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00:04:46Sit down.
00:04:56Well?
00:04:58The drug worked as you said it would.
00:05:01They are completely under our control.
00:05:05You mean, my control?
00:05:08Of course.
00:05:12These three men will form the nucleus
00:05:16of the most deadly group of assassins the world has ever known.
00:05:21Three of the deadliest men in the world.
00:05:24Programmed to kill on my command.
00:05:30Death machines.
00:05:32I've worked years for this.
00:05:34These men must be perfect.
00:05:37They are.
00:05:38So you say.
00:05:39Before I put them into action,
00:05:41I think you should run them through another set of experimental tests.
00:05:46That man and his people will be a good test.
00:05:51He's part of an old and obsolete organization.
00:05:55It will be done.
00:05:58And so it shall be.
00:06:01Yeah, George.
00:06:03This is Mr. G.
00:06:05Listen, I got two jobs for you.
00:06:07Same price.
00:06:09Number one.
00:06:10A Chinese gentleman by the name of Ho-Lung.
00:06:13Runs a karate studio in your city.
00:06:16Number two.
00:06:17Nathan Adams.
00:06:19Wright.
00:06:20The bank V.P.
00:06:22Number three.
00:06:24I got a job for you.
00:06:26Nathan Adams.
00:06:28Wright.
00:06:29The bank V.P.
00:06:31I want them both hit by next week.
00:06:33So put your best man on it and let me know when it's done.
00:06:36Wright.
00:06:56Shit.
00:07:26Shit.
00:07:56Shit.
00:08:27Shit.
00:08:34Hey.
00:08:36No.
00:08:37No.
00:08:38No.
00:08:39No.
00:08:40No.
00:08:42No.
00:08:54Yeah.
00:08:57Fell off a building?
00:08:59What do you mean fell off a building?
00:09:03Accident?
00:09:05Ha.
00:09:06Accident my ass.
00:09:08Hey, business.
00:09:10What about Adams?
00:09:13Well, get someone else to take care of him then.
00:09:16And after that, see if he can hit Ho-Lung.
00:09:19And this time without screwing up, huh?
00:09:40Hey.
00:10:10Hey.
00:10:11Hey.
00:10:41Hey.
00:11:00Yeah.
00:11:02Blown up.
00:11:04Blown up.
00:11:05What do you mean blown up?
00:11:06If this continues and the boys back east get word of it,
00:11:09I'm out of business.
00:11:10Or worse, I...
00:11:11Hell, I should have known you couldn't handle this.
00:11:13Who's doing it?
00:11:15Well, how am I supposed to know, goddammit?
00:11:17What do you mean you don't know?
00:11:19Look, whoever's hitting my boys has probably got my line tapped.
00:11:23You know what I mean?
00:11:24Yeah.
00:11:25Well, I'm calling from a phone booth now.
00:11:31Well, you better find out who's doing it and take care of it.
00:11:33Well, how am I supposed to take care of it?
00:11:35I don't know what's going on.
00:11:40Now, look, Mr. G.
00:11:42I've got to have some more time.
00:11:44And some help, too.
00:11:46They're trying to take this town and shove it up my ass.
00:11:54Hey.
00:11:55Hey.
00:11:56What are you doing?
00:12:09George!
00:12:10George, what's going on?
00:12:12Goddammit, can you hear me, George?
00:12:17Hello, hello?
00:12:18Are you there?
00:12:20George?
00:12:21Hello?
00:12:22Hello?
00:12:23Hello?
00:12:34Yeah, yeah.
00:12:36Mr. Gialetti.
00:12:38Who is this?
00:12:39I'm the one who's been killing your men.
00:12:42Who is this, dammit?
00:12:44All contract killings in this city are under my control.
00:12:51If you want someone killed, I'm afraid you'll have to deal with me.
00:12:58Deal with you?
00:12:59Look, I don't have to deal with anyone.
00:13:02If you want someone killed in this city, you must deal with us in person.
00:13:09And we will discuss the fee.
00:14:33Hello?
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00:16:00Hello?
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00:16:02Hello?
00:16:03Hello?
00:16:04Hello?
00:16:05Who is there?
00:16:06Mr. Ghildet?
00:16:07Come in.
00:16:08Please wait here.
00:16:10Come in.
00:16:14Please, wait here.
00:16:32So good of you to come, Mr. Gioletti.
00:16:36Oh, don't mention it.
00:16:38Are you ready to avail yourself of my services?
00:16:42Let's just say I don't intend losing any more of my men.
00:16:45Please accept my expression of sympathy for the death of your employees.
00:16:51They were good men, highly professional.
00:16:53I think you will find my organization also highly professional.
00:17:00Well, before I tell you who I want hit,
00:17:03before I spend any of my money,
00:17:05I'd like to see just how professional you really are.
00:17:09I shall gladly give you a demonstration after dinner.
00:17:23Here you are, Mike.
00:17:26I don't care what anybody says.
00:17:29You don't get a spaghetti this good nowhere back east.
00:17:33I told the boys to fix it up extra special for a good friend.
00:17:37You're the best, Tony.
00:17:39Yeah, that's right.
00:17:40The way you tasted the sauce, it's a special too.
00:17:43It's my own recipe.
00:17:45Lots of people, they're asking me for the recipe,
00:17:47but I'm going to tell them nothing to do with it.
00:17:50Hey, Mike, why should I tell them, huh?
00:17:52So they can open up their own restaurant?
00:17:54Or maybe they eat at home?
00:17:56No.
00:17:57You want to taste the food like this,
00:18:00you got to come and see Tony.
00:18:02Now, you need anything, Mike, you just call me, huh?
00:18:06All right, Tony, thank you. It looks great.
00:18:08Hey, it tastes good too.
00:18:10Go on, try it.
00:18:17Hey, you see what I say?
00:18:19Okay, I'll let you eat now.
00:18:21Okay.
00:18:33Here's a pack for you.
00:18:49Hey, Tony, come here.
00:18:52It's good, no?
00:18:53No, what do you call this, a joke?
00:18:56It's no joke.
00:18:57Are you finding the spaghetti?
00:18:59I fired the one who did this, even if it's my own brother.
00:19:29Let's go.
00:19:59Let's go.
00:20:29Is the meal to your liking, Mr. Violetti?
00:20:32It's all right, but let's get down to business.
00:20:35Without the demonstration you asked for?
00:20:38Yeah, yeah, yeah, later.
00:20:40If we can come to a business agreement,
00:20:42I want these two men here.
00:20:51Oh, yes, Mr. Lam.
00:20:54He uses his karate studio as a front for narcotics traffic.
00:20:59You're well informed.
00:21:01The other man, Nathan Adams,
00:21:03he keeps forgetting he's supposed to be working for me.
00:21:06Kill him, and he's replaced by another one of your men at the bank.
00:21:12I just want him out.
00:21:14Now, what about that demonstration?
00:21:55Thank you.
00:22:01The wine was not to your liking, Mr. Violetti?
00:22:05You took my driver, I took your waiter,
00:22:09just to make things even.
00:22:11Of course, Mr. Violetti.
00:22:14We must keep things even.
00:22:18Now, shall we do business?
00:22:21All right.
00:22:24What will you serve tonight?
00:22:54See that this man receives one of our red Buddhas.
00:22:57I believe you can find him at his karate school tonight.
00:23:01Oh, and, uh, please don't leave any witnesses.
00:23:05Thank you, Mr. Violetti.
00:23:07You're welcome, Mr. Adams.
00:23:09Mr. Adams.
00:23:11Mr. Adams.
00:23:13Mr. Adams.
00:23:15Mr. Adams.
00:23:17Mr. Adams.
00:23:19Mr. Adams.
00:23:21And, uh, please don't leave any witnesses.
00:23:52Does this Buddha belong to anyone?
00:23:56It was left outside of my office.
00:24:03Perhaps I'll keep it there.
00:24:21Thank you.
00:24:51Thank you.
00:25:21Thank you.
00:25:51No!
00:26:21And...
00:26:51And...
00:27:21And...
00:27:51And...
00:28:07Back up, back up.
00:28:09Thank you.
00:28:19Hey, wait a minute. I know him.
00:28:21What happened?
00:28:22He got his hand cut off. He's in shock.
00:28:23Jesus.
00:28:24Can we take it?
00:28:25Not if you don't quit talking to us.
00:28:29You all right?
00:28:33If there's anything you refuse to call in, I'll talk to him later.
00:28:39Thank you.
00:29:09Thank you.
00:29:39Thank you.
00:29:56Clay?
00:30:00Thank you, Mike.
00:30:02God, I hate coming back here.
00:30:04It's been on the streets.
00:30:05You'll change your mind in a couple of weeks.
00:30:08Well, if it isn't Lieutenant Forster.
00:30:10Glad to see you could join us.
00:30:12Don't start on me. We've been out on this case till 3 a.m. this morning.
00:30:15All right, tell me, where is this Frank Thomas? What room are they keeping him in?
00:30:19Why do you want to know? It's our case.
00:30:21Well, you guys have been ticketed for that human relations class.
00:30:24That's what the captain said.
00:30:26We'll handle that. You stay out of our case.
00:30:29Okay, it's your funeral.
00:30:30He's right. Here's a memo from the captain.
00:30:34Oh, screw that human relations crap.
00:30:37You're supposed to show up for a make-up today and I'm supposed to go with you.
00:30:41Forster, homicide.
00:30:43Fine, we'll be right out.
00:30:46Hospital?
00:30:47Frank is conscious. We can talk to him.
00:30:48Hey, uh, what about this?
00:30:50What do you want to be, a detective or a paper pusher? Let's go.
00:31:03Don't you think we'd better check out that human relations class?
00:31:06Don't worry about it, Jerry.
00:31:07Lieutenant Forster, Frank Thomas' room.
00:31:09Room 376, down the hall.
00:31:11Thank you.
00:31:13I hate hospitals.
00:31:15You better get used to them. You spend a lot of time in hospitals questioning people.
00:31:19I don't think I'll ever get used to it.
00:31:21Hi, Lieutenant.
00:31:22Were there any visitors?
00:31:23Nobody, just the hospital staff.
00:31:24Keep your eyes open.
00:31:25All right.
00:31:33Frank?
00:31:35Frank?
00:31:37I'm awake.
00:31:38Clay Forster.
00:31:40My partner, Jerry Farnham.
00:31:43What are you guys doing here? Questions?
00:31:46You up to it?
00:31:47Sure.
00:31:50Frank, you ever seen this before?
00:31:52Mr. Lung, our instructor, found it somewhere. I don't know where.
00:32:00I've only got one question.
00:32:01Could you identify them if you saw them again?
00:32:04I'll never forget their faces.
00:32:08If you don't find them, Forster, I will.
00:32:12You leave the police work to me.
00:32:15Who's talking about police work?
00:32:17If I find them first, I'll send them to you in pieces.
00:32:21You're not going anywhere for a while.
00:32:23I'll stop in later with the sketch artist to draw up those faces before you forget them.
00:32:29Lieutenant, I won't be forgetting them.
00:32:31Good. We'll be seeing you.
00:32:33Take care of yourself, Frank.
00:32:40Fun job, I bet.
00:32:41Nurse is the only thing keeping me awake.
00:32:43Well, at least you're inside.
00:32:44Yeah. See ya.
00:32:49Oh, Lieutenant.
00:32:50About those security rules, can the patient receive gifts?
00:32:53Like what?
00:32:55Well, this package was left for him downstairs.
00:32:58There was no card on it.
00:32:59Just his name on the box.
00:33:00Let's have a look at it.
00:33:30I thought I was clear when I told you to leave no witnesses.
00:33:34I just delivered a Buddha to the hospital.
00:33:37No witnesses on the third floor.
00:33:40I suggest you finish the job tonight before you tell the police too much.
00:33:44Too much?
00:34:03I'm sorry. I didn't mean to wake you.
00:34:05Oh, if it isn't Florence Nightingale again.
00:34:09You come to see if my tubes are all in place?
00:34:11At least the insults are getting a little tamer.
00:34:14You should have heard yourself when you were under sedation.
00:34:17Say, when are they going to take this junk off anyway?
00:34:20That's up to Dr. Putnam. Maybe in a week.
00:34:24Well, I'll tell you one thing.
00:34:26I'm not going to let Putnam put a goddamn hook on me.
00:34:29Well, that may not even be necessary.
00:34:31They have cosmetic cans now.
00:34:33Oh, that's a great choice, isn't it?
00:34:36A useless decoration or something that turns me into a freak show?
00:34:40Look, I know how tough it is being in a hospital and not having a family.
00:34:46Well, I've been on my own for a long time now and everything is just okay.
00:34:54Everyone needs friends. We all do.
00:34:59The only thing I need right now is my right hand.
00:35:03Say, what are you? A nurse or a psychiatrist?
00:35:07Just call me Florence.
00:35:37Hello?
00:35:53Hello, Smith? Telephone.
00:36:07Dr. Schwartz, Dr. Schwartz, please.
00:36:37Dr. Schwartz.
00:37:07Dr. Schwartz.
00:37:38Dr. Schwartz.
00:38:01Mr. Slade.
00:38:03I'm afraid I have some upsetting news for you.
00:38:05What is it?
00:38:07It seems that one of our men was either killed or captured at the hospital tonight.
00:38:12And the witness?
00:38:13They say he is dead.
00:38:15How was our man captured?
00:38:18They really don't know. There were shots.
00:38:20They barely escaped.
00:38:22They thought he was behind them when they fled.
00:38:29Liz!
00:38:37Liz!
00:39:07It's an old trick.
00:39:08Yeah, but your idea worked, Clay.
00:39:10It's the next time I'm worried about it.
00:39:11Especially with those armored vests.
00:39:13Armored vests. Man, these guys are heavy.
00:39:18Had to aim at his head to bring him down.
00:39:20Joe, you come upstairs with me and stick by Frank's new room with the other officer until we move Frank out.
00:39:24All right.
00:39:25Jerry, check hospital security to see how they got in.
00:39:28Right.
00:39:29I'll see you downstairs in 20 minutes.
00:39:30Okay.
00:40:07What the hell?
00:40:23What are you doing in here?
00:40:29You know you are forbidden to enter this room.
00:40:37Oh, excuse me.
00:41:04It's all right, Lieutenant.
00:41:05Come on in.
00:41:06How's it going, Frank?
00:41:07I guess I should be thanking you.
00:41:10What for?
00:41:11For saving my belly from seven inches of steel.
00:41:14Okay, look.
00:41:15There's no reason playing games with you.
00:41:17I think they're going to try again.
00:41:19That's why I'm having you moved.
00:41:20Moved?
00:41:21Where?
00:41:22To a small private hospital in Santa Mira.
00:41:24You'll go in under an assumed name and we'll issue a statement to the press that our only
00:41:27witness can't be any help to us.
00:41:30You think that'll stop these guys from trying it again?
00:41:32Who's ever behind this is going to have enough to worry about once we question our suspect.
00:41:37Why are you doing otherwise?
00:41:38Oh, fine.
00:41:39It's a great life.
00:41:42Just move my little finger, will you, and they come running.
00:41:45Okay.
00:41:46Get some sleep.
00:41:47You'll be moving in a couple of hours.
00:41:49Look, I stopped by to talk to Ned yesterday.
00:41:51He wants you to come back to work at the bar once you get on your feet again.
00:41:55You interested?
00:41:56Sure.
00:41:58Why not?
00:42:00A one-handed bartender should be a great draw.
00:42:05Every bar should have at least one.
00:42:22Well, if it isn't the dynamic duo, Lieutenant Forrester and Mr. Farnham.
00:42:28Doyle, I'll give you one second to get your ass out of my chair before I toss you and the chair right out the window.
00:42:34What's the matter, Lieutenant?
00:42:35You crying the paperwork blues again?
00:42:38Doyle, get your ass out of here.
00:42:40We've got work to do.
00:42:41Hey, I'm just killing time until my suspect comes down for questioning.
00:42:44Do you know the guy they booked for attempted murder at the hospital?
00:42:48What are you talking about?
00:42:50Hey, here comes our baby now.
00:42:58He's our baby.
00:43:00Oh, no, not anymore.
00:43:02Hey, the captain's turned that questioning over to me.
00:43:05It seems you two have been delinquent at human relations course.
00:43:10Huh?
00:43:11God damn it.
00:43:12What's your bitch, Forrester?
00:43:14Bring that jackass on our case.
00:43:17Rating reports for the entire squad.
00:43:20Whole squad rates high.
00:43:23Rating reports for the entire squad.
00:43:25Whole squad rates high.
00:43:27And now we come to Lieutenant Forrester.
00:43:30Jesus Christ.
00:43:32Reports and paperwork latent and complete.
00:43:34Press relations smashed the TV camera deliberately.
00:43:37Now that was volunteer work, none.
00:43:40Favorable communications, two lousy letters.
00:43:43And last but not least, attendance and performance in departmental training classes.
00:43:49You ranked last in the entire squad.
00:43:51What about number of arrests, number of convictions?
00:43:54Sir, Mr. Forrester, this damn stuff is just as important as the street work.
00:44:00That's what the commissioner looks at, like it or not.
00:44:03Sir, we realize we miss that makeup class, but our key witness in the karate school murders...
00:44:07Karate school murders?
00:44:09Karate...
00:44:10Oh, yes.
00:44:12Now I remember.
00:44:13I read about them in the newspaper somewhere.
00:44:17Because I still don't have your report.
00:44:19Hell, we were out until 3 o'clock in the morning.
00:44:21I don't give a damn how late you were out.
00:44:23You should have taken the time to at least jot down a lousy paragraph or two...
00:44:28so that when the chief comes and questions me about it...
00:44:31I can halfway tell him something other than what I read in the newspaper.
00:44:40Forrester, you get your butt down to that human relations makeup session in half an hour.
00:44:47You put Doyle and Rossi on the case, and you will fill them in...
00:44:51and you will cooperate with them. Is that clear, lieutenant?
00:44:54Yes, it's clear.
00:44:56Now, I want a full report on your case, your former case...
00:45:00by quitting time this afternoon.
00:45:03Is that clear, lieutenant?
00:45:05Yes, clear. Right.
00:45:10And if you don't like my style, Forrester, you've got two choices.
00:45:16Either you transfer a request or turn in your badge.
00:45:19I'll take either one. Otherwise, get on with the program.
00:45:26Well, Forrester, we'll let you know how the case comes out.
00:45:32I hope you enjoy your class.
00:45:34Of course, I've already taken my class.
00:45:36Can't you tell by the way my personality's improved?
00:45:40You want a briefing on the case?
00:45:43No, I think I have all I need right now.
00:45:46I don't think my partner here is feeling any too cooperative today.
00:45:55All right, we got it. Go.
00:45:59What good's this? He'll never talk.
00:46:01He can listen. He can nod yes or no.
00:46:03The recorder won't pick up the nods.
00:46:05Well, then, Rossi, one of us is going to have to say...
00:46:08suspect gestures yes or suspect gestures no.
00:46:11Are you all set?
00:46:12Going to uncuff him?
00:46:13Do what?
00:46:15Are you crazy? You saw what those victims he hauled out of the karate school for...
00:46:19All right. Want me to start the recorder?
00:46:21Not yet.
00:46:22Wait a minute. I want this off the record.
00:46:26Now, I'm going to put this to you straight, buddy.
00:46:28Now, we've got you nailed for those murders at the karate school.
00:46:31And that attempted murder at the hospital.
00:46:35So now, if you cooperate with us, things will go a hell of a lot easier for you.
00:46:41All right. Read him his rights.
00:46:43They did that already when they booked him.
00:46:45I want it on tape, Rossi.
00:46:47All right.
00:46:50You have the right to remain silent.
00:46:52Anything you say can and will be used against you in a court of law.
00:46:55You have the right to talk to a lawyer and have him present while you are being questioned.
00:46:59If you cannot afford to hire a lawyer,
00:47:01one will be appointed to represent you before any questioning that you wish.
00:47:04If you can decide at any time to exercise these rights
00:47:07and not answer any questions or make any statements,
00:47:10you understand?
00:47:12Something's wrong with him.
00:47:13I think he's sick. I'm going to uncuff him.
00:47:15Hey, you want a glass of water?
00:47:40Ah!
00:47:42Ah!
00:47:52Ah!
00:47:53Ah!
00:47:54Ah!
00:48:00Oh!
00:48:01Oh!
00:48:02Oh!
00:48:04Oh!
00:48:05Oh!
00:48:06Oh!
00:48:07Oh!
00:48:08Ah!
00:48:18Ah!
00:48:19Ah!
00:48:20Ah!
00:48:21Ah!
00:48:23Ah!
00:48:24Ah!
00:48:25Ah!
00:48:26Ah!
00:48:27Ah!
00:48:28Oh!
00:48:38Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:49:08oh, oh,
00:49:09oh, oh,
00:49:10oh, oh,
00:49:11oh, oh,
00:49:12oh, oh,
00:49:13oh, oh,
00:49:14oh, oh,
00:49:15oh, oh,
00:49:16oh, oh,
00:49:17oh, oh,
00:49:18oh, oh,
00:49:19oh, oh,
00:49:20oh, oh,
00:49:21oh, oh,
00:49:22oh, oh,
00:49:23oh, oh,
00:49:24oh, oh,
00:49:25oh, oh,
00:49:26oh, oh,
00:49:27oh, oh,
00:49:28oh, oh,
00:49:29oh, oh,
00:49:30oh, oh,
00:49:31oh, oh,
00:49:32oh, oh,
00:49:33oh, oh,
00:49:34oh, oh,
00:49:35oh, oh,
00:49:36oh, oh,
00:49:37All units, Stone Police Vehicle 331, suspect driving, dangerous, may be armed, Caucasian
00:49:57in black undershirt.
00:50:27Go ahead and eat, son.
00:50:48I'll cook it for you, no charge.
00:50:55You look like you've got trouble.
00:51:00Just remember, no matter what happens, put your trust in God and he'll guide you to the
00:51:06right path.
00:51:07I know it's hard to believe, especially when things are tough, but God looks out for all
00:51:13of us, whether we believe or not.
00:51:17Now, I've got some pamphlets here that you can have, and I want you to read them.
00:51:24They'll help you to find God.
00:51:28And if you ever need anyone to talk to, you can always come and see Ma and me.
00:51:33And if we're not open, we live in the back, and you can come look us up anytime.
00:51:39Anytime.
00:51:40Yeah, a lot of beers and a cheeseburger.
00:52:00What the hell is this place is, man?
00:52:03I don't want to eat here.
00:52:05Shut up, asshole.
00:52:06We're eating here.
00:52:07Hey, where's my beer?
00:52:08What is this?
00:52:09All right.
00:52:10Don't mess with my hair, man.
00:52:11Don't do that.
00:52:12See that?
00:52:13Huh?
00:52:14Huh?
00:52:15Howdy, friends and neighbors.
00:52:16This is Reverend L.J. Terhugh.
00:52:17Weapon.
00:52:18That's my weapon.
00:52:19Ooh.
00:52:20Ooh.
00:52:21Hey, good looking.
00:52:22What are you doing today?
00:52:23Would you like to go for lunch?
00:52:24No, I'm good.
00:52:25I'm good.
00:52:26I'm good.
00:52:27I'm good.
00:52:28I'm good.
00:52:29I'm good.
00:52:30I'm good.
00:52:31I'm good.
00:52:32I'm good.
00:52:33I'm good.
00:52:34I'm good.
00:52:35I'm good.
00:52:36Would you like to go for a little cut?
00:52:37Leave this stiff shit you're wearing, and we'll go for a little ride.
00:52:40How about that?
00:52:41And he put his hand on me.
00:52:44That would mess up her hair.
00:52:47That's OK.
00:52:48I'll take care of her hair.
00:52:50Hey, you just sit down and be social.
00:52:52Come on, boy.
00:52:53Leave my cousin alone.
00:52:54You just serve the beer, old man.
00:52:56No, John.
00:52:57Leave it brought along.
00:52:58Leave it brought here.
00:53:00Beer.
00:53:02Hey.
00:53:05Who's the Tarzan guy?
00:53:08Hey, Tarzan.
00:53:17Are you running from the law, man?
00:53:20Hey, this guy's running from the law.
00:53:23Hey, Tony, I smell pig, man.
00:53:25I think that dude's probably an undercover cop.
00:53:28Yeah.
00:53:29Look at his haircut.
00:53:31Hey, he's gotta be a pig, man.
00:53:33I don't know, man.
00:53:35Undercover cops, man.
00:53:36They got long hair.
00:53:37That dude's got short hair.
00:53:39Eat it, turkey.
00:53:40That guy's a pig.
00:53:41Can't you smell it?
00:53:43Bad.
00:53:45Hey, are you a cop?
00:53:48Are you a cop?
00:53:49Hey, I'm talking to you.
00:53:57I'm talking to you.
00:53:58I'm talking to you.
00:54:00Tarzan, I'm talking to you.
00:54:02I'm talking to you.
00:54:03Shit, this guy's a cop.
00:54:11This guy's weird.
00:54:13Hey, don't you hear me talking to you?
00:54:19Don't you hear me talking to you?
00:54:22Talking to you, Tarzan.
00:54:25Hey, Tarzan.
00:54:28He's sitting there eating his cheeseburger.
00:54:31Tarzan, look at the muscles on that guy, man.
00:54:34Look at the long hair and everything.
00:54:36That guy's gotta be running from the law.
00:54:38Look at that outfit.
00:54:40Hey, hey, you.
00:54:42I'm talking to you.
00:54:44Tarzan, listen.
00:54:48Look at this guy.
00:54:49Look at this.
00:54:50That guy's got some muscles.
00:54:52I got muscles.
00:54:53Mine are all on the inside, though.
00:54:56Hey, this guy's got blood on him.
00:54:59Hey, what's the matter with you, man?
00:55:01Hey, what?
00:55:02Hey, what do we got here?
00:55:03Hey, man, you're all running from the law.
00:55:13You know, this old world has its ups and downs.
00:55:16Tarzan, baby.
00:55:17But on the upside is brotherly love.
00:55:19So if you haven't sent for the 3D full-color portrait of the Holy Trinity,
00:55:23well, now's the time because it's a picture so real to find
00:55:26you can almost reach out and touch it.
00:55:28Oh, shit.
00:55:29So if you send in $5.99 now for the 3D full-color portrait of the Holy Trinity
00:55:33plus the world's smallest Bible, both for only $5.99.
00:55:38Send check or money order to 3D, Box 422, Libby, California.
00:55:43There's a devil.
00:55:44Hey, look, there's a devil standing by the door.
00:55:47Oh, will you please get back down on your knees
00:55:51because there's a devil by the door.
00:55:55Yes, there's a devil standing by the door.
00:55:57Hey, now, there's a devil standing by the door.
00:56:00Oh, hear what I say, just wrap your hands around your waist
00:56:04because there's a devil by the door.
00:56:08There's a devil coming home.
00:56:13Oh, will you please get back down on your knees
00:56:17and hear what I say, hear what I say.
00:56:21And shoot the devil from the door.
00:56:25And we don't want no more.
00:56:29So will you please get back down on your knees
00:56:34and hear what I say, hear what I say.
00:56:38And shoot the devil from the door.
00:56:41Hey, it's a devil by the door.
00:56:44It's a devil by the door.
00:56:46It's a devil by the door.
00:56:49It's a devil by the door.
00:56:51It's a devil by the door.
00:56:53It's a devil by the door.
00:56:55It's a devil by the door.
00:56:56Hey, come on over here.
00:56:58You're slippery.
00:57:18Perhaps we can continue with our work.
00:57:29Mr. Gioletti has suggested we try to persuade Nathan Adams to relinquish his position without
00:57:39resorting to violence.
00:57:40You wish me to have a talk with him?
00:57:45Yes.
00:57:46But before you do, I think we need some leverage.
00:57:51Leverage?
00:57:52He has a daughter.
00:57:56Well, I'm fine, Daddy.
00:58:03I'm only 40 miles away.
00:58:10It's not like I'm on the other side of the world.
00:58:15Okay.
00:58:16Okay.
00:58:17Hey, look, if I don't finish my homework, I'll flunk out this semester.
00:58:25Can't you see the headlines?
00:58:26The bank president's daughter fails first semester of college.
00:58:30Shamed father jumps out window.
00:58:33No, I don't have any boys in the apartment.
00:58:36By the time I'm on the phone, I haven't had a chance to meet any.
00:58:41Okay.
00:58:43I love you, too.
00:58:48Bye.
00:59:12Yes, Kay?
00:59:32There's a Mr. Liu to see you.
00:59:35All right.
00:59:36Mr. Adams will see you now.
00:59:39Thank you.
00:59:43Mr. Liu, please have a seat.
00:59:52Thank you.
00:59:55I'm sorry, but I must apologize.
00:59:57My secretary didn't tell me the nature of your business here.
01:00:00I believe it was an ancestor of mine who once said,
01:00:03A picture speaks a thousand words.
01:00:05The others in the photograph don't matter.
01:00:11But you do recognize your daughter.
01:00:15We do not want money.
01:00:17Everything will work out and no harm will come to anyone.
01:00:21Harm to no one?
01:00:22Putting my daughter through this?
01:00:25She was not totally conscious at the time.
01:00:27Get out of here.
01:00:28This cheap shakedown won't work.
01:00:31You know, of course, that your financial colleagues will receive a set of these pictures.
01:00:35I can explain it to them.
01:00:36And will an explanation be sufficient?
01:00:39This is your daughter's case.
01:00:40It might be a traumatic experience.
01:00:43A shame that might haunt her for the rest of her life.
01:00:46Even though your daughter may be as sexually sophisticated as other students today,
01:00:52I'm quite sure their sexual habits do not include this.
01:00:58Our clients wish you to resign your position and recommend this man.
01:01:06What?
01:01:07Sever your connections with this bank.
01:01:10You may then relocate to a different city and resume your career.
01:01:14That will fulfill your obligation.
01:01:16You will not be asked to do anything further.
01:01:19Gioletti's behind this, isn't he?
01:01:21That, I'm sorry, I cannot say.
01:01:23Merely, deliver your letter of resignation by noon today.
01:01:27I'd be a fool to walk away from a job that's taken me my whole life to work up to.
01:01:31Just so a stooge can get into the bank?
01:01:33No.
01:01:35In that case, Mr. Adams, please move over to the filing cabinet.
01:01:40Move!
01:01:42I was hoping I did not have to resort to violence.
01:02:05Good-bye, Mr. Adams.
01:02:35Mr. Adams.
01:02:54Can't help me!
01:02:58Get in your own chain to the filing cabinet or there's a bomb in here!
01:03:03The door's locked!
01:03:04Get the key!
01:03:17Key!
01:03:29Door's locked!
01:03:35Key!
01:03:41Mr. Adams, you have the key in your desk!
01:03:50Get help!
01:03:51Hey!
01:03:52Get some help, please!
01:04:05Get help!
01:04:09Get help!
01:04:16Somebody, help me!
01:04:19Somebody!
01:04:34Somebody!
01:05:04Somebody!
01:05:34Somebody, help me!
01:06:04Mr. Adams.
01:06:35Hello, Frank.
01:06:38How did you know I was here?
01:06:40Ned at the bar told me.
01:06:44It's my lunch hour.
01:06:47He said you used to use your lunch hours to study.
01:06:53Well, I quit school.
01:06:55Why?
01:06:56I thought you had dreams of becoming an architect.
01:06:59Yeah.
01:07:01Did you get the cards I sent down to the Santa Mira Hospital?
01:07:05I tried to come down to see how you were doing, but...
01:07:08Well, my schedule's been pretty rough lately.
01:07:11Nights, mostly.
01:07:13I have a few days off now.
01:07:18Thanks for coming over.
01:07:19I'll see you out.
01:07:24I'm sorry.
01:07:26I'm sorry.
01:07:28Don't worry.
01:07:29I found my way in by myself.
01:07:32Look, I'm sorry.
01:07:35I'm the one who's sorry for getting involved.
01:07:39You don't know how it is for me.
01:07:42I know how it is, Frank.
01:07:45No one asked you to go and get...
01:07:46Get involved?
01:07:48Sure.
01:07:49No one did.
01:07:52Look, I won't be bothering you anymore.
01:07:55I won't be bothering you anymore.
01:07:58Goodbye, Frank.
01:08:06Aren't you even going to call me back?
01:08:08Wasn't thinking about it.
01:08:11I can see it's going to take some time getting used to you.
01:08:20Why would you even want to try?
01:08:23I don't know.
01:08:25Maybe by the time I get used to you,
01:08:28you'll be used to yourself.
01:08:30Would you like to come over to the bar for some coffee?
01:08:33Maybe the waiter isn't too friendly, but the coffee's pretty good.
01:08:36Is it a nice bar?
01:08:55A beer.
01:09:01That'll be a dollar.
01:09:03A buck for one beer?
01:09:07Entertainment goes with it.
01:09:16Entertainment?
01:09:17You call that entertainment?
01:09:19Shit, I swear to God.
01:09:21Entertainment?
01:09:22You call that entertainment?
01:09:24Shit, I've seen better entertainment in a zoo.
01:09:27Living in a monkey house, I'll bet you have.
01:09:34Sorry to leave you alone.
01:09:35I had to get those cases moved.
01:09:37That's all right.
01:09:39I was just watching the entertainment.
01:09:42Oh, yeah.
01:09:43Ned just hired her last week.
01:09:45He thought it'd help business, only it hasn't.
01:09:48Do you like working here?
01:09:51The hours were flexible enough, which helped when I was in college.
01:09:55The pay's fair.
01:09:57What are your plans now that you've quit school?
01:10:00I don't know.
01:10:01I just don't know yet.
01:10:03I need time to think.
01:10:05Frank, you got any change for the jukebox?
01:10:08Not now, Sharon.
01:10:10All right, Frank.
01:10:12Does she always ask you for change?
01:10:15No, that's just her way of getting tips.
01:10:17Frank, will you get me another case of beer from the back?
01:10:21Yeah, sure, Ned.
01:10:27So that was you who called on the phone, huh?
01:10:30Well, I see you've found him all right.
01:10:33Oh, yeah.
01:10:34He was down at the karate school, just like you said.
01:10:37I don't know what's gotten into him.
01:10:39He's been there every day this week.
01:10:41He's just trying to find himself.
01:10:44Well, it's a terrible thing that happened to him,
01:10:47but he shouldn't be wasting his time in a closed-down karate school.
01:10:52He'll be all right.
01:10:55Now, don't you give up on him, no matter how nasty he gets.
01:11:00If you can't bring him around, nobody can.
01:11:03Maybe your dancer can.
01:11:05Oh, I worry about him.
01:11:08Maybe your dancer can.
01:11:10Oh, I worry about her.
01:11:13Hey, get me a beer.
01:11:16All right.
01:11:18All right.
01:11:38Hey, this jukebox doesn't work.
01:11:41All right, all right, just hit it easy.
01:11:54Hey.
01:11:58Come on, now.
01:12:01Knock it off, knock it off.
01:12:03It doesn't work.
01:12:04All right, all right.
01:12:05All right, all right, I'll give you your money back.
01:12:08Let it alone.
01:12:12I want the buck for the beer back, too.
01:12:14It stinks.
01:12:15Why don't you shut the hell up?
01:12:17Hey, knock it off.
01:12:35Whoa!
01:13:05Whoa!
01:13:35Whoa!
01:14:06Frank.
01:14:09What?
01:14:12What now?
01:14:15I don't know.
01:14:17I mean...
01:14:19Where do we go from here?
01:14:22Well, I guess I go back to the bar, and, uh...
01:14:26I don't know.
01:14:27I don't know.
01:14:29I don't know.
01:14:31I don't know.
01:14:32I don't know.
01:14:33Well, I guess I go back to the bar, and, uh, you go back...
01:14:36Back to the hospital.
01:14:39I'm sorry, I didn't mean it that way.
01:14:43Maybe we should both go back to the hospital and start all over again.
01:14:47I wish we could go back in time.
01:14:51I'd like to go back a lot farther than that.
01:14:54When those three guys came crashing through that window.
01:14:57If only I'd gotten one of them.
01:14:59Trade a life for a hand?
01:15:01Yes.
01:15:03I feel a lot better about this now.
01:15:05Look.
01:15:06You should get away from here for a while.
01:15:08Get away from this apartment, away from the karate studio,
01:15:11away from the bar, from everything.
01:15:14Just for a little while.
01:15:22You said you had a few days off from the hospital.
01:15:25Three days.
01:15:27Well, maybe we could drive out to the ocean for a couple of days.
01:15:30I've got enough money for food, gas, a movie or two, and a motel.
01:15:37Is it a nice motel?
01:16:01I'm sorry.
01:16:04I'm sorry.
01:16:30Our employer, Mr. Gioletti, is arriving at his airfield in one hour.
01:16:45He's bringing the balance of the money.
01:16:48Shall we give him the usual receipt?
01:16:51But of course.
01:16:52He's not powerful enough to change our method of doing business.
01:16:57I'll take care of him myself.
01:17:00You had better take help.
01:17:03Mr. Gioletti may have the same idea about us.
01:17:23It shall be done.
01:17:30It shall be done.
01:18:00It's them.
01:18:01What?
01:18:02It's them.
01:18:03Who?
01:18:04The guys who cut off my hand.
01:18:06Get the license number.
01:18:08605 CWJ.
01:18:10605 CWJ.
01:18:12605 CWJ.
01:18:14605 CWJ.
01:18:16605 CWJ.
01:18:18605 CWJ.
01:18:20605 CWJ.
01:18:22605 CWJ.
01:18:24605 CWJ.
01:18:26605 CWJ.
01:18:28605 CWJ.
01:18:30605 CWJ.
01:18:37Get out and call the police department.
01:18:40Homicide. Ask for Lieutenant Forrester. Tell him what's happening.
01:18:43What are you going to do?
01:18:44Just get out before I lose them.
01:18:45You can't go after them.
01:18:47I'm just gonna follow them. Get out.
01:18:49Frank!
01:18:50Get out!
01:19:00Get out!
01:19:06Forrester, homicide.
01:19:08Oh, yes. What can I do for you?
01:19:09We just found the three men who killed the people in the karate studio.
01:19:13You found them?
01:19:15Now, just calm down. Did you get the license number?
01:19:20Where are you now?
01:19:22Stay there. I'll put a tracer on the license number.
01:19:24Frank's following them now. I don't know what he's going to do.
01:19:27Just stay there.
01:19:30Put a tracer out on this.
01:19:31Meet me in a car and tell them the radio has the information.
01:19:37Forrester!
01:19:38Where the hell are you going?
01:19:40I want that report.
01:19:42Look, the three suspects in the karate school murders have just been cited.
01:19:45I have a chance to pick up all three of them.
01:19:47Including the one that Doyle let escape and tear up the department.
01:19:50So, to hell with the report.
01:19:52To hell with the paperwork.
01:19:53And screw you!
01:19:57Forrester?
01:19:58Forrester?
01:20:28Forrester?
01:20:58Forrester?
01:21:28Forrester?
01:21:58Forrester?
01:21:59Forrester?
01:22:00Forrester?
01:22:01Forrester?
01:22:02Forrester?
01:22:03Forrester?
01:22:04Forrester?
01:22:05Forrester?
01:22:06Forrester?
01:22:07Forrester?
01:22:08Forrester?
01:22:09Forrester?
01:22:10Forrester?
01:22:11Forrester?
01:22:12Forrester?
01:22:13Forrester?
01:22:14Forrester?
01:22:15Forrester?
01:22:16Forrester?
01:22:17Forrester?
01:22:18Forrester?
01:22:19Forrester?
01:22:20Forrester?
01:22:21Forrester?
01:22:22Forrester?
01:22:23Forrester?
01:22:24Forrester?
01:22:25Forrester?
01:22:26Forrester?
01:22:27Forrester?
01:22:28Forrester?
01:22:29Forrester?
01:22:30Forrester?
01:22:31Forrester?
01:22:32Forrester?
01:22:33Forrester?
01:22:34Forrester?
01:22:35Forrester?
01:22:36Forrester?
01:22:37Forrester?
01:22:38Forrester?
01:22:39Forrester?
01:22:40Forrester?
01:22:41Forrester?
01:22:42Forrester?
01:22:43Forrester?
01:22:44Forrester?
01:22:45Forrester?
01:22:46Forrester?
01:22:47Forrester?
01:22:48Forrester?
01:22:49Forrester?
01:22:50Forrester?
01:22:51Forrester?
01:22:52Forrester?
01:22:53Forrester?
01:22:54Forrester?
01:22:55Forrester?
01:22:56Forrester?
01:22:57Forrester?
01:22:58Forrester?
01:22:59Forrester?
01:23:00Forrester?
01:23:01Forrester?
01:23:02Forrester?
01:23:03Forrester?
01:23:04Forrester?
01:23:05Forrester?
01:23:06Forrester?
01:23:07Forrester?
01:23:08Forrester?
01:23:09Forrester?
01:23:10Forrester?
01:23:11Forrester?
01:23:12Forrester?
01:23:13Forrester?
01:23:14Forrester?
01:23:15Forrester?
01:23:16Forrester?
01:23:17Forrester?
01:23:18Forrester?
01:23:19Forrester?
01:23:20Forrester?
01:23:21Forrester?
01:23:22Forrester?
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01:26:19Mr. Gialetti has been taken care of.
01:26:49I think it is time to take care of those three.
01:27:08Well...
01:27:49Ah! Ah!
01:28:49Ah!
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01:30:15Ah!
01:31:16Flight 983 leaves at gate 4 in half an hour, enjoy your flight.
01:31:46Flight 983 leaves at gate 4 in half an hour, enjoy your flight.
01:32:16Flight 983 leaves at gate 4 in half an hour, enjoy your flight.
01:32:46Flight 983 leaves at gate 4 in half an hour, enjoy your flight.