he Siege of Sidney Street: Directed by Robert S. Baker, Monty Berman. With Donald Sinden, Nicole Berger, Kieron Moore, Peter Wyngarde. As armed police surround a house in the East End of London, a young lady under medical supervision nearby thinks back to the events that lead her and a group ...
Release date: Oct 11, 1960
Duration: 01:33:00
Directors: Robert S. Baker Monty Berman
Actors: Donald Sinden Nicole Berger Kieron Moore …
Rating: 6/10 - 140 votes
The Siege of Sidney Street 1960 ‧ Thriller/Drama
Release date: Oct 11, 1960
Duration: 01:33:00
Directors: Robert S. Baker Monty Berman
Actors: Donald Sinden Nicole Berger Kieron Moore …
Rating: 6/10 - 140 votes
The Siege of Sidney Street 1960 ‧ Thriller/Drama
Category
🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00Oh
00:01:30I
00:02:00Don't know
00:02:30I
00:03:00I
00:03:30Why did he not let me stay with him?
00:03:34Why?
00:03:36Why did he send me away?
00:03:40Why?
00:03:42Why?
00:03:44Why?
00:03:46Why?
00:03:48Why?
00:03:50Why?
00:03:52Why?
00:03:54Why?
00:03:56Why?
00:03:58Why?
00:04:00Peter...
00:04:03Peter...
00:04:06Why must it end like this?
00:04:30Why?
00:04:32Why?
00:04:34Why?
00:04:36Why?
00:04:38Why?
00:04:40Why?
00:04:42Why?
00:04:44Why?
00:04:46Why?
00:04:48Why?
00:04:50Why?
00:04:52Why?
00:04:54Why?
00:04:56Why?
00:04:57Why?
00:04:59Why?
00:05:01Why?
00:05:03Why?
00:05:05Why?
00:05:07Why?
00:05:09Why?
00:05:11Why?
00:05:13Why?
00:05:14Why?
00:05:23Why?
00:05:25Why would he send me away?
00:05:27Judge, a new girl for you.
00:05:29Come, Carol. Come on in.
00:05:32I'm the secretary here.
00:05:34Pretty girl like you, why didn't I see you here before?
00:05:38I work late.
00:05:39Every night?
00:05:40Nearly every night.
00:05:41Some time for play is needed.
00:05:43You should come here more often.
00:05:45Now take care.
00:05:46Before you know what you're doing, he'll have you behind the counter pouring cups of tea.
00:05:49Carol told me to look after you.
00:05:51Sarah?
00:05:52Peter Piako.
00:05:53My name is Peter.
00:05:54Peter the painter. He's an artist.
00:05:56He paints pictures, but nobody wants to buy them.
00:06:00So what does that make him?
00:06:01A baroque genius.
00:06:02Shall we dance?
00:06:03Yes.
00:06:14Why don't you smile?
00:06:17Why?
00:06:19Why not?
00:06:21Is that an order?
00:06:23It's a request.
00:06:30That's better.
00:06:42Excuse me, please.
00:06:53I told you not to come here.
00:06:55Peter, I've stolen the car.
00:06:58But I don't know where to hide it.
00:07:00The shed you told me about is locked.
00:07:02Did you look under the door?
00:07:03No, I saw.
00:07:04Go now, get out.
00:07:05Peter, I...
00:07:06Get out!
00:07:22I was working in the field.
00:07:49I was working in the fields when the Cossacks came.
00:07:53I hid in a haystack.
00:07:56I saw them burn the village.
00:07:59They killed my father, my mother, and my two little sisters.
00:08:04Then you went to France?
00:08:05Yes.
00:08:07Some of the villagers who escaped took me there.
00:08:10I went to school.
00:08:12I worked.
00:08:14I looked after myself.
00:08:16It was difficult, so I came to England.
00:08:20On your own?
00:08:21Yes.
00:08:22I have a room of my own.
00:08:24It's not so bad.
00:08:26You mean it's not so good?
00:08:27Not how a girl like you should live.
00:08:35Are you really an artist?
00:08:38Yes.
00:08:40Mr. Hirsch says that nobody buys your paintings.
00:08:43I'm afraid he's completely right.
00:08:46How do you live?
00:08:47Well, I once painted the portrait of an old lady
00:08:50who sold pickle herrings.
00:08:52And I had the pleasure of eating pickle
00:08:54herrings for the next two weeks.
00:08:56No, seriously.
00:08:57No, never seriously.
00:08:58That's the trouble.
00:08:59You've had to take life seriously.
00:09:00It's time you started to enjoy it.
00:09:04You won't talk about yourself?
00:09:07Hm?
00:09:09That's where I live.
00:09:21I'm earning milk.
00:09:26Good night, Sona.
00:09:28Good night.
00:09:39There was a boy who thought he was brave,
00:09:46but all that it gave him was an alley grave.
00:09:53Yes, sir.
00:09:54Give the boy an arm.
00:09:55For life is short and death is near.
00:10:02Give the boy an arm.
00:10:03For life is short and death is near.
00:10:09I said leave the boy alone.
00:10:11Women are sore.
00:10:12I can look after myself.
00:10:14You had him, Alex.
00:10:16He can take care of himself.
00:10:19And you, Alex Vars, you are too old to be corpse.
00:10:24I'm not too old to handle you if I have to.
00:10:28My little friend does not like people who threaten me.
00:10:31You see, she takes care of me.
00:10:38Some people around here can't take a joke.
00:10:41Hm.
00:10:42If you say so.
00:10:44It must be so.
00:10:48All right.
00:10:49Everybody here?
00:10:57Where's Dimitri?
00:10:59You're late.
00:11:00Only a couple of minutes, Peter.
00:11:02In another instance, those couple of minutes would cost a life.
00:11:05I'm sorry, I...
00:11:06All right.
00:11:09At 11 o'clock tomorrow morning, Hans.
00:11:16I wait here, outside the factory with Lapidus.
00:11:19At 11 o'clock, two messengers will come out of the bank.
00:11:22Carl will follow them out and give the signal here.
00:11:24Lapidus?
00:11:25When they reach the gate, we grab the bag.
00:11:29And run down this alleyway here, throw the money over the wall.
00:11:32Joske will be waiting here and put it into a shopping bag.
00:11:34Nina will be waiting here for him and there'll be a couple strolling with the shopping bag.
00:11:38Nobody will notice them.
00:11:39Dimitri will be waiting here for Hans and Lapidus with the motorcar.
00:11:43I drive also to the other end of the alley.
00:11:45And pick them up.
00:11:46Remember, they depend on you.
00:11:48I'll be there.
00:11:51Any questions?
00:11:52What do we do with the money?
00:11:54You better take it back to your place, till I ask for it.
00:11:56Peter, couldn't I go instead of the boy?
00:12:01You know, your father's fixation does you credit scars.
00:12:05No.
00:12:06You spend six weeks at the factory getting the information.
00:12:08I'll be all right.
00:12:10Stop fussing over me.
00:12:12I'm nothing to you.
00:12:15No.
00:12:17You are nothing to me.
00:12:21Well.
00:12:24You better get some sleep.
00:12:28Good night, Peter.
00:12:29Good night, Nina.
00:12:30Good night, Peter.
00:12:31Good night.
00:12:32Good night, Hans.
00:12:35Don't drink too much.
00:12:43You didn't used to question my orders, Alex.
00:12:46I'm not questioning them now, Peter.
00:12:48It's just that the boy is...
00:12:50He's a boy.
00:12:52I was younger than he was when I first joined the movement.
00:12:54Long live the cause.
00:12:56And I don't think my convictions will alter when I get to your age.
00:12:59You ought to know me better than that, Peter.
00:13:01You know what the cause means to me.
00:13:03I hope it means the same to all of us.
00:13:06I didn't know you had given a son to it.
00:13:12Nicholas.
00:13:14He was 18.
00:13:16What did he know about life?
00:13:18He'd only just started to live.
00:13:21He started to live when he died for what he believed in.
00:13:25Thank you, Peter.
00:13:27That's a great comfort.
00:13:41Come on.
00:13:52Let's go.
00:13:56Let's go.
00:14:00Let's go.
00:14:21Let's go.
00:14:51We've got company.
00:14:57Hi, little boy.
00:14:59What do you want?
00:15:21My father had a farm.
00:15:36We used to...
00:15:51Get out of here.
00:16:22Come on.
00:16:27No.
00:16:31Come on.
00:16:33Call an ambulance.
00:17:04Where's the car?
00:17:10Go on.
00:17:34Go on.
00:17:4246, here.
00:17:44There's been an armed robbery.
00:17:46Where?
00:17:47There.
00:17:48There.
00:17:50Got it.
00:17:51Don't get too close.
00:17:52Keep up with him if you can.
00:18:04Get on to the yard.
00:18:05Give them the details.
00:18:06Tell them we'll have to use guns.
00:18:33Get up.
00:18:34I'll help you.
00:19:03They're over there, sir.
00:19:17Near the woods.
00:19:18Right.
00:19:19Give these out, will you?
00:19:22You take one man and try to head them off if they make for the woods.
00:19:25The rest of you, come with me.
00:19:34Superintendent Blakey from the yard.
00:19:36This is Inspector Manory.
00:19:38Inspector Withers.
00:19:39Look, they're over there going through the woods.
00:19:41I've sent two men to try and cut them off.
00:19:43I'm going after them this way.
00:19:44We'll come with you.
00:19:54We'll be all right if we reach that wood.
00:19:56I'll never make it.
00:19:58Yes, you will.
00:19:59Come on.
00:20:06Manory, you come with me.
00:20:08Withers, you take that one.
00:20:29Quiet, and I won't hurt you.
00:20:43My baby!
00:20:46My baby!
00:20:47My baby!
00:20:49Let me go!
00:20:51Run to the front.
00:20:54Stay where you are, or I'll shoot the child.
00:20:56Don't be a fool, man.
00:20:58Drop that gun and come out.
00:20:59Stay where you are.
00:21:06Thank you, thank you very much, sir.
00:21:09Thank you.
00:21:39Come on.
00:22:07Halt!
00:22:28Halt!
00:22:38Stop, I tell you!
00:22:50No, stop!
00:23:02We don't know who they are from Adam.
00:23:04Say, look at this.
00:23:09Look at his back.
00:23:11Whiplash.
00:23:15I seem to remember reading in the paper a while back
00:23:18some refugees who came from Russia or somewhere to this country
00:23:21to get away from the floggings and executions.
00:23:23That's a good idea, John.
00:23:24It fits in with this.
00:23:25Look, all foreign stuff.
00:23:26The jacket's been made in Paris.
00:23:29I think this indicates a trip to France.
00:23:31For me.
00:23:33While I'm gone, you can nose around the East End.
00:23:35Thank you.
00:23:36See if you can get a lead on the loot.
00:23:38It must have been passed to someone.
00:23:39Find out who.
00:23:41Hello, Nina.
00:23:42Zara, it's only me.
00:23:43Come in.
00:23:44Peter asked if you would do something for him.
00:23:47Would you keep this basket till he wants it?
00:23:49Yes, of course.
00:23:51It's leaflets.
00:23:52We send them back to the homeland.
00:23:55You don't have to explain, Nina.
00:23:57It's just that you mustn't tell anybody about them.
00:24:01Tell Peter that I forget they are here.
00:24:06I tell you, the policeman was looking straight at me.
00:24:10Each time I go out in the street, I feel ill.
00:24:15Peter, there is a boat leaving tonight.
00:24:18The captain said he'll take me.
00:24:21Peter, I must have money.
00:24:25But there was 800 pounds in the bag.
00:24:29Peter, I'm all for the cause.
00:24:33But this shooting, I didn't think it would be like that.
00:24:39I'll get you some money.
00:24:41But you'll have to wait.
00:24:43But you've got it, the bag.
00:24:45Not here.
00:24:46I see.
00:24:48I'll be at the club.
00:24:50No, don't go to the club.
00:24:52You know the Swan opposite.
00:24:56We'll wait there.
00:24:58If you say so.
00:25:02It's all for the best, isn't it, Peter?
00:25:10You do understand.
00:25:14I did my best.
00:25:19I couldn't help what happened with the car.
00:25:35Filth.
00:25:39Two people died for him.
00:25:42That little man will talk.
00:25:51Quiet tonight.
00:25:52Always is a Monday, sir.
00:25:54Don't you get people in from the club across the road?
00:25:56They're Medians.
00:25:58As if you don't like them.
00:25:59You should see them up and down the street, sir.
00:26:01Jabbing away, talk, talk, talk.
00:26:04We're safe as anarchists over there, sir.
00:26:06And atheists.
00:26:08And vegetarians, sir.
00:26:10Vegetarians.
00:26:12A brandy, please.
00:26:19Thank you.
00:26:20Thank you.
00:26:24Thank you.
00:26:27Vegetarian.
00:26:34Vegetarian.
00:27:05Peter.
00:27:06Here I am.
00:27:07I came right away.
00:27:09You've got it.
00:27:13Peter.
00:27:15It wasn't my fault.
00:27:17The car wouldn't start.
00:27:19You can trust me.
00:27:20You needn't to give me the money.
00:27:23I'll stay.
00:27:24I'll help you.
00:27:25It wasn't my fault.
00:27:27The car.
00:27:29I did my best.
00:27:31No.
00:27:32No.
00:27:34It wasn't my fault.
00:27:36The car.
00:27:38I did my best.
00:27:40No.
00:27:41No.
00:28:03No.
00:28:04Peter.
00:28:05It wasn't my fault.
00:28:24No.
00:28:25No.
00:28:26No.
00:28:27No.
00:28:28No.
00:28:33Help!
00:28:55Come on.
00:29:04What is it?
00:29:06Beer.
00:29:18Peter, it's so late.
00:29:24Is it too late?
00:29:28No.
00:29:30I'm just surprised.
00:29:31I'm just surprised, that's all.
00:29:35Sarah.
00:29:42Peter, what is it?
00:30:01Beer.
00:30:14Beer.
00:30:31Beer.
00:31:02Peter.
00:31:11Peter, this man at the club.
00:31:15The man unidentified is believed to be a foreigner.
00:31:19Could there be any connection between this killing
00:31:22and the recent armed robbery of the chairman's payroll?
00:31:28Peter, we must go to the police.
00:31:31I know.
00:31:32How about some coffee?
00:31:33No.
00:31:59London and District Bank.
00:32:04It's not for me.
00:32:05It's for...
00:32:06This man was murdered.
00:32:08A man dies, Sarah, but an idea grows.
00:32:11We steal because no one will give.
00:32:13We steal so that there will never be any more refugees.
00:32:16So that people like your parents will not be massacred.
00:32:19Any sacrifice is worth that.
00:32:26Take it.
00:33:03Thank you.
00:33:12How is my Sarah?
00:33:13I'm not sure of anything.
00:33:16How is Peter's Sarah then?
00:33:18Peter.
00:33:20When it comes to women,
00:33:21the great idealist believes in private property.
00:33:24But you know, idealism can be very dull.
00:33:28With me, you can have a good time.
00:33:33Thank you.
00:33:41Are you new here?
00:33:43What's the difference?
00:33:45Sorry.
00:33:46Do you know these parts?
00:33:49A little, yes.
00:33:50I'm looking for a room.
00:33:52Somewhere cheap, quiet.
00:33:54I asked Mr. Hirsch.
00:33:55He's the secretary here.
00:34:04It's all arranged.
00:34:05They wanted a month's rent in advance,
00:34:07so I gave them 30 shillings.
00:34:09Is that all right?
00:34:10Well, considering we'll get something like 10,000 pounds,
00:34:13I don't think 30 shillings is a bad investment.
00:34:15Do you?
00:34:16You'd better come and see them.
00:34:21I'm sorry.
00:34:22I'm sorry.
00:34:23I'm sorry.
00:34:24I'm sorry.
00:34:25I'm sorry.
00:34:26I'm sorry.
00:34:27I'm sorry.
00:34:28I'm sorry.
00:34:29I'm sorry.
00:34:30I'm sorry.
00:34:31I'm sorry.
00:34:32I'm sorry.
00:34:33I'm sorry.
00:34:34I'm sorry.
00:34:35I'm sorry.
00:34:36I'm sorry.
00:34:37I'm sorry.
00:34:38I'm sorry.
00:34:39I'm sorry.
00:34:40I'm sorry.
00:34:41I'm sorry.
00:34:42I'm sorry.
00:34:43I'm sorry.
00:34:44I'm sorry.
00:34:45I'm sorry.
00:34:46I'm sorry.
00:34:47I'm sorry.
00:34:48I'm sorry.
00:34:49I'm sorry.
00:34:50I'm sorry.
00:34:51I'm sorry.
00:34:52I'm sorry.
00:34:53I'm sorry.
00:34:54I'm sorry.
00:34:55I'm sorry.
00:34:56I'm sorry.
00:34:57I'm sorry.
00:34:58I'm sorry.
00:34:59I'm sorry.
00:35:00I'm sorry.
00:35:01I'm sorry.
00:35:02I'm sorry.
00:35:03I'm sorry.
00:35:04I'm sorry.
00:35:05I'm sorry.
00:35:06I'm sorry.
00:35:07I'm sorry.
00:35:08I'm sorry.
00:35:09I'm sorry.
00:35:10I'm sorry.
00:35:11I'm sorry.
00:35:12I'm sorry.
00:35:13I'm sorry.
00:35:14I'm sorry.
00:35:15I'm sorry.
00:35:16I'm sorry.
00:35:17I'm sorry.
00:35:18I'm sorry.
00:35:19I'm sorry.
00:35:20I'm sorry.
00:35:21I'm sorry.
00:35:22I'm sorry.
00:35:23I'm sorry.
00:35:24I'm sorry.
00:35:25I'm sorry.
00:35:26I'm sorry.
00:35:27I'm sorry.
00:35:28I'm sorry.
00:35:29I'm sorry.
00:35:30I'm sorry.
00:35:31I'm sorry.
00:35:32I'm sorry.
00:35:33I'm sorry.
00:35:34I'm sorry.
00:35:35I'm sorry.
00:35:36I'm sorry.
00:35:37I'm sorry.
00:35:38I'm sorry.
00:35:39I'm sorry.
00:35:40I'm sorry.
00:35:41I'm sorry.
00:35:42I'm sorry.
00:35:43I'm sorry.
00:35:44I'm sorry.
00:35:45I'm sorry.
00:35:46I'm sorry.
00:35:47I'm sorry.
00:35:48I'm sorry.
00:35:49I'm sorry.
00:35:50I'm sorry.
00:35:51I'm sorry.
00:35:52I'm sorry.
00:35:53I'm sorry.
00:35:54I'm sorry.
00:35:55I'm sorry.
00:35:56I'm sorry.
00:35:57I'm sorry.
00:35:58I'm sorry.
00:36:00Thousand pounds.
00:36:03Very nice.
00:36:06Where is my equipment?
00:36:17A real professional.
00:36:19Every man should have a profession.
00:36:22What have you got?
00:36:24Except the cause.
00:36:27Did you know that you were followed tonight?
00:36:30How was Paris?
00:36:31Oh, fine.
00:36:32I got back last night.
00:36:35The AC told me that you were working underground.
00:36:37It looks as though your hunch was right.
00:36:39Do we know anything about them?
00:36:40Yes, one of them.
00:36:41The older one.
00:36:42Name of Lapidus.
00:36:43Political refugee and member of a gang of anarchists.
00:36:46Anarchists?
00:36:47Yes, they've done some pretty big jobs over there.
00:36:49Officially, they're supposed to be collecting funds for their precious cause.
00:36:53If you ask me, they're just plain thugs.
00:36:55The gang was broken up last year.
00:36:57Six of them were killed and the rest got away.
00:36:59Supposedly to England.
00:37:01Do we know anything about them?
00:37:02No.
00:37:04Who was the man who was murdered the other night?
00:37:06Yes, he's one of the gang too.
00:37:08I was following two of them.
00:37:09One of them was talking to him in a pub the night he was murdered.
00:37:15Oh.
00:37:16And the other man?
00:37:17I don't know.
00:37:18He was a smarter.
00:37:20He had better dress than the usual type who hang around the club.
00:37:23Right.
00:37:24Well, keep at it.
00:37:26Oh, and be careful.
00:37:29Don't forget these men are killers.
00:37:54Why are you following me?
00:38:16I said, why are you following me?
00:38:18You're hurting me.
00:38:19I'm waiting.
00:38:20It's not my idea.
00:38:22It's Peter's.
00:38:24Take me to him.
00:38:25He's not going to like this.
00:38:27We'll see about that.
00:38:28All right.
00:38:29All right.
00:38:40The words may seem strange.
00:38:45They come from the heart.
00:38:49And hearts never change.
00:38:54Go east, go west.
00:38:59I'll always be true.
00:39:04I love you.
00:39:24Don't ever tell anyone to follow me again.
00:39:46Understood.
00:39:48Don't go.
00:39:49Stay.
00:39:52Have a drink.
00:39:56Give me your hat and coat.
00:40:07I hope your room is all right.
00:40:09It'll do.
00:40:11Come over here.
00:40:12I want you to meet someone.
00:40:22Uh, Mr...
00:40:24Carter.
00:40:26John Carter.
00:40:27Mr. Carter.
00:40:28Mr. Brodsky.
00:40:30A business name, I take it.
00:40:33Oh, I have several such names myself.
00:40:35What kind of work do you do, Mr. Carter?
00:40:37I travel around, dealing light.
00:40:40What do you do?
00:40:41We collect funds.
00:40:42You might call it charity work for our fellow refugees.
00:40:44Well, I must go.
00:40:45It's getting late.
00:40:47Yes, of course.
00:40:48You will excuse us?
00:40:52We shall meet again.
00:40:54I hope so.
00:40:58Have a good time, Mr. Carter, huh?
00:41:04Thank you.
00:41:06I'll see you tomorrow.
00:41:08Bye-bye, Peter.
00:41:10Bye-bye, Peter.
00:41:11Bye-bye.
00:41:12Bye-bye.
00:41:16No offense, friend.
00:41:19No offense.
00:41:23Tell me, this man Carter, what do you know about him?
00:41:27I know more than you do.
00:41:29It's the second time I've met him.
00:41:32He could be useful, but it would be unwise to take chances at a time like this.
00:41:37The next operation will be the biggest yet.
00:41:40You're doing fine work, Peter.
00:41:42Our leaders are very pleased with you.
00:41:45In the meantime, I'll make some inquiries about our friend.
00:41:48Until then, keep a tight hold on him, but at arm's length.
00:41:52Good night, sir.
00:41:53Good night.
00:41:54Good night.
00:41:55Good night.
00:41:56Good night.
00:41:57Good night.
00:41:58Good night.
00:41:59What are you doing here?
00:42:20Enjoying myself.
00:42:22The party's over.
00:42:23Yes, but not for you and me.
00:42:26I think you had better go.
00:42:33You're drunk.
00:42:35Oh, yes, I've been drinking.
00:42:37But I'm still quite capable.
00:42:54Peter will kill me for this.
00:42:57But Peter isn't here, is he?
00:43:12What do you want?
00:43:14Get out.
00:43:31Get out.
00:43:52Get out.
00:44:21I didn't see him leave with the others, so I came back.
00:44:50Thank you.
00:44:51I'm glad that you did.
00:44:53You'll be all right now.
00:44:55Would you like a drink?
00:44:56I think I can find something.
00:44:57No.
00:45:00Next time, lock your door.
00:45:28How long now, Carl?
00:45:29When the old man closes up, about three hours.
00:45:33Was that the contact?
00:45:34Yes.
00:45:35Alex has gone with him to collect it.
00:45:59Lena.
00:46:25Mr. Isaac.
00:46:31Yes, sir.
00:46:32I hope that catch you.
00:46:33I'm sorry, Mr. Bellows.
00:46:34I have just closed.
00:46:35Please, it won't take a minute.
00:46:36It's my wife's necklace.
00:46:37We're going out tonight.
00:46:38You see him.
00:46:43Has he left?
00:46:44Yes, he was locking the door.
00:46:49All right.
00:47:18Thank you very much, Mr. Isaac.
00:47:20How much do I owe you?
00:47:22Please, it was nothing.
00:47:23Thank you.
00:47:25Good night.
00:47:26Good night, Mr. Bellows.
00:47:46Wooderman Baker.
00:47:53Come on, we've got a call.
00:48:03Oh, that's all right, Sarge.
00:48:10We've only just come in.
00:48:11Well, you're just going out again.
00:48:12Where is it, Sarge?
00:48:13Arm's ditch.
00:48:14I'll do it.
00:48:15It's on the way home.
00:48:16All right.
00:48:17Oh, thanks, Tommy.
00:48:18I'll do the same for you one day.
00:48:19That's all right, mate.
00:48:24Come on, lads.
00:48:30How many are there?
00:48:31I only saw one.
00:48:32A Browning automatic.
00:48:33By the size of the kit bag, it must have been half a dozen or more.
00:48:36And ammunition.
00:48:37That's enough to go on.
00:48:38You going to pick them up?
00:48:39Give me Bishop's Gate Police Station.
00:48:40Yes.
00:48:41You say they're at this place in Cutler Street, huh?
00:48:42Number 11.
00:48:43We'll have to arm the men.
00:48:44These boys play rough.
00:48:45Oh, this is Superintendent Blakey from the yard.
00:48:47I want a half a dozen men.
00:48:49Arm them.
00:48:50Yes.
00:48:51We're going to investigate a premises in Cutler Street.
00:48:54What?
00:48:56Yes.
00:48:58All right.
00:49:00Three men are already in the area investigating a jeweler's in Hound's Ditch.
00:49:04Hound's Ditch?
00:49:05That backs onto Cutler Street.
00:49:06What are they investigating?
00:49:07Well, the jeweler says that he heard hammering on the wall.
00:49:11There'll be a massacre.
00:49:21What's up?
00:49:22Something wrong around here.
00:49:23Come on, lads.
00:49:32Ah, this will be it.
00:49:35Probably some old geezer mending his boots.
00:49:39Come on, Tommy.
00:49:40Give him another knock.
00:49:43We're just making some inquiries about a...
00:49:45Hey!
00:49:46Yosha!
00:50:16Alex!
00:50:17Be careful.
00:50:18Car!
00:50:19Where's the supervisor?
00:50:20He's inside.
00:50:21Well?
00:50:22The blood trail stops after about 30 yards.
00:50:23I see.
00:50:24He must have been badly wounded.
00:50:25Yes, sir.
00:50:26There was a lot of blood.
00:50:27Mannering.
00:50:28Find out where they've taken him.
00:50:29I want him picked up while he's still able to walk.
00:50:30Yes, sir.
00:50:31I'll do it.
00:50:32I'll do it.
00:50:33I'll do it.
00:50:34I'll do it.
00:50:35I'll do it.
00:50:36I'll do it.
00:50:37I'll do it.
00:50:38I'll do it.
00:50:39I'll do it.
00:50:40I'll do it.
00:50:41I'll do it.
00:50:42I'll do it.
00:50:43I'll do it.
00:50:44I'll do it.
00:50:45So, he's been picked up while he's still able to talk.
00:50:47Check with the people in the halls...
00:50:48and see whether they found those bullets and cartridge cases.
00:50:52Sorry, sir.
00:51:04It was madness bringing him back to his own lodgings.
00:51:06We're moving now!
00:51:07Sarah, you and Nina stay with him.
00:51:11You'll go.
00:51:12We'll be all right.
00:51:16When we're ready to leave the country, we'll send for you.
00:51:18If they catch him, he might talk.
00:51:37Peter, find a place for us.
00:52:07Nobody will ever know who we are.
00:52:11Come on, Peter.
00:52:12Come on, Peter.
00:52:35Yes.
00:52:36The whole area is sealed off.
00:52:37Yes.
00:52:38We won't get out.
00:52:39It's all right.
00:52:40Just let me know if I need you.
00:52:41You've got a lead on one of them anyway.
00:52:58Ten years I've been with him, Sarah.
00:53:02Ten years.
00:53:05Just so that I can watch him die in a filthy attic.
00:53:10If we could...
00:53:12Hospital.
00:53:13No.
00:53:15They'd only save him for the rope.
00:53:18It's better this way.
00:53:22Who is it?
00:53:25The landlady.
00:53:27Just a minute.
00:53:37Stay where you are.
00:53:59You don't deny you know the man known as Peter the Painter.
00:54:02I knew him.
00:54:04How long since you last saw him?
00:54:06Two or three weeks.
00:54:08You were reported being with him four days ago.
00:54:10The Jubilee Street Workingmen's Club.
00:54:13I forgot.
00:54:15How did you happen to be at the lodgings of Carl Gardstein?
00:54:19Last night at 10 o'clock.
00:54:23We called round to see Carl Gardstein.
00:54:25He was in bed, wounded.
00:54:27You didn't call an ambulance.
00:54:29You know that already.
00:54:30Why didn't you?
00:54:32How about opening your window?
00:54:34It's very stuffy in here.
00:54:36You didn't answer my question.
00:54:39What was it?
00:54:42Your friend Nina said she happened to call on Gardstein last night.
00:54:46Did you just happen to call on him?
00:54:48I told you.
00:54:50Nina came to my lodging and fetched me.
00:54:52She asked me to help.
00:54:54Did it not appear odd to you that a man so very ill was not taken to hospital?
00:54:58I told you.
00:54:59I did not know what was wrong with him.
00:55:01You did, didn't you?
00:55:03Let's start at the beginning again, shall we?
00:55:07We'll never get anything out of this Nina woman.
00:55:10She's far too stubborn.
00:55:12Never makes a slip.
00:55:14What about Sarah?
00:55:16That's different.
00:55:17I've told them to concentrate on her.
00:55:20And even after you'd seen the wound,
00:55:22you'd no idea that this man had been shot.
00:55:26When you read the newspapers this morning,
00:55:28did it not strike you...
00:55:31That's right.
00:55:33You told me.
00:55:40May I have a drink of water, please?
00:55:53Mr. Stolzki, wake up.
00:56:01We'd like to check the second part of your statement again.
00:56:25Mr. Stolzki.
00:56:27Mr. Stolzki.
00:56:30Mr. Stolzki.
00:56:33Do you understand what I'm saying to you?
00:56:38You may go now.
00:56:41You may go.
00:56:46I'm free.
00:56:47Collect your belongings from the station, Sergeant.
00:56:50Good morning.
00:57:00Good morning.
00:57:30Two brandies.
00:57:31Right you are, sir.
00:57:54Good morning, Sergeant.
00:57:56Good morning, Sergeant.
00:57:59Drink that up.
00:58:11I know that you're not alone.
00:58:17I'm sorry, Sergeant.
00:58:19Thank you.
00:58:29And don't you bring no drunken tarts in here again.
00:58:43She's very sick, Mr. Carter.
00:58:45She's suffered a severe mental shock.
00:58:48I'm afraid the mind cannot take any more.
00:58:51She's sure to die.
00:58:53Severe mental shock.
00:58:55I'm afraid the mind cannot take any more.
00:58:58She should go to hospital.
00:59:07Sarah.
00:59:09Sarah, can you hear me?
00:59:11You've got to go to hospital.
00:59:16Send for me, he said.
00:59:19I must stay here.
00:59:22He won't be able to find me.
00:59:25I must stay here.
00:59:27But you're not well. You need someone to see you.
00:59:31He won't be able to find me.
00:59:35You need every care and attention.
00:59:38Can you manage?
00:59:40Well, I think so.
00:59:42I can get a room here.
00:59:44All right, then.
00:59:45We'll let her stay here.
00:59:47I'll get your prescription.
00:59:52We're nearly finished.
01:00:00You are not Peter?
01:00:02No.
01:00:04I'm your friend, John Carter.
01:00:07I want my Peter.
01:00:09I want my Peter.
01:00:11I want my Peter.
01:00:13I want my Peter.
01:00:15I want my Peter.
01:00:17I want my Peter.
01:00:19I want my Peter.
01:00:21He'll send for you.
01:00:23He promised.
01:00:26Yes.
01:00:28He promised.
01:00:31When the sun is down
01:00:35On the peaks of Stephen
01:00:39When the snow lay round about
01:00:43Deep and crisp and even
01:00:47What ruddy Christmas we're going to have, matey.
01:00:50It's all right for those that can keep on the move.
01:00:52Some of us don't when we're well old.
01:01:01It's cold outside.
01:01:03What are you doing there?
01:01:05It's Christmas, Sarah.
01:01:07Remember? We're going to have a party.
01:01:09We used to have a wonderful time when we were children.
01:01:12When Father Christmas was coming,
01:01:14we used to hang up our stockings and pretend to be asleep.
01:01:17We call him Nicolae Moros.
01:01:20He's a good man.
01:01:22He's a good man.
01:01:24He's a good man.
01:01:26He's a good man.
01:01:28Nicolae Moros.
01:01:30It means Grandfather Frost.
01:01:33We did not hang our stockings.
01:01:35We used to find presents
01:01:37on the windowsill in the morning.
01:01:40And...
01:01:42And Mother would say...
01:01:47Go away.
01:01:49Go away!
01:01:51Go away!
01:01:59Two weeks and absolutely nothing.
01:02:01You realize we are being crucified by the press, don't you?
01:02:04I read the papers too, sir.
01:02:06Then tell me what you're doing about it all.
01:02:08I've released the woman Nina.
01:02:10She's not going to lead you anywhere.
01:02:12I think she is, sir.
01:02:14Not directly, I admit. She's too smart.
01:02:16What's that supposed to mean?
01:02:18I've devised a plan, sir.
01:02:20It's a long shot, I admit.
01:02:22Anything's better than just waiting.
01:02:24It all hinges on the fact that they can't escape
01:02:26Well?
01:02:28We think we know where this help is coming from.
01:02:33John?
01:02:35Hello, Sarah.
01:02:37Come in a moment, will you?
01:02:44What are you staring at?
01:02:46It's your Christmas dinner.
01:02:48I'm sorry, I kept you waiting nine days for it.
01:02:50It's better late than never.
01:02:52We'll celebrate New Year as well.
01:02:57That was wonderful.
01:03:02John...
01:03:06Do you know why I got up today?
01:03:09Why I made this dinner?
01:03:13The real reason.
01:03:15Why?
01:03:19You'll be cross with me.
01:03:21I would.
01:03:23Why?
01:03:26I... I had a strange feeling today.
01:03:31They have not caught Peter.
01:03:33He'll be all right.
01:03:36And suddenly I can live again.
01:03:41I'm glad we have something to celebrate.
01:03:43John...
01:03:45Sarah, I don't want to spoil your evening, but...
01:03:47He may get caught.
01:03:49If he does, what's going to happen to you?
01:03:51When that happens...
01:03:53I won't exist anymore.
01:03:55I tell you, John...
01:03:57I may be alive...
01:03:59But I'd be a dead woman.
01:04:01Sarah, why don't you just leave Peter?
01:04:04Sometimes I dream...
01:04:07If you and I...
01:04:09Had met before.
01:04:13But we did not.
01:04:17Can I help you with this?
01:04:19No.
01:04:21No washing up tonight.
01:04:23It all waits until morning.
01:04:25I'm tired.
01:04:27But I'm almost happy.
01:04:29And I'm going to bed.
01:04:31Good night, John.
01:04:33Good night, Sarah.
01:04:35Thank you for the wonderful dinner.
01:04:37Thank you.
01:04:39For everything.
01:04:49Good night.
01:05:20This is a bit dangerous, isn't it?
01:05:22If the mountain won't come to Mohammed...
01:05:24It doesn't seem much point.
01:05:26We're going to make the next move ourselves.
01:05:28We're not going to wait for them any longer.
01:05:30And that girl in there is going to provide the opening gambit.
01:05:32But she's not well.
01:05:34So you told me.
01:05:36She was well enough to go shopping this afternoon...
01:05:38And she's looking her old self again, I understand.
01:05:40The evening herald has run us up a dummy issue.
01:05:49Nina!
01:05:51Nina, this is wonderful.
01:05:53Hello, Sarah.
01:05:55It's good to see you, Nina.
01:05:57When did they let you go?
01:05:59Oh, um...
01:06:01Two days ago.
01:06:03You...
01:06:05You don't look well, Sarah.
01:06:07Yes, yes, I'm fine now.
01:06:09Seeing you again.
01:06:11I miss you.
01:06:13I miss you.
01:06:15I miss you.
01:06:17Seeing you again.
01:06:19I'll make you some tea.
01:06:21It is good to see you, Nina.
01:06:25Have you heard from Peter?
01:06:27You have no news, I suppose.
01:06:32Nina?
01:06:34Nina, what is it?
01:06:42That was the man who was with Peter at the party?
01:06:44It's more than that.
01:06:46He was that contact with the outside.
01:06:48He was going to arrange their escape.
01:06:50Oh, no!
01:06:52Nina!
01:06:54What can we do?
01:06:56They must be warned.
01:06:58But we don't know where they are.
01:07:00I do.
01:07:16Nina!
01:07:18Nina!
01:07:46Nina!
01:08:02She's been in there nearly ten minutes.
01:08:04Here comes the super.
01:08:10She's still there?
01:08:12Yes, sir. I can't understand it.
01:08:16Yes, sir.
01:08:20Here she comes now.
01:08:32Oh, no.
01:08:34And who did you leave watching the house?
01:08:46Oh, no.
01:09:02What's up?
01:09:04I'm sorry.
01:09:06What a cheek!
01:09:08You should have seen Bert.
01:09:16You should have seen Bert.
01:09:18You should have seen Bert.
01:09:46Oh, no.
01:10:16Peter, we didn't know what to do.
01:10:18Peter, we didn't know what to do.
01:10:20I had to come here.
01:10:34There was a man
01:10:36There was a man
01:10:38Who thought he was brave
01:10:40Who thought he was brave
01:10:42But all that it gave him
01:10:44But all that it gave him
01:10:46But all that it gave him
01:10:48Was an allegrande
01:10:50Was an allegrande
01:10:52For women a sword
01:10:54For women a sword
01:10:56And wine a straw
01:10:58And wine a straw
01:11:00Got a headache, policeman?
01:11:08You are not so brave now, policeman.
01:11:10You are not so brave now, policeman.
01:11:12Stop it!
01:11:14Stop it!
01:11:36He's coming around.
01:11:42He's coming around.
01:11:50Your boyfriend is not so brave now.
01:11:56What will happen to him?
01:12:00What do you think?
01:12:06It seems I was mistaken about you.
01:12:08You've been mistaken about a lot of things.
01:12:10I saw Brodsky this evening.
01:12:12I saw Brodsky this evening.
01:12:14He's safe.
01:12:16We'll leave for the continent in the morning.
01:12:18You think you'll get away with it?
01:12:20Why not?
01:12:22There's nothing to stop us.
01:12:24The entire police force would disagree with you.
01:12:26The entire police force would disagree with you.
01:12:28They'll find nothing here.
01:12:30Except you.
01:12:32Except you.
01:12:34Mannering's coat all right.
01:12:36Here's his warrant card.
01:12:38I thought I'd look too smart for him.
01:12:40I didn't nick it, honest.
01:12:42I didn't nick it, honest.
01:12:44I didn't pinch nothing.
01:12:46I didn't say you did.
01:12:48I didn't say you did.
01:12:50I was walking along.
01:12:52I was walking along.
01:12:54I saw his coat on the wall.
01:12:56I saw his coat on the wall.
01:12:58Where did you get it?
01:13:00Where did you get it?
01:13:02Where did you get it?
01:13:04There's a policeman outside.
01:13:08There's a policeman outside.
01:13:18It's all right.
01:13:20It's all right.
01:13:22He's going past.
01:13:24He's going past.
01:13:36I saw a glimmer of light upstairs, sir.
01:13:38Nothing else.
01:13:40Nothing else.
01:13:42I've got these and 10 more at the end of the street.
01:13:44There's 40 more on the way.
01:13:46Give advice to two people.
01:13:48Give advice to two people.
01:13:50For God's sake, keep it quiet.
01:13:52I'll leave the door open, just in case.
01:13:57Donna.
01:13:58Why did you lie to me?
01:13:59Why?
01:14:01It was my job.
01:14:02And all the pretense.
01:14:03Helping me, caring for me.
01:14:05That was of your job, too?
01:14:07I meant what I said to you.
01:14:10I tried to warn you.
01:14:11Warn me.
01:14:12And what will happen to you now?
01:14:14They kill you.
01:14:15You know that.
01:14:16They kill you.
01:14:17You know that.
01:14:18And what will happen to you now?
01:14:20They kill you.
01:14:21You know that.
01:14:22And they'll kill you, too.
01:14:24Not with a bullet.
01:14:25But you've been ill, Sara, very ill.
01:14:28You know what the doctor said.
01:14:30Do you think you can stand the strain of this endless running away?
01:14:33It's my life.
01:14:35And I want to live this way.
01:14:38Whatever happiness there is for me, it is with Peter.
01:14:43What doctor?
01:14:45Is this true?
01:14:46Yes, it is.
01:14:47Thank you, Sara.
01:14:49Is this true?
01:14:51The doctor was exaggerating, Peter.
01:14:53I'll be all right.
01:14:54You'll be the one to kill her.
01:14:55Sara is free to do as she pleases.
01:14:57No, she can only do as you tell her.
01:14:59Why shouldn't she come with me?
01:15:00Just suppose you do leave the country.
01:15:02You don't get shot and the strain doesn't prove too much for Sara.
01:15:04What then?
01:15:06What waits for you where you're going to?
01:15:08More crime, more killing, more running?
01:15:11And all the time Sara is running with you, you by choice.
01:15:14She because she can't help it.
01:15:16Do you think any of us can help it?
01:15:19If a man believes in something, he's a traitor to himself if he betrays that belief.
01:15:23Is that worse than betraying someone who believes in you, as Sara does?
01:15:27I have no intention of discussing my philosophies with you.
01:15:29No, you just intend to murder me.
01:15:30To have you executed.
01:15:32That is the difference.
01:15:34Tea.
01:15:35I might have me tea.
01:15:36You're not going out to dinner, Dade, so move along.
01:15:39Bloomin' cops.
01:15:40Telling me an old man I was owned.
01:15:43Here.
01:15:44What you got that thing for?
01:15:45It's just to make sure you behave yourself.
01:15:47Yes, sir.
01:15:48Certainly, sir.
01:15:54One more house, sir, and that's all off.
01:15:56Good work.
01:15:57How about your man?
01:15:58The whole area is sealed off.
01:15:59The only problem now is how the hell to get Mannering out, if he's still alive.
01:16:04Don't think I haven't thought of that.
01:16:10Peter, please.
01:16:11Do you have to?
01:16:13Yes.
01:16:14You go first with Alex, and we'll follow.
01:16:17I don't think we will be leaving at all.
01:16:30Alex, go and look at the back.
01:16:45How much ammunition have we got, Josca?
01:16:47Enough to withstand the siege.
01:16:49That's exactly what we'll have to do.
01:16:51You can give yourselves up.
01:16:52The place is alive with police.
01:16:53They've cleared the street, too.
01:16:55I haven't got a chance.
01:16:56Why not admit it?
01:16:57So we fight.
01:16:58And Sara?
01:16:59Don't worry about me.
01:17:00Josca, go out and look at the back, will you?
01:17:02But, sir...
01:17:03I'll make sure.
01:17:08Got her.
01:17:09I'm letting you go.
01:17:11If you take Sara with you.
01:17:12No, Peter.
01:17:13Yes, Sara.
01:17:14No.
01:17:15I always done what you asked.
01:17:17But not now.
01:17:18Take her away.
01:17:20No, Peter, please.
01:17:21Don't let me go.
01:17:22Listen, darling.
01:17:24Believe me.
01:17:25It's for the best.
01:17:27It's not the end.
01:17:28You know me better than that.
01:17:29It's just that without you here to worry about, we stand more chance.
01:17:32Now go with him.
01:17:33No.
01:17:34Please.
01:17:35No, Peter.
01:17:36No.
01:17:38Now take her away.
01:17:39For the last time, you...
01:17:40Do as I say.
01:17:41Alex, show them out.
01:18:07We're surrounded, all right.
01:18:23Where are they?
01:18:32You dirty traitor.
01:18:33Take that to the police.
01:18:37Come on.
01:18:38Come on.
01:18:39Come on.
01:18:40Come on.
01:18:41Come on.
01:18:42Come on.
01:18:43Come on.
01:18:44Come on.
01:18:45Come on.
01:18:46Come on.
01:18:47Come on.
01:18:48Come on.
01:18:49Come on.
01:18:50Come on.
01:18:51Come on.
01:18:52Come on.
01:18:53Come on.
01:18:54Come on.
01:18:55Come on.
01:18:56Come on.
01:18:57Come on.
01:18:58Come on.
01:18:59Come on.
01:19:00Come on.
01:19:01Come on.
01:19:02Come on.
01:19:03Come on.
01:19:04Come on.
01:19:05Come on.
01:19:06Peter, quick!
01:19:07Do we have to send him like that?
01:19:16You know the law, John.
01:19:17We have to give fair warning first.
01:19:19Alex, go out to the back.
01:19:24What is that policeman doing?
01:19:29Coming to tell her to surrender.
01:19:31Then I will give him an answer.
01:19:36Coming for her only!
01:19:58It's going to be a rough job, sir.
01:20:23Sir, the lads are asking your permission to storm the house.
01:20:25We could take it in ten minutes.
01:20:27And lose more good men? It's not worth it with rats like that.
01:20:29We'll take the chance, sir. We've got an account to settle.
01:20:32I understand your feelings, Sergeant, but I've orders from the Home Secretary.
01:20:36We've got the ruffians and can afford to wait.
01:20:38Look, time's cheaper than lives.
01:20:58Are the reinforcements coming? Yes, sir.
01:20:59Good. We shall need them.
01:21:01We shall have half of London here in an hour or two.
01:21:05Thank you, sir. Thank you.
01:21:06Thank you, sir. Thank you.
01:21:07Thank you, sir. Thank you.
01:21:07Thank you, sir. Thank you.
01:21:08Thank you, sir. Thank you.
01:21:08Thank you, sir. Thank you.
01:21:09Thank you, sir. Thank you.
01:21:09Thank you, sir. Thank you.
01:21:10Thank you, sir. Thank you.
01:21:10Thank you, sir. Thank you.
01:21:11Thank you, sir. Thank you.
01:21:11Thank you, sir. Thank you.
01:21:12Thank you, sir. Thank you.
01:21:12Thank you, sir. Thank you.
01:21:13Thank you, sir. Thank you.
01:21:13Thank you, sir. Thank you.
01:21:14Thank you, sir. Thank you.
01:21:14Thank you, sir. Thank you.
01:21:15Thank you, sir. Thank you.
01:21:15Thank you, sir. Thank you.
01:21:16Thank you, sir. Thank you.
01:21:16Thank you, sir. Thank you.
01:21:17Thank you, sir. Thank you.
01:21:17Thank you, sir. Thank you.
01:21:18Thank you, sir. Thank you.
01:21:18Thank you, sir. Thank you.
01:21:19Thank you, sir. Thank you.
01:21:19Thank you, sir. Thank you.
01:21:20Thank you, sir. Thank you.
01:21:20Thank you, sir. Thank you.
01:21:21Thank you, sir. Thank you.
01:21:21Thank you, sir. Thank you.
01:21:22Thank you, sir. Thank you.
01:21:22Thank you, sir. Thank you.
01:21:23Thank you, sir. Thank you.
01:21:23Thank you, sir. Thank you.
01:21:24Thank you, sir. Thank you.
01:21:24Thank you, sir. Thank you.
01:21:25Thank you, sir. Thank you.
01:21:25Thank you, sir. Thank you.
01:21:26Thank you, sir. Thank you.
01:21:26Thank you, sir. Thank you.
01:21:27Thank you, sir. Thank you.
01:21:27Thank you, sir. Thank you.
01:21:28Thank you, sir. Thank you.
01:21:28Thank you, sir. Thank you.
01:21:29Thank you, sir. Thank you.
01:21:29Thank you, sir. Thank you.
01:21:30Thank you, sir. Thank you.
01:21:30Thank you, sir. Thank you.
01:21:31Thank you, sir. Thank you.
01:21:31Thank you, sir. Thank you.
01:21:32Thank you, sir. Thank you.
01:21:32Thank you, sir. Thank you.
01:21:33Thank you, sir. Thank you.
01:21:33Thank you, sir. Thank you.
01:21:34Thank you, sir. Thank you.
01:21:34Thank you, sir. Thank you.
01:21:35Thank you, sir. Thank you.
01:21:35Thank you, sir. Thank you.
01:21:36Thank you, sir. Thank you.
01:21:36Thank you, sir. Thank you.
01:21:37Thank you, sir. Thank you.
01:21:37Thank you, sir. Thank you.
01:21:38Thank you, sir. Thank you.
01:21:38Thank you, sir. Thank you.
01:21:39Thank you, sir. Thank you.
01:21:39Thank you, sir. Thank you.
01:21:40Thank you, sir. Thank you.
01:21:40Thank you, sir. Thank you.
01:21:41Thank you, sir. Thank you.
01:21:41Thank you, sir. Thank you.
01:21:42Thank you, sir. Thank you.
01:21:42Thank you, sir. Thank you.
01:21:43Thank you, sir. Thank you.
01:21:43Thank you, sir. Thank you.
01:21:44Thank you, sir. Thank you.
01:21:44Thank you, sir. Thank you.
01:21:45Thank you, sir. Thank you.
01:21:45Thank you, sir. Thank you.
01:21:46Thank you, sir. Thank you.
01:21:46Thank you, sir. Thank you.
01:21:47Thank you, sir. Thank you.
01:21:47Thank you, sir. Thank you.
01:21:48Thank you, sir. Thank you.
01:21:48Thank you, sir. Thank you.
01:21:49Thank you, sir. Thank you.
01:21:49Thank you, sir. Thank you.
01:21:50Well, there's one thing, Blakey.
01:22:12They won't get away.
01:22:13You'd think there were twenty of them there.
01:22:14It's those damn new-fangled automatic pistols.
01:22:17I'll give them this though, sir.
01:22:18They're fighting like tigers.
01:22:19like tigers.
01:22:20Party!
01:22:21Halt!
01:22:22Party with a dance!
01:22:23Left turn!
01:22:24March!
01:22:25Take a right!
01:22:26Party!
01:22:27Order!
01:22:28Halt!
01:22:29Stand at ease!
01:22:30At ease!
01:22:31Right.
01:22:32You folks, the brewery.
01:22:34The brewery?
01:22:35That's different.
01:22:36Very good, Sarge.
01:22:38Right.
01:22:39You folks, the brewery.
01:22:40The brewery?
01:22:41That's different.
01:22:42Very good, Sarge.
01:22:43Right.
01:22:44You folks, the brewery.
01:22:45The brewery?
01:22:46That's different.
01:22:47Very good, Sarge.
01:22:48Right.
01:22:49You folks, the brewery.
01:22:50The brewery?
01:22:51That's different.
01:22:52Very good, Sarge.
01:22:53Right.
01:22:54You folks, the brewery.
01:22:55The brewery?
01:22:56That's different.
01:22:57Very good, Sarge.
01:22:58Right.
01:22:59You folks, the brewery.
01:23:00The brewery?
01:23:01That's different.
01:23:02Very good, Sarge.
01:23:03Right.
01:23:04You folks, the brewery.
01:23:05The brewery?
01:23:06That's different.
01:23:07Very good, Sarge.
01:23:08Right.
01:23:09You folks, the brewery.
01:23:10The brewery?
01:23:11That's different.
01:23:12Very good, Sarge.
01:23:13Right.
01:23:14You folks, the brewery.
01:23:15The brewery?
01:23:16That's different.
01:23:17Very good, Sarge.
01:23:18Right.
01:23:19You folks, the brewery.
01:23:20The brewery?
01:23:21That's different.
01:23:22Very good, Sarge.
01:23:23Right.
01:23:24You folks, the brewery.
01:23:25The brewery?
01:23:26That's different.
01:23:27Very good, Sarge.
01:23:28Right.
01:23:29You folks, the brewery.
01:23:30The brewery?
01:23:31That's different.
01:23:32Very good, Sarge.
01:23:33Right.
01:23:34You folks, the brewery.
01:23:35The brewery?
01:23:36That's different.
01:23:37Very good, Sarge.
01:23:38Right.
01:23:39You folks, the brewery.
01:23:40The brewery?
01:23:41That's different.
01:23:42Very good, Sarge.
01:23:43Right.
01:23:44You folks, the brewery.
01:23:45The brewery?
01:23:46That's different.
01:23:47Very good, Sarge.
01:23:48Right.
01:23:49You folks, the brewery.
01:23:50The brewery?
01:23:51That's different.
01:23:52Very good, Sarge.
01:23:53Right.
01:23:54You folks, the brewery.
01:23:55The brewery?
01:23:56That's different.
01:23:57Very good, Sarge.
01:23:58Right.
01:23:59You folks, the brewery.
01:24:00The brewery?
01:24:01That's different.
01:24:02Very good, Sarge.
01:24:03Right.
01:24:04What's the top act?
01:24:05That's the home secretary.
01:24:07What's his name?
01:24:09A Winston Churchill.
01:24:40How is she?
01:24:41She's still on sedation, sir.
01:24:49Joska! Alex! Listen to me!
01:24:54Keep firing!
01:24:56If you do as I say, we've got a chance.
01:25:01We start a fire.
01:25:03We start a fire.
01:25:07The smoke and confusion will cover us from the police.
01:25:13While we get into the next house and maybe escape completely.
01:25:18If we stop firing, they will rush us.
01:25:21We won't. One of us will stay behind and give covering fire.
01:25:26Alex!
01:25:33Fire!
01:25:56I'm always the lucky one.
01:25:59Alright, I give you covering fire.
01:26:03Fire!
01:26:14Don't move!
01:26:16I'm sorry, my friends, but I'm too fond of life to stay behind.
01:26:20You are the ones who believe in dying for causes.
01:26:22Alright, you die!
01:26:24Me? I've got a lot more bottles to empty and a lot more women to love.
01:26:33Now go, lover woman.
01:26:37Come on.
01:26:57Goodbye, Peter.
01:27:00You go.
01:27:02I'm not running anymore. I'm too old.
01:27:05I've done too much of it.
01:27:07Everyone I love is dead.
01:27:09You must live.
01:27:12Alex! Alex!
01:27:14Alex!
01:27:16Alex!
01:27:32Alex!
01:27:48Five brigades on the way, sir.
01:27:50Well, this is the end of them.
01:27:53Is it?
01:27:55They're still firing.
01:28:03Sit down here.
01:28:05The doctor won't be long. Can you take your jacket off?
01:28:11Oh, the flaming bees.
01:28:14Beg your pardon, miss.
01:28:18Mind you, it won't be long now.
01:28:21The house is on fire.
01:28:23I'm afraid it's too late.
01:28:25I'm afraid it's too late.
01:28:28I'm afraid it's too late.
01:28:30I'm afraid it's too late.
01:28:32I'm afraid it's too late.
01:28:34I'll be roasted alive.
01:28:37It'll be all right.
01:28:39Don't laugh at that.
01:28:43Look, watch it, will you?
01:28:55If they don't come out now, they'll be done for a crisp.
01:28:57There ain't so much shooting, huh?
01:28:59Stop talking!
01:29:00But I'm flying!
01:29:09Hey!
01:29:10Hold your fire!
01:29:15Peter!
01:29:28Fire!
01:29:31Fire!
01:29:42Come on!
01:29:52Get that cloud back!
01:29:57Force that cloud back!
01:30:04Get them out of there at once!
01:30:07Get them out at once!
01:30:12I told you once.
01:30:15Without him, I am a dead woman.
01:30:19Goodbye, John.
01:30:22You did what you had to.
01:30:27Goodbye.
01:30:43How long?
01:30:45A few hours.
01:30:57Move over inside.
01:31:16There's a stretcher coming in.
01:31:27There's a stretcher coming in.
01:31:58We found two bodies.
01:32:00Both unidentifiable.
01:32:03I wonder who it was that got away.
01:32:27THE END