#englishmovies #movies #horrorstories
Title: KILLING ELEVEN (aka EVIL WORDS)
Summary: In Montreal, on the same day that a policeman shot eleven children, killing ten, without any reason, the successful writer Thomas Roy amputates his fingers and tries to commit suicide. Completely catatonic, he is treated by Dr. Paul Lacasse and his big fan, the pregnant Dr. Jeanne Marcoux, in a psychiatric hospital. When the journalist Charles Monette, who is writing a book about Thomas, schedules a meeting with Dr. Paul, he shows pieces of newspaper showing that Thomas was present to the last thirty-seven tragedies in Canada. Dr. Paul reads the notes and decides to investigate further the life of Thomas Roy, disclosing dark secrets about his past. #horror #horrormovies #englishmovies #movies #horrorstories #horrorstory #slasher #zombiesurvival #thriller #thrillermovies #mystery #mysterymovies #drama #dramamovies
YOP: 2003
Cast: Michel Côté, Patrick Huard, Catherine Florent
Director: Éric Tessier
Writer: Patrick Senécal, Éric Tessier
Title: KILLING ELEVEN (aka EVIL WORDS)
Summary: In Montreal, on the same day that a policeman shot eleven children, killing ten, without any reason, the successful writer Thomas Roy amputates his fingers and tries to commit suicide. Completely catatonic, he is treated by Dr. Paul Lacasse and his big fan, the pregnant Dr. Jeanne Marcoux, in a psychiatric hospital. When the journalist Charles Monette, who is writing a book about Thomas, schedules a meeting with Dr. Paul, he shows pieces of newspaper showing that Thomas was present to the last thirty-seven tragedies in Canada. Dr. Paul reads the notes and decides to investigate further the life of Thomas Roy, disclosing dark secrets about his past. #horror #horrormovies #englishmovies #movies #horrorstories #horrorstory #slasher #zombiesurvival #thriller #thrillermovies #mystery #mysterymovies #drama #dramamovies
YOP: 2003
Cast: Michel Côté, Patrick Huard, Catherine Florent
Director: Éric Tessier
Writer: Patrick Senécal, Éric Tessier
Category
🎥
Short filmTranscript
00:00:00It's still inexplicable, the killing took place this afternoon outside the biodome,
00:00:13when the group of children had just left their visit accompanied by the monitors.
00:00:19Of the 11 children affected, 10 are dead and the 11th is in critical condition.
00:00:28We know for sure that this is a police officer, Sergeant Louis Archambeau, a police officer
00:00:42considered an excellent husband, father of two children, and this is the most incomprehensible
00:00:48of all this tragedy, nothing could have foretold what this man was going to do.
00:00:52Yes, here we go again, the images taken this afternoon by the amateur video of a visitor.
00:00:59Here, in the center, we see the police officer Archambeau.
00:01:04Faced with such a horror, we can only ask ourselves one thing, what can push a man,
00:01:11in normal and balanced appearance, to commit the next day such a wild and irrational act?
00:02:52Hey, Paul.
00:02:59Hi, Jeanne.
00:03:05You'll never guess what.
00:03:13Mark is not the father of your future baby?
00:03:20I'll take care of it tonight.
00:03:22Guess who?
00:03:24Thomas Roy.
00:03:27Let's see, the writer?
00:03:29Ah yes, the one who writes little love stories.
00:03:32Horror, Paul.
00:03:34Imagine, he tried to commit suicide.
00:03:38Yeah, Jeanne, we see that a lot here.
00:03:40Suicide attempts, yes.
00:03:41But not Thomas Roy.
00:03:43Hello, Nicole.
00:03:44Hello, Dr. Martin.
00:03:45Doctor, do you know which patient has just been admitted tonight?
00:03:51I know Hollywood won't call me tomorrow, I'm not stupid.
00:03:54But in a few months, I wouldn't be surprised.
00:03:59Thank you, I won't find a better hiding place than here.
00:04:02What's that in your pocket?
00:04:04You threw it away, right?
00:04:07You threw it away.
00:04:09It's my glasses case, Mr. Bolduc.
00:04:11I'm sorry, doctor.
00:04:14I'm sorry.
00:04:16I pray a lot.
00:04:20I would say...
00:04:22about twice as much as before.
00:04:26And it bears fruit because the rainbow that God sends me after my prayers
00:04:31is closer.
00:04:35Ah, it's always closer.
00:04:38I feel better.
00:04:43You, doctor, how are you?
00:04:47Doctor?
00:04:53Hi, Paul.
00:04:54Justine.
00:04:55Ah, Dr. Lacasse.
00:04:57Dr. Martin left this message for you.
00:05:05Oh, Paul, wait.
00:05:35The fan came to visit her idol's temple.
00:05:48Paul, I didn't think you'd come.
00:05:50It's true that normally we don't have business here, but since we were supposed to eat together...
00:05:55Let me introduce you to Inspector Goulet.
00:05:57Dr. Paul Lacasse.
00:05:59Ah, you too.
00:06:02It's pretty rare that we see cops at a crime scene.
00:06:05Even with psychiatrists, youth is sometimes too enthusiastic.
00:06:09What happened?
00:06:11Well, we were telling your colleague.
00:06:14Neighbors called last night to complain about the beating.
00:06:17When our men arrived, Mr. Roy was there.
00:06:20Mr. Inspector, I have a question.
00:06:22Talk to someone else.
00:06:23Wait a minute, Jeanne-Marie.
00:06:24I know what you're going to tell me.
00:06:26Admit that it wasn't a very good idea to come here.
00:06:28Did you see what we looked like? We looked like...
00:06:31Okay, maybe I overreacted a little.
00:06:33A little? You're no longer a novice anyway.
00:06:35It's okay, I get it. Why are you insisting the same?
00:06:47Hélène left, right?
00:06:50She ended up doing it.
00:06:53I'm sorry, Paul.
00:06:55Sorry? Sorry for what?
00:07:00It was over a long time ago. We knew how to help each other.
00:07:02She just had the courage to admit it first.
00:07:05And she did well.
00:07:07Can I do something?
00:07:10Don't be sadder than I am.
00:07:12Don't change the subject.
00:07:14What I mean is that you have to be a fan of Roy.
00:07:16It's not a reason to forget that he's a patient first.
00:07:19Do you understand that?
00:07:20You're right.
00:07:22I admit it, I went too far.
00:07:24I'm not completely enlightened.
00:07:27I think I'd better not worry about his case.
00:07:31I'm afraid I won't have enough distance.
00:07:34Now I recognize you.
00:07:36Who's going to take the file first?
00:07:55Do you hear me, Mr. Roy?
00:07:57Can you give me a sign to signify me?
00:07:59Do you hear me?
00:08:01Zoloft, 50 mg per day.
00:08:06I'm more than his manager, doctor.
00:08:10I'm his best friend.
00:08:11He's the only one who has it.
00:08:13I understand perfectly, Mr. Michoud.
00:08:18Have you found him different lately?
00:08:21Different?
00:08:23Tom has always been a good jet set.
00:08:25But for a while now, he's become totally lonely.
00:08:29Since his last novel, a year ago,
00:08:31I found him frankly dreamy.
00:08:37Dark.
00:08:43Dark.
00:08:48Do you see what I mean?
00:08:51Five or six months ago, he invited me to his place.
00:08:55And that's when he told me...
00:08:57I don't write anymore, Pat.
00:08:58Never again.
00:08:59You think you can convince me to lower my sales percentage
00:09:01if you think there's anything better than that?
00:09:04It's not a farce.
00:09:07I'm retiring.
00:09:08No, no, no.
00:09:10You're not a bus driver, Pat.
00:09:11You're a writer.
00:09:12Translated all over the world.
00:09:14Precisely.
00:09:15I'm rich now.
00:09:17Just be patient with that.
00:09:19I know you've never written for money.
00:09:22What do you have?
00:09:26You don't have any ideas?
00:09:29Ideas?
00:09:31I always end up with nothing.
00:09:38And what's the problem?
00:09:46It hurts too much.
00:09:49Too much?
00:09:50I can't answer that.
00:09:52I asked him to be clearer, but he wouldn't answer.
00:09:55We got mad and he slammed the door.
00:09:57Me, his best friend.
00:10:00We haven't seen each other since.
00:10:03I called him a couple of times, but it lasted two seconds.
00:10:07That's all.
00:10:09For five months, no interviews on TV.
00:10:13None on the radio.
00:10:16Nothing.
00:10:18Total reclusion.
00:10:21And to finish...
00:10:30It's...
00:10:33It's complete.
00:10:59I knew you weren't a cop.
00:11:17The cops are their patients.
00:11:19It's true that Roy isn't just anyone.
00:11:22Who told you I was dealing with Thomas Roy?
00:11:24There are details in there.
00:11:25It's hard to understand someone who doesn't talk.
00:11:28Charles Monette.
00:11:30From the magazine Hebdo Star.
00:11:34I was trying to write a book about Roy.
00:11:36Big, big, big project.
00:11:38You'd be surprised to see how much information I have on your patient.
00:11:41Like what? His favorite toilet?
00:11:43If I had been told that every time someone made me that kind of joke,
00:11:46I'd be rich today.
00:11:47Roy was a secret.
00:11:48You'll have a hard time finding people to find out about him.
00:11:51I can help you.
00:11:52By good will.
00:11:53I have a book to write.
00:11:55It's a complete chapter on the different stages of his psychiatric treatment.
00:12:00Goodbye, Mr...
00:12:02Monette, is that it?
00:12:03Wait, wait.
00:12:07It belonged to Roy.
00:12:11How did you get that?
00:12:13You didn't want to talk to me two minutes ago, and now you want all the answers.
00:12:16Take a couple of days to get into it.
00:12:18And above all,
00:12:20go further than finance.
00:12:22When you get there, look for it.
00:12:52I love you.
00:12:57It's a song of love.
00:13:01Oh, of love.
00:13:11Time is present.
00:13:14In the arms of women,
00:13:17no more love, no more passion.
00:13:23And our poor sick souls
00:13:30are dying of concentration.
00:13:35And all our lives...
00:13:45Still no reaction.
00:13:47We tried a lot of stimulation, but it didn't work.
00:13:49Total catatony.
00:13:55Steve.
00:13:57No girlfriend, no family.
00:13:59Just a sister who's been living in St. Julie for a few years,
00:14:02and we haven't joined her yet.
00:14:07Well, you guessed most of it.
00:14:09This notebook contains Roy's inspiration.
00:14:12Thirty-seven newspaper articles, thirty-seven fatal disasters
00:14:15that have taken place in the last twenty years.
00:14:17When you read Roy's twelve novels,
00:14:19you find almost all these tragedies,
00:14:21with little changes, like the names, some details.
00:14:26In short, he was inspired by the news.
00:14:29From a writer's point of view, it's quite banal.
00:14:32Any other observations?
00:14:34No.
00:14:35Well, perfect. Next case.
00:14:39Madame Eno.
00:14:44Sorry to bother you, Madame Roy,
00:14:47but you're his sister.
00:14:49The only family he has left, so...
00:14:51Listen, Doctor.
00:14:53We haven't seen each other in 15 years.
00:14:55I understand, but...
00:14:57It's pretty serious.
00:14:59He cut his fingers.
00:15:01He cut his fingers?
00:15:03Well, it shows he has a conscience, after all.
00:15:10What do you mean by that, Madame Roy?
00:15:12Doctor, everything that happens to my brother
00:15:14comes straight to my mind.
00:15:17Why?
00:15:31It could be more useful.
00:15:45I don't know what your brother thinks of that.
00:15:48Here, I've already ordered your tape.
00:15:52Speaking of which, you'll have to get involved, won't you?
00:15:55If you think I feel like it.
00:15:57The worst part is that I can't even be really sad.
00:16:03I'll give you a name for the baby.
00:16:06We like Antoine.
00:16:08You're delirious with originality.
00:16:10I should be able to give him a more fashionable name.
00:16:13Marc-Paul, what do you think?
00:16:18Hello.
00:16:19Hello.
00:16:20Mr. Monette, my colleague, Jeanne-Marc.
00:16:21Nice to meet you, Doctor.
00:16:25Do you want some water?
00:16:26No, for me, a glass of water, please.
00:16:29That way, you'll change your mind.
00:16:31Wait a minute.
00:16:32First, let's clear things up.
00:16:33I agreed to meet you,
00:16:34but remember what I told you on the phone.
00:16:36We're not giving you any information about Roy.
00:16:38That's clear, that's clear.
00:16:39But when you'll see what I'm capable of,
00:16:41I want to impress you so much
00:16:42that I'm sure you'll remember me.
00:16:44And then, I'll be able to negotiate.
00:16:47Tie your panties up, Mr. Monette.
00:16:51How did you get the notebook?
00:16:53I found it in Roy's trash.
00:16:57You're not serious.
00:16:58Yes, thank you.
00:16:59We kiss where we can.
00:17:01I wanted an interview with him for my book,
00:17:03but he always refuses.
00:17:05So I started looking around his house.
00:17:07I found the notebook.
00:17:12And I discovered that...
00:17:13Yes, that he was inspired by the news to write.
00:17:15We understood that pretty quickly.
00:17:20But did you notice the presence of Roy
00:17:22in two of the articles?
00:17:27Look.
00:17:29It's from 1988.
00:17:38Well, yes.
00:17:39It's probably Roy, younger.
00:17:43You're going to talk about two presences.
00:17:45What photo should we look for?
00:17:47No, no, no, he's not photographed.
00:17:49The carnage of 1991,
00:17:51in the La Fontaine tunnel.
00:17:52You may remember.
00:17:54Look, read from here.
00:17:58While waiting for the ambulances,
00:17:59some motorists helped the injured
00:18:01get out of their cars.
00:18:02Among these charitable souls
00:18:04was the famous writer Thomas Roy,
00:18:07Amen.
00:18:11Well, then,
00:18:13when I saw that Roy had witnessed
00:18:15two of the dramas,
00:18:17I had a crazy idea.
00:18:19Anyway, I had nothing to lose.
00:18:21Of all the journalists who wrote the 37 articles,
00:18:24I know ten.
00:18:26So I called them and asked them
00:18:27if they remembered seeing Thomas Roy
00:18:29in the scenes of the drama.
00:18:30Of the ten journalists,
00:18:32there were three who answered me
00:18:35yes.
00:18:36They were convinced that it was really him.
00:18:38Absolutely.
00:18:42Well,
00:18:43let's say that Roy was in the places of
00:18:45how many in all?
00:18:47Five of his dramas.
00:18:48You know we're going with that.
00:18:50No, how do you know we're going?
00:18:53How many deadly dramas have you seen in your life?
00:18:56None, I guess.
00:18:57One, maybe.
00:18:58Two, it's starting to be rare.
00:18:59But five?
00:19:01Five of which we have the proof.
00:19:06You're not serious.
00:19:07You still don't think that Roy...
00:19:08Wait a minute.
00:19:09The seven other journalists you called,
00:19:11they told you that Roy wasn't in the places?
00:19:13No, no, no.
00:19:14They said they hadn't seen him.
00:19:15It's very different.
00:19:17Listen,
00:19:18put yourself in Roy's shoes.
00:19:19Collect all these articles to get inspired.
00:19:22OK?
00:19:23If you've seen five of these events in your notebook,
00:19:25it seems to me that you're going to manage to unmark them, right?
00:19:28Surround them in red,
00:19:29underline them, anything,
00:19:30but something.
00:19:31Here, there's nothing.
00:19:32Nothing at all.
00:19:34Maybe because it means that Roy witnessed all the events.
00:19:40And it's possible.
00:19:41Possible?
00:19:42What's possible?
00:19:44He was there every time, 37 times.
00:19:47Let's see.
00:19:48Here, there's a guy who strangled his wife in a bedroom.
00:19:52Roy was there, hidden in the wardrobe.
00:19:54It's true that it's...
00:19:55OK, OK.
00:19:56It looks incredible, I admit it,
00:19:58and I admit that, well, there's nothing on it.
00:20:02But admit that it's exciting.
00:20:05Exciting.
00:20:09It's your notebook, Mr. Monnet, not ours.
00:20:11I'll leave it to you.
00:20:12I'm sure it can still be of use to you.
00:20:15We'll give it back to you when we get out of here.
00:20:17You're really...
00:20:18Yes.
00:20:19Yes.
00:20:20I know.
00:20:21You've already said it.
00:20:24We didn't completely waste our time, did we, Paul?
00:20:45Maybe Roy witnessed all the events.
00:20:48Maybe he's conscious after all.
00:20:51Maybe he's conscious after all.
00:21:09It's an idea from Ergo.
00:21:11She said that Mr. Roy might prefer to write than to speak.
00:21:15It's going to be fingers crossed.
00:21:16He's still growing.
00:21:17It looks like he could do it.
00:21:21Mr. Roy.
00:21:27Mr. Roy.
00:21:37I called your sister, Claudette.
00:21:42She said that the fact that you broke the law
00:21:44shows that you have a conscience.
00:21:49What did she mean by that?
00:21:53I'll see.
00:21:58I'm increasing the dose.
00:22:18Mrs. Eno?
00:22:22Mrs. Eno?
00:22:25Mrs. Eno?
00:22:28Night.
00:22:29I'd like it to go away.
00:22:49I'd like it to go away.
00:23:05Hello, Dr. Lacasse.
00:23:06Instructor Goulet speaking.
00:23:08We found a copy of the new novel
00:23:10that Roy was writing when we found it.
00:23:13I assume you are familiar with the story of Harchambault,
00:23:15the cop who killed 11 children two weeks ago.
00:23:17It's probably just a coincidence, but call me when you get there.
00:23:21Goodbye.
00:23:35It tells the story of a policeman who prepares to kill children in a school.
00:23:39Mr. Roy must have seen the massacre of Archambault on New Year's Eve
00:23:42and was inspired to write his new novel, as he always did.
00:23:47But that's why he didn't want to write it.
00:23:50It made him feel guilty.
00:23:52But when he saw the massacre on TV, the inspiration came back.
00:23:56It was stronger than him.
00:23:58He started writing again.
00:24:00The remorse doubled.
00:24:02And then...
00:24:03Wait, wait.
00:24:04It's been eight or nine hours between the massacre of the Biodome
00:24:07and Tom's suicide attempt.
00:24:09He could never write 34 pages in such a short time.
00:24:11He wrote 10 pages a day, max.
00:24:13That's for sure.
00:24:14And he started writing several days earlier.
00:24:17I'm sorry to contradict you, Doctor, but...
00:24:19Wait, Mr. Michaud.
00:24:20Many people, in a state of psychotic crisis,
00:24:22see some of their faculties doubled.
00:24:24Speed, for example, or...
00:24:26No, you don't understand what I'm trying to explain.
00:24:28Tom Roy wrote his novel after the massacre
00:24:30because it's the only logical possibility.
00:24:33And logic doesn't need your assent, Mr. Michaud.
00:24:36Believe what you want.
00:24:38I know him, Tom, not you.
00:24:42Can I keep them?
00:24:43It's possible that we'll ask you again.
00:24:46Thank you.
00:24:56Your explanation is very plausible.
00:25:02Roy's faculties doubled during his psychotic crisis.
00:25:08It makes sense, doesn't it?
00:25:17There's one or two people around me who seem to have doubts,
00:25:20and I'd like to convince them.
00:25:22And how could Roy Archambault help you with that?
00:25:25I'd like to ask him if he knew Roy personally
00:25:28and if, by chance, he hadn't already read his manuscript.
00:25:31That way, you understand.
00:25:33It wouldn't be Roy who was inspired by Archambault,
00:25:36but the opposite.
00:25:38Come on, Paul.
00:25:39It's not serious.
00:25:41I know it's out of the blue, but...
00:25:44I know it's out of the blue, but...
00:25:47if that were the case...
00:25:52Don't you think your theory is a bit of nonsense?
00:25:56So you didn't know him, did you?
00:25:59Of reputation, like everyone else.
00:26:03Well, too bad.
00:26:05He saw it all on TV and wrote his manuscript.
00:26:08There's no other explanation.
00:26:10He saw what I did, but not on TV.
00:26:15Excuse me?
00:26:20I still don't know why I did that.
00:26:25When I stopped my patrol car in front of the kids
00:26:28who were walking on the sidewalk,
00:26:30I hadn't planned anything yet.
00:26:33All was well in my head.
00:26:37Who was on the phone?
00:26:41I got out of the car. I don't know why.
00:26:46That's when I thought for the first time.
00:26:50It was very clear.
00:26:55Kill him. The whole gang.
00:26:59And then, unsurprisingly, I pulled out my gun.
00:27:03And when I shot my first shot,
00:27:06I had a doubt, a hesitation.
00:27:11And that's when I saw him on the other side of the street.
00:27:14Are you sure it was him?
00:27:16He even looked like he was looking for something.
00:27:20As if he was there to be...
00:27:24a witness.
00:27:26I don't know what, but a witness.
00:27:31What would you have done if your colleague had shot you?
00:27:34What would you have done if your colleague hadn't arrested you?
00:27:37Would you have gone to talk to Roy?
00:27:39No, I... I would have killed myself.
00:27:43By remorse?
00:27:46What I feel is worse than that.
00:27:49What I feel is...
00:27:53evil.
00:27:57What is evil, Mr. Chabot?
00:28:01After all your years of work in psychiatry, Lothar,
00:28:06you still don't know what it is.
00:28:10Maybe the only way to understand it is to be put in my place.
00:28:15To have seen.
00:28:30A FEW HOURS LATER
00:28:41It's Nicole, Lothar.
00:28:43It's perfect.
00:28:47Paul, do you know anything?
00:28:49What do you think I'm doing here on a Friday afternoon?
00:28:51Nicole, go to Sir Roy's.
00:28:53Yes, Patrick Michaud called. He should be here...
00:28:55I'll tell him to come join us.
00:28:57It's exciting, isn't it?
00:28:59Carl, Jeanne...
00:29:01Listen, between the two of us, I can even have a little fun.
00:29:03You and your inexpressibility.
00:29:05You're so excited that you invent words.
00:29:07Inexpressibility, frankly.
00:29:09I love you, Doctor.
00:29:10Yes, yes, Carl, you love me.
00:29:12Doctor?
00:29:13Do you want to come see him with me?
00:29:14What do you think?
00:29:15He told me it must be out of curiosity.
00:29:19A FEW HOURS LATER
00:29:27Hello, Mr. Roy.
00:29:31Do you recognize me?
00:29:34I don't know.
00:29:37Sigmund Freud.
00:29:42You're making fun of me. That's a good sign.
00:29:45I'm Paul Lacasse, the psychiatrist who's been taking care of you since you arrived.
00:29:50This is Dr. Jeanne Marcoux, my colleague, and also...
00:29:54one of your biggest fans.
00:29:56Really?
00:29:58Well, I've read all your novels.
00:30:00And frankly, I found them excellent.
00:30:03Thank you.
00:30:11Mr. Roy...
00:30:13Do you remember what happened? Do you know why you're here?
00:30:19Because I'm not dead.
00:30:22Is that what you wanted? To die?
00:30:29Do something else than ask questions, Doctor.
00:30:32A FEW HOURS LATER
00:30:42We understand what's happening to you, Mr. Roy.
00:30:46You found your notebook with the newspaper articles.
00:30:52We know you've assisted some of these women, and that's why you stopped writing.
00:30:58I thought you understood.
00:31:00Explain to us.
00:31:06A pencil, a piece of paper, a wound... I never want to see that again.
00:31:09Explain to us, Mr. Roy, if you don't understand.
00:31:11I don't understand myself.
00:31:14You're dead?
00:31:17I'm so happy. I'm so happy.
00:31:21Are you okay?
00:31:23Listen, Patrick, I'd rather you...
00:31:25I understand, I understand. Take your time.
00:31:27The important thing is that you're back. You cured him, bravo.
00:31:30Cured is not the right word, Mr. Michaud.
00:31:32I don't care. I'm not cured.
00:31:35How many people died, Doctor?
00:31:39What are you talking about?
00:31:41You know, Chris. Stop playing.
00:31:45How many?
00:31:48Eleven.
00:31:57Eleven.
00:32:02Does it bother you?
00:32:04What's that question?
00:32:06It's just that you were inspired by the massacre for the beginning of your new novel.
00:32:10You're talking nonsense.
00:32:12What do you mean nonsense? I'm not right. That's not what happened.
00:32:14Doctor, this is not the time.
00:32:16Please.
00:32:18You were a witness to the massacre, and you went to write after, right?
00:32:21Yes.
00:32:23Mr. Roy, you started your novel after the massacre, didn't you?
00:32:28After.
00:32:29Before.
00:32:33I started two weeks before.
00:32:41John, take Mr. Michaud to my office and wait for me. I'll be back in a minute.
00:32:49John.
00:32:54Did I understand correctly, Paul?
00:32:56He was a witness to the Archambault massacre, and you didn't tell me?
00:32:59Later, Jeanne.
00:33:01Besides, it's not the first time that Roy has written about something that will happen later.
00:33:08That's why I wanted to see you.
00:33:10It came back to me while I was looking through the notebook the other day.
00:33:14In 1996, for the 30th anniversary of Tom,
00:33:16we had organized a party for him, his publisher and me.
00:33:19Usually, he never tells me about the novels he prepares,
00:33:21but this time, he told me that in his next book,
00:33:24he would talk about a woman who drowns his children.
00:33:26Okay? He told me that at his party.
00:33:28Now, look at this.
00:33:32October 1996.
00:33:34It dates from October 1996.
00:33:36And after that, he was inspired by the story, the article, as usual?
00:33:40Oh my God.
00:33:42What?
00:33:44You are a fan. You understood everything.
00:33:46Understood what?
00:33:48Roy's party was two weeks earlier, on the 13th of September.
00:33:51September, it comes before October, I think.
00:33:53Oh my God, it won't start again.
00:33:55What?
00:33:56It's been six years.
00:33:58How can you be sure that Tom Roy told you that on the 13th of September, precisely?
00:34:01But look, it was his party.
00:34:03Ah, you're confusing the dates.
00:34:04Huh?
00:34:05You're confusing, Mr. Michaud.
00:34:07You didn't listen to what I just told you.
00:34:09Yes, precisely, you said yourself that you were drunk.
00:34:11Pompette, wait a minute.
00:34:13Pompette, drunk, you drank, it must have affected your memory.
00:34:16Hey, what's your problem?
00:34:18What's scaring you, exactly?
00:34:24I think our conversation is pretty long.
00:34:27Yeah, well, I agree.
00:34:30Anyway, I'm going to get dressed.
00:34:32I think he especially needs rest right now.
00:34:35Oh yeah?
00:34:36But he should change his doctor first, because his is not bad.
00:34:40I'm going to get dressed.
00:34:45What's wrong with you?
00:34:47What's wrong with me?
00:34:48Do you want to know what's wrong with me?
00:34:50Yes, I want to know, what's wrong with you?
00:34:52Even if I'm a fan of Roy, I was ready to accept this case as an ordinary case.
00:34:57I accepted a lot of randomness, but now...
00:35:00And when it's Roy himself who says that...
00:35:02Do you hear what you're saying?
00:35:04Huh? You're being convinced by a patient coming out of a psychotic crisis,
00:35:07and by an agent who kissed you on a party night in 1996.
00:35:10It doesn't make any damn sense.
00:35:13That's it.
00:35:14Roy is crazy.
00:35:15Michaud is crazy.
00:35:16Monet is crazy.
00:35:17And me too, of course.
00:35:18Everyone is crazy, except you.
00:35:19Oh Lord.
00:35:21It's bad faith, Paul.
00:35:22Leave me alone with your bad faith.
00:35:23You're a psychiatrist, Jeanne.
00:35:24And a psychiatrist can't...
00:35:25Hey, I'm not just a psychiatrist, shit.
00:35:27I'm a human being, above all.
00:35:29With his fears, his doubts.
00:35:31But you, you're hiding illusions behind certainties.
00:35:34But it doesn't work, Paul.
00:35:35Hélène understood.
00:35:36Don't blame Hélène for this, okay?
00:35:37Okay, okay.
00:35:38I'm sorry.
00:35:39It's just that...
00:35:41How much luck will it take you before you finally accept that...
00:35:45Okay, okay, Jeanne.
00:35:47Stop turning your back on Paul.
00:35:50And tell him once and for all what you think.
00:35:55I think there's something wrong.
00:35:57Yes.
00:35:59There's something inexplicable.
00:36:01There's something irrational.
00:36:04Here, I told him.
00:36:05Are you happy?
00:36:33Yes.
00:37:04Hélène!
00:37:25Bonjour, docteur.
00:37:28Bonjour.
00:37:33Bonjour.
00:38:01Madame Hélène?
00:38:04Est-ce que ça va, madame Hélène?
00:38:07Madame Hélène, no!
00:38:09Madame Hélène!
00:38:17Hélène!
00:38:33Madame Hélène!
00:38:49Good evening, Marc.
00:38:50Can I see Jeanne?
00:38:53I don't think so, no.
00:38:55Listen, it's important.
00:38:58I don't know what you're doing at the hospital.
00:39:00But she's going to give birth in a month, and I think it's high enough.
00:39:05Marc?
00:39:21Nice room.
00:39:23You should come and redecorate mine.
00:39:27Thank you.
00:39:28We're happy.
00:39:31What did you want to tell me?
00:39:38I agree, Jeanne.
00:39:41Agree on what?
00:39:43I agree to consider everything.
00:39:47I agree to explore all possible avenues.
00:39:51I agree.
00:39:55And what motivates this return?
00:39:57What motivates this return?
00:40:03It's not okay, Paul.
00:40:09I've lost everything, Jeanne.
00:40:12My illusions.
00:40:14My wife.
00:40:16I'm realizing that I've lost it all for nothing.
00:40:21I don't know.
00:40:22Lack of openness.
00:40:28I've lost it all for nothing.
00:40:33I've totally lost it.
00:40:57I've totally lost it.
00:41:07Mr. Roy, if you refuse to talk to me, I won't be able to help you.
00:41:12You should trust me.
00:41:22The nurse told me that you had terrible nightmares last year.
00:41:27You screamed in your sleep.
00:41:29What did you dream of?
00:41:37What did you see?
00:41:42He's back.
00:41:46I knew he'd come back.
00:41:48Who's back?
00:41:57He's the one you're talking about. He's the one who came back.
00:42:04Who is he?
00:42:07I don't know. He's a great priest.
00:42:11I shouldn't have said that. I was there.
00:42:16Was it him you dreamed of last night?
00:42:19It's always in my dreams that he appears.
00:42:22Does it happen often?
00:42:24When I have a bad dream, I write it down.
00:42:29Sometimes at night, I dream.
00:42:31It's always the same dream.
00:42:33There's a church.
00:42:35I go in.
00:42:37Inside, there are a lot of people who are suffering.
00:42:40I can't see them clearly, but I can hear them.
00:42:43In the back of my mind, there's the great priest waiting for me.
00:42:46He's happy.
00:42:49He tells me that my idea is good and that he will guide me again.
00:42:51How does he guide you?
00:42:53I don't know.
00:42:55In the morning, I'm walking.
00:42:57I'm driving my car like I'm being guided.
00:42:59As if someone else was in control of my head.
00:43:01Then I arrive at the scene.
00:43:03What do you do after that?
00:43:06I go back to writing.
00:43:09I breathe because I saw him.
00:43:11On Sunday.
00:43:13Is that why you didn't want to write anymore?
00:43:15It was too much.
00:43:16I wanted it to stop.
00:43:18But the priest came back.
00:43:19Despite me, he came back.
00:43:21Who is this priest?
00:43:22I don't know.
00:43:24He's the one who asked you to spy on the woman who drowned her two babies.
00:43:26You were hiding behind the air.
00:43:28What are you talking about?
00:43:30We know a lot about it. That's why we can help you.
00:43:32No one can help me.
00:43:33Trust us.
00:43:34You can't help me!
00:43:38I have nothing to say.
00:43:50He offered me 5,000$ to play in a movie.
00:43:53I said no.
00:43:56Even for 1,000,000$.
00:43:58I said no.
00:44:00I'm going to take my gun and shoot him in the face.
00:44:04They're going to see this.
00:44:06They're going to see that I don't give up.
00:44:08I'm going to kill him.
00:44:10I'm going to kill him.
00:44:12I'm going to kill him.
00:44:14I'm going to kill him.
00:44:16I'm going to kill him.
00:44:17I'm going to kill him.
00:44:19I'm going to kill him.
00:44:20Hey!
00:44:46Cut.
00:44:47Yes.
00:44:48Ah, doctor.
00:44:50There's a priest who just came out.
00:44:52He wanted to see Mr. Roy.
00:44:53I told him he was going to see a doctor, but he decided to leave.
00:44:57Nicole!
00:45:20Hey!
00:45:46Hey!
00:45:48Hey!
00:45:50Help!
00:45:53Hey!
00:45:56Help!
00:46:01Popeye!
00:46:21Let him...
00:46:23never...
00:46:25get out.
00:46:41So, how long have you been hiding your little heart problems from me?
00:46:44It's just a little nervous breakdown.
00:46:46Oh.
00:46:48Popeye gave me some nitro, and...
00:46:50Yes, that's it.
00:46:51And he just signed you up for the Olympics.
00:46:53I think he's missing a thousand-meter athlete.
00:46:55OK, Mom, I understand.
00:47:00The priest, are you sure it can't be the one from Roy's dreams?
00:47:03He wasn't hot.
00:47:06Two priests.
00:47:09What do we do?
00:47:14I think I have an idea.
00:47:17What?
00:47:24Thomas isn't even my real brother.
00:47:26My parents adopted him when he was two or three weeks old.
00:47:30At first, I was happy to have a little brother, but then...
00:47:36Then?
00:47:37Then things happened.
00:47:42He was 17.
00:47:43Thomas published his first story in the local newspaper.
00:47:47It was about an evil cult that gathered in a church.
00:47:50At the end of the story, everyone killed each other.
00:47:52You see what I mean?
00:47:55When his story was published...
00:48:10Yes?
00:48:11Yes?
00:48:13I'm priest Ramuel Boudreau. I'm from Montmathieu.
00:48:16Is this where Thomas Roy lives?
00:48:19Yes.
00:48:20The same Thomas Roy who wrote a story in Le Voltaire?
00:48:24Yes.
00:48:25Can I see him?
00:48:27Thomas!
00:48:28It's for you.
00:48:35The priest wanted to talk to him in private,
00:48:37but I can hear what he said about the kitchen.
00:48:40The priest panicked.
00:48:43He told Thomas he should never write stories again.
00:48:46I know you invented that story, young man,
00:48:48but how did you come up with it?
00:48:50Where does your inspiration come from?
00:48:53It's just a dream.
00:48:55I dreamt of that cult and of the priest. That's all.
00:48:58You dreamed of that?
00:48:59Yes.
00:49:00Yes, I found it interesting.
00:49:04Listen, if my story shocked you, sir, I'm sorry, but...
00:49:08What did the priest look like?
00:49:11Well...
00:49:13He was hot.
00:49:16If you keep writing, you'll lose your name.
00:49:18Yours.
00:49:20And many others.
00:49:23Through the window, I saw the priest get in his car
00:49:27and drive away.
00:49:30Thirty seconds later, I heard the noise.
00:49:38A few hours later, the priest was gone.
00:49:54Thomas sent another story in a well-known magazine.
00:50:01We published it and glory began.
00:50:04Can you guess what the story was about?
00:50:08Six months later, Thomas was 18, I sold the house,
00:50:11I moved here, he to Montreal, and we never saw each other again.
00:50:17And you know what?
00:50:21Every time I see him on TV, I change my job.
00:50:26And every time I learn that a novel is a best-seller, well...
00:50:30I think of the priest's accident.
00:50:33And his news.
00:50:38And I'm scared.
00:50:41I'm scared.
00:50:54It's your birthday next week.
00:50:57It would be nice if you could get out of here,
00:50:59have fun at the hospital.
00:51:03Listen.
00:51:04We know now that there are three priests in your story.
00:51:07The one you dream of, the one who died when you were a teenager,
00:51:10and a third one who came to see you last week.
00:51:12Which priest?
00:51:13How do you want me to know?
00:51:15Do you think I know?
00:51:16You know more than me.
00:51:18Maybe.
00:51:19But if you agree to collaborate...
00:51:20You're wasting your time.
00:51:21And what do you do in your free time?
00:51:23What's going on in your head all day, saying nothing, doing nothing?
00:51:30I'm starting to have ideas for my novels.
00:51:34Do you know what that means, Paul?
00:51:37No.
00:51:51Come on, Jane!
00:51:55Come on, Jane!
00:51:56He's got a bullet in the mail!
00:51:58Oh God!
00:52:00Ow!
00:52:01Look at the one that's on his head.
00:52:04Oh my God!
00:52:05Is it a dead fish?
00:52:08A dead fish!
00:52:09I'm gonna get you!
00:52:12A dead fish!
00:52:15It's a dead fish!
00:52:21What is it?
00:52:25I'm hungry.
00:52:38That's how you start finding my less fly theories.
00:52:42You publish nothing before everything is clear.
00:52:44I'm not assholed to that extent.
00:52:46And you? Have you found anything interesting?
00:52:49Not really.
00:52:50Your father lives in Mont Mathieu.
00:52:52The funny thing is, Montmathieu used to live there.
00:52:54It's not next door.
00:52:55Five hours from here.
00:52:56It's a small, ordinary village.
00:52:572,000 inhabitants.
00:52:58Of course, no newspaper archives.
00:53:00So I had to go to the nearest big city.
00:53:02Do you know how long I stayed there?
00:53:04Two days.
00:53:05Your dedication touches us a lot, Mr. Monod.
00:53:08Thank you.
00:53:09But I'm telling you, things have happened in this little village.
00:53:14Look at this.
00:53:15The first article dates from 1966.
00:53:23The father in question is called Father Pivot.
00:53:26Does that mean anything to you?
00:53:29A bald priest.
00:53:31His disappearance was reported by the priest with whom he worked.
00:53:35Your father Boudreau.
00:53:37So, the disappearance of Father Pivot in 1966.
00:53:411966, does that mean anything to you either?
00:53:44The year of the king's birth?
00:53:46Exactly.
00:53:47Let's continue.
00:53:48A few months later, nearly 20 people were reported missing.
00:53:52Some came from the village, others from the surrounding area.
00:53:54They were found in November.
00:53:58How did these people die?
00:53:59Difficult to say.
00:54:00Mutilation, above all.
00:54:02One murderer, several.
00:54:04We don't know.
00:54:05Total mystery.
00:54:06And on top of that, there's nothing linking these people to each other.
00:54:09So after several months of investigation, we closed the file.
00:54:14That tells me something.
00:54:17Not bad, huh?
00:54:21All these disappearances, these murders, these deaths.
00:54:24These priests.
00:54:26What's the link?
00:54:28What's the connection with the king?
00:54:31There was a third priest with Boudreau and Pivot.
00:54:34And this one is still alive.
00:54:35A certain Father Lemay.
00:54:37I wanted to go see him this afternoon, but since I was supposed to be here tonight...
00:54:39It's him.
00:54:41The priest who came to the hospital the other day.
00:54:44Listen, keep me posted.
00:54:46We're a team, Pastor.
00:55:41Bye.
00:56:06I knew it was just a matter of time.
00:56:08We can run away, except for the time being.
00:56:19Come.
00:56:28Would you like something to drink?
00:56:30No, thank you.
00:56:32You can leave us, Gervaise.
00:56:39What do you know about Thomas Roy?
00:56:45It seems that his ideas of romance come true in real life.
00:56:51It's crazy, I know.
00:56:55He often dreams of your former colleague, Father Pivot.
00:57:00God in heaven,
00:57:03explain to me what's going on.
00:57:05Do you think I have an answer to give you?
00:57:09You know more than me, anyway.
00:57:13It's a bit of an ironic situation, isn't it?
00:57:16Two institutions,
00:57:18science and religion,
00:57:20who have always claimed to hold the truth,
00:57:22live face to face.
00:57:24And no one has a clear answer.
00:57:29You see, Father,
00:57:30I've been driving for five hours just to get a clear answer.
00:57:34I've been repairing a wall for a month now,
00:57:36trying to understand myself.
00:57:39I've been questioning myself all my life because of this cursed story.
00:57:42Don't tell me you know nothing.
00:57:57In 1964,
00:58:00I was leaving the seminary.
00:58:02I wanted to do a vast research
00:58:05on religious practices in small villages.
00:58:08I thought of Montmathieu.
00:58:13Ah, it's an interesting research subject, that's for sure.
00:58:16But...
00:58:19We already have two priests here.
00:58:25With more beer.
00:58:28What do you think of him?
00:58:32I'm sure our parishioners, very religious,
00:58:35will be a perfect field of research for our friend.
00:58:41Finally.
00:58:43My God.
00:58:45Welcome to Montmathieu, my friend.
00:58:49Good.
00:58:51I quickly learned to know my new family.
00:58:56Father Boudreau and Father Pivot,
00:58:59two men
00:59:01different.
00:59:05The priests aren't in the mass yet this morning.
00:59:07A little indulgence, Romuald.
00:59:09Did you know that the priests work a lot?
00:59:11They barely have time to sleep.
00:59:12No, no, I wouldn't lead a parish
00:59:14parasited by impious men.
00:59:16Impious?
00:59:18Are you going hard?
00:59:19No, I'm not going hard.
00:59:20You're the one who excuses your parishioners too easily,
00:59:22I mean, again.
00:59:24These are men and women who have a conception of religion
00:59:26that is different from yours.
00:59:28That's the problem.
00:59:29Well, well.
00:59:30What do you have to say about it?
00:59:33I don't know.
00:59:34But it seems to me that at the rate
00:59:36with which you condemn your parishioners,
00:59:38hell is about to be displayed in full.
00:59:40That's it, don't take it out on me,
00:59:42but if I take it out on the priests...
00:59:45Our little life as a group was frankly pleasant.
00:59:50The months passed
00:59:52and nothing came to disturb our daily routine.
00:59:59Because at the end of 1965,
01:00:06a tragic event occurred.
01:00:09The sister of Abbé Pivot had a terrible car accident.
01:00:13She screamed for hours in the car's carcass
01:00:16before we could get out of there.
01:00:19Audrey was what Abbé Pivot
01:00:21had most precious in the world.
01:00:23He loved her more than his own life.
01:00:27We had never seen her in such a state.
01:00:30Don't die, Audrey.
01:00:33Audrey.
01:00:34Audrey.
01:00:37Do you hear me?
01:00:41Audrey.
01:00:42Audrey.
01:00:46Audrey.
01:00:49I order you not to die.
01:00:52Audrey.
01:00:53Audrey.
01:00:56By the power given to me by God,
01:00:58I exhort your soul to remain on earth among the living.
01:01:03By the power given to me by God,
01:01:05I exhort your soul to remain on earth among the living.
01:01:16Today, 36 years later,
01:01:19I finally understand that this is where it all began.
01:01:23But at the time, we couldn't know.
01:01:35It's absurd.
01:01:39What's the point of devoting ourselves
01:01:41if our only reward is suffering?
01:01:43What do you think?
01:01:46What's the point of spreading light
01:01:48if we only harvest darkness?
01:01:53I used to believe in the power of good.
01:01:59What power?
01:02:02Where is it?
01:02:05Where?
01:02:06By revolting like this, Henri,
01:02:08all you're doing is increasing your anger.
01:02:10There's nothing good that can come out of it.
01:02:12You're right.
01:02:13Be careful what you say,
01:02:14because it could endanger your place.
01:02:18Maybe the real power is elsewhere.
01:02:21Shut up! You're going too far.
01:02:34It had been almost two months
01:02:36before he regained some serenity.
01:02:39But...
01:02:40he was...
01:02:42different.
01:02:43Different?
01:02:45I can't tell you why.
01:02:49But one evening in July,
01:02:51we understood.
01:02:57That Tuesday,
01:02:58the priest Boudreau and I
01:03:00welcomed him earlier to our charity party.
01:03:07Did you hear that, André?
01:03:11The power is mine!
01:03:17The power is mine!
01:03:23The power is mine!
01:03:28The power is mine!
01:03:34The power is mine!
01:03:41The power is mine!
01:03:48The power is mine!
01:03:54Henri?
01:03:59The priest Boudreau told Abbot Pivot
01:04:01that he was ashamed of Christianity,
01:04:04that it had committed the worst blasphemy,
01:04:07that he didn't recognize it anymore.
01:04:10He told him he didn't understand it.
01:04:15I'm not Satan!
01:04:21It's not the devil we're going to reach,
01:04:24but evil.
01:04:26Evil in its purest and most absolute form.
01:04:31I was naive to believe in good.
01:04:34But for the weak,
01:04:38true power is in evil.
01:04:48Evil?
01:04:49Yes.
01:04:51He said that he and his disciples
01:04:54had almost reached it,
01:04:57that they were close to the goal.
01:05:00You didn't tell the police?
01:05:04Officially, we declared that he had simply disappeared.
01:05:09The police believed us.
01:05:12The archbishop too.
01:05:24We ended up believing that he had left the country.
01:05:28We started to breathe,
01:05:31and after two months, he came back.
01:05:37On the night of the 12th to the 13th of September,
01:05:40around two in the morning...
01:06:00Disappearing in the church was worse than the last time.
01:06:04We realized it perfectly.
01:06:07Then suddenly,
01:06:09the silence came back.
01:06:15That's when, for the first time, I realized
01:06:19that we should never have let the archbishop go.
01:06:25What did you see?
01:06:30Oh, my God.
01:06:33Forgive us.
01:06:36They were dead.
01:06:38Who?
01:06:40The disciples of the archbishop.
01:06:43They were scattered in the church,
01:06:45about twenty like the last time,
01:06:47but they were all dead.
01:06:50Dead how?
01:06:54Their bellies,
01:06:56mutilated and torn
01:06:59and blood everywhere.
01:07:02They killed each other with their bare hands,
01:07:04like animals,
01:07:06like wild beasts.
01:07:11The priest Boudreau and I advanced in this horrible cage,
01:07:15as if hypnotized,
01:07:17unable to speak.
01:07:21There were
01:07:23one or two survivors who were screaming.
01:07:25I couldn't speak.
01:07:28That's when I realized
01:07:30that a woman was lying on the altar,
01:07:33a pregnant woman,
01:07:34dead,
01:07:36that Pivot had gone in to extract the baby.
01:07:41He stuck his mouth
01:07:44on the baby's.
01:07:48And he kissed her.
01:07:55No, really.
01:07:57He didn't have to.
01:08:13Is it true?
01:08:15Is it true?
01:08:17Is it true?
01:08:19Is it true?
01:08:20...
01:08:23...
01:08:25There's no question that I'm being remembered as the priest who did his job.
01:08:30You understand? Anyway, God wants us to save the parish, not to drag it down.
01:08:38During the night, we buried the bodies in a small wood at the exit of the village.
01:08:43The priest led the operations.
01:08:45I was like a robot out of reality.
01:08:49All I wanted was for it to end.
01:08:51For the horror to stop.
01:08:55For the horror to stop.
01:09:26Listen, André, everything's going to be all right.
01:09:29The first mass is in half an hour.
01:09:34The child...
01:09:36It was Thomas Roy.
01:09:38He was going to become Thomas Roy.
01:09:41For now, he was an orphan whose mother, illuminated, was dead.
01:09:45And the father, unknown.
01:09:50Later, the priest decided to take him to the orphanage in Quebec.
01:09:55He explained to them that he had found him abandoned on the church platform in the morning.
01:10:02It's really a window.
01:10:04Things go in there.
01:10:14After my research, I became a vicar here.
01:10:18I was a secondary priest in Boudreau.
01:10:21Everything was going so well that I finally convinced myself
01:10:24that we had made the right decision.
01:10:26And priest Boudreau and you, you never talked about it again.
01:10:29Never.
01:10:31But...
01:10:34In 1983, the horror came back.
01:10:40Who wrote that?
01:10:41A young man from the region, Thomas Roy.
01:10:44It's the child.
01:10:46Romuald, you can't do that.
01:10:47Look at the biographical note. He's 17.
01:10:50I agree.
01:10:51And then, the sect.
01:10:53The bald priest.
01:10:54And all those people hanging around a church.
01:10:56I don't know anyone other than him who could have done that.
01:10:59He can't remember.
01:11:00He can't remember.
01:11:01It's an innocent baby.
01:11:02Look, I can't explain it to him, but I have to talk to him.
01:11:04Where are you going?
01:11:06He's staying at Lac Prévost for 15 minutes.
01:11:08What are you going to tell him?
01:11:09I don't know, but I have to talk to him.
01:11:13You don't understand what's going on.
01:11:17Romuald, wait!
01:11:20It was the last time I saw him alive.
01:11:26When the priest, Boudreau, died,
01:11:28I realized that what happened on September 13, 1966
01:11:33was worse than a simple massacre.
01:11:36That night,
01:11:38Abbé Pivot
01:11:40attained evil.
01:11:42Excuse me,
01:11:43that doesn't make any sense.
01:11:44You think he made the devil appear?
01:11:47I'm not talking about the devil.
01:11:48I'm talking about evil.
01:11:51Pivot was right.
01:11:53Evil gives great power.
01:11:55And you think that Thomas Roy uses that power?
01:11:58Pivot's soul
01:12:00has come into contact with evil.
01:12:03He stuck his mouth
01:12:05on the baby's.
01:12:07And that baby has become
01:12:08a famous horror writer
01:12:11whose ideas have become...
01:12:16I don't know.
01:12:18We can only reveal the truth.
01:12:21The complete truth would be unbearable.
01:12:26It would probably drive us crazy.
01:12:34Gervais will drive you back.
01:12:36Wait, you can't leave me on this.
01:12:38Oh, yes I can.
01:12:39It's been 36 years since it all happened.
01:12:41It's the first time I'm telling everything.
01:12:43Now, that's enough.
01:12:4536 years tomorrow, you say?
01:12:46It's the 13th of September tomorrow, Mr. Lacorse.
01:12:49And I'll tell you more.
01:12:50It's also the date of birth
01:12:53of baby Pivot.
01:12:55That night
01:12:57he was celebrating his 36th birthday.
01:13:12What are you going to do now?
01:13:17Wait for the donation.
01:13:32Will you be at your hospital tomorrow?
01:13:36Yes.
01:13:37Yes, why?
01:13:40It will be 36 years tomorrow
01:13:42that baby Pivot
01:13:43has stuck his mouth on the King's.
01:13:47In your place,
01:13:48I'll make sure to be there.
01:14:16Yes.
01:14:32Is my room ready?
01:14:40Good night, Gervais.
01:14:46Good night.
01:15:16Good night, Gervais.
01:15:25Do you want to go to bed?
01:15:47It will be 36 years tomorrow.
01:16:12Jeanne.
01:16:17Hello.
01:16:18Marc, pass me Jeanne, please.
01:16:20Paul.
01:16:22Did you see the time?
01:16:23I know it's late.
01:16:24But it's important.
01:16:25It's late, let's see.
01:16:26Listen, this story with Croix,
01:16:27it's going too far now.
01:16:28I don't want you to call anymore.
01:16:29Marc.
01:16:30Please.
01:16:31Pass it to me, Marc.
01:16:32Pass me Jeanne, please.
01:16:33Come on.
01:16:37Hello?
01:16:38Jeanne,
01:16:39don't go to the hospital tomorrow.
01:16:40What?
01:16:41Don't go to the hospital tomorrow.
01:16:43Come on, Paul,
01:16:45there's no question about it.
01:16:47Listen to me.
01:16:48I can't explain it to you right now.
01:16:50I'm probably delirious right now, but...
01:16:52What happened?
01:16:53I'll explain it to you.
01:16:54On behalf of our friendship, Jeanne,
01:16:56don't go to the hospital tomorrow.
01:16:59Okay, Paul.
01:17:01I won't go.
01:17:03Thank you.
01:17:05Okay, I'll call you when I get there.
01:17:14Bye.
01:17:45Hello.
01:17:46You are at the department of psychiatry
01:17:48of the Saint-Croix hospital.
01:17:50We are currently at...
01:18:07Saint-Croix hospital, psychiatry.
01:18:09Nicole,
01:18:10it's Dr. Lacasse.
01:18:12I know it may sound stupid,
01:18:14but I just called to see if you were well at the hospital.
01:18:17Well, no.
01:18:18Excuse me, doctor,
01:18:19but I have to let you know that...
01:18:32Yes?
01:18:33Nicole,
01:18:34I'm coming.
01:18:35Oh, Christ!
01:18:36We're in the same boat.
01:18:38Anyway, we don't need a crowd.
01:18:39Dr. Marcot is coming to help us.
01:18:40Jeanne?
01:18:42Nicole?
01:18:54Hello?
01:18:55Hello?
01:18:56Hello?
01:18:57Hello?
01:19:00Shit!
01:19:12SIREN WAILS
01:19:15SIREN WAILS
01:19:18SIREN WAILS
01:19:21SIREN WAILS
01:19:30SIREN WAILS
01:19:33SIREN WAILS
01:19:41Hey!
01:19:47SIREN WAILS
01:19:51One last time, it's the second time we've got the third king, and no one's answering.
01:20:08I love you.
01:20:21I love you.
01:20:45Simon, what are you doing?
01:20:52Oh, God.
01:21:00Oh, God.
01:21:21No!
01:21:39Jen. Jen.
01:21:43Jen.
01:21:52Jen.
01:21:55Thomas, don't do this. For heaven's sake, don't do this to me.
01:21:59You warned us and you didn't do anything.
01:22:08You just listened to me.
01:22:13Thomas. Thomas.
01:22:18Thomas! Open the door!
01:22:22Thomas.
01:22:29Thomas!
01:22:35Thomas!
01:22:37Thomas! Thomas!
01:22:41Open the door!
01:22:43Quick! There's a woman who's getting killed in there.
01:22:45Break it down, quick!
01:22:47Get down!
01:22:51Thomas!
01:22:53Thomas!
01:23:13Lieutenant Dacasse. Lieutenant Dacasse.
01:23:17What's going on?
01:23:19What's going on in there?
01:23:22It's about the king.
01:23:24He's dead, right?
01:23:50It's been a year since the horrible tragedy at the Saint-Croix hospital.
01:23:54A tragedy in which 38 people were killed in an inexplicable storm of madness.
01:24:00This case is likely to resurface with the release of a book called The King Case.
01:24:05Released just ten days ago, the book, written by journalist Charles Monette,
01:24:09is already a best-seller and several translations are expected in the coming months.
01:24:14It's a controversial book, as it advances bold hypotheses,
01:24:18not only about the death of the king, but also about the tragedy at the hospital
01:24:22during which this writer had also lost his life.
01:24:33I think that complete truth would be unbearable.
01:24:38Do you find it unbearable?
01:24:46You're angry with me.
01:24:49I understand.
01:24:53Let's say that I don't really want to see you again.
01:24:59I understand that too.
01:25:02I just came to tell you that...
01:25:10I'm sorry.
01:25:17I'm sorry.
01:25:24Can you watch Antoine?
01:25:26Yes.
01:25:28Can you watch Antoine?
01:25:30Yes, I'll watch him.
01:25:41I'll watch you. You can be sure.
01:25:45I'll never lose sight of you.
01:25:48Never.
01:25:58Never.
01:26:28I love you.
01:26:58I love you.
01:27:28I love you.
01:27:59I love you.
01:28:02I love you.
01:28:05I love you.
01:28:08I love you.
01:28:11I love you.
01:28:14I love you.
01:28:17I love you.
01:28:20I love you.
01:28:23I love you.
01:28:25I love you.
01:28:28I love you.
01:28:31I love you.
01:28:34I love you.
01:28:37I love you.
01:28:40I love you.
01:28:43I love you.
01:28:46I love you.
01:28:49I love you.
01:28:52I love you.
01:28:55I love you.
01:28:58I love you.
01:29:01I love you.
01:29:04I love you.
01:29:07I love you.
01:29:10I love you.
01:29:13I love you.
01:29:16I love you.
01:29:19I love you.
01:29:22I love you.
01:29:25I love you.
01:29:28I love you.
01:29:31I love you.
01:29:34I love you.
01:29:37I love you.
01:29:40I love you.
01:29:43I love you.
01:29:46I love you.
01:29:49I love you.
01:29:52I love you.
01:29:55I love you.