Igra sudbine 1126 Epizoda - Igra sudbine 1126 Epizoda
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00:00What's up?
00:05Okay...
00:07Tell me, where did that come from?
00:10What? You think I shouldn't?
00:13No, I mean, I don't know...
00:17But how did you come up with that all of a sudden?
00:21Okay, not all of a sudden...
00:24Andrej, I feel useless here.
00:27Somehow, I have nothing to do here,
00:30and then all sorts of stupid things come to my mind,
00:34and I think the job would solve that.
00:37Why is that so strange to you now?
00:40No, it's not strange at all.
00:43Look, if what you don't earn bothers you,
00:47that's not a problem for me.
00:49But if that's the motive for you to think about the job...
00:52No, no, no, that's not the motive.
00:55I just have to use my brain.
00:58Okay, then...
01:00Find... I don't know...
01:03Find a hobby.
01:05Andrej, what hobby? A hobby is not enough for me.
01:13What if I go back to the company?
01:16Of course. I mean, if...
01:19If that makes you happy.
01:21It will. Yes.
01:23Really? Yes.
01:25That's great.
01:27The old PR starts working again, right?
01:34Okay, I didn't mean the old PR.
01:39I meant...
01:42Cannes Capital.
01:53I'm sorry.
02:04Hey, where are you from?
02:06Am I bothering you?
02:08No, I'm just asking. I don't know, I didn't expect you, so...
02:11I didn't know I had to apologize.
02:13You don't have to apologize, you have to miss it.
02:15Really?
02:16Yeah, they're on your wrist like this,
02:18and it says Luka Kanački,
02:21you have to go through this.
02:23Where can I get it?
02:24It's downstairs, the lady will make it for you,
02:26and then you can order whatever you want.
02:28You can order something to drink, to eat...
02:30Can I have some wine?
02:31You can, you can have some wine.
02:34Tell me, are you...
02:37Did you come just like that, or do you need something?
02:39I came to thank you.
02:40For your great gesture.
02:42Come on, how can I thank you?
02:44I'm begging you, did you give me half the money,
02:46and spent more than fair?
02:47No, we just understood what was right to do,
02:49and then we did it.
02:52I assume that spending was your idea.
02:55Of course, whose idea is important?
02:57Why didn't you have to do it for me?
03:01We did it for the Dobrobit project.
03:03That's what we would've done.
03:05Okay, I get it.
03:07I don't want to rush who made a mistake,
03:09that now I'm accusing someone,
03:11that I'm doing these things.
03:13If we want to succeed,
03:15we have to watch out for each other.
03:18And that's how it is.
03:20You have a good business sense.
03:23I still hoped that you made that decision
03:27because of me.
03:31Yeah, maybe I did.
03:34Cheers.
03:35Cheers.
03:42Just a minute, I'll get you a drink.
03:44Come on, come on.
03:47Cheers.
03:58Look at him.
03:59Look at him.
04:00Why are you looking at me like that?
04:02Why are you looking at me like that?
04:04I haven't asked you anything yet.
04:06I know, boss, but...
04:07What?
04:08I guess what's going on, and honestly...
04:10You'll never hit her, never.
04:13I have a lot of complications with Leposa.
04:16I hope she's not involved.
04:18She's not involved.
04:19Let me go, Leposa.
04:20She's all over the place.
04:21She's like a ghost.
04:22She's just a whore.
04:23She never stops.
04:27She's involved with Gala.
04:31Really?
04:32I want to find her.
04:33Alone, you know?
04:34But I need your help.
04:36To ensure privacy and all that?
04:39That's right.
04:40You see how you're camping?
04:42There's something going on.
04:44Do you want to help me?
04:45Of course I want to help you, boss.
04:46Okay, okay.
04:47But listen to me now, okay?
04:48Don't let a snake bite you.
04:50Don't tell anyone.
04:51Me, you, and the Black Earth.
04:53Is that clear?
04:55Give me your hand.
04:56That's right.
04:57Don't fall over.
04:58Don't be afraid.
04:59That's right.
05:00That's a man.
05:03Thank you, boss.
05:09I don't care if you work at Cannes Capital.
05:12I have more work to do.
05:15Is that true?
05:17Is that true?
05:19What kind of argument is that?
05:20Why are you forbidding me to work?
05:22I'm forbidding you?
05:23Come on, what kind of man would I be
05:25if I forbade you to work?
05:26What's wrong with that?
05:29Find somewhere else.
05:31But why?
05:34You used to work at Starbillard.
05:36Right?
05:37Yes.
05:38You covered for the director.
05:42That's a nice job.
05:43It suits you.
05:44Yes.
05:45But isn't Cannes Capital also in need of a PR director?
05:48That's not the point.
05:51What are you going to do where all the women are snakes?
05:55Aha.
05:57So that's where we are.
06:00Where are we?
06:01What did you conclude
06:02based on what I said?
06:04Everything.
06:05Everything?
06:06Hey.
06:08I just want you to feel comfortable.
06:12Why would I come to a place where there's a beast,
06:14where there's such an atmosphere?
06:17I would say that you don't look at me differently.
06:21I look at you.
06:39Do you want another one?
06:40No.
06:42We have to work.
06:44That's right.
06:45This was a test and you passed.
06:50I have to tell you something else.
06:52Tell me.
06:54This mistake about the purchase of space
06:57is personally mine.
06:58Okay.
06:59What does it matter?
07:00It doesn't matter anymore.
07:01It doesn't matter to me.
07:02I want everything to be clean.
07:03Everything is clean.
07:04The mistake is corrected.
07:05Which means that it doesn't matter anymore.
07:08And that it doesn't happen again.
07:09And that it doesn't happen again.
07:10But okay, you're a smart girl.
07:12I believe that you won't make the same mistake twice.
07:15I know.
07:16But we didn't have to argue about the price of space.
07:19Now I'm just confused.
07:21What do you care?
07:22It has nothing to do with that.
07:23Believe me.
07:24It has nothing to do with that.
07:25You didn't do anything wrong.
07:26Tell me.
07:27Does this go like this
07:28or should I turn it inside out?
07:30I think it's good like that.
07:33So there's nothing to worry about.
07:36I don't know.
07:37Something strange is happening with that space.
07:39How strange?
07:41Well, the owner of the company that sold it to us
07:44is hidden in the papers.
07:48Tell me, how did you find out about that space?
07:51I talked to the executive director
07:53of a building in Serbia.
07:55But the owner of the company is hidden in the papers.
07:59Okay.
08:00We won't get into any trouble.
08:02I'll figure it out.
08:04You don't have to worry about anything.
08:07Okay.
08:08There you go.
08:10Shall we go to the studio?
08:12Let's go.
08:13Follow me.
08:26Actually, you don't care that I'm working with you, right?
08:30I do.
08:33I do.
08:34I think it's not smart.
08:35First of all, on a professional level.
08:38Or on a personal level.
08:40Time is of the essence.
08:44Let me ask you something.
08:46You don't care about Jovan, right?
08:48I do, but I'm trying to be professional.
08:52So it doesn't affect me.
08:54And I know I can't do anything about it.
08:56But you can.
08:59I'm trying to prevent harm in the future.
09:05You think I wouldn't be professional, right?
09:08I think any professional in this world
09:12wouldn't be able to change anything in Cannes Capital
09:15or change the atmosphere.
09:17Okay, but if you don't give me a chance,
09:19you can't know if it's right or wrong.
09:21It can't be better than it is now.
09:23What do you mean?
09:26I could always protect you.
09:29I could hurt you.
09:31I'm naive.
09:34Okay, don't overdo it.
09:36Besides, I believe in you.
09:38You know how to write.
09:39I'd lose a lot of energy doing that.
09:41Believe me.
09:43Andrija, please, don't talk nonsense.
09:47You're surrounded by all those strong women there,
09:50and you don't care about being a born woman.
09:56And...
09:58Did I get a job?
10:00Or...
10:03No.
10:06I have to finish something here
10:10and let me think, okay?
10:13Okay.
10:21Take a break.
10:27Let's go.
10:38Here you go.
10:39Thank you.
10:40Wait, Gala.
10:41Come on.
10:42Thank you.
10:43There's no calories.
10:44No, no, no.
10:45There won't be.
10:46Oh, God.
10:47Wait!
10:48I think there's a line.
10:49It's okay.
10:50Slowly.
10:51How are they?
10:52They look nice.
10:53And they're nice and ripe.
10:55Beautiful.
10:56Come on.
10:57Great.
10:59I'm offering them to you now.
11:01Oh, God.
11:02They're good.
11:04Do you know that I really feel like I'm on vacation now?
11:07There you go.
11:08Because you're really on vacation.
11:13And I'm bored.
11:14Do you know why you're bored?
11:16Because you've actually started to rest.
11:19That's how you know.
11:20Because I like to lie somewhere in a closed space
11:24and read some good literature.
11:26Here you go, people.
11:27These are real hams.
11:29Now they're ripe.
11:30There's no more vitamin C,
11:32which is needed for the diarrhea.
11:34Mila, it's better for you to eat this.
11:35You won't be bored at all.
11:36He says, it's better for you to eat this,
11:38and I'm eating this.
11:39Eat it.
11:40Why are you eating it?
11:41Come on, stop it.
11:42Eat it.
11:43Why did you come?
11:44You talk so much.
11:45You don't say anything.
11:46And you miss the point.
11:47Eat this ham.
11:48Eat this ham.
11:49I brought it for you.
11:50Fill your mouth.
11:51You're so nervous.
11:53Me?
11:54I'm used to it.
11:55People.
11:56Look what I found.
11:57What is it?
11:58Is that a potato?
11:59Aha.
12:00What is it?
12:01It's not a potato.
12:02It's very expensive.
12:03No, no, no.
12:04Don't eat it.
12:05It's around the apartment.
12:07So if anyone wants to do a search,
12:09they can come with me.
12:10Wait.
12:11You want to say that it's expensive?
12:13It's extremely expensive.
12:15No, he wants to say that it's cheap.
12:17Cheap.
12:18And to throw it in the garbage.
12:19Of course it's expensive.
12:20It's more expensive than gold.
12:21No, no, no.
12:22Don't eat it.
12:23We can do it ourselves.
12:24Like platinum.
12:25Wait, wait, wait, people.
12:26Do you want to take us to search and find it?
12:29I want to.
12:30Give me, give me, give me.
12:31No, no, I have to keep it.
12:32No, no.
12:33I'll give you coordinates, people.
12:34I'll give you coordinates.
12:35Give us coordinates.
12:36Where are we?
12:37Come on.
12:38What are we going to do?
12:39Tell me.
12:40Come on, let's go.
12:41What?
12:42Come on, let's go.
12:43We are Afghans and we don't eat potatoes.
12:44Come on, come on.
12:45Come on.
12:46Let's go, let's go.
12:47Let's go, let's go.
12:48Why?
12:49We're going to learn what we're going to learn.
12:51Let's go, let's get rich.
12:52Let's go, let's go.
12:53Let's go get potatoes.
12:54Come on.
12:55Gala?
12:56Are you coming with us?
12:57No.
12:58What?
12:59I can't.
13:00It's not for me.
13:01Now I'm getting into some muddy.
13:02I can't.
13:03You're a lot big, Mrs. Gala.
13:04Here, then, you take this trash.
13:05Let's go.
13:06Let's get rich.
13:07Do you hear?
13:08Potatoes.
13:09I didn't even know.
13:10Come on.
13:11Come on.
13:12Come on.
13:13What's going on?
13:17What?
13:18Don't ask me stupid questions. What's going on with the guests?
13:22They got mixed up, didn't they?
13:24Did the water run out again?
13:26No, but I found the truffles, so I'm sending them to the search to find them.
13:30What a fool you are!
13:33What did I do wrong now?
13:35How dare you announce that to the guests?
13:38We need to go hunting for truffles, to get rich.
13:42We'll go, why not?
13:45Ljubinka!
13:47Yes?
13:48Come here, quick!
13:50I'm coming.
13:51Come on, quick!
13:52I'm coming.
13:55Come on, quick.
13:56Follow the shovel, follow Aša, and let's go.
13:58What shovel and Aša?
14:00We're going to the truffles.
14:02What truffles?
14:03Come on, quick.
14:05Quick.
14:06Here, here.
14:07You too, you too. Come on, quick.
14:09Okay.
14:10Quick!
14:14Ljeposava!
14:16You're shaking like you're sitting on a hot ring.
14:20What happened?
14:23Don't remind me, get ready.
14:26Where are we going?
14:28We're going to the truffles.
14:30I'm going to the truffles?
14:31Yes.
14:32Ljeposava, how am I going to get truffles?
14:34I don't have a dress code for truffles.
14:37I'm going to work.
14:38Ljeposava, truffles don't grow on trees.
14:41You're driving me crazy.
14:43You went last year.
14:45Last year, Ljeposava?
14:47Last year?
14:48I don't want to go this year.
14:50You know what?
14:51I don't want to argue with you.
14:53You're acting like you inherited the National Bank.
14:56Really?
14:58If you die five minutes before me,
15:01I'll be happy for five minutes.
15:28I'm going to the truffles.
15:58So, children, here's what I want to say.
16:03I want to thank you for your attention.
16:06I hope you enjoyed the show.
16:09Thank you for watching.
16:12See you next time.
16:15Bye.
16:28You have to understand one thing.
16:31This is a situation that happened to us once in a lifetime.
16:37You have to understand me and the situation.
16:41Is that clear?
16:42Yes, it is.
16:44I don't understand.
16:45What's going on?
16:46Is that clear?
16:47Yes, it is.
16:48Please.
16:49Where's Dobric?
16:50Dobric is at the apartment.
16:51He's applying sunscreen.
16:53He'll join us.
16:54He'll apologize to you later.
16:55He's coming with us, right?
16:56100%.
16:57Okay.
16:58So, children.
16:59What's happening now is a joint investigation,
17:03and we have to set some rules.
17:08Okay.
17:09So that everything is fair and concrete.
17:13Is that clear?
17:14Yes, it is.
17:15I can't say that I don't believe you,
17:18but I can't even express myself as if I believe you.
17:22I repeat.
17:23This is a joint investigation, and what does that mean?
17:26What does it mean?
17:27All the tarts...
17:28Did I say that right?
17:29The tarts...
17:30Yes, the tarts.
17:31...that we find,
17:32we put them on the grill.
17:34Okay.
17:35Then we sell them,
17:36and we divide them equally.
17:39Is that clear?
17:40Yes, it is.
17:41I didn't hear you.
17:42Yes, it is.
17:43All right.
17:44If someone, by chance,
17:48takes a tartifle for himself,
17:51he will pay a heavy penalty.
17:54Not an ordinary one, but a heavy one.
17:57Is that clear?
17:58Well, I don't really care about those heavy penalties.
18:01What does that mean?
18:02What is a heavy penalty?
18:03I mean...
18:04Huh?
18:05Can I ask?
18:06You can't.
18:08A penalty is a penalty.
18:09The rules are the rules.
18:11I'm asking you to respect me,
18:13so that the fat guy doesn't end up like you.
18:16Sure.
18:17Kids.
18:18Huh?
18:21We're going to the woods,
18:23to roll around in the mud,
18:25like poor people.
18:27And we're coming back
18:29like rich people.
18:31Is that clear?
18:32Yes, it is.
18:33Yes, it is.
18:34Follow me.
18:35Grab your tools, and let's go.
18:38After the tartifles.
18:39Come on.
18:40Tartufles.
18:41That's what I said.
18:42Follow me.
18:43Let's go.
18:44To the left.
18:45To the left.
18:46To the left.
18:47To the left.
18:48Let's go.
18:49Let's go.
18:50Let's go.
18:51Do we have a song?
18:52Let's go.
18:54SORRY FOR THE LATE RETURN
19:12Hey.
19:13Boss.
19:15What's up?
19:17I don't know.
19:19I don't know yet.
19:22Sit down.
19:28You haven't been to Kosmaj again these days.
19:33To Kosmaj?
19:34No, no, God forbid.
19:35Not since you forbade us.
19:37We wouldn't think of it.
19:42I don't know, let me check.
19:45Because
19:46I got a package.
19:49Right from there.
19:52From Kosmaj.
19:54Ask one more.
19:56From Kosmaj?
19:59Yes.
20:00From Kosmaj.
20:01It's from Mida Pjarović.
20:03See?
20:04She's writing.
20:07What's inside?
20:10I'm asking.
20:13I hope you didn't forget something.
20:17No, we're far from that.
20:19When we said we wouldn't, we won't lie to you.
20:23We won't.
20:25Okay.
20:27Trivanović.
20:31Then it's best if
20:34you open the box.
20:37Me?
20:43I can, boss.
20:44No problem.
20:45Thank you for the honor.
20:47You don't have to thank me.
20:49But I need a colleague.
20:51I need a hand.
20:53I have a gift.
20:56I'm in pain.
20:58It hurts.
21:00Sometimes I feel like
21:02I can't tie my shoes.
21:05How do you tie your shoes?
21:08With a bow tie.
21:13Guys,
21:14you didn't hide anything, did you?
21:17Don't you think there's a bomb inside?
21:24A bomb?
21:28Why would we think there's a bomb inside?
21:31Is there a reason for a bomb?
21:34Boss, even if it's a bomb,
21:36I'll open it for you.
21:38It's a gift.
21:41You want to open it?
21:43Great.
21:45Come on.
21:46I didn't mean to...
21:47Come on, Trivanović.
21:49You said you'd open it.
21:51No, no.
21:52What's wrong?
21:53If there's a bomb inside...
21:55Come on, open the box.
22:03Okay.
22:04I'll open the box, but...
22:08I don't have a scarf, boss.
22:14Here.
22:16My boss' scarf.
22:22Come on.
22:44And where are your promises?
22:46Tartuffe and the Black Death?
22:48I'll finish 200 kilos.
22:50Be patient, girls.
22:52They've always been here.
22:53We'll find them somewhere.
22:55We can't let other people find more than us.
22:59We have more than us.
23:01So, one.
23:02If someone finds one,
23:04it means he won,
23:05because we didn't find anything.
23:08Just dig, darling,
23:10and don't worry, you won't finish.
23:12Come on.
23:21Come on, my dear.
23:23Open it.
23:24There's nothing to be afraid of
23:26if your conscience is clear.
23:28Come on, colleague.
23:29You can do it.
23:30Here, here.
23:31Now I'll just...
23:36Maybe we know what could be inside.
23:41We'll find out when you open it.
23:45Great.
23:47Great.
23:52Great.
24:00Sit down.
24:04Boss, I just remembered.
24:06Yes?
24:07Everyone who did my surgery,
24:10I had a copper surgery,
24:12and I saw they wash their hands.
24:14Maybe I can just wash my hands first.
24:16I just remembered,
24:18if I may,
24:19I'll be on duty soon,
24:21just...
24:22What?
24:23So we explode, right?
24:25Why would we explode?
24:26You'd be ashamed.
24:27No one's getting out of here.
24:29Asshole.
24:30Come on, Trivarovic.
24:31Open it.
24:32Here, boss, just...
24:33Come on.
24:34I'm looking at Google to make the first cut.
24:38Okay.
24:40Okay, okay, okay, okay.
24:51Plitko!
24:56Oh my God.
25:04What?
25:08Huh?
25:10What could it be?
25:15Huh?
25:17Whiskey?
25:21Whiskey, boss!
25:23We're alive, boss!
25:25We're alive!
25:26Whiskey!
25:28Boss is alive!
25:30Wait, wait, wait.
25:31How do I open it?
25:32How do I open it?
25:34Oho!
25:35Whiskey, boss!
25:37How do I open packages, man?
25:39To a friend in Nebojši Tambor,
25:40as a token of gratitude for saving his daughter.
25:44Oh!
25:45Heartfeltly, Mido Pjanović.
25:47Bravo, Mido, bravo.
25:49Huh?
25:50Look at Mido, look at Mido.
25:52Hey, hey, hey.
25:53He needs some help.
25:54No, thank you.
25:55You can go to Sokić now.
25:57No, I volunteer.
25:58We'll have a nice break for Sokić.
26:00Slowly.
26:01Here.
26:02Now?
26:03This isn't for kids.
26:04Come on.
26:05Now.
26:06Right now.
26:07Come on, come on, come on.
26:08What are we going to do?
26:09No, no, no, no, no, no, no, no.
26:10It's dangerous.
26:12Come on.
26:16Thank you.
26:17Great.
26:18Enjoy.
26:19Come on.
26:26Mido, Mido.
26:28Come on, sir.
26:31Is it good?
26:33Huh?
26:41Oh, my God, Mido.
26:43What is it?
26:44You're dangerous, dangerous.
26:46Me?
26:47You, you.
26:48Oh, me?
26:49Please, don't.
26:50I'm not a mother.
26:51It just seems so to you.
26:52Of course not.
26:53I'm a gentle, huge woman to you.
26:56Do you understand?
26:57Is that so?
26:59God help me.
27:00What were you thinking?
27:01What?
27:02Tartuffe.
27:03On Cosma.
27:04So, I don't remember when I heard something so creative or how.
27:09That's right.
27:10Do you like my Mido liquor?
27:13I'm not for drinking yet.
27:15Do you understand?
27:16Come on.
27:17You've been with me for a hundred years.
27:18And you've been with me for a long time.
27:25I have to tell you.
27:26Tell me.
27:27I'm glad you gave me a chance to be alone with you.
27:32Me too.
27:33But I'm sorry you only have this apartment.
27:37We're forced to play these games.
27:39Do you understand?
27:40I'm a little bit bored.
27:42A little bit, a little bit.
27:44What do you mean?
27:46I mean, I told you I love traveling.
27:51Me too.
27:53But we always dream about exotic places, islands.
27:59Although I'm aware that you need a lot more than an apartment.
28:05I'm aware of that.
28:07Forget about apartments.
28:10Apartments are not important.
28:13I have as much cash as you want.
28:18Do you have Mido in your life?
28:20I have Mido in my life.
28:21You do?
28:22You're lucky.
28:24Thank you.
28:26You're lucky.
28:27Thank you.
28:28You're lying to me.
28:29Don't lie to me.
28:30Me?
28:32Why would I lie to you?
28:34I don't lie without you.
28:35Where's Mido?
28:40Vanja.
28:42I'm glad you came to me.
28:45There's a lot to do.
28:49I gave you a list with all the reports.
28:54Okay.
28:56Where are the reports?
29:01Here they are.
29:05Is something wrong?
29:07No, everything's fine.
29:20Do you know what I'm interested in?
29:24What idiot sent us five kilometers away from home to look for a turtle?
29:29It wasn't me.
29:30I called her nicely, so you wanted to go.
29:33I was forced to come here.
29:35It's not my fault.
29:37You need a little recreation.
29:39Why are you complaining then?
29:42I don't need recreation.
29:49Let's go.
29:57Let's go.
29:59I'll take you to the pool.
30:01Okay.
30:02To the fireplace.
30:03Okay.
30:04To the piano.
30:05Okay.
30:06Tell me, did you go to the forest and make a hole and bury the money?
30:10You know what Mido looks like to you?
30:13That I dig a hole to hide the money, so it doesn't show.
30:18No.
30:19I'll tell you.
30:20You'll tell me everything.
30:34When you wanted my job so much,
30:37this is the perfect opportunity for you to prove yourself.
30:41I doubt anyone can prove themselves by putting numbers in tables.
30:45But okay.
30:46And when you finish it,
30:48you need to put the tables from last year in the middle.
30:53For which there is probably no need anymore.
31:12Let's see what you've prepared.
31:15Can I?
31:16Of course.
31:17Thank you.
31:19I didn't know if you like basil.
31:24I didn't want to overdo it.
31:29It's great.
31:30Is it?
31:31Yes.
31:32Come on, please.
31:33Let's eat together.
31:34Great.
31:35I'm glad you like it.
31:46Excuse me.
31:50Wait.
31:51What materials are we talking about?
31:53I'll tell you now.
31:55It's somewhere...
31:58Good afternoon, girls.
32:00Hi.
32:01I found out who the owner of the space is.
32:16Can I ask you to take Vanja to the office with me for a while?
32:21No.
32:23Please.
32:25Maybe I need Vanja now.
32:28Maybe you need her.
32:30And if she goes with me for a while, the company will go bankrupt.
32:34It's a matter of principle.
32:45Here I am.
32:59I'll put your necklace tomorrow.
33:16Where is he?
33:20Who?
33:21Don't be crazy.
33:22Where is Mido?
33:24I really don't know why I would have that information.