Salón de té La Moderna - Ep 191
Category
📺
TVTranscript
00:00The following day
00:11I'm afraid I'm not understanding you.
00:14You said you were leaving La Moderna.
00:17What does that mean?
00:19Well, I'm leaving.
00:22It's hard to explain.
00:24But yes...
00:25Fermín.
00:26Excuse me.
00:27I'm sorry to interrupt you, but I wanted to thank you again for breaking the rule.
00:32I'm sorry, Trini, that you lost it.
00:34Lose what?
00:36Don Fermín has broken the rule that forbids the dependents from getting married.
00:42But... but when was that?
00:44Right now.
00:45Don Fermín.
00:46Yes?
00:47I won't keep you any longer.
00:49Thank you, thank you.
00:50Wait, I'm going with you.
00:51Yes, me too.
00:52No, no, no, no.
00:53No one leaves here until I say so.
00:58Let's go in parts, please.
01:08First you, Trini.
01:09A moment ago you entered this office saying you were leaving La Moderna.
01:13And you sounded like you were saying goodbye.
01:15I think I expressed myself wrong.
01:18I wanted to say that I'm leaving until tomorrow.
01:22Well, I don't know if you remember that I asked for permission to accompany my mother to the doctor.
01:30Of course I remember.
01:31She had a problem with her knees, right?
01:33Is she better?
01:34Well, no, the truth is, no, no, I'm very worried.
01:37And that's why I also have to go look for some things at the pharmacy.
01:42And that's what I meant when I said I'm leaving.
01:45That I'm leaving with my mother.
01:47Trini, if you say so, I'm going to believe you.
01:50Because I hope I have earned the trust of all these years,
01:53the right for employees to speak to me frankly.
01:57Because there is nothing that hurts me more than lying or hiding the truth,
02:01which in this case would be the same.
02:03And you have always been a clear and transparent person.
02:08And you would never do something like that, would you?
02:11No.
02:15Well, your mother gets better.
02:17Goodbye.
02:20Goodbye.
02:42Excuse me, Mr. Fermin, but I have to go.
02:50Goodbye.
02:53And as you can see, the press is helping us corner Íñigo.
02:58Yes, but it's not enough, mother.
03:00I want to finish with Íñigo and especially with Matilde as soon as possible.
03:05Of course.
03:07We will do it.
03:09But we can't speed up or lose our cool.
03:12Otherwise, everything will go to hell.
03:16Have you checked the documents I left you from the company?
03:19Mother, please. I don't have the head for that.
03:24Carla.
03:26If the company does not continue to benefit us, then we will have a problem.
03:31Was Fabio taking care of everything for us?
03:33Yes.
03:34And Fabio is very loyal, you know.
03:37He has taken everything very seriously and his prestige is helping us a lot.
03:43But no one knows the ins and outs of the company like you do.
03:47So tell me what he has to do and I'll tell him as if it were my ideas.
03:59Tell him that the construction of the hotels in Bilbao and Barcelona is a priority.
04:03Urgent.
04:06Come on, go eat something.
04:17Did you know that Carlos V was buried in...
04:19In the monastery of Juste?
04:22Yes, I like history.
04:27What are you doing?
04:29Well, this is also history.
04:31Or at least it will be.
04:33I am cutting out all the press articles in which I have appeared in recent weeks.
04:38Look, for example.
04:41This is when I was arrested as a suspect.
04:44This is when I was arrested as a suspect in the murder.
04:48This is when I was shot in Madrid, Cabaret.
04:51And well, this is the one that gets the applause.
04:54The history of the button.
04:57Why do you want to collect all that?
04:59They talk about the famous button and that it was found next to Carla's body.
05:03And why not?
05:08I'm not going to get out of this one.
05:10I'm not going to let them kill me.
05:12Besides, Jacobo already told me that sooner or later I will cease to be news.
05:15They have nothing against me.
05:21Is there a more twisted story than that of the button?
05:27By the way, I'm going to call the police.
05:30To know when I can reopen in Madrid, Cabaret.
05:33What?
05:34And I'm not going to hide.
05:36I'm going to show my face.
05:38And with that, I'm going to organize a party to celebrate the reopening of Madrid, Cabaret.
05:44What do you think?
05:45Will you support me in this?
05:49I think it's very good.
05:51And of course I support you.
05:55Come here, honey.
06:04I will never thank you enough for everything you are doing for me.
06:09You have not doubted me for a single moment.
06:23Well, it's not the breakfast they serve at the Ritz, but it looks like it.
06:27Once I went in to inquire and I thought that maybe one day I could prepare it at home.
06:31And that day has come.
06:33Thank you, Laurita, but my throat still hurts when I swallow and my eyes from crying so much.
06:41I've been up all night without sleeping because I don't know what happened to César.
06:44This uncertainty is unbearable to me.
06:49My heart broke when I heard at the police station that he was accused of the two homicides in Madrid, Cabaret.
06:55And that he belonged to a criminal organization.
06:58Do you regret having gone?
07:01No.
07:03No, but if they haven't arrested him, the most likely thing is that they have killed him.
07:08Well, no, maybe he managed to escape. César is not one of those who are easily caught.
07:13I hope so.
07:15I'm afraid I'll never see him again.
07:18It's just that I miss him so much.
07:21I understand.
07:23But you knew it. You knew it was very difficult for you to get away with it.
07:28Yes, but I don't know, I had the hope that I would solve his problems with Marcel and get a normal life.
07:37If you close your eyes, what do you feel?
07:41What?
07:42Listen to me, close your eyes.
07:47Do you think César is alive?
07:53Maybe.
07:59Oops!
08:02Well, you see, a client has fallen.
08:04And don't think that he has apologized or made a request to pick him up, huh?
08:07I don't care, but ...
08:09Look, Marta, I'm so happy that the clients have educated me, they were exactly the same.
08:15I'm glad to see you like this.
08:17That you can only worry about the wedding and nothing else.
08:21Well, yes, although time also learns and I have to start sending invitations, really.
08:26I don't even know where to start.
08:28Well, very simple.
08:30Leaving Matilde and me to help you.
08:34Also, the most important thing you already have, which is the dress.
08:37Yes.
08:39By the way, are you sure Pietro doesn't mind that you wear the same dress as at the wedding with Ramón?
08:45I haven't told him yet.
08:46But, well, so many things have happened to us that I'm going to tell him.
08:50Okay?
08:51Okay.
08:53And what are you doing here, my favorite men?
08:57Hey, how did you get Mr. Fermin to change his mind?
09:00You ask her.
09:02Well, I just told him that I didn't understand how such a caval man kept such an old rule.
09:07And that it would be terrible for Pietro and for me to leave the wedding.
09:11Come on, Marta.
09:14Have you seen how my future wife is a woman of weapons to take and very beautiful?
09:21Are you thinking that maybe being here and then at home, working together, is not too much?
09:28Maybe we get tired.
09:30We get tired.
09:31I will never get tired of you.
09:33And that's why we want to open the bakery, right?
09:36To be together all day.
09:38Yes, that's true.
09:39It's true.
09:40Yes, yes.
09:41You have convinced me.
09:42Because we are here with all the clientele that if not, I would kiss my future husband.
09:48And you still don't know where they will live?
09:50Not yet.
09:51No, it's one of the pending tasks.
09:53I'll talk to you later.
09:55If you want to accompany me, it may be that I let you give me that kiss.
09:59It may be that I let you give me that kiss.
10:15Miss Barbuena?
10:17Which one of them?
10:18Inés.
10:20It's my sister.
10:21Who are you and what do you want from her?
10:23If you allow me to pass, I am Lieutenant Lorenzo.
10:26Very well, but what do you want?
10:30You must be Inés.
10:32Yes, it's me.
10:35I am the link of the police with the French gendarmerie.
10:38And they have commissioned me to look for César Morel in Spain.
10:43I'm not going to walk around.
10:46As far as I can see, there are only two possible links.
10:51Either he appears dead,
10:54or we find him.
10:57And I assure you that we will find him.
11:01I know very well who you are and the relationship you had with him.
11:05And I advise you to collaborate with me and tell the whole truth.
11:11If you have received a letter, you may have received others.
11:17I have only received one and I gave it to the police.
11:20In addition, it arrived by mail.
11:22You can check it. Since César disappeared, he has not contacted us.
11:26Covering up a criminal is not going to do him any good, quite the opposite.
11:33In case you don't know, my sister is recovering from a very serious accident that could cause her death.
11:38So I'm going to call my uncle and I don't doubt that we are going to complain about his attitude.
11:43Forgive me if I have been too obvious.
11:47But in my profession, sometimes the rush will not let us walk with flowers.
11:54Well, that's enough for today.
11:56Although this has served us to get to know each other and face each other.
12:03Although do not hesitate, especially you, Miss Inés, that we will see each other again.
12:09I hope that next time he comes with an order or a court date or whatever.
12:14Because if not, we are not going to open the door to him.
12:16What I hope is that they don't lie to me.
12:19The obstruction of justice can be a very serious crime.
12:25Good morning.
12:26Good morning.
12:29We can't allow this.
12:38I thank you for taking my call.
12:41Can I offer you something to drink?
12:42No, no, thank you.
12:43I thank you for inviting me here, in a discreet place.
12:46Well, it's the least I could do, Mr. Fermin.
12:49But please, sit down.
12:50Thank you.
12:53I understand that right now I am not the most popular person in the city.
12:59And that many people do not want to relate to me.
13:03It is not my case and you know it.
13:06Tell me, how can I help you?
13:07Well, look, I intend to reopen Madrid Cabaret.
13:11I'm waiting for the police to tell me when I can do it and I hope it's soon.
13:17But the point of all this, Mr. Fermin, is that a liquor supplier has decided to rescind my contract unilaterally.
13:23I see, I see. I can imagine the reason, however.
13:26Yes, well, nobody wants to do business with a supposed murderer.
13:29I see.
13:30And then I also have clients who are in close contact with the company Morcuende.
13:35And what can I say about the power of the press?
13:38That no matter how much my innocence is shown, the damage is already done.
13:42Yes, it is completely unfair but understandable that certain people have their reluctance.
13:48Well, that's why I want to reopen.
13:51To show that I don't want to give up and that nobody is going to intimidate me.
13:55Have you contacted other suppliers?
13:57Yes.
13:59And they all gave me the same answer.
14:01And they all gave me the same answer.
14:04Obviously, they have not dared to accuse me as a suspect in the murder of Carla.
14:08But the shooting in Madrid Cabaret has served as an excuse.
14:13And now you want me to talk to my own supplier, right?
14:18Mr. Fermin, I just need to be covered for the party.
14:21So that the people who are leaving me right now see that nothing happens.
14:26And I'm sure that after that night, everything will return to normal.
14:32At least you also doubt me.
14:37No, no, I have no doubt about you.
14:41But what happened to my niece, that fatal accident where she burned her throat and the subsequent shooting.
14:48Understand that your place right now does not generate the best feelings for me so that I can access what you ask of me.
14:57I understand perfectly, Mr. Fermin.
14:59And I'm very sorry about what happened to my niece, really.
15:04When I began to suspect that Cesar was not to be trusted, I tried to investigate him.
15:10But I'm afraid I didn't have time.
15:12No, it's not his fault, because I didn't do things the way I should either.
15:19May I use your phone?
15:23Well, thank God Pietro came in, because if not, I swear I would have kicked him to the bottom.
15:29Trini, I don't know how you came in like that, like crazy, starting with the end.
15:34Well, you had insisted so much that in the end all I wanted was, I don't know, to get this off me as soon as possible.
15:41And what happened?
15:43Well, nothing, I had to take the leg out of where I had put it.
15:46And luckily I came up with my mother's problem with her knees.
15:51Well, Trini, now you don't have to leave the modern one.
15:55And you can also tell her that you are married to Miguel, in a liberation after so many years.
15:59I wish it were that easy.
16:01It is that after this, when Pietro left, Don Fermín began to say what he expects from his employees,
16:07that he needs us to go head-on and not to hide anything from him.
16:12Very reasonable, because in the end the devil carries the secrets and they turn against one.
16:17Well, that's what I'm telling you. You know how many years it's been since we've been lying to him.
16:21So, I don't know, imagine what he'll think if I tell him that on top of being married, I'm also pregnant.
16:28Don't worry, he'll think they're things of the past and that I've done it on purpose.
16:33I don't know, I don't see it, of course, the truth.
16:35Because neither Antonia nor Pietro have ever lied to him.
16:37And you always say that Don Fermín is a very fair man, for good and bad.
16:42So I'm sure he's going to fire me when he finds out that I've been laughing in his face.
16:47And imagine if he talks to Don Salvador and Miguel also finds out about all this.
16:53No, no, no, no, at this precise moment it is not convenient for me to have more problems with Don Salvador than I have with his son.
17:01He hasn't told you about Elías? No.
17:03Well, Don Salvador has asked me to get him involved and to instruct him about the business.
17:07And you know what that means.
17:10As soon as you show him everything, he kicks you.
17:13After kicking me for this bookshop.
17:18Well, look at it from the side.
17:19Well, Miguel, now that you're an expert in straps and corsets, it won't be hard for you to put them on your waist.
17:24Both the son and the father.
17:32No, Miguel, we'll figure something out.
17:34If in the end you are experts and get out of your own mess.
17:37Well, if you already know that we are very good at spoiling things.
17:41The truth is that you are wonderful at getting into trouble.
17:49I repeat, Alfonso, I am indebted to you. A hug.
17:56It was Alfonso Centeno, my long-time supplier.
18:00He tells me that there will be no problem to supply him with everything he needs for his party.
18:07I have no words to thank him for everything he is doing for me.
18:10And I need them.
18:12When Matilde Garcés' brother was arrested for the murder of Mr. Jaime Morcuende,
18:17the press was completely ruthless with him and his family.
18:21Just like they are doing now with you.
18:23And I also remember that at that time Matilde worked with us at La Moderna
18:27and many customers refused to be served by her.
18:30It was very unpleasant and very unfair.
18:33And you also know how it all ended.
18:35Proving that Pablo was innocent, like me.
18:37That's right.
18:39Anyway, if I can help you in something else.
18:42Well, you'll see.
18:45I know that the party is going to be a success,
18:47but for it to be a success, I need the public to know.
18:51Explain yourself, please.
18:53Well, look, I mean that right now I don't get along very well with the press.
18:57They prefer to have me as a suspect of murder
19:00to accept my money to publish an ad.
19:03Yeah, but I don't know if I can help you in that matter.
19:08However, do you know Celia?
19:11The partner of my niece Laurita.
19:13I think she could help you promote the party.
19:16Well, I assure you that I will pay a good sum of money.
19:18Well, great, because they are about to open their business.
19:20Tell her that she is on my side.
19:23I will do so.
19:27I just wanted to congratulate you for your work.
19:29You have pleasantly surprised me, Medina.
19:31It is possible that my daughter did not value you as she deserved.
19:36No, not for now, I will not need your help.
19:39It is time for the police to do their job
19:42and stop Íñigo Peñalverde once and for all.
19:48Okay, I'll call you back in a few days.
19:54How are you today, dear?
19:57If it weren't for you, I would never get tired of repeating it.
20:01I would not be able to get out of bed.
20:04I will not get tired of repeating it either.
20:06I am here for what you need because you are my motivation to get up.
20:12But taking care of you also has its demands.
20:14Today we have to work.
20:16I was doing my homework.
20:19What is it about?
20:20About the case of the hotels in Bilbao and Barcelona?
20:23That was a priority for my daughter.
20:25Okay, but she will have to wait for that.
20:27First we have to take care of something much more urgent.
20:31More urgent?
20:32Indeed, the rental contracts that the company has in several buildings in Seville
20:36are about to expire
20:38and it is necessary to study the renovation conditions.
20:43No, it is a management that we cannot delay.
20:46Well, if you say so, it is because it will be so.
20:50But I find myself unable to deal with all that.
20:53My daughter had a very good hand in business.
20:57A talent that she did not inherit from me.
20:59I am over it, Fabio.
21:01Well, I will review that documentation.
21:04Did you take it from the office as I asked you?
21:06Yes, yes.
21:13I think it's this one.
21:18Yes, this is it.
21:20Very well, I leave it in your hands.
21:22But when you finish with the contracts in Seville,
21:24don't forget about the hotels in Bilbao and Barcelona.
21:27My daughter had decided to build them in El Solar.
21:30Do you know where they demolished the galleries?
21:32But there was a municipal license that prevented it.
21:36Carla was very concerned about that matter.
21:39Well, I will talk to the lawyers and I will be aware.
21:42But if that is the obstacle, I am afraid that little can be done.
21:45I accept to change it.
21:47Do you think it would be possible?
21:50Can you talk to someone from the administration?
21:52Someone who owes you a favor?
21:54What they ask me is not easy, Barbara.
21:57But well, I have promised you that you can count on me for whatever you need.
22:01For whatever it is.
22:03And I'm not going to say no.
22:05Fabio.
22:08That's what I expected to hear from you.
22:13But I've never dared to ask you.
22:15What?
22:17That if I could take care of you,
22:19the reins of my life.
22:21Or of ours.
22:28El Solar
22:46Is something wrong with the glasses, Esperanza?
22:48I just cleaned them.
22:50They are clean, huh?
22:52They could even be mirrors.
22:54Vinegar doesn't smell here.
22:56That's why they are not as shiny as they should be.
22:59Have you already forgotten the commandments?
23:01No, no, Esperanza, God forbid, no, no.
23:03I already knew that I forgot something, the vinegar.
23:05Look, I have cleaned them with soap and water, and consciously.
23:08But the vinegar ...
23:10But that would do any half-haired cleaner.
23:12But we are not like that, right?
23:15Right?
23:16No, no, no.
23:17Ah, well, that.
23:18Let's see, what commandment are you fed up with?
23:21The sixth?
23:23No, no, the fourth.
23:25The fifth.
23:28To leave the glasses impure?
23:30Vinegar is used from ancient times.
23:32If I had it on the tip of my tongue.
23:35The thing is that ...
23:37When I was going for the vinegar,
23:39something else got into my head.
23:41More important than the vinegar?
23:43Let's see how I explain it to you so that you understand me, Esperanza.
23:47It is that when Antonia and Pietro meet on the altar,
23:50the most normal thing is that they go to live together.
23:53Well, of course.
23:55Naturally.
23:56The married man wants a house.
23:58Oh, Marta.
24:01Antonia considers you like a daughter.
24:03She will surely take you to live with them.
24:05Why don't you ask her?
24:06No, no, no, no, no.
24:07I wouldn't ask her or allow her.
24:09No.
24:10What I was thinking when I forgot the commandment is that ...
24:13Maybe it's time for me to go on my own.
24:17And are you afraid?
24:18Not afraid, Esperanza.
24:20But I don't know.
24:21I don't know.
24:22It's different.
24:23Look, if it's a comfort to you,
24:25I've been living alone for many years.
24:27Look.
24:28And you know what?
24:29I didn't have to explain it to anyone.
24:32Sometimes, when it's very hot,
24:34I even walk naked alone around the house.
24:37And so wide.
24:39Naked.
24:40Oh?
24:42In a ball?
24:45I didn't care if I was lieutenant or general.
24:47What I can't do is enter like an elephant into a butchery
24:50and accuse Inés of being an accomplice of César
24:52to leave impunity.
24:54It's absurd.
24:55If that were true, you wouldn't have given her the letter.
24:58That's what I think.
24:59But it seemed that all he wanted was to make her feel bad.
25:01And he got it.
25:02He even threatened her.
25:04He threatened her, you say?
25:05That's intolerable.
25:07Yes.
25:08I already told him that next time we would make a formal complaint.
25:10You did well.
25:11And if he shows up again,
25:12let me know and I'll go right away.
25:14I will not allow anyone to harass you.
25:16No one.
25:17And Inés, how is she?
25:18Well, bad.
25:19She doesn't quite get it.
25:20If it's not for one thing, it's for another.
25:22And the last thing I needed was the visit of the lieutenant.
25:27Hey, Laura, how did you say his name was?
25:29Lieutenant Lorenzo.
25:31He was an arrogant and insensitive man.
25:34I see.
25:35Well, look, no matter how much César has done what he has done,
25:38Inés is not to blame for anything.
25:40No.
25:41Instead, he treated her as if she were an accomplice
25:43or as if she were hiding something.
25:45It was horrible.
25:46Fortunately, Inés no longer has a relationship with him.
25:48Right now, César Morel is a matter of the police, not ours.
25:51We have to take care only of Inés' well-being.
25:54Okay?
25:55You're right.
25:57In addition, we have come to talk about the store and its current situation.
26:00So, if you don't mind, let's sit down.
26:02Yes, yes, sure.
26:03Let's start.
26:04Well, tell me all the news.
26:07Decide.
26:10Don't be ashamed, Miguel.
26:11Just ask and with reason.
26:13Why, having more bookstores in the city,
26:16have I decided that my son should start his career
26:19precisely in this, our dear Goleta?
26:22Well, the truth is that yes.
26:24Although, you know, Don Salvador,
26:26that any decision you make, I will accept it with great pleasure.
26:30Even so, I owe you an explanation.
26:32And that explanation that I owe you, I'm going to give it to you.
26:36My son Salvita not only needs to learn a trade.
26:40He needs to learn about the life of a man made and right like you.
26:44But wasn't he studying to be a lawyer?
26:47Study?
26:48That's a lot to assume.
26:51Since he has not passed even a miserable degree.
26:54And do you know why?
26:56Because when he is not doing the lazy, he is gambling with the tuna,
27:00which is the same thing.
27:03And when would you like to start?
27:05I have already started.
27:07Officially, I leave it in your hands.
27:10All yours.
27:14Miguel.
27:18Forget that he is my son.
27:20Do everything you can to put him in truth.
27:24And you, Salvita,
27:26from now on,
27:28Miguel is your mentor.
27:30Treat him with due respect.
27:34We are?
27:44No.
27:49Hey, Salvita.
27:50I can call you Salvita.
27:52I think your father has exaggerated a little about my abilities.
27:56The truth is that I do not see myself as his mentor.
27:58Relax, Miguel.
27:59And don't talk to me about you, please, I'm only 20 years old.
28:02If you think it's okay, we'll talk.
28:06Hey, do you want to know why I'm here?
28:09Because actually, my father does not trust you at all.
28:13He has asked me to watch you.
28:17You had to see your face.
28:19Let's see, the only thing we have to do is to agree.
28:22I don't bother you and you don't bother me.
28:26Is there a sofa in another store?
28:28Why?
28:30Because this morning I had to get up early
28:32and that can't be healthy.
28:34I need to get a head start before I start.
28:38Excuse me, boss.
28:42I'm sure we're going to get along very well.
28:55We were already talking about the bullfighter Diego Fortuna
28:57and the photos he asked us for.
28:58I had the opportunity to see him in the Plaza de las Ventas
29:00accompanied by Doña Lázara.
29:03Yes, go on, go on.
29:06Yes, we have also done a job for a French actress
29:09who is shooting a movie here in Spain.
29:11Well, that means that the studio is ready.
29:13Yes, yes, yes.
29:14What happens is that since the two of them were in such a hurry to take the photos,
29:17I had to settle for clothes and fabrics.
29:20But hey, the important thing is that it was our first official income.
29:24Perfect. What about the office, Laurita?
29:26We are finalizing the details of the other store,
29:28but this week it will be ready.
29:31And well, that's all.
29:34Actually, no.
29:35I wanted to tell you something.
29:38I have been offered to work as a co-sponsor
29:40in an international press agency.
29:42Oh, really?
29:43But when did this happen? You hadn't told me anything.
29:46Just before coming in.
29:47But they were so worried about Inés that I didn't want to bother them.
29:51It would give me prestige as a photographer
29:53and access to the press, which is never bad for us.
29:56So we have to think about how to make the most of all this for our business.
30:00Well, my most sincere congratulations, Miss Celia.
30:04So we count on opening the store next week.
30:09Yes, that's right.
30:11Another thing, another thing.
30:13You owe this to Miss Celia
30:15and your relationship and access to the press.
30:21A good friend needs our help.
30:30And it's been a week since I asked the employees
30:33to be more incisive in offering the most expensive products.
30:36So soon we're going to have to balance.
30:38Mrs. Alacera, before I...
30:39I know what you're going to tell me, Cañete.
30:41That a week is not enough time, but I'm sorry, I don't agree.
30:45No, what I wanted to tell you...
30:46Please.
30:47If you don't let me talk, we'll never finish.
30:50Why don't you just listen, like Teresa does?
30:53Thank you.
30:54In short, what I expect from you, Teresa,
30:57is that you are very attentive to the accounts.
31:00The same for you.
31:01But I also want you to keep an eye on your waiters.
31:04I don't want you to lower your guard.
31:06The equation is very simple.
31:08More expensive products equal more benefits.
31:11Yes?
31:13I'm done.
31:14Now you can tell me all the ideas that come to mind.
31:19Surprise me.
31:20Mr. Fermin is waiting for you in his office.
31:22He's been looking for you, but since he couldn't find you,
31:24he asked me to send you the message.
31:26That's what I wanted to tell you.
31:28Why didn't you tell me before?
31:30He didn't let me.
31:34Was it urgent?
31:35He told me he wanted to see you immediately.
31:46Why didn't you tell me before?
31:49I know we have a conversation.
31:52But this time we'll finish it.
31:55When I asked you if your intention was to leave La Moderna,
31:59you made me go through the forum.
32:02Have you already made a decision?
32:06If I tell you the truth, it would be very painful for me if you left.
32:10No, don't worry, I'm not leaving.
32:12At least until he discovers
32:14what Mrs. Lázara intends to do against Mr. Fermin.
32:17Against Mr. Fermin?
32:18What do you mean?
32:20Well, look, I don't know exactly.
32:22But I think I can guess where the shots are going.
32:25And sooner or later, this woman will lose her face
32:28and Mr. Fermin will need someone by his side to help him open his eyes.
32:33So you're just staying for that?
32:37Well, if I left, it would be like leaving Mr. Fermin.
32:42Well, in any case, I'm glad you've decided to stay.
32:45And if what you say is true,
32:47if Mrs. Lázara is trying to hurt Mr. Fermin,
32:49you can count on me to avoid it.
32:52Thank you, Lore.
32:54I'll be back.
33:05Let's see, Carlos I of Spain and V of Germany
33:08was buried in the monastery of Juste in 1588.
33:12Matilde, what if I tell you I don't care where he was buried?
33:16Why do I have to learn that?
33:18Matilde, who cares?
33:20Clarita, one thing is that you don't go to school
33:22and another thing is that you don't do your homework,
33:24that for some reason I went to pick them up.
33:26Besides, it's not about...
33:27It's almost time for you to take me to my friend Susana's house.
33:30Will you take me?
33:34Now we talk, huh? Look at me.
33:36Now we talk.
33:39Phew.
33:45Hi.
33:46Matilde, well, I'm sorry I came without telling you,
33:49but I wanted to give you a surprise
33:51and I wanted to see Clarita.
33:53Of course, come in, Marta.
34:00Marta.
34:02Thank you very much for saving me from Carlos V of Spain,
34:06or first... I don't know.
34:08I don't know what you're talking about, but I'm glad.
34:11Well, I wanted to give you a surprise,
34:13but if you're doing your homework, I'd better go.
34:15I don't want to bother you.
34:17No, no.
34:19Besides, we were done.
34:21And Matilde was about to take me to my friend's house.
34:23Right, Matilde?
34:25Well, look where you're going,
34:26because the next surprise I was going to give
34:28was going to Inés' house.
34:29So if you want, I can go with you.
34:31What do you say, Matilde?
34:32Well, what do you want me to tell you?
34:34I'm going to get my things and we're leaving.
34:36No, no, no, no.
34:37You're doing your homework.
34:39If you don't do it here, you'll do it there.
34:41And think about talking to Susana's mother, don't you think?
34:43No way, Matilde.
34:45If I'm going to my friend's house, it's to play.
34:47I've been locked up here all day,
34:49just like yesterday and the day before yesterday.
34:51I can't do it anymore.
34:55Okay.
35:05What?
35:07Rubbing the bottle to see if the genius comes out?
35:09Let me see.
35:11It's the same as the one they stole, isn't it?
35:13Indeed, Mrs. Lázara.
35:15I imagine you have heard that our hope,
35:17emulating the great detectives,
35:19has solved the mystery.
35:21But hey, the most important thing,
35:23that it has cleared the name of the genius
35:25and that it has saved the world.
35:27Well, I don't know.
35:29I don't know.
35:31I don't know.
35:33The most important thing is that it has cleared the name of Marta.
35:35Because we have to see the poor girl.
35:37She was the only one suspicious.
35:39Nothing about the poor girl. She must have done something.
35:41Well, if I didn't know,
35:43and although my modesty doesn't allow me to claim it,
35:45I also participated in the resolution of the mystery.
35:47I see.
35:49Elias, do you really think I'm interested in the bottle,
35:51Esperanza, or what you did or stopped doing?
35:55Mrs. Lázara,
35:57taking advantage of the moment,
35:59and now that we are alone,
36:01do you remember what you promised me?
36:03Mine, my promotion.
36:05Do you remember?
36:07He said that we would have to wait
36:09for the squad to get used to their new position as manager,
36:11and, well, just tell him that that's it.
36:13That I have spoken to them
36:15and that, well, I am the spokesman for everyone
36:17and that we are already adapted.
36:19Mrs. Lázara?
36:21Mrs. Lázara?
36:23Yes, sorry.
36:25Yes, yes, it's true, I don't deny what I said.
36:27But it turns out that now
36:29I am the one who has not yet taken on the new position.
36:31Ah.
36:33Also, what would you think if you knew
36:35the degree of trust that you and I have?
36:37Ah.
36:39Think about what could happen.
36:41Well, clearly I would be the number two of the waiters
36:43behind Cañete, because this would make me
36:45the fourth in the modern scalf,
36:47tea room. We don't count Don Fermín
36:49because he is the owner, but you would be in first place.
36:51Then Mrs. Teresa,
36:53then Cañete, and in that fourth place,
36:55me, a waiter.
36:57Something that not everyone
36:59would understand.
37:01Listen to me.
37:03Jealousy.
37:05Jealousy is very dangerous, Elias.
37:07Ah.
37:09Now I understand. You have to be prudent.
37:11And you don't have to get up early.
37:13You have to see how cunning you are.
37:15This explains
37:17how far you have come.
37:19Mrs. Lázara.
37:23Mrs. Lázara, I know that Cañete
37:25has told you that he wanted to talk to you.
37:27Why didn't you come to my office?
37:29Excuse me, Don Fermín.
37:31It was my intention, but
37:33Elias has detained me.
37:35What? Who, me? Detain who? When?
37:37Well, you were telling me
37:39about the robbery of the bottle of cognac
37:41and how Esperanza solved the mystery, right?
37:43Ah, that's true. Don Fermín,
37:45and in case you didn't know, I also participated
37:47in solving the mystery.
37:49The key was in the oil stains.
37:51Leave us alone, Elías.
37:53If you don't mind. Of course.
37:55Yes, excuse me.
38:01Why does he say he's been locked up all day?
38:03He doesn't go to school.
38:05He argued with some colleagues
38:07and they got involved
38:09with her and I decided to cut him off.
38:11Because of the subject of Íñigo
38:13and the atrocities they say about him, right?
38:15Yes.
38:17The same thing happened to him when they arrested Pablo.
38:19Do you remember?
38:21It was today.
38:23He was accused of the murder of Jarme Morkwende.
38:25He was crucified.
38:27Imagine the hell you lived.
38:29I don't want him to live something like that again.
38:33You did well getting her out of school.
38:35Well, I don't know, Marta.
38:37Because I don't know how to deal with her.
38:39She doesn't want to do her homework
38:41and she's always taking the opposite.
38:43I think that if she's having a bad time,
38:45the most normal thing is
38:47that she pays it off with whoever she wants.
38:49And you're a mother to her.
38:51It's normal.
38:53Yeah, but...
38:55I was used to being her sister,
38:57her ally.
38:59Now it's your turn to be bad.
39:01Patience, Matilde.
39:03Really.
39:05The waters will return to their course.
39:07Trust.
39:09Besides, even if we don't remember now,
39:11I'm sure that when we were her age,
39:13we were just as responsible.
39:15Am I talking too much?
39:17No.
39:19On the contrary.
39:21Your visit did me a lot of good.
39:23I'm glad.
39:25How are you handling Ñigo?
39:31Well...
39:33I have no choice but...
39:35To trust and support him.
39:37I'm sure you're doing a good job.
39:39Yes, I'm trying.
39:41I'm sure you are.
39:43Besides, the button test
39:45next to Carla's body is absurd.
39:47You shouldn't be ashamed
39:49to think about that nonsense.
39:53I'm really sorry.
39:55And I repeat, it wasn't my intention.
39:57One thing leads to another
39:59and you know I have a lot of responsibilities.
40:01Well, one of them,
40:03perhaps the most important,
40:05is to come if...
40:07If I need your presence.
40:09Don't you think?
40:15Mrs. Lázara,
40:17yesterday you...
40:19I wasn't able to control my tongue,
40:21Mr. Fermín.
40:23And again, I apologize
40:25for...
40:27For my boldness,
40:29moreover, for my irresponsibility
40:31when crossing a line
40:33that I shouldn't have.
40:35And I promise it won't happen again.
40:37Since when?
40:41Since when do I feel attracted to you?
40:45Since...
40:49Since the beginning.
40:53But well, my...
40:55My sense of honor,
40:57respect and professionalism
40:59have helped me to keep my feelings
41:01at bay and make sure you
41:03didn't find out anything.
41:05No, I didn't.
41:07I assure you, I didn't.
41:09However, I wanted to keep
41:11our distance, Mr. Fermín,
41:13because you insist on
41:15approaching us more and more.
41:17First you appoint me manager,
41:19then you appoint me manager,
41:21and I...
41:23Would you rather I didn't do it?
41:25That I didn't recognize your worth?
41:27No, I'd rather not be close to you,
41:29do you understand?
41:31Mrs. Lázara,
41:33I'd like to tell you
41:35that I...
41:37Please, Mr. Fermín,
41:39don't try to be kind to me
41:41and please forget that this happened.
41:43And now, if you don't care
41:45and if what you have to tell me
41:47isn't very urgent,
41:49we'll leave it for another time, okay?
41:51Thank you.
42:11Hello.
42:19Hello.
42:21Hello.
42:23What are you doing here?
42:25We agreed you'd leave everything in the back.
42:27That was before.
42:29Before Don Salvador's son
42:31took a nap there.
42:33I had to tell him it was my mother
42:35and her friends.
42:37What are you wearing?
42:39I'm wearing a suit.
42:41I hope he believed it
42:43and didn't tell Don Salvador.
42:45What a piece, Salvita.
42:47And his father wants him to turn him into me,
42:49as if I were me.
42:51And I'll tell you something,
42:53the boy is cool.
42:55I'd even like him,
42:57if it weren't for...
42:59Do you realize the dilemma
43:01I'm in?
43:03If I turn him into a useful person,
43:05I'll lose my job, and if I don't...
43:07Do you realize how important this is?
43:09Yes, you're right.
43:11Can you help me tighten my corset?
43:13This model will be a success.
43:15Let's see.
43:19Hold on tight
43:21and hold your breath.
43:23Trini!
43:25What are you doing?
43:27Don't you realize how important
43:29the stripes aren't?
43:31Even if that rule doesn't exist anymore,
43:33our problem hasn't been solved yet.
43:35But I still don't get it.
43:37If it's no longer forbidden
43:39to be married in La Moderna,
43:41what's our problem now?
43:43That we're a couple of swindlers.
43:45And if Don Fermín finds out
43:47I've been laughing at his face
43:49all this time, he'll fire me.
43:51So we can't risk it.
43:53Of course.
43:55And it's possible he'd tell Don Salvador
43:57because he's a friend of his.
43:59And then he'd know I'm a swindler.
44:01What's the plan?
44:03In the worst case,
44:05the products are sold very well.
44:09Why do you speak like that?
44:11Because I can't breathe.
44:13Can you loosen my corset, please?
44:15You know what?
44:17I'll leave you like this for a while.
44:19Trini, I can't reach it.
44:25Come in.
44:27I'm sorry to bother you,
44:29but I was passing by and wanted to see you.
44:31You never bother me.
44:33I love seeing you, Marta.
44:35How do you feel?
44:37Well...
44:39Bored.
44:41Bored of myself,
44:43to be honest.
44:45So, please,
44:47you speak
44:49so my vocal cords can rest a bit.
44:53How's everything going?
44:55Good, good.
44:57I can't complain.
44:59I'm happy with my job at La Moderna
45:01because Antonia and Pietro
45:03will be able to get married
45:05without losing their jobs.
45:07But I'm a bit sad
45:09because I won't be able
45:11to live with Antonia anymore.
45:13I don't know them very well,
45:15but I don't think they care
45:17that you continue with them.
45:19No, but I do.
45:21I do because they deserve
45:23to live their own lives.
45:25Besides, I have a fixed salary
45:27I'm sure he's moved to Antonia's house
45:29and if Pietro's house is empty,
45:31you could rent it to him, right?
45:35Knowing them as I don't know them,
45:37they wouldn't have accepted my money.
45:39I'd rather not put them on that price.
45:45Hey, Neste, is something going on?
45:49It's just that...
45:51they just gave me an appointment
45:53to visit a throat specialist
45:55and I didn't even ask for it.
45:57It was my uncle, I'm sure.
45:59Why do you like that?
46:01Because I wanted to wait
46:03for the inflammation to go down
46:05to do the tests.
46:07My uncle didn't even ask for it.
46:09I'm sure he did it for your own good.
46:11So you can recover as soon as possible
46:13and you can sing again,
46:15which is what we all want.
46:17Yes, me too, Marta.
46:19It's not what I want,
46:21but I'm not ready for that appointment.
46:23Oh, no.
46:25The important thing is that they see you as soon as possible.
46:33Do you want to go for a walk?
46:35No.
46:37Really?
46:39No, it's just that I don't feel like it.
46:41Thank you for coming, Marta.
46:43But...
46:45I'm tired and...
46:47And you want me to go?
46:49I understand.
46:51Okay.
46:55Very good, Ñigo.
46:57Yes, I'm glad
46:59the supplier's problem has been solved,
47:01thanks to Mr. Fermín.
47:03Yes, of course, whenever you want.
47:05Yes.
47:07Yes, I'm celebrating his departure.
47:09Come on, a kiss.
47:11Goodbye.
47:21Goodbye.
47:29Is this your jacket?
47:33Of course it's mine.
47:35Well, there's a button missing here.
47:37Can you see it?
47:41I'm sorry to tell you that the button
47:43I found in the river is exactly the same
47:45as the others in the jacket.
47:47I think you're going to have to give me
47:49many explanations.
47:53Where are you going to stop?
47:55Well, the button you found
47:57in the river is the most common
47:59button model in all of Spain.
48:01Practically half of the jackets
48:03of Caballero de Madrid use that button.
48:05Among them,
48:07the ones of many police officers, by the way.
48:13Inspector, that button
48:15could be anyone's.
48:19Let's go.
48:21Let's go.
48:47Fabio just called me.
48:49The matter of the tenants of Seville
48:51is already underway.
48:53Wow, it seems that his lover
48:55is taking it very seriously.
48:57The proof that what is planted
48:59is always picked up.
49:01Yes, I have it in my hands.
49:03And he's willing to do anything for me
49:05and for himself too.
49:07But that's not the only good news I have for you.
49:09Oh, no? I'm going to leave here.
49:11Tomorrow you will have a passport
49:13with your new identity.
49:15You just have to tell me
49:17and I'll book the hotel for you.
49:19What are you talking about, mother?
49:21That you leave this room.
49:23You yourself have told me that you can't take it anymore.
49:25I think he has also forgotten
49:27something else I have told him.
49:29It's just that I haven't been clear enough.
49:31I'm not going to leave here.
49:33Not until Íñigo and Matilde
49:35receive their punishment.
49:37But daughter...
49:39Nothing or no one is going to make me change my mind.
49:41I want to see them dead, mother.
49:43Do you understand? Dead.
49:48After he made me know
49:50what he made me know.
49:53What you say you feel for me.
49:55I don't know how to behave with you.
49:57Oh, Antonio.
49:59From your relationship with Pietro,
50:01to be preparing the wedding
50:03for the race.
50:05That's it?
50:07That's what, Trin,
50:09that you have been silent.
50:11Here you can see that painting is needed.
50:13Yes, yes, you are right.
50:15Again, yes.
50:17It needs...
50:20Vera, tomorrow I want to reopen
50:22Madrid-Cabaret.
50:24I need everyone to forget
50:26that happy incident and see Madrid-Cabaret as it is.
50:28A safe place where everyone
50:30can have a good time.
50:31At least he didn't want to overwhelm me.
50:33Well, overwhelm that woman.
50:34Because, come on, with the age you have,
50:36you don't go home anymore and you still don't have the godparents.
50:38No, he does have godparents.
50:40Giancarlo.
50:42What is missing is the godmother.
50:44I also have that.
50:46It's going to be you, Esperanza.
50:48Can I know where you come from?
50:50From a party until many with my friends from the tuna.
50:52Ah, very good.
50:54So you come to work without sleeping.
50:56And without breakfast.
50:58If you excuse me.
51:00Quiet there.
51:02Your father doesn't go to that room.
51:04Where are you going to live?
51:06Well, we only have pending yet.
51:08Because my house is small and Pietro's is even smaller.
51:10So, well, we'll see.
51:12I haven't seen anything because I've seen how they looked at each other.
51:14And a godmother can't lie to her girlfriend.
51:16The Marseille clan was looking for me.
51:18I didn't want to leave without telling you that I love you.
51:20Go.
51:22Don't leave me.
51:24Goodbye.
51:28Have you hurt yourself, miss?
51:30Can you know who left all these books here?
51:32I almost killed myself.
51:34Why should we lie?
51:36Because it's what we've been doing for months.
51:38Well, with this plan, we shouldn't lie.
51:40Well, what I'm saying is that we should ask one thing or another.
51:44But, well, not later.
51:46Because we're going to start my plan.
51:48The Cupid plan.
51:50Let's see, this can't get out of here.
51:52Because Miguel is very discreet.
51:54But apart from being a bookseller, he's a salesman.
51:56Well, I'd say he's a representative.
51:58He has a prestigious brand
52:00of strips called La Fajete.
52:02Mr. Fermin.
52:04Excuse me.
52:06I saw you this morning with Mrs. Lázara.
52:08Do you have something to tell me about it?
52:10Teresa, I consider that what I
52:12give away or stop giving away
52:14with Mrs. Lázara is a personal matter
52:16that I don't have to share with you.
52:18Have you thought who could be your godmother?
52:20Oh, yes, yes, yes. I've already told Peraza.
52:22It's a joke, right?
52:24It's your Spanish humor that I still don't understand.
52:28No, it's not a joke.
52:30I told her. You don't know how excited I am.
52:34How is it not a joke?
52:36Do you feel something? Do you feel absorbed?
52:38No, no. It's nothing.
52:40What do you mean, it's nothing?
52:42You look worried.
52:44I'm telling you, it's nothing.
52:46You're not following the plan. Rehabilitate, change attitude.
52:48There's nothing to rehabilitate, mother.
52:50I'm not going to leave here
52:52until I've executed all my revenge.