#MoviesEnglish #romantic #MOVIE
It's all about the diamonds. Their clandestine faceting is running smoothly in a provincial town. The criminal business is run by the owner of the local restaurant Pavel Sergeevich-Pavlik (Yuriy Balyaev). His former schoolmate a senior police officer Valeriy Petrovich-\valera (Sergei Batalov) is Pavel's accomplice. Pavlik is trying to drag into his business another former classmate engineer Yuriy Vladimirivich - Yu.V. (Alexander Feklistov). Yuriy fares ill in life. He was imprisoned on a false charge. After his release Yuriy Vlasimirovich gladly accepts Pavlik's offer to work in his hometown. But the chief engineer's position is just a bait in the diamond fraud. Yuriy is to withstand serious challanges and to take part in vertiginous adventures. They are all the more dramatic since a woman is involved. Her name is Rita Imaria Mogilevskaya), she is Valera's (senior police officer's) wife and Yuriy falls in for her. The intrigue interwines tighter yet when Yuriy's only daughter Masha whom he hasn' seen for ages suddenly comes to town. A mysterious disappearance, pursuits, fire-fights, blackmailing... In extreme circumstances those survive who care about others more than about themselves.
It's all about the diamonds. Their clandestine faceting is running smoothly in a provincial town. The criminal business is run by the owner of the local restaurant Pavel Sergeevich-Pavlik (Yuriy Balyaev). His former schoolmate a senior police officer Valeriy Petrovich-\valera (Sergei Batalov) is Pavel's accomplice. Pavlik is trying to drag into his business another former classmate engineer Yuriy Vladimirivich - Yu.V. (Alexander Feklistov). Yuriy fares ill in life. He was imprisoned on a false charge. After his release Yuriy Vlasimirovich gladly accepts Pavlik's offer to work in his hometown. But the chief engineer's position is just a bait in the diamond fraud. Yuriy is to withstand serious challanges and to take part in vertiginous adventures. They are all the more dramatic since a woman is involved. Her name is Rita Imaria Mogilevskaya), she is Valera's (senior police officer's) wife and Yuriy falls in for her. The intrigue interwines tighter yet when Yuriy's only daughter Masha whom he hasn' seen for ages suddenly comes to town. A mysterious disappearance, pursuits, fire-fights, blackmailing... In extreme circumstances those survive who care about others more than about themselves.
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Short filmTranscript
00:00Hello? It's you again?
00:06Yeah. Let me help you out.
00:10No, no, no thanks. I live far away.
00:13Well, I've got lots of time.
00:16No, no, no. I live in Sinitsuno and I like walking.
00:19Please, give me your bags. Come on, give them to me.
00:23Here you go. I will make you some tea to say thank you.
00:29Thanks a lot. Sinitsuno?
00:32Yes.
00:33That sounds familiar.
00:36I think we rented a house in that village when my daughter was young.
00:39Oh, really? Who'd you rent from?
00:41Granny Valya. Do you know her?
00:43Yes, I do, but she moved to her daughter in the city.
00:48Come, we should keep moving. It's cold.
00:51On my way.
00:56Wanted.
01:04My dad always wanted a boy, but got me.
01:10I still remember him teaching me how to overcome all my fears as a child.
01:21He made me climb tall trees and stand on the edge of cliffs.
01:27I can't tell you how terrified I was. It really upset him.
01:33I was too dramatic, according to him.
01:38My parents even split up because of this.
01:43The day I fell off a log, I remember my mom yelling at him.
01:50After that, he left us.
02:13Your dad wasn't in the right.
02:18Well, it's a good thing that you're a girl.
02:22You know, I've spent a long time blaming myself for my dad leaving us that day,
02:30thinking that I was a coward and I couldn't be what he wanted.
02:36Silly girl. Luckily, you're a grown-up.
02:41Everyone who knows it is their relationship that is to blame.
03:12I've been thinking a lot.
03:17What if he used this telegram?
03:20Well, I don't know. To somehow test me.
03:25To see if I would make it to the end.
03:28It's silly. It's all just literature.
03:34Anyway, forget about it.
03:38Don't overthink it.
03:45Tell me, why did you rent the cottage in the first place?
03:48I don't even remember. But I can ask my mom because she calls me every single night.
03:53Ask her.
03:55Afternoon.
03:56Hello.
03:57Afternoon.
03:58Afternoon.
04:20Oh my goodness. You really scared me. What are you doing here?
04:26I'm sorry, I didn't mean to...
04:29You're Rita.
04:32Possibly.
04:35Yes, I'm Rita. How can I help you?
04:39Yuri Vladimirovich. He asked you nicely to talk to his daughter
04:44about some or other dog park that is near the soccer field.
04:52Come again?
04:54Please be careful. Pavlik's men are following you.
05:02How do you know that?
05:09If they are watching me, then they are watching you.
05:13I know. I saw Sever. He followed me around in a car a couple of times.
05:18But I thought it was Pavlik reminding me to return the money.
05:23But that's ridiculous. Where am I going to get the money?
05:31Do you really think that you can pay Pavlik off with money?
05:36No. That man is not going to rest until he gets revenge.
05:54Hello?
05:57Yes, this is her.
06:00Ah, Rita, is that you?
06:04Yes, hello.
06:07Yes, I'm fine, thanks.
06:10Yes.
06:13Sure.
06:16Yes.
06:20Yes.
06:22Sure.
06:25Yes, okay then.
06:29And do you know her?
06:33What? Hold on. You're saying he's alive?
06:37Yes, I remember the playground.
06:40No, I'm sorry. I don't remember it exactly.
06:44Although I can find out.
06:46Okay, I'll call you back. I'll let you know the moment I remember.
06:50Thank you, Rita.
06:54My dad sent a girl to Rita's with a message.
06:57I get it.
06:59Your dad is setting up a date for you at this unfortunate playground.
07:04When your mother gives you the address, don't tell Rita.
07:09She is Pavlik's ex-wife.
07:12No, no, Stas. I do think I can trust her.
07:17You can't trust anyone right now. Not even her.
07:23Not anyone?
07:28Nobody.
07:42Okay.
08:12Okay.
08:42Okay.
09:12Yes, Mom, I can hear you.
09:31Don't worry, Mom. Listen, I have a question.
09:34Can you remember the name of the place where we used to rent a cottage?
09:40Years ago.
09:42Yes.
09:47Sinitsina?
09:50Mom, are you sure?
09:52Not at all.
09:54Of course, I know you have a photographic memory.
09:57Uh, no, I was only asking.
10:01No, I'm sorry, Mom. I won't be able to come right now.
10:28Goodness, you scared me.
10:32Acting like a ghost.
10:35Why are you wet? What were you doing?
10:39It's been raining. I mean, it's been snowing.
10:45Will you please let me go?
10:50I'll just leave anyway.
10:56Do not think about it.
10:59You are mine. Do you understand? You're mine.
11:04I have always had to stand last in line.
11:08As everyone else got the best.
11:11Like Pavlik or YV.
11:16I should have something of my own too.
11:19If you run, then please be warned.
11:24There will be serious consequences.
11:27Neither of you will be spared. These are not empty threats.
11:31Do not test me, Rita.
11:54I'm sorry.
12:22I'm sorry.
12:52I'm sorry.
13:22I'm sorry.
13:37Is there something wrong? Did the car break?
13:39Look out the back window.
13:50It won't be good if we take a tail to Sanicino.
13:55All right then.
13:58Let's go.
14:26Max, don't lose him.
14:56Where are you going? Can't you see the road?
15:12Hey, you fool. What's wrong with you?
15:13Get out of the way.
15:42Close the gate and open it when I tell you.
15:52Okay, sir.
16:51What's going on?
17:04What's wrong?
17:06Tell me what's going on.
17:08It's a message from the Sicilian mafia. Why are you quiet?
17:15Why are you here?
17:18Aren't you supposed to be keeping watch?
17:22We lost them. We're sorry.
17:24What?
17:26They're gone.
17:27You lost them?
17:30This is not a jungle.
17:37What is your expectation?
17:39Yakut will make me account for this alone?
17:44Let's go.
18:10It's the soccer field, if I'm not mistaken.
18:13I don't think I'm wrong.
18:15It looks like the right place to me.
18:17Come along.
18:20Let's go.
18:25Yeah, that's right.
18:27When I was young, I always used to come to this playground with my parents.
18:31My mom stood there while my dad and I used to run around and play.
18:36It was fun.
18:38Well, okay. I think it's over there.
19:06Tell me who hates me, huh?
19:09Who's gunning for me? Whose toes have I stepped on?
19:12I'll ruin anyone who goes against me.
19:14Do not forget, this is my town.
19:17Why are you so happy? What's going on?
19:21Most of my fish are dead.
19:23I walked in and saw puddles.
19:25Everything was knocked over. It was a mess.
19:27Do you have any idea what it means?
19:29I suggest you find out.
19:35I definitely don't need a silly cop like you who is clueless as to what's going on in this city of mine.
19:40Maybe I should replace you, huh?
19:42Damn fool.
19:55It's over here.
19:57It's the dog park I was talking about.
20:06Wow. I always thought this very log was absolutely massive when I was still a child.
20:30Masha?
20:33Daddy?
20:36Is it you?
20:38Yes.
20:41Why do you have a pistol?
20:46My dear, the public said it's a birthday gift.
21:02Masha, I feel so guilty for having let you down.
21:08I realize you must despise me for it.
21:11I don't know what to say.
21:13Why don't you tell me why you came up with this entire charade?
21:18What entire charade?
21:20Oh, I understand you are aware.
21:23I got involved in something unpleasant.
21:25I had to run, otherwise public would have destroyed me.
21:28Then much later I found out that you came.
21:32I was just so scared for you, and so I came.
21:36That means you're here because of me.
21:39Of course.
21:41Okay, this doesn't make any sense to me.
21:44Then why did you ask us to organize your funeral for you?
21:49Why did you send that telegram?
21:51No, I never sent any telegrams.
21:54In fact, I found out about the funeral by accident reading the newspaper.
22:02Where are they?
22:06I don't have anything.
22:08Oh, come on.
22:09I was with you the entire night watching you.
22:13Who could have done it?
22:14Or did you give them to your reader?
22:16Is that how you managed to hide them?
22:18Stop it, Stas. What are you doing?
22:20Are you serious?
22:22Why don't we see what is more important to your daddy?
22:27His daughter?
22:29Or his rocks?
22:31Listen to me, Stas. Don't hurt my daughter.
22:34Please, kill me.
22:35I'm sorry I don't have any information for you.
22:37I have absolutely no idea where all those rocks are.
22:40I do not believe you.
22:42People would do anything for these rocks.
22:44Stas, you're a decent man.
22:46You shouldn't do this.
22:48You are no animal, are you?
22:51Are you sure?
23:17Colonel, you called?
23:18Ah, Smerten.
23:20Close the door. Take a seat.
23:23Make yourself at home.
23:25You want some?
23:26It's still too early for me.
23:28Not for me.
23:36I'd like to put surveillance on Pavlik.
23:40Do you mean...
23:43Mr. Pavel Sergeyevich?
23:44That's right. Pavel Sergeyevich.
23:47As well as his men.
23:49What do they do? And where do they go?
23:52Report to me every hour. Am I clear?
23:56On what basis?
23:59It's my order.
24:01What more reason do you need, Lieutenant?
24:04I'll talk to the prosecutor today.
24:06I would like to get a warrant to arrest Pavel Sergeyevich on charges of Buratov's murder.
24:10Understood?
24:12But we're currently looking for an engineer on this case.
24:15I'm certain Pavlik is in on it too.
24:17They might be in cahoots.
24:19Which is why we need to search his restaurant.
24:22Got it? Now do it.
24:37I'll show him. He's replaced.
24:41Excuse me, sir. He's here.
24:45Who is?
24:47He just showed up.
24:49Be clear. Who's here to see me?
24:51Why, we.
25:01Bring him here.
25:03Max!
25:10Max!
25:15Well, then, don't you have a lot of nerve, Yuri.
25:18You showed up here yourself.
25:21Well then, where are my stones?
25:24I don't have them.
25:26Then where are they?
25:28I've got no idea where they are. I've come to you to ask for your help.
25:32Help me save my daughter. I promise I'm not lying.
25:36I don't have your stones. I have no idea where they are.
25:40I left them at home. And I thought that you would find them.
25:43They, uh, they were stolen. I'm telling the truth.
25:47Aha, really. That's what you're suggesting I tell Yakut.
25:51Do you know what he's going to do to me when he finds out about this?
25:57He will tear both my eyes out and then he'll eat them as a snack.
26:01I really don't know where all those rocks are.
26:04But I do know my daughter's in the hands of a psychopath.
26:07And I have no idea what he'll do.
26:10So I'm begging you.
26:12I found her. I haven't seen her in years.
26:16She's become so... I can't, I can't leave her.
26:20Pavlik, help me.
26:23I understand. Family and children are scary.
26:31Fine, I'll help.
26:35But if I find out that you're the one who snatched the stones...
26:39I'll tear you apart.
26:44Why don't you say something to me?
26:51Try to understand. I can't give it up.
26:55I almost had it.
26:58I almost had it.
27:02I almost held the stones in my hands.
27:06I don't want anything bad to happen.
27:11I only want my money. Then we'll get out of here.
27:15You believe him, don't you? Not me.
27:19But he's lying. I followed him all night.
27:22Not long before.
27:31I'm sorry.
28:01I'm sorry.
28:31I'm sorry.
29:02Stop.
29:11After that, I drove Wyvie's car to the Kolobrod Bridge.
29:19I easily made everyone think that Wyvie drowned in the river.
29:31But I didn't.
29:48Yes, I sent you the telegram.
29:51How else should I have found your father?
29:56Come back!
29:58Please don't do this. Just let me go, Stass. I beg you. Leave me. Stop this.
30:03Quiet!
30:06Maybe I shouldn't have threatened your dad.
30:09And if we were decent people, we would have made a deal.
30:13I would take my money, and we'd be out of here.
30:17What matters is I like you.
30:19You better let go of me right now! Don't you dare touch me again!
30:23I don't want to lose you.
30:26The money.
30:31Everyone would have done this.
30:34Oh, goodness. I feel sorry for you.
30:46Stassik! Please come out, boy!
30:51Where are you?
30:57No!
31:01Oh, no.
31:26Listen here, young man. You will kill yourself and that girl by accident.
31:40Go get lost. Find the diamonds first, and then you can give me advice.
31:48Mashenka, don't be scared. I'm going to save you.
31:56Come on.
32:27Come on.
32:39Come back! Don't be stupid!
32:49Mashenka. Mashenka, please come here, dear. You will have to do it. Come here.
32:56Come to me, Mashenka. Come here.
32:59I don't want to.
33:00Come on. I'm right here. I know you can do it.
33:03No, I can't.
33:04Just give it a try. Come to me, dear.
33:08Easy, Masha. Easy.
33:14You've got this.
33:17Keep moving.
33:20Take your time, my dear.
33:24Do not look down. Come to me.
33:28That's good.
33:31Well done. Come here. That's good.
33:35Come on.
33:55Good job. Come here.
34:08You're safe. Good girl.
34:10No, don't look. Look here. That's it.
34:14It's okay. You're safe.
34:17You did it. Well done.
34:20It's over.
34:22It's over. You've done it.
34:25I did well, right?
34:26You did great.
34:27I've made it.
34:28You did. You're okay.
34:30I'm no coward.
34:31No, no.
34:32I wasn't afraid.
34:33Yes, you did it. You did it.
34:35Oh, my dear. I'm so sorry for everything. Sorry. I should have called you, but I was scared. You'd be mad.
34:44I thought you might be embarrassed of me when I got out of jail, but I was a fool. I...
34:49Don't say that. I know everything, and I... I understand why Rita explained it. She's extremely nice.
34:58Really? You liked her?
35:00Yes.
35:06Hey! Come down now. Enough of that.
35:10Jakob will be here soon.
35:19Come on.
35:26Matvei Spiridonovich?
35:28Rita!
35:30Hello there.
35:32Hello, dear Rita.
35:33It's very nice to see you.
35:34Nice to see you. Thanks so much. Tell me, why are you here so late?
35:38I was actually just getting ready to leave here.
35:41My wife and I invited to Pavlik's Grand Restaurant for an all-expenses-paid dinner this evening.
35:48Not one to miss it. That's why we need to get going soon.
35:51I see. In that case, I'm not going to keep you long, but I do want to ask you a question. About diamonds, if I may.
36:00It's about rough diamonds. Uncut, what do they look like? Well, I was just curious. Could you describe it, please?
36:07They look just like pebbles, and they're grey. You know, almost like those in an aquarium.
36:14Yes. An aquarium.
36:17Yes, that's right.
36:18Thanks a lot. Please send my greetings to your wife, Evgenia. Thank you, and have a good night.
36:24Thank you. I hope you have a good night, too.
36:26Office space. No entry.
36:48Now get that aerial gymnast out of here, and then come back to me.
36:58Please, don't look at him.
37:00Come on now, let's go.
37:02Dad, where are you going?
37:04You can go anywhere you want to, my dear. We're going straight to hell.
37:07Do not worry. I'll see you again, dear.
37:09Oh, Valera, we've got a dead body.
37:12Get him, men. Get him now!
37:15What is wrong with you? Have you completely lost your minds?
37:18Who do you think you're grabbing here?
37:20Keep your mouth shut, will you? You're under arrest on suspicion of Buratov's murder.
37:25Is that clear?
37:34As for you, you and I are going to have a talk.
37:38You are worth nothing.
37:41In fact, you're the lowest of the low.
37:43It was you who stole all the diamonds.
37:45You betrayed us. You have betrayed me.
37:48You betrayed Wyvie as well as your beloved public.
37:51Colonel, what are you doing?
37:53I'll show you!
37:55Stop this. What are you doing?
37:57I'm going to make you pay!
37:59Let the gun go!
38:01Got it!
38:03Job well done, Lieutenant.
38:05I'm going to make you pay.
38:08Job well done, Lieutenant. Thank you so much.
38:11Why are you laughing at me like that, you stinking rat? Where are my diamonds?
38:14All your diamonds are gone for good. Mine are gone as well.
38:17Those fish are such insatiable beasts, and there is nothing you can do about it.
38:22Take him away.
38:24Hahaha, hahahaha!
38:32Usually it's us who eat them.
38:34However this time it's very different since they ate you!
38:37Hahaha!
38:54I don't think I like this restaurant, because there's no one at the door to greet us.
39:23Listen, Kaiser. I think you should let it go. It is not that big of a deal.
39:45Where is it?
39:53I don't know.
39:56Let's go.
40:21Where is that thing?
40:26Where is it?
40:45Where is it?
40:56Enjoy your meal.
41:26Is something wrong?
41:30What is this?
41:37Oh, looks like a stone.
41:46Keep yourself warm.
41:47Yes, I will. It's such a shame you're leaving so soon.
41:51At least bye isn't forever.
41:53We really should have done this a long time ago. We've been postponing it far too long.
41:59Aren't you sad to leave the factory?
42:02It's your factory now.
42:04You're right. Do you trust me?
42:07I know you can handle it.
42:10It's time.
42:11Okay. Bye, Mom.
42:12Goodbye, dear.
42:15See you.
42:16Bye, Dad. Don't forget to call.
42:18Of course.
42:21Go back and start.
42:22Yes, I will.
42:25Call me when you get there.
42:34Call me.
42:50Call me.
43:20Call me.
43:50Call me.