Al Fondo Hay Sitio 11 Capitulo 66 Completo HD Online

  • 3 months ago
Al Fondo Hay Sitio 11 Capitulo 66 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 67 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 685 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 66 Completo HD Online
Transcript
00:00Here is your salary.
00:02That's right!
00:04Hey, you're paying me half of what you owe me.
00:08Ok, this is for everyone, ok?
00:12I want you to understand that the money I'm holding
00:16is going to a special fund that will generate interests
00:19that will multiply with the days.
00:24It was good, but I don't know if it's worth the price.
00:27I've been told that the chef who used to work here,
00:29the one who won the chivilin,
00:31is tearing her apart.
00:33Yes, my sister went to eat,
00:35but she said it's a place of bad luck.
00:38But the food is spectacular.
00:40Well, and for the price, it's worth the inconvenience of the place.
00:43We'll have lunch there tomorrow.
00:45Uh-huh.
00:47Damn Alessia.
00:48Well, that problem is solved.
00:51Now you have a pending to solve.
00:55You're right.
00:58I'll get to work.
01:01If you manage to convince a whole community,
01:05with the Gonzales, it won't be difficult for you.
01:15Family! Family!
01:17Let me explain.
01:18Forget about the chicken.
01:19Better play with your money,
01:20because I'm going to get ungrateful and you have to get me out of jail.
01:23I thank you very much all the time you were taking care of my house,
01:26but I need you to take care of it.
01:30The whole family is coming to stay.
01:32What time can you do it?
01:34I could do it on Saturday morning.
01:36And I on Saturday afternoon.
01:39Perfect.
01:40Yuli in the morning and Michael in the afternoon.
01:43But now that I remember,
01:44I can't do it on Saturday morning.
01:46Could you do it in the afternoon?
01:48I can't either.
01:49I remembered that I couldn't do it on Saturday afternoon.
01:51It would be better if I change in the morning.
01:53Michael...
01:54Please, please, listen to me.
01:57I've come to apologize.
02:00I'm sorry.
02:01I don't hear anything!
02:03He said he's sorry!
02:05Sorry!
02:22Maripaz, have you seen my cell phone charger?
02:25No idea.
02:28I don't know where...
02:36Mappy, my love.
02:42I promise you this will only be temporary, okay?
02:47I already talked to your aunt.
02:48We can stay with her.
02:50With the aunt?
02:51But she lives in Ica.
02:53Well, but we can start a new life there.
02:56Mom, why don't we do what I proposed?
02:59Maripaz, living with your dad is not an option.
03:02Why is it not an option if I stay with him once a week?
03:05Because you are his daughter.
03:07But I'm nothing like him.
03:08I can't live there with all those people.
03:11Live in Las Nuevas Lumas.
03:14Live in Las Nuevas Lumas?
03:16That doesn't sound like Las Nuevas Lumas.
03:18Mom, they receive everyone.
03:20Everyone with open arms.
03:22Let's see, Maripaz.
03:23I have no doubt that they are very good people,
03:25but that doesn't take away...
03:27What?
03:29The weird things.
03:30Each one is more disconcerting than the previous one.
03:33Mom, don't be like that.
03:34At first, well, yes, but then you get to know them and you like them.
03:38Besides, we have to ask Tito for help.
03:40He's the only one who would leave everything to help us.
03:43Maripaz, we don't need anyone.
03:47All our lives we have gotten out of our problems alone, haven't we?
03:52Yes, but now we are not alone, Mom.
04:00No, no, don't insist.
04:02Yes?
04:03No.
04:13I have come to face it.
04:15I am aware that I have been a coward,
04:17an idiot,
04:19and I am willing to receive any decision you want.
04:23Whatever it is, I will accept it.
04:29In other words, whatever we want?
04:32Yes.
04:33No tricks?
04:34No tricks.
04:35I am completely at your disposal.
04:37Although he seems like a fool to me,
04:40I also find it respectable that he has decided to accept the consequences.
04:46Family, meeting.
04:48Come, everyone.
04:50Come.
04:52Come, come, come.
04:53Let's go.
04:54Meeting.
04:55Go, go, go.
04:59Speak louder.
05:00Yes.
05:02Let's go.
05:12What do you think?
05:13Enough, enough.
05:14We are all here.
05:15Enough, enough.
05:16Perfect, perfect.
05:22As a family, we have decided that we are going to accept your apology.
05:27Oh, my God.
05:29They are a wonderful family.
05:31Incredible.
05:32They are great.
05:33Which hand do you use less?
05:34Yes.
05:35What?
05:36Don't splash so much because I just cleaned.
05:38Yes.
05:39Perfect.
05:40No, no, no, no.
05:41One moment, one moment, one moment, please.
05:42I need my hands to play my instrument.
05:44Cruel.
05:45Bad boy.
05:46As you said.
05:47Let's see.
05:48How, Gilberto?
05:49I mean my kalinete.
05:50I play the kalinete.
05:51One moment, one moment, one moment.
05:52What happened?
05:53Family.
05:55I know it was an idea, right?
05:58But I don't think we would be doing the right thing.
06:01Why?
06:03Now we work for a public figure.
06:05What would happen if the press found out?
06:08Of course, we can stain the career of our honorable and dear boss.
06:11Of course.
06:13It would really be funeral for Marjorie.
06:16And for the country too.
06:18How to deprive him of a public figure like this, of this level.
06:23Of course, Don Gilberto.
06:24Gilberto, we have to maintain the reputation of this noble woman.
06:30Well, you can start.
06:31We'll be checking you.
06:33Yes.
06:34Any step is false and...
06:35Get out!
06:36Get out!
06:38Get out.
06:40Get out.
06:42Understood.
06:43Completely understood.
06:44The truth is that I think it is the most hallucinatory decision.
06:46You do know how to do justice.
06:48And now, get out!
06:50Out!
06:51Get out, get out, get out.
06:52I'm leaving.
06:53Have a good day.
06:54Bye, bye, bye.
06:55We'll meet again.
06:56Bye.
06:58Get out!
06:59Get out!
07:16Hello, tell me.
07:18What?
07:19No, no, no, this can't be.
07:22Keep me informed.
07:24Turn around.
07:25We return to the campaign hotel.
07:37Daughter, what a surprise.
07:38Come in, come in.
07:43I came to ask you a favor.
07:44Please.
07:51Michael.
07:58Why are you like this with me?
08:03A favor?
08:04Of course, daughter.
08:05Please come in.
08:06No, wait a minute.
08:11Now yes, please.
08:14Tell me.
08:16Sorry to come like this out of nowhere, but I didn't know who else to shake.
08:20Daughter, please.
08:22You can shake me whenever you want.
08:25What's going on?
08:26Why are you like this?
08:27Oh, I know.
08:28It's because of that brat.
08:30Surely he ended up with his chat and you came back with him and ...
08:32No, no, no, it's nothing like that.
08:35Do you remember when I told you that we had to leave the house in a few weeks?
08:39Yes, yes.
08:40Well, my mom's friend came back because of a problem she had.
08:45And we had to leave there.
08:48Oh, but Lorena told me you were looking for a nice place to move, right?
08:52In fact, I heard you very excited.
08:55That was before.
08:57Before what?
09:00That they fired her from work.
09:03We are on the street.
09:07Daughter, calm down.
09:09No.
09:10And I don't know how we're going to do it because she pretends she's not worried,
09:13but I know she's worried.
09:15And I don't know how we're going to pay the ...
09:18I don't know, the rent of the house, the medical insurance, the school.
09:21Calm down.
09:22And I don't want to go with my aunt, who is in Ica.
09:25To Ica?
09:26Far from me?
09:27Nica!
09:28She says it's the best for us.
09:31Listen to me, daughter, listen to me well.
09:33As long as I have life,
09:35neither you nor your mother will miss a place to live.
09:40I want to talk to Lorena.
09:42She's in the hotel.
09:43Show me the way.
09:44And don't worry, everything will be fine.
09:47Calm down, huh?
09:48You calm down.
09:49Let's go, let's go.
09:56Did I do something to bother you?
09:58No.
09:59Why do you say that?
10:01Because you've been weird since yesterday.
10:05Michael.
10:07It's nonsense.
10:09Yeah, but that nonsense has to do with me.
10:11And if you're my friend, you're going to tell me.
10:14The watchman in your block told me about the crazy guy who's chasing you.
10:18He told me he almost killed your ex.
10:21I don't know, I was scared and instead of talking to you, I walked away.
10:27You're not stupid.
10:30Benjamin is dangerous.
10:32And I just broke up with Cristobal.
10:35That's why, to protect him.
10:36But...
10:38The good news is that you don't have to worry.
10:42Because we're just friends.
10:47Yeah, well...
10:48We're just friends.
11:01What a moron.
11:03What is that?
11:05I'm coming, I'm coming, I'm coming.
11:09Boss.
11:12Hi.
11:13Hi, hi, hi, how are you?
11:15Guys, I'm going to need some things.
11:17Joel, do you have the priceless gifts I left for you?
11:20Which ones? Your friends?
11:21Yes, yes, yes.
11:22They're asking for them.
11:24And also the documents I asked you to keep.
11:26Yes, we have to eliminate them with the machine.
11:28What machine?
11:29The shredder machine.
11:30I brought it along with the computers.
11:31One that shreds the paper.
11:32Ah!
11:33It was for that.
11:34Oh, that's right.
11:35The noodles were twisting.
11:38Who would have thought that this artifact
11:40only served to shred paper.
11:43Yes, yes, yes.
11:44Well, now, quickly, please, quickly, quickly.
11:46And I also need you to please put the computers
11:48in the trunk of my truck, Stefano.
11:50And how are we going to do our job?
11:52I'm going to bring new ones.
11:53Better.
11:54Oh, I see.
11:55Oh, that's what I like about you.
11:56That you're always looking to move forward.
11:59Always forward.
12:00Well, yes, but I need everything as fast as possible.
12:02Yes, celerity.
12:03Yes, yes, gentlemen.
12:04Quickly, quickly.
12:05Celerity.
12:06On the pucho.
12:07Of course.
12:08Oh, what about the pucho?
12:09The touch, the touch, Olina.
12:10The touch, the touch.
12:15Hey, hey, hey, hey, hey.
12:16Where do you think you are?
12:17This is not the French house.
12:18Less chicken, more velula.
12:19Let's see, repeat.
12:20Less chicken, more velula.
12:21That's it.
12:22This is not gourmet food.
12:23This is menu.
12:24Peruvians like to eat like this.
12:25Taipa.
12:26Yes?
12:27Who told you to prepare the dish?
12:28You, chef.
12:29Come on.
12:30I'm sure I've manipulated you.
12:31But I'm already here for my walk.
12:32Less chicken, more velula.
12:33Let's see, repeat.
12:34Less chicken, more velula.
12:35That's it.
12:36Less chicken, more velula.
12:37Less chicken, more velula.
12:38Less chicken, more velula.
12:39Less chicken, more velula.
12:40Less chicken, more velula.
12:41Less chicken, more velula.
12:42Less chicken, more velula.
12:43Less chicken, more velula.
12:44Less chicken, more velula.
12:45Less chicken, more velula.
12:46Less chicken, more velula.
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12:48Less chicken, more velula.
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13:00Less chicken, more velula.
13:01Less chicken, more velula.
13:02Less chicken, more velula.
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14:00Less chicken, more velula.
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15:00Less chicken, more velula.
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15:40Less chicken, more velula.
15:41Less chicken, more velula.
15:42Less chicken, more velula.
16:10How much time do I have?
16:12I don't understand.
16:14What happened, boss?
16:16I'm running out of friends.
16:27And you have the nerve to come back?
16:30I have a house, a life, a job.
16:33What are you doing here?
16:35Enjoy your life as long as you can.
16:37Is this a threat?
16:39If you don't know, I already fixed the misunderstanding with the Gonzales.
16:42Ah, misunderstanding.
16:44That's right.
16:45And believe it or not, I don't forget that you entered my house like a vulgar thief.
16:50And you haven't forgotten about the punch either, have you?
16:53You caught me off guard.
16:54The idiot's comfort.
16:55What do you want me to beat you up?
16:56What?
16:57What?
16:58What?
16:59What?
17:00Let's see, don't make trouble in my area.
17:02Circulating, circulating, please.
17:03Everything is fine, Felix.
17:06I'll see you again, dumbass.
17:26Come, come, come.
17:30She is your new boss.
17:32What?
17:33But who is she?
17:34It's Marjorie Manrique.
17:36It's a successful policy.
17:38I'm going to talk to her to give you a job and I'm going to do it because
17:41she cares about the most in need.
17:44Well, but Maripaz and I don't fall into that category of the most in need.
17:48Well, Mom, right now I think we do belong to the most in need.
17:53No, no, Maripaz, we don't belong.
17:55Family!
17:57Family!
18:04Hello everyone.
18:08And the computers?
18:10They're going to bring better ones.
18:12Hold on, are you going on a trip?
18:14Why didn't you tell me, compadre?
18:17No, no, Pepe.
18:19Family, I have an announcement to make.
18:23My daughter and her charming mother are moving into the house.
18:31I told you it wasn't a good idea.
18:33Wait.
18:34Because of an inconvenience, they can't live where they used to live.
18:39And the worst thing is that Lorena was fired from her job.
18:44Yes, we were already expecting the house, but the job got us cold feet.
18:51And who was that bastard who fired you so suddenly?
18:57Francesca Maldini.
19:08Yuli!
19:13What's up?
19:14How's work?
19:15Good, and you?
19:16Good, cool, but exhausted.
19:18Do you want a drink?
19:19No, I don't want to hang out with your brother.
19:21Oh, it's his birthday later.
19:23Besides, I have Korean masks.
19:25KN95?
19:27No, Yuli, relaxing masks for the face.
19:31Oh, but I don't use those things.
19:33Yuli, let's go.
19:35But without a mask.
19:37You'll see what I'll do to you.
19:46That's right, Mrs. Francesca.
19:48Remember how he fired us like his cat's dog.
19:51So, family, what do you say?
19:55Do we open the doors of our home to the girl?
19:58No way!
20:00You don't even ask that question.
20:02Welcome, then!
20:04I told you.
20:05Thank you very much.
20:07It's just going to be for a little while, in terms of work.
20:12But if it becomes a little while, nothing happens, okay?
20:17Just a question.
20:20Where are you going to sleep?
20:22Oh, pretty, where else?
20:24In the room of the Charo.
20:26And me?
20:28You can take care of Teresa's bed.
20:31Only if you think that's okay.
20:36Yes, of course.
20:38There's no problem, it's fine.
20:40Thank you very much.
20:42You're really saving our lives.
20:46Yes.
20:51Oh, how delicious it was.
20:53You see? And you didn't want to.
20:55Hey, I didn't tell you.
20:56Do you know who broke into my room the other night?
20:59Ale, I know it's my cousin and you, but you don't have to tell me those little things.
21:05No, Julie, you're not talking about Jimmy.
21:07I'm talking about Laia.
21:08What?
21:09And for what?
21:10She was with my brother in his room, I don't know, I guess watching a movie.
21:14And the stupid advantage that I wasn't there to search between my things.
21:18I'm sure she wanted my recipes.
21:21Julie?
21:23Today I saw Chris leaving his house in the morning.
21:26Oh, Julie, Julie, forgive me, forgive me.
21:30Oh, how stupid, I shouldn't have told you anything.
21:32Don't worry, it's okay.
21:34It was good for me once and for all.
21:37Realizing that Lee and I weren't meant for each other.
21:41I couldn't give her what I gave her.
21:43Not so soon.
21:45Sorry, I wanted you to relax.
21:52Yes, it's simple and it's a little old, but it's cozy and it has its charm, mom.
21:58Oh, I'm not going to get used to it, Maripaz.
22:00I also felt like that the first time, but then I got used to it, like that, the touch.
22:04Besides, the Gonzalez have their things, but they are super cool.
22:08No, they're super cool, but this room doesn't have a closet or a bathroom.
22:14It doesn't have a closet or a bathroom, but it has a super pretty little virgin, an ironing board and a super pretty picture of flowers.
22:26Oh, I love you, I love you.
22:29I love you too.
22:39They're looking good, baby.
22:44Speak.
22:45Hi Joel, look, I was thinking, the workshop is doing well with your boss, right?
22:50So we should take advantage of this streak and start moving the business in networks.
22:56Why?
22:57To sell more, Joel.
22:59But if we are good, we are good.
23:01You can always be the best.
23:03Oh, oh, oh, you're thinking like an entrepreneur.
23:05I learned it from you.
23:07Obviously.
23:08Look, this is what we can do.
23:10Hire Cristobal.
23:12Vampirin?
23:13Yes, so he can take pictures, well, like you say, and post them on the workshop page.
23:18I like it, I like it, I like it.
23:20Look, I know you're very busy right now and all that, but if you want, I can take care of everything.
23:25Yeah, yeah, you take care and don't distract me, okay?
23:27You're blocking my creativity right now.
23:29Bye, bye, bye.
23:30Ready, bye.
23:38My bed?
23:42Teresita, I know I'm not a saint of your devotion.
23:46That's why I've come all the way here, to ask you if you'll give me permission.
23:53Well, that room is no longer mine, that bed either, so you can do whatever you want.
23:57Besides, everything is for the good of the mother of the creature.
24:01Oh, thank goodness.
24:04I thought you were going to yell at me, or you were going to go crazy,
24:09that you were going to say, for the love of God, how dare you ask me for my bed?
24:14What's wrong with you, bat bat, dead fly, eight-legged?
24:20But that was before, that was before, of course.
24:23Now you are a refined woman and I understand your reaction now.
24:28Anything else?
24:30No, nothing else. Thank you.
24:35Yes, something else.
24:39I hope you come home soon.
24:43Nothing is the same without you.
24:49Don't play.
24:50It's good that you're enjoying your reign.
24:54I don't understand why you're always so suspicious.
24:59Well, I'm going to sweep my reign, okay?
25:02Hey.
25:03Thank you.
25:04And the engagement ring? Why aren't you wearing it?
25:07Haven't you forgiven my dad? You're punishing him.
25:11Let's see, Olinda, my dad is an older man.
25:14You can't be with childish things, that I take off the ring, that I put on the ring.
25:17Do you want to marry him or not?
25:19Hey, you gave Gaspar back your ring eight times.
25:23What are you talking about?
25:24It's different.
25:25Why is it different? Let's see.
25:26Because, unlike my dad, he hasn't asked me for my hand as God commands.
25:30Excuses.
25:32I don't live with him.
25:33Excuses.
25:34Gaspar is much younger.
25:35More excuses.
25:38Teresa, remember that now you belong to the powerful class.
25:42Don't lower yourself to the level of this little woman.
25:46Look.
25:48If you've forgiven my dad, do it from the bottom of your heart.
25:50He values you.
25:51He gives you your place, even at my expense.
25:54Don't make him suffer anymore.
25:55Please.
25:56And if you've really forgiven him, do it seriously.
25:58Don't be delusional.
26:02Very nice advice.
26:04Let's see if you follow it too.
26:09And that ghost?
26:10Is he still manifesting?
26:12Oh, right.
26:15You don't know the end of that story.
26:27What is this?
26:29From now on, I want to collaborate with the expenses of the baby.
26:35Tito.
26:37You've done it alone for a long time and it's time for me to get wet too.
26:42With letting us live here, it's enough.
26:44No, no.
26:45No, you're not going to convince me.
26:47Besides, I have a great job with Miss Marjorie.
26:50Look.
26:51There is enough for the school, the expenses of our daughter and ...
26:54Well, if you have enough, you can go shopping and relax.
26:59This will be enough for the school and that.
27:03But in what school have you put her nonsense?
27:05It's more than the cost of Jimmy's high school.
27:08Sorry.
27:09I thought my liquidation was going to be happier.
27:11It's already in fifth.
27:12Okay, okay.
27:13It's okay.
27:14Don't worry.
27:15I'm going to ask Miss Marjorie to tell me about the other week.
27:22Yes.
27:23What's up?
27:25After all, it wasn't such a bad idea to look for you after 16 years.
27:32Thank you.
27:34I'm trying to be strong so I don't collapse in front of Maripaz.
27:40Well, but at some point you're going to have to let it out, right?
27:43You have to get into your moqueada.
27:46Otherwise, it's like an emotional constriction.
27:49You have to free the nutria to be able to continue.
27:52Oh, Vito.
28:04But stop looking.
28:06Your angelic smile.
28:09Because love is like that.
28:11Love can do everything.
28:13What love, Felix? What are you talking about?
28:15Michael and I are just friends.
28:17So why did he come with some flowers?
28:19Flowers?
28:20Julie, please.
28:21Those were cherry flowers.
28:23What?
28:24Cherry flowers to fall in love.
28:26Aren't you going to tell me that you haven't realized that the boy is in love?
28:31Goodbye.
28:32Here it is.
28:33Try it, please. Try it. Try it.
28:34Very nice advice.
28:38Let's see if you follow it too.
28:40Oh, Retro City.
28:44Oh, brother, the video is very good.
28:46Oh, brother.
28:47Tell me when I have failed you.
28:48When has your sensei failed you?
28:49Never.
28:50Never, Maripaz.
28:51Never.
28:52What?
28:53I forgot.
28:58Hello, Marjorie.
28:59How are you? I was just thinking about you.
29:02Family.
29:13What?