La promesa - Temporada 3 - Ep 444
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00:00♪♪
00:09Can I help you?
00:11No, it's okay.
00:13You have homework to do and I have some free time.
00:17I can manage on my own.
00:20You'll see, if I help you, you'll be able to finish earlier.
00:24I told you no, Lupe.
00:27This English cup is very delicate.
00:30It's a gift from the Count to the lords for their wedding.
00:34Well, then...
00:38I'll treat it carefully.
00:40Do whatever you want.
00:54I'm deeply sorry.
00:56Lupe, leave it.
01:00I understand that you're angry, really.
01:03Thank you for your understanding.
01:05But you'll admit that we can't go on like this.
01:11Vera, I don't know what to do for you to forgive me.
01:15Me neither.
01:17I'd love to be able to get over it.
01:20Why don't we do it?
01:21Because I can't.
01:23Because I can't remember when you betrayed my trust like that.
01:27I'm sorry, really.
01:29Stop apologizing, Lupe. I understand you.
01:32It's my life. It's my past.
01:34And it's up to me to decide when to tell you.
01:40I know.
01:42You're right.
01:44It's an unforgivable mistake, but we all make mistakes, right?
01:48You said it yourself.
01:50This is unforgivable.
01:53Do you have any idea how much I had to put up with Santos
01:56so that he wouldn't reveal my secret?
02:00I had to break up with you.
02:02I had to pretend to be his girlfriend.
02:04I even allowed him to abuse Demi.
02:06And now you're telling him everything.
02:08Honey, I've already explained to you how Mrs. Simone...
02:11Lupe, leave it. Leave it.
02:14Okay, there are no valid excuses.
02:17I just want you to understand that they are my family.
02:21And that they will understand.
02:23And that they will keep our secret.
02:25That's why I'm worried about this.
02:27I'm going to talk to them and tell them not to tell anyone.
02:30But please, let's solve this.
02:35I don't know if I'll be able to forgive you.
02:39Why do you say that?
02:43Vera, you lied to me for months.
02:46And I forgave you.
02:48Lupe, the last thing I expected at this moment
02:50was for you to blame me for this.
02:52No, Vera, I'm not blaming you for anything, really.
02:54I defended my life.
02:56That's why I didn't tell you.
02:58Because I was afraid that all this would come to light
03:00and look where you are.
03:02I should never have told you.
03:06What are you doing?
03:08I'm tired of paying for broken dishes.
03:18I'm sorry.
03:26Let's leave it on that table.
03:28Come on.
03:33Here.
03:35It's perfect here.
03:37See? As we could.
03:43And this?
03:46This looks like a replacement
03:49for the long nights of mechanical engineering, right?
03:53Curro, I assure you that this is not mine.
03:55Oh, no? And how did it get here?
03:57I don't know.
04:04You know, I still can't believe
04:06that my sister could have been living
04:08between these four walls for so long.
04:12Well,
04:14we've slept in worse places.
04:16Don't remind me.
04:20You know,
04:22I can't get it out of my head.
04:26The rat-infested trenches,
04:30that smell of seawater
04:33that permeated everything.
04:35Day after day,
04:37night after night,
04:39week after week,
04:41month after month.
04:45Curro,
04:48are you okay?
04:51As good as I can be, yes.
04:59That's over.
05:00That's still over.
05:03I can't get it out of my head.
05:07Especially at night.
05:11I try to think of Hanna
05:13when those terrible thoughts come to me.
05:17I see.
05:20But I get betrayed
05:22when I least expect it.
05:25And since Matilde arrived,
05:27all I do is remember all that.
05:30And haven't you thought
05:32that it's time for Matilde to go back home?
05:37No.
05:39I don't want her to go.
05:42Yes.
05:45I know it's going to sound weird,
05:47but even if her presence
05:49reminds me of all that,
05:52I also feel like I need her.
05:57You need her?
06:00Yes.
06:03It's hard to explain, Manuel.
06:07What about you?
06:09How are you?
06:14Well,
06:17overwhelmed by Mr. Baeza's case.
06:20I see.
06:22I still can't get it out of my head
06:24that he was able to
06:27blame himself for Gregorio's death
06:29just to get me out of jail.
06:32And who knows if it was the weak link.
06:36Mr. Baeza's loyalty
06:38has no name.
06:40I know, but this time he has gone too far.
06:42He shouldn't have sacrificed himself
06:44that way,
06:46no matter how noble his intentions were.
06:48That's right.
06:49And that's why I feel like I have to do
06:51everything I can to prove his innocence.
06:56Can you count on my help?
07:03But,
07:05despite Mr. Rómulo's case,
07:08you have other reasons to be happy, don't you?
07:12Yes.
07:15Yes, and you don't know how grateful I am
07:17that my love for Hanna has been discovered.
07:21It has been a liberation.
07:25You're on the right track.
07:27You'll see that everything will be fine.
07:30God be with you, cousin.
07:35I'm sorry, I mean
07:38brother.
07:41Yes, I also find it strange
07:43to call you that.
07:45Although in reality
07:47we have always loved each other as brothers.
07:49Yes, that's true.
07:52And more so after living through a war together.
07:58What?
07:59Are we still moving boxes?
08:02Well,
08:03I think it's better
08:05to have a little
08:07of this liqueur
08:09to get some strength.
08:13You know what? Yes.
08:15I think we'll be fine.
08:21Isn't it salty?
08:23You're exaggerating.
08:24I'm serious, Candela.
08:25The bechamel was too salty
08:27and by adding more ham,
08:29my tongue itches.
08:30Why do you say that?
08:32Because you're a favorite.
08:34What's that?
08:35It's true.
08:36You've been more salty
08:38than a dessert recipe book.
08:41More salty than a sugar soup.
08:43More salty.
08:44Enough, Candela.
08:45Stop making fun of me and taste it.
08:47Oh, well.
08:59Sofia was right.
09:01Salty bechamel is a sin.
09:03That's what I told you.
09:08Are we going to have to throw this away?
09:10No.
09:11Throwing it away? No way.
09:13Throwing away food is a big sin.
09:16We're going to add milk.
09:18So it's going to be a cream.
09:19No, because we're going to add
09:21mashed potatoes
09:22to get the consistency back.
09:24Then why are we going to add garnish?
09:26Because we're going to add cooked potatoes.
09:28It's going to be a lot of potatoes, I think.
09:31I'll get it.
09:32Where are you going with that long face?
09:35Calm down, guys.
09:36It's okay.
09:37Has everyone ever ruined a dish?
09:39I don't know.
09:40It's much worse, Mrs. Candela.
09:41I've ruined my relationship with Vera.
09:43I'm sure it's not that bad.
09:45All couples have their fights.
09:47This is much worse.
09:49I should have told them
09:50that her mother was the Duchess.
09:52She betrayed her.
09:53When you told us,
09:54we thought you were bluffing.
09:56I'm not bluffing, Mrs. Candela.
09:58I shouldn't have told them anything.
10:01We really love you.
10:03If I hadn't raised my tongue,
10:04she wouldn't be so distressed.
10:05We've been with our mouths
10:07behind our ears for a long time.
10:09Mrs. Candela, please,
10:10don't try to relieve me.
10:11I know what I've done.
10:14I had no right.
10:15Elope, please.
10:17What's worse is that I've ruined
10:18a relationship because of my stupidity.
10:20Calm down.
10:22I'm sure it'll be fixed.
10:23Mrs. Simona, I don't need
10:25false hopes.
10:26Really.
10:28All I'm going to ask is
10:29that you don't tell anyone.
10:30She doesn't want her origins
10:31to be known
10:32and we're nobody to divulge them.
10:33Of course not.
10:34Who do you think we are?
10:35We swear.
10:36We'll be quieter
10:37than a mute with a hyena.
10:38Like a dead man in a ball.
10:40Candela!
10:42Come on.
10:43What are we going to say?
10:44Calm down, boy.
10:45Be quiet.
10:56I think it's an exaggeration.
10:59It's hard for me to believe
11:00that the German army
11:01has penetrated into Russian territory.
11:03Well, they have.
11:05They have.
11:07Right now, there are German soldiers
11:08fighting in Leopolis.
11:11It's still a long way to Moscow.
11:13The Russian front has always been
11:14a hard nut to crack.
11:16It was for Napoleon.
11:19That's what I mean.
11:22That frozen territory
11:23can become
11:24the tomb of the Kaiser's army
11:26and, with winter, the gates.
11:28Look.
11:30They're following the same strategy
11:31as in 1812.
11:33They're building fortresses
11:34and citadels in retreat.
11:36Leaving the German soldier
11:37at the mercy of the cold and snow.
11:41And without grain.
11:42Without grain to feed themselves.
11:43That's it, Bavarians.
11:44They're going to retreat one by one
11:45to their beloved Germany.
11:47Those who stay alive, of course.
11:52We don't need anything else.
11:54Of course, sir.
11:56Can I take the tray?
11:58Are you asking us
11:59how to do your job?
12:01Of course, man.
12:03Leave us alone until we call you.
12:09I didn't ask you to take the newspaper.
12:13No, of course, sir.
12:14I just thought that,
12:15since it's yesterday's newspaper,
12:17it might bother you.
12:18I couldn't finish reading it yesterday.
12:21What's wrong?
12:22Reading four lines?
12:23I've been busy.
12:25Why are you so interested
12:26in taking it?
12:28No, no, sir.
12:29I'm sorry.
12:30I just thought
12:31it might bother you.
12:33Teresa, you can go.
12:40Back to the subject.
12:41Good.
12:43Much of what the armies
12:44modernize
12:45is still about
12:46using your head well.
12:52It's a pleasure to see you too,
12:53Mrs. Dalry.
12:54Likewise, Mr. Pérez.
12:56Especially given the circumstances.
12:58Well, yes.
12:59Let's say
13:00I'm taking a good rest.
13:03I'm glad you're taking
13:04all this with that talent,
13:05but
13:06none of what's happening
13:07is fair.
13:10I brought you
13:11some cinnamon cookies.
13:14Tell me, Mrs. Martínez.
13:15No, no.
13:16We made them in Wuhan
13:17at Beni's house.
13:18Well, if you've cooked them,
13:19I'm sure they're just as delicious.
13:21Yes, today
13:22I didn't go to the prom.
13:23Of course.
13:24You haven't seen your son
13:25in a long time.
13:26You should spend
13:27as much time with him as possible.
13:28You don't know him well.
13:29He must be
13:30a beautiful, strong man.
13:32He's not a bullfighter.
13:33I hope you can see him.
13:34I'm afraid
13:35it won't be possible
13:36at the moment.
13:37Well, no.
13:38The thing is, he won't stop.
13:39Now he's used to
13:40opening boxes, drawers, doors.
13:42You're not an explorer.
13:43I can't lose him.
13:45But I don't want to
13:46bore him
13:47with my nonsense.
13:48No, no.
13:49He doesn't.
13:50I like to know
13:51about his things.
13:52It comforts me.
13:54So,
13:55you said
13:56you didn't go to the prom today.
13:57No.
13:58I didn't go
13:59two days ago.
14:00I see.
14:01So,
14:02you don't know
14:03when you'll get your job back.
14:04No,
14:05I went
14:06to tell Mr. Arcos
14:07to tell the gentlemen
14:09that
14:10I want to get my job back.
14:12But...
14:13Is something wrong,
14:14Mrs. Adar?
14:15Well, Mrs. Marquesa
14:16doesn't want to see me
14:17around there, Mr. Baeza.
14:18That can't be.
14:19That's what I thought,
14:20but it is.
14:21I should have seen
14:22Mrs. Arcos'
14:23happy face
14:24when she told me.
14:25I can imagine.
14:26But Mrs. Marquesa
14:27didn't give you
14:28any explanation?
14:29Well, you know
14:30they don't give us
14:31explanations,
14:32precisely to us.
14:33What do they deserve?
14:34You've been working
14:35loyally for that house
14:36for many years.
14:37I don't understand
14:38how Mr. Pellicer
14:39didn't take care
14:40of this matter.
14:41Well, in the end,
14:42it's Mrs. Marquesa's
14:43direct orders.
14:44But he would have
14:45given her more detailed
14:46explanations.
14:47He's still angry with me
14:48for hiding from you
14:49about my fake death.
14:50Well, he's not angry at all.
14:51And I understand him,
14:52Mr. Baeza.
14:53That's why I can't judge him.
14:54It's an immature attitude.
14:55He knows perfectly well
14:56how important
14:57this job is for him.
14:58What could he have done?
14:59Well, he could have
15:00talked to the gentlemen
15:01and explained
15:02that you are a fundamental
15:03piece in the operation
15:04of the house.
15:05I'm no longer the key
15:06to the promise,
15:07Mr. Baeza.
15:08Besides, you know
15:09no one is essential.
15:10Look, the maids
15:11depend directly
15:12on Mrs. Arcos,
15:13who in turn
15:14dispatches Mrs. Marquesa
15:15directly.
15:16It's the procedure.
15:18Besides,
15:19the important thing now
15:20is that it is proven
15:21that you are innocent
15:22and that it has nothing to do
15:23with Gregorio's death.
15:25You have to get out of here
15:26as soon as possible.
15:27That's the important thing.
15:31And this is the last
15:32of the letters
15:33from the Marquis of Guia.
15:34We had not heard
15:35from him for a long time.
15:36Write him back
15:37some lines.
15:38What do we do
15:39with the invitations, sir?
15:40There are no outstanding ones.
15:41They are all gentlemen
15:42with half hair
15:43who want to approach
15:44the Lujan to intimidate.
15:45I decline them
15:46then.
15:47Yes.
15:48As always,
15:49with the utmost courtesy.
15:50Be careful.
15:51You never have to lose
15:52the good manners.
15:53Never.
15:54Of all,
15:55except
15:56that of that event
15:57that is going to be held
15:58in the Chamber of Commerce.
15:59I want to attend that one.
16:00It seems important, sir.
16:01Yes, it is.
16:02We are going to talk
16:03about how to deal
16:04with the shortage of wheat.
16:06But we don't have
16:07any problems, do we, sir?
16:08Not with the crops.
16:10But I'm worried
16:11about the conflicts
16:12that may arise
16:13due to the lack
16:14of wheat bags.
16:15They are all being exported
16:16to the front.
16:17They are used to make trenches.
16:18It is logical, then,
16:19that there is a shortage.
16:20Yes.
16:21And they will pay more.
16:22That will contribute
16:23to the rise in the prices
16:24of the flours,
16:25which are already high.
16:27Winning complicates everything,
16:28Ricardo.
16:29You can go.
16:31Before leaving,
16:32I would like to comment
16:33with you
16:34on a particular matter,
16:35if possible.
16:36Tell me.
16:38It is about
16:39Mrs. Adarre, sir.
16:41I understand
16:42that it was a decision
16:43of Mrs. Marquesa
16:44to allow you to work
16:45here in the palace,
16:46but if you could
16:47mediate with her ...
16:49Unfortunately,
16:50I'm afraid I can't
16:51do anything about it.
16:52But you are the Marquis
16:53of Lujan.
16:55Excuse me, sir.
16:56I know I didn't say it
16:57with bad intention,
16:58but I can't do anything.
17:00It is a matter
17:01that my wife
17:02and Mrs. Arcos
17:03are already dealing with.
17:04But Mrs. Arcos,
17:05you already know
17:06that she didn't get along
17:07particularly well
17:08with Mrs. Pía.
17:09And if we add to that
17:10that lately she has been
17:11making mistakes ...
17:12I know perfectly well
17:13the character of that woman,
17:14but I assure you
17:15that this time
17:16she has not messed up.
17:18It is my wife
17:19who refuses
17:20Mrs. Adarre to return.
17:22That complicates things.
17:23That determines them.
17:25It will be of no use
17:26to pressure her.
17:28I understand, sir.
17:29Mrs. Pía
17:30will have to understand
17:31the situation
17:32and assume that at the moment
17:33she cannot return to the promise.
17:34She will take care of it.
17:36Although it is
17:37a very delicate situation.
17:40Her condition
17:41as a mother,
17:42widow ...
17:43I am aware
17:44that it will be difficult
17:45for her to find a job.
17:46Maybe
17:47we are condemning her
17:48to indigence, sir.
17:49I hope not.
17:51I, of course,
17:52can do nothing more
17:53than what she was already doing.
17:55Give her money
17:56to help her
17:57raise her son.
17:58That help is essential.
18:00Maybe I can give her
18:01a separate help,
18:02but nothing more.
18:03I understand and thank you, sir.
18:06If you don't want anything else,
18:07I'll get in touch
18:08as soon as possible.
18:10When Mr. Baeza
18:11and everything
18:12is calmer,
18:13it will be a good time
18:14to resume the matter.
18:22Nowadays,
18:23you don't just have to win
18:24the wars on the front,
18:25but in front of public opinion.
18:28I totally agree.
18:31Excuse me, gentlemen.
18:32I came to see
18:33if you needed anything.
18:35Don't you think
18:36if it were like this,
18:37we would have let you know?
18:38Coffee, an infusion,
18:39a liqueur?
18:40No.
18:41I'll have a spirit.
18:43Just a moment, sir.
18:47The morale of the troops
18:48is also very important.
18:50Otherwise,
18:51they would have risked their lives.
18:53Which one?
18:54The Sokal incident.
18:56Which one are you talking about?
18:58Where was it?
19:00Here.
19:02Apparently, Russian aviation
19:03bombed
19:04a poisonous gas deposit.
19:07Bad news.
19:08Yes.
19:09700 German soldiers
19:10and 28 officers
19:11have lost their lives.
19:14What are you doing, you bastard?
19:15I'm sorry, sir.
19:17Be careful, for God's sake.
19:19What a piece of shit.
19:21I've tagged this page
19:22so as not to ruin the rest.
19:23I hadn't finished reading it yet.
19:25It seems to me
19:26that you are not going to read it anymore.
19:27I'm sorry, sir.
19:28Get out of my sight.
19:32What a shame
19:33not to be able to send
19:34this son of a bitch
19:35to the front line of battle.
19:40You know that Don Rómulo
19:41is like a father to all of us
19:43and that he has not committed
19:44any of those crimes
19:45of which he is accused.
19:48So I ask you, please,
19:49to resolve all this mess
19:51and that Don Rómulo
19:52can be with us again.
19:55I beg you, Virgencita.
19:56Please.
20:10I know that maybe
20:11I'm asking too much of you,
20:12but it's just that
20:14Manuel and I
20:15also need help.
20:17If you could make
20:18the Marqueses
20:19recover, then ...
20:22Although, well,
20:23now I'm thinking about it
20:25and maybe you don't agree
20:26with how we have acted,
20:27Manuel and I.
20:31I'm just asking you
20:32to send me a signal
20:33and tell me
20:34if you need anything.
20:36I'm just asking you
20:37to send me a signal
20:38so that I know
20:39how I have to act.
20:42Come in.
20:43Hanna.
20:45Hello.
20:47My cousin Martina
20:48is very excited
20:49about all this,
20:50about the snack.
20:51I want you to be
20:52the prettiest of all,
20:53especially taking into account
20:54that you are going to be
20:55the center of attention
20:56of the Marqueses of Mugel.
20:58Hanna, don't listen to her.
20:59She's joking.
21:01I already told you,
21:02it's just going to be
21:03a snack among friends.
21:04Not even the Marqueses
21:05themselves are going to come.
21:06Yes, but you will have to wear
21:07a suitable dress for the occasion.
21:09Well, I would love to,
21:10but I don't have anything.
21:11Not even my Sunday clothes
21:12are suitable.
21:19We are aware
21:20of the limitations
21:21that your closet has at the moment.
21:23So ...
21:26we have brought you some dresses
21:27for you to choose from.
21:28Oh!
21:29Oh my God!
21:34We would have loved
21:35to call the fashion designer,
21:36but there was no time,
21:37so you will have to choose
21:38between one of the dresses
21:39of my sister Leonor.
21:40But you're going to look
21:41like a glove.
21:42They are beautiful.
21:45Manuel.
21:46Yes?
21:48Yes, sorry.
21:49I'll wait outside.
21:50One moment.
21:52Are you sure
21:53that this
21:54won't get you in trouble?
21:55Have you thought about it?
21:57I don't.
21:58And you?
22:01Neither.
22:02And what could go wrong?
22:05I think it's time
22:06that we stop being afraid
22:07of everything.
22:08I don't want them to expose themselves
22:09to me.
22:10But we are doing it
22:11for ourselves.
22:12I am convinced
22:13that Leonor would more than agree
22:15that you give her
22:16a good use of her dresses.
22:18So ...
22:19come on.
22:20Yes,
22:21now I remember.
22:24Maybe you have to
22:25make some arrangements.
22:26And it's true
22:27that they are not night dresses,
22:28but since the invitation
22:29is for a snack,
22:30I don't care.
22:32They are beautiful.
22:33I don't even know
22:34where to start.
22:35Well,
22:36good luck
22:37if you don't know how to say goodbye.
22:49And the count
22:50didn't ask him
22:51about the wedding date?
22:52No.
22:53He said
22:54he had heard
22:55about a free date
22:56at the Cathedral of Seville
22:57and that he couldn't
22:58miss the opportunity.
22:59Wow.
23:03Do you have any idea
23:04what he's up to?
23:06No,
23:07I don't know,
23:08but telegrams
23:09never bring good news.
23:15Thank God.
23:17Well,
23:18it seems that he does bring them.
23:19Yes,
23:20he does bring them, niece.
23:21It turns out
23:22that Ignacio invited
23:23Mr. Agustín Retortillo
23:24and Macpherson
23:25to our wedding.
23:26I don't feel like it.
23:28Well,
23:29I don't know
23:30I don't feel like it.
23:31Well,
23:32maybe it suits you
23:33more because of your nickname.
23:34Abate Faria?
23:35Ah, yes.
23:36Yes,
23:37he's a chronicler of salons.
23:38Well, yes,
23:39he was going to do the chronicle
23:40of our wedding
23:41for the echoes of society.
23:42Did you say
23:43he was going?
23:44Yes,
23:45it seems that he has reused
23:46our invitation
23:47with a
23:48more than appropriate pretext.
23:51And that makes him
23:52so happy?
23:55It shouldn't,
23:56right?
23:58I don't know
23:59what to tell you.
24:02I don't know.
24:03I don't know, niece.
24:04I'm...
24:05I'm in a lot of doubt.
24:09You have nothing wrong
24:10to doubt, aunt.
24:12Doubt is the beginning
24:13of everything.
24:14Ah, yes?
24:15Of what?
24:16Of scientific research,
24:17for example.
24:19Without doubt,
24:20humanity would not advance.
24:21Yes,
24:22but they are not
24:23that kind of doubts.
24:25Basically,
24:26they revolve around my wedding.
24:29Do you doubt
24:30marrying the Count of Ayala?
24:32Well, yes.
24:33A lot.
24:34More than I should.
24:37And,
24:38for something in particular,
24:39if I may ask?
24:41Because
24:42it's true that I love him,
24:43but
24:46I don't really know
24:47who he is.
24:49What do you mean?
24:51Well, I don't know, Catalina.
24:52I don't know.
24:53I think that Mrs. Emilia Pardo Bazal
24:54and you are right.
24:55I don't know him.
24:56I don't know him.
24:58The only references
24:59I have of him
25:00are because he was a friend of Cruz.
25:01I see.
25:02It's no longer
25:03a baggage of trust.
25:05But he did it.
25:07Has something happened now?
25:09No,
25:10not that.
25:12Then?
25:14Well,
25:16Mrs. Emilia's story
25:17made me think
25:18and her reactions
25:19have increased
25:20my insecurities.
25:22He is a man
25:23who has always rejected
25:24the commitment
25:25and I don't know
25:26what to say.
25:27I understand.
25:28I don't understand his reasons
25:29and his mood swings
25:31and his concern
25:32because the guests are coming
25:33or not
25:34and his insistence
25:35that he goes
25:36to Batefaria
25:37to apologize
25:38to the four winds.
25:41Yes,
25:42for
25:44for someone
25:45who has panic
25:46to the commitment
25:47it doesn't make much sense.
25:48That's it.
25:49So I think
25:51I don't know
25:52if there is something else.
25:55Well, yes,
25:56there is.
26:00Look, aunt,
26:01I'm not someone
26:02to teach anyone
26:03but I have the firm suspicion
26:04that the Count of Ayala
26:05wants to marry you
26:06to get
26:07his share
26:08of the promise
26:10and that has made
26:11him not overcome
26:12his reluctance
26:13to the commitment.
26:14Otherwise,
26:15the fixation he feels
26:16for Martina
26:17is sick.
26:18He has done everything possible
26:19to get rid of her
26:20and nothing guarantees
26:21that he will continue
26:22doing it until he gets it.
26:25I'm sorry
26:26to be so crude with you.
26:28I am the first
26:29who understands
26:30that a person
26:31can make mistakes
26:32but it seems dangerous
26:33to forgive someone
26:34who doesn't regret
26:35his actions
26:36and the Count
26:37doesn't seem
26:38to regret anything.
26:40I don't like to see López
26:41so down.
26:42Yeah,
26:43I feel like
26:44my soul is falling at his feet
26:45and more knowing
26:46that we are to blame.
26:47But of course
26:48we don't care anymore.
26:49We are both
26:50a few mouthfuls
26:51of care.
26:52I don't know
26:53what to do
26:54with him.
26:55I don't know
26:56what to do
26:57with him.
26:58I don't know
26:59what to do
27:00with him.
27:01I don't know
27:02what to do
27:03with him.
27:04I don't know
27:05what to do
27:06with him.
27:07I don't know
27:09what to do
27:10with him.
27:11Well,
27:12the evil is done.
27:13Now we have to think
27:14about something
27:15to remedy it.
27:16Yeah,
27:17but something like what?
27:18Well, I don't know.
27:19Candela.
27:20But we have to be
27:21prudent and cautious
27:22so as not to get
27:23in the way again.
27:24Where did I leave
27:25the onions?
27:26There,
27:27see?
27:29But stay away from her.
27:30Don't you know
27:31that when we cut them
27:32off
27:33you'll be like
27:34one of the crying women
27:35that I know.
27:36I don't know
27:37I couldn't have imagined it.
27:38Poor, poor Lope.
27:39He was crying on the corner,
27:41hitting his head against the walls.
27:44He's asked you to talk to me.
27:45No, no, no, Vera.
27:46It's all the opposite.
27:48Don't listen to Candela.
27:50It's been our fault, because we see him very devastated.
27:54Stay, girl, forgive him.
27:57I'm going to make an effort to believe you,
27:58because I prefer to think that Lope is not behind all this.
28:01But still, there is little that you can do.
28:04This is a thing between Lope and me.
28:05The boy is very sorry to tell us what you know.
28:12What I know, as you have said, Mrs. Simona,
28:15has been a betrayal of my trust.
28:18Lope has revealed a secret that simply belonged to me.
28:22Of course, but he did it unintentionally.
28:25Poor thing, his mouth got hot.
28:27Yes, it's just that it was our fault,
28:29because we told him too much.
28:30Don't insist.
28:31I don't think this has a solution.
28:33Vera, if we get in where they don't call us,
28:37it's because we are more to blame than he is.
28:42A big mistake, girl.
28:44Forgive him for whatever he wants.
28:46Forgive us all.
28:49You are not to blame.
28:50It is normal that you would like to know what was going on.
28:53Well, the truth is that everything was quite strange, huh?
28:57But if you really want to help me,
28:59I'm going to ask you not to mention this topic again, please.
29:03And don't tell them I'm the daughter of the Duchess of Carril.
29:07A duchess, huh? No more, no less. It's hard to believe.
29:11Calm down, girl.
29:13Vera, calm down.
29:14Your secret is safe with us.
29:17We have learned the lesson, huh?
29:19Because Lope has asked us the same thing.
29:22Yeah, that's good.
29:24Hello.
29:27Did we interrupt something?
29:29No, Vera just brought us some onions from the pantry
29:33and we were thanking her.
29:36Well, if you don't need it anymore, we ask you to lend it to us.
29:39To me?
29:40For what?
29:41Well, because we already have Hanna's dress for Mr. Manuel's snack.
29:44And we wanted to ask you for advice.
29:46Well, you seem to be very familiar with all this ...
29:49with labels and aesthetics, so maybe you could give us a hand.
29:53Of course. Of course.
29:55I'm not an expert in all these matters, but of course I can help you.
29:59Well, we'll wait for you at the ironing and sewing shop.
30:02Okay. As soon as I finish my homework, I'll go.
30:05I'm leaving to do it as soon as possible.
30:13And why was he talking to us and looking at you?
30:16Oh yeah?
30:17No.
30:18I don't know.
30:25You were here. I was looking for you.
30:29You have become a true master of escapism.
30:33I don't escape from anything.
30:35No.
30:37That's why you came here to have a drink.
30:40Because it is the most bustling place in La Promesa.
30:42I don't think it's a bad place either.
30:44No. Of course not.
30:48I lived here for months.
30:51And if I did it, it was for the same reason as you.
30:54To not find anyone.
30:59But I didn't come to talk to you about that.
31:06You want me to give you an answer right away, right?
31:09That's right.
31:11Well, I don't have it yet, Catalina.
31:13It's not an easy decision. It's not like choosing a suit or a hat.
31:17I'm very clear about that.
31:19I'm very clear about that.
31:21This is a serious issue, especially for me.
31:23It is for me too.
31:25After all, you are asking me to assume the paternity of a child that is not mine.
31:29As you will understand, it is not a good dish for any man.
31:49Catalina, I would like to be able to face this with greater interest.
31:55But I can't.
31:57Okay.
31:59Well, I already have it very clear what I'm going to do.
32:03I don't understand you.
32:05Now you will understand.
32:09You know, this is where I made the decision to go looking for you.
32:13I was determined to give you another chance.
32:17I didn't know I was pregnant.
32:21Yes, I know. You told me and I believed you.
32:25The point is that this seems to me a more than adequate place to end this conversation.
32:31But Catalina, I still don't know what to tell you.
32:33I know, I know.
32:35And that in itself is already a decision.
32:39What I am asking you goes beyond that you assume the paternity of my son.
32:43It's about you showing me how much you love me.
32:47That you help me get out of this mess I'm in.
32:51Catalina, listen to me ...
32:53You have already made it clear what your position is.
32:57And I have to act now.
33:02It's over.
33:04We've come this far.
33:07What do you mean?
33:09That you are unable to assume all this.
33:12And that you are not going to decide, neither now nor ever.
33:14No, that's not true, Catalina. I just need a little more time.
33:18I'm going to make it easier for you, kid.
33:20And I'm going to decide for both of us.
33:23I don't want you to suffer, and less because of me.
33:27So pack your bags and go.
33:31And I wish you with all my heart that you are happy.
33:34And that you are doing well.
34:39I love you.
34:50It's going to be fine, you'll see.
34:52Look, I appreciate your trust, but you haven't had it all with me.
34:56But girl, if you have it all, you're pretty, you're smart, you have the prettiest smile I know.
35:02Well, I'm fine with not seeing Gonzalo and Manuel, nothing more.
35:05And you're not going to do it, don't worry.
35:08What if I screw it up when I get there?
35:10And go for it, the same canteen.
35:12You know what to do perfectly, because you have seen the gentlemen a lot of times.
35:16And you have seen one too well.
35:20I don't know. The truth is that what worries me the most is not knowing what to say.
35:24If you are not quiet, nor when you should ...
35:27She's here.
35:29And you can talk about many things.
35:31For example, you can talk about medicine, in which you are an eminence.
35:34But, for God's sake, I am not an eminence in anything.
35:37Well, if he makes you talk with your Latin, that's what you know.
35:40Leave them all, nothing.
35:41But I don't want to look like an eminence, María.
35:43I can only tell you one thing.
35:45If you want to make a good impression, the first thing you have to do is forget where you are,
35:49be yourself and talk about whatever you want.
35:51Without fear.
35:56I can see how tired you are.
36:00We are in our rush hour, Mr. Arcos.
36:03I know.
36:04And that's why I put all of us on the street right now.
36:09One detail, for your part, don't kick us out.
36:13What I find frivolous is that Mr. Manuel goes to that party while Mr. Baeza is in the dungeon.
36:19Well, what I find frivolous is that you don't re-admit an employee in charge of your son,
36:24who has also suffered a murder attempt by his husband.
36:28Watch your tongue, Ana.
36:30And if I don't, what?
36:32You are very angry now that you have your lover by your side again to protect you.
36:36Don't change the subject, Mrs. Arcos.
36:38I don't know how you can treat Mrs. Darre like that.
36:41I don't have to treat Darre standing up in any way,
36:43since she is no longer part of the service to this house.
36:45And that has been a decision of Mrs. Marquesa, with whom I have had nothing to do with.
36:49And I don't want to have to repeat it again.
36:53Your rush hour is about to be fulfilled.
36:55When that happens, I want you all on time in your tasks.
37:01I'm sorry.
37:08Welcome, Sergeant.
37:09Thank you for coming to my call.
37:11It is always a pleasure to visit La Promesa.
37:14Why did you want to see me?
37:16Has it given any detail that sheds light on the investigation?
37:21No.
37:23Then?
37:26Do you want to sit down?
37:32No.
37:40Sergeant, I want to talk to you about Mr. Baeza.
37:44So that's it.
37:46He's going to tell me about the goodness of his housekeeper.
37:50Romulo is not his man.
37:52He will have to keep looking.
37:54He has confessed his guilt.
37:57If he did that, it was just to protect me.
38:00That man is unable to kill a fly, I assure you.
38:04That was the first impression I had, too, when he came to confess.
38:08That he was completely innocent.
38:11And that he was immolating himself to get you out of jail.
38:14But he didn't necessarily have to do this out of loyalty.
38:17He could also confess for money.
38:20That's absurd.
38:22You never know, Mr. Lujan.
38:24People do unthinkable things for money.
38:30Anyway, the fact that we are discussing these hypotheses
38:33means that you also believe in Mr. Baeza's innocence.
38:36That was my first impression, as I have already told you.
38:39But after talking to him several times,
38:43I'm not so sure anymore.
38:45His vehemence and precision in providing data on the case
38:49are beginning to show that if he is not guilty,
38:52he is not giving reasons to excuse him.
38:56To begin with, none of his colleagues saw Mr. Baeza in the palace that afternoon.
39:02But that can be due to a thousand reasons.
39:04Yes.
39:05But he gave a very coherent version of how the murder took place.
39:09He knew the exact location of the impact of the bullet on Mr. Castillo's body.
39:13I was able to get it right by chance.
39:14Yes, and you were also able to tell him.
39:16But have you ever thought about that possibility?
39:21I'll just tell you one more thing.
39:25The warden said he shot the gun in a certain place.
39:29And it was right there where we found him.
39:32With that, little more can be done to prevent him from going to prison.
39:39There must be another explanation.
39:41But I can't find it, Mr. Manuel.
39:43And for a judge, it will be more than enough.
39:46Mr. Baeza is guilty of the death of Gregorio Castillo.
39:52That's not true.
39:56And you know it.
39:59It doesn't matter what I believe or stop believing.
40:03The evidence is what it is.
40:05And it fits with the confession.
40:07Not much more can be done.
40:11Mr. Pellicer, you are here.
40:14You have a smell of that bone.
40:17Have you eaten?
40:18Actually, it was Miss Catalina who told me that I would find you here.
40:23Have you been drinking too much?
40:26You know, one of the best things I've ever done.
40:30I've been drinking a lot.
40:32I've been drinking a lot.
40:34I've been drinking a lot.
40:37You know, one of the best things about this house are the liquors.
40:43I confess that I'm going to miss them.
40:53Miss Catalina has already told me that you are leaving.
40:56In fact, she has asked me to prepare your luggage.
41:01Wow.
41:02She's in a hurry to send me away.
41:04She won't even let me sleep.
41:07Can I ask you what happened, sir?
41:11What do you mean, what happened?
41:13What happened is that this woman is a whore.
41:18And on top of that, she allows herself the luxury of being dignified and kicking me out.
41:23Sir...
41:24It's me.
41:25And I should have left here a long time ago.
41:29Regretting is useless, sir.
41:33You see?
41:37Don Ricardo is a good man.
41:40Not like her.
41:45But what the hell does that woman have in her head?
41:48She didn't respect me. She slept with the first one who came in.
41:53Why don't you tell me all this on your way to your room?
41:57And without raising your voice, if you think it's okay.
42:01No, I don't think it's okay.
42:03I don't think it's okay because I'm fed up with the little secrets of this palace.
42:08Sir, it will be very good for you to rest.
42:10I don't want to rest.
42:12Leave me alone.
42:14I'm not here for your advice to calm down and think things over calmly. I don't want to.
42:19But sir...
42:20I said leave me alone!
42:23Get out!
42:26Get out!
42:44So tell me, do we already know who are the dresses that Hanna's widow is going to wear?
42:51Well, of her daughter Leonor, of course, ma'am.
42:54Of course, it couldn't be otherwise.
42:57Although I suppose that, for God's sake, she wouldn't have dared to put them on without someone helping her, right?
43:03No, I suppose it was all because of her son, Don Manuel, who is Mrs. Martina's.
43:09Martina too? And Catalina?
43:12I don't know.
43:14But I already told you, ma'am, that all the maidens close to Hanna were there, putting their scarves on the dresses.
43:22Of course, all collaborating so that the Cinderella does a good job.
43:28When all this is over, ma'am, I will disinfect those dresses.
43:32No, have them burned.
43:34My daughter will not wear any garment that she has worn that Maritornes.
43:39Just the fact that Manuel intends to show up at the house of the Marquises de Moguer with her in his arms is enough humiliation.
43:46The truth, ma'am, is that I could never imagine that both you and your husband would allow something like this.
43:55Well, what can I do to stop it?
43:57Excuse me, ma'am, but as you have always had solutions for everything.
44:05Oh, how I hadn't thought of it before.
44:09What, ma'am?
44:11Well, Manuel may be a very good friend of Jacobo de Moguer, but I am his mother.
44:18In fact, we have both attended together the spiritual gatherings organized by the Bishopric of Cordoba.
44:25I'm sure you'll find the perfect excuse to convince her not to celebrate that event at her house.
44:31I'll find something like that.
44:36By the way, Petra.
44:37Yes, ma'am?
44:38Mr. Pellicer has complained about you several times.
44:41What?
44:43That must be a misunderstanding, ma'am.
44:46I'm sure that's the case.
44:48That's why I want you to solve it as soon as possible.
44:51It's not time to make mistakes.
44:53Yes, ma'am.
44:55With the palace of the Marquises de Moguer, please.
45:26I wanted to see you.
45:28How dare you speak ill of me behind my back?
45:30I'm sorry, but I don't understand what you mean.
45:32You know it very well.
45:34And I thought we had made things very clear this morning.
45:37Can you be more specific and stop speaking to me in that tone?
45:40Okay.
45:41I know you've been speaking ill of me again.
45:43Did I make a mistake?
45:45I may have shown my discontent towards you.
45:48I see.
45:49But, Mrs. Arcos, lately you haven't been as focused as you should be.
45:53And you go along with the story, gentlemen.
45:55Normally, this would have been between Mr. Baez and me.
45:58But since he's not here, I've been forced to speak with Mr. Alonso.
46:02That's unacceptable among colleagues.
46:04I know it's not the usual procedure.
46:06To hell with the procedures!
46:10Be very careful with me, Mr. Pellicer.
46:13As a friend, I may not be good.
46:15But as an enemy, I can be unbearable.
46:18It's much worse as a colleague.
46:20Ruido.
46:21Speak as much as you can.
46:23Enough!
46:24Enough, Mr. Abete.
46:25Stop mixing the personal with the professional.
46:28Mr. Pellicer, know that I have a lot of influence over Mrs. Marquesa.
46:32I managed to make Pia Tarre stop being the mistress of this palace.
46:36And in the same way, I can make you leave with just a snap of your fingers.
46:42Do it.
46:44Do it, but if I leave this house, my son will come with me.
46:51Have you thought of anything better?
46:53A desperate idea, but it worked.
46:57Yes, it's down here.
46:59We don't have to worry about that newspaper anymore.
47:01Now we have to destroy the page that the mayors archive.
47:04Where is it supposed to be?
47:05Well, in the first drawer, Marcelo, in the first drawer.
47:08Ah.
47:20Hurry.
47:26Here it is.
47:30Is this it?
47:31Yes.
47:34Come on, I'm going to look.
47:39This is Ricardo.
47:41He came from here.
47:53Have they not put a service for Mrs. Julia?
47:56No, sir.
47:58He told me he was going to town and that we should not wait for him.
48:01Nevertheless, the one from Pelayo always puts it.
48:04Despite the fact that he has not eaten with us for days.
48:07We have argued.
48:11I'm sorry, cousin.
48:12And has it been something serious?
48:15I'm afraid so, and it is likely that we will not see him again.
48:21And what was the reason for the argument?
48:26It's something private, I can only tell you that we have both agreed that ...
48:30that it is best that he leave here.
48:35I'm sorry, sister.
48:37And he does not plan to say goodbye formally?
48:42Well, maybe he hasn't done it to save us the bad drink.
48:46Well, daughter, well ...
48:48to the enemy that flees, silver bridge.
48:51What do you mean?
48:54Well, my daughter is worth a lot.
48:57I'm sure she'll find a better man.
49:00I will not be the one to take you the opposite, but ...
49:03after the scandal of the newspapers, it may not be that easy.
49:07Scandals are forgotten, Captain.
49:09Luckily for everyone, for you too.
49:12Thank you for defending me, Martina.
49:16But I would almost prefer you to leave the rumors about me.
49:20The count of Aguil ...
49:22It's over.
49:23But don't be a liar, I haven't left yet.
49:27Pelayo, please.
49:28No, no.
49:29No, please, nothing.
49:30I haven't left ...
49:32nor am I going to leave.
49:35At least until I tell you what I have to tell you.
49:39Because it is important, Captain.
49:47But what are you doing, Pelayo?
49:52Aren't you ashamed to show up like this?
49:54At my table?
49:55No, shame?
49:56No, shame should be given to your daughter.
49:59Your daughter should be ashamed.
50:01Why my daughter?
50:08Catalina ...
50:12Catalina is pregnant.
50:30Drunk.
50:31Of that girl.
50:32And on top of that ...
50:33That she sat at the table as if nothing.
50:35No, no.
50:36She didn't sit down.
50:37She blew a bomb.
50:38Since you don't know what I said about Miss Catalina.
50:42That she is pregnant.
50:44I wanted to talk to you about the conversation we had about ...
50:48that Hanna and Curro could be brothers.
50:51It's not that they could be, it's that, according to Curro, they are.
50:55Four or five years before Curro was born,
50:58the captain could not seduce any maiden of the promise,
51:01because he did not step on the promise.
51:03Come on, he hardly stepped on Spain.
51:05And now that they don't stop, that alcohol made him sing.
51:08No, because it's to hit him with the ...
51:10the knee in all the scenes.
51:12Well ...
51:13Neither good nor good, miss.
51:14Because you have to take responsibility for your actions.
51:17And if you are so brave to fight uncontrollably,
51:19you are also to assume the consequences.
51:21Come on, I say.
51:22This is too much for you, Hanna.
51:24You don't care about that.
51:26No, I don't care.
51:28But ...
51:29I really tell you for your own good.
51:31Because not a few lessons,
51:34nor the advice of your friends,
51:36not even that dress,
51:37will turn you into something you are not,
51:39and you will never be.
51:40He says that with his testimony and the evidence gathered,
51:42he can close the case if he wants.
51:44Well, that's good news then.
51:46No, it's not.
51:47Yes, it is.
51:48Mr. Baeza, his attitude is desperate.
51:50He knows.
51:51Sir, don't get angry.
51:52Not less with Sergeant Burdino.
51:54If he came to this conclusion,
51:56it was because I made it easier for him.
51:58Mr. Baeza, the real murderer is still out there.
52:00Lope, you betrayed the trust I had placed in you.
52:04And that trust for me was everything.
52:06Do you understand?
52:11Maybe you're right.
52:15And as logical as it is, I'm pregnant forever.
52:18I'm pregnant.
52:20You just need a little detail.
52:22You are the daughter of the Marquis of Lujan
52:24and you are single and uncompromising.
52:26There are still more details than you can imagine.
52:29Can you tell us everything?
52:32Because you are making me understand that there is something else.