Salón de té La Moderna - Ep 197
Salón de té La Moderna - Ep 197
Transcript
00:00THE NIGHT I HATE THE BIS
00:13What a gorgeous sleep!
00:15Looks like you've slept in your new bed.
00:17That's right.
00:18No wonder the girls were always so pretty.
00:21They're comfortable so loose!
00:23True.
00:25And getting to meet them so close.
00:27You didn't have to go down the stairs at night.
00:29They have so many windows, it's like we're in a skyscraper hotel.
00:33We won't get used to it. This is only as long as the construction lasts.
00:37Well, but you tell the workers not to be in such a hurry.
00:41We have to tell the workers if we need anything from home so they can bring it to us.
00:46I don't think I've left anything.
00:48That's the good thing about not having a lot of things, you get everything in one hand.
00:52Thank you.
00:58And all these telegrams, Antonia?
01:00Do you think it's all this mail?
01:02They're from my family. They tell me which train they're going to get on,
01:06or which hotel they're staying in.
01:12The illusion you're going to give them is to find them.
01:14Oh, well, yes. I'm a little nervous, it's been a long time since I've seen them.
01:19Do they all come here?
01:20Well, I don't know if all of them, because there are some who haven't answered me.
01:24The ones from people who are going to be at the wedding, Antonia.
01:27Relatives, all the staff from La Moderna.
01:30Well, not all of them. I haven't invited Mrs. Alacrán, and Teresa either.
01:35You haven't invited Teresa?
01:37No, no. It's not that we have anything against her, neither Pietro nor I, but...
01:41we agreed that they were going to be the closest, and she's not.
01:46Good morning.
01:47Good morning. What are you doing here? Shouldn't you be at the workshop?
01:50I don't have good news.
01:53What happened, Pietro?
01:54It's about the snack, Antonia.
01:56The one we booked a few days ago?
01:58Yes. It seems they didn't take a good note of the date.
02:01But... but I saw perfectly how you wrote it down.
02:04I know, I know.
02:05It's just that this morning I went around to confirm a matter of the cake,
02:10of how they would come to pick it up, and...
02:14it turns out they didn't notice it.
02:17Well, that's a relief that they noticed in time, Pietro.
02:20No, Marta.
02:21The problem is that the snack shop is always busy on the day of the wedding.
02:26There's no room for us.
02:28But then where are we going to celebrate the wedding?
02:30I don't know, Antonia. I don't know.
02:31We have to find another place.
02:33And make it not so expensive, because we can't pay for a banquet hall.
02:38Where are we going to find a place now, three days before we get married?
02:41It's just that I'm more and more aware that we haven't been looked at,
02:45but we've been looked at and re-looked at.
02:50Well, and here's your tila, Miguel.
02:53Double, as you asked.
02:55Now, if it's not an indiscretion...
02:58Elia, if I had to forgive you for all your indiscretions, it wouldn't be enough.
03:01Yeah, but you're always for coffees, you're not for tilas.
03:04And now you're asking me for doubles?
03:06Can you tell me what makes you so nervous?
03:08It's... it's the love I feel for Trini.
03:10I can't control my feelings.
03:13I'm so in love with Trini that...
03:15I even get tachycardia.
03:17Wow, I didn't know you were so passionate, Miguel.
03:20Sure, this must be so much time hidden in the priesthood,
03:24accumulating, accumulating, accumulating,
03:25and suddenly there's a day when, boom, boom, it explodes.
03:27I know, it does.
03:28It's great.
03:29It's great.
03:30And well, what do you tell me about Cañete?
03:32This virtue that he has as Celestino?
03:34Because you have to see that, look, Valverde, that your thing with Trini...
03:38You should have noticed, Elías,
03:40that my thing with Trini seems a bit sudden,
03:43but my feelings come from far away.
03:45Yeah? Well, I must have guessed something,
03:47but I haven't really noticed.
03:49I'm telling you, I haven't.
03:50And look, I have a good eye for these things.
03:52Very good, yes.
03:53Yes, yes.
03:54Well, thank goodness Cañete noticed and saw him coming.
03:56Let's see what a heart of gold.
03:58It's such an honor to have him as a friend.
04:01Hi.
04:05Mr. Ruiz.
04:06Elías.
04:07Mr. Peñal, can I help you with something?
04:10Yes, look, I was looking for Matilde.
04:12I don't know if you've seen her.
04:14No, I haven't seen Mrs. Peñal in all day.
04:17Are you sure?
04:18Why?
04:19She told me she was going to come here to work at La Moderna
04:21to finalize her last details of the project.
04:23Ah, well, she hasn't arrived yet.
04:25I can assure you of that.
04:28Well, I must have misunderstood.
04:31Well, since I'm here, I'd like to talk to Pietro
04:34to find out how many guests are going to be there
04:36for the celebration of his farewell in Madrid-Cabaret.
04:39Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
04:42I, as the head of the marriage link celebrations
04:46between Pietro and Antonia,
04:48am trained to solve the list of guests
04:50and to receive and give any information that is necessary.
05:01Ahem.
05:05Excuse me, Mr. Fermin.
05:07Hm?
05:08May I ask you what is it that interests you so much?
05:11Because since you arrived, you haven't turned a blind eye to the newspaper.
05:14Well, the news in general.
05:17It's just that everything that's happening is so exciting that...
05:22Do they say anything about the elections?
05:24It's just that this morning I came very quickly.
05:26I wanted to finish the accounts.
05:28I couldn't even read the headlines.
05:30Yes, yes, here it is.
05:32The results of the elections to constituent courts.
05:35Look.
05:38Let's see.
05:39It seems that there haven't been any big surprises.
05:46No, there haven't been any, no.
05:48Well, everyone says they've won.
05:51Or they feel that they've won.
05:54Well, these are things of politicians.
05:58In the end, everyone interprets it in their own way.
06:00In cases that no one will ever accept that they have lost.
06:03Yes, the important thing is that the people, with their votes, have spoken.
06:06Look, there is a 90% coincidence between the results of the elections
06:10and the provisional government that we had.
06:14And well, despite everything that is happening in the country,
06:18there is a certain excitement for the new times that are coming.
06:22Well, you never know when something that excites you is going to happen.
06:25Right?
06:28Good morning.
06:30If you'll excuse me.
06:39So?
06:41Can you tell me why you're here? Because I don't remember calling you.
06:46Yes.
06:48I wanted to talk about how the wedding of Pietro and Antonia affects the schedule.
06:53Because there are many employees who want to...
06:55I'll leave that to you, Teresa.
06:57I'm convinced that it's going to be the best solution for everyone.
07:01As you ordered.
07:03One moment.
07:05Well, since you're here, let's talk about more urgent issues.
07:09How is the refrigerator that I ordered for the inauguration of the gramophone store?
07:14There are only a few hours left and I wouldn't like them to be delayed because of us.
07:20Everything is on point. There won't be any delay.
07:22I hope so.
07:23Is there anything else you want to tell us?
07:26I don't know. The last time I talked to you I had the feeling that you wanted to tell us something, Mr. Fermin.
07:31What did you want to tell us, Teresa?
07:35Nothing, nothing. You can wait.
07:37I'm going to take care of the refrigerator for the inauguration.
07:40I don't want any problems.
07:42Very well.
07:43I'm going to take care of the refrigerator for the inauguration of the gramophone store.
07:51Look, Mrs. Lázara.
07:52There is also a review in the newspaper of the last premiere of the circus.
07:57Well, I've heard that this woman is a prodigy.
08:00Yes.
08:01And I was thinking of going to one of the performances these days.
08:05Really?
08:08And well, if you feel like it and want to accompany me...
08:14Really?
08:17Well, I would love to be able to see Margarita Circus and much more in your company.
08:21Well, then...
08:23But no...
08:25No, it won't be possible, Mr. Fermin.
08:28I have to reject the invitation. Excuse me.
08:30Wow.
08:32And that...
08:34Why?
08:35Well, for...
08:37For many reasons.
08:39You have to take care of La Moderna.
08:41The inauguration of your niece's store is taking place.
08:44And I have to remind you that you are Pietro's godfather.
08:47No, no, no, no.
08:48Well, I'm sure that if I get organized, I'll find a gap in the agenda.
08:52So...
08:53Yes, yes, Mrs. Lázara, I insist.
08:55If you want, the circus is waiting for us.
09:01Well, fine. I accept, but...
09:03But on one condition.
09:05I'll take care of the tickets.
09:07I don't want to waste any more time.
09:09Perfect. As you prefer.
09:25There it is. I can't believe it.
09:27I forgot one of the most important people.
09:30Yes, I'm nail and flesh.
09:32Mr. Fermin.
09:33What?
09:34Mr. Fermin.
09:35Besides being my boss, he's the godfather of the wedding.
09:38I forgot to tell him I was invited.
09:40Well, gentlemen.
09:41I'll leave you.
09:43Elías, please, if you see Matilde, tell her to call me.
09:46Yes, of course, I'll tell her.
09:47By the way, how is she?
09:49After what happened yesterday at the gallery...
09:53Fine.
09:54She's very well.
09:56Fine.
09:58Fine.
09:59No, it's just that I also know something about these things.
10:02Because my grandfather, Jeremías III...
10:04The whole town laughed at him.
10:06Everyone accused him of being crazy.
10:08Because whenever he crossed a bridge, he saw a ghost.
10:10A lady.
10:11Until it was proven to be true.
10:14Was it proven that there was a ghost?
10:16No, Miguel.
10:17It was proven that my grandfather was a little crazy.
10:20Good morning, gentlemen.
10:23Elías, how many things do you have to learn from Mr. Fermin to be quiet, for example?
10:34I don't know.
10:48Tomorrow my friends have organized a mass for you.
10:53For my soul?
10:54How kind.
10:57Since they have had the detail, I cannot miss it.
11:00I have to leave the house at six.
11:02And the service?
11:05I will order them to accompany me.
11:08And if there is time, I give them the afternoon off.
11:12Therefore,
11:13one hundred months in the house, empty for you.
11:21I will destroy you.
11:25This has only just begun.
11:33But good, Uncle Fermin.
11:37Thank you very much for all the soda you have prepared.
11:41The truth is that everything looks great.
11:44It is the luck of having the owner of La Moderna as a partner.
11:48So,
11:49let's toast
11:51for the new business, which we hope will give us a lot of joy.
11:55Well, it has already given us the first joy.
11:57It is a pleasure.
11:58By the way, Mr. Fermin, I am curious.
12:01What is your opinion on the result of the elections?
12:03Well...
12:04Yes, tell us, because I already know Celia's.
12:06Well, I'm very happy,
12:07because I think this result can bring us universal suffrage.
12:10It seems to me that you are going a little fast, Miss Celia.
12:14I have to tell you that I am very happy that the situation has calmed down.
12:18Many,
12:19some,
12:20some,
12:21some,
12:22some,
12:23some,
12:24some,
12:25some,
12:26some,
12:27some said that things were going to collapse.
12:30With the regime change,
12:32and it is not like this.
12:33I get what you said.
12:35You cannot have fear of change.
12:37That means turning our back against the future,
12:38and the future is already here.
12:40I am also here.
12:42Ines!
12:43You are here!
12:44Mum.
12:45I could not miss this.
12:46I love the party.
12:48I can see the dedication you have put in it.
12:50Well, our dedication,
12:51but also the help from Mr. Fermin,
12:53without him it would not have been possible.
12:55Wow, it looks like someone's self-invited.
13:01Congratulations, ladies.
13:03I'm sorry to contradict you, but I was invited.
13:06Your other partner made me arrive at an invitation.
13:10Thank you, Mr. Fermin.
13:11And now, if you'll allow me, I would like to toast with you
13:14for your new business, to which I wish you a great future.
13:18Thank you.
13:20I already apologized to you, but I don't mind apologizing
13:23as many times as necessary.
13:25I behaved...
13:26What I did was childish.
13:28Yes, it was.
13:29But don't think about it.
13:30It seems to me that the one who is behaving like a little girl
13:33is you.
13:34If you'll excuse me.
13:41Take the report.
13:43Don't pay too much attention to me.
13:45You already know that I speak from ignorance.
13:49But I have written down a couple of suggestions.
13:52They will seem ridiculous to you.
13:54You already know that my knowledge of finance is little,
13:56not to mention null.
13:58I'm sure all your suggestions will be very sensible.
14:01You master these subjects better and better.
14:04I have good professors.
14:06And from what I see, a great mind for finance.
14:09You just had to activate it.
14:11Well, you haven't told me anything about the elections yet.
14:16What do you think?
14:17Me?
14:18That we have to accept the democratic game
14:21and therefore the result, whatever it is.
14:24I trust that this will help to achieve stability
14:27and prosperity for our country.
14:30You seem very optimistic, Fabio.
14:32Although I don't know if so much as to consider going back to politics.
14:36No, no, no.
14:37I am clear that no.
14:40Although, going back to diplomacy...
14:43Look, there I already have my doubts.
14:47And why do you tell me that?
14:49I haven't had time to tell you,
14:51but they have contacted me to test me with a diplomatic position.
14:57And the destination is tempting.
14:59London.
15:01And are you going to think about the proposal?
15:05Well, from the smile I see on your lips, I see that you have already done it.
15:10And once again, dear Barbara, you are right.
15:13Yes, yes, I have thought about it.
15:15London is a destination that I have always aspired to, you know.
15:18Imagine it.
15:19London.
15:34You have to be optimistic, Inés.
15:35Everything will be fine.
15:36But being optimistic would be a way to deceive myself.
15:39No, no, no.
15:40It's not that.
15:41I was consulting with an expert and he has confirmed to me
15:43that with discipline and sacrifice, yes, miracles can be achieved.
15:47Well, then I see it complicated.
15:49Because I understand singing, but I don't know how to pray.
15:52Don't worry, Inés.
15:53There are solutions.
15:54I thought my brother's optimism was inexhaustible,
15:57but his is not short.
16:00If you excuse me, I'm going to get a drink.
16:05You have a special power.
16:07I get that talking to my brother makes me feel good.
16:10So you get the opposite effect.
16:13Because it's seeing me that makes you angry.
16:16Before, when I saw her,
16:17I thought she was going to throw the glass in my face.
16:20Don't think about it.
16:21I've thought about it.
16:22But then I thought it might be better to kick her ass.
16:25Laura, your glass.
16:27Thank you.
16:30Gentlemen, I beg you for a moment of silence.
16:34First of all, thank you for attending the inauguration
16:37of this new gallery store.
16:40I said store.
16:41In singular, I would still have to have used the plural.
16:44Because it will not only be a gramophone store,
16:47as it has been so far,
16:48but also a photographic studio
16:51and sometimes an advertising agency.
16:54As you can see, a multidisciplinary business,
16:57as are the two new partners
17:00with whom I have the good fortune to count.
17:03My niece, Laurita Balbuena,
17:06and the illustrious photographer Celia Silva.
17:09So please, I would like us to welcome
17:11these two new and young businesswomen
17:14with a big round of applause.
17:20Excuse me, I'll be right back.
17:28Here you go.
17:29Yes?
17:30And now, if you come with me,
17:32I can show you where they sell
17:34at a good price.
17:37Here you go.
17:42No, I didn't expect it, really.
17:45I didn't know that my name
17:47was among those who were fighting
17:49for the embassy in London.
17:52Have you already given an answer?
17:54No, not yet.
17:56What do you advise me?
18:12Well, if you are so excited
18:14to be an ambassador in London,
18:16then do the job.
18:19Although, if I tell you like this,
18:22I would be lying to you.
18:24Lying?
18:25Yes, lying.
18:27Because, actually,
18:29I would like you not to accept it.
18:32Because if you do,
18:34you're going to break my heart.
18:36I don't understand myself anymore.
18:38If it's not with you by my side,
18:40waking up with you every morning...
18:49I was the one who was lying.
18:51I would never accept that job,
18:53because I would not want to leave you
18:55for anything in the world.
18:57Fabio, you don't have to make that sacrifice for me.
18:59No, no, I wouldn't leave you alone.
19:01Especially not at this moment,
19:03when you're going to leave me.
19:05I wouldn't leave you alone,
19:07especially not at this moment,
19:09with Carla's loss,
19:11and in charge of the Morcuende Company.
19:13You don't know how grateful I am.
19:22Well, now that we've solved this matter,
19:26we'd better go.
19:28The mass in honor of Carla is about to begin.
19:31Yes, let's go.
19:34I know what I've said now may seem frivolous,
19:37but after the mass we're going to have dinner
19:39at a restaurant.
19:41The reservation is already made.
19:43I will not accept a no for the job.
19:45At dinner?
19:47But if I'm in a rigorous mourning?
19:49So what?
19:51Even so, you'll be the most beautiful woman
19:53in the whole restaurant.
19:55Let's go.
20:03Let's go.
20:34SEPTEMBER
20:48Esperanza, Antonia told me
20:50that maybe you've solved the problem
20:52with the snack bar.
20:54Oh, that's what I'm thinking now.
20:57This thing with that godmother is very tiring.
20:59It never ends.
21:01About the snack bar.
21:03I haven't been able to buy Antonia a gift yet.
21:06And I haven't even been able to talk to Mr. Fermin
21:08because we have to agree on a lot of things.
21:10Well, calm down because there are three days left.
21:12Oh, don't make me nervous.
21:14Think of something else.
21:15But how can I think of something else
21:17if all you do is ask me about the wedding?
21:18And why do you want me to ask you?
21:20Because the result of the elections...
21:22Oh, no, not that.
21:23Because we can't even vote.
21:25Besides, we, being poor,
21:28what else do we get?
21:30What do we get from one or the other?
21:32I lived to work and work to live.
21:35Well, to survive.
21:37You look more like vinegar than crystals.
21:41Good afternoon.
21:42You tell me.
21:44I came to have a coffee,
21:45but seeing that you are the ones
21:47responsible for such work,
21:49I didn't want to miss the opportunity
21:50to come closer and thank you.
21:53What was missing?
21:54And what's that about thanking us?
21:57I think you're just as funny as Tunante.
22:00Well, Tunante is not an insult
22:02because you belong to the Tuna, right?
22:04Yes, that's right.
22:05So, Tunante,
22:07why are you thanking us?
22:09For having the cleanest crystals in the gallery.
22:12I've been hurting my eyes
22:14from looking at them.
22:15Ah, well,
22:17since you haven't told us how you see the crystals,
22:19I'll tell you how I see you.
22:23You're a smartass
22:24who wants to take advantage of Marta, of course.
22:26It's just that all the Tuna are the same.
22:29I'm sorry, but I think you're wrong about me.
22:31No, no, you're the one who doesn't know.
22:32You must have been deaf
22:33from all the talking.
22:35Let's see,
22:36you have nothing to do here with the girls,
22:38right, Marta?
22:39Nothing.
22:40Well, you have a lesson learned today.
22:44In a sea that is not yours,
22:46you cannot fish.
22:47As far as I know,
22:48the sea has no owner,
22:50and I don't like fishing,
22:51but if I had to do it,
22:54I'd fish a beautiful mermaid.
22:56A jellyfish is what you're going to fish.
22:58But I would set her free,
23:00because the mermaids must swim freely
23:02so that we can all hear her voice
23:05and enjoy her beauty.
23:08Vinegar.
23:11What did you say?
23:12That if what you want is to clean the library's crystals,
23:15use vinegar.
23:16And now, please, if you'll excuse us,
23:18we'd like to keep cleaning.
23:20Some of us here are not the owners' daughters,
23:22and if we don't work,
23:23we'll be fired.
23:26Ea,
23:27throw the hook somewhere else.
23:29Air.
23:44Here's the latest edition of the newspapers,
23:47as Teresa asked me.
23:48Well, thank goodness,
23:49because the clients are here,
23:51and they're dying for the newspapers
23:53because of the elections.
23:55So, how many more?
23:57Well, look, more for us.
23:58Yes.
23:59And a little more,
24:00and we'll be on today's cover.
24:02A couple that has been lying for a long time,
24:04finally caught in their trap.
24:06As if we didn't have any experience in lying.
24:09Good thing Cañete is capable of selling any bitch.
24:11Saved at the last moment.
24:13Well, let's look at the bright side.
24:15Now everyone has found out about our relationship
24:18and believed it.
24:20Well, yes.
24:21And with the good looks of Esperanza and Elias.
24:24My goodness,
24:25even on the radio they run faster than the news.
24:28Well,
24:29phase one of the Cupid plan
24:31successfully completed.
24:33Mr. Fermin.
24:34Yes?
24:35Just now I was commenting with trinity
24:38the success of the inauguration of the new store.
24:41Congratulations for the part you have.
24:43Exclusive merit of my niece and her friend Celia.
24:45But yes, yes, it has been a success.
24:47Now we just have to wait for the business to be too.
24:49Well, here is the new edition of the newspaper,
24:52in case you are interested.
24:54Yes, yes, I am interested,
24:55although I don't think the news I would like to confirm
24:58comes to the newspapers.
25:00I don't know if I'm explaining myself.
25:09Let's toast.
25:10For the success of the inauguration.
25:16It has gone very well, hasn't it?
25:19Well, yes, the truth is that
25:21more people have come than we expected.
25:23That store is going to be a success, girls, I assure you.
25:26Well, on the first day we have already sold two radios and several records.
25:29And I have not stopped taking pictures in the studio
25:31all morning.
25:33Of course, we have been so busy
25:35that I have not been able to go through the printing.
25:37To see the brochures of La Moderna,
25:38and I have to give them to the guy tomorrow.
25:40Well, you'll see, everything will be fine.
25:42Yes, I know.
25:43But I would have liked to check at least one.
25:46If it is not how to work blindly,
25:48you would take pictures without looking through the viewfinder.
25:50I don't think the guy dispenses with your services
25:52because he doesn't like how a brochure has turned out.
25:54Well, I hope so.
25:56Because I need my job as an advertiser.
25:58The salary is good for us to invest in promotion
26:00or in store items.
26:02Laura, we have already talked about it.
26:03If at some point you are very overwhelmed
26:05to have to combine your work in La Moderna
26:07with the day-to-day of the store ...
26:09No, don't worry, that's not going to happen.
26:11Yes, but if it happens, let me know and period.
26:13You are the important thing,
26:15not the money we are going to make or stop making.
26:18Thank you, Celia.
26:19You are the best partner you can have.
26:22And we are also going to toast
26:23because I finally wanted to go out.
26:26Really?
26:27Yes.
26:28Well, thank you very much for the effort.
26:30I couldn't miss the inauguration.
26:33And in passing, I give a little work to my spies.
26:41No, I don't think he's explaining to me.
26:44Anyway, a certain rumor has reached my ears
26:47and since I am not at all a friend of gossip,
26:50I am going to face it directly.
26:52Is there anything you want to tell me, Trinidad?
26:57Well, I would have to be a little more specific
27:00with this rumor,
27:01because you know that gossip is very treacherous
27:04and there are people who have a lot of imagination.
27:08It has reached my ears that you two are a couple.
27:11Is that true?
27:12Yes, yes, yes.
27:13We are a couple.
27:15Yes.
27:17Sudden.
27:18Recent.
27:19Recent, yes, yes.
27:20Thank you.
27:21I am grateful, Mr. Fermin,
27:22for having put in front of me the most beautiful of all women.
27:26You didn't know it,
27:27but when I gave Trinidad the job in this room,
27:32I made a decision that changed my destiny.
27:34It will be less, Mr. Ruiz.
27:35No, no, no.
27:36It will be less.
27:37Anyway, since I am not a friend of gossip,
27:40I just wanted to confirm the news,
27:42congratulate you and hope you are happy.
27:45We are happy.
27:46We are, we are.
27:47Trinidad is an excellent worker and a better person.
27:51And I can only say positive things about you.
27:53Now, I'm going to dare to give you just one piece of advice.
27:56Go slowly, please.
27:58No rush.
28:00Little by little.
28:01Well, little by little.
28:03Or fast, right?
28:04Because it's also fine, right?
28:05I mean, every relationship is a world
28:07and each world has its own speeds, right?
28:11In the case of feelings,
28:12I don't know if rushes are good advice,
28:15but anyway, you are adults and sensible
28:17and you will act in the most convenient way.
28:24Well, I'm going, I'm going, I'm going, I'm going to the worker.
28:26I'll be back later.
28:28And I'm going back to the library.
28:30Good afternoon.
28:31Mr. Ruiz, please stay a moment
28:33because now that we are alone,
28:37I would like to talk to you seriously.
28:41Well, what do you have to tell me alone?
28:44You are not a kind of Don Juan, are you?
28:47One of those who seduces women as entertainment.
28:51Me?
28:52I am a man of a single woman.
28:54My heart has been occupied by Trini for a long time.
28:57Well, not for so long,
28:58because I still remember that not long ago I courted Teresa.
29:02Ah, that.
29:03Well, that was something temporary.
29:05Temporary?
29:06I don't think my client considers him temporary.
29:09I assure you that nothing serious happened.
29:12He just got into a relationship.
29:14He was a magician.
29:15She can confirm it herself.
29:17We were not made to be a couple.
29:19And how do you and Trini know?
29:24Because she is the woman of my life.
29:26That a man does not know.
29:28Trinidad is the person I want to spend the rest of my life with.
29:33And that's a good person, you can see it in her face.
29:36Well, I'm just going to tell you something that I already warned you when Teresa ...
29:40I appreciate my workers a lot, a lot.
29:43So I hope Trini is happy and that she takes care of her.
29:46If so, she will have a friend in me.
29:48But if it is not so ...
29:51Let's hope you never have to see me angry, Mr. Ruiz.
29:56Let's hope.
29:58Don Fermin, let's hope.
30:02Let's hope.
30:06What do you mean by giving work to your spies?
30:09It's just that going to the galleries ...
30:12I felt that several people were following me.
30:15Inés, what are you saying?
30:17Have they done anything to you?
30:18No, no, just follow me.
30:20But I know very well who gave them the order.
30:22Lieutenant Lorenzo.
30:24Oh my God.
30:25That man doesn't give up.
30:27No, and I don't know how to make him understand that I have no idea where César is right now.
30:31But let's see, are you okay? Are you afraid?
30:33Well, of course I'm afraid.
30:37I don't know, I understand that feeling spied on is not a very pleasant feeling, right?
30:41No, it's not.
30:42It's not, but I'll have to hold on until all this is over.
30:45Or not.
30:46Maybe we can ... I don't know, talk to Uncle Fermin.
30:50But what would we gain from that?
30:52I don't know, maybe he can intervene and stand up to him.
30:55No, look, I prefer to keep him at bay because ...
30:57That way there is less concern for him and for me.
31:00Are you sure, Inés?
31:01Yes, sure. Right now.
31:03Besides, I'm already quite nervous. I'm waiting for the results of the throat tests.
31:08I'm going to prepare something to eat.
31:24You are very quiet today, Salvita.
31:26Not to mention that that plumber has a great ally in you.
31:28He's never going to get dirty, because he doesn't even touch the dust from the shelves.
31:33Yes, yes, the plumber.
31:36Do you have any ideas, Salvita?
31:38Yes, the plumber, I'll pass.
31:40No, the plumber who sees you from afar, you.
31:43What do you mean? That I don't like to work?
31:45No, you don't need to say that.
31:48But there is one thing that you like a lot.
31:50The modern one.
31:51You've been using it a lot lately.
31:55It has very good coffee.
31:57And besides, you always tell me that I don't fall asleep at work, right?
32:00Well, I'll have to do something.
32:02Something tells me that it's not precisely because of the coffee,
32:05because you go to that tea room a lot.
32:07Rather, I would say that it is because of Marta.
32:12I didn't know that hobby of yours, gossip, Miguel.
32:16Look at the observation capacity.
32:17From this same glassware, I have been able to see how you looked for it yesterday and how you have looked for it today.
32:23Does that mean that yesterday I left the glasses clean?
32:26And more, that I'm going to leave them from today because before they gave me advice to do it.
32:30With vinegar.
32:32I'll give you another piece of advice.
32:34I don't think you have much future with Marta.
32:37Doesn't it seem that the girl is very happy when she sees you?
32:39At least this is what I perceive from here.
32:41Don't give Marta's advice for nothing.
32:44That if something good has to be in this bookshop, it is that the girl makes me happy in the mornings.
32:48Well, let's see if you take note of her, who is very hardworking.
32:51Let's see if by looking at her so much, something stays with you.
32:56The account of the 6, Teresa.
33:00Any news with Mrs. Lázara?
33:03Why do you ask me that? Have you seen anything?
33:05What I have seen is that you are still going around the subject.
33:08Do you still believe that it was she who urinated everything to stay locked up all night with Don Fermín?
33:13Man, I have it clear as water, come on.
33:16And she doesn't try very hard not to cut it either.
33:19And I don't think it's her fault.
33:21Man, I have it clear as water, come on.
33:23And she doesn't try very hard not to cut it either.
33:26What I have seen this morning, come on, I have realized that she is able to use all her charms to seduce Don Fermín.
33:33But have you caught her in a committed situation?
33:37Well, not committed.
33:39But everything will work out, you'll see.
33:42How deceived that woman had us.
33:45Well, I've had her locked up for a long time.
33:47And that's why she's trying to kill you with me.
33:49Well, she doesn't go and tell me, well, she puts me in front of her to deceive me, Mario.
33:55But, Santa, what did she say that about? What were you talking about? Why would she say something like that?
34:00None of your business.
34:02Well, I'm going to turn you around.
34:07Well, in that of Mario, he was right, because, come on, how stupid I was.
34:13Now they don't catch me in another one, huh?
34:15In matters of love, it's already fermented, but well.
34:18Take it.
34:21Well, I'm still counting on you, right?
34:25Are you counting on me?
34:27Well, I need an accomplice.
34:29Someone who is on the lookout in all this matter of Mrs. Lázaro and Don Fermín.
34:33Ah, that. Yes, yes, of course.
34:35Ah, by the way, is it true, that rumor that goes around among colleagues, that you have made of Celestino between Trini and Miguel?
34:53Ah, well, yes.
34:56It is seen that, well, the thing goes with me, I didn't even realize it.
35:00But when it comes to seeing love between two other people, I catch it first.
35:05Teresa, for God's sake.
35:07Let's see, please help me.
35:09But hey, what voices are these? What's wrong with you?
35:12It's just that I need to talk to Don Fermín as soon as possible.
35:15Since it has been closed in his office, there is no one to enter there.
35:18Well, if it's a work matter, you know you don't have to tell me first.
35:21No, it's not about work, it's about Antonio and Pietro's wedding.
35:24Look, what day are we on and we still don't have a place to celebrate the invitation.
35:28Uff, well, that's a job.
35:30You see.
35:31And of course you will understand that, being the godmother, I have to speak directly with the godfather, Don Fermín.
35:37Come on, even in the Vatican they give hearings with the Pope more easily.
35:42Well, being Doña Lázara in the way, I don't know how I can help you.
35:46And when do you think I can catch Don Fermín without the vampire in the way?
35:52Well, daughter, I don't know, I don't know.
35:54Well, I'm still there.
35:57Oh, Cañete, now that I'm seeing you.
35:59I had to tell you something.
36:01Oh, what was it?
36:03Oh, wait, I look at it in my godmother's notebook, I have it all here.
36:06Oh yes, accommodate an assistant in the church.
36:10You told me you were going to help me, right?
36:12Do I still trust you?
36:14Yes, I already told you yes, Esperanza, you don't have to ask me again.
36:17Man, I ask you, of course I ask you.
36:19Because you are a man and those things are easily forgotten.
36:22So, accommodate an assistant, Cañete, I'll put the cross on you.
36:27Are you okay at 8?
36:29At 8 for what?
36:31Man, to think between the two of us where we sit people.
36:34Of course, it is a matter of great responsibility.
36:38Because it is not the same to sit friends, than colleagues, than family.
36:44Or for example, where do you sit the godmother?
36:48Eh?
36:51Don Salvador, good afternoon, how are you around here?
36:54Good afternoon.
36:56I'm passing by, I'm not going to entertain you much.
36:59I wanted to take advantage of the fact that I was here to ask you about the progress of my son Salvita.
37:05Great progress, Don Salvador.
37:08Salvita is making great progress.
37:12He is a perfectionist, tenacious, he is an inexhaustible boy.
37:17With telling him that I had to take this pen out of his hands so that he could rest a little.
37:21Right now he was telling me that he wants to clean the glasses with vinegar.
37:26Vinegar?
37:27Are you kidding me, Miguel?
37:29No, no, no, no, no. It seems that vinegar is the best for ...
37:32That's not it.
37:34He is telling me that in the few days that he has been with you, Salvita has become like this.
37:39From night to morning.
37:40In a formal and hardworking boy.
37:43Incredible, right? It's just that he's a boy who puts a lot of effort into it.
37:45Well, what I was missing to hear.
37:47That they take me for a fool.
37:49Salvita, it is clear that I have to take you to another bookstore where the manager does not have to lie to me in order to get rid of you.
37:56Well, Don Salvador, you will excuse me.
37:59Maybe I haven't chosen the best words. You know that hyperboles are my literary figures.
38:04Well, look, Miguel. I'm leaving.
38:06One thing I have clear.
38:09I have to make a decision.
38:12Did you have to exaggerate so much?
38:16Because I don't want to go to another bookstore. I have to stay in this one.
38:19Near the modern, near the ...
38:22Look, I'm going to look for my father to see if I can fix what you were spoiling.
38:30If you always open your mouth, Miguel.
38:37And will you bring me some souvenirs?
38:39Of course.
38:41Pablo and Aunt Conchita have told me that they will take me to the beach of La Caleta, in Cádiz.
38:46I'll bring you all the shells I find.
38:48Great!
38:50Hi Clarita.
38:51Hi Susana.
38:52Hi Marta.
38:53Marta, you don't know what.
38:55I'm going to Jerez to see Pablo.
38:57To Jerez? And how do you know you're going to Jerez?
39:00Pablo is going to teach me how to ride a motorcycle.
39:03He told me.
39:04Well, he'll be there to teach you how to ride a motorcycle.
39:07Having the leg as he still has.
39:09Let's go see the works. Come on.
39:19Is that true? He's going to Jerez?
39:21Yes.
39:22Clarita misses Pablo and Aunt Conchita a lot.
39:26So she's going to spend a few days there.
39:28I don't.
39:29Because I wouldn't miss his wedding for anything in the world.
39:34Well, I see they're already set up.
39:36I really like to see this house alive again.
39:38Well, it's a provisional thing.
39:40It's a detail of Don Braulio's children.
39:42And what are you doing here?
39:46Well, it's for Petra, the neighbor.
39:48Serena's wife?
39:50Yes.
39:51She told me that today she was leaving for Puerto Real in Cádiz.
39:54And it's the same train that goes through Jerez.
39:56So I asked her if it would be good for her if Clarita accompanied her.
40:00It's very sudden and I don't know.
40:02But it's the best.
40:03Well, it's very good because the girl is not going alone.
40:05It's a very long trip.
40:06If it weren't for Petra, I would take her.
40:08Now she stays with her and then Iño comes and picks her up to take her to the station.
40:12Well, will Aunt Conchita be notified?
40:14Yes, she will wait for her there.
40:16Matilde, I'm going to Jerez for ten days.
40:19Because Marta says she doesn't believe it.
40:21Of course, you're leaving for ten days.
40:23You see? Ten days.
40:25If I go back, I'll meet Andalusia and everything.
40:29Ten days, she's leaving.
40:30She's not going to miss a lot of school days.
40:32I know.
40:33But Clarita needed it and...
40:37Besides...
40:38Besides what?
40:40I couldn't deny it, Antonia.
40:42Can't you see how happy she is?
40:44Yes, and now she looks very happy to see you so much.
40:46What's wrong?
40:48You can tell me whatever you want, you know that, right?
40:53Here you go.
40:54I think this affection you have for Tila is not good, I'm telling you.
40:59It's double.
41:01Honey, I think you should look at the medical books.
41:03The ones you have in the bookshop.
41:05To see if so much Tila is good.
41:07And that would be the last book I would look at in that bookshop.
41:10Because I see myself in the street, Trini.
41:12Honey, don't be so dramatic.
41:14With the time you've been working there and the consideration Don Salvador has for you.
41:18My love, I had never seen Don Salvador bite dogs with that.
41:22And between this and the stripes, well, I'm going to the street.
41:26No, honey, no. You'll see that it's not.
41:28You'll see how, for now, we've raffled off all the stripes that life has put in front of us.
41:33I haven't raffled off Salvita much, let's say.
41:35Rather, I've collided with him face to face.
41:38You'll see how good it's going to be.
41:39You know why? Because we're together.
41:41And you and I get along.
41:43And there's no one who beats us.
41:45Yes, yes, you and I are together in love.
41:48And in the lie.
41:49And in the disease, too.
41:50Because these nerves are going to end my health.
41:53I wish Antonia and Pietro had the marriage we have, you and I.
41:57Because, look, you know what? I'm more in love than the first day.
42:00I'm also more in love. Nervous, but very in love.
42:05A kick?
42:06No, how is it going to be a kick? They're gases, Miguel.
42:09Come on, come here. Come here, you're more stupid.
42:16What's wrong?
42:17I've lost the button.
42:20What are you looking at?
42:21Nothing, the button. It fell.
42:24The button.
42:26The two buttons.
42:29Is it because of what they say happened in the gallery that you saw...
42:33Mrs. Carla.
42:35Yes. Do you think I'm crazy?
42:37How could I think that? Don't be silly.
42:39Well, Antonia, I know it's impossible.
42:41But I swear, it was so real.
42:45A guitar and a flamenco suit.
42:47I'll bring you all that.
42:49No, Clarita, I'm fine with some chestnuts.
42:52Besides, you're not going to take such a big suitcase to bring so many things back.
42:57But, well, I don't want to bore her with my things.
43:01It's just that I haven't seen her so happy in a long time.
43:05I don't know, it breaks my heart. I owed it to her.
43:09I don't know, I think I failed Clarita.
43:11What are you saying? How are you going to fail your sister?
43:13If you fall for her...
43:14Yes, but I have the feeling that I haven't helped her get used to this new situation.
43:18And I feel guilty, I can't help it.
43:20Guilty? But she did everything she could.
43:24And in your situation, with everything you've been through, I wouldn't have done it better.
43:27If I had done it better, Clarita would have been more affectionate with me.
43:34I don't know, I have to go.
43:36Thank you for everything. See you.
43:39Thank you.
43:40Bye.
43:44Hey, Clarita.
43:49I have to go.
43:50You go to Petra's house. Do you remember where it is?
43:52Yes, it's that one up there.
43:54Then Iñigo will come to pick you both up.
43:57I'm going to La Moderna to do some management,
43:59but I'll do everything I can to get to the station on time, okay?
44:04But if it weren't possible...
44:07I want to tell you that I'm going to miss you a lot.
44:13Can you give me a kiss?
44:26I'm going to miss you a lot too, Mataldi.
44:37Oh, thank God I got to the station.
44:40I didn't want that train to leave without saying goodbye to Clarita.
44:43And look, you've already said goodbye.
44:45Or at least that's what Clarita told me when I went to pick her up at La Corrala.
44:48Yeah, but it's not the same.
44:50Besides, I promised her that I would do everything I could to get to the station to say goodbye to her.
44:55Look, it's hard here at home with you,
44:57but I'm sure she would have liked to see you there saying goodbye.
45:00You know, being at that age, sometimes a woman and sometimes a girl.
45:04Well, I'm sure that just by getting on the train, she would have missed you a lot.
45:10Not even half as much as I miss her, really.
45:13What's wrong?
45:14Look, you're dramatic in the Garcés family, really.
45:18Relax, she's not going to be alone.
45:20She's going to be with her aunt, with her brother.
45:23I'm not going to be alone either.
45:25I'm going to be with you.
45:27Do you hear that?
45:29What?
45:31The silence.
45:35I don't know if you know, Mrs. de Peñalver, but we're alone at home.
45:42I don't know what you have in mind, sir, but I remind you that I'm a married woman.
45:46Well, if it's not a problem for you, then it's a problem for me.
45:50I don't know what you have in mind, sir, but I remind you that I'm a married woman.
45:55Well, if it's not a problem for you, then it's a problem for me.
46:01Wait for me, I have a surprise for you.
46:25Come on, I'll go with you.
46:34Come on, I'll go with you.
46:40Honey, don't you take your things?
46:44No, I don't need them today.
46:46I'm going to work at La Moderna.
46:55Matilde?
47:07Honey, is something wrong?
47:11I was calling you.
47:14It's Carla.
47:17Carla has been here.
47:18Carla has been here?
47:25Fabio already knows what he has to do, but I can't insist anymore.
47:28And what about me, mother? Maybe you're being too soft with him.
47:32I'm sorry to disappoint you, but I've gotten as far as I've been able to.
47:35Now, from here on...
47:37From here on, we'll have to take less correct paths.
47:41Everyone has a price.
47:43Carla has come in here and moved my notebook and left it on the terrace.
47:46Honey, it could have been your sister.
47:48Look, Inigo, if you don't want to believe me, don't believe me.
47:50Carla is dead.
47:51I can't stop thinking what will happen if they tell her she can't sing again.
47:55Tomorrow I'll get the test results.
47:57I'm sure they'll be favorable.
47:59Yes, we all are.
48:00Yes, I think it's great that you're so convinced, but...
48:03I don't think anyone understands what I'm going through.
48:07My God.
48:09No one can stop it, Antonia.
48:11You're going to be my wife.
48:13I'm going to make you happy.
48:14Look, I'd like to participate in the wedding gift.
48:17But if you're not invited, you don't have any obligation.
48:20I don't know what else to do.
48:22They are lifelong companions and I appreciate them a lot.
48:25So I insist on participating.
48:27How much is it?
48:28If a miracle doesn't happen, we run out of guests.
48:31And what am I going to tell the people who come from Andalusia to see us?
48:34Pietro, at least don't feed him or give him a baby.
48:37For once, I ask you not to see me as your cleaning boss,
48:41but as a maid.
48:43Because I'm here to talk to you about Godmother, Godfather.
48:47Amave.
48:48That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
48:52But that's terrible.
48:53That's why. What do you think?
48:55Today is the farewell of Antonia and Pietro.
48:57And what are we going to do, shout their protagonism?
48:59Well, it's true, I don't know, you're right.
49:01Well, I'll think of something.
49:02I don't know.
49:03I'll tell you one thing.
49:04We're going to do it before your wedding.
49:06Are you sure?
49:07Yes, yes.
49:08By the way, I've already bought the tickets to go see Margarita Sirgo.
49:13Here, here's yours.
49:15I can't wait to see the show.
49:17The critics say it's brilliant.
49:19Why don't you keep them?
49:21Because they are separate locations.
49:23You are in the patio of Butacas.
49:24It's the best ticket I could get.
49:26I'm in the kitchen.
49:28In the kitchen?
49:31I thought it was about going together.
49:34If I didn't find out that you had just been dating,
49:36I would think you were married.
49:38And how have you been looking at each other for a long time?
49:40I don't know.
49:43What's wrong?
49:44Why are you so nervous?
49:46How did you realize
49:50that Antonia was something more than a co-worker?
49:54I mean, how did you know
49:57that what you felt for her
49:59was...
50:01It was love, Tom Fermin.
50:03What?
50:04I don't know.
50:05It's like someone wants to drive me crazy.
50:07Someone?
50:08Who, darling?
50:09Who?
50:10Mrs. Carla.
50:12Or rather, her ghost.