Igra sudbine 1114 Epizoda - Igra sudbine 1114 Epizoda
Igra sudbine 1114 Epizoda - Igra sudbine 1114 Epizoda
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00:00This is how it's done.
00:12Like this.
00:14Did you lock it?
00:16I did.
00:18But if you don't believe me, here's the key.
00:22Check it.
00:24Alright.
00:26There you go.
00:28That's where your infatuation got us.
00:30A real slave.
00:32And why you?
00:34Why me?
00:36Seljo, don't beat around the bush.
00:40First of all, we're not in a slave,
00:42we're in a prison.
00:44Do you understand?
00:46So what?
00:48So what?
00:50Where is it in the world
00:52that you have the key
00:54with the signs on it?
00:56We're not in a slave,
00:58that's just how it looks.
01:00Alright.
01:02I mean...
01:04Here's what this boss is doing to us.
01:06He's a monster.
01:08He's tearing us apart
01:10like two pigs.
01:12Hey.
01:14What do you think?
01:16Where is he?
01:18Who?
01:20The boss.
01:22He won't let us go, will he?
01:24He won't let us go, don't worry.
01:26Don't worry, he won't let us go.
01:28I know him.
01:30That's not why I'm asking you, Seljo.
01:32That's not why I'm asking you.
01:34I've got a flip-flop.
01:36A nice, salty flip-flop.
01:38So I'm thinking,
01:40should we disconnect,
01:42just for a second,
01:44so I can get it and come back?
01:46Where are you going?
01:48I'm going.
01:50What's wrong with you?
01:52Is he really arresting us?
01:56Come on, man.
01:58You're not yourself.
02:00You're not yourself, man.
02:02What kind of flip-flop is this?
02:04It's salty
02:06and a little hard.
02:08Come on, man.
02:10We're in trouble.
02:12You're fucking up.
02:14What did you say?
02:16Salty and hard?
02:18And a little...
02:20crunchy.
02:22You know, when it sticks to you for a second.
02:24I know, I know.
02:26I'm thinking about something.
02:28Maybe I could eat a flip-flop.
02:30I'm telling you.
02:32I'm telling you.
02:34Let's call the guard.
02:36Let's jump on him.
02:38Call him. You know him.
02:40Guard! Don't call him a flip-flop.
02:42Don't call him a flip-flop.
02:44Guard!
02:46Guard!
02:48Guard!
02:50Guard!
02:52Guard!
02:54You have to come.
02:56We need you.
02:58Where is he, man?
03:00Guard!
03:14The End
03:36Hello.
03:37Tomislav, it's me.
03:40Where is the mother of my child?
03:43How would I know where Mirjana is?
03:47Maybe it's because you sent cars to pick her up.
03:50I really don't know what you're talking about.
03:52No, no, no, no. You know, you know very well.
03:56Mirjana wanted to see me, and that's why you did it.
04:01No, I don't know.
04:03If I knew, I would have made sure that she wouldn't see me.
04:07Not now, but never.
04:09Okay, and who came to pick her up?
04:12How would I know?
04:14I hope the driver is the one you gave me.
04:17Does he call you on the phone?
04:20No.
04:21Listen to me, driver.
04:23If Mirjana doesn't show up in the next few hours, you'll have a job to do.
04:28And you know very well what that means.
04:31Okay.
04:42How did she decide to take such a step?
04:53I don't know. She just called me and asked for a date.
04:56I booked it for tomorrow.
04:58When? I didn't expect that.
05:00And? How did she sound to you?
05:02Very polite.
05:03It's not crazy if you thought that.
05:05At least it doesn't seem that way.
05:07No, it's nothing.
05:09I was just surprised by such a turn of events.
05:12According to Andrija's words, the therapist's persuasion lasted.
05:16You know that she was resistant to just mentioning psychotherapy.
05:20Well, you misjudged.
05:22I understand that this doesn't suit you.
05:25Why wouldn't it suit me?
05:27Well, maybe you thought that the chaos would last.
05:30Don't be rude, I'm not your patient.
05:34Okay, okay, let's put the joke aside.
05:36Please be careful not to be disappointed later, okay?
05:39I don't understand.
05:41Just be careful.
05:42The fact that Una and Andrija are currently in, let's say, bad relationships,
05:46doesn't have to mean that it's exactly like that.
05:48What do you mean?
05:49It's like I told you.
05:52That's how it is right now.
05:54But only they know what's going on between them.
05:57Very often, very strange things happen in the end.
06:00Okay, you know best.
06:02After all, you're an expert in that field.
06:05That's why I'm telling you.
06:07Don't let yourself be collateral damage between them,
06:10no matter how close you are to Andrija.
06:13Milena, I have nothing to lose.
06:31And whose daughter?
06:33What whose daughter?
06:35My daughter.
06:37Okay, and who is your daughter?
06:39Her name is Ljubinka Pljanovic.
06:42Ljubinka, okay, and what's your name?
06:45I'm Ido Pljanovic, the owner of the apartment Pljanovic,
06:49if you haven't heard of me.
06:52Okay, what does that have to do with me?
06:55Are you Debojsa Tambura, the boss of the police station?
06:59Yes, I am.
07:01Well, how many times do I have to ask you what you have to do with this?
07:05Okay, what do you want from me, man?
07:07Listen to me carefully, Tambura.
07:10Your inspectors stole my child.
07:13I want to solve this right now, right now.
07:17Which inspectors? What are you talking about?
07:20Zeljanovic, some Trivanovic.
07:24Oh, them.
07:26Are you sure about that?
07:28They disappeared this morning when they left for Belgrade.
07:32You see, you're talking to the director of the police station.
07:34Where did you get my number from?
07:37I asked my friend Stojano from the third department.
07:41He nicely explained to me that these people are yours.
07:44And they are mine.
07:46And I'll cut off their skin from the back,
07:49if that's exactly what you're talking about.
07:52Listen to me, Tambura, I just want my child back.
07:55Is that clear to you?
07:57Okay, I'll call you back in ten minutes.
08:00Tambura, thank you very much.
08:03Bye.
08:05What a horse.
08:09Ilija!
08:15Bring me those two suspects from the courthouse.
08:19Right now.
08:27I'm sorry.
08:48Here you go.
08:50Thank you for coming.
08:52You're welcome.
08:54Grandpa doesn't look like he came for his mother.
08:58It's very possible.
09:00Actually, he certainly didn't.
09:02She has her own driver.
09:05Yes, yes, yes, I know that.
09:09I just don't know where she could be.
09:13Maybe she went to the park to feed the pigeons.
09:15I don't know.
09:17I don't know.
09:23Mia.
09:25Dušan, I...
09:27You see...
09:29We're here now.
09:31Where we are.
09:33But...
09:35I didn't bring you to this park by accident.
09:42Twenty-something years ago,
09:46your mother was feeding the pigeons in this park.
09:50She wasn't just here.
09:52She was on that side,
09:54on that hill, across the road.
09:57Wait, you actually met her here.
10:00Yes.
10:02Yes.
10:04I watched her.
10:08And I admired her.
10:13I'm going.
10:15I'll see you there.
10:17No, I'll see you at Tarec's.
10:19I'm going.
10:41Look.
10:43It's great.
10:46What, you don't like it?
10:48No, no, it's great.
10:50Then what is it?
10:52Nothing.
10:54Come on, tell me.
10:58What did you have for dinner with Luka?
11:02What did I have?
11:04I don't know what I had.
11:06But I know I had a great time.
11:08That's not funny, Laura.
11:10I know, but you need to relax.
11:13When you do that,
11:16what do you think will happen?
11:18Unsafe moves.
11:21If we do that, it's your fault.
11:24How?
11:26I had an anxiety attack and you didn't call.
11:29What does that have to do with anything?
11:32Someone else called.
11:34Ah.
11:36So Luka showed up to save you.
11:39Next time, call the doctor.
11:41You know I won't.
11:43They'd just bite me now.
11:46Why are you doing this, Laura?
11:48When we started collaborating,
11:50it's not very smart to go around him.
11:54You see, it turned out to be smart.
11:57Because I found out
11:59that they suspect I'm stealing them.
12:09I'm sorry.
12:23Thank you, Ilija.
12:26You called us, boss.
12:31You're lucky I didn't shoot you.
12:35What happened, boss?
12:38What happened?
12:39I knew you were stupid.
12:42But I didn't know you were this stupid.
12:47You don't know what this is about, do you?
12:50We don't, boss.
12:52Here.
12:55What did you do with Ljubinka Pjanovic?
13:00Her father told me to stop you.
13:04Nothing.
13:07He says you stole his daughter.
13:12We...
13:14Come on, say it,
13:16before I throw you in jail.
13:18Boss,
13:20no one stole Ljubinka.
13:23I guarantee you that.
13:27Okay, let's rephrase this.
13:31What did you do with that girl?
13:35Nothing, boss. I didn't do anything.
13:39She's the girl Trivanovic fell in love with.
13:46Fell in love?
13:50Where's his daughter?
13:53Boss,
13:55I didn't even say goodbye to her
13:58when we left, so...
14:02I took a walk.
14:03Walked where?
14:06Maybe.
14:08Maybe she was running after us,
14:12after the cars to Belgrade when we left.
14:15Why is she running?
14:17And?
14:18Maybe she fell?
14:19Although I didn't look through the rearview mirror.
14:23I don't know.
14:25Come on, get out.
14:29Get out and go to Kosovo.
14:33Find her and don't come back.
14:36You didn't find that girl.
14:38Because I did.
14:39I'm sorry.
14:40What's wrong with him?
14:41I don't know.
14:44Let's go.
14:46Close the door.
14:48Door!
14:51I'm sorry.
14:59Yes, yes, you heard right.
15:11How do they think we're stealing?
15:13Well, first they asked for fabric prices,
15:16and then they asked who the suppliers are.
15:19I mean, when everything is tied up,
15:21it's clear what they're thinking.
15:23That's right.
15:24They just got here, and they're already shooting high.
15:27It seems so.
15:30And what are we going to do with them now?
15:32Questo non va bene.
15:34Over time, their distrust will grow and grow,
15:38and one day it will escalate.
15:41Well, it depends on how we behave.
15:44Do you think we should tell them?
15:46No, it's not like that.
15:48Do you have a better plan?
15:50Well, yes.
15:51Let them pull the trigger first.
15:55What exactly do you think?
15:57Let them pull the trigger first.
16:01And then?
16:03Then I'll pull the trigger.
16:08You have strong nerves, Laura.
16:12It's an experience.
16:14Just make sure they don't run away with someone else.
16:17They won't, don't worry.
16:19The money is good, you know?
16:21Money is money.
16:22Leave that to them.
16:24If they want to work with us, they have to respect us first.
16:27That's right.
16:29We are prestigious professionals.
16:33And that's why you shouldn't run your mouth on private evenings.
16:40Even when my heart is in my mouth.
16:42No, Laura, not even then.
16:54A few hours later
17:10Oh, Seljo.
17:12I'm so tired.
17:16It's not your first time, get used to it.
17:19Ever since you put your eyes on this doll, we've been sleeping on wheels.
17:25Man, I'm so tired.
17:29I can't move properly.
17:33What's wrong with you?
17:34Why are you smearing yourself?
17:37Why am I smearing myself?
17:38I should see you in my place.
17:40What?
17:46Hello?
17:48Did you find him?
17:52Boss, the investigation is underway.
17:55It went left and right.
17:57They caught him.
17:59What does that mean?
18:01We searched the whole bar last night.
18:04Boss.
18:05Barbers.
18:07Cafes.
18:08Restaurants.
18:10He's nowhere to be found.
18:12I sent you to the space.
18:14Not to the Alps.
18:15You can search the whole Alps in 45 minutes.
18:19Keep searching.
18:20We will, boss.
18:22But we have to rest.
18:24What do you mean rest?
18:26Are you provoking me?
18:28We're not provoking you.
18:30Don't come there so I can show you.
18:33Boss, there's no reason for that.
18:37Those are mafia styles.
18:39We understood everything.
18:41You don't have to come.
18:42We'll find him.
18:44Nice to meet you.
18:47You don't listen to me at all.
18:49It's the same when you show me.
18:51It's the same when I show you.
18:53Come on.
18:54You're like a snake.
18:56I'm not a snake.
18:58We have to go.
19:00Yes, boss.
19:10Hello?
19:12Don't tell me what to say.
19:14What nice news.
19:16We've been looking for your daughter all night.
19:20We haven't found her yet.
19:22Do you have an idea where else we could look for her?
19:26I don't know.
19:27I've called everyone I know.
19:29No one has returned her.
19:31I'm sorry.
19:32There's no result.
19:34I hired additional patrols from Mladenica and Topola.
19:38At least see that something is happening.
19:41I'll call you personally as soon as we find a trace.
19:46Thank you, my good Neša.
19:48You're trying, thank you.
19:51Emid.
19:53What's going on?
19:55Is there a trace of Ljubinka's voice?
19:58Don't ask me anything.
20:00There's nothing yet.
20:12Ljubinka
20:24Gvozden, you're here.
20:26Yes.
20:29I'm here since last night.
20:34You didn't sleep?
20:38I didn't.
20:41I've been thinking about everything.
20:44About you, about time.
20:47About us, about our child.
20:49You.
20:50How are you?
20:51How are you this morning?
20:53I'm fine.
20:55I've been fine since I was alone.
20:58I don't want to remember the clinic.
21:01No, no, you don't have to.
21:03You don't have to remember.
21:05There are a lot of things in life that we shouldn't remember.
21:11Especially the past.
21:14It's lost.
21:16It brings you back.
21:18But it doesn't exist.
21:20The past is over.
21:23We shouldn't remember anything but us.
21:26Yes, us.
21:28Our us.
21:31Hm.
21:33Tell me...
21:36Why didn't you call me?
21:38Why didn't you answer my call?
21:40On purpose.
21:42Why on purpose?
21:45Because I wanted you to know where to look for me.
21:52That's it. I understood your message.
21:55Yes.
21:58And thank you.
22:00Thank you for everything else.
22:03Thank you for not having to talk.
22:06To...
22:08To make amends.
22:10To go back to the past.
22:12Which doesn't exist.
22:14I thanked you for that.
22:16Alright.
22:19Where do you live now?
22:24I'm here.
22:27I mean...
22:29I live with my brother, Andrej.
22:33I hope I'll finally meet him.
22:36Of course you will.
22:38I'm sure you will.
22:41We'll call each other.
22:43We all care about where we are.
22:45And we'll see where he is.
22:58Do you still have that habit?
23:03Like her?
23:04Yes.
23:05Ljubinka?
23:06Of course.
23:07We used to know where she was and who she was with.
23:12Mido, that's not normal.
23:15She has to be alone once in a while.
23:18I know.
23:19I agree with you.
23:21But not like this.
23:23And not like that.
23:25What are you going to do, Mido?
23:27Make her run away?
23:29I will.
23:32What do you think?
23:34Is her disappearance a rebellion?
23:38Rebellion?
23:39Yes.
23:40Rebellion against whom?
23:42Against you, the boring one.
23:44And her mother.
23:46Come on.
23:47Mido, she's only 26.
23:49And you still keep an eye on her.
23:52Maybe she just wanted to give you her soul.
23:57Maybe you're right.
24:00I don't know anything anymore.
24:05Come on.
24:06Don't give up.
24:07Everything will be fine.
24:09You'll see.
24:10Ljubinka is not a child.
24:12She's not a needle in a haystack.
24:15I know she's not a child.
24:17But she's lost in this world.
24:20Maybe you're right.
24:22Maybe we overprotected her.
24:24Maybe we worried too much.
24:26We didn't protect her.
24:28Mido.
24:29You'll see.
24:30Everything will be fine.
24:32I have a strong instinct.
24:34My instinct has never failed me.
24:36Thank you, my princess.
24:38Just don't tell me...
24:40Don't tell me she's alive and well.
24:42She's alive and well.
24:46You should take care of Trivanovic.
24:49Did he cast an evil eye on her?
24:51Yes.
24:52She's not indifferent.
24:54I saw that.
24:55I know.
24:56Where did he find so many people?
24:59Where did he find that idiot with small eyes?
25:02Did you have those eyes when you were young?
25:05Me?
25:06Obviously not.
25:07I was a man with two eyes.
25:09As soon as I was pretty, I took them.
25:13Come on.
25:14Drink that coffee.
25:19Yes.
25:33Yes?
25:40Hello, Grandma.
25:42Hello.
25:45Is something wrong?
25:47On the contrary.
25:48It's nice to see you back at work.
25:51Well...
25:52I finished something briefly.
25:55And everyone is on vacation.
25:58I won't be back until the end of this week.
26:01Alright.
26:06Well, I wouldn't say everything is alright.
26:10Are you okay?
26:12I am.
26:13Thanks for asking.
26:15And...
26:16How is Una?
26:18She's better.
26:20I'm glad to hear that.
26:26Andrija?
26:29Why didn't you tell me that Una booked a meeting with Milena Burazar?
26:34I wasn't obliged to tell you.
26:37Well, no.
26:38You're not obliged.
26:39But since it all came to me...
26:42She told you about Milena Burazar.
26:44What's her problem?
26:45This.
26:46This.
26:47Stop.
26:51Thank you for the message.
26:53It means a lot to me.
26:55Just don't expect me to share my problems with you.
27:03You already shared them, Andrija.
27:12You already shared them, Andrija.
27:22Here you go.
27:23Thank you.
27:24I'm Milena.
27:25Una.
27:26Nice to meet you.
27:27Here you go.
27:28Thank you.
27:32It's nice here.
27:34Well, yes.
27:36I'm already familiar with this place.
27:39What do you think?
27:42It doesn't matter. Forget it.
27:45I'm trying to make my patients feel at home.
27:49That's right.
27:51That's the first step towards getting closer and trust.
28:07Here you go, Milena.
28:13There's no cafe on Kosmaja that we haven't been to.
28:16The owners will think we're taking their rivers.
28:21Seljo, you said it nicely. On Kosmaja.
28:25Do you learn Serbian?
28:27Bravo. Thank you.
28:28And secondly, if we've already been to every place on Kosmaja,
28:33why would we come to this one?
28:42Kosmaja, Serbia
28:53It had to be beautiful.
28:56I'm sorry for mom, but there's no rose on dad.
29:02You're not just a rose, you're...
29:04Let me finish this.
29:06Mom and dad are alone at the club.
29:12Kosmaja, Serbia
29:30How was the first session?
29:32Fantastic.
29:42Kosmaja, Serbia
29:50What prices are you talking about?
29:53The prices of these exclusive goods.
29:56And what exactly doesn't add up?
29:58According to the information we've gathered,
30:01these prices here differ from the prices on the market.
30:05The prices on the market are affected by various factors.
30:08I agree with everything that can happen during calculations.
30:24If you were an ancestor, you'd turn the sky and the earth upside down.
30:29Every stone would know what it looks like.
30:33Shut up, shut up.
30:34Shut up?
30:36I like it best with men, like you.
30:39Shut up!
30:43Hello?
30:44Kosmaja, Serbia
31:06Tell me, how was the first session?
31:10I told you, it was fantastic.
31:14Kosmaja, Serbia
31:27I'm freezing.
31:28Why are you freezing to death?
31:30I'm more afraid that you'll melt from that tea.
31:34I hope that I'll survive.
31:38Where are you guys?
31:40What are you doing?
31:41Hi.
31:43Where are you?
32:06It went well, what?
32:09It went well.
32:12I'm very interested in how it looks like when the project is bad.