Of Human Bondage (1934) - Full Movie - Bette Davis
Transcript
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00:01:35Arrêtez au point, s'il vous plaît.
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00:02:03Monsieur Franny.
00:02:04Yes, monsieur.
00:02:05Can I speak to you for a moment?
00:02:07Well, I've been studying painting with you for some time now.
00:02:13Do you think it's worth my while to go on?
00:02:16Why do you ask?
00:02:17Well, I feel there's no sense in my staying here unless I have talent.
00:02:20If you are not certain about your talent, why did you stay until now?
00:02:24Because all this is so, so beautiful to me.
00:02:27In my youth, it was all so beautiful to me.
00:02:30But now, it is the city of lost illusions.
00:02:33Has your studio very far?
00:02:36No, not very.
00:02:37Let us go there.
00:02:38You will show me what you have done.
00:02:40Yes.
00:02:49Have you any money?
00:02:50A little.
00:02:51Not enough to live on.
00:03:00Then I must tell you.
00:03:02There is no talent here.
00:03:04Merely industry and intelligence.
00:03:07You will never be anything but mediocre.
00:03:09And it is very cruel to discover one's mediocrity only when it is too late.
00:03:15I know.
00:03:18Do you see that?
00:03:20That name does not belong there.
00:03:22It belongs somewhere else.
00:03:24Take your courage in both your hands and make something of your life.
00:03:32Have you anything in mind?
00:03:35Well, you see, I have my limitations.
00:03:41My father was a doctor.
00:03:42I have always been interested in medicine.
00:03:44And if one cannot be great, at least one can be of some use to people.
00:04:32I don't know why I should have such a thing upon my bird-eye, don't I?
00:04:37I've never had a day's illness in my life.
00:04:39You've only got to look at me to know that.
00:04:41It's what we call a winter cough.
00:04:43A great many middle-aged women have it.
00:04:45Well, I've never.
00:04:46That's a nice thing to say to a lady.
00:04:48No one's ever called me middle-aged before.
00:04:50Oh, it's time you got used to it.
00:04:52All the same, you're a nice one.
00:04:54You're a nice one.
00:04:55You're a nice one.
00:04:56You're a nice one.
00:04:57You're a nice one.
00:04:58You're a nice one.
00:04:59You're a nice one.
00:05:00You're a nice one.
00:05:00You're a nice one, dearie.
00:05:03Unfortunately, I can't say the same for you.
00:05:05Good day, madam.
00:05:06That'll be all now.
00:05:07The rest, you come back tomorrow.
00:05:09Get him ready.
00:05:10All right, sir.
00:05:16Are you the boy's father?
00:05:18Yes, sir.
00:05:20What's the matter with you now?
00:05:23You see well enough what the matter is.
00:05:26The boy has a club foot.
00:05:28Carey, you better take this case.
00:05:31It's a subject you ought to know something about.
00:05:41It's only for the looks of the thing, you know.
00:05:44I don't find it no trouble.
00:05:46Don't you?
00:05:47That's wonderful.
00:05:48I always did.
00:05:49Oh, that's because you let them go on at you.
00:05:52You seem to be a little slow, Carey.
00:05:53I think I'll have to instruct the class.
00:05:55There are many varieties of club feet.
00:05:56This is one of the less interesting.
00:05:59Yours would probably prove more interesting.
00:06:02You have telepis aquinas, haven't you?
00:06:04Yes, I believe so.
00:06:06Don't mind taking off your sock, do you, Carey?
00:06:11No, not at all.
00:06:27Keeps his feet nice and clean, doesn't he?
00:06:32Hmm, yes, just as I thought.
00:06:35Telepis aquinas.
00:06:37Malformation requiring you to walk on the outside of the foot.
00:06:40A very interesting example, I must say.
00:06:43Do you mind if I have a look?
00:06:45Congenital club foot.
00:06:48In simple language, a foot twisted inward.
00:06:50The cause of this twisting is not clear.
00:06:52Hereditary inference plays a part here.
00:06:54As pointed out by Dr Little,
00:06:57who traces recurring deformity through four generations.
00:06:59Well, when you've quite finished...
00:07:04I say, old man, I like that.
00:07:07Mm-hm.
00:07:08French, isn't she?
00:07:09Yes, she was a model in Paris.
00:07:11You know, I can't for the life of me
00:07:13understand why you gave up painting.
00:07:15I'd rather look at that all day long than at this.
00:07:19Woman, you know.
00:07:21You can tell by the pelvis.
00:07:22Yes, I like them with a little more...
00:07:29Oh, there's life in the old girl yet.
00:07:32Don't inhale, dearie.
00:07:34I say, I've got to be getting along.
00:07:36It's a little matter of a barmaid at the crown and anchor.
00:07:40And very nice, too.
00:07:42Cheerio.
00:07:43Funny fellow, isn't he?
00:07:45I say, Cary, it must have been wonderful
00:07:47having that life in Paris.
00:07:49Well, it was.
00:07:50And do you mean that you really knew
00:07:51all those fascinating women?
00:07:54Well, some of them.
00:07:55I say, you're just the man I'm looking for.
00:07:57I wonder if you couldn't help me.
00:07:59In what way?
00:08:00Well, there's a girl, and I can't get anywhere with her.
00:08:03And you've been to Paris and all that.
00:08:05I'm sure you could say something that would give me a starter.
00:08:08I'd ask Griffiths, only he couldn't do it
00:08:10and remember whom he was doing it for.
00:08:12Oh, but you're just the man.
00:08:14You know, say something to make her laugh.
00:08:17What? You don't believe it?
00:08:20You are too suspicious.
00:08:31I say, she's marvelous, isn't she?
00:08:35No, she's anemic.
00:08:47You don't suppose she likes that bounder, do you?
00:08:51Of course.
00:08:53Now's your chance. Say something.
00:08:58Well, I see your friend's going.
00:09:01I don't know what you mean.
00:09:03I was referring to the nobleman with the sandy moustache.
00:09:07Has he left you for another?
00:09:10Some people would do better to mind their own business.
00:09:14Why?
00:09:19You have a very nice back.
00:09:22Am I on speaking terms with your back?
00:09:24Woman, you know.
00:09:26You can tell by the pelvis.
00:09:28And that calls himself a gentleman.
00:09:32I apologize.
00:09:35What for? I promised you something charming,
00:09:37and she's turned out to be ill-natured and contemptible.
00:09:40I'm sorry, I let you in for it.
00:09:41You don't suppose I care what an anemic waitress says to me?
00:09:45Well, I do.
00:09:47I must be going.
00:09:50Coming along?
00:09:52I think I'll have some more tea.
00:10:12Anything you want?
00:10:15Yes, if you don't mind, I'd like to talk to you.
00:10:18Um, filthy weather, isn't it?
00:10:21Makes no difference to me. I have to be here all day.
00:10:25Oh, don't talk like that. I only wanted to say something pleasant.
00:10:28Well, say it.
00:10:30You know, you have a lovely smile.
00:10:33You should use it more often.
00:10:35Oh, thank you.
00:10:37Oh, I'm sorry.
00:10:38You have a lovely smile.
00:10:41You should use it more often.
00:10:43Now, don't go spoofing me.
00:10:45A girl that works hard all day like I do
00:10:48don't have much reason to smile.
00:10:50Perhaps I could find a reason.
00:10:53Will you let me try?
00:10:55Well, I don't know whether I will or whether I won't.
00:10:58Well, I hope you'll decide you will.
00:11:08Thank you.
00:11:38Thank you.
00:12:08Like that, and that, like so.
00:12:39That is a nice little hand.
00:12:52Excuse me, won't you?
00:12:55Yeah, yeah.
00:12:59How do you do?
00:13:02You seem to be in a great hurry.
00:13:04Well, I've been waiting ten minutes.
00:13:08I didn't know you could draw.
00:13:11Didn't you?
00:13:12That meant to be me?
00:13:14Looks like you, doesn't it?
00:13:16If you look at it that way.
00:13:18Tea?
00:13:20You are a strange sort.
00:13:23I say, will you dine with me sometime?
00:13:27And we'll go to the theatre?
00:13:29I don't mind.
00:13:31When will you come?
00:13:32I'm off Thursdays.
00:13:34All right, shall we say Thursday?
00:13:36Seven o'clock, Victoria Station.
00:13:38All right.
00:13:40I'll meet you in Victoria in the second-class waiting room.
00:13:48All tickets, please.
00:13:51Show your tickets.
00:13:53All tickets, please.
00:13:55Show your tickets.
00:13:57All tickets, please.
00:13:59Show your tickets.
00:14:01All tickets, please.
00:14:03Well, Frank, that falls on you.
00:14:05Well, Frank, that falls 19.
00:14:09All tickets, please.
00:14:11Show your tickets.
00:14:13All tickets, please.
00:14:15Thank you.
00:14:16All tickets, please.
00:14:18All tickets, please.
00:14:20Show your tickets.
00:14:22All tickets, please.
00:14:25Show your tickets.
00:14:27All tickets, please.
00:14:29Show your tickets.
00:14:31All tickets, please.
00:14:33Well, Frank, that falls 19.
00:14:35That falls 19.
00:14:37All tickets, please.
00:14:43Well, I thought you were never coming.
00:14:45I like that, after keeping me waiting.
00:14:47I almost went home.
00:14:49I was in the second-class waiting room. I thought you said you'd be there.
00:14:52Now I say.
00:14:53Is it likely I'll sit in the second class when I could sit in the first?
00:14:57You're a gentleman of brain, but you don't use them, do you?
00:15:01Perhaps not.
00:15:02Anyway, you're here, so it's all right, isn't it?
00:15:05You certainly do make a girl feel important to you.
00:15:10I love that music.
00:15:14Whenever I hear it, I think of you.
00:15:20How pale you are.
00:15:23How strange, how cold.
00:15:26You are going it.
00:15:29Do you always order champagne?
00:15:32No.
00:15:34Then why'd you do it now?
00:15:38I was hoping it would make you more friendly.
00:15:44Do you think it will?
00:15:47Well, there's one thing I can say for you.
00:15:50Gentlemen, every sentence of the words.
00:15:52Gentlemen, every sentence of the words.
00:15:54Gentlemen, every sentence of the words.
00:16:25Doesn't he make any difference to you?
00:16:28No.
00:16:30You don't take me out, someone else will.
00:16:55I'll say goodnight here.
00:16:58Won't you stay for a moment?
00:17:00No.
00:17:01Why not?
00:17:02Why? People will think I don't know what all.
00:17:55I love that music.
00:17:58Whenever I hear it, I think of you.
00:18:01Whenever I hear it, I think of us.
00:18:25Whenever I hear it, I think of us.
00:18:49I've never danced with anyone...
00:18:52who danced like you.
00:18:54All my life.
00:19:15You don't seem to have much to do with your time.
00:19:17I should be studying.
00:19:19And why don't you?
00:19:20Well, I'd rather see you.
00:19:23Any of the girls notice you're waiting for me?
00:19:25I don't know. Why, what difference does it make?
00:19:27They all laugh at you, you know.
00:19:29Oh, do they? Why?
00:19:31They say you're in love with me.
00:19:39May I call you Mildred?
00:19:41I don't mind.
00:19:43Look here, don't say that any more, will you?
00:19:46Why not?
00:19:48Well, I'll tell you later, I'll call you Mildred.
00:19:51And you'll call me Philip, will you?
00:19:53I'll think of it.
00:19:56I, um...
00:19:58I'm a little awkward at this, but...
00:20:00Will you kiss me goodnight?
00:20:02No.
00:20:04Oh, Mildred.
00:20:06Will you come to the theatre with me on Saturday?
00:20:09I don't mind.
00:20:12You're sure they're for Saturday?
00:20:14Certainly.
00:20:41My name is Miller.
00:20:43Emile Miller. We should know each other.
00:20:45Why?
00:20:47Well, we are both interested in the same thing.
00:20:49Thing?
00:20:51My dear young man, you are so, um...
00:20:53So, uh...
00:20:55Artistic.
00:20:57You, you should be more...
00:20:59Like so.
00:21:01Thanks. Thanks very much.
00:21:03That's, uh... That's all right.
00:21:06Exchange?
00:21:12Well, what time shall I see you?
00:21:14Oh, I forgot to tell you, Philip. I can't go.
00:21:17Why not?
00:21:19My aunt's ill.
00:21:23Oh.
00:21:28Well?
00:21:31What's the sense in that?
00:21:33You don't suppose I want to go by myself, do you?
00:21:35I only got them for your sake.
00:21:37Well, you needn't go on about it.
00:21:41Violets.
00:21:45Violets.
00:21:47Sweet violets.
00:21:49Violets.
00:21:51Violets.
00:21:53Sweet violets.
00:21:55Violets.
00:21:57Sweet violets.
00:22:01You're spying on me.
00:22:03I always thought you was a gentleman at every sense of the word.
00:22:05Are you going out with Miller?
00:22:07No.
00:22:10Well, what if I am?
00:22:12I can go out with him if I want to, can't I?
00:22:17He's keeping you waiting, isn't he?
00:22:19Well, I'd rather wait for him than have you wait for me.
00:22:27Won't you change your mind?
00:22:29I'll get some more tickets and we'll...
00:22:31No.
00:22:40You keep looking for him the way I look for you.
00:22:43Violets.
00:22:45Violets.
00:22:47If you don't come out for me tonight, you'll never see me again.
00:22:50Good riddance to bad rubbish.
00:22:52Violets.
00:22:55Violets.
00:23:10Drink?
00:23:15Sire?
00:23:40Violets.
00:23:42Violets.
00:23:44Violets.
00:23:46Violets.
00:23:48Violets.
00:23:50Violets.
00:23:52Violets.
00:23:54Violets.
00:23:56Violets.
00:23:58Violets.
00:24:00Violets.
00:24:02Violets.
00:24:04Violets.
00:24:06Violets.
00:24:08Violets.
00:24:10Violets.
00:24:12Violets.
00:24:14Violets.
00:24:38Violets.
00:24:40Violets.
00:24:42Violets.
00:24:44Violets.
00:24:46Violets.
00:24:48Violets.
00:24:50Violets.
00:24:52Violets.
00:24:54Violets.
00:24:56Violets.
00:24:58Violets.
00:25:00Violets.
00:25:02Violets.
00:25:04Violets.
00:25:06Violets.
00:25:08Violets.
00:25:10Violets.
00:25:12Violets.
00:25:14Violets.
00:25:16Violets.
00:25:18Violets.
00:25:20Violets.
00:25:22Violets.
00:25:24Violets.
00:25:26Violets.
00:25:28Violets.
00:25:30Violets.
00:25:32Violets.
00:25:34Ahem.
00:25:58Sorry, old boy.
00:26:00How about a nice large beer?
00:26:04Wouldn't help.
00:26:06Well, what would?
00:26:28Alfie, leave it.
00:26:30Why, what for?
00:26:32He knows better who you are.
00:26:36He knows who you are.
00:26:40And so do I.
00:26:42What do you mean?
00:26:44I'm sorry, I didn't mean...
00:26:46You're a bit too superior for me, my fine young friend.
00:26:54Mildred!
00:27:02You don't like me, I'm a cripple.
00:27:04You're a bit, isn't that?
00:27:06Oh yes, I felt it all along.
00:27:08Foolish.
00:27:12Mind my hat, silly.
00:27:14You are clumsy.
00:27:33You're off your nut, you don't know what you're doing.
00:27:35What sort of practice can you expect to have with a wife like that?
00:27:38I don't know. Let me ask you something.
00:27:40Why do you want to marry this girl?
00:27:44Because I'm so in love with her.
00:27:56That ring with the little design is very popular, sir.
00:27:59That ring with the little design is very popular, sir.
00:28:02We celebrate many of them. They're 30 shillings.
00:28:08Thank you, sir.
00:28:10Philip, were you surprised when I asked you to take me to dinner tonight?
00:28:14I was delighted.
00:28:16Were you?
00:28:17Yes.
00:28:18Why?
00:28:19Oh, I don't know. You've been so sweet to me all day.
00:28:22I've got something to ask you and it makes it so much easier for me.
00:28:26It makes it easier for me too.
00:28:28I've something to tell you.
00:28:29No, no, no. Let me tell you first.
00:28:34There it is.
00:28:38I want you to marry me.
00:28:40I'm so sorry, Philip.
00:28:42That's just what I was about to tell you.
00:28:45I shouldn't have waited so long.
00:28:47The fact is...
00:28:50I'm going to be married.
00:28:55Are you?
00:28:57To whom?
00:28:58A man I know.
00:29:00He earns very good money.
00:29:02Yes, I'm...
00:29:04I'm sure of it.
00:29:06Now, you won't go on about it, will you, Philip?
00:29:11All right.
00:29:12I'm getting on. I'm 24.
00:29:14It's time I settled down.
00:29:16The gentleman earns seven pounds a week and he's got good prospects.
00:29:20Well, this is goodbye. I hate to eat and run, Philip, but...
00:29:24Well, I have an engagement.
00:29:26I'm going to the theatre with the gentleman I'm going to marry.
00:29:46Love me tonight. Make me souls of the day.
00:29:49Love me tonight. Let your bodies yearn.
00:29:52Love me tonight. All the ladies.
00:29:55Love me tonight. Make me souls of the day.
00:29:58Let your bodies yearn.
00:30:00Love me tonight. All the ladies.
00:30:03Love me tonight. Make me souls of the day.
00:30:06Love me tonight. Let your bodies yearn.
00:30:09Love me tonight. All the ladies.
00:30:12Love me tonight. Make me souls of the day.
00:30:15Let your bodies yearn.
00:30:17Love me tonight. All the ladies.
00:30:20All the ladies. Souls of the day.
00:30:50SOULS OF THE DAY
00:31:08You seen her since?
00:31:10No.
00:31:12Well, London is the largest city in the world
00:31:15and you know the cure for one woman.
00:31:17Another. Right-o.
00:31:30Nora, you don't read such junk, do you?
00:31:34No, I write it.
00:31:36What?
00:31:38That's how I earn my living.
00:31:40I didn't know. Successful?
00:31:42Very. I have an immense popularity amongst kitchen maids.
00:31:46They think me so refined.
00:31:52Let's not talk about that.
00:31:56Let's talk about us.
00:32:10Nora.
00:32:12You're not really fond of me, are you?
00:32:15Clever boy. You ask such foolish questions.
00:32:19Oh, my dear, it never struck me that you could be...
00:32:22Pleased?
00:32:24Delighted. And so proud and so happy and so...
00:32:27So grateful.
00:32:29I wish you hadn't been in love with...
00:32:32What was her name?
00:32:34Mildred.
00:32:36Because if she hadn't treated you so abominably,
00:32:39it wouldn't have taken you so long to understand how I feel.
00:32:45I'm sorry.
00:33:02I saw you.
00:33:04I wasn't very quick.
00:33:06Let's go out and play.
00:33:10Not until you've passed that exam.
00:33:15Come on.
00:33:17Come on.
00:33:43Tell me, darling, what do you get out of this?
00:33:47You'll never know.
00:33:49Afraid you don't get much fun with me.
00:33:52I wish...
00:33:54If only I could take you dancing.
00:33:57I know how you love it.
00:33:59Philip, it's very silly of you to be so sensitive about your foot.
00:34:03You know, other people don't think about it nearly as much as you do.
00:34:07They notice it when they first see you, and after that, they forget all about it.
00:34:12You know, I only speak of it because I love you,
00:34:16and I don't want it to make you unhappy.
00:34:19Now, will you please stay here and go on cramming for that exam?
00:34:36There's a lady to see you, sir.
00:34:38Oh, is there?
00:34:40I shouldn't have let her in, but she was that upset.
00:34:43Nora!
00:34:52What do you want?
00:34:58I didn't think I'd ever see you again.
00:35:02What's the matter?
00:35:04He's left me.
00:35:06Eno.
00:35:09Oh, has he?
00:35:12Yes.
00:35:16Because I'm going to have a baby.
00:35:24I'm going to have a baby.
00:35:32Well, why don't you sit down?
00:35:43I suppose you want him back.
00:35:46He'll never come back.
00:35:48Why not?
00:35:50He just won't, Eno.
00:35:52He'll never come back.
00:35:54He'll never come back.
00:35:56He'll never come back.
00:35:58He'll never come back.
00:36:00He just won't, that's all.
00:36:02Well, you're his wife. He has to provide for you.
00:36:05He won't give me anything.
00:36:12Even if he did, I wouldn't take it.
00:36:14Why not?
00:36:16No matter what's happened, I've still got me pride.
00:36:21That's something, isn't it?
00:36:25Have you got any money?
00:36:27No.
00:36:30Well, you'd better get yourself a place to live.
00:36:34After that, we'll see what can be done.
00:36:37Oh, Philip, you're always so good to me.
00:36:40That's why I knew I could come to you.
00:36:48Now, look here, Mr Miller.
00:36:50I'd like to know what you intend to do about Mildred.
00:36:53I? What you expect me to do?
00:36:55Well, I expect you to take care of her.
00:36:57You married her, you know.
00:36:59I? I married Mildred?
00:37:02Ach, I married...
00:37:07...even one.
00:37:13Well, all the same, I'd still like to know what you intend to do about it.
00:37:17Me?
00:37:19I can do nothing.
00:37:21One man cannot solution the problem of the unmarried mother.
00:37:30Why didn't you tell me?
00:37:34I just couldn't.
00:37:37Well, brace up.
00:37:40Everything will be all right.
00:38:00Philip.
00:38:04Do you still...
00:38:06...like me?
00:38:11Really?
00:38:13Strange as it may seem, I always have.
00:38:16I suppose I always shall.
00:38:19I did everything I could to make you love me.
00:38:22I thought you were incapable of loving anybody.
00:38:25It seems horrible to think that...
00:38:27...you were willing to sacrifice everything for that man.
00:38:30I'm awfully sorry, Philip.
00:38:33I shall never forget you wanted to marry me.
00:38:37I shall never forget you wanted to marry me.
00:38:54Philip.
00:38:56Yes?
00:38:59You've been so nice to me.
00:39:02I'll do anything you want.
00:39:06Will you? Why?
00:39:08Why, I owe it to you.
00:39:12Oh, do you?
00:39:19You're not angry?
00:39:21No.
00:39:23No.
00:39:29Then will you stay and have some dinner?
00:39:32Yes, if you want me to.
00:39:35Of course, Philip.
00:39:37Nothing could delight me more.
00:39:39Just a moment and I'll have everything ready.
00:39:53Come in.
00:40:16Come in.
00:40:23Hello, darling.
00:40:25Nora.
00:40:28How did you happen to come?
00:40:30Just passing by.
00:40:34I wanted to rub my nose against your door.
00:40:40Philip.
00:40:42Why haven't I heard from you?
00:40:44I was just going to write.
00:40:46Why haven't you come to see me?
00:40:49Well, I've been busy and...
00:40:54Why so silent?
00:40:57Well, you see...
00:41:00Nora.
00:41:02I've got something strange to tell you.
00:41:04You've been so good to me, it only makes it harder.
00:41:09Philip, what's wrong?
00:41:12I'm sorry. It's just over.
00:41:15You mean you don't care for me anymore?
00:41:18I'm afraid so.
00:41:20What have I done?
00:41:22Nothing. You've been wonderful to me.
00:41:25It's just that I...
00:41:31Of course, I knew you never loved me as much as I love you.
00:41:35Yes, I'm afraid that's usually the case.
00:41:38There's usually one who loves and one who is loved.
00:41:43It's always the same.
00:41:45If you want a man to be nice to you, you have to be rotten to him.
00:41:49If you treat a man honestly, you...
00:41:56Philip.
00:41:58There's someone else.
00:42:03Yes.
00:42:05Who is she?
00:42:08Mildred.
00:42:10She's come back.
00:42:13After all she's done...
00:42:16How could you?
00:42:19That's what I'd like to know.
00:42:22Just as though you were bound to her in some way.
00:42:26Yes.
00:42:28As I am to you.
00:42:31As she was to Miller.
00:42:34As every human being is to something or other.
00:42:50Funny-looking little thing, isn't it?
00:42:53I can't believe it's mine.
00:42:55Now, if you'll excuse me.
00:43:05So glad it's over, darling.
00:43:08You've been so good to me, Philip.
00:43:10From now on, things will be different.
00:43:20Now, you will take good care of her, won't you?
00:43:23That I will, ma'am.
00:43:28Good day.
00:43:35I know you don't like it, Philip.
00:43:37I can't do anything else if I'm going to work.
00:43:39No, I suppose not.
00:43:42But be sure and go over on Sundays and see the baby's properly taken care of.
00:43:46I will.
00:43:50What are we going to do this afternoon?
00:43:54I asked Griffiths to come over.
00:43:56Oh, did you?
00:43:58Why?
00:44:00Well, I know you find him amusing and I...
00:44:02I'm always afraid of boring you.
00:44:13Hello, hello, hello!
00:44:15Sorry I'm late.
00:44:17Had to get rid of a girl.
00:44:19Why didn't you bring her along?
00:44:20Oh, I'm not interested in my girl.
00:44:22I'm only interested in other men's girls.
00:44:25Do you like me?
00:44:33Really, I'm too hungry to know.
00:44:35But I think I like you lots.
00:44:37I'd like you a lot more if you got him to take us out to dinner tonight.
00:44:40And if you do, I'll tell you some funny stories.
00:44:42And you'll laugh and think you're having a wonderful time.
00:44:44What will he do?
00:44:46Oh, pay the bill.
00:45:00So he says, what's that bill?
00:45:02Your missus?
00:45:03I'm sorry, I thought it was your sister.
00:45:16Well, there they are.
00:45:18There they are.
00:45:21I thought it was your sister.
00:45:32Good night, Philip.
00:45:37Good night.
00:45:47Just a moment.
00:45:49Are you in love with Mildred?
00:45:51I?
00:45:55So that's what you've been so funny about, huh?
00:45:57Why, my dear old boy, I...
00:45:59It doesn't matter to you, Harry. You've got so many women.
00:46:03Don't take Mildred away from me.
00:46:05But my dear old boy, she's nothing to me at all.
00:46:09Nothing at all.
00:46:17Do you like it, Philip?
00:46:19Very much.
00:46:21It's so nice of you to give it to me.
00:46:31What are you thinking about?
00:46:34You were having quite a flirtation with Griffiths last night.
00:46:37Oh, I was?
00:46:39Yes.
00:46:41What are you thinking about?
00:46:44You were having quite a flirtation with Griffiths last night.
00:46:47Yes, I was, wasn't I?
00:46:49As a matter of fact, well...
00:46:51I'm sort of in love with him.
00:46:53I'm not surprised.
00:46:55Why, what do you mean?
00:46:57Well, Griffiths is good-looking, he's amusing, he says the kind of things that make you laugh.
00:47:01Thank you not to make fun of me. You're a bit too superior for me, my fine young friend.
00:47:04Oh, good heavens, Mildred, I wasn't making fun of you.
00:47:06Well, you certainly don't act as if it's serious.
00:47:08Well, I don't think it is.
00:47:09Why not?
00:47:10Because Griffiths isn't in love with you.
00:47:11How do you know?
00:47:12I asked him.
00:47:16Would you like to read a letter I got from him this morning?
00:47:25I've been up all night thinking about you.
00:47:29And I've just sent for a special messenger who will take this to you in the dawn.
00:47:34You've no notion of the time I had with your friend last night.
00:47:40He kept asking me if I love you, and of course, what could I say?
00:47:45He'll doubtless tell you all this, so I'm making sure that you...
00:47:56Well?
00:47:58I can't help it if I love him, can I?
00:48:00No, I suppose not, but...
00:48:01Then what's going on about it?
00:48:02Nothing.
00:48:04Only I was fool enough to think that you cared for me.
00:48:07I do, Philip.
00:48:09As a friend.
00:48:11Not in any other way.
00:48:14But you do care for Griffiths in the other way.
00:48:19But you're rather cold. That sort of thing doesn't mean anything to you.
00:48:25That's what you think.
00:48:28There's no use going on about it, Philip.
00:48:32You said yourself I couldn't help it if I'm in love with him.
00:48:42Well, if there's anything else to be said, say it.
00:48:47That's a nice dress you have there.
00:48:50I don't know what to say.
00:48:52If there's anything else to be said, say it.
00:48:56That's a nice dress you have on, Mildred.
00:48:59I couldn't afford it, but I paid for it.
00:49:03You have a nice apartment. I couldn't afford it, but I paid for it.
00:49:06If you were a gentleman, do you think you'd throw what you've done for me in my face?
00:49:09Do you think it matters to me whether I'm a gentleman or not?
00:49:12If I were a gentleman, you don't suppose I'd care for a cheap bugger little...
00:49:18I'm sorry, Philip.
00:49:20I didn't want to end this way.
00:49:26Harry's waiting for me.
00:49:28What do you intend to do?
00:49:30We're going to Paris.
00:49:34Get out. Get out!
00:49:49Get out!
00:50:20I've moved three times, and each time this woman has hounded me down.
00:50:25I don't like to do this, but...
00:50:27All right, sir. I'll move on.
00:50:30Come on, young lady. You can't stay here.
00:50:33Come on, now.
00:50:49Come on.
00:51:08Look here, Cary. Mildred and I are all washed up.
00:51:10That's too bad.
00:51:13If you'll excuse me, I'm due in the ward.
00:51:20THE END
00:51:33Anything interesting, Cary?
00:51:36I was just thinking what an unusual name you have.
00:51:39It's a very old Yorkshire name.
00:51:40Once took a day's riding to cross our estates,
00:51:43and here I am in a charity hospital
00:51:45because my father loved fast women and slow horses.
00:51:50How the mighty have fallen!
00:51:55Hello!
00:51:56Hello, Father.
00:52:02Cary, this is my daughter, christened Maria del Sol.
00:52:05Her mother always called her Sally.
00:52:08This young man is a student here. He's been very nice to me.
00:52:11And with some inducement, he might be nice to you.
00:52:14Now, Father...
00:52:16Father's particular genius is saying the wrong thing.
00:52:19He thinks it's fun to embarrass me.
00:52:21It is!
00:52:23Why don't you try it sometime, Cary?
00:52:25I will, if I get the chance.
00:52:27You shall have it.
00:52:28You're coming to see us the first Sunday I'm home.
00:52:32Oh, yes, please do.
00:52:47What a quaint house.
00:52:51Yes, it is, but it's not very sanitary.
00:52:53Sanitation be hanged! Give me art!
00:52:56I've got nine children, and they thrive on bad dreams.
00:53:00Look at that now.
00:53:02I am with great admiration.
00:53:05I've got nine children, and they thrive on bad dreams.
00:53:09Look at that now.
00:53:11I am with great admiration.
00:53:13I've got nine children, and they thrive on bad dreams.
00:53:16Shall I bring the ale, Father?
00:53:17Right, my girl. The sooner, the better.
00:53:21I hope you didn't have the table in here on my account.
00:53:24I'd have been quite happy to have had dinner with Mrs. Athelny and the children.
00:53:27Oh, no. I always take meals by myself.
00:53:30I like these antique customs.
00:53:33I don't think women ought to sit down at table with men.
00:53:36Oh, don't you? Why not?
00:53:37It ruins conversation.
00:53:41I'm sure it's very bad for them.
00:53:43I'm sure it's very bad for them.
00:53:44Puts ideas in their heads.
00:53:46And women are never at ease with themselves when they have ideas.
00:53:50You sound like the voice of old England.
00:53:52I am, sir.
00:53:53And it's this fine old Yorkshire pudding that gives me strength to carry on.
00:53:58Now, stop getting up and down like a jumping jack every time she comes into the room.
00:54:01She doesn't want you to make a fuss about her, do you, Sally?
00:54:04And she won't only get rude if you sit still while she waits on you.
00:54:08She don't care to hang for chivalry.
00:54:10Do you, Sally?
00:54:12No, father.
00:54:13You speak quietly while I eat and the young man so boldly.
00:54:19Yes, father.
00:54:21Do you know what I'm talking about, Sally?
00:54:23How could I, darling? You're so clever.
00:54:27Don't stand behind my chair in order to make eyes at him.
00:54:31Better get Philip some more ale.
00:54:43By word, is there anything better than English ale?
00:54:47Let us thank God for simple pleasures.
00:54:50A good appetite, roast beef and beer.
00:54:54I was married to a lady once.
00:54:58Good heavens.
00:55:00Never marry a lady, my boy.
00:55:02Oh, really? Why?
00:55:03Because a lady is a point of view, a personality and an individuality.
00:55:08All to devil you with.
00:55:09Hang it all, you want a wife who can cook your dinner and look after your children.
00:55:14Don't you think so, Sally?
00:55:15Father, I think you talked the hind leg off the donkey.
00:55:18Well, it's clean fun.
00:55:19Now, Sally, you waited on me, I'll wait on you.
00:55:22Take my chair here while I fetch you and the young man some cheese.
00:55:26Thank you, father.
00:55:28What do you think of us?
00:55:31You don't know what this means to me.
00:55:33You see, I practically never had any family.
00:55:35I practically never had any family.
00:55:37This is almost the only place I've ever known that's had the quality of home.
00:55:44Thank you, father.
00:55:52It's no use moaning over our Carrie.
00:55:56Sally never kisses a gentleman until he's been here twice.
00:56:02You must ask me again sometime.
00:56:06Do it yourself.
00:56:08Why don't you come next Sunday?
00:56:36Thank you, Sally.
00:57:00May I walk to the station with you?
00:57:01No.
00:57:02Why not?
00:57:03It's too late, you're a child.
00:57:05I'm 20.
00:57:07Let's talk it over when you're 30.
00:57:26Did you hear what I said, old man?
00:57:28Yes, I heard.
00:57:30Sorry if I brought up a painful subject,
00:57:32only I thought you'd be interested to hear about Mildred.
00:57:35Sorry she's had such a bad time.
00:57:37I gave her all I could, but you know me, always stony broke.
00:57:43I thought perhaps you'd want to...
00:57:44I can't do anything.
00:57:46Got another cigarette?
00:57:47No.
00:57:49I don't blame you.
00:57:51I wouldn't have told you, only she asked me to give you her address.
00:57:55Gave you a bit of a jolt, I can tell you,
00:57:57seeing her lugging that baby around and asking for something to eat.
00:58:01She has the baby with her?
00:58:02Yes.
00:58:04It's not difficult to imagine her next step.
00:58:35I'm very grateful to you, Philip.
00:58:37If I could have found a better place to live,
00:58:40I would have.
00:58:42But I can't.
00:58:44I can't.
00:58:46I can't.
00:58:48I can't.
00:58:50I can't.
00:58:52I can't.
00:58:54I can't.
00:58:56I can't.
00:58:58I can't.
00:59:00I can't.
00:59:03If I could have afforded it, I would have given you a place of your own.
00:59:06As it is, you're welcome to my room.
00:59:10I don't know what will become of me and...
00:59:12and baby.
00:59:14You hadn't taken us in.
00:59:16Oh, you'd have got on, I expect.
00:59:19You've always been much nicer to me than I deserved.
00:59:22I'm beginning to realise how silly I've been.
00:59:25Well, you couldn't help how you felt.
00:59:28Let's not talk about it, shall we?
00:59:31I don't feel like that now.
00:59:34Okay, Mildred.
00:59:36Let's have no misunderstanding about this.
00:59:38The reason you're here is because...
00:59:40I know.
00:59:42Because you once liked me enough to want to marry me.
00:59:47Yes.
00:59:49Well, at least I can cook for you and keep your flat clean.
00:59:55Maybe someday you'll...
00:59:57you'll feel better about me and...
01:00:00things will be like they used to be.
01:00:07Oh, thanks.
01:00:09I'll smoke it later.
01:00:13Well...
01:00:16good night.
01:00:20Good night?
01:00:22Good night.
01:00:52Good night.
01:01:17Landlady came upstairs a little while ago.
01:01:19She said...
01:01:21How can you stand it?
01:01:25Well, what's the matter with them?
01:01:27They're indecent. Disgusting, I calls it.
01:01:30They have drawings of naked people about.
01:01:33If you want to know what I think...
01:01:35I've half a mind to take them down myself.
01:01:38You do nothing of the kind.
01:01:42I love those pictures, Mildred.
01:01:45I love them for what they were meant to be.
01:01:47What they were meant to be.
01:02:12What happened to it?
01:02:14Hmm? What?
01:02:16The way you used to love me.
01:02:19Oh, I don't know.
01:02:21I was disappointed so often and hurt so much.
01:02:24Besides, what difference does it make anyway?
01:02:27Nothing, only...
01:02:29remember how you got when I was so cold to you?
01:02:33You're getting me that way.
01:02:35Because you're so cold to me.
01:02:38No one else is, though.
01:02:46© BF-WATCH TV 2021
01:03:17© BF-WATCH TV 2021
01:03:23He's not in love with anybody.
01:03:46© BF-WATCH TV 2021
01:04:06Where were you?
01:04:08Apple News.
01:04:11What are you doing up?
01:04:13I couldn't sleep.
01:04:17Hadn't you better put on something warmer?
01:04:20Oh, I'll be all right.
01:04:25Just let me stay here.
01:04:31Phil.
01:04:35Phil, I love you so.
01:04:37No nonsense.
01:04:39Tisn't. I can't live without you.
01:04:42Please get up.
01:04:44You're making a fool of yourself and a fool of me.
01:04:47Oh, Phil, please.
01:05:03I can't go on like this.
01:05:07Nonsense. You haven't anywhere to go.
01:05:10Stay here as long as you like.
01:05:12I have a definite understanding that...
01:05:23You disgust me.
01:05:29Me?
01:05:31I disgust you.
01:05:34You. You.
01:05:37You're too fine.
01:05:39You won't have none of me.
01:05:41I spent all night looking at your naked females.
01:05:43Mildred.
01:05:44You cad. You dirty swine.
01:05:47I never cared for you not once.
01:05:49I was always making a fool of you.
01:05:51You bored me stiff. I hated you.
01:05:53It made me sick when I had to let you kiss me.
01:05:56I only did it because you begged me.
01:05:58You hounded me. You drove me crazy.
01:06:00And after you kissed me, I always used to wipe my mouth.
01:06:04Wipe my mouth.
01:06:06But I made up for it. For every kiss I had a laugh.
01:06:09We laughed at you. Miller and me and Griffiths and me.
01:06:12We laughed at you because you were such a mug.
01:06:14A mug. A mug.
01:06:17Do you know what you are?
01:06:19You gippy-legged monster.
01:06:20You're a cripple. A cripple. A cripple.
01:06:30You love these things.
01:06:32You love what they were meant to be.
01:06:34Well, here.
01:06:37What they were meant to be.
01:06:55You want to be a doctor.
01:07:06This will take you through medical school.
01:07:37You're leaving?
01:07:39Why?
01:07:41My money's gone.
01:07:43What do you intend to do?
01:07:45Oh.
01:07:47Anything.
01:07:51Before you go out into the world,
01:07:53don't you think we ought to try and do something about that foot?
01:07:57Think it'll do any good?
01:07:59I'll try.
01:08:01I'll try.
01:08:04Think it'll do any good?
01:08:06I'll know better tomorrow.
01:08:12How are you, Philip?
01:08:14I'm all right, Sally.
01:08:15How's the foot?
01:08:17Well.
01:08:19Let's try, shall we?
01:08:20All right.
01:08:24Careful now.
01:08:33Careful now.
01:09:04No opium.
01:09:06Sorry. Nothing today.
01:09:08All situations filled.
01:09:10Nothing today.
01:09:12No experience. How do you?
01:09:14Nothing today.
01:09:15All situations filled.
01:09:16Sorry. No vapes.
01:09:17Nothing today.
01:09:18No opium.
01:09:19Nothing.
01:09:20Nothing.
01:09:21Nothing.
01:09:22Nothing.
01:09:23Nothing.
01:09:24Nothing.
01:09:25Nothing.
01:09:26Nothing.
01:09:33Nothing.
01:09:34Nothing.
01:09:35Nothing.
01:09:36Nothing.
01:09:37Nothing.
01:09:38Nothing.
01:09:39Nothing.
01:09:40Nothing.
01:09:41Nothing.
01:09:42Nothing.
01:09:43Nothing.
01:09:44Nothing.
01:09:45Nothing.
01:09:46Nothing.
01:09:47Nothing.
01:09:48Nothing.
01:09:49Nothing.
01:09:50Nothing.
01:09:51Nothing.
01:09:52Nothing.
01:09:53Nothing.
01:09:54Nothing.
01:09:55Nothing.
01:09:56Nothing.
01:09:57Nothing.
01:09:58Nothing.
01:09:59Nothing.
01:10:00Nothing.
01:10:01Nothing.
01:10:03Nothing.
01:10:07Nothing.
01:10:08Nothing.
01:10:09Nothing.
01:10:10Nothing.
01:10:12Nothing.
01:10:22Why haven't you been to see us?
01:10:23Why do I know? I've ... had things to do!
01:10:29Well, you've... you've been putting on weight!
01:10:31Oh, that's only my look.
01:10:33I'm afraid it's more than that.
01:10:35I sent you a note last Sunday, and when you didn't answer,
01:10:37I went round to your room.
01:10:39Your landlady said she had to put you out.
01:10:44Hello, Philip.
01:10:56My dear fellow, by peerage signal,
01:10:58my daughter just communicated to me
01:11:01confirmation of our suspicions.
01:11:04As you know, I've been on the beach most of my life.
01:11:06In fact, in Tahiti, I was president of the Beachcombers' Union.
01:11:10And as such, I should like to inquire into your amateur standing.
01:11:14Where have you been staying?
01:11:16Oh, anywhere.
01:11:19Why didn't you come here?
01:11:21False modesty, I suppose.
01:11:23Now, stop being an Englishman.
01:11:25When a man's on his opposite's time, he came down to earth.
01:11:28We want you here with us.
01:11:30Well, I...
01:11:33Thanks very much, but I...
01:11:34Don't talk trash.
01:11:36You're to stay here until you get your bearings.
01:11:38And I want no more fine talk about it.
01:11:40It's all arranged.
01:11:44Well...
01:11:47Well, here goes my amateur standing.
01:11:51I really have no place to go.
01:11:54It's awfully good of you.
01:11:55Nonsense!
01:11:56As you know, the house is completely unsanitary.
01:11:58You'll probably wind up with some foul disease.
01:12:01Now, let him alone, Father.
01:12:02I want to talk to him.
01:12:03Well, I suppose youth must be served,
01:12:05but I must say I'm sick and tired of serving it.
01:12:08Nine of them!
01:12:13Will that do?
01:12:14Looks as if it might.
01:12:21Wouldn't be a very nice night to be out.
01:12:24Not very, no.
01:12:26It's going to be jolly having you here.
01:12:28I hope I shan't have to stay very long.
01:12:30You do? Why?
01:12:31I can't go on like this, you know.
01:12:33I need a job.
01:12:35That's right. Father and I discussed that.
01:12:38There isn't much you've overlooked.
01:12:41I'll have to sew that on, too.
01:12:44And Father has a job for you.
01:12:45Has he? Where?
01:12:46Where he works.
01:13:24I'll show you.
01:13:45You walk all right now?
01:13:48I saw you in the window.
01:13:54You're very hoarse. Throat's sore?
01:14:00You haven't forgotten your doctorate, have you?
01:14:03No.
01:14:05Because that's what I want to see you about.
01:14:10I'm not going to a doctor.
01:14:16Well, there's the free hospital.
01:14:18I have all them students staring at me.
01:14:24What seems to be the trouble?
01:14:26Well, I cough all the time.
01:14:31Let's have a look at your throat.
01:14:54Phil.
01:14:57It's not my lungs, is it?
01:15:16Where's the baby?
01:15:18I don't know.
01:15:20Phil.
01:15:22Where's the baby?
01:15:26She died.
01:15:28Last summer.
01:15:30Oh.
01:15:32You might say you're sorry.
01:15:34I'm not. I'm very glad.
01:15:40I'm afraid I can't help you much.
01:15:50Don't leave me, Philip.
01:15:52I know I've treated you shocking.
01:15:54But don't leave me. Not yet, please.
01:15:56There's no one I can go to.
01:15:58You're the only one that ever treated me like I was human.
01:16:02You're a gentleman, Philip.
01:16:04The only one I've ever met.
01:16:13Some things you'll need.
01:16:20I love you.
01:16:22I love you.
01:16:24I love you.
01:16:26I love you.
01:16:28I love you.
01:16:30I love you.
01:16:32I love you.
01:16:34I love you.
01:16:36I love you.
01:16:38I love you.
01:16:40I love you.
01:16:42I love you.
01:16:44I love you.
01:16:46I love you.
01:16:49I love you.
01:17:05Our last day.
01:17:11My Sally.
01:17:13Darling.
01:17:15I was so determined not to let you see.
01:17:19Well, that's sweet of you.
01:17:21To care because I'm going away.
01:17:25I suppose I'm a fool to care, but...
01:17:27it doesn't mean you have to do anything about it.
01:17:31You can't help it just because someone loves you
01:17:33and you don't love back.
01:17:37Sally, look at me.
01:17:41Darling.
01:17:44Do you think you'll always feel like this about me?
01:17:46Yes.
01:17:50I've known it since the first time you came to our house.
01:17:55I thought at first that...
01:17:57that I meant something to you, too.
01:17:59Oh, but you did.
01:18:01You do.
01:18:04When I come back, if you still feel the same,
01:18:08will you marry me, darling?
01:18:14Don't you mean if you still feel the same?
01:18:36Well, this is what you might call
01:18:38the irony of fate.
01:18:40Come on now, be quick.
01:18:42Get her out of here.
01:18:45I don't want the likes of her on me end.
01:18:55I understand there's an interesting case...
01:18:57Look here, old man. Don't go in there.
01:18:59Why not?
01:19:01If you please.
01:19:03It's no use.
01:19:12Oh, Philip!
01:19:14I'm sorry I'm late.
01:19:16You're not.
01:19:18I'm not going.
01:19:30Oh, Philip!
01:19:32I'm sorry I'm late.
01:19:34You're not.
01:19:36I'm not going.
01:19:42What's that?
01:19:46My wedding present.
01:19:48To my wife.
01:19:52When do you intend to marry me?
01:19:55Right away.
01:19:57Thank you, Philip.
01:19:59I beg your pardon.
01:20:02You don't seem very pleased.
01:20:04Well, I am, and I'm not.
01:20:06Why?
01:20:08I'm afraid it's only a noble gesture.
01:20:10That's not enough for marriage.
01:20:12No, no, Sally. It isn't just that.
01:20:14Philip, I like you far too much to ever stand in your way.
01:20:40Philip, you're free!
01:20:42Yes, but suddenly...
01:20:44Suddenly, there's nowhere to go.
01:20:46Taxi, sir?
01:20:48No, thank you.
01:20:50I had to be free to realize that.
01:20:52I had to be free to understand that
01:20:54all those years that I dreamed of escaping...
01:20:56It was because I was limping through life.
01:20:58Taxi, sir?
01:21:00No, thank you.
01:21:02And because I was bound up with a person
01:21:04who was going to kill me.
01:21:06I was bound up with a person
01:21:09Because I was bound up with a person
01:21:11who was incredible to me.
01:21:13But that's all over.
01:21:15I'm not limping anymore.
01:21:17My life's all right.
01:21:19Then why don't you go?
01:21:23Because everything that's beautiful to me
01:21:25is right here.
01:21:27Won't you please marry me, Sally?
01:21:31If you like.
01:21:33But don't you want to?
01:21:35There's no one else I'd marry.
01:21:39How about a taxi, sir?
01:21:41What?
01:21:43How about a taxi?
01:21:45Yes.