• 3 months ago
Dillinger and Capone is a 1995 American action film directed by Jon Purdy. The movie stars Martin Sheen as John Dillinger, a legendary 1930s bank robber, and F. Murray Abraham as Al Capone, a notorious Chicago crime kingpin.

Plot Summary The film presents an alternate scenario where John Dillinger is not killed at the Biograph Theater in 1934. Instead, his lookalike brother is mistakenly shot by the FBI, allowing Dillinger to escape and start a new life. Al Capone, upon his prison release in 1939, hires Dillinger to pull one more heist, a robbery of a hidden vault of millions of dollars in Chicago.

Cast and Crew The film features an ensemble cast, including Martin Sheen as John Dillinger, F. Murray Abraham as Al Capone, Catherine Hicks, Don Stroud, Michael Oliver, and Stephen Davies.


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Transcript
00:00:00You
00:00:13John
00:00:18John Roy, who is George over there?
00:00:24Where's your brother he said the movies what the hell happened to you game sold out
00:00:30Go boy warning go go go
00:01:00Oh
00:01:30That's me I know
00:02:00John Dillinger
00:02:15Too long years
00:02:30I
00:03:00I
00:03:30I
00:04:00I
00:04:30I
00:05:00I
00:05:03Need to see you again, sir
00:05:06along with Porter
00:05:09Jack Barnett Associated Press you mind if I ask you a few questions, mr.
00:05:12Paul much of a reception see something not like former times
00:05:16Country seems to have a short memory. Well in case you haven't heard sir. There's depression going on and we're breaking out overseas
00:05:22I'm Al Capone. I made the depression. I fought my own war. I was the king of Chicago before you were in diapers
00:05:30We hate the same out here anymore, sir. What ain't the same things have changed. Okay
00:05:35My people don't like their broads. They don't like their hooch. They like the ponies. I'll tell you something young man
00:05:42If you had the balls to live half a life
00:05:44I'm vigilant one thing about people people are changed. They're always willing to pay good money to have the dirty laundry done for
00:05:50Somebody else is taking out the cleaning now
00:05:52You
00:05:58Think I'm forgotten no, sir. I don't know you think I'm washed up. You think some piss and
00:06:04Taxman with a little green visor has brought down the king of Chicago. Don't me. Yeah
00:06:10You hear me I'm Al
00:06:12Capone, I think I pick my teeth with a little shit like you
00:06:19Please
00:06:22I
00:06:31Don't have to do this
00:06:34Let somebody else do it
00:06:37You do it
00:06:43It's true what they said
00:06:45About the syphilis. I mean, oh, I don't think mr. Capone would take very kindly to the people that fat
00:06:52No, sir
00:06:53Thank you, right
00:06:56You
00:07:19What do you think of Florida's Rachel Florida's lovely sir, it's not Chicago
00:07:25That's for damn sure
00:07:28I'm have a nightmare thinking that that half-pint thief got so sitting on my throne Chicago's my town
00:07:34You're not thinking of returning on you, sir. I've done enough thinking back there in that rat hole
00:07:39Now it's time to do something about that imposter
00:07:43advisable, sir
00:07:45Our funds are rather depleted. I'm afraid don't worry about it. I got a plan
00:07:51when Al Capone has a plan
00:07:54Lugazzo better worry
00:08:24I
00:08:54Oh
00:09:14Look what daddy got
00:09:18Chocolate
00:09:25What's the occasion John
00:09:28Nothing special
00:09:32That's mail, yeah, what's for dinner chicken smells good
00:09:54I
00:10:24Do
00:10:29Do you have to I
00:10:31Gave this man my word
00:10:33You gave me your word, too
00:10:36Look, I have to return something that I've been safekeeping for someone for a long time
00:10:42Don't worry. Nobody will get hurt. That's not what I'm worried about
00:10:45You
00:10:50Know I have a path
00:10:53Maybe it's time you heard the whole story. No, we agreed
00:10:58Past is the past
00:11:02For both of us
00:11:15Oh
00:11:35Hello Eli
00:11:39Look at you the dead man lives
00:11:42People still don't believe I ran with the legend
00:11:49Count it
00:11:52No
00:11:54Anybody else but you I'd never even see this that was your share
00:11:59What'd you do with yours
00:12:02Got that girl out of her pickle and bought a fire
00:12:06At least that's what I heard from George
00:12:12I can't believe the great John Dillinger's a fart
00:12:17The name is John Dalton, and if I hear anything else from you again, I'll cut your tongue out
00:12:25You're right. I'm so word. I'll see you around Eli to stay
00:12:33How about some pie nothing
00:12:41That
00:12:47Postman over there is wearing wingtips
00:12:55Really see the rags I'm gonna buy the guy's not a postman
00:13:03It's a fit
00:13:05John I was just gonna tell you that. Oh, yeah, I
00:13:10Knew it was a big mistake coming here. You see have any company the cook by the door
00:13:22You traded me and John who wasn't like that
00:13:27It was the chair or this
00:13:30These two feds pull up the strings
00:13:32You know, they know about you just didn't know where to find you they said just two guys after me
00:13:40That don't quite add up
00:13:44They ain't really feds
00:13:47There was but but they're trying to get reinstated get some glory
00:13:56I
00:13:58I wouldn't have given you up if it wasn't for the chair
00:14:05I'm still not feel under the table
00:14:21Tell me good John
00:14:23You taught me good. I taught you how to betray me and them
00:14:28I didn't have a choice John a man's always got a choice Eli
00:14:35And you ain't gonna like mine
00:14:46Now hold it nobody move
00:14:50You ain't gonna get away with this Eli
00:14:53Go ahead I mean it
00:14:56So do I Eli?
00:15:29I
00:15:44Don't suppose that's the police FBI
00:15:59I'm gonna hang on babe
00:16:11Get this heap up close
00:16:28I
00:16:59Over
00:17:21This would be fine for me
00:17:24And
00:17:27Thanks for letting me borrow the car
00:17:29You know, I'm a big girl now. I don't have to be home by dark. I
00:17:35Do
00:17:37Thanks again
00:18:07I
00:18:37I
00:19:07I
00:19:37I
00:19:46I'm sorry, sir. I'm afraid these gentlemen will need to frisk you. I'm not armed
00:19:51It's for your own protection. I assure you sir. There's a frightening number of firearms on the premises already
00:19:58Nobody's gonna search me
00:20:01Gentlemen
00:20:07I
00:20:17Was returning it to your boss, I'm sure you were see gracias. Gracias
00:20:29This way sir
00:20:37Please
00:20:41Don't be alarmed at his demeanor sir, he's been rather ill lately and he's not quite himself
00:20:46My family in there not at the moment, sir, but I expect them shortly in the meantime. I'm sure there's things you and mr
00:20:52Capone wish to speak of
00:20:55He's waiting for you
00:21:07I
00:21:37You
00:21:44Don't look like a man who robbed 57 banks you don't look like the kingpin of Chicago
00:21:56But I was
00:22:00And I will be again
00:22:02I
00:22:05It's like you I'm back from the dead
00:22:08Said there wasn't you who died was it big John? I
00:22:12Mean, how could anyone not recognize the great the legendary John Dillinger?
00:22:18even the stupid feds couldn't make a mistake like that unless
00:22:24Unless the dead body was close very close like a brother
00:22:33Should have been me
00:22:36I'd give anything to switch it all back
00:22:40Yeah, I know John I
00:22:42know
00:22:44Sometimes you give anything to stay alive
00:22:51Sometimes you just want to die
00:22:53You know, what I don't get is that the feds so stupid they still don't know they just get tired of chasing you I
00:23:01Never went back to find out I
00:23:04Bet they're just stupid. Huh? I
00:23:07Know they're stupid. Let me show you something. I
00:23:14Got something here you should see
00:23:16This is a picture of J. Edgar Hoover in a dress, this is why they can't identify dead bodies
00:23:25Yeah, but you can hardly make out the face of course not you think if I had his face I would have done any time
00:23:38Mr.
00:23:40Dillinger
00:23:43Ah
00:23:45Mr.
00:23:47Capone. Mm-hmm. May I ask what it is you want from me?
00:23:51If there was a time I wouldn't need your help. I
00:23:54Wouldn't need anybody. I walk right in I take what belongs to me in broad daylight. Nobody want to touch me, but I can't
00:24:03Not right now not right yet
00:24:08So I sent for the best I
00:24:11Want you to get something for me
00:24:15With all due respect sir, I don't run errands for anybody
00:24:20But you do rob banks. I used to
00:24:23I'm a farmer now. I'm not asking you to steal. I'm just asking you to bring back what belongs to me
00:24:31And I'll pay you handsomely for
00:24:34Now if it's so simple why bother with me a cola
00:24:39Now we're talking
00:24:41Let's have a little drink
00:24:44little something special I
00:24:47Think maybe we could be friends. Oh, yeah
00:24:50Yeah
00:24:52Fine. I like to work with the best
00:24:55And I like to drink the best
00:24:5920 year old scotch
00:25:02That's right 20 years
00:25:04You doing 20 years ago, don't you something I probably shouldn't have been doing my whole life
00:25:19All right, I'll make it quick I got about 15 million dollars stash in a private bank in Chicago
00:25:23I want you to go get it for me. Take it out. Bring it back. I'll give you 10%
00:25:2815 million dollars about
00:25:3015 million dollars about
00:25:33No bank I ever hit had that much money so you can see why I need someone talented and dependable
00:25:40And someone with a family
00:25:43We got no choice
00:25:46It's fate you and me working together it had to happen
00:25:51Fit
00:25:53I
00:26:04Didn't know you were John Dillinger I
00:26:08Tried to tell you well, you should have tried harder
00:26:11I'm sorry
00:26:13Do you want to leave? I don't think that's possible right now. We can't go anywhere without his thugs. No, no, I mean
00:26:20I
00:26:22Do you want to break up with me? I
00:26:30Knew you had a past I guess I thought it'd just stay there. I
00:26:38Tried to tell you it's so overwhelming here we are guests of Al Capone I
00:26:45Never saw the guy in my life. I swear to God, honey
00:26:51You
00:26:55Shouldn't swear. I'm sorry
00:27:06What does he want some
00:27:09Yeah, you know some business deal
00:27:12Don't worry. I haven't said yes yet. He won't take no for an answer
00:27:16That's why he kidnapped you and Sam
00:27:18But I might be able to figure out a way to get us out of here
00:27:48I
00:28:19Oh
00:28:23What's the problem
00:28:25June problema. What's the problem? Okay problem. No problem. This is my guest
00:28:33This is it this is
00:28:35This is Al Capone's guest. What are you stupid? You insult my guest you insult Al Capone. You think you can do that?
00:28:43Senor, but what I can buy your stinking island
00:28:48Ah
00:28:51Now look I gotta go change
00:28:56Listen
00:28:58Here's your hat mr. Dillinger, huh?
00:29:02Excuse me, I don't think they're gonna bother you anymore
00:29:19I strongly recommend you do not walk the garden again, sir unescorted
00:29:24I
00:29:46Mean why sir?
00:29:48He's dead. Not mr. Capone, sir. There's a great deal. My employer refuses to accept
00:29:54I'd you like to be the one
00:30:08So it's true he really is gone. Oh if you could have seen him before sir, he hasn't always been this way, you know
00:30:15It's taken rather a toll on him. I'm afraid what has he picked up a nail from a prostitute years ago, sir
00:30:22What about penicillin, oh he refuses to take a needle so deathly afraid in fact, I think it's the only thing he's afraid of sir
00:30:32Maybe there's some justice after all. Oh just another form of vengeance
00:30:38I
00:30:49Heard a shot. That's just one of Capone's mugs blown off. You're bleeding. I'm all right. I got so worried when you didn't come back
00:30:58There's no way out
00:31:00You and Sam are gonna have to stay here for a while
00:31:08I
00:31:38I
00:32:09Hello
00:32:11Yes, sir, you have a suite for mr. John Dalton and my associate. Mr. Bumgarner. Yes, sir
00:32:16And are you in Chicago on business? Mr. Don't that's right. I am
00:32:29Room 404 and your luggage will be right up
00:32:32Got a light, I'm sorry. I don't smoke. May I sir. No, there you go
00:32:41Are you visiting Chicago? Yeah business sales
00:32:51Me too
00:32:53Maybe we could get together
00:32:55Maybe so
00:33:25I
00:33:52Case that bank right away
00:33:56Find out if there's any way to get in there at night, so we don't draw any unnecessary attention. I
00:34:04Gladly show you now, sir
00:34:09Thanks, we stop size
00:34:15This way sir
00:34:22Yes, mama
00:34:26I
00:34:33What's going on Cecil bear with me sir after you
00:34:44This way sir, would you mind sir?
00:34:55Oh
00:35:23Yeah
00:35:26Technique
00:35:47What was all this talk about a bank speaking metaphorically sir, it's rather a fault of mine and we've had a lot of fault Cecil
00:35:55It's a bank. All right, the mobs bank. You got any more surprises for me?
00:36:02Let me go now, sir
00:36:26Oh
00:36:32Sounds like you're ready to me
00:36:35Am I right or wrong that mug is Lou Garza
00:36:40Yes, mr. Garza, I'm what what's the matter
00:36:46Look, you're hot and sweaty
00:36:48Don't you take a nice swim in the lake? I'll cool you down, but I don't want to die like that like what?
00:36:56Sinking into 400 feet of water
00:36:59wet
00:37:00cold
00:37:01dark
00:37:03Clinging to your last breath to your insides. You're gonna explode. You don't want to die like that
00:37:13All right, then let's watch let's see you die like a man
00:37:19I
00:37:32Said like a man
00:37:36Don't you want to take the guy who did this with you
00:37:39Now you shoot me and then I tell him I mix up to shoot you nice and fast
00:37:46What are you waiting for
00:37:50I don't want to shoot you Lou. I could never hurt you. I
00:37:58Love you Lou you do
00:38:05All right, all right, all right, all right, come on come on
00:38:19Easy
00:38:25All right, take it easy
00:38:31What you didn't think it was loaded did you
00:38:36Of course not Lou you you're smarter than that
00:38:41Don't worry, but I appreciate what you've done and I ain't gonna throw you in Lake, Michigan
00:38:47Because I don't want to scare the fish
00:38:50Yeah, I like fish especially in hollandaise sauce
00:38:56But I don't like you
00:39:11You
00:39:23All right, clean them up
00:39:34I'll go first. I'll make sure it's clear. Okay?
00:39:37Hey, what are you doing?
00:39:42Yeah, I know you all right, I don't think so sir, I never forget a face what's your name
00:39:50Henry and this is my first trip to Chicago. So I'm quite sure that we've never met. Oh, yeah
00:39:57Well, what are you doing here?
00:39:59Staying here
00:40:01in the linen closet
00:40:03In the linen closet I
00:40:06Know what you're up to
00:40:08You're stealing towels
00:40:10Now get out of here. Don't let me catch you again
00:40:15Hasty
00:40:34Oh
00:40:37That was very close, but I don't think he recognized you I'll take that
00:40:44You want a drink? Oh, yes, please
00:40:52So, why didn't you tell me you worked for Capone when he lived here at the hotel
00:40:56Sorry, sir
00:40:59I've been in mr. Capone service for some time now, sir. I managed his estate in Florida while he was away in prison, sir
00:41:05Why?
00:41:07sir, I
00:41:08Mean, why would someone like you end up working for a guy like that?
00:41:12gambling, sir
00:41:14You lost a wager. Oh, no, sir. I
00:41:18Was the wager
00:41:24Somehow I think I understand how you must have felt there you go. Thank you, sir
00:41:28So what am I supposed to do down there? Rob? Gazzo's vault? No, sir. The money's not mr. Garza's vault
00:41:35No, yes, sir
00:41:37Where is it? Mr. Capone didn't like banks or believe in fault sir, perhaps due to gentlemen like yourself a bank robbers
00:41:45No prior to going to prison, sir. He took the money downstairs to the basement and sealed it up in an alcove, sir
00:41:52And
00:41:53Since then Gazzo has moved his operation down there. It would appear so so he doesn't know anything about this
00:41:59Oh shouldn't think so. So the wall appears to be intact
00:42:07This isn't what I bargained for
00:42:09What do you intend to do sir?
00:42:10I intend to contact your boss
00:42:12Tell him to find another dead man to pull off this job. I'll speak to him by all means. Yes operator
00:42:18the whole
00:42:20Hotel operators tend to eavesdrop sir
00:42:24Never mind miss. Thank you
00:42:27Thank you, sir, might I suggest a call box in the foyer sir, you might thank you
00:42:33It gets curiouser and curiouser Lewis Carroll, sir
00:42:50This way sir
00:43:20You didn't say anything about the mob
00:43:26Look mr. Capone
00:43:30These guys are like a small army you understand and no matter how much talent you think I have I'm still only one man
00:43:36Relax, you got Cecil. All right one man with a butler but either way sir, this just ain't gonna work
00:43:41I'm gonna go to the police. I'm gonna go to the police. I'm gonna go to the police. I'm gonna go to the police
00:43:45I'm gonna go to the police. I'm gonna go to the police. I'm gonna go to the police. I'm gonna go to the police
00:43:50If you need help you need help, of course, they get paid out of your share
00:43:55Stop worrying John. Nobody can hurt you
00:43:58You're already dead
00:44:01Hello
00:44:10I'm sorry to have kept you waiting ma'am, but there are some empty booths. Oh, I know I wanted yours
00:44:16And by all means be my guest it'd be my pleasure pleasure is entirely mine
00:44:29Shall I pack the bag sir? I think not. We're gonna need some more men
00:44:45I
00:44:47I
00:45:14Mr. Capone
00:45:17Oh
00:45:34It's Abigail, mr. Capone
00:45:36Hey
00:45:42What do you want
00:45:46I've led a hard life. I've made some mistakes
00:45:52But I don't want my son to suffer for them let him go
00:45:56Let me send him to my sister's house
00:45:59you can keep me prisoner if you want but
00:46:03Please just let him
00:46:06Hey, hey, I got people to do this
00:46:10please
00:46:15You're prisoner
00:46:21You've been in a real jail little lady
00:46:26Forget about it
00:46:30So you think this is a prison
00:46:33Well, it is but not for you
00:46:37Pardon me, but I'm the prisoner. I'm a prisoner in my own home
00:46:45Let my son go keep me but let him go or I'll shoot I
00:46:55Don't want your son and I don't want you
00:47:02I just want to smell the fear on their fingers when I shake their hands. I'll shoot I
00:47:09Will
00:47:24Hey, no, no, no, no, mrs. Dillinger, please don't cry. Hey
00:47:32Don't cry
00:47:34Go to bed go to bed go to bed. That's all
00:47:59Hey some big Buick just pulled up
00:48:04So what some poor slob died and can't afford a hearse
00:48:24That's him
00:48:27I'll be damned our boy just walked in the front door like he was gonna confess
00:48:34Yeah, and losers don't confess to nothing
00:48:49Excuse me, sir. When is the next penitent service? I'd like to get some things off my chest
00:48:57It'll take kindly the sinners are out here and I think we're both in the wrong place George
00:49:04Yeah
00:49:08How are you I'm good kid, how about yourself great the hell are you doing here the custodian
00:49:18Rough night way back
00:49:21You finding any wooden nickels under the pews and this joint it's closed the preacher here runs up with the choir director
00:49:27I'm running the joint
00:49:30Not
00:49:32Not a bad cover kid would have been great when we were knocking down those banks on John
00:49:37Which reminds me? Can you take a few days off from your service to the Lord?
00:49:42And it's cleaned for him. I don't sing his songs. I got an offer for you, but I don't feel comfortable talking about it around here
00:49:52Let's step outside
00:50:00What do you think let's go in Oh, let's sit tight see what happens
00:50:07Churches give me the creeps anyway
00:50:12I always hated Sunday school. I never could remember a sing
00:50:16It won't be easy, of course, but that's the deal
00:50:19So, what do you say George you want in? Of course? I want in what's the problem?
00:50:23I don't think I can Ella Thompson. You know, I got a nephew
00:50:27He's a spunky kid, but he's dependable I can pay him out of my cut of the loot. Wait, what'd he do?
00:50:33Did he pay you go along with this daydream? I
00:50:36Don't know what he's been telling you, but it's true. We did run with Dillinger
00:50:40for a while anyway
00:50:42Uncle George uncle George. He's blind as a bat. He wasn't blind then
00:50:47No, he's a straight out. We've my mama trust he gets all wound up by pitch pennies
00:50:51You're gonna tell me that he used to run with John Dillinger. Yeah, the John Dillinger. Yeah. Yeah
00:50:56I'm Al Capone's nephew. Well nephew or not. How would you like to learn how to handle some scat?
00:51:05Scat that's Tommy guy, right? Oh
00:51:11Boy would I good let's go there. I
00:51:16I
00:51:20Told you didn't I tell you
00:51:23The old gang is a mighty hard bond to break
00:51:27especially when you're flat broke
00:51:29Ah
00:51:44What the hell's going on here
00:51:48Whoa mama this baby kicks, right
00:51:53As you have just learned
00:51:55When fired this weapon pulls up and to the right
00:51:58So in order to steady it use your shoulder like so grab the front look down the barrel spread your feet like a prizefighter
00:52:04That's better
00:52:06Here's a full load
00:52:08Just to clarify sir is the object to hit the bottle or leave it standing. Hey, don't you go shine it someplace else limey?
00:52:16Let's get a hold that stiff. Anyway, I'll come on
00:52:19He's one of big Al's best men. Is that right?
00:52:21How is uncle Al anyway Philly Neil, I'm afraid he couldn't make the trip
00:52:26So I doubt you'll have the opportunity to renew your acquaintance ship
00:52:30That's a pity. That's a damn pity. All right
00:52:33Anyway, this here this is for uncle Al
00:52:39Maybe we should have taken it before they unpacked all the heat hold off
00:52:44It'd be one thing to catch Dillinger be another to catch him in the act
00:52:48Especially after all these years, right?
00:52:51He's in the army and Matt jail
00:52:55And Phil it's dead
00:52:59I'm sorry to hear that
00:53:02Where's Jack? Oh
00:53:05He married a doll five kids
00:53:08It's not possible. It's only been five years. Well, he's a happy man
00:53:12What about cap
00:53:15Would you use him again?
00:53:17If I had to good thing, he's dead figures
00:53:22That means it's just the four of us then golly you got one-eyed Jack here
00:53:26You got a butler a baby and a ghost. How you reload this thing?
00:53:31I'll tell you what son
00:53:33When we get ready to pull the job, you make sure you get a good look at it
00:53:36I'll tell you what son when we get ready to pull the job. You make sure you get a good look at it
00:53:39I'll tell you what son when we get ready to pull the job. You make sure you get a good look at it
00:53:41You make sure you aim that weapon at the three of us that way we'll all feel safe
00:53:44You know what?
00:53:45Just because you can get a Tommy gun does not mean that you knew John Dillinger
00:53:48All right, anybody can get a hold of the Tommy gun
00:53:53He's right
00:53:55No more lessons for today
00:54:01What
00:54:04Hoover's gonna have a fit
00:54:07That's the point in it. This is a whole new ballgame now
00:54:11Yeah, I think we got something here
00:54:34Not asleep she needs it
00:54:39You like ice cream
00:54:42Me too. I like vanilla a plain vanilla, but you can have her chocolate if you want
00:54:52Okay
00:54:55Come on
00:54:58Come on I
00:55:01Figured we need at least 15 or 20 minutes on the inside. The problem is how to get inside. What's wrong?
00:55:07So it's time. I was making a telephone call, sir
00:55:10On the back
00:55:14Thank you, pardon sir, but I feel rather awkward speaking to mr. Capone in the church
00:55:22Thank you
00:55:25Be careful says
00:55:29You sure that bloats on the level yeah, he's a hundred percent Jake don't worry and go on what do you say I
00:55:35I
00:55:37Think we should go in through the loading dock
00:55:40No, we go in the back way. They'll have time to wake up and spread the word not if we blast him first
00:55:47You ever killed anyone son, I know sir, I'm not you don't want to ever
00:55:55Any too late if you want out no, I ain't afraid I mean George knows
00:55:58I don't already told you about me, but I've seen my share of trouble son. Come back and finish your work on the junction box
00:56:05You guys you don't need my help here for nothing. No
00:56:10See I was thinking if we go into the ad John figure out how to pull this job
00:56:21Hey, what about Eli Eli is most definitely dead I was there
00:56:36We don't have a prayer do it John
00:56:49Good evening, sir. It's also calling. Wait a minute. Wait a minute. Would you give me a minute? Yeah being entertained
00:56:55Being detained, huh?
00:56:57For what?
00:56:59Entertain I got the girl that was Friday night. Yeah
00:57:02I
00:57:10Want you to take them all out I
00:57:14Think you're pulling my leg, sir. I've never fired a gun in my life and you take Dylan's you're out first
00:57:19Surely you can't meet me sir. It's Cecil sir. Cecil your gentleman's gentleman. You can't expect
00:57:25Calm down Cecil if you work for me, you're gonna get dirty sometimes, but you can always take a shower after
00:57:31Listen, if you don't do it, I'll get somebody else for you and here
00:57:38I make myself clear answer me. Yes. It's perfectly clear, sir
00:57:43I make myself clear answer me. Yes. It's perfectly clear, sir
00:57:58What you're not gonna believe who that is
00:58:02Who Al Capone's Butler Dillinger and Capone are working together?
00:58:10Dillinger and Capone. Yeah
00:58:13This is getting better and better
00:58:16I'm telling you I'm gonna be Attorney General
00:58:20You know what they used to say, but I used to say that if Ness had a run for it
00:58:25He would have been elected
00:58:27You vote for me. I'll vote for you. Yeah
00:58:35Well, I got that fixed
00:58:37So do I
00:58:38We're going right in through the front door. I always like going right in through the front door
00:58:43Didn't you George? I guess what about the mob? Don't worry. Those mugs are gonna let us waltz right in
00:58:48They're gonna beg us to come in. They might even thank us when we leave. Come on. We got some shopping to do
00:59:13There we go again
00:59:15There we go again
00:59:17There we go again, five will get you ten in their packet.
00:59:44That's a chump, Ben.
00:59:50That's them.
00:59:51Should I get that, sir?
00:59:52Go ahead.
00:59:59Over here, Ben.
01:00:00We've got to do something to them, but we finally got them.
01:00:02Let's have a look.
01:00:03Problem is, we can only get three.
01:00:05That's what they'll have to do.
01:00:07Cecil, I'm going to give you a torch.
01:00:10What about the explosives?
01:00:11Jake.
01:00:12All right, now remember, we're not going to blow up the building.
01:00:14We're just going to knock out the power.
01:00:15Be just like that job in Terre Haute.
01:00:17That'll be swell.
01:00:18All right, lads, eyes up.
01:00:21Now, you know that Cecil and I have to lay low.
01:00:24They mark our mugs if we open our yaps,
01:00:26so it's going to be up to you guys to do all the talking and get us in that door.
01:00:29If you can't pull this off, we don't get the first base.
01:00:31But you can do it, as long as you keep shining these lights in their eyes while you're talking.
01:00:35George, you're the foreman.
01:00:36Billy, you're the engineer.
01:00:37I want you to study those blueprints
01:00:39so you can at least sound like you know what the hell you're talking about.
01:00:41Cecil, you're in charge of the car.
01:00:43Fueled and ready, sir.
01:00:44All right.
01:00:45Gentlemen, we move tonight.
01:00:46I figure if everything goes well, we can get in and out without firing a shot.
01:00:50But God forbid if anything goes wrong or if for any reason we have to separate,
01:00:54we all meet up at your church, George.
01:00:56That's about it.
01:00:57Any questions?
01:00:58Uh, Cecil?
01:01:00Is there something for Butterfly, sir?
01:01:02Don't worry, kid, you'll be all right.
01:01:04We'll make a bank robber out of you yet.
01:01:06Gentlemen, let's get into costume.
01:01:08Cecil.
01:01:09Yes, sir.
01:01:10Billy?
01:01:11George?
01:01:16How many?
01:01:17Give me two.
01:01:18No.
01:01:21No.
01:01:22Hey, who the hell taught you how to deal?
01:01:24Your mother.
01:01:26My mother?
01:01:27Yeah.
01:01:28Hey, he knew my mother.
01:01:29Well, I know your father.
01:01:30Don't talk about my father.
01:01:31Look, I know you're both your families, all right, and I regret it.
01:01:33Can we play, please, over here, all right?
01:01:35Do it, please.
01:01:36Great.
01:01:40All right.
01:02:06They're moving.
01:02:07Let's go.
01:02:11Let's go.
01:02:24What the hell was that?
01:02:25What the hell?
01:02:26What is that?
01:02:33What the hell was that?
01:02:35Why do you run this thing on bathtub, Jim?
01:02:40Hey, hey.
01:02:41What?
01:02:42What?
01:02:43All the lights are out.
01:02:45Right in.
01:02:46We'll take care of this in about five minutes.
01:02:48Good evening.
01:02:50Elevator's broke.
01:02:51Electricity's down.
01:02:52We're here for the public works.
01:02:53We came to do the Tucson point.
01:02:54No, ma'am.
01:02:55Please remain calm.
01:02:56It's just a power outage.
01:02:57Yeah, we've got to get to the junction box.
01:02:59It's up around the roof.
01:03:00The stairs.
01:03:01Yes, of course I've called the city.
01:03:04Matter of fact, we've got a repair crew here right now.
01:03:07Yeah, but we've got to fix the elevators.
01:03:08That's the whole idea of being here.
01:03:09Oh, no, that's the trick.
01:03:10We're at the Lex here.
01:03:11We've got to get down to the basement.
01:03:12Can't you read?
01:03:13Authorized personnel only.
01:03:14All I know is we're sent here from the city.
01:03:16We're for the public works here.
01:03:17We came over to turn the juice.
01:03:18The front desk.
01:03:19Oh, yes, Mr. Gozzo.
01:03:21We're working on it.
01:03:22Well, it's up to you.
01:03:23You know, we can go down to the break.
01:03:24We have this place set up in 15 minutes' time.
01:03:26Let him in.
01:03:27Let him in.
01:03:28All right.
01:03:29Got something for us?
01:03:30I guess you're authorized.
01:03:31Go ahead.
01:03:32OK, great.
01:03:33Come on.
01:03:34Yes, Mr. Gozzo.
01:03:35They're taking care of it now, Mr. Gozzo.
01:03:40There's a short here for sure.
01:03:41I know there's a short somewhere there.
01:03:42It's got to be in this door here.
01:03:43Whoa, whoa, whoa, whoa, whoa.
01:03:44Who are you?
01:03:45Ah, we're from the power company.
01:03:46Yeah, what do you got back there?
01:03:47It's none of your business.
01:03:48No, the hell you say.
01:03:49You know why?
01:03:50Because that's where your problem is,
01:03:51and that is where your junction box is.
01:03:52We've got to get the juice back on for you.
01:03:53You can't go back there.
01:03:54You know why?
01:03:55Because I'm the boss here.
01:03:56I'm the boss.
01:03:57I'm the boss.
01:03:58I'm the boss.
01:03:59I'm the boss.
01:04:00I'm the boss.
01:04:01I'm the boss.
01:04:02I'm the boss.
01:04:03I'm the boss.
01:04:04I'm the boss.
01:04:05We've got to get the juice back on for you.
01:04:07You can't go back there.
01:04:08You know what?
01:04:09That's fine by me, pal.
01:04:10I'm going to tell you what I told that guy upstairs.
01:04:11You know, dispatch called.
01:04:12They said, go to Lex first.
01:04:13We came to Lex first.
01:04:14Daryl, Daryl, we're just going to come here
01:04:15and turn the power on for you.
01:04:16I do not know what is with you people, but I do know.
01:04:18We got 15 buildings up there.
01:04:19People are screaming, give me the power,
01:04:20give me the power, give me the power.
01:04:21So if you don't have a problem, go over to Drake
01:04:22and setting them up.
01:04:23Do you understand me?
01:04:24OK, you can go by yourselves in the council.
01:04:25In fact, that's what we're going to do.
01:04:26We're going to go over to Drake and get them all set up.
01:04:28That's what we're going to do.
01:04:30Take it easy.
01:04:31Hold on, hold on.
01:04:32Excuse me, gentlemen.
01:04:33Excuse me, boys.
01:04:35Mr. G wants the lights on right now, OK?
01:04:38So you've got to let him in.
01:04:39Just let him in, OK?
01:04:40Let him in.
01:04:42Good?
01:04:43No, wait.
01:04:45Whatever you see back there, you didn't see.
01:04:48It's none of your business.
01:04:49You understand?
01:04:50Scott's on him.
01:04:57All right.
01:04:59Here we are.
01:05:05X marks the spot.
01:05:06Right here, boys.
01:05:08Get those blueprints up here.
01:05:10Whoa, whoa, whoa.
01:05:11That's just a wall.
01:05:12It's a sub-regulator buried in here.
01:05:13It was built back in 1932.
01:05:14Back in 1932.
01:05:15Yes, before they remodeled it.
01:05:16OK, come on, guys.
01:05:17Let's get to work.
01:05:18We've got to get over to Drake.
01:05:19Yes, sir.
01:05:20He's the boss.
01:05:21What are you talking about?
01:05:22He's young enough to be your grandson.
01:05:23At least he went to high school.
01:05:25What happened?
01:05:26They're working on it, boss.
01:05:27It must have been a storm.
01:05:28Oh, yeah?
01:05:29We heard this Sunday.
01:05:30Are you going to talk about the weather
01:05:31or are you going to play some cards?
01:05:32I'm trying to play cards.
01:05:33Well, then play cards.
01:05:34I'm trying to.
01:05:35All right, then.
01:05:36Two in.
01:05:37Let's do a little race.
01:05:38No, it's not going to do it.
01:05:39Not this time.
01:05:40Well, that's right, because I got
01:05:41a little trips with Kings.
01:05:42Oh, he loves it.
01:05:43He came out for it, sir.
01:05:44Watch, I fold.
01:05:48Where do you want me to start, Mr. Green?
01:05:50About here?
01:05:51Jake.
01:05:52Wait, wait, wait.
01:05:53What's he doing?
01:05:54He's transforming Barry now.
01:05:55We've got to get to it.
01:05:56I thought you said regulator.
01:05:58Same thing.
01:05:59No, except for the amperage.
01:06:00It's a whole different story, regulator.
01:06:01Yeah, well, don't worry about it.
01:06:03Excuse me, sir.
01:06:04I want to invite you to get hurt.
01:06:05Catch the dust.
01:06:15What are you doing?
01:06:16What are you doing?
01:06:18Come on, go wash your hands.
01:06:19You've got to screw up the cards.
01:06:24He's got like a fountain all the time.
01:06:26Look at this.
01:06:27Hey!
01:06:28Here, brush that off, will you?
01:06:32What do you want from me, this guy?
01:06:34Hey.
01:06:37Capone's butler, that titty mouse.
01:06:40I caught him the other day, pinching towels.
01:06:43You're into Lex?
01:06:44Yeah, I knew I knew him.
01:06:46Come on, Capone's butler, get out of here.
01:06:48I never forget her face.
01:06:49What was that guy's name, Cyrus?
01:06:51No, no, no, no.
01:06:53Uh, wait a minute.
01:06:55Cecil!
01:06:56Yeah, right.
01:06:57So what would Capone's butler be doing stealing towels?
01:06:59Capone is a has-been.
01:07:00Come on.
01:07:01He said he was a guest, and he got lost.
01:07:03Max, what are you talking about?
01:07:04Capone, he's still not.
01:07:06That guy, he's got syphilis so bad,
01:07:07he don't know up from down.
01:07:08Yeah, and I thought the butler stayed with him.
01:07:10He's running that place for him in Florida.
01:07:11Well, he did, he did.
01:07:12So?
01:07:13So?
01:07:14Hey, wait a minute.
01:07:15The lights.
01:07:16Come on, everybody, down to the basement.
01:07:18Right now!
01:07:21Hey, hey, hey.
01:07:40Oh, man.
01:07:41Come on.
01:07:44Folks, folks.
01:07:46Come on, lads, get back on duty.
01:07:48Watch that door.
01:07:52Oh, man.
01:07:57Stop him!
01:07:58That's a hoax!
01:08:13You got to get down.
01:08:14Stay down!
01:08:22Is there another way out of this room?
01:08:24I'm afraid not, sir.
01:08:25I got him, Uncle George.
01:08:26I got him.
01:08:48Jack, go!
01:08:52Wake up, kid!
01:08:53Come on!
01:08:54Ah!
01:09:21Boss.
01:09:40Ah!
01:09:41Ah!
01:09:42Ah!
01:09:43Ah!
01:09:44Ah!
01:09:45Ah!
01:09:46Ah!
01:09:47Ah!
01:09:48Ah!
01:09:50Ah!
01:09:51Ah!
01:09:52Ah!
01:09:53Ah!
01:09:54Ah!
01:10:03Go!
01:10:04Go!
01:10:05Come on!
01:10:11Cecil!
01:10:15You punks!
01:10:16This is for Al Capone!
01:10:19Ah!
01:10:20Ah!
01:10:21Ah!
01:10:22Ah!
01:10:23Ah!
01:10:24Ah!
01:10:25Ah!
01:10:26Ah!
01:10:27Ah!
01:10:28Ah!
01:10:29Ah!
01:10:30George!
01:10:38Ah!
01:10:39Ah!
01:10:40Ah!
01:10:41Ah!
01:10:42Cecil, let's go!
01:10:44Come on, let's go!
01:10:49win
01:11:01How're you doing, kid?
01:11:02I don't know.
01:11:03I'm scared.
01:11:05I can't see nothin'.
01:11:06Cecil, give me that torch, will you?
01:11:12Ah, Christ!
01:11:14Pull over, Cec.
01:11:15You think that's wise, like?
01:11:16Pull over, dammit, I need your help!
01:11:18Okay, kid, you're gonna have to hold this.
01:11:20All right, hold it right there.
01:11:21This might hurt.
01:11:21No, I can't feel nothing.
01:11:23That ain't necessarily good.
01:11:24Come on, sis!
01:11:28Would you mind stepping out of the car, please, sir?
01:11:30What are you talking about?
01:11:32I deeply regret this, sir,
01:11:34that I must return to the service of my first master.
01:11:36What the hell's the matter with you?
01:11:37The kid needs our help!
01:11:38These are Mr. Capone's instructions, sir.
01:11:39No, Mr. Capone, you're working for me
01:11:41till I say different, you understand?
01:11:43Now, you got two choices.
01:11:45You can get your ass back here
01:11:46and help me stop the bleeding,
01:11:47or you can pull that goddamn trigger!
01:11:51Where's some of the other?
01:11:54This hand?
01:11:58Easy, sir, easy, easy.
01:12:01Who are these two, sir?
01:12:03Where'd they come from?
01:12:05Mr. Capone always insisted upon fresh linen
01:12:07when he dined in the car, sir.
01:12:09And a lot he died.
01:12:11May I, sir?
01:12:12I'm not altogether unfamiliar with this sort of thing.
01:12:14Be my guest.
01:12:17Just pressurize here?
01:12:18All right.
01:12:21Sorry for betraying your trust back there, sir,
01:12:25but I had no choice.
01:12:27I understand about the choices Capone gives people.
01:12:31Hang on, son, hang on.
01:12:38I could never make it up to you, sir.
01:12:42You already have.
01:12:44Thank you, sir.
01:12:46You guys really do know Capone, don't you?
01:12:49Yes, unfortunately.
01:12:51I knew that.
01:12:53Oh, thank you.
01:12:54You getting any feel back?
01:12:55I can feel it.
01:12:56Okay.
01:12:57I'll be dancing on this before long.
01:12:59Thank you.
01:13:01Try and stay still, okay?
01:13:02Okay.
01:13:06All right, come on, let's go.
01:13:07No, sir.
01:13:08Like you, I fear I'm a dead man.
01:13:11All right.
01:13:14Capone would never let you forget it, would he?
01:13:15I fear not, sir.
01:13:23You make the best of a second chance.
01:13:30Good luck, Mr. Bungardner.
01:13:32Save these.
01:13:43Come on.
01:14:00Yeah, yeah, we got the bleeding stopped,
01:14:01but the slug's in deep.
01:14:03All right, we'll be there in 20 minutes.
01:14:05Thanks, Doc.
01:14:08What's the count, Billy?
01:14:09I got 14 and a half million dollars.
01:14:12All right, Capone is expecting 13 and a half,
01:14:15and that's what I intend to give him.
01:14:16That leaves us with a million.
01:14:18Now, thanks.
01:14:21George says I get like five grand.
01:14:24He didn't think you'd believe him,
01:14:25but the fact is, he was getting half.
01:14:28He was gonna split it with you.
01:14:31I get, I get 100, I get, I get 250 some thousand dollars?
01:14:36No, you get his whole share.
01:14:39I get a half a million bucks?
01:14:41Yeah, and do yourself a favor, kid.
01:14:44Retire.
01:14:49I got, I gotta know.
01:14:51Did you and Uncle George,
01:14:53did you really run with John Dillinger?
01:14:55Yeah, so what?
01:14:57What was that man like, John Dillinger?
01:14:59That man is dead, Billy, and you'll be dead too
01:15:02if you think this kind of life has any future.
01:15:04Now, let's move.
01:15:05The doc's waiting.
01:15:07Come on.
01:15:10All right, all right.
01:15:12You stay put, I'll get the door.
01:15:16Feel all right?
01:15:17Yeah.
01:15:17Okay, I'll be right back.
01:15:18Hey, hey, can I keep this?
01:15:24Like a souvenir?
01:15:27Sure, why not?
01:15:29Hey, I did good, right?
01:15:30I mean, I did good.
01:15:32Yeah, Billy, you did real good.
01:15:36Look at me, I'm like a gangster now.
01:15:39Top of the world, ma, just like the movie.
01:15:42Oh!
01:15:44Oh!
01:15:44Oh!
01:15:45Oh!
01:15:46Oh!
01:15:47Oh!
01:15:48Oh!
01:15:49Oh!
01:15:50Federal agents!
01:15:52Reach!
01:15:54Reach!
01:15:57Man said reach.
01:16:00You packing?
01:16:02No.
01:16:03Come here.
01:16:04Come on.
01:16:06Turn around.
01:16:10He's clean.
01:16:14At long last, we're gonna get our due.
01:16:16Hoover's gonna have to eat some big crow here.
01:16:20Well, well, well.
01:16:22We finally meet the mug himself, John Dillinger.
01:16:30My name is John Dalton.
01:16:33Yeah, you go ahead and play your little game, Dillinger.
01:16:36We know the truth.
01:16:37Yeah, you see, we knew.
01:16:39The man killed in front of the Biograph Theater,
01:16:41not John Dillinger.
01:16:42Yeah, we just couldn't prove it, that's all.
01:16:44And you still can't.
01:16:46Are you trying to tell me that I can't prove who you are?
01:16:48Maybe.
01:16:50Maybe not.
01:16:52Say, do you mind if I have a smoke?
01:16:53Kinda calm my nerves.
01:16:57In church?
01:16:58Could be my last one.
01:17:03Sure, thanks.
01:17:09Hey, well, Gil, look at here.
01:17:15Okay.
01:17:17My, my.
01:17:19Looks like we caught up with you
01:17:20at just the right time, doesn't he?
01:17:23What do we got here?
01:17:23I've got 14 and a half million.
01:17:29It's the missing Capone money.
01:17:33Do we got all this?
01:17:35And the real John Dillinger, too?
01:17:37This is real interesting.
01:17:40You thinking about the same thing I am, Gil?
01:17:45Yes, I am, Frank.
01:17:46-.
01:17:57We're in church.
01:17:58Well, as you can see,
01:18:01I'm a little tore up here.
01:18:02Yeah.
01:18:04How's that?
01:18:06You see, on one hand,
01:18:09I could not only be the man who brought in Dillinger,
01:18:12but I could be the man who brought in Dillinger
01:18:14with Capone's hidden stash.
01:18:17And I could be the man who brought in Dillinger
01:18:19with Capone's hidden stash.
01:18:21I could be the man who brought in Dillinger
01:18:23with Capone's hidden stash.
01:18:26With Capone's hidden stash.
01:18:28See, I could be a hero.
01:18:31And on the other,
01:18:32I could be very rich.
01:18:36Ain't that easy, kid.
01:18:38You're gonna have to make a choice.
01:18:40Now you figure, huh?
01:18:43Because I got the money and I got the gun.
01:18:47I got this.
01:18:50What are you doing?
01:18:52I toss it and the money's gone,
01:18:53or you catch it and I'm gone.
01:18:56Either way, you're gonna have to make a choice.
01:18:59You can't have both.
01:19:01Oh, you.
01:19:03Come on, kid.
01:19:04Not much time left.
01:19:07Nah, you wouldn't do that.
01:19:09Hey, you like baseball?
01:19:11What?
01:19:12Baseball, you like to play baseball?
01:19:15I love baseball.
01:19:16Yeah?
01:19:17Me too.
01:19:18Catch!
01:19:19Catch!
01:19:20Catch!
01:19:20Catch!
01:19:21Catch!
01:19:22Catch!
01:19:23Catch!
01:19:24Catch!
01:19:25Catch!
01:19:26Catch!
01:19:26I mean, I've got a problem.
01:19:56Well, I've got a good man, and I've got a lot of money.
01:20:11The man's done me no harm, but it's my money, and I've got to make a choice.
01:20:19I got to.
01:20:24Yeah.
01:20:26Yeah, you're right.
01:20:30It's the money.
01:20:32The money makes it go.
01:20:35The money makes me king.
01:20:37You know, that's why we get along.
01:20:40Yeah.
01:20:41You can't trust anybody or anything but the money.
01:20:45Where the hell do you think you're going?
01:20:46Hey, I'm talking to you, huh?
01:20:47Turn around!
01:20:49That's for nothing.
01:20:50Give me the woman!
01:20:51Give me the woman!
01:20:52Oh!
01:20:53Oh!
01:20:54Oh!
01:20:55Oh!
01:20:56Oh!
01:20:57Oh!
01:20:58Oh!
01:20:59Oh!
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01:26:12Oh!
01:26:13Oh!
01:26:14Oh!
01:26:15Oh!
01:26:16Oh!
01:26:17All right!
01:26:18One Thank
01:26:37Sam.
01:26:39Hi.
01:26:41Attaboy.
01:26:43Attaboy.
01:27:07♪♪
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