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Maniac looking for a new skin | WITHOUT FACE | Watch online horror in English in HD
In a remote forest, there exists an ancient and grim legend that locals prefer not to discuss. It is said that long ago, a woman was brutally disfigured, her face torn off, leaving only a gaping void where it once was. Condemned to wander the forest, she searches for a beautiful face to replace her loss. Known as the Faceless, she hunts those who dare to disturb her peace.
Tonight, an unsuspecting family decides to spend the weekend in this forest, setting up camp by a picturesque stream. A father, mother, and their two teenage children enjoy the beauty of nature, unaware of the terrible danger lurking in the darkness. They have heard the legend, but dismissed it as a mere campfire tale meant to scare tourists.
However, as night falls, strange and frightening events begin to unfold. Whispers emanate from the depths of the forest, shadows flit through the darkness, and an eerie feeling of being watched unnerves them. When one family member goes missing, the rest realize they are trapped in a deadly nightmare.
Every step and every decision could be their last, for the Faceless will stop at nothing to claim a new visage. They have only one night to try to survive and escape from the relentless pursuer. Will they be able to withstand the horror lurking in the shadows, or will they become the next victims on the Faceless' list?
The meaning of the film "WITHOUT FACE" lies in exploring ancient fears and legends that come to life when reality collides with superstitions. The movie emphasizes the vulnerability of people in isolated and unfamiliar environments, where they are forced to confront the unknown and the dangerous.
#movies #movie #bestmovie #action #horror #adventure #crime #thriller #western #historical
Maniac looking for a new skin | WITHOUT FACE | Watch online horror in English in HD
In a remote forest, there exists an ancient and grim legend that locals prefer not to discuss. It is said that long ago, a woman was brutally disfigured, her face torn off, leaving only a gaping void where it once was. Condemned to wander the forest, she searches for a beautiful face to replace her loss. Known as the Faceless, she hunts those who dare to disturb her peace.
Tonight, an unsuspecting family decides to spend the weekend in this forest, setting up camp by a picturesque stream. A father, mother, and their two teenage children enjoy the beauty of nature, unaware of the terrible danger lurking in the darkness. They have heard the legend, but dismissed it as a mere campfire tale meant to scare tourists.
However, as night falls, strange and frightening events begin to unfold. Whispers emanate from the depths of the forest, shadows flit through the darkness, and an eerie feeling of being watched unnerves them. When one family member goes missing, the rest realize they are trapped in a deadly nightmare.
Every step and every decision could be their last, for the Faceless will stop at nothing to claim a new visage. They have only one night to try to survive and escape from the relentless pursuer. Will they be able to withstand the horror lurking in the shadows, or will they become the next victims on the Faceless' list?
The meaning of the film "WITHOUT FACE" lies in exploring ancient fears and legends that come to life when reality collides with superstitions. The movie emphasizes the vulnerability of people in isolated and unfamiliar environments, where they are forced to confront the unknown and the dangerous.
#movies #movie #bestmovie #action #horror #adventure #crime #thriller #western #historical
Category
🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00Yeah
00:01:02Yeah
00:01:08Come on
00:01:10Come on
00:01:12Come on
00:01:14Come on
00:01:16Come on
00:01:18Come on
00:01:24You got the words I wanted
00:01:26I could guess
00:01:30Twisted up like butterflies
00:01:32All caught in a net
00:01:34All caught in a net
00:01:36My hand through
00:01:38My heart for
00:01:40A lonely
00:01:42204
00:01:44All inside
00:01:46And out of sight
00:01:48Hey
00:01:50How you doing?
00:01:52My name is Dana Flynn
00:01:54My sister is Elizabeth Flynn
00:01:56She went missing a couple days ago
00:01:58She was hanging out around here with a couple of her friends
00:02:00You wouldn't happen to have seen her
00:02:04Would you?
00:02:06Oh wow
00:02:08That's terrible
00:02:10I haven't seen her
00:02:12But you're more than welcome to pass these around
00:02:14Thanks
00:02:18She's pretty
00:02:20Yeah she's my sister
00:02:22She's missing
00:02:24You didn't see her at all did you?
00:02:26Sorry I can't say that I have
00:02:28Well if you do
00:02:30Give me a call
00:02:32Sure
00:02:50I wonder where your father's at
00:02:56I don't know
00:03:14You're late
00:03:16So?
00:03:20So where were you?
00:03:22I was out at the bar
00:03:26Again?
00:03:28What of it?
00:03:32Why don't you do something useful
00:03:34Maybe go get me a drink
00:03:36Thank you
00:03:54Thank you
00:04:06So what's that?
00:04:10Eh some girl was going around the bar
00:04:12Passing those out
00:04:14Apparently her sister came up missing or something
00:04:18Oh that poor girl
00:04:20And she's so young
00:04:22I hope they find her soon
00:04:28That kind of thing's not good for the campground
00:04:30Yeah it's a real heartbreaker
00:04:32Well it is
00:04:34She does come up missing all the time
00:04:36I've seen this girl before
00:04:40What?
00:04:42I've seen her before
00:04:44Where?
00:04:46Playing with Jonah
00:05:04Jonah
00:05:34Jonah
00:06:04Jonah
00:06:34Jonah
00:06:36Jonah
00:06:38Jonah
00:06:40Jonah
00:06:42Jonah
00:06:44Jonah
00:06:46Jonah
00:06:48Jonah
00:06:50Jonah
00:06:52Jonah
00:06:54Jonah
00:06:56Jonah
00:06:58Jonah
00:07:00Jonah
00:07:02Jonah
00:07:04Jonah
00:07:06Jonah
00:07:08Jonah
00:07:10Jonah
00:07:12Jonah
00:07:14Jonah
00:07:16Jonah
00:07:18Jonah
00:07:20Jonah
00:07:22Jonah
00:07:24Jonah
00:07:26Jonah
00:07:28Jonah
00:07:30Jonah
00:07:36Halo
00:07:37I got this great idea for a script
00:07:39It's going to be a slasher flick
00:07:41Now, my aunt Fay owns a model agency
00:07:43And we can use her models
00:07:45And hopefully we can see some of their titties
00:07:50You know I could try and get a hold of Ron Jeremy
00:07:52You know see if we can fly him out
00:07:54Bring him in for the movie
00:07:56I've done a couple different movies with him
00:07:58A porn star? Jesus Christ, are you serious?
00:08:01You know, Bo, it's all about the star power.
00:08:04You know, to sell these kind of movies, to get people to pick them up, and people to watch them, you've got to have a name.
00:08:09And if you got the money, you have money to get them out?
00:08:12Of course! I got some irons in the fire.
00:08:15And that's great, Bo, then we could probably make this happen.
00:08:19When are you looking to shoot?
00:08:21Um...
00:08:23Let me look at my schedule, because I do have some things coming up,
00:08:26but I'm sure we can figure this out.
00:08:29Uh, hold on. Hold on, hold on.
00:08:31It's Aunt Faye.
00:08:33Hi, Aunt Faye. I gotta put you on speaker.
00:08:37Hi, Bo.
00:08:39Listen, I'm sending you up to the ledges this weekend with four of my best girls.
00:08:46There's a $100 bill in there for ya.
00:08:50A hundred?
00:08:52$200.
00:08:54Uh...
00:08:56Bo, Bo, higher. You gotta pay my hair fair and think about getting Ryan. Higher.
00:09:01Uh, I can do it for five.
00:09:03Jesus Christ, $500? We're family.
00:09:07Oh my goodness, you drive a hard bargain. But all right.
00:09:12All right. All right. I love you, Aunt Faye.
00:09:15I love you, too.
00:09:17Okay, I'll talk to you later.
00:09:25Good morning, girls. I'm glad to see the four of you are on time.
00:09:29You know, tardiness is a pet peeve of mine.
00:09:33Now, I know the four of you hold this agency in the highest regards,
00:09:37which is why you have been selected for this weekend's extravaganza.
00:09:42Now, remember, I expect you all to do your job to your fullest capabilities,
00:09:47and in return for your efforts, you will be rewarded with a very respectable paycheck.
00:09:52From Mr. Sanders, of course.
00:09:54Okay, then. Have yourselves a fabulous weekend, and I'll see you on Monday.
00:09:59Don't we go for Miss Marley?
00:10:01Oh. Ladies, I almost forgot.
00:10:04I would like to introduce you to the latest face of Ambler model and talent,
00:10:08Miss Marley Conrad.
00:10:16Have a great weekend, ladies. See you on Monday.
00:10:23So, which one of us is going to end up shagging Mr. Brody this weekend?
00:10:28Well, not me. I mean, he's cute, don't get me wrong, but he's not my type.
00:10:36I'm not into people who can only orgasm once.
00:10:39Perfect.
00:10:42Can I get you something to drink?
00:10:44Water would be great.
00:10:50So, you were quite the hit at the fashion show last week.
00:10:55I know, right?
00:10:57Yeah.
00:10:58I mean, you're a fashionista.
00:11:00I'm a fashionista.
00:11:02I'm a fashionista.
00:11:04I'm a fashionista.
00:11:06I'm a fashionista.
00:11:08Wow. You were quite the hit at the fashion show last night.
00:11:12Oh, thank you.
00:11:14Marley!
00:11:16Hi.
00:11:17Tosh, could you grab my briefcase for me, please?
00:11:21Marley, this will only take a minute.
00:11:23I was a little occupied at last night's fashion show,
00:11:26but from what Tosh tells me, you did a great job.
00:11:30I heard that as well. Good job.
00:11:33Thanks, Miss Ambler. I think all the girls did a great job, too.
00:11:37Well, of course, but from what I understand, you were the star of the show.
00:11:44Now, if you would just sign right here at the bottom.
00:11:51And, Marley, I just wanted to say that I was the one that persuaded Fay
00:11:56into making you the new face of Ambler Model and Talent.
00:12:00George has quite the eye for beauty.
00:12:04Oh, yes, I do.
00:12:06And I also hope that you and Fay and I can have a long and prosperous relationship together.
00:12:13Thank you.
00:12:14I hope so, too.
00:12:16Oh, and Marley, don't worry about Jess. Really.
00:12:20She had her time here, and quite frankly, it's your turn now.
00:12:25Your turn to be the face of Ambler Model and Talent.
00:12:28Hear, hear.
00:12:30Well, I hope so. She is my best friend.
00:12:33If it wasn't for her, I wouldn't be here right now.
00:12:37Well, it's about time I get going.
00:12:40Tosh, could you show her to the door, please?
00:12:42Yes, Miss Ambler.
00:12:45Thank you.
00:12:47Okay, bye.
00:12:52Oh, I'm telling you, Fay, you are, I mean, we are going to make so much money off that girl.
00:12:57Right?
00:12:58I know, and George, the best part of it is,
00:13:00I'm only paying her half of what I paid Jess.
00:13:03You know what that means?
00:13:05More money for you and me.
00:13:08But you better pray to God that nothing happens to that pretty little face of hers up at the lodge.
00:13:13Come on, George, what could possibly go wrong?
00:13:26What's up, bookers?
00:13:28Hey, Bob, how's it going?
00:13:29Good, how are you doing?
00:13:30Great. I'm looking forward to working with you again.
00:13:33Me too.
00:13:38So, Brody, are you looking forward to shooting us?
00:13:41Well, I'm not going to lie, this isn't my typical shoot, but I'm looking forward to the challenge.
00:13:46Miss Ambler says you're quite the consummate pro.
00:13:49What top talent have you worked with?
00:13:51I haven't shot a lot of models, per se.
00:13:54My forte is nature landscapes.
00:13:57What?
00:13:59So, are we like your first?
00:14:02Well, not exactly.
00:14:05Well, personally, guys, I love nature shoots.
00:14:08I mean, some of my best shots are of me naked in the woods.
00:14:11Shh, can you keep it down?
00:14:13That guy over there heard you.
00:14:15I'm sorry, sir.
00:14:16That's all right.
00:14:18So, where are you guys headed? Ledges or what?
00:14:20Yes, actually, we are.
00:14:22Now, you don't want to go over there. That's by the old candies place.
00:14:25Ugh.
00:14:26Oh, yeah? Why not?
00:14:28Well, the locals over there, they get rowdy after dark.
00:14:31I'm telling, it's the truth.
00:14:34All right, listen.
00:14:36My husband, you've had way too much to drink.
00:14:39Too much drink.
00:14:42A couple years ago, I'm telling him the truth.
00:14:45He got his ass kicked a few years ago by a local.
00:14:48Since then, he's not fond of the area.
00:14:52I think it's time we should get going.
00:14:57Y'all take care now.
00:14:59Thanks, we will.
00:15:08Hey, you know, I've got that gig next weekend over at the hall.
00:15:12Okay.
00:15:14Anyways, I kind of feel bad.
00:15:17Why?
00:15:18Maybe we should have told them.
00:15:20I mean, if something happens...
00:15:22Shane, if it does, it does.
00:15:24I mean, what are we supposed to do?
00:15:26Well, lookie here.
00:15:29I think one of those girls left her purse.
00:15:32Right.
00:15:33Scarface.
00:15:34Kyle had broken his spine.
00:15:51Hey.
00:15:52Hey.
00:16:20Hi.
00:16:21Hi.
00:16:23I'm checking in for Ambler.
00:16:25Oh, yeah, the Ambler reservation.
00:16:27Is that one or two nights?
00:16:29Uh, oh.
00:16:31Oh, two.
00:16:32Two?
00:16:33Okay.
00:16:34And you need electric?
00:16:36Yeah, throw it on there.
00:16:38And how many of you?
00:16:40Six.
00:16:43That's really nice of you.
00:16:45Thank you.
00:16:48It's really beautiful here.
00:16:50It's quiet.
00:16:52I hope you are.
00:16:54Want a sign here?
00:16:59We prefer the quiet.
00:17:03We'd like to keep it that way.
00:17:06Thank you very much.
00:17:07Thank you.
00:17:08Here's a map of our campground.
00:17:10Oh.
00:17:12I hope you enjoy your stay.
00:17:14We will, thank you.
00:17:16We will, thank you.
00:17:47Man, this would be great for my movie this fall.
00:17:50Look at this place.
00:17:53Hi, Beau.
00:17:54How are you doing?
00:17:55Good.
00:17:56Are you going to fill me in on that movie thing you're doing?
00:17:59It's going to be a slasher flick.
00:18:01Are you planning on using me?
00:18:03Well, there are some conditions.
00:18:05Really?
00:18:06Oh, yes.
00:18:07A lot of that.
00:18:08A lot of that.
00:18:09A lot of that.
00:18:10A lot of that.
00:18:11A lot of that.
00:18:12A lot of that.
00:18:13A lot of that.
00:18:14A lot of that.
00:18:15A lot of that.
00:18:16A lot of that.
00:18:17Yes, I need that.
00:18:18Dude, you know I can't do that.
00:18:20If your aunt found out that I was in some micro-budget horror film
00:18:23and exposing myself in an inappropriate manner,
00:18:26she would absolutely terminate my contract with her.
00:18:29Bullshit.
00:18:30Let me talk to her, all right?
00:18:31I'm not losing my gig with your Aunt Faye, Beau.
00:18:33I'll be in your movie, but no boobs.
00:18:35Got it?
00:18:37There go some of your back end points.
00:18:40Wow.
00:18:41You go, girlfriend.
00:18:42That sounded so bitchy.
00:18:44It did, but I'm sure he'll get over it.
00:19:14I'm sorry.
00:19:15I'm sorry.
00:19:16I'm sorry.
00:19:17I'm sorry.
00:19:18I'm sorry.
00:19:19I'm sorry.
00:19:20I'm sorry.
00:19:21I'm sorry.
00:19:22I'm sorry.
00:19:23I'm sorry.
00:19:24I'm sorry.
00:19:25I'm sorry.
00:19:26I'm sorry.
00:19:27I'm sorry.
00:19:28I'm sorry.
00:19:29I'm sorry.
00:19:30I'm sorry.
00:19:31I'm sorry.
00:19:32I'm sorry.
00:19:33I'm sorry.
00:19:34I'm sorry.
00:19:35I'm sorry.
00:19:36I'm sorry.
00:19:37I'm sorry.
00:19:38I'm sorry.
00:19:39I'm sorry.
00:19:40I'm sorry.
00:19:41I'm sorry.
00:19:42I'm sorry.
00:19:44I'm sorry.
00:19:56Hold up.
00:19:57I'm going to put you right up here.
00:20:03And there's a little this way.
00:20:07Now look at me.
00:20:13Ahem. What are you two doing?
00:20:16Where have you been?
00:20:18Found Signal on my phone, so I was talking to my man.
00:20:21Okay.
00:20:23You know, Jess, I really don't like that outfit.
00:20:28Why don't you put on something more, uh, earthy?
00:20:33Earthy?
00:20:34Mm-hmm.
00:20:36Okay.
00:20:38I really like what you're wearing, Marla.
00:20:39Thank you.
00:20:40Let me get a few of you alone.
00:20:41Okay.
00:21:00All right, uh, could you guys face me?
00:21:04All right.
00:21:05And look at me.
00:21:15Really nice.
00:21:16All right, now, uh, can I see both of your asses?
00:21:21And, uh, look back at me.
00:21:28Good.
00:21:29All right, you guys stay here.
00:21:30I'm gonna go find another location.
00:21:33I'm so excited.
00:21:34Miss Ambler contacted me,
00:21:36and she wanted to put me on for a national print ad.
00:21:40Really?
00:21:42That's cool.
00:21:44You know, she mentioned it to me last week,
00:21:46but it doesn't pay a lot of money, so...
00:21:49Really?
00:21:50Yeah, I passed on it,
00:21:51but I'm sure you'll have a lot of fun doing it.
00:21:57Hey, ladies.
00:21:58Come on, I found something.
00:22:00Uh, change into your second choice, okay?
00:22:04Meet me over here.
00:22:27Very good, very sexy.
00:22:28Can we lose the skirt?
00:22:59You need a little more attitude.
00:23:15Party time!
00:23:16Yeah!
00:23:18Yeah!
00:23:19Yeah!
00:23:20Yeah!
00:23:21Yeah!
00:23:22Yeah!
00:23:23Yeah!
00:23:24Yeah!
00:23:25Yeah!
00:23:26Yeah!
00:23:28Yeah!
00:23:29Yeah!
00:23:30Yeah!
00:23:31Yeah!
00:23:32Yeah!
00:23:33Yeah!
00:23:34Yeah!
00:23:35Yeah!
00:23:36Yeah!
00:23:37Yeah!
00:23:38Yeah!
00:23:39Yeah!
00:23:40Yeah!
00:23:41Yeah!
00:23:42Yeah!
00:23:43Yeah!
00:23:44Yeah!
00:23:45Yeah!
00:23:46Yeah!
00:23:47Yeah!
00:23:48Yeah!
00:23:49Yeah!
00:23:50Yeah!
00:23:51Yeah!
00:23:52Yeah!
00:23:53Yeah!
00:23:54Yeah!
00:23:56Tiny, come on in for dinner.
00:24:05I'm coming, Mama.
00:24:11Tiny, move your ass, girl.
00:24:14Okay, Papa, I'm coming.
00:24:25Eat your food before it gets cold.
00:24:29Mama, how come you don't talk to Jonah no more?
00:24:40Well, Tiny, Jonah's been dead for a long time.
00:24:47He's not dead, Mama.
00:24:49I see Jonah all the time.
00:24:52Who minds your Mama?
00:24:53That boy's been dead for 20 years now.
00:24:56He ain't dead, Papa.
00:24:58I saw him yesterday.
00:25:01For real.
00:25:04Enough!
00:25:05No!
00:25:06No!
00:25:07No!
00:25:08No!
00:25:09No!
00:25:10No!
00:25:11No!
00:25:12No!
00:25:13No!
00:25:14No!
00:25:15No!
00:25:16No!
00:25:17No!
00:25:18No!
00:25:20I'll shut her off.
00:25:25Couldn't wait to get your hands on her again.
00:25:30That little girl's got a wild imagination on her, and I'm tired of feeding into it.
00:25:35She's a young girl, Rascal.
00:25:38She ain't got no friends.
00:25:39What do you expect?
00:25:40I expect her to grow up.
00:25:42I expect her to recognize that Jonah Candy is dead.
00:25:47I expect her to understand that there are some things that you just don't talk about
00:25:53and you need to pay a lot more respect to the dead.
00:25:56He's not dead, Papa, you'll see!
00:26:00Norman, let us go, let it be.
00:26:03Please?
00:26:10So, here's to Miss Ambler, who told me that I can't fucking smoke on set!
00:26:15Yeah!
00:26:16To Miss Ambler!
00:26:18Cheers!
00:26:20Cheers.
00:26:25You know, I wonder what that couple at the diner was talking about earlier today.
00:26:28Kind of freaks me out.
00:26:30The old candy's place?
00:26:34What's a candy's place?
00:26:36Who knows?
00:26:37And frankly, I don't think any of us here really care.
00:26:40Well, maybe we should, Miss.
00:26:42Fuck, man, you scared the shit out of me!
00:26:45I believe you forgot this at the diner, ma'am.
00:26:47Oh, wow, thank you very much!
00:26:50Thank you, sir.
00:26:51You're welcome.
00:26:52It's a good thing.
00:26:54Do you guys mind if we have a minute with you?
00:26:57Sure.
00:26:58What is it?
00:26:59Tell him, Shaina.
00:27:00Okay.
00:27:01Well, about twenty years ago, not too far from here, there was a family called the Candies.
00:27:08They had a son.
00:27:09And the father, Armand Candy, he thought the boy was possessed.
00:27:14He knew.
00:27:16One night, the sick bastard takes a razor to the son's face.
00:27:21Jeez.
00:27:22No, it gets better.
00:27:24Kills the wife and the kid.
00:27:27Then, turns the gun on himself.
00:27:31Shoots his fucking brain all over the farmhouse where they live.
00:27:36Yeah.
00:27:37What's up with this fucking story?
00:27:39Are you trying to scare the shit out of us?
00:27:41We're not.
00:27:42It's true, son.
00:27:43It really happened.
00:27:44Right here.
00:27:46Really?
00:27:47Yeah.
00:27:48Here's the key.
00:27:49The locals around here believe the son never died.
00:27:52And he still roams these woods.
00:27:54It's not a safe place.
00:27:56I'm not trying to scare you.
00:27:57I'm trying to warn you.
00:27:59So bad if something happened to you guys, though.
00:28:02You know what I think?
00:28:03You are full of shit.
00:28:07All right.
00:28:08Well, I guess we're not such a good judge of character after all, Shana.
00:28:13You all have fun going back to your car now and watch out for, what's his face?
00:28:18Edgar Armand Candy.
00:28:20Ooh.
00:28:21So scared.
00:28:26Well, I don't know, Shana.
00:28:28I don't know.
00:28:31I'm tired, though, baby.
00:28:34Those kids are going to be in a heap of trouble if old Candy shows up.
00:28:37Yeah.
00:28:38But we tried, so what are we going to do?
00:28:41I just don't like being up here at this time.
00:28:43But, honey.
00:28:44You know that.
00:28:45You're so brave.
00:28:46This place just gives me the creeps.
00:28:47It's brave.
00:28:48I know.
00:28:49I know.
00:28:50I am brave.
00:28:51It's dark, honey.
00:28:52What if I gave you a reason to stay out here after dark?
00:28:54Shana.
00:28:56Shana?
00:28:57Oh, that's two good reasons.
00:29:00Well, give me some sugar, honey.
00:29:05What was that?
00:29:06What?
00:29:07What?
00:29:08Ah!
00:29:09Ah!
00:29:10Ah!
00:29:11Ah!
00:29:12Oh, I did it!
00:29:14What?
00:29:15What?
00:29:16Ah!
00:29:17Ah!
00:29:18Ah!
00:29:19Ah!
00:29:20Ah!
00:29:34Brody.
00:29:35Brody.
00:29:36Hey, what's up?
00:29:37I couldn't sleep.
00:29:38Oh, really?
00:29:39Yeah, that story they told us.
00:29:40It kind of got to me.
00:29:41It was a bit disturbing.
00:29:42Yeah, it was.
00:29:43Would it be cool if I stayed in here with you tonight?
00:29:44Yeah, sure.
00:29:45Cool.
00:29:46Hey.
00:29:47Hey.
00:29:48Hey.
00:29:49Hey.
00:29:50Hey.
00:29:51Hey.
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00:33:27Hey.
00:33:28Hey.
00:33:29Hey.
00:33:30Hey.
00:33:31Hey.
00:33:32Hey.
00:33:33Hey.
00:33:34Hey.
00:33:35Hey.
00:33:36Hey.
00:33:39What?
00:33:41Will you hook up with me tonight?
00:33:44That's nasty, bitch.
00:33:46I don't need kissies.
00:33:48I do!
00:33:49That's bad, Bo!
00:33:50What?
00:33:51That's bad!
00:33:52Oh, my god.
00:33:53Hello. How are you?
00:34:06Oh, bored as shit. These modeling shoots. Man, I want to blow my fucking head off.
00:34:12Now Bob, are you bored of me?
00:34:17No, never of you.
00:34:19Or your boobs.
00:34:21Guess what we need to do.
00:34:23What? What's that?
00:34:24We're going to go take a walk right now. You and I.
00:34:26A walk?
00:34:27This way.
00:34:28Okay. If you insist.
00:34:29I do.
00:34:30We're going to Camp Candyland? Asshole, you got a death wish.
00:34:58Death wish? What's that supposed to mean?
00:35:00Fucking creepy old lady.
00:35:27Is that a boat? Is that a boat over there?
00:35:29Yeah.
00:35:57This barn has a familiar smell. It reminds me of being a kid and going to my aunt's farm.
00:36:22Really? To me it smells like horse shit.
00:36:34I wonder if this is what the old lady was talking about.
00:36:37Does this look like a campground to you?
00:36:41No, but it's kind of creepy in here.
00:36:50Hey look, it's a dwarf!
00:36:52It is.
00:36:56Jesus Christ!
00:37:03Get away from me!
00:37:31So how do you like working with Jess?
00:37:33Yeah, she's a great model, but I hate the way she hogs the camera.
00:37:38Really?
00:37:40Haven't you guys been working together for a while now?
00:37:42Yeah, it's been about ten years.
00:37:44I mean, we're both very seasoned. We have a plethora of magazine spreads.
00:37:48She even did a Playboy shoot once.
00:37:50Playboy? That's interesting.
00:37:54Speaking of that, can you unbutton your vest?
00:38:10Could you hold that pose again where you bend down with your hand on your knee?
00:38:15Good, look at me.
00:38:18And now to your left.
00:38:21Alright, awesome.
00:38:40Look at that one.
00:38:42Oh wow, that's really good.
00:38:44You know, for being the first time shooting models, you're not that bad.
00:38:48Thank you.
00:38:49You're welcome.
00:38:50I guess I have a knack for the camera.
00:38:52You know, you should check out my nature stuff online.
00:38:54I will.
00:38:56Do you mind if I hit that?
00:38:57No, no, no.
00:39:07It's weird how there's no one ever out here.
00:39:10It's almost a little bit eerie.
00:39:12I kind of like it.
00:40:12Ah!
00:40:28Tiny, you in here?
00:40:30Tiny.
00:40:41Oh my gosh.
00:41:05Jonah and I were playing in the woods yesterday.
00:41:08We always have so much fun.
00:41:10I hate when I have to go home.
00:41:12Papa always beats me and I wish Mama would do something about it.
00:41:16I wish Jonah would just kill Papa.
00:41:39Ah.
00:41:42You dropped these.
00:41:45My glasses.
00:41:49Ah, my head.
00:41:52It's blood.
00:41:54You better run before you end up like her.
00:41:58Holy shit!
00:42:01You psycho killer dwarf!
00:42:24You need to keep doing your job.
00:42:39I'm going to make you a lot of money.
00:43:06Hey Jess, can you go get us some food?
00:43:17Tiny!
00:43:18Come here, girl.
00:43:25What is this?
00:43:29I don't know.
00:43:30What do you mean you don't know?
00:43:32I found it in your room.
00:43:34What is this?
00:43:36That girl's.
00:43:38I know it's that girl's, but what are you doing with it?
00:43:41Jonah gave it to me.
00:43:43You better stop lying to me.
00:43:45I already told you a thousand times, Jonah's dead.
00:43:47You lie to me again, I will beat your ass.
00:43:50I'm not lying to you.
00:43:52Jonah isn't dead.
00:43:54And Mama says you can't beat me anymore.
00:43:57Yeah, but Mama's not around right now, is she?
00:44:00Ah!
00:44:02I'm tired of you lying to me!
00:44:05I'm not lying to you!
00:44:07That is a lie!
00:44:09It's not a lie!
00:44:11It is!
00:44:14Goddammit, I'm tired of your ass!
00:44:18You keep talking, but none of the words that are coming out of your mouth are what I want to hear.
00:44:22For the last time, where did you get that goddamn ID?
00:44:26I got it from Jonah.
00:44:56Who the fuck are you?
00:45:01Who the fuck are you?
00:45:03I told you, Daddy.
00:45:05That's Jonah.
00:45:07No, it's not.
00:45:08He's dead, girl, I already told you that.
00:45:17Yeah.
00:45:20No!
00:45:22Fuck, no!
00:45:25No!
00:45:27No!
00:45:39Put it down.
00:45:45Put it down!
00:45:54No!
00:45:57No!
00:46:03Oh, shit.
00:46:22You did the best you could!
00:46:31Come on!
00:46:32Bring it!
00:46:34Come on!
00:46:37No!
00:47:04Did you guys see Bo and Asia leave earlier?
00:47:06I can't even imagine what they're doing out there.
00:47:09I don't want to know.
00:47:10Yeah.
00:47:12Do we have much more to shoot?
00:47:15No, we're just waiting for them to get back, then we can probably head out of here.
00:47:20Ah, fuck!
00:47:24Help!
00:47:26Brody, come here!
00:47:28Man, this fucking shit is bad.
00:47:30What's up?
00:47:31It was fucking dead, man, it was fucking dead.
00:47:33Asia's dead.
00:47:34What the fuck happened to your head?
00:47:35I know, it hurts.
00:47:36There's a big ogre fucker running around and he hit me with a hammer.
00:47:39And there's a midget in the fucking barn.
00:47:42Asia's got her eyes burned out of her fucking head.
00:47:44She is dead.
00:47:46She's dead.
00:47:47Dude, are you fucking with us?
00:47:48No, I'm not fucking with you, dude.
00:47:50There's some crazy fuck running around killing everybody.
00:47:52All right, dude, okay, chill out, relax, sit down, and I'll be right back, okay?
00:48:03What's going on?
00:48:08Apparently Asia's dead.
00:48:11I was freaking out about some ogre running around the woods.
00:48:14Said there's a midget in the barn.
00:48:16I don't know what to believe.
00:48:19Look at him.
00:48:21I think he's telling the truth.
00:48:23That's what I was afraid of.
00:48:25All right, can you go over and comfort him?
00:48:27I'm going to go talk to these two and see if we can go figure this out.
00:48:34So tell me you're not buying into his bullshit.
00:48:42Hey, are you okay?
00:48:45No.
00:48:48It's bad news out here.
00:48:51This shit's happening.
00:48:53Marlene believes me that some crazy fucker running around the woods killing everybody.
00:48:58Honestly, I don't know what to believe.
00:49:02Oh, my God, you guys.
00:49:04Maybe that couple last night could have been telling us the truth.
00:49:07I mean, what if it's that candy guy they were talking about?
00:49:10Are you kidding me, Marlene?
00:49:12Are you really going to believe those two country bumpkin locals?
00:49:14We're not saying we believe them.
00:49:16We're just saying there might be some merit to what they were trying to say.
00:49:22Seems pretty convincing to me.
00:49:25I'm with Brody, Jeff.
00:49:27I mean, look at him.
00:49:29He seems so upset.
00:49:31Okay, so where is he claiming he's at then?
00:49:36I'm not sure.
00:49:38He said that he got woken up by a midget in a barn.
00:49:43Oh, my God.
00:49:44Now the plot really thickens.
00:49:46First a fucking ogre and now a midget?
00:49:49I am about to go fucking postal on that fat ass.
00:49:52You know what?
00:49:53Come on, Marlene.
00:49:54Let's go find Asia and get the fuck out of here.
00:49:58We need to pack up all our shit and get the fuck out of this place.
00:50:02We'll leave soon, but let's just wait for them to get back, okay?
00:50:06And then we can all leave together.
00:50:08The longer we wait, the more people are going to get killed.
00:50:12Here, let's just wait a little longer, okay?
00:50:15Let me see that.
00:50:20You believe me, don't you?
00:50:22Of course I do.
00:50:27We need to go.
00:50:32You guys keep your eyes open.
00:50:33I've got to go pee.
00:50:34Okay.
00:50:46I'm so pissed we're even out here looking for her.
00:50:50Honestly, I don't even like her.
00:50:51She's such a fucking bitch.
00:50:53Yeah, she was talking shit about you last night.
00:50:55She called you a hoe.
00:50:57Are you serious?
00:50:59Yeah.
00:51:00She's fucking disgusting, and her girlfriends, they're heifers.
00:51:04You guys should probably be quiet.
00:51:06She might hear you.
00:51:08I don't fucking care.
00:51:16Okay.
00:51:25Yeah, I'm not going to go in here.
00:51:26What's wrong, Jess?
00:51:28Well, if those people from last night were telling us the truth,
00:51:30there's no way I'm walking into this place.
00:51:32Well, I'm going in.
00:51:34Okay, fine.
00:51:36Jess, we can't just let her go in there by herself.
00:51:38We have to follow her in.
00:51:46Okay.
00:52:02Marley, what the fuck, Marley?
00:52:16Aja?
00:52:22Aja?
00:52:45Aja?
00:53:15Aja?
00:53:17Aja?
00:53:45Aja?
00:54:15Aja?
00:54:37Hurry the fuck up!
00:54:45Aja?
00:54:59What are you guys doing out there?
00:55:01He's not going to get us out here.
00:55:03Dude, there's a fucking canoe over there.
00:55:05Get to shore.
00:55:07Aja's dead.
00:55:08What?
00:55:09Aja is fucking dead.
00:55:11She had her eyes gouged out.
00:55:14Where's Marley?
00:55:16I thought she was with you.
00:55:18No, she was, but when she saw Aja, she freaked out and took off.
00:55:20Jess, we need your keys.
00:55:22We're going to get in the car and get the fuck out of here.
00:55:24He's right.
00:55:26We have to go get help.
00:55:28I'm not leaving Marley.
00:55:30You guys, she's my best friend, and if you think I'm going to leave her,
00:55:32you guys are fucking wrong.
00:55:34I'm not leaving Marley.
00:55:36I'm not leaving Marley.
00:55:38I'm not leaving Marley.
00:55:40I'm not leaving Marley.
00:55:42You guys think I'm going to leave her?
00:55:44You guys are fucking crazy.
00:55:46Wait, Jess, I'm coming with you to find her.
00:55:48You guys, when you hit the road, call for help.
00:55:50As soon as you get a signal, make sure you call, all right?
00:56:13Hello?
00:56:15What was that?
00:56:17It's a problem with the car.
00:56:19You've got to be kidding me.
00:56:32Let me try to start it.
00:56:35It's not starting.
00:56:37Son of a bitch.
00:56:39We have gas.
00:56:41Maybe it's the battery.
00:56:43We'll pop the hood.
00:56:45I used to work on cars with my brothers.
00:56:47Really?
00:56:49Okay.
00:56:59Maybe it's something with the battery.
00:57:01Um, yeah.
00:57:03I'm going to check the connections.
00:57:05Why don't you get back in the car
00:57:07and try to turn it over?
00:57:09I'm going to see what I can do.
00:57:17Okay, try it.
00:57:25How about now?
00:57:27Come on.
00:57:29Okay, I think we got it.
00:57:31Okay, let's go.
00:57:33Holy shit!
00:57:35Holy shit!
00:57:37Holy shit!
00:57:39Fuck!
00:57:41Holy shit!
00:57:43Holy shit!
00:57:45Holy shit!
00:57:47Holy shit!
00:57:49Holy shit!
00:57:51Holy shit!
00:57:53Holy shit!
00:57:55Fuck me!
00:57:57Get the fuck out of here!
00:57:59Fuck this shit!
00:58:01Holy shit!
00:58:03I've got to get back on camera!
00:58:05Holy shit!
00:58:11Marley!
00:58:15Marley!
00:58:19Marley!
00:58:21Hey.
00:58:23Marley!
00:58:25Hey, Jess!
00:58:27What?
00:58:29You're attracting attention to us.
00:58:31I don't fucking care!
00:58:33Are you brain dead?
00:58:35We're not going to find Marley, okay?
00:58:37If you want to be such a fucking pussy,
00:58:39then why don't you just go back to the campsite?
00:58:41Marley!
00:58:45Marley!
00:58:49Marley!
00:58:53So you're fucking coming now?
00:58:55Yeah.
00:58:57Look, if you want to find your friend,
00:58:59you need to be smart about this, okay?
00:59:01We're losing light, and he could be out here anywhere,
00:59:03so we need to move.
00:59:05So you're going to need to go to the barn,
00:59:07and I'm going to need to go to the greenhouse, okay?
00:59:09Okay.
00:59:11And we need to be back at the campsite before the sun goes down.
00:59:13Understand?
00:59:15Yeah.
00:59:17Okay.
00:59:19Marley!
00:59:21The models are dead!
00:59:23And Faye's going to kill me!
00:59:25Crazy retard fucker
00:59:27running around the woods!
00:59:51Marley!
01:00:21Who are you?
01:00:31What are you doing here?
01:00:39Why won't you fucking answer me?
01:00:41Marley!
01:00:43Marley!
01:00:45Marley!
01:00:47Marley!
01:00:49Why won't you fucking answer me?
01:00:51Answer me!
01:01:07Help!
01:01:09Help!
01:01:13Help!
01:01:19Help!
01:01:23No!
01:01:35Fuck you!
01:01:49Hey!
01:01:55Is that Marley?
01:01:57Jesus Christ!
01:02:01Where are you coming from?
01:02:03Marley!
01:02:09Help!
01:02:13Please let me go!
01:02:15Help me!
01:02:19Help me!
01:02:23Stop!
01:02:25I won't help!
01:02:37No!
01:02:39No!
01:02:41No!
01:02:49Help!
01:03:03Help!
01:03:13Help!
01:03:19Help!
01:03:43Jesus.
01:03:45I think I got a signal.
01:03:47I'm gonna call Aunt Faye.
01:03:49Aunt Faye? Are you kidding me?
01:03:51You should call the police.
01:03:53It's her voicemail.
01:03:55It's Bo! Send help to the lake!
01:03:57Shit's hitting the fan!
01:03:59We're fucked!
01:04:01Send help!
01:04:03Goddamn, I just lost it.
01:04:17Fuck.
01:04:47Fuck.
01:05:17Help!
01:05:37Come on, move, baby, move.
01:05:39It hurts.
01:05:41It hurts.
01:05:47Listen, listen.
01:05:49You can be anywhere you have to be quiet, okay?
01:05:51You have to be quiet.
01:05:55It hurts.
01:05:57I know it hurts, I know it hurts, but listen.
01:05:59I need to go get help.
01:06:01You need to stay here.
01:06:03I'm gonna go, okay?
01:06:05Be quiet. I'll be right back, okay?
01:06:07I promise. I'll come right back.
01:06:09Get out of here. I promise, okay?
01:06:11Just be quiet.
01:06:15Don't leave me.
01:06:33Brody.
01:06:35Brody.
01:06:39Brody.
01:07:05Brody.
01:07:35Brody.
01:08:05Brody.
01:08:15He doesn't like pretty people.
01:08:19You're gonna die.
01:08:35Brody.
01:08:37Brody.
01:08:39Brody.
01:08:43Brody.
01:08:45Brody.
01:08:47Brody.
01:08:49Brody.
01:08:51Brody.
01:08:53Brody.
01:08:55Brody.
01:08:57Brody.
01:08:59Brody.
01:09:01Brody.
01:09:03Brody.
01:09:17What the fuck?
01:09:33What the fuck?
01:09:35Fuck.
01:10:01No!
01:10:05No!
01:10:07No!
01:10:09No!
01:10:11No!
01:10:13No!
01:10:15No!
01:10:17No!
01:10:19No!
01:10:21No!
01:10:27How are we out of gas?
01:10:29I don't know.
01:10:31We had a full tank.
01:10:33I'm gonna check under the hood.
01:10:35Wait.
01:10:37Take this.
01:10:41Be careful.
01:10:51All I need is that fucker to come out of the corn.
01:10:53I think the gas line's been cut.
01:11:23Hello?
01:11:43Hello?
01:11:49Hello?
01:11:53Hello?
01:12:23Hello?
01:12:39Come on.
01:12:45Why aren't there any cars coming down this road?
01:12:47Because we're in the middle of fucking nowhere.
01:12:49That's why.
01:12:53What should we do?
01:12:55We need to get back to Jess's car
01:12:57and get the fuck out of here.
01:12:59Bo, that's not happening.
01:13:01I know Jess.
01:13:03She never leaves her car unlocked.
01:13:05I am not gonna die out here.
01:13:07I am too young to die out here, Marley.
01:13:09I need to go home,
01:13:11make some fucking movies,
01:13:13get a casting couch,
01:13:15bang some chicks on the casting couch.
01:13:17I'm not gonna die.
01:13:19I'm virgin!
01:13:21Tiny?
01:13:23Tiny?
01:13:29Where are you?
01:13:35Tiny?
01:13:37Shit.
01:13:39Where are you?
01:13:47Oh my God, it's the car!
01:13:49Oh my God.
01:13:51I can't believe it.
01:13:53Oh, please stop!
01:13:55Are you guys okay?
01:13:57We are now.
01:14:05How far away is the police department?
01:14:07It's about 15 minutes.
01:14:09I was gonna ask the sheriff to help me find my little girl.
01:14:11What does she look like?
01:14:13She's real short.
01:14:15She's about this wide.
01:14:17We've seen her.
01:14:19She was with that big ogre fucker.
01:14:21Where did you see her?
01:14:23We saw her by the barn.
01:14:27He killed my husband.
01:14:29He's killed our friends.
01:14:31Who is that guy?
01:14:35Jonah Candy.
01:14:37He was a good little boy.
01:14:39He used to come over and play with my daughter
01:14:41when she was just a baby.
01:14:43His daddy thought he was no good
01:14:45and possessed by demons.
01:14:49One night his daddy came home
01:14:51high in the moonshine
01:14:53with his own demons.
01:14:55He took a razor to that poor boy's face
01:14:57and he sliced him up
01:14:59until he was unrecognizable.
01:15:03My wife tried to stop him
01:15:05but he took a shotgun
01:15:07and he blew her head clean off
01:15:09and then he turned the gun on himself.
01:15:11Oh my God, Beau!
01:15:13At the campfire?
01:15:15She told us about him.
01:15:17Jesus Christ.
01:15:21You know, for years my husband
01:15:23tried to tell me he was dead
01:15:25but I knew that wasn't true
01:15:27because they never found the body.
01:15:29And every time my little girl said she saw him
01:15:31I knew she was telling the truth.
01:15:33I never told Roscoe that though
01:15:37because for some reason
01:15:39he was always afraid of Jonah.
01:15:44Now he's dead.
01:15:49Tiny?
01:15:55Tiny!
01:15:58Oh, man.
01:16:00Get over here right now!
01:16:02This is not good.
01:16:04I'm your mama and get in this car right now!
01:16:08You come with me, young lady.
01:16:10You hear me?
01:16:12You're gonna come with me right now!
01:16:14Get out of here.
01:16:16Why don't you get in and drive?
01:16:18Come with me, young lady.
01:16:20You're gonna come with me right now, you hear me?
01:16:22Right now! Get in the car!
01:16:24Oh, shit.
01:16:32Oh.
01:16:34Okay, let's go.
01:16:36I think it's just me and you now.
01:16:38I know, but I think I know where they're going.
01:16:40Hold on, son.
01:17:10Oh, no.
01:17:14Oh, no.
01:17:20Oh, no.
01:17:24No!
01:17:28No!
01:17:30No!
01:17:40No!
01:17:48So, where are we going?
01:17:50Camp Candyland.
01:17:52And what exactly is Camp Candyland?
01:17:54That's what the locals
01:17:56started calling the old candy property.
01:17:58After the candies died,
01:18:00the house and the farm were left vacant.
01:18:02And then when a few missing
01:18:04teenagers' bodies started showing up,
01:18:06well, no one wanted to go near the place.
01:18:08With it being so close
01:18:10to the ledge's campground.
01:18:12The name kind of stuck over the years
01:18:14as the legends grew around it.
01:18:26It's right there.
01:18:32I know he is in there.
01:18:34I'm not going in there.
01:18:36That big fucking Lummox is in there.
01:18:40Don't worry about it.
01:18:44I got it covered.
01:18:48I think you're going to need a bigger gun.
01:19:06Oh, no.
01:19:36He's in here somewhere.
01:20:02Tom!
01:20:04Tiny!
01:20:06What the hell are you doing?
01:20:08Is that Marley?
01:20:14What are you doing up there?
01:20:16Get down from there!
01:20:18Jesus Christ.
01:20:30Jonah.
01:20:34Jonah.
01:20:38Please.
01:20:40Please, son, don't hurt her.
01:20:42For the love of God, don't hurt her, please.
01:20:50Please!
01:20:52It's so far.
01:20:54What did you do?
01:20:56No!
01:21:04Jonah.
01:21:08Please, don't hurt her.
01:21:10Please.
01:21:26He doesn't like pretty people.
01:21:34Oh, no.
01:21:48Oh, God.
01:21:50No!
01:21:52No!
01:21:54Oh!
01:21:56Come on.
01:21:58Come on.
01:22:00No!
01:22:02We see through, ignore the pains when we do
01:22:06Tell me where to go when we're all alone and the lights go out
01:22:14This was it
01:22:18You never listen, but you never even try
01:22:24I see fear
01:22:28But the flood has risen and we're all destined to die
01:22:36Brothers and sisters, as we go from scream to whisper
01:22:41Time to face the fact that this is our reality
01:22:46We just can't understand why
01:22:52We're the ones that fought for living this atrocity
01:22:58This was it
01:23:03You never listen, but you never even try
01:23:09I see fear
01:23:13But the flood has risen and we're all destined to die
01:23:19This was it
01:23:23You never listen, but you never even try
01:23:29I see fear
01:23:33But the end is nearing, we're all running for our lives