
01:01:15You have the elegance
01:01:17of a true Italian movie star.
01:01:19You're my Anna McKnight.
01:01:25I'm sorry.
01:01:27I'm sorry for bothering you.
01:01:29No.
01:01:31I couldn't help it.
01:01:33Although, to be honest,
01:01:35something tells me
01:01:37you're not interested in me.
01:01:39What do you mean?
01:01:41You don't have to pretend with me.
01:01:43No, I just didn't expect it.
01:01:45I see.
01:01:47The problem is
01:01:49you already have your heart occupied, right?
01:01:51My husband, remember?
01:01:53Are you sure?
01:01:57Fine.
01:02:01Are you crazy?
01:02:03It's more than obvious,
01:02:05seeing how you look at her,
01:02:07how you treat her.
01:02:09She attracts you like a magnet.
01:02:11Or am I wrong?
01:02:13I don't want to continue this conversation.
01:02:15Other things, no.
01:02:17But if I have something, it's Mundo.
01:02:19I've seen it before.
01:02:21Many times, Marta.
01:02:23You're so hard on that girl
01:02:25that you think you can hide
01:02:27your true feelings for her.
01:02:31I don't...
01:02:33Don't worry. I won't tell anyone.
01:02:35If there's something I've learned
01:02:37over the years,
01:02:39it's that taste is personal
01:02:41and no one should judge it.
01:02:43I'll let you know when I have the pictures.
01:02:45You'll be surprised.
01:02:55What do you think?
01:03:01Are you breaking your picture?
01:03:03I'm not joking.
01:03:05Come on, let's choose one.
01:03:07Even though they're all fantastic.
01:03:09My goal is to get to the soul,
01:03:11and not just of the mannequins,
01:03:13but also of the one who sees my picture.
01:03:15And from the soul,
01:03:17you mean?
01:03:19Yes.
01:03:21From the soul,
01:03:23and not just of the mannequins,
01:03:25but also of the one who sees my picture.
01:03:27And of course you get it.
01:03:29It's a wonderful job.
01:03:31Congratulations.
01:03:33Thank you.
01:03:35Although, to be honest,
01:03:37I have my doubts.
01:03:39Any of them could be the image
01:03:41of the queen's essences.
01:03:43May I suggest one?
01:03:45Please.
01:03:47I'll choose one of these two workers.
01:03:51Fina.
01:03:53Carmen is fresh, young and eager to live.
01:03:55She has a more traditional beauty.
01:03:57That's good.
01:03:59But less risky.
01:04:01I understand.
01:04:03Fina has a less conventional face.
01:04:05And that adds some modernity.
01:04:07Maybe too much.
01:04:09But it gives the feeling that behind that shy look
01:04:11hides a different woman,
01:04:13with freshness and spontaneity.
01:04:15Don't you think?
01:04:17Although you already know that.
01:04:19Can we finish with this?
01:04:21With the pictures or with the awkward conversation?
01:04:23With this awkward conversation
01:04:25that you shouldn't have started.
01:04:29I remind you that you work for me.
01:04:31And if you weren't such a good photographer,
01:04:33I would have looked for someone
01:04:35more polite and with less imagination.
01:04:39My apologies. You're right.
01:04:41But now I speak to you as a friend.
01:04:43Because that's how I consider you.
01:04:45Marta, there are things
01:04:47that are hard to admit out loud.
01:04:49Until you finish doing it.
01:04:51Anything else?
01:04:55When you're clear with the decision,
01:04:57call me at the studio
01:04:59and we'll start the campaign.
01:05:01Be careful.
01:05:15Be brave.
01:05:17And choose what you really like.
01:05:21I'll wait for your call.
01:05:41Thank you very much for coming.
01:05:43See you soon.
01:05:47Hey, Alfina.
01:05:49You didn't tell me.
01:05:51What did you do yesterday?
01:05:53Nothing. I went alone to the last session.
01:05:55And on the way back I almost missed the bus.
01:05:57You both left me in a bad mood.
01:05:59I don't answer for Claudia.
01:06:01But you know that I would have gone
01:06:03if it wasn't because I didn't have money
01:06:05to pay for the ticket.
01:06:07I really don't understand
01:06:09why you're so bad with money.
01:06:11I hope it's because of your mother
01:06:13that Tassio didn't do the 13-14
01:06:15and that we know each other.
01:06:17No. I told you that I didn't calculate well
01:06:19and he went away with the money.
01:06:21What did you see yesterday?
01:06:23Where are you going, Alfonso XII?
01:06:25I love Vicente Parra. He's so handsome.
01:06:27The truth is that...
01:06:29Who was I looking at?
01:06:31Someone else?
01:06:33Of course. Who were you looking at?
01:06:35You.
01:06:37What are you talking about?
01:06:39Nothing.
01:06:41Fina was telling me that she went to the cinema yesterday.
01:06:43Are you waiting to go out
01:06:45to talk about your things?
01:06:47Do you know the impression it gives
01:06:49to come in and see you laughing?
01:06:51Yes. Excuse me, Mrs. Marta.
01:06:53Fina, what happened to your skirt?
01:06:55I don't know. It's the usual skirt.
01:06:57It's shorter.
01:06:59Well, because I've gotten a little bent.
01:07:01Really? Don't tell me.
01:07:03Short and badly made?
01:07:05Well, when I get under my knees
01:07:07and I'm so narrow,
01:07:09I can hardly walk.
01:07:11You don't have to walk. It's a uniform.
01:07:13You have to stand still in the store
01:07:15serving the customers.
01:07:17Well, I also have to go to the warehouse
01:07:19and climb the stairs and crouch.
01:07:21The other day you already took a certain license
01:07:23with a client.
01:07:25Now this and you're replicating me.
01:07:27I don't like your attitude at all.
01:07:29With all due respect, ma'am,
01:07:31I don't like it either.
01:07:33Excuse me?
01:07:35Yes.
01:07:37How do I treat you, if I may know?
01:07:39With such little consideration.
01:07:41You only see that I make mistakes with the customers,
01:07:43that I take longer to return the change
01:07:45or that I've cut my skirt.
01:07:47Of course, that's what I see.
01:07:49But you don't realize that I always arrive
01:07:51ten minutes before my time and that I don't mind
01:07:53leaving later and that of the two breaks
01:07:55I only take one. I won't be such a bad employee, will I?
01:07:57No, what you are is a disgrace.
01:07:59If it weren't for the time you've been
01:08:01and the affection I have for your father,
01:08:03I don't want you to keep dealing with clients.
01:08:05Until further notice,
01:08:07you will be in the warehouse sorting products.
01:08:25My God, Fina.
01:08:27How the guy has endured, huh?
01:08:29Do you think the skirt is for me to deal with this contempt?
01:08:31No, no, of course not.
01:08:33I'm sure he treats me like that because he knows
01:08:35that I like women.
01:08:37Fina, I don't want to think that's why.
01:08:39I still don't think so.
01:08:41He's trying to kick me out, that's it.
01:08:43And you know what I'm telling you, Carmen?
01:08:45That I'm not going to take a step back.
01:08:47I am as I am and period.
01:08:55See you later.
01:08:57Thank you very much, Mrs. Immaculate.
01:08:59How much money did that lady spend?
01:09:01470 pesetas.
01:09:03Mother of God.
01:09:05But where do people get so much money?
01:09:07I'm her husband, she'll have a business.
01:09:09She has to have a bank, at least.
01:09:11Ladies, a little measure, let's not be gossipy.
01:09:13Oh, I'm sorry, Mrs. Marta,
01:09:15but you've seen the bag that that woman has taken.
01:09:17My God, look,
01:09:19she has left us the shelves trembling.
01:09:21The truth is that it has been a great sale.
01:09:23You have proposed a product without intoxicating
01:09:25and with an exquisite treatment.
01:09:27Congratulations.
01:09:29Thank you very much, Mrs. Marta.
01:09:31Although I have to admit that I am learning
01:09:33from the best companions.
01:09:35Well, don't relax, it's the mistake
01:09:37that all of them usually make.
01:09:39No, don't worry.
01:09:41It is a blessing to have such resolved and correct dependents.
01:09:43Others could learn.
01:09:47I suppose you're talking about Fina,
01:09:49Mrs. Marta.
01:09:51And with all due respect,
01:09:53I don't think I should talk about her like that
01:09:55Pay attention, Carmen.
01:09:57I would worry less about friends
01:09:59and more about myself.
01:10:03I would return to the lock to make a box
01:10:05while I was in the office.
01:10:07Excuse me, Mrs. Marta.
01:10:09Tell me.
01:10:11I would like
01:10:13to ask you a favor.
01:10:15I know it's not the usual, but ...
01:10:17To the point.
01:10:21Could you give me a monthly advance?
01:10:23As you said, it is not the usual.
01:10:25Yes, Mrs. Marta.
01:10:27I need to solve some personal problems.
01:10:29And I understand.
01:10:31But if I give you an advance,
01:10:33others will come with the same story and it can't be ...
01:10:35You already know the rules.
01:10:43I don't know how you can be so square-headed.
01:10:45Don't get mad
01:10:47because you already know how you've been lately.
01:10:49Darisca, the lady.
01:10:51I don't want to get into trouble,
01:10:53and I throw it because it's my turn.
01:10:55And what are those personal things?
01:10:59Nothing, I come from the village with little clothes
01:11:01and I need to buy something.
01:11:03I see.
01:11:05I have two candles,
01:11:07if not, I'll make you a loan.
01:11:09Your mother can't send you money.
01:11:11Yes, as if she had enough.
01:11:13Mothers always have a piggy bank
01:11:15under the mattress for these things.
01:11:17That may be, Carmen.
01:11:19Cover me, I'm going to call her.
01:11:21But it has to be now.
01:11:23My mother, this girl, always in a hurry.
01:11:27Come in.
01:11:31Excuse me, Mrs. Marta, did you want to see me?
01:11:33Yes, come in.
01:11:35I wanted to announce something to you,
01:11:37but I preferred to do it in private.
01:11:39You will say.
01:11:41We have decided that we want you to be the image
01:11:43for the launch of the new perfume.
01:11:45Carmen, you're not going to say anything?
01:11:47Well, I didn't expect it, Mrs. Marta.
01:11:49We have discussed other options,
01:11:51but in the end,
01:11:53your beauty and your personality have been imposed.
01:11:55Well, thank you very much.
01:11:57But come on, there are other colleagues of mine
01:11:59who give better that image
01:12:01that you are looking for,
01:12:03close and fine,
01:12:05without going any further.
01:12:07We believe that you better reflect
01:12:09the idea of ​​a woman
01:12:11that we want to represent.
01:12:13Your delicacy with your character
01:12:15and that you are brunette
01:12:17in the style of the women
01:12:19that Julio Romero de Torres paints,
01:12:21who loves my father.
01:12:23Do you know El Paso Doble?
01:12:25Yes, well, I know who that man is
01:12:27by the bill of 100 pesetas.
01:12:29Well, you will be able to see many things
01:12:31traveling, presenting the product.
01:12:33If you accept that, I see you reluctant.
01:12:37I have to think about it, Mrs. Marta.
01:12:40No, I'm not saying no,
01:12:42but I have to value it.
01:12:44Any of your colleagues
01:12:46would be jumping with joy.
01:12:48In other circumstances, I would have been excited.
01:12:50I understand.
01:12:52Lately,
01:12:54I think you are going through
01:12:56a delicate personal moment.
01:12:58What do you mean?
01:13:00I understand that ... well,
01:13:02that you have broken up with your boyfriend.
01:13:04A detail.
01:13:06Keep in mind the personal life of workers.
01:13:08I don't want you to be as considerate
01:13:10with everyone else.
01:13:12Lately, you are taking a lot of liberties
01:13:14with me, you know that.
01:13:16Well, I'm very sorry, Mrs. Marta,
01:13:18but I have to tell you.
01:13:20I don't like how you've been treating
01:13:22Fina lately.
01:13:24I don't like having to draw so much attention
01:13:26to the inappropriate treatment of a client
01:13:28or to cut the skirt without warning.
01:13:30And I don't know why I have to give
01:13:32explanations about how I do my job.
01:13:34I don't know, I'm not going to take away your reason.
01:13:36I don't describe myself that way.
01:13:38Talking to Voce in the middle of the store.
01:13:40I'm very sorry, but no.
01:13:42I don't think it's right.
01:13:44It's humiliating.
01:13:46I understand that you and Fina are good friends.
01:13:48But we are here to talk about your future.
01:13:50And about this offer.
01:13:52Not to talk about another employee.
01:13:56Here is the contract
01:13:58with which you would become
01:14:00the launch image.
01:14:02I didn't think about you.
01:14:06I read it slowly
01:14:08and I'll tell you something.
01:14:10But you know
01:14:12that I'm not willing to be the image
01:14:14of a company that treats its employees so badly.
01:14:16Even if it's just one of them.
01:14:18Excuse me.
01:14:32What is that?
01:14:34A contract.
01:14:36I've been chosen to be the face of the campaign.
01:14:38Really?
01:14:40Congratulations!
01:14:42We have to celebrate this.
01:14:44We can go to Toledo for dinner.
01:14:46I haven't signed it.
01:14:48And I haven't even read it.
01:14:50Why? What are you waiting for?
01:14:54I don't think I'm going to accept it, Fina.
01:14:56What do you mean?
01:14:58Do you know how many doors you can open
01:15:00working as a model?
01:15:02I'll show you.
01:15:04No, I'd rather not know.
01:15:08Carmen?
01:15:10I don't understand.
01:15:12You could become an actress.
01:15:14I want to have a famous friend.
01:15:16I'm not interested in being famous.
01:15:18And I don't want to make more money.
01:15:20I don't need it.
01:15:22But if I say no,
01:15:24it's because of what happened this morning.
01:15:26Because of the scolding that Mrs. Marta gave me?
01:15:28It was more than a scolding.
01:15:30I respect you.
01:15:32I'm not going to be the image of a company
01:15:34that treats its workers so badly.
01:15:36How can you say that? Are you crazy?
01:15:38Everyone has their principles.
01:15:42Listen to me.
01:15:44You can't sacrifice yourself for me.
01:15:46You have to take advantage of this opportunity.
01:15:48If I've taken advantage of it,
01:15:50I've taken advantage of it to sing in the 40s.
01:15:52And I'm so happy that I still have it.
01:15:54Let's see if she's going to take it with you now.
01:15:56Carmen, this is your future.
01:15:58And I would feel terrible if you ruined it because of me.
01:16:04Well, let me decide.
01:16:06Don't you see that Mrs. Marta is like this with me
01:16:08because she knows my secret since Petra told her?
01:16:10You have no fault in that.
01:16:12Well, neither do you.
01:16:14And I'm not going to allow it.
01:16:16Carmen, you're too good.
01:16:18Sometimes you should be more selfish
01:16:20and think more about yourself.
01:16:22I'm not going to let you let it go.
01:16:24In fact, sign this paper right now
01:16:26or I'll take my things and leave.
01:16:28I wouldn't be able to look you in the face
01:16:30and then see the posters
01:16:32and see someone else who doesn't deserve it.
01:16:34So you decide.
01:16:38I'm going back to mine.
01:16:40If Carmen doesn't mind, you can stay.
01:16:42No, of course not.
01:16:44It doesn't bother me.
01:16:46I wanted to know if you've already decided.
01:16:52Well, yes, Mrs. Marta.
01:16:54I'll do the campaign.
01:16:56Good.
01:16:58Well, I'll call the photographer and the printer
01:17:00so they can start with everything.
01:17:02I'm glad.
01:17:10My model friend!
01:17:12Oh!
01:17:22You can leave the boxes behind the counter if you want.
01:17:24Carmen will put them later.
01:17:38Mrs. Marta,
01:17:40I'd like to talk to you for a moment.
01:17:42You tell me.
01:17:46I know my behavior the other day
01:17:48was not exemplary.
01:17:52I'm glad you noticed.
01:17:56But if you allow me, I don't think I deserve
01:17:58to be so severe with me.
01:18:00You already made that clear.
01:18:04If you have nothing else to tell me ...
01:18:06Because she's so hard on me.
01:18:08Is it because of what Petra suggested
01:18:10about me?
01:18:14I don't even know why I'm asking you.
01:18:16I know it's because of that.
01:18:18Cina, this conversation is over right now.
01:18:20No, Mrs. Marta, we have to have this conversation now
01:18:22because we should have had it a long time ago.
01:18:24Because I, no matter what they say about me,
01:18:26I'm a good worker.
01:18:28And I've tried very hard to do it right.
01:18:30So if you're going to fire me
01:18:32for those nonsense, do it now.
01:18:34But don't punish me.
01:18:36Don't tell me I'm a bad worker.
01:18:38Jumeca, Sufina.
01:18:40Leave him.
01:18:42We all know
01:18:44that you are severe.
01:18:46But just as well.
01:18:48And you should continue to be so
01:18:50because you are an example
01:18:52for all of us.
01:18:54You're telling me how to do my job.
01:18:56Between Carmen and you, I don't know what I'm going to do.
01:18:58But don't you realize that we all admire her?
01:19:02That she is the woman we would all like to be.
01:19:04I don't know a girl, not one,
01:19:06who wouldn't change for you.
01:19:08A woman capable of managing herself in a world of men
01:19:10without anyone shading her.
01:19:12I myself would like to be like that.
01:19:14And that's why it hurts twice
01:19:16to be told that I don't do my job well.
01:19:18No, ma'am, it's not fair because it's not true.
01:19:24Anything else?
01:19:26Yes.
01:19:28Your turn.
01:19:30I can dress
01:19:32as you tell me
01:19:34and I can behave
01:19:36exactly as you want.
01:19:40But I will never be another person.
01:19:44And it's fair that you know that.
01:19:48I don't bother you anymore.
01:20:02I love you.
01:20:32I love you.
01:20:48Mrs. Marta.
01:20:52I wanted to talk to you.
01:20:54Yes.
01:20:56I called you
01:20:58because I have something important to tell you.
01:21:02What is it?
01:21:08I've been reconsidering
01:21:10and I don't think
01:21:12I've been completely fair to you.
01:21:14You can leave the warehouse
01:21:16and go back to your position.
01:21:18I need you
01:21:20as a dependent.
01:21:24Thank you.
01:21:26Thank you very much, really.
01:21:28Just be patient.
01:21:30As always.
01:21:32You won't have any complaints.
01:21:34The incorporation is immediate.
01:21:36So take off that robe
01:21:38and go back to your uniform.
01:21:40Right now.
01:21:44What a morning!
01:21:46It's been a success.
01:21:48You've done a great job, Fina.
01:21:50Thank you very much.
01:22:01You don't deserve the treatment
01:22:03I've given you these days.
01:22:05Mrs. Marta, you don't have to apologize.
01:22:07Really.
01:22:09Let me admit when I'm wrong
01:22:11and this time I've done it.
01:22:13Sometimes the business can do me
01:22:15and get the most demanding version of me.
01:22:17I'm sorry.
01:22:19Well, it's normal.
01:22:21Business is the most important thing in your life.
01:22:23Now yes.
01:22:25Although no one expected
01:22:27I would be part of it.
01:22:30Everyone expected me to get married
01:22:32and take care of the family.
01:22:34But then I got married and my husband left.
01:22:36Which is normal,
01:22:38because you know he works as a doctor in a nursing home.
01:22:40But you were living abroad for a while,
01:22:42weren't you? With Mr. Jaime.
01:22:44Yes.
01:22:46Let's say that after the first year
01:22:48I got tired of being at home making socks.
01:22:50So I left with him
01:22:52when he was assigned to Niza.
01:22:54I even thought about starting a business there.
01:22:56Yes, perfumes.
01:22:58It would be obvious, wouldn't it?
01:23:00Well, no.
01:23:02At that time I was
01:23:04much less pragmatic than now.
01:23:06A pastry shop.
01:23:08Really?
01:23:10Strange, isn't it?
01:23:12No, no, it's just that ...
01:23:14It's what I've always wanted to have.
01:23:16If I had had my own money,
01:23:18I would have already set it up.
01:23:22When I was little,
01:23:24I used to go to the Café Libertad
01:23:26to drink Swiss coffee.
01:23:28And I imagined myself as an adult
01:23:30doing something as rich as that.
01:23:32I loved it.
01:23:34And it would make so many people happy.
01:23:38I'm half a fan of my mother.
01:23:40And I liked her so much that she convinced the Swiss owners
01:23:42to teach her how to make them.
01:23:44You don't know how delicious they were.
01:23:48I liked them so much that for my birthday
01:23:50instead of a pie, I asked her for a mountain of buns.
01:23:52I know.
01:23:54How?
01:23:56Let's see, I was little.
01:23:58And obviously I didn't go to her birthdays, but ...
01:24:02Her mother saw me with those sweet eyes
01:24:04and she always kept one for me.
01:24:06I didn't know.
01:24:08If I'm not indiscreet,
01:24:10her birthday wasn't this year ...
01:24:12Tomorrow, precisely.
01:24:14Yes, it sounded familiar to me.
01:24:18Well, let's leave it.
01:24:20These are just memories.
01:24:22My mother hasn't been here for a long time.
01:24:24And now I work here.
01:24:28You can still make your dreams come true.
01:24:32She's not happy in the store.
01:24:34Now she is.
01:24:38But if I think about it ...
01:24:42I've never been able to really decide
01:24:44about my own life.
01:24:46The Queen's last name weighs a lot
01:24:48and everyone else was expecting me,
01:24:50even if I didn't like it.
01:24:52Well, to not like it,
01:24:54it didn't go wrong.
01:24:56Well, imagine if you had done something
01:24:58that I really liked.
01:25:00Imagine.
01:25:02How to put that store.
01:25:06I'll leave you.
01:25:08We both have things to do.
01:25:10Of course.
01:25:14Oh, my blanket.
01:25:16Thank you.
01:25:28It's a letter for my husband.
01:25:30I was thinking of visiting him.
01:25:32He will be in Naples for a few days.
01:25:36With my husband so far away,
01:25:38I forget that I am a married woman.
01:25:46I love you.
01:26:04Oh, Carmen.
01:26:06The customers are going to line up
01:26:08for you to serve them.
01:26:10Look, look.
01:26:12Shut up, Carpinama.
01:26:14Hello.
01:26:16Good afternoon, Mrs. Marta.
01:26:18Hello, Mrs. Marta.
01:26:20What do you want us to do with that?
01:26:22It's for you.
01:26:24Oh.
01:26:26They're sweets.
01:26:28I know that yours
01:26:30is to drink them with hot chocolate,
01:26:32but you keep them and then have a snack in the canteen.
01:26:34With the good appetite they have,
01:26:36I don't expect to eat it in the canteen.
01:26:38I hope they are good.
01:26:40I made them.
01:26:44Go to the warehouse.
01:26:46I don't want a customer to come in
01:26:48and see you eating here.
01:26:50Of course.
01:26:52Sorry.
01:26:54Thank you very much.
01:26:56They are very good.
01:26:58Well, I have to confess something.
01:27:00What?
01:27:02Let's say that Dina has helped me a lot.
01:27:04Her secret is safe with me.
01:27:08Sorry.
01:27:10Yeah.
01:27:12Sorry.
01:27:16Well, I'll leave you.
01:27:18Of course.
01:27:20Thank you for ...
01:27:22for this delight.
01:27:28The sweets were very good.
01:27:30Well, yes.
01:27:32But come on, that wasn't Mrs. Marta.
01:27:34No.
01:27:36Please, when have you seen her like that?
01:27:38Why do you say that?
01:27:40Mrs. Marta has always been a very cheerful woman.
01:27:42But if you were the one who suffered the most.
01:27:44Let's see, she had something new.
01:27:46Because she looked like a special girl.
01:27:48Already?
01:27:50So pregnant?
01:27:52Yes, pregnant.
01:27:54The Holy Spirit.
01:27:56Her husband is a doctor at the Merchant Navy.
01:27:58So she doesn't see him?
01:28:00No.
01:28:02Not that she had the husband far away
01:28:04was an impediment for her to get pregnant.
01:28:06The only good thing is to see a man.
01:28:08The only good thing, no.
01:28:10But of the best, yes.
01:28:12Or not, Claudia?
01:28:14Now it's by experience, right?
01:28:16Well, we'll find out about this sudden defense of the boss.
01:28:18I don't know, Carmen.
01:28:20I'm going to give people second chances.
01:28:22Oh yeah? Well, I notice it.
01:28:28Hi, Elena.
01:28:30Hi.
01:28:32Is Mrs. Marta?
01:28:34Come in.
01:28:42Can I?
01:28:44Yes, of course. Close the door.
01:28:48Carmen will not have taken her feet off the floor again.
01:28:50Because what happened before has been inadmissible,
01:28:52no matter how modern it is now.
01:28:54No, no, no. I'm very sorry about what happened before.
01:28:56It was all because of a misunderstanding.
01:28:58Bad love?
01:29:00If I told her.
01:29:02But if I do, Carmen will kill me.
01:29:04And Claudia too, both involved.
01:29:06It has to do with Tassio again.
01:29:10How do you know?
01:29:12I try to stay informed.
01:29:14Within my duties there is also
01:29:16taking care of my workers,
01:29:18especially you.
01:29:20The fact is that there is someone else involved.
01:29:22And Carmen has felt very betrayed
01:29:24by that someone
01:29:26for not telling her anything.
01:29:28Come on, you've seen yourself in the middle
01:29:30of seeing it.
01:29:32It is that with friends you never know
01:29:34where loyalty is.
01:29:36I'm sorry.
01:29:38Sometimes I envy the relationship you have.
01:29:42But don't worry,
01:29:44Carmen is still a very valuable worker
01:29:46for us. She is impeccable and I will not take
01:29:48any reprisals this time.
01:29:50If that's what you were worried about.
01:29:52Or can I do something else for you?
01:29:54For me? No.
01:29:56Well, yes, actually, yes.
01:29:58I came to give you this.
01:30:04Is it for me?
01:30:06It's your birthday.
01:30:08You remembered. Congratulations.
01:30:10Of course. Thank you.
01:30:14It's not a big deal, I hope you like it.
01:30:16But I did it with a lot of love.
01:30:18But it's wonderful.
01:30:22You did this in one night.
01:30:24Yes. Do you really like it?
01:30:26A lot. A lot?
01:30:28I've always liked to embroider
01:30:30and sew.
01:30:32I'm terrible at it.
01:30:34But you're very good at cooking.
01:30:36That's why I thought you'd like to have your own apron.
01:30:40It's a very nice detail.
01:30:42Thank you.
01:30:48Do you want to try it on?
01:30:50Of course.
01:30:52Wait, I'll help you.
01:30:56Thank you.
01:31:12Sorry.
01:31:14Does it bother you?
01:31:16You never, Elena.
01:31:18In fact, you came in time to tell me
01:31:20what you think of my apron.
01:31:22Everything looks good on you.
01:31:26Today is your birthday.
01:31:28Really? Congratulations.
01:31:30Do you want me to book a special place
01:31:32to celebrate it with the family?
01:31:34Leave it, I'm not in the mood.
01:31:36I see. Well, I'll book the day
01:31:38for next year
01:31:40and I'll give you the rest of the compliments.
01:31:42Good luck.
01:31:44I'll leave you your mail.
01:31:52Have you seen the look on his face?
01:31:54He's in a bad mood.
01:31:56You can't even imagine.
01:32:00Well, I'm going back to the store.
01:32:02I can't leave those two beasts alone for long.
01:32:04No, please.
01:32:08Congratulations.
01:32:10Thank you.
01:32:23This is so quiet.
01:32:25I guess there hasn't been much bustling this afternoon.
01:32:27Now I see the store empty.
01:32:29But a car is coming and I almost have to ask for reinforcements.
01:32:32Good.
01:32:34Oh, Mrs. Marta, I wanted to show you something.
01:32:36Look.
01:32:42This jar is damaged.
01:32:44Do you see it?
01:32:48He must have hit himself when he took it out of the warehouse.
01:32:52I'll put it as a sample.
01:32:58Did I say something strange?
01:33:00No, no.
01:33:02A few days ago he would have accused me of being mean
01:33:04if I had broken it.
01:33:06No, really, I'm very sorry about the hardness with which I have treated you.
01:33:08That's it, that's it, we've already talked about it and it's clear.
01:33:12Don't put it as a sample, keep it to yourself.
01:33:14Are you serious?
01:33:16Let's see.
01:33:20Let's see.
01:33:24How wonderful.
01:33:26I love all perfumes,
01:33:28but this one is magical.
01:33:30It's magical.
01:33:32Look, depending on the person,
01:33:34you can notice more nuances or others.
01:33:36Look.
01:33:44The citrus notes stand out in you.
01:33:58On the other hand,
01:34:00you smell sweeter.
01:34:06Well, how are you?
01:34:08It's your birthday.
01:34:10How did it go?
01:34:12I imagine you had a meal in good condition with the family.
01:34:14Well, everyone is always very busy
01:34:16and I'm not very good at celebrating.
01:34:18Oh, what a shame.
01:34:20It should be a very special day.
01:34:22One of those that is celebrated to the greatest
01:34:24and that is remembered until the following year.
01:34:26Maybe next year.
01:34:28But why do you have to wait so long?
01:34:30You still have a long way to go.
01:34:33The truth is that I was thinking
01:34:35whether or not to go to an opera recital.
01:34:37Very good, very elegant.
01:34:39It's just that the soprano is an old friend of the family
01:34:41and she sent me two tickets.
01:34:43The concert is tomorrow, but I don't know.
01:34:45Of course, you have to go.
01:34:47Yes or yes. Don't think about it.
01:34:49No, in this city it's not very good
01:34:51to see a woman going to certain events alone.
01:34:55Well, she doesn't have to go alone.
01:34:57She can invite her father or her brother Andrés.
01:35:00Worthy.
01:35:02And you?
01:35:06Me?
01:35:08Would you like to accompany me?
01:35:11It would be my way of thanking you
01:35:13for the detail you have had with the opera.
01:35:16The truth is that I have never been to the opera.
01:35:21Then don't even doubt it.
01:35:23Fina, when one hears those voices,
01:35:25one gets something in here
01:35:28and can't breathe.
01:35:32Like when you fall in love.
01:35:35Something like that.
01:35:42Yes, yes.
01:35:45It's better not to comment on it
01:35:47with the rest of the workers.
01:35:49Don't worry.
01:35:51I wouldn't like you to think
01:35:53that there is a favorable treatment.
01:35:55No, no, don't worry.
01:35:57It will be our secret.
01:36:13Come in.
01:36:15Hi, Fina. Have you seen Claudia?
01:36:17She should be in the store, but she has left her unattended.
01:36:20No, I haven't seen her, but if I want, I'll look for her.
01:36:22No, don't worry.
01:36:24She must have gone to the bottled area or one of the warehouses.
01:36:27Well, what do you think?
01:36:29Look.
01:36:31Do you like it? It's nice, isn't it?
01:36:34You are different.
01:36:36It was my mother's.
01:36:38The truth is that I loved it when I saw it on.
01:36:40And I have fixed the sisa a little
01:36:42and I have twisted some part that was loose,
01:36:44but it has been like new.
01:36:46You shouldn't have the uniform by now.
01:36:48Ah, yes, yes, right now I change and go down to the store.
01:36:51I'm going to try it on to see if it's right for this afternoon.
01:36:55Fina, this afternoon will not be possible.
01:36:58We will be able to go to the concert.
01:37:01Ah, why?
01:37:03Has it been suspended?
01:37:05No, no, it has not been suspended.
01:37:07It's because of the dress, right? It's not elegant enough.
01:37:09Ah, what nonsense.
01:37:11In fact, it's very nice.
01:37:13I'm waiting for a call from Jaime.
01:37:15You see, yesterday he was calling me to congratulate me on my birthday
01:37:18but we couldn't talk and my father told me to call him without fail.
01:37:21And I would find it very ugly not to be there.
01:37:23He is my husband and after the sacrifice he is making,
01:37:26spending so much time away in the high seas,
01:37:28the least I can do is answer a call.
01:37:30I am his wife.
01:37:32Of course.
01:37:34Obligations are the first thing.
01:37:36But I thought that for an afternoon I could postpone them.
01:37:41Well, I'm afraid it can't be.
01:37:43Of course.
01:37:44Sorry if my comment has bothered you.
01:37:46No.
01:37:47But if you don't mind, change and go to the store.
01:37:50And see if you can find Claudia.
01:37:52She's going to hear me.
01:38:02Carmen?
01:38:04Fina?
01:38:05I'm coming, one moment.
01:38:07Ah.
01:38:16Sorry.
01:38:32Instead, you smell sweeter.
01:38:38Fina.
01:38:39What's wrong?
01:38:40I've made a mistake.
01:38:42It's not right.
01:38:43Before, I didn't want...
01:38:45What didn't you want?
01:38:47That I was sick.
01:38:49I mean, I don't want...
01:38:51You don't want what?
01:38:53That you're going to think I'm crazy and right.
01:38:56Do you still want to come to the concert with me?
01:39:00Have you already called your husband?
01:39:02No.
01:39:03But he's right.
01:39:05Sometimes you have to put aside your obligations and live.
01:39:08Well, of course.
01:39:09But since I saw him so convinced to cancel the concert, I...
01:39:12Well, you see, now I'm convinced that we should go.
01:39:20You're not going to pick up.
01:39:22Yes.
01:39:28Perfumeries of the Queen, tell me.
01:39:32For me,
01:39:34For me?
01:39:36No.
01:39:39It's from the station, they say I have a visitor.
01:39:47Yes?
01:39:53Hello.
01:40:04Hello.
01:40:06It's been a long time, hasn't it?
01:40:10But I didn't know you were here.
01:40:12No, no, no, of course, of course, of course, I'm glad.
01:40:17To eat today?
01:40:20But you're in La Colonia.
01:40:23I'm sorry, I'm working and I can't talk.
01:40:25But...
01:40:26I'm sorry.
01:40:28I'm sorry.
01:40:29I'm sorry, I'm working and I can't talk.
01:40:32But we'll see each other in a while, right?
01:40:35Yes, yes, yes, no, I'm fine.
01:40:39I'll see you there.
01:40:44That's it.
01:40:47I'm sorry I called at work hours.
01:40:50It's okay, woman.
01:40:51Especially if it's to get good news, as it seems to be the case.
01:40:55Yes, it's a friend who lives in Paris and is visiting.
01:40:58Paris, nothing less.
01:41:00Yes, it was quite a surprise.
01:41:02It seemed so.
01:41:04She must be a very good friend if she comes from so far to see you.
01:41:07Well, she doesn't come to see me, she comes to see the family, but...
01:41:10But yes, we are very good friends.
01:41:13Or...
01:41:14At least we have been.
01:41:16So she's from Toledo.
01:41:18From Fuensalida.
01:41:19In fact, she worked here at the factory.
01:41:22We met here.
01:41:24So maybe I know her, what's her name?
01:41:26Esther.
01:41:28Esther Pérez.
01:41:31It doesn't ring a bell.
01:41:32It's normal.
01:41:33She was working only a few months in a packaging company.
01:41:36I'm sure she has a lot to tell me about Paris.
01:41:39We have to eat in the canteen.
01:41:41Well, there are only ten minutes left for your turn to eat, so...
01:41:45Go ahead, I'll cover you and I'll check the box.
01:41:47Yes? Oh, well, thank you very much.
01:41:50I'm sure she has a thousand stories to tell me.
01:41:53Paris doesn't leave anyone indifferent.
01:41:55No.
01:41:56The truth is that she was very brave going to live there,
01:41:59chasing her dreams.
01:42:02You know, why don't you take the whole afternoon off,
01:42:05so you're with her?
01:42:06No, no, no, no, no.
01:42:08I can't do that.
01:42:10It's my turn and it wouldn't be fair for my colleagues.
01:42:12I'm looking for someone to cover you, go with her.
01:42:14I'm going to eat with her for a while and then I'll come.
01:42:17As you prefer.
01:42:19Come on, what are you waiting for?
01:42:20Yes, I'm coming.
01:42:22Um ...
01:42:24Doña Marta,
01:42:26what time are we meeting?
01:42:28What do you mean?
01:42:30To go to the recital.
01:42:33Well, I thought that with your friend's visit,
01:42:35you might prefer to take advantage of the afternoon to chat with her.
01:42:38No, no, no.
01:42:39I would understand.
01:42:40No, no, no, no, no.
01:42:41Not at all.
01:42:42It's been a long time since you've seen us, it would be normal.
01:42:45Don't worry, I'll be there.
01:42:47Besides, I really want to go.
01:42:51Well then, see you ...
01:42:54at the Teatro de Rojas at nine o'clock there.
01:42:56Perfect. Do you want us to go together?
01:42:57No, better not.
01:42:58No, of course.
01:42:59No, no, I say it because at five I have to go to Toledo to look at some stores.
01:43:02Yes, yes.
01:43:03See you there, what do you think?
01:43:05I think it's great.
01:43:07Aren't you going to wait for your Parisian friend?
01:43:17Good afternoon.
01:43:22Good afternoon, Fina.
01:43:25They are waiting for you.
01:43:37You are ...
01:43:40You are very good, different.
01:43:43You too.
01:43:45I'm glad to see you.
01:43:47And me.
01:43:52Before I forget, this is for you.
01:43:55Look what you are, why are you bringing me nothing?
01:43:58It's just a detail. Come on, open it.
01:44:03Let's see.
01:44:13It's beautiful.
01:44:15And it's made of silk, Esther.
01:44:17This must have cost you a fortune.
01:44:19The person deserves it.
01:44:21Also, let me tell you a secret.
01:44:23In Paris I earn more than double what I earn here.
01:44:25If there is nothing else to look at.
01:44:27Being so brave had its reward.
01:44:30The truth is that I can't complain about work.
01:44:32By the month of arrival I was already dependent on some large warehouses.
01:44:35In Galeries Graumont.
01:44:37Well, look.
01:44:38In the end, studying French so much did you any good.
01:44:41But let me tell you the best.
01:44:43In June they made me in charge of section.
01:44:45Can you believe it?
01:44:48How wonderful.
01:44:50Congratulations.
01:44:51Thank you.
01:44:52The truth is that in these years I have learned a lot about perfumes.
01:44:56And also about life.
01:44:59That's why you left, right?
01:45:01Of course.
01:45:03It's a shame that in love I don't do as well as at work.
01:45:07No?
01:45:10Virginia and I just broke up.
01:45:17You have a few days off to see the family and also to see you.
01:45:24I had a terrible time when you told me what that girl had done to you, Petra.
01:45:29I was so sorry I couldn't help you.
01:45:31No Esther, you helped me.
01:45:33You helped me a lot.
01:45:35Knowing that you read my letters was my greatest comfort.
01:45:39If I only had you.
01:45:41Or Aunt Carmen.
01:45:43Carmen?
01:45:44I hardly remember her.
01:45:46I'm glad you found her.
01:45:47No, no, no. Carmen is my friend.
01:45:49Alba's friend.
01:45:50Sorry.
01:45:51And also Mrs. Marta, who was on my side.
01:45:54And Petra for getting in the way.
01:45:57I'm glad all that is behind.
01:46:04Well, now stop talking about friends and talk to me about love.
01:46:08Someone special.
01:46:09You're kidding.
01:46:11You already know how things are around here.
01:46:13Toledo is not precisely Paris.
01:46:15Let's say it's for one night.
01:46:18When you finish at the store, we'll go out for dinner.
01:46:20I still have a thousand things to tell you.
01:46:22No Esther, I would love to, but I can't.
01:46:25Sorry, I'm praying here and ...
01:46:27Mrs. Marta invited me to a recital of Victoria de los Ángeles in El Rojas.
01:46:31Oh, Mrs. Marta.
01:46:34Straightforward and from what I see, she gets along very well with you, right?
01:46:39Let's see, Mrs. Marta and I have known each other all our lives, you know that.
01:46:43But it is true that since I work in the store, we have been gaining confidence.
01:46:49I see, I see.
01:46:52And besides, that she protected me from Petra was a very honorable gesture on her part.
01:46:59Well, nothing, let's leave our Parisian night for tomorrow.
01:47:09Hi Carmen.
01:47:14How long are you going to be without talking to me?
01:47:17Apologize to me, at least.
01:47:19Carmen, I apologize whenever I need to, I can't stand being like this with you.
01:47:24The truth is that I didn't know how to do it better.
01:47:28Well.
01:47:30But the dead fly, don't even come near me, huh?
01:47:33By the way, hasn't he come? I haven't seen him all day.
01:47:36To see her with that face of lamb that your mother has, it is better that she does not appear.
01:47:40Come on, please, give him a little trust, huh?
01:47:42It is very strange, she is always very punctual.
01:47:45She should be here to replace me.
01:47:48You have an appointment.
01:47:50What I have is a hurry.
01:47:51I see.
01:47:52And that suit that you hung in the warehouse, what is it?
01:47:56Well, my father, who wants to take me to dinner in Toledo.
01:47:59And look what I told Claudia yesterday.
01:48:03Well, you see what has mattered to her.
01:48:05This morning at 10 o'clock she went to bed.
01:48:07You see, Carmen?
01:48:08It hasn't been good since Tassio passed away.
01:48:11They keep harassing her.
01:48:12And you don't wish that on your worst enemy, huh?
01:48:15Do you know that an imbecile even put his hand in the canteen?
01:48:19So it wasn't the only one.
01:48:21No.
01:48:23I'm going to attend to her.
01:48:37I love you.
01:49:08Doña Marta, what time do we meet?
01:49:11What do you mean?
01:49:13To go to the recital.
01:49:15Well, I thought that with your friend's visit,
01:49:17you might prefer to take advantage of the afternoon to chat with her.
01:49:20No, no.
01:49:21I would understand.
01:49:22No, no, no, no.
01:49:23Not at all.
01:49:25It's been a long time since you've seen each other.
01:49:26It would be normal.
01:49:28Don't worry, I'll take care of everything.
01:49:31I'm going to the recital.
01:49:32I'm going to the recital.
01:49:33I'm going to the recital.
01:49:34Don't worry, I'll take care of everything.
01:49:38Besides, I really want to go.
01:49:43Well then, I'll see you at the Teatro de Rojas at nine o'clock.
01:49:48Perfect. Do you want to go together?
01:49:49No, better not.
01:49:50No, of course.
01:49:51No, no, I'm saying this because at five I have to go to Toledo to look at some stores.
01:49:54Yes, yes.
01:49:55I'll see you there. What do you think?
01:49:57I think it's great.
01:50:00Good evening, daughter.
01:50:01Good evening.
01:50:03And that face?
01:50:04Didn't you like the recital?
01:50:06No, Victoria de los Ángeles has been proud, as always.
01:50:11You know that opera makes me melancholic.
01:50:23Have you been alone?
01:50:25Uh-huh.
01:50:28You should have stayed for dinner in Toledo.
01:50:30I'm sure that would have cheered you up.
01:50:33Table for one?
01:50:34No, thank you.
01:50:36Two cups of melancholy for a single night is too much.
01:50:40I don't want to be heavy, but I don't like to see you like that.
01:50:43You should have gone to Naples to see Jaime.
01:50:46It's good that you are alone and separated for so long.
01:50:49If he's going to scold me again, I'd better go.
01:50:52Have you talked to him, at least?
01:50:54Yes, I'll call the office. We'll talk.
01:50:58Well, it doesn't seem that the conversation has helped much.
01:51:03I'm very lonely, father.
01:51:07Daughter, if you don't like your life, change it.
01:51:12I wish it were that easy.
01:51:13I'm not saying it's easy, but a woman with your resources and your character has to know how to do it.
01:51:19Maybe I don't have as much character as you think I do.
01:51:23Aren't you being too harsh on yourself?
01:51:26Say it, you don't understand me.
01:51:30I understand you, of course I understand you, daughter.
01:51:34It's an injustice that you can't enjoy your marriage and your husband's affection, but life is not fair.
01:51:40It is what it is.
01:51:41I know.
01:51:44But that shouldn't force you.
01:51:47Life wasn't fair to me, taking your mother away from me so soon.
01:51:51It wasn't fair to Jesus either, when he left us.
01:51:55But here we are, overcoming the obstacles of the way.
01:51:59This is how we act, those of the queen.
01:52:03Well, I wish it were easier.
01:52:05But it isn't.
01:52:07And we have to move on.
01:52:10Look, Marta, I can support you and comfort you, but all this is worth nothing if you don't do a little for yourself.
01:52:19I'm always the one who does his part.
01:52:22Don't worry.
01:52:24Next time I'll receive you with a smile, no matter how bad it is.
01:52:28You don't have to be sarcastic with me either, I just wanted to help you.
01:52:32Yes, telling me to assume what there is.
01:52:35But I don't know what else to tell you, daughter.
01:52:37I really don't know what I can do.
01:52:40Leave it, father.
01:52:42But problems in life are not solved by comforting each other.
01:52:47Good night.
01:52:52Marta.
01:52:56When you want to talk more calmly, you know where I am.
01:53:07Thank you very much, nurse.
01:53:09We will call again in case there is any news.
01:53:12Thank you.
01:53:14What?
01:53:17It seems that Claudia has woken up, thank God.
01:53:20Oh my God, what a joy.
01:53:22But we have to be careful, okay?
01:53:24I have a knot here in the stomach that doesn't even let me breathe.
01:53:28Well, if you are like this, imagine what she has had to go through.
01:53:31Oh Carmen, that she has woken up alone in the hospital.
01:53:33I'm so sorry that I'm dying.
01:53:34I don't understand, come on, how haven't they let you stay?
01:53:36Me neither.
01:53:38But well, Dr. Borril told me to spend the first hour to see if I can talk to the doctors.
01:53:42Okay.
01:53:46How did we not notice, Fina?
01:53:49If you know how bad it is that a person has to be to get to such a thing.
01:53:54Don't be sad, this is not our fault.
01:53:56I have been very bad to her.
01:53:57No, no, no, Carmen.
01:53:58Yes.
01:53:59No, you were hurt and you were angry and with all the reason.
01:54:03I have also failed you.
01:54:05I should have told you the story of Tasio from the beginning.
01:54:07Yeah, but good friends forgive each other and help each other in difficult times.
01:54:11And she was having a bad time.
01:54:13Yeah.
01:54:15If something happens to Claudia, I won't forgive myself.
01:54:17Nothing is going to happen to her.
01:54:18I'm sorry.
01:54:19I'm sorry.
01:54:20I'm sorry.
01:54:21I'm sorry.
01:54:22I'm sorry.
01:54:23I'm sorry.
01:54:24Claudia, I won't forgive myself.
01:54:25Nothing is going to happen to her.
01:54:27Nothing is going to happen to her.
01:54:30Good morning.
01:54:31Good morning.
01:54:35Is something wrong?
01:54:37It looks like you've seen a ghost.
01:54:39No, nothing's wrong, Mrs. Marta.
01:54:41And Claudia?
01:54:43She had an emergency.
01:54:44Yes.
01:54:45An emergency?
01:54:47She had to go to the hospital for ...
01:54:48For indigestion.
01:54:50Indigestion?
01:54:51Yes.
01:54:52It's just that she had a very bad night and she went to the hospital this morning.
01:54:56And why didn't she go to the dispensary?
01:54:58I'm sure Dr. Borrell would have given her something for the discomfort.
01:55:01Well, because it was very early and she didn't want to bother the doctor.
01:55:04But it's her job.
01:55:06We pay her to be at the dispensary.
01:55:07Yes, but Carmen has already told her that it was very early.
01:55:10And besides, we told her not to worry.
01:55:13That we would cover for her.
01:55:15Very kind of you.
01:55:17But things don't work that way.
01:55:19I know.
01:55:20We didn't expect her to understand.
01:55:22When she comes back, tell her to come see me.
01:55:24Lately it's impossible.
01:55:26Yesterday she left the store alone and today this.
01:55:28It's better if she has a good excuse.
01:55:30Well, we're telling Mrs. Marta.
01:55:32Well, let her tell me.
01:55:34She's taking me by the nose.
01:55:38I'm going to have to take measures.
01:55:44Why is the phone off?
01:55:47I don't know.
01:55:49Have you called from the store?
01:55:51No, no, of course not.
01:55:54I'm going to get...
01:55:57Maybe your French friend has called again.
01:56:00No, she hasn't called again.
01:56:09What did she tell you?
01:56:10Nothing, she was angry.
01:56:13I don't know what we've done to her.
01:56:15We didn't tell her she was in the hospital or that she went dancing.
01:56:18Well, that's it.
01:56:19She'll get over it.
01:56:20Now what matters is Claudia.
01:56:21Well, yes.
01:56:23Look, you know what I'm telling you?
01:56:24I'm going to the hospital to see her.
01:56:26And if she gets angry and wants to kick me out, let her kick me out.
01:56:38Why are you alone in the store now?
01:56:40Where is Carmen?
01:56:41She's gone to the general warehouse to check some orders that we have to send to Logroño.
01:56:50Mrs. Marta.
01:56:52Yes?
01:56:55I wanted to apologize for the recital.
01:56:59I left it booked.
01:57:01That.
01:57:03It doesn't matter.
01:57:05I had a great time.
01:57:08I waited for you just right and I came in.
01:57:10I didn't want to miss the beginning.
01:57:12And was it good?
01:57:14It was really splendid.
01:57:16Although for that, of course, you have to like that kind of music.
01:57:19And it's clear that you're not interested.
01:57:23No, I've never been to a recital like that.
01:57:27But I'm glad he didn't miss it and that he enjoyed it.
01:57:31The truth is that this type of music is much more enjoyed in solitude.
01:57:35Yeah, but I didn't want to stop apologizing to him.
01:57:38Well, that's it.
01:57:39You've already done it, you've already apologized.
01:57:43Although, in general, apologies are welcome accompanied by some kind of explanation.
01:57:47Which is clear that you don't want to give me.
01:57:51Deep down, I appreciate your silence.
01:57:55Much better than humiliating you and giving you another excuse, like with Claudia.
01:58:00Indigestion.
01:58:02Don't think I poked my finger.
01:58:03Mrs. Marta, I really wanted to tell you ...
01:58:04So, with your French friend, fine, right?
01:58:07Why did that happen?
01:58:09That I invite you to dinner and ...
01:58:10Well, your boss will take care of it.
01:58:12You have a lot to put up with the impertinences and bad humor all day.
01:58:19They say that whoever falls, gives.
01:58:23I don't know why I thought we were starting to be friends.
01:58:27But well, now that everything is clear,
01:58:30I hope we can keep the cordiality on a professional level.
01:58:33Taking advantage of the fact that the store is empty, put on glass cleaners.
01:58:38Excuse me.
01:58:58I didn't expect you to come.
01:58:59But thank you very much.
01:59:01I didn't expect you to come.
01:59:02But I didn't expect what you're telling me.
01:59:04I haven't told you everything yet.
01:59:07There will be a free spot in the perfumery section, of which I am in charge.
01:59:11And I want you to cover it.
01:59:14Me?
01:59:15But ...
01:59:16If I don't even know how to speak French.
01:59:18Surely that is not a problem.
01:59:20It was great when we started studying it.
01:59:22When we dreamed of going there, the two of us together.
01:59:25If I want to talk about it there ...
01:59:26Listen to me.
01:59:27I have everything planned.
01:59:28You would start in the warehouse, which you only have sucked,
01:59:31and as soon as you can defend yourself, you would go up for sale.
01:59:35Besides, speaking Spanish would also be an advantage,
01:59:37because many customers come from Mexico, Argentina ...
01:59:39I don't know, Esther.
01:59:40I don't see it all that easy.
01:59:43My father is older.
01:59:44And it was also the last time we could go together.
01:59:51What I am offering you is the freedom that you can be yourself.
01:59:56And also my love, Fina.
01:59:59You don't say anything.
02:00:02It took me a long time to rebuild everything when you left.
02:00:06A lot.
02:00:08To get the idea that our paths were separating
02:00:11and that you were making your life with someone else.
02:00:17It was very hard to forget you.
02:00:21But you did it.
02:00:24You forgot me.
02:00:25Look, Esther, I don't know.
02:00:26Everything sounds very nice.
02:00:27Everything sounds wonderful.
02:00:29But you come here again
02:00:30and you put my existence back on its feet.
02:00:32I've come back because I need you to be happy, Fina.
02:00:38I don't see it so clearly.
02:00:42I need to think.
02:00:44I need to think about ...
02:00:46about work, of course, but ...
02:00:50I don't see it so clearly.
02:00:51About work, of course, but ...
02:00:56But above all, the other thing.
02:00:58I understand.
02:01:02Anyway, my proposal for you to come to Paris is still standing.
02:01:07Even if it's not to be with me.
02:01:10I appreciate it.
02:01:13The important thing for me is that you have the opportunity to be happy.
02:01:17And I think that's not something you're going to find
02:01:19neither in Toledo nor in this factory.
02:01:35You don't move from here, huh?
02:01:37If you need anything from the warehouse, don't ask for it.
02:01:40Don't go there alone.
02:01:41That.
02:01:42And if you're tired, sit down.
02:01:43There's nothing to make an effort today.
02:01:45If a client comes in, Carmen and I will take care of it.
02:01:49But I have such a bad face.
02:01:51No.
02:01:52No, because ...
02:01:54I've put a kilo of paint on you.
02:01:55Yes.
02:01:56But hey, let's see if, with a little luck,
02:01:57Mrs. Marta doesn't show up here today.
02:01:59It's fine.
02:02:01Let's see what I'm talking about.
02:02:04Blessed are the eyes.
02:02:06Hello, Mrs. Marta.
02:02:08Yesterday I had to go to the hospital because ...
02:02:10Because ...
02:02:13Because I had indigestion.
02:02:15That's what your colleagues told me.
02:02:17Did you feel sick at dinner or ...?
02:02:19Well, the truth is that ...
02:02:20What did the doctor tell you?
02:02:23He has prescribed her rest and a soft diet.
02:02:26And yet she decided to come to work.
02:02:28So it seems that it was not so serious.
02:02:30You could have gone to the dispensary.
02:02:31Why didn't you go?
02:02:32Well, as we told her ...
02:02:33Let her answer me.
02:02:40Look, Claudia.
02:02:41I don't care if you have indigestion,
02:02:43but you can't do it without my permission.
02:02:45And I'm going to tell you something.
02:02:46And this goes for all three of us.
02:02:48We all have problems here.
02:02:49And when I say all, I mean all.
02:02:52Sometimes you think I don't have a personal life.
02:02:55And that's not why I'm absent from work,
02:02:56because I feel like it or without giving explanations.
02:02:59Not even when it's a hospital emergency?
02:03:01It was, Claudia.
02:03:03Tell me the truth.
02:03:06What a disappointment, right?
02:03:09I don't want to see you in the store today.
02:03:11You go to the package shop and check the orders for the large warehouses.
02:03:14Package shop?
02:03:15Package shop.
02:03:16Are you going to give me trouble with that too?
02:03:17Don't worry, I'm on my way.
02:03:19Can you tell me what's wrong with the three of you?
02:03:20And why are you in there?
02:03:22Claudia, you've heard me.
02:03:31I don't know what has happened to you today,
02:03:33but I warn you one thing.
02:03:35I'm not for nonsense.
02:03:37Good morning, Mrs. Concha.
02:03:38Good morning, Mrs. Concha.
02:03:42How happy I am to see you here again.
02:03:45What can I do for you?
02:03:46Tell me.
02:03:47Enjoy.
02:03:49Thank you very much.
02:03:54Mrs. Marta, I'm going inside to ask for the silk that is missing.
02:03:56Okay.
02:04:09Mrs. Marta.
02:04:11Yes.
02:04:14Forgive me for interfering with Claudia's matter before.
02:04:17I know she's upset with me.
02:04:18Me?
02:04:19Why would she be upset?
02:04:21It's obvious.
02:04:23But if she has a problem with me, it's not fair that I pay it to Claudia.
02:04:27I don't know what has given you all to give so much importance.
02:04:31Lately, I think I've given you too much confidence and ...
02:04:34And I think you're abusing it.
02:04:35Well, if that's the case, I apologize.
02:04:37But I think I'm right about Claudia.
02:04:40It's clear you don't know me.
02:04:42I thought I was starting to do it.
02:04:44But it doesn't occur to me that someone who has been so kind to me these last few days
02:04:48can do something so unfair right now.
02:04:50My deal with Claudia has not been unfair at all.
02:04:53You know it hasn't been fulfilled in a long time.
02:04:55She is nervous, out of her mind.
02:04:57She lacks work when she needs it the most.
02:04:59She is not reliable, Fina.
02:05:01I'm having a bad time.
02:05:02Look, I'm going to be clear.
02:05:04I'm not an unfair person.
02:05:06But I have to be pragmatic.
02:05:08And right now, Claudia is not in a position to continue in her position.
02:05:10Are you going to fire her?
02:05:12And she's not going to shake my hand.
02:05:14No, no, no, she can't do that.
02:05:20Claudia needs this job.
02:05:22It's very important to her.
02:05:24She can't fire her after everything that's happened, because ...
02:05:27I don't know.
02:05:28She can't fire her after everything that's happened, because ...
02:05:32You can't imagine why ...
02:05:34What do I not imagine?
02:05:36Explain it to me.
02:05:37I can't.
02:05:38Yes you can.
02:05:39I can't tell you.
02:05:40You can and you must.
02:05:41What are you hiding from Claudia?
02:05:44That she's been in the hospital.
02:05:46Yes, you've told me that a thousand times,
02:05:48but you're not even able to tell me what the doctor told you.
02:05:50Because it wasn't indigestion.
02:05:52She tried to kill herself.
02:05:54What are you saying?
02:05:55What are you saying?
02:05:58Claudia didn't want to tell him because ...
02:06:00She was afraid he would fire her.
02:06:02But anyway, if she has made the decision,
02:06:04what else does it matter?
02:06:08She is very good.
02:06:10A lot.
02:06:12And she doesn't deserve everything that's happening to her.
02:06:14If I had seen her in ...
02:06:16in bed, lying down, with the pill box empty ...
02:06:20I thought she was dead.
02:06:22It was horrible.
02:06:24Of course.
02:06:26You were with her all afternoon.
02:06:28And with Dr. Borrell.
02:06:30She can give faith in all this if she doesn't trust me.
02:06:33She helped us take her to the hospital
02:06:35to have her stomach washed.
02:06:37I'm angry because you were supposed to have given me a shot.
02:06:40If I already felt ridiculous before, imagine now.
02:06:43But you trusted me, it's normal.
02:06:45No, stop talking about trust or stories.
02:06:47Claudia is your friend and she needed you.
02:06:49It was an emergency and you left everything to go with her.
02:06:51It's normal.
02:06:54What a horror.
02:07:13Good afternoon.
02:07:15In a few moments I will attend to one of our clients.
02:07:17Sorry, I was looking for Fina.
02:07:19I'll be back in a moment.
02:07:21You are ... then you are his friend.
02:07:23Your friend from Paris.
02:07:25Esther.
02:07:27Marta de la Reina.
02:07:29Don't you recognize me?
02:07:32Now that I see you ...
02:07:34You have changed a lot.
02:07:36You worked in ...
02:07:38Packaging.
02:07:40Fina has told me that she is visiting.
02:07:42Yes, I'm going back to Paris in a few days.
02:07:44Did you want to buy something or did you just come to see her?
02:07:47Both.
02:07:49Although I'm out, really.
02:07:50Now I am in charge of the perfumery section in the Gallerie d'Armand.
02:07:54Do you know them?
02:07:56Of course.
02:07:58They are reference warehouses, of course.
02:08:00Who is responsible for the department of purchases,
02:08:03in case you are interested in selling there?
02:08:06Of course we are interested.
02:08:08It would be a very good opportunity for Perfumeries de la Reina.
02:08:11If I call him, I'm sure he will attend.
02:08:13We are very good friends.
02:08:15Thank you.
02:08:20Is Paul aware that he was working for us?
02:08:24Of course.
02:08:26I have nothing to hide from my time here.
02:08:29Although it is true that he has been living in Paris,
02:08:32where I have been able to develop.
02:08:34Professionally.
02:08:36And personally too.
02:08:38There I can be myself.
02:08:40Going out opens your mind a lot and,
02:08:42in many situations,
02:08:44it helps a little to clear things up.
02:08:46Fina is almost coming with me for the last time.
02:08:48Yes?
02:08:50Well, in the end he stayed.
02:08:52I guess he has his roots here, his family, his job.
02:08:55The truth is that I see her very happy here.
02:08:58If that's the case,
02:09:00why is she willing to come with me to Paris?
02:09:02Oh, I didn't know.
02:09:04She's coming with me.
02:09:08In the elevator they were wrapped ...
02:09:10Esther ...
02:09:12Marta, this is the friend who ...
02:09:14Yes, we have already set the date.
02:09:16Congratulations on your new life.
02:09:18How?
02:09:20Well, I imagine that when you defend yourself with the language,
02:09:22Esther will get you a job in the warehouses.
02:09:24It seems that she has very good contacts there.
02:09:26I haven't decided anything yet.
02:09:28And I understand you, huh?
02:09:30You can't compare the Galeries d'Amain
02:09:32with a perfumery in the provinces.
02:09:34And Paris,
02:09:36who wouldn't want to live there?
02:09:38I haven't decided anything yet.
02:09:40Well, don't doubt it.
02:09:42Opportunities like this cannot be rejected.
02:09:44Nice to see you again, Esther.
02:09:46Delighted.
02:09:49Now we talk.
02:09:51Good afternoon.
02:09:53How can I help you?
02:09:56Your husband will love it.
02:09:58Thank you very much for your purchase.
02:10:02What time do you have the day off?
02:10:04As soon as I attend to those clients.
02:10:06Hello, good afternoon.
02:10:08I'll be with you right away.
02:10:10I haven't finished deciding.
02:10:12Don't worry, we're in a hurry.
02:10:14Let's take a look.
02:10:16Esther.
02:10:18Can you tell me what you're doing?
02:10:20What a waste you are here
02:10:22attending to four pavilions.
02:10:24Please, a little respect, they can hear you.
02:10:27Why did you tell Marta about Paris?
02:10:29I didn't know it was a secret.
02:10:31No, what I haven't given you is a definitive yes.
02:10:33If you're going to go out with your father again, save it.
02:10:35It's the same story as last time.
02:10:37Maybe it's hard for you to understand,
02:10:39but to make such a decision,
02:10:41I can't make it overnight.
02:10:43Miss, can you charge us, please?
02:10:45Sure.
02:10:46It's 10 pesetas.
02:10:50How will her skin look
02:10:52after taking a bath with these salts?
02:10:55Thank you.
02:10:58Good morning.
02:11:05Fina, I want you to get out of here
02:11:08and breathe freedom.
02:11:10So you can live the life you want
02:11:12without having to hide what you feel
02:11:14or who you feel it for.
02:11:16You have to give me time.
02:11:18I'm not like you.
02:11:20Maybe not like the Esther of now,
02:11:22but like the repressed girl who worked here.
02:11:24I don't know, it's just that...
02:11:26I only see that you paint a future for me
02:11:28that are songs of sirens.
02:11:30What are you afraid of?
02:11:32It's not fear, Esther, it's not fear.
02:11:34I was born here.
02:11:36My father has always worked for the family
02:11:38and they just gave me a chance here in the store.
02:11:40And everything will remain the same if you decide to return.
02:11:42Nothing has changed since I left.
02:11:44Yes, it has changed.
02:11:46And if I go so far,
02:11:48that would be a very hard blow for him.
02:11:50Your father, your father, your father.
02:11:52Your father, all he wants is what's best for you.
02:11:54What you don't know is what you want.
02:11:56Making my own decisions without pressure.
02:11:59Clear.
02:12:01But while you think about it, time goes by
02:12:03and I can't keep waiting for you forever.
02:12:17What are you doing here?
02:12:19I wanted to talk to you in private,
02:12:21if I don't interrupt you, of course.
02:12:24Come in.
02:12:34I'm here to talk about Fina.
02:12:36Here, the union link still doesn't work like in France.
02:12:39Besides, she would have to be present.
02:12:41It's not about a job.
02:12:44It's the only thing that links me to Fina.
02:12:46As she told me,
02:12:48above her work relationship,
02:12:50there is a friendship that she values a lot.
02:12:52It is true that her father and she have been working for the family for many years
02:12:56and they are considered very close.
02:12:58And that I personally helped promote her in the store.
02:13:01But apart from that,
02:13:03I don't know what else I can add.
02:13:05Look, Marta, if I came here to talk to you
02:13:08is because I know that Fina trusts you.
02:13:10And I need your help to be able to help her.
02:13:12How direct.
02:13:14Very little French.
02:13:17Tell me,
02:13:19what happens to Fina?
02:13:21She is an indecisive person,
02:13:23educated in tradition.
02:13:25We are all here.
02:13:27And it seems to me that because of the relationship you have described,
02:13:29she feels that she owes you a thank you.
02:13:31And is that a bad thing?
02:13:33Yes, if you tie her to this place.
02:13:35I have never prevented Fina from doing whatever she wants.
02:13:37If she wants to leave, let her go.
02:13:40Marta, do you really think it's that easy for her?
02:13:42I am offering her the opportunity to open up to the world.
02:13:45To live free, without judgments or prejudices.
02:13:48And I think you know why I'm telling you this.
02:13:52Freedom is not something that can be imposed, Esther.
02:13:55And social standards, yes.
02:13:57In a city like Toledo,
02:13:59you either comply and get married,
02:14:01as the canons mark,
02:14:03or they hang you in San Benito de Solterona
02:14:05if it's not something worse.
02:14:07I know what I'm talking about.
02:14:09I don't want Fina to live bitter and alone.
02:14:11I don't want her to end up repudiated, condemned,
02:14:13to repress what she feels.
02:14:15Do you think I do?
02:14:17Marta, I know you've never imposed anything on her,
02:14:19but Fina needs to know
02:14:21that you think it's right for her to leave.
02:14:24Fina is an adult woman
02:14:26and she can make her own decisions.
02:14:28But sometimes a little push is good for them.
02:14:31I want to think that you are doing all this as a friend.
02:14:34Because you really care about Fina's well-being.
02:14:37But you can't decide for her.
02:14:41Tell me I'm wrong.
02:14:43Living here is not a sentence for someone like her.
02:14:47Fina values your opinion.
02:14:50Think about what is the best advice you could give her.
02:15:10Yes.
02:15:16Sales went down yesterday.
02:15:18We were doing well.
02:15:20I hope the anger hasn't cooled down
02:15:22because of the queen's essences.
02:15:24No, people don't go shopping during the week.
02:15:26From Thursday, Friday,
02:15:28things start to get lively.
02:15:30Yes, but sales also went down in stores.
02:15:32I think I should think of something for the campaign
02:15:35before things cool down.
02:15:37An ad on TV would be great.
02:15:40Yes, Carmen would look gorgeous.
02:15:43She would do it so well.
02:15:45I was thinking about Carmen, but also about you.
02:15:47Both of you together, here in the store.
02:15:49Me?
02:15:51Why not?
02:15:53It was hard for me to decide between Carmen's photos and yours.
02:15:55You are very photogenic.
02:15:57What do you think?
02:15:59Well...
02:16:03Maybe I'm not here anymore
02:16:04for the ad to be made.
02:16:10Have you made up your mind?
02:16:12I saw your friend Estela,
02:16:14I was sure you would go with her,
02:16:16but I saw you hesitating.
02:16:19There are things that keep me here.
02:16:22Your father, right?
02:16:24My father.
02:16:26Yes.
02:16:29Do you think it would be the best for me?
02:16:31Fina, that's something you have to decide yourself,
02:16:33without anyone influencing you.
02:16:35Neither Ester, nor your father, nor me,
02:16:37nor anyone.
02:16:39I've been thinking about it for many years,
02:16:41since the first time he proposed to me.
02:16:44But then I couldn't give my father that disgust.
02:16:47And now you do.
02:16:49My father is very annoyed
02:16:51that I have to get married, and I...
02:16:56What if I don't want to get married?
02:16:57It would still be a bigger disgust for him.
02:17:01And besides, it's starting to be time
02:17:03for me to think about myself.
02:17:05And according to Ester,
02:17:07living in a country as modern as Paris
02:17:09would be the best thing that could happen to me.
02:17:11Maybe you're right.
02:17:13But there are more things that keep me here,
02:17:15apart from my father.
02:17:20And I think
02:17:22I could have worked
02:17:24in a company
02:17:26and I could have worked here all my life
02:17:28and be just as happy.
02:17:30And that's where the doubt arises.
02:17:34This isn't Paris, Fina.
02:17:38No one can offer you what Ester offers you.
02:17:42You know that.
02:17:44So you think I should leave?
02:17:46There you'll have more opportunities
02:17:48to build a professional and personal future.
02:17:51But I'd have to study more French.
02:17:53You're very smart.
02:17:55You also learn.
02:17:57And you could always come back.
02:18:00I'd hire myself again.
02:18:02Without a doubt.
02:18:05But I know that if you leave, you won't come back.
02:18:07Because you'll become a modern,
02:18:09sophisticated woman
02:18:11and happy
02:18:13for having found your place.
02:18:16It's a shame to have to go so far to do it.
02:18:25Anyway,
02:18:28thank you so much for being so honest with me.
02:18:31Your opinion means a lot to me.
02:18:33In fact,
02:18:35it's the most important right now.
02:18:38You have to be happy, Fina.
02:18:42There's nothing I want more.
02:18:55I love you.
02:19:11Sorry I'm late.
02:19:13I dropped my suitcase
02:19:15and I had to go buy another one at the last minute.
02:19:18Have you prepared it?
02:19:20Remember that we'll have to get up early tomorrow
02:19:22if we want to get to Madrid on time to catch the train to Irun.
02:19:26No.
02:19:28No, Fina.
02:19:31It's the same face I saw when I left with you
02:19:34tomorrow in Paris.
02:19:36No.
02:19:38You can't do this to me again, Fina.
02:19:43If you think it's too soon,
02:19:45we can delay it for a few days.
02:19:47I just have to talk to the gallery manager
02:19:49and tell him that we're delaying your incorporation.
02:19:52I thought you wanted to leave this place.
02:19:55That you felt trapped like in a prison without being able to be yourself.
02:19:58And that's how it is.
02:20:00But things have changed.
02:20:03He's my father.
02:20:06Look, I thought you'd do it again.
02:20:09You play with me.
02:20:11This time it's very different.
02:20:13You still don't have the courage to live the life you want.
02:20:15Well, I wish I could be like you
02:20:17and leave regardless of who I leave behind.
02:20:19My father is dying.
02:20:22And I want to be by his side.
02:20:25What do you mean he's dying?
02:20:27He has a heart disease.
02:20:30He has very little time left to live.
02:20:33Yes, my God.
02:20:35Forget everything I just told you.
02:20:37Don't worry.
02:20:39You said what you felt.
02:20:41You don't have to apologize.
02:20:43I'm sorry, Fina.
02:20:45Right now is not the time to go anywhere.
02:20:47No.
02:20:49Now we have to be strong
02:20:52to accompany him and take care of him.
02:20:55It's going to be very hard.
02:21:00And I would like to be able to accompany you
02:21:03and stay a few more days, but I...
02:21:05Don't worry.
02:21:07It's normal that you have your obligations.
02:21:10After all, this is no longer your place.
02:21:12No.
02:21:14No.
02:21:16It's not.
02:21:18Although it hurts me not to be with you.
02:21:19I don't know how to justify this, really.
02:21:23And here I have people who...
02:21:25who are going to help me get through this.
02:21:30Yes.
02:21:32Like Mrs. Marta.
02:21:38Yes.
02:21:40Like Marta.
02:21:43Someone I appreciate a lot.
02:21:45What you feel for her is something more than appreciation.
02:21:47Yes.
02:21:51But I also think
02:21:53she feels something very similar for you.
02:21:57You know it's not going to be easy, right?
02:22:00In fact, it's going to be impossible.
02:22:03Don't look at me like that.
02:22:05Marta is a woman with a certain position
02:22:07and she will never dare to make certain decisions.
02:22:10She has a lot to lose.
02:22:12She will prefer to survive to live.
02:22:14You don't know that.
02:22:15Look around you.
02:22:17Here, there, outside.
02:22:19Toledo is very small.
02:22:21And people talk.
02:22:23The slightest carelessness is enough
02:22:25for the misfortune to fall on you.
02:22:27And she has a position.
02:22:29Money sometimes falls in many mouths.
02:22:31But you...
02:22:34What kind of life awaits you, Fino?
02:22:40But I hope I'm wrong.
02:22:42Because all I want is for you to be happy.
02:22:50I love you, Fino.
02:22:53I've always done it.
02:22:56Me too.
02:22:58Thank you for understanding.
02:23:09Good luck.
02:23:11Thank you.
02:23:41Hello.
02:23:51Hello.
02:23:55Sorry, I stayed to sleep with my father
02:23:57and I was preparing an infusion.
02:23:59Don't worry, it's your house.
02:24:12Oh my God, she's going to fall.
02:24:14Yes.
02:24:16We'll have to close the windows well.
02:24:21I suppose you'll have the luggage ready.
02:24:26I'm not leaving.
02:24:28To Paris?
02:24:31You're not leaving?
02:24:34Has something happened?
02:24:37My father...
02:24:38What's wrong?
02:24:41Tell me.
02:24:43Is he sick?
02:24:46He's dying, Marta.
02:24:50He's dying and he doesn't want me to be with him.
02:24:56I'm sorry.
02:25:00I'm sorry, Fino.
02:25:09Don't take it seriously.
02:25:11Men act tough when deep down they're terrified.
02:25:16Listen, your father adores you.
02:25:19I'm sure he'll ask you to be by his side.
02:25:23I hope so.
02:25:25That you play.
02:25:27A tray of sweets.
02:25:30With chocolate.
02:25:32For the woman.
02:25:34Or whatever you want.
02:25:35Thank you for being there.
02:25:39Thank you for letting me be.
02:25:53I'm sorry, I can't.
02:25:56I can't.
02:26:05I can't.
02:26:24Are you okay?
02:26:32You've been crying.
02:26:35I don't know what to think.
02:26:37My father says he's better than the doctors say, but...
02:26:41I know he's lying.
02:26:43And I don't know if I should let him lie or...
02:26:46I'm so confused.
02:26:49I wish I could help you and...
02:26:53I'm sorry.
02:26:56Why are you doing this to me?
02:27:00I'm sorry, I look bad and...
02:27:01It's not that you say these things and make me believe we have a relationship of trust, of intimacy.
02:27:07But then you leave and you run away.
02:27:10You confuse me, Marta.
02:27:12Last night, I...
02:27:13I know you're a married woman.
02:27:15I know.
02:27:17And I know this is very difficult for you, but I...
02:27:21I don't want to suffer anymore.
02:27:23I don't want you to suffer.
02:27:26You've never felt anything so special for someone.
02:27:29But what I feel for you...
02:27:32It's not what you'd like.
02:27:35Things have happened between us, right?
02:27:38There have been glances, there have been smiles.
02:27:41Of course you've known.
02:27:42I've been through all this, right?
02:27:43Yes.
02:27:44I haven't made it up.
02:27:45No.
02:27:46So what?
02:27:47I think they were the result of an intense affection caused by...
02:27:50by closeness, by the time we spent in the store.
02:27:53Loneliness, because of my husband's absence.
02:27:56Yes, I understand you.
02:27:57I really do understand you.
02:27:59But there are certain things that...
02:28:01that are very difficult to assimilate.
02:28:03Especially in this country.
02:28:05We'd have to live in secrecy.
02:28:08I'm not like you, Fina.
02:28:11Like me?
02:28:12I'm not judging you.
02:28:13And I'll never judge you,
02:28:15as I didn't when Petra told me.
02:28:19And I'm very sorry
02:28:21to have made you think that...
02:28:23that this was something more than...
02:28:25than a friendship.
02:28:27What is it?
02:28:29Well...
02:28:31If that's the case,
02:28:32I think it's best that we distance ourselves.
02:28:36If that's what you need.
02:28:39Marta, I feel quite ridiculous
02:28:41after everything we've talked about, so...
02:28:44If you don't mind...
02:28:46Fina.
02:28:49If you need a transfer, just ask me.
02:28:54If my father wasn't sick,
02:28:55I'd gladly go.
02:28:57Of course.
02:29:01So, as you said,
02:29:02it's best that...
02:29:04that we distance ourselves
02:29:06and limit ourselves to...
02:29:08to the store's matters.
02:29:12Very well.
02:29:25Thank you.
02:29:30Operator.
02:29:31Yes, with Marco Escarbajal's photographic studio.
02:29:34Please.
02:29:36Thank you.
02:29:39Come in.
02:29:43You came so quickly.
02:29:45I thought it was important that you called.
02:29:47Rosa, you can go eat.
02:29:52To be honest,
02:29:53I didn't think I'd hear from you again.
02:29:55Why?
02:29:56I thought you were offended
02:29:58because I suggested that thing with that client.
02:30:01You were wrong to say that my tastes are different.
02:30:05And they aren't.
02:30:09Well, you tell me why you called.
02:30:12Sit down.
02:30:14A drink?
02:30:15Of course.
02:30:17Whiskey, if I remember correctly.
02:30:20Exactly.
02:30:24You see, we discarded some photographs
02:30:26that I think could work very well
02:30:28to announce Essences of the Queen
02:30:31given the success we're having.
02:30:34And what do you propose?
02:30:37That we choose them together.
02:30:42That we collaborate hand in hand.
02:30:45I'd pay you, of course.
02:30:47I'd pay you, of course.
02:30:52It sounds like it's impossible for me to say no.
02:30:57Well, what are we waiting for? Let's start.
02:31:00For how pleasant some jobs are.
02:31:12Well, you, you expert.
02:31:15What do you think of these photographs?
02:31:23What do you think of these photos?
02:31:27Without a doubt, this one.
02:31:30It has strength,
02:31:32but its gaze denotes a certain vulnerability.
02:31:35And I love that.
02:31:41Father, I wasn't expecting you.
02:31:43You don't have to wait for me.
02:31:45I think I'm still the president of this company
02:31:47and this is my office.
02:31:48We were choosing some photographs.
02:31:50Right.
02:31:53Well, I'll entertain you.
02:31:55I'll let you continue with your work.
02:32:13Can't you be at meetings all day?
02:32:15Besides, I don't know why there's so much secrecy.
02:32:17I don't think it's a joke.
02:32:19What's the matter?
02:32:20Are you cheating on your husband?
02:32:23Can I know what you're asking?
02:32:25Are you cheating on Jaime with that three-by-four photographer?
02:32:28Yes or no?
02:32:29Ah.
02:32:30That.
02:32:31Yes, that.
02:32:32I enter that office and I see that scoundrel
02:32:34with his mouth two centimeters from your ear.
02:32:37Father, don't be rude, please.
02:32:39We didn't do anything.
02:32:40I've never cheated on Jaime.
02:32:42Even if he cheated on me,
02:32:43I wouldn't have to explain it to him.
02:32:45Don't talk to me in that tone.
02:32:46With you losing respect for your scoundrel,
02:32:48that's enough.
02:32:49Why lose respect?
02:32:50And where do these suspicions and questions come from?
02:32:53Why don't you ask Jesus?
02:32:55I'll tell him.
02:32:57Because he's a man.
02:32:58Your brother has nothing to do with this.
02:33:00Of course he does.
02:33:01Why didn't you ask him why he fired Elena?
02:33:03To see what he tells him?
02:33:04No, imagine it.
02:33:06Atecabos.
02:33:07Don't change the subject.
02:33:09I saw what I saw in that office.
02:33:11I don't have to give him details of my private life.
02:33:13You're a married woman.
02:33:15Thank you for reminding me.
02:33:17It's been so long since Jaime has stepped into this house
02:33:19that I forget.
02:33:20A week ago you could have gone to see him
02:33:22and you didn't.
02:33:23And that's the problem,
02:33:24that I'm the one who has to leave his home
02:33:25to meet with a husband who calls from time to time?
02:33:28Jaime was already on the merchant navy
02:33:30when you met him.
02:33:32Nobody forces him to jump from ship to ship.
02:33:34It's a life decision, father.
02:33:36And between work and his wife, he has already chosen.
02:33:38You're being very unfair to him.
02:33:40He's always shown you what he wants from you.
02:33:42Yes, sending me some beautiful letters
02:33:44that all they get is to make me feel more alone.
02:33:46It hurts me so much to see you like this.
02:33:50And I understand you more than you think.
02:33:53But you can't mortgage your future,
02:33:56your reputation,
02:33:58for a few pennies
02:33:59with that insignificant photographer.
02:34:02Now he's become a loving father.
02:34:05Don't be sarcastic with me, huh?
02:34:07This family has enough problems
02:34:09for you to make the situation worse.
02:34:11You see? There it is.
02:34:13All he cares about are appearances.
02:34:15For a moment I thought I was the one he cared about,
02:34:17but no, he cares less about anything.
02:34:19Hey, hey, where are you going? You haven't finished yet.
02:34:21Well, I do.
02:34:23You know, if I had been born a man,
02:34:24I would have saved myself this...
02:34:26such a boring conversation.

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