TAMARKA (Episode 4) ♥ TOP ROMANTIC MOVIES

  • 3 months ago
#GetMoviesEnglish #romantic #MOVIE
Tamara is an employee of a private gallery who is accused of stealing jewelry belonging to the famous collector Dubrovsky. The owner of the expensive baubles, filled with righteous anger, after talking to Tamara, soon realizes that she is more a victim of a scam than an artful villain. Moreover, Dubrovsky falls in love with the snatcher, and she reciprocates. But on the way to happiness, as usual, there will be obstacles: the owner of the gallery, on whose favour the woman depends in some
way, has long been hopelessly in love with Tamara, and Dubrovsky has a wife, and she, naturally, is not delighted with the situation.

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Transcript
00:00You
00:19Tamara
00:20You're Stanislav
00:22That's right. The gallery director
00:24Yes, they told us to bring you Kolmogorov's painting the thoughts of mushroom rain, that's fantastic
00:30We'd like to settle all formalities, of course
00:33Let's get all of the
00:35formalities a moment
00:38I'd like to see the cover letter from the gallery director. Yes. I don't think that's necessary because I've been working with you
00:44I've say for many years and I'm his future wife. That's exactly why I
00:49Would like to see the cover letter before we take this
00:52I don't want stars tonight to be accused of stealing this painting later on
00:55Oh, I mean, we don't even have any idea how this painting left. Yes a's gallery
01:03You should not have told me that you loved Kolmogorov, I don't understand something here. What don't you understand?
01:09Why are you in a first-name basis with her? I am formal to people
01:14I don't know and that I know and respect. Yes
01:16I've known her for a long time, but I don't respect her. So I'll be informal and
01:20You're going to regret that soon
01:23Nadeshita, there's no need to talk to him like that right now. We can only pity him. That's all
01:29He's been lied to cheated on and God knows what else and now he's busy humiliating other people. I get it
01:35He's not a real man
01:37You should have called yes say rather than saying such stupid and nasty things. In fact now I'll call him
01:44Who even are you?
01:46Mm-hmm. I'll take care of him. Just a minute. Bring us the sign form confirming the painting has certainly here
01:59Hello
02:00Yes, say it's me. There's a gentleman here. Well, actually not a gentleman just a man
02:05Anyway, he doesn't believe the painting was delivered with your permission
02:10Of course, I'll put him on yeah
02:16Dobrovsky speaking
02:21Hello you say
02:26Thank you very much, sir, you have no idea how grateful we all are here
02:32Thank you very much. Yes. Yes
02:34Yeah, of course, of course
02:38I'll give you I
02:41Advise you yes, sir. Please. Let me escort the woman and painting back to you
02:48At the end of the exhibition
02:51Well so that nothing can happen to it no not about tomorrow
03:02All the best to you. Goodbye. Mm-hmm
03:06Everything okay. Yeah, he's a bit angry, but that's all right. I just want him. Uh
03:13ladies fill in the date and sign
03:18Hmm is that you're real guys if you'd be kind to help. Yeah. Thanks, and that's perfect
03:35Um, allow me
03:48Put the box on the floor the floor. Mm-hmm. Be careful, please. I'm worried
04:00Have you seen this work? No, I haven't
04:05Well now you will
04:17This one's named the thought of mushroom rain
04:28But now where can I put it
04:36There
04:41It is beautiful now
04:45It needs some light concentration
04:49I'll add a device here. Mm-hmm. Don't you dare? What do you mean?
04:55You want to ruin the painting
04:58What do you mean
05:00The colors in this painting are muted. I can see that what is depicted in the painting
05:05I can see that the colors are muted. I need to highlight it with light
05:08I'm asking you what is depicted in this painting? Are you kidding me? No, I'm just asking
05:14Yes, I do know what is depicted in this painting and what's that?
05:20Well
05:23I'm clear weather clouds and the Sun breaking through them
05:27more
05:29Nature and a meadow not a matter. What is it then?
05:32It is a flax field. What's the difference?
05:35I feel there's a colossal difference in any agricultural book. It is written that flax thrives in
05:42dimmed and darkened weather
05:45Beautifully said get it. I suggest you take it easy. Yes
05:48Since when are we informal? Well, you've been informal with me. I
05:55Only address people formally if I respect them
06:09But it is not going to hang here anyway, it is going to hang somewhere else well then show me where
06:14Let's not fight really the painting can hang wherever you like
06:30What do you want
06:44You
06:46The gallery is closing down
06:50You will have to go to the hotel now
06:52I'm staying here. I had orders to protect the painting. I'm on duty now
07:04There will be security here at night I assure you nothing will happen to the painting
07:09In the morning you can come and take up your post again
07:14Are you sure no one's going to touch the painting I?
07:21Will be responsible
07:23I'm sorry. What is your name? Not there's that the movie now?
07:29Well, Nadezhda I
07:33Have a proposition for you I
07:36Know of a very nice restaurant that's nearby
07:38I'm inviting you. I'm a very simple woman. I don't go to restaurants
07:51I'd go to a liquor store 150 grams of liquor with some dead fish would be perfect
08:09You know tomorrow's the good woman
08:15She has an education
08:18You would be jealous of
08:20Hmm. What came of it the boss I had of course the what if he hadn't she lives in Tula Blair
08:27In Tula Blair even I don't live there and her husband's a drunkard he demands money from her
08:33Why is she supposed to get money from really you get it?
08:37So she has a husband well not a husband just a roommate he was also involved in science
08:43Science didn't work out so well for him. He was a dick
08:47Anyhow she decided to marry if say and now he keeps waiting for her, but it's a waste of time. I weren't allowed
08:55But why was it a waste it just seems to me that if she?
09:00If
09:03She wants something she'll get it. I'm saying look. I do not know what she's I don't know either
09:07But I'll say she won't marry him herself
09:10It's not the right man for her at least I mean like why would she want to say?
09:20Or what about the collection Maxima you really that stupid she doesn't need the art she needs the man
09:27That's why she's doing all this ah
09:30Come on. Let's have another drink
09:35Wow they're so passionate
09:41But where did you find them and film them I
09:46Found out where Kolmogorov's work might be
09:50hmm I
09:52guess
09:53he's attracted to those paintings like
09:56An insect to the light and he was attracted right to that gallery
10:01It is a place
10:04Rented by a very famous man among collectors. His name is Jeff say
10:09No one ever says his last name just Jeff say oh you have say yes of it. He has a Kolmogorov
10:17He has one painting
10:20So I waited and waited and waited waited some more
10:25And
10:26This is the insects girlfriend
10:30Don't talk about my husband like that and
10:35Get off my back
10:42I'll I hope you can forgive me
10:46This girl in the picture works for UFC y'all
10:50Her husband went over there to see her what were they talking about here? Well, I don't know
10:57but from the look of things they were either going to kill each other right after or
11:03Maybe the two of them are going to have very passionate sex in the snow
11:08Passion makes a person do crazy things even commit a crime
11:19You really think so I know
11:22Trust me. Oh
11:24Then what crime did you commit Allah? I didn't commit but I was ready to and thank you
11:32This was delicious you did good. Thanks. I tried
11:37Allah hold on if you don't need me anymore for the day. Maybe I can head home now. Yes, of course. Sure. Go ahead
11:50I
12:07Know you called me but I was busy
12:09Look, I bought you some. I just my favorite just the way you like it order from a restaurant specially for you
12:15Yes, Masha, my darling. I'm not hungry
12:18I'm in a hurry, and you know my circumstance. I know about your circumstances. I know all about that
12:24But I miss you Garaga me as well much, you know, I really do worry about you whenever you're not here
12:30Do you as well?
12:32I'm by the way Maxim stop by and for some reason he was very interested in your address
12:39And did you tell him my address? Oh, of course not dear. I realized he hates you for something
12:45So I chose not to yes, I did not tell him a thing. You're such a good girl
12:50So tell me what happened have a seat. Mm-hmm
12:56Suddenly your friend Allah started to fancy me. Oh, yes, and her husband Maxim is jealous
13:03Yes, okay, I'm on I'll never believe that in a million years
13:09because Allah has always said to me the most important factor in a man for her is a
13:14Man's intellectual potential dear
13:20They even fired me
13:22So they could keep peace in the house. Mm-hmm. I can't believe that dear Allah would have told me if she'd fired you I
13:30Didn't want to upset you
13:32But she says mean things about you says you're a hysterical alcoholic. Oh my goodness. What a despicable
13:39I said after all, I'm just an absence a drinker. Yeah, and this has nothing to do with real alcoholism
13:45Anyway, it has nothing to do with it, right? That is what I said, but she still said you're an alcoholic
13:58You know, there's no one but you there's no one but you
14:04There's no one
14:07Yeah, you know, I don't have any money
14:10Mm-hmm. Well if I had money then would you have to be working for them in the first place? Just think about it
14:17Huh? I've gotta go. You're not going to stay I'm in a hurry, you know my circumstances
14:25But but Gary my dear please wait
14:29Here just take this. No, you know that I will give you everything. I have everything for you. Thank you
14:36I
14:37Am begging you don't take any calls from that bitch. Okay, don't call her. Don't say any information about me to her or her husband
15:05I
15:35Am
15:41Our regular tour guide is
15:45Away on a business trip right now, but I will try to do it myself
15:50Here we have the great I was Oski
15:53Polonov Coronov Constantine
15:56All great landscape painters. What are you interested in?
16:00I'm
16:01Interested in Kolmogorov. We have the Kolmogorov in that room, but I must disappoint you the painting has gone
16:08to an exhibition
16:10To Knopf. Yes, so, you know them
16:13It's nice to see a fellow
16:16Kolmogorov connoisseur there aren't many of us
16:20And
16:22This is where it was hanging the thought of mushroom rain
16:26Well, then if you really have a Kolmogorov painting then you have an employee named Tamarka
16:31Yes, we do have an employee named Tamara. Hmm
16:36but
16:37She's the one who's accompanying the painting to the exhibition to Knopf to close. Yes. Well, of course, I mean who else would go there?
16:46I don't understand what you're getting at
16:50Hmm
16:54My husband Maxim Dubrovsky
16:58And he is the one in charge of the Kolmogorov
17:05Exhibition in Knopf and you sent your employee named Tamara who accompanied the painting to the exhibition
17:12Tell me did you do it at her personal request or was it Maxim's initiative?
17:17Confess everything to me quickly you old wingman
17:21so you're a Dubrovsky's
17:23Your husband is Maxim Dubrovsky and you?
17:28Alamichal Dubrovsky. Ah, yes, Alamichal. Your husband was here
17:33Mm-hmm. He was a narcissistic
17:37Ill-mannered completely uneducated man
17:42Yes
17:43You are very much like him he swore a whole lot and he even called Tamara a thief that's because she is a thief I
17:52Just find it very strange that he had to swear and call her that in your presence
17:59Now that's not a coincidence did you know they were having an affair
18:05Both of you are calling her a thief and you're telling me she had an affair. Do you have any proof of that at all?
18:11Do I have proof? Yes, all the proof I need is on her hand
18:15Okay, look she is wearing a matching ring on her right hand
18:19Now listen to me tomorrow and I are going to get married. I do not care about her past hobbies and her affairs
18:25I am just asking for you to not insult my fiance
18:29I swear to you Kamal Grove tomorrow
18:39Tomorrow
18:45Tomorrow
18:50Tomorrow
18:59is not a thief. This is a deposit for your ring, my dear.
19:59Oh hello there! Marcia! Jump in the pool, let's swim together!
20:13Oh no, stop it! You know very well that sports is not my thing, and as life has shown, men
20:18do like to have something to grab onto. Speaking of men who touch me...
20:22Dear friend, give him back to me. Who?
20:28Maxime. People are talking about us already. Wait, I don't care about your family business.
20:33Right now I'm talking to you about Garek. How could you fire him just like that? I mean,
20:38you know I don't have enough money to support him. I see he even started stealing again.
20:44Just a little bit, but... He stole from you?
20:48Yes, from me. He stole a bracelet. I mean, he thought I wouldn't notice, but I did notice.
20:55But you know, I understand him and his circumstances. Hold on. Hold on.
21:02What exactly are his circumstances? He's in dire need of money.
21:08He's in love with me, but let him work for you. He's working for me. I didn't fire him.
21:15He works every single day.
21:18All right.
21:22Oh, he's such a dreamer.
21:25Well then, it's best you don't say that I came by or he'll get angry with me, okay?
21:35Young people today. Honestly, so very different now, aren't they?
21:41Wait, are you talking about me?
21:43Oh, no, I'm talking about Garek. Keep swimming. Swimming. Come on.
21:47I just passed by and decided to drop in to see you. Swim. Come on, go.
22:40So, where to next, madam?
22:55Just wait.
22:57But my shift is ending soon.
22:58Look, just stop whining. Time is money. I'll pay.
23:11Wait right here.
23:19What? Wait again? No, just screw this guy.
23:21You know what? Let's not screw anybody now. All right? I said wait, so just wait here.
24:10Good day. Hello.
24:26Hello there. Who are you?
24:30My name is Ala.
24:34Ah, yes. Garek has told me about you, dear.
24:39He talks about you a lot. Says you are a good woman.
24:44I'm glad that you came.
24:47He really wanted us to meet, but he's just kept putting it off.
24:51Of course I understand. My health is not at its best, and I am a burden to everyone.
24:58So today, you have come to see me for yourself, then.
25:02Thank you so much, darling.
25:04I was wondering if I could go to Garek's room, please.
25:07Oh dear, why do you even ask? You can do anything you like here.
25:12There.
25:15Thanks a lot.
25:37Hello? May I speak to Igor Sergeyevich?
25:58I can speak on his behalf.
26:02Who are you to him?
26:04I... I'm helping him.
26:06Oh, I see. You're his agent.
26:09I ask you to tell him what I'm about to say. I'm tired of repeating myself.
26:14This is the seventh play he has sent us.
26:19I'll pass on whatever you say now, yes?
26:23About that last one he sent us, he has a good grasp of life and a sharp eye for people.
26:28Unfortunately, he has no fresh ideas of his own.
26:30In theater, that won't get him far. He must be inventive.
26:34His imagination has to have no limits.
26:36The theater? All right, then I'll pass on what you said.
26:40If you'd be so kind.
26:42Goodbye.
26:43Goodbye.
27:36Goodbye.
27:57Well, you were right.
27:58This spot really is the best place for the painting.
28:14And yet bitter.
28:17How now?
28:21Without unexpected autumn, your exhibition is like a year without autumn.
28:29You know your stuff.
28:33A knowledgeable con artist.
28:38I'm not a con artist.
28:39Who are you?
28:42Oh, wait, I'm sorry, I'm sorry.
28:46So you were lured in by Goddick and became his new unintentional victim, isn't it?
28:54Just tell me one thing.
28:55You have such a fine taste in artwork.
28:58How could you get yourself into such a tasteless and stupid story?
29:06I was invited to Maxine Dubrovsky's.
29:12And you said and went right to his place?
29:15Not right away, of course.
29:19He promised to show me unexpected autumn.
29:22I was amazed the triptych had not been destroyed.
29:29What an asshole.
29:34He went and used my name, then brought you back to my house and even lured you into my bed.
29:40He didn't lure me.
29:42When I woke up happy in the morning, he put a ring on my finger.
29:49Then I went back to sleep.
29:55They were the happiest hours of my life.
29:59You see, Maxime Dubrovsky loved me.
30:03He loved me.
30:06He loved me.
30:09He loved me.
30:12And I loved Maxime Dubrovsky.
30:14Just stop that right now.
30:22Oh, yeah.
30:25Sleeping in a new place does this.
30:28Nadezhda, how are you doing?
30:30What?
30:32What are you guys doing?
30:34It's so early in the morning.
30:37Tamara, who are you drinking to?
30:40You go, don't worry.
30:40I'll look after the painting.
30:43I will go.
30:46Nice.
31:00Tamara.
31:03What?
31:04What?
31:08Where do you think the painting should hang?
31:11Unexpected autumn.
31:17Well, I think right here.
31:24Yeah, I think this is it.
31:29This is the best place.
31:34Here?
31:36Here?
31:38Yes, right here.
31:47Maybe we leave this place empty.
31:53What else are we to do?
31:59People would come.
32:02They would see nothing.
32:04But at least they can imagine the unexpected autumn here.
32:10Yes, they'll imagine it.
32:15Oh, here come some people.
32:17Hello, good day.
32:17Hi.
32:29During the war in Kharkov,
32:31Komogorov taught children to draw.
32:35It was a very fierce winter, and to help his students stay warm,
32:40the teacher first burned the frames, then the stretches, and then the blanks.
32:47Whenever I read the titles and lists of these works,
32:52I memorized them.
32:55Impossible movement.
32:57Impossible movement.
33:01Greetings from a starling.
33:04The power of city dogs.
33:07Winter's book bindings.
33:11Odysseus sailed to the wrong place.
33:13Wine on a frowny morning.
33:16And inappropriate caress.
33:19Ah, and amazement.
33:23Yes, he did.
33:24He chose to burn down all of his work.
33:27And that is because he valued other people's lives more than art.
33:39And burned it with his own hands.
33:43To warm someone, even just for an hour.
33:46He was noble and righteous and strong.
33:50Why didn't I meet you sooner?
33:57Why?
34:27Hello?
34:34Maxim.
34:35Yeah.
34:36Hi there.
34:37Hi there.
34:38It's Allah.
34:40I figured it out.
34:42You've no relationship with us, Tamara.
34:44You're no thief.
34:48If you want to come back, then I'm waiting for you.
34:51We'll talk and forget this.
34:54No, you were right all along.
34:56I really do love Tamara.
34:59Allah, I'm not coming back.
35:01And we need to talk.
35:25Hmm.
35:48Hello and good evening, Allah.
35:50Hmm.
35:57Shall I cook you something to eat now?
36:00Garek?
36:00Yes?
36:04Come, let me show you what I've made for you upstairs.
36:08Hmm?
36:12Come on.
36:14Come on.
36:20Hmm?
36:50Hmm?
37:20Hmm?
37:32I'm coming.
37:33I'm coming.
37:43Ah.
37:46Tamara, dear.
37:47You have come.
37:49How glad I am to see you.
37:51Finally, you've returned.
37:53Let's have tea.
37:53No, you have say.
37:54I just came to report to you on the work that I've done.
37:57Yes, and?
37:58The painting has been delivered to the exhibition and has been
38:02properly placed as well.
38:04I have all the papers right here.
38:06You can show them at work tomorrow.
38:07I trust you.
38:08Let me put the kettle on.
38:09No, really.
38:10I don't want any.
38:12I wanted to say thank you very much.
38:14I have to go back to Tuyable.
38:19Something is wrong.
38:26You should come to the opening of the exhibit.
38:30Hmm?
38:30I look forward to it.
38:33Very much.
38:35You must come.
38:35Goodbye for now.
38:36Goodbye.
38:45Hmm.
38:58What is wrong?
39:03Did you?
39:09No, I couldn't.
39:10I felt sorry for him.
39:24Come on.
39:40Hmm.
39:42Hmm.
39:44Mm.
39:46Mm.
39:48Mm.
39:50Mm.
39:52Mm.
39:54Mm.
39:56Mm.
39:57Mm.
39:58Mm.
40:02Oh.
40:04Mm.
40:09The light.
40:10This is a…
40:11Mm.
40:13Mm.
40:13Don't, don't wait. I'll help you. Let me help.
40:26It tickles.
40:35Get this.
40:39Now.
40:43What is this?
40:54I'm sorry, who are you? And what do you mean?
40:58I can see what is going on here now.
41:02Her husband.
41:04Firstly, we are not married.
41:07Well, my dear, marriages are signed up in heaven.
41:11I'd like to know what's the punk in the coat doing over here.
41:16I should ask you that.
41:17Then put it this way. You are not here. Go.
41:20What?
41:21You are not here.
41:22I'm not here? Then what am I doing?
41:25We have lived here for many years. Just so you can now tell me that I don't?
41:30I am willing to make a mutually beneficial arrangement.
41:34You can stay here for two days, but for free of course.
41:38What an arsehole.
41:39I? Hey.
41:41You bastard.
41:42Excuse me, excuse me. What are you doing now?
41:44I should let you know that I'm an expert in Changa Changa and...
41:47Get out!
42:02He is an arsehole.
42:10Did he torture you all this time?
42:15It doesn't matter now.
42:19Will you please love me?
42:22And don't ever leave me.
42:26I promise you.
42:40Maybe you should go and make us some breakfast.
42:48You know I didn't take everything.
42:53I left something behind.
42:58For the police to find.
43:03The blue sports bag?
43:06With all of its contents.
43:17Well, who am I to tell you now?
43:22A thief.
43:25A hostage.
43:28A lover?
43:31Huh?
43:34A husband? Huh? Huh? Huh?
43:44A servant?
43:47Huh? Huh? Huh?
43:50A lover?
43:53Huh?
43:57A servant?
44:00Will you do everything I tell you to do?
44:04Huh?
44:09I will.
44:19Took it off?
44:22Yeah. Congrats.
44:27Return things?
44:32Congrats.
44:34Thanks a lot.
44:39Can you please not stand behind me?
44:42Of course.
44:45Well, be happy.
44:49The Komorgorov painting.
44:51I'll give it to you.
44:52On one condition that this house and everything in it is ours.
44:56Alright?
44:59We agree.
45:06Please go make sure that they don't scratch the walls.
45:09Yes, of course.
45:19Thank you.
45:33Did you get back? I'm back home. Hello.
45:35That's great.
45:36Hello.
45:37Sergei, this is Tamara.
45:38Nice to meet you.
45:39I'm sorry.
45:40This is Sergei.
45:41I'm sorry.
45:42Make yourself at home.
45:43I can't let you in. You're going to have to go to a hotel.
45:45So you're kicking out your friend?
45:47What just happened?
45:48Sorry, I'm not alone.
45:50Neither am I.
45:52I'm just saving a nice woman from some gay guys.
45:55Join us. We're going to Knopf for our exhibition.
45:58There's a car waiting downstairs.
45:59And the unexpected autumn will be there on display.
46:03And the thought of mushroom rain.
46:06Oh, wow.
46:07Yulia, what are you doing here?
46:09Calm down, calm down.
46:11So much so, like the thought of mushroom rain.
46:14What is going on here?
46:17Hello, Mr. Dubrovsky.
46:19Hello, Yulia.
46:21Yulia.
46:24Tom.
46:25Yulia.
46:26Good boy.
46:27Let's go. Come on, quickly.
46:29Let's get ready.
46:31I'm so happy.
46:35Me too.
46:43Careful, careful.
46:47Careful.
46:54I don't need help.
47:17Where are you going?
47:19I am Yevsei, and I am allowed to come through here.
47:31Well, well, well.
47:33All right.
47:38Ah.
47:41Ah.
47:42Ah.
47:45Ah.
47:52Ah, Nadezhda's here.
48:03Well, the place looks good.
48:05But where?
48:06But where?
48:08There you are.
48:10Thank you, Nadezhda.
48:11I see you have wonderfully put up the picture.
48:14The lighting is just right.
48:16Well done.
48:17But where is Tamara?
48:19The exhibition will start any minute now.
48:22She must still come.
48:24And when she comes, she'll say,
48:26I'm sorry I've been a fool.
48:27I'm sorry for leading you on.
48:29But I have found my happiness now.
48:31Ah.
48:33There is no way.
48:37No, that can't be.
48:40Oh, that's the only way it can be.
48:43It's how it should be.
48:47What will we do without her?
48:50And what am I to do now?
48:53We'll look at some paintings,
48:55and then we'll go home.
48:57Just us.
48:59Just the two of us.
49:01What for?
49:03What do you mean?
49:05I will clean the apartment,
49:07and I will cook us some dinner.
49:10I will do everything you say.
49:16That's embarrassing.
49:17I don't have any money to pay you.
49:19No one's talking about payment.
49:22Yes?
49:25Well, maybe you are right, Nadezhda.
49:27I actually need a rest.
49:29I have not had a home-cooked meal for a long time now.
49:33I have not even dusted in a very long time either.
49:37Well, I am always right.
49:41Well, let's go, my darling.
49:44Yeah.
50:07Hmm.
50:10Hmm.
50:14Hmm.
50:16Hmm.
50:17Hmm.
50:38On our way.
50:40Where are you hiding?
50:41Everyone's waiting.
50:42The press arrived.
50:43The guests are waiting.
50:44Even the governor.
50:47Just a second.
50:49We'll be there.
50:50We will.
50:54Maxim.
50:56Are we opening the exhibition or not?
51:00Maxim!
51:17Maxim!
51:18Maxim!
51:19Maxim!
51:20Maxim!
51:21Maxim!
51:22Maxim!
51:23Maxim!
51:24Maxim!
51:25Maxim!
51:26Maxim!
51:27Maxim!
51:28Maxim!
51:29Maxim!
51:30Maxim!
51:31Maxim!
51:32Maxim!
51:33Maxim!
51:34Maxim!
51:35Maxim!
51:36Maxim!
51:37Maxim!
51:38Maxim!
51:39Maxim!
51:40Maxim!
51:41Maxim!
51:42Maxim!
51:43Maxim!
51:44Maxim!
51:45Maxim!
51:46Maxim!
51:47Maxim!
51:48Maxim!
51:49Maxim!
51:50Maxim!
51:51Maxim!
51:52Maxim!
51:53Maxim!
51:54Maxim!
51:55Maxim!
51:56Maxim!
51:57Maxim!
51:58Maxim!
51:59Maxim!
52:00Maxim!
52:01Maxim!
52:02Maxim!
52:03Maxim!
52:04Maxim!
52:05Maxim!
52:06Maxim!
52:07Maxim!
52:08Maxim!
52:09Maxim!
52:10Maxim!
52:11Maxim!
52:12Maxim!
52:13Maxim!
52:14Maxim!

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