• 5 ay önce
La vida prometida Cap 2
Döküm
00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
01:08Fai fiorire la passione come il suono della mia canzone
01:38I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I
02:08love you,
02:21dear Doña Asunta I had no chance to say goodbye to me in the end the ship touched I left Maria's
02:27sheets on the table there are also the alliances of my late husband
02:34I don't know how much I love you,
02:36but I left them because the doctor didn't give me any hope.
02:41I'd like him to pay for my poor daughter's funeral expenses.
02:45I don't want her to end up in a grave, Mrs. Asunta.
02:49Do you understand me?
02:55I dictated the letter to Mikele because I don't know how to write.
03:01As soon as I can, I will send you the address of my house in New York
03:05so that one day you can give me news.
03:09A big hug, Carmela.
03:20Poor thing.
03:23I fell in love, poor thing.
03:34Losing a daughter, yes.
03:41Thank goodness she went to America.
03:52I love you.
04:02Here you go.
04:04Hurry up. Come on, come on.
04:07Hurry up, hurry up.
04:09Be careful.
04:11These are very expensive clothes.
04:14Be careful.
04:15Let's see what he says.
04:17He says this clothes is very expensive.
04:19Do you understand? Very expensive.
04:21First class.
04:22Yes, of course.
04:26I'm Dolores.
04:28Spanish.
04:29And I'm Carmela. Sicilian.
04:32Married, of course.
04:33Yes.
04:35I had to marry for power in Naples.
04:39Come here.
04:43With this.
04:46Well, the important thing is that you go to America.
04:51Anyway, I've been going and coming for about three years.
04:56Sooner or later I'll find an American husband.
05:02Of course, sure.
05:07So you've never been to America?
05:11No.
05:12But I've heard a lot about it.
05:15They say that as soon as you get there, there's a statue.
05:20The Statue of Liberty.
05:22That has a torch raised up to the sky in one hand.
05:26And that light illuminates the freedom of the world.
05:31Well, and in the other hand, there's a board where it says...
05:35Dolores, the one who works with me at the laundry,
05:39has told me that in America there are tall, very tall houses that reach the sky.
05:45And how do they reach the sky?
05:47They have elevators.
05:48Yes.
05:49Elevators? And what's that?
05:51They're boxes that go up and down.
05:53One of the immigrants told me that we have to behave well
05:57and learn his language and his currency too.
06:00Don't tell me.
06:02It's not difficult.
06:03Dog is pronounced Do.
06:05Dog?
06:06Yes, that's how it's pronounced.
06:08Bread and cheese.
06:11Cheese.
06:12Cheese.
06:15Rocco, do you know how to say stone in America?
06:19It's Rocco.
06:21Like you.
06:23Rocco, like me.
06:27Like you, like you.
06:38Are you sick?
06:42What's wrong?
06:43Are you not feeling well?
06:45Here, drink a glass of water.
06:47Don't worry, I'll finish it. Go rest.
06:51Are you Italian?
06:52No, Chinese.
06:55I'm Chinese.
06:56I'm Chinese.
06:57I'm Chinese.
06:58I'm Chinese.
06:59I'm Chinese.
07:00I'm Chinese.
07:01I'm Chinese.
07:02I'm Chinese.
07:03I'm Chinese.
07:04I'm Chinese.
07:05Oh, Chinese.
07:07I'm Chinese.
07:09I'm Sicilian.
07:11I'm Sicilian.
07:12And you?
07:13Calvi Risorta.
07:14Calvi Risorta.
07:16Do you know Palazzo Real?
07:18It's a communist campaign.
07:20The worst.
07:22I'm Bolshevik.
07:24If I stayed, Mussolini would kill me.
07:27Or I would kill him.
07:29You came to this predapium like me.
07:31Go to hell.
07:32Before or after, I will rule in Italy.
07:35Then I will return home.
07:38And I will be able to cultivate my land.
07:41Not the foreign land.
07:43Shut up, fascist!
07:45Or I'll put you in the cauldron.
07:48You're an idiot.
08:00Good evening, Dolores.
08:01Good evening.
08:02Miquel, see you tomorrow?
08:04Yes.
08:05Get some rest.
08:06Good evening.
08:07Good evening.
08:16Miquel, you're full of coal.
08:22What are you doing? Are you going to sleep now?
08:25Eat some bread.
08:27No, Mom, I don't want anything.
08:29Miquel...
08:34If you don't eat, how will you make it to America?
08:37I love you.
08:57Little Virgin.
09:08My God, this is money.
09:11American money.
09:37Okay, Turi, okay.
09:51I'll give you the money back.
09:53The Carrizos are not thieves.
09:55We are not thieves.
09:56This is for my friend Carmela.
09:58Come on, Carmela, let's eat something.
10:00You haven't eaten in a long time.
10:01Look, I made you a delicious sandwich.
10:04A sandwich.
10:05No, thank you.
10:06No, no, no.
10:07Why?
10:08I don't know what to do.
10:11I've found money.
10:13Money.
10:14Do you understand?
10:15Yes, we all understand money, Carmela.
10:22It's a fortune.
10:23Really?
10:24Yes.
10:25With this, you can continue your first-class trip with your family.
10:31Here.
10:32But I have to give it back.
10:34Give it back to who?
10:36The 27th.
10:38Mr. Ferry.
10:39You stupid, honest woman.
10:42You should have kept the money.
10:44What does it say?
10:45It says you're an honest woman, but also a little stupid.
10:49That if you kept the money, no one would notice.
10:52No, I have to give it back.
10:54I have to give it back.
10:56I take back to Mr. Ferry.
10:59What does it say?
11:00He's taking it to Mr. Ferry.
11:16Good night.
11:26Come in, come in.
11:30Can I come in?
11:36Come in, please.
11:41It must be Carmela, the laundry woman who found the money I forgot in my pants and gave it back to me.
11:47That's right.
11:49Do you know how much money it was?
11:51Yes, they told me.
11:54Is there a problem?
11:55No, no, no.
11:56It was just to tell you that anyone in your place would have kept it.
12:00And maybe I would have done the same.
12:05If I'm honest, so am I.
12:09But not because I'm not honest.
12:11Out of necessity.
12:14I understand, you know.
12:17Because when I left...
12:19Were you also an immigrant?
12:21Yes, I've been in America for 25 years.
12:24I've returned to Italy to bury my wife near her mother, in northern Italy, near Como.
12:29We're from there.
12:31I also buried my husband recently.
12:34And not just him.
12:35I'm sorry.
12:36Sit down, please.
12:38There?
12:39Wherever you want. There, yes.
12:46Do you want a drink?
12:48No, no, please. I'm getting dizzy.
12:55So you must know America well.
12:59Let's say I've seen the good and the bad.
13:02The good and the bad.
13:05America is many things.
13:07It's like a goddess of abundance.
13:10She gives you opportunities, food, work.
13:12And in return, she only asks for the will to do things.
13:16If you have the will, America says,
13:18Take it. It's all yours. It belongs to you.
13:20That's the good part.
13:22The good part?
13:24And the bad part?
13:25The bad part, for example, is something unpleasant that happened in New Orleans in 1891.
13:32When 11 young Italians were accused of killing a police captain, a guy named Genesee.
13:4111 boys to kill a single man.
13:44In fact, the court acquitted them.
13:47But the sentence didn't please certain well-meaning Americans
13:51who believe that Italians are all the same.
13:53Some criminals, some murderers.
13:56So...
13:58So those gentlemen, huh?
14:00An army. There were a thousand. Maybe more.
14:02They went to jail and they murdered them.
14:04They killed them one by one.
14:06Holy Virgin.
14:08And the guards?
14:09The guards witnessed the lynching.
14:12Without moving a single finger.
14:14With their arms crossed.
14:17Among those 11 Italians.
14:21There was my brother, who was 24 years old at the time.
14:25I'm sorry.
14:26Me too, but many years have passed.
14:30We all want fortune to smile on us.
14:32And as you can see, I can't complain.
14:34Yeah.
14:35Well, I don't have the same luck.
14:38Nor do my children.
14:42Here. For being honest.
14:44No, no, please. You're offending me.
14:48Dinner is about to be served.
14:52And it's late.
14:54A man alone never arrives late.
14:56It's the only advantage of loneliness.
14:59I'll walk you to the door.
15:05But this is...
15:07I've never seen one.
15:08It's a gramophone.
15:10Do you like it?
15:12It's pretty.
15:13It's for listening to music.
15:17Goodbye.
15:21Goodbye.
15:26Are you sure?
15:27Of course.
15:28I've been very careful.
15:29You can't tell.
15:30I don't understand.
15:31I'm sorry.
15:49Doña Asunta, don't be afraid.
15:52Calm down.
15:54I left the hospital this morning.
15:57But you're alive!
15:59You can see me, right?
16:03Oh, the Virgin!
16:05She healed you?
16:07The Virgin is the one who healed me.
16:11It's a miracle!
16:13That's what the doctor at the hospital said.
16:17And my mother and my siblings.
16:23Your mother?
16:25Your mother...
16:28She left for America with your siblings.
16:35But they left without me.
16:40They thought you were dead, María.
16:46Your mother didn't want to leave.
16:49You don't know how many tears she shed.
16:51She thought you were dead, my daughter.
16:53But she left you an address.
16:55No, she had to send it to me.
16:57I don't know how to read or write.
16:59Neither does your mother.
17:02What a nuisance.
17:04But you don't have anyone there.
17:05I don't know.
17:06A relative?
17:07A friend?
17:08Someone?
17:09You don't know anyone?
17:10Nothing?
17:14What a shame.
17:17Wait.
17:19Wait.
17:20Wait, I'll show you something.
17:24Come, María, come.
17:28Come.
17:30Is this it?
17:32They're yours.
17:33She gave them to me for you.
17:34I had to sell them for the...
17:37the funeral.
17:39But luckily, it wasn't necessary.
17:41They're yours.
17:43Here they are.
17:45And these rings, see?
17:48Even if they're not gold.
17:50Here.
17:51They're very valuable to my mother.
17:52Yes, yes.
17:55And now what do I do?
17:58Stay with me.
17:59You can stay for a while.
18:01Do you think I'm going to kick you out?
18:04A young girl who could be my daughter.
18:07Like the daughter I lost.
18:09Not from Bartolo, but from a great love of mine.
18:12Come.
18:13You already have the bed.
18:14Let's stay here for a while.
18:16Stay here for a while and then we'll find them.
18:19Even if the sea swallows them.
18:21All of them.
18:22We'll find them.
18:23Take a rest.
18:24We'll find them.
18:25Don't worry.
18:27Then, when you wake up,
18:29I'll bring you something good to eat.
18:30You'll see.
18:31Don't worry.
18:32I'll cook.
18:35The plate.
18:46You, calm down.
18:47You think we're going to...
18:48We're not going to have a baby.
18:50I'm not sure.
18:53Please, please, let me go.
18:55Dear Alfio, I'm here alone.
18:58They all went to America.
19:01Come, please.
19:03Maria.
19:04Maria.
19:06Come, come.
19:07Let us go.
19:09Let us pass.
19:11Come on, let us go.
19:12Let us pass.
19:14Please, we have to go.
19:16I can't wait any longer.
19:17Please.
19:21Let's see.
19:22Take a good look.
19:25Carmela Carrizo.
19:27Michele Carrizo.
19:29Rocco Carrizo.
19:31Antonio Carrizo.
19:32And Alfredo Carrizo.
19:34I understand.
19:35But if you don't remember the name of the ship
19:37or the day it left here,
19:39what do you want me to do?
19:41Make up your family's name?
19:43Are you sure they boarded regularly?
19:46Yes.
19:47Because there are a lot of people
19:48who spend two cents to get on a ship
19:50and then, as if such a thing
19:51ends up at the bottom of the sea,
19:53instead of in America.
19:55Thank you.
19:56What a considerate answer.
19:58Thank you very much.
19:59Let's go, Maria.
20:00Come.
20:01Miss.
20:02What's wrong?
20:04Miss.
20:06Thank you.
20:07It's nothing.
20:08It's just a little dizziness.
20:10Are you sure?
20:11It's already over.
20:12But I don't trust you.
20:14No, because
20:15I'm afraid you'll say it
20:16to get rid of someone
20:17who comes up to you
20:18and looks like a fool.
20:19But your pale face
20:20says something else.
20:21Right?
20:22In the end,
20:23you'll faint for real, miss.
20:25Excuse me, who are you?
20:26Yes, you're right.
20:27I think
20:29I can help you.
20:31Can you help me?
20:32Yes.
20:33Can you help me get to America?
20:35How? By buying me the ticket?
20:37Can you find my family
20:38who left me here
20:39without money,
20:40without a house,
20:41without anything?
20:42Is that all?
20:44I thought
20:45that was all.
20:47I think
20:48I can help you.
20:49How?
20:51I'm going to America, too.
20:53You're going to America?
20:57Listen.
20:59Can I have five minutes?
21:01As long as it takes
21:02to have a coffee.
21:03Five minutes.
21:05Okay.
21:06Just five minutes.
21:08Let's go, Maria.
21:16What was I going to do if I didn't?
21:18My daughter was lost.
21:20I had to choose.
21:23And I chose to leave.
21:25I'm sorry.
21:28But deep down,
21:29in here,
21:30I feel like...
21:31Look at me.
21:32I haven't had children.
21:34No.
21:36Why?
21:38I was a flamenco dancer.
21:40And you know,
21:41everyone likes flamenco.
21:43But no one marries them.
21:47Flamenco was born
21:49as a protest dance
21:51to stand up
21:53to fight.
21:55Come on.
21:56Come on.
21:57Dance, Carmela.
21:59Recover, Carmela.
22:01Come on.
22:02No, Dolores.
22:04Carmela.
22:06I'm very sad.
22:07Carmela.
22:08I'm very sad.
22:26Is this a vice?
22:28No.
22:33Of the 27th?
22:34Of Mr. Ferry.
22:36That man
22:37wants to see you again,
22:38is that clear?
22:40Then I'll give him a surprise.
22:48Come in, come in.
22:53Who are you?
22:55Alfredo Carrizo,
22:56the son of the ironer.
22:58Alfredo Carrizo.
22:59Come, come closer.
23:03How can I help you, Alfredo?
23:06My mother told me
23:07that it's hers.
23:08But if she keeps forgetting things,
23:10she'll keep them next time.
23:13Your mother is right.
23:16I assure you
23:17that I care a lot
23:18about this watch.
23:20But lately
23:22I've been a bit distracted.
23:26How old are you?
23:27Almost 12.
23:28Ah, you're a little man.
23:30You're big.
23:31And you go to school.
23:32I was,
23:33but here on the boat.
23:34I see.
23:35It's true that
23:36since there's no school,
23:37you can't go.
23:38What luck you've had.
23:39No, I liked
23:40going to school.
23:41Really?
23:42Yes.
23:43What I liked the most
23:44were the numbers.
23:45The numbers?
23:46Very good.
23:47I liked them too.
23:50And do you like fruit?
23:53Take it.
23:55Really?
23:56Yes, take it, take it.
23:57Come on, don't be afraid.
23:59Take it, take it.
24:01Do I have to take it all?
24:02I don't know.
24:03The one that fits in your pockets.
24:05If you come back here,
24:06I'll give you more fruit.
24:08And maybe some kind.
24:11I would have liked
24:12to have a son like you, you know?
24:15Brett.
24:16What?
24:17Do you also want bread?
24:18No, I was reviewing
24:20the American.
24:21Well, if you come back here,
24:23I'll show you the numbers
24:24and also the American.
24:26We can start
24:27tomorrow,
24:28if you like.
24:32And not this afternoon?
24:33Okay,
24:34we'll start this afternoon.
24:41Very good.
24:42Which means
24:49Let's continue.
24:52Let's see, Alfredino,
24:53listen to me.
24:54Write
24:55eighteen thirds.
24:59Eighteen thirds.
25:02Eighteen thirds.
25:07The stock market, Alfredo,
25:08is the currency market.
25:10And what does the currency do?
25:11It oscillates,
25:12as they say.
25:13It goes up and down.
25:14It increases in value
25:15and it loses it.
25:16It depends.
25:17It's a bit like sailing,
25:18like we're doing now.
25:20When you're sailing,
25:21sometimes the sea is turbulent
25:22and sometimes it's calm.
25:28The secret is
25:29to be ready for everything.
25:30And to prepare,
25:31there are three fundamental things.
25:33The first is to study.
25:35The second is to study.
25:37And the third?
25:38Study.
25:39No, play chess.
25:41Should I start?
25:42Yes, take the white pieces.
25:43Because strategy is important,
25:44do you understand?
25:46And not only in the world
25:47of finance,
25:48strategy is important
25:49in life.
25:50Remember, Alfredo,
25:52don't make any move
25:54without thinking about the next one.
25:56Let's see how it goes.
26:02Do you understand, Chiro?
26:03That's what my father did.
26:05He faced a guy,
26:07Vincenzo Spano,
26:09who ended up killing him.
26:11Yes, but because he fought alone, Mike.
26:13That was the mistake.
26:15And what was he going to do if he didn't?
26:17Mike,
26:19today injustice is fought
26:20in the United States.
26:22In America,
26:23there's the Federation of Labor.
26:24Do you understand me?
26:26Labor?
26:27Exactly.
26:28The workers against the boss.
26:29My cousin Domenico told me
26:30that he's already working in New York.
26:32I'm going to meet with him.
26:34Mike,
26:35if all the workers
26:36had supported your father,
26:38he would still be alive today.
26:40We have to fight, Mike.
26:42Work and fight.
26:44That's our duty.
26:45Shift 1, back to work.
26:47Shift 2, 15 minutes break.
26:49Come on, let's get to work.
26:51Shift 1, get back to work.
26:53Shift 2, 15-minute break.
27:00Shift 2, 15-minute break.
27:24Would you like some water?
27:26Thank you, ma'am.
27:30It was because of the girl
27:31who had her on her chest.
27:33Now,
27:35it's okay.
27:36Don't pressure me.
27:40Good night.
27:41Good night.
27:42Good night.
27:59Good morning, Mrs. Aso.
28:01Good morning, Mose.
28:03Good morning.
28:04May I come in?
28:05Of course, you're welcome.
28:07Is everything ready?
28:08Yes.
28:09How do I look?
28:10Handsome, very handsome.
28:11Thank you.
28:13And Maria?
28:15Maria.
28:16Maria!
28:17She went up to the rooftop
28:18down the hallway.
28:19Here she is, here she is.
28:27I wasn't expecting you.
28:28I know.
28:30I went to the synagogue.
28:32It's close by,
28:33so I thought...
28:35It's not that close.
28:36Well, close, far.
28:37Should we invite Mose to come in
28:39or are we going to leave him here?
28:41I'll make him some coffee.
28:42Come on, come in.
28:43Thank you.
28:44May I?
28:45Come on.
28:46Come on.
28:47Come on.
28:49Asunta, who's that?
28:51Come on, you want to know everything.
28:53Go away, go away.
28:55Get out of here.
28:56This woman must be an idiot.
28:58Sooner or later she'll find out.
29:03Tomorrow the ship will arrive in New York.
29:06This is the immigration manual.
29:09It says you have to be
29:11honest,
29:13honorable,
29:16take care of your hygiene,
29:18and speak with a lot of manners.
29:21I'd love to go down with you, Carmela.
29:24My legs are shaking
29:25because I'm going down
29:26and because you're staying.
29:28We have the best country,
29:29the best jobs,
29:30and the best laws.
29:32We know there's work here.
29:33We should have stayed in our country.
29:36You're going to get to Ellis Island.
29:38They'll check your documents.
29:40They'll ask you how much money you have.
29:43And above all,
29:44they'll do a medical exam
29:45to see if you're healthy.
29:48Whoever passes the exam
29:49takes the ship to New York.
29:51When you get there,
29:52be very careful with the estimators.
29:53You're the estimators.
29:58Come in.
30:01Am I bothering you?
30:03You're always welcome, Carmela.
30:07I'll bring you the shirts.
30:09Thank you.
30:11My God!
30:12What happened?
30:13Did he hit the devil?
30:14You'll have to excuse me,
30:15but as they say,
30:17order is a monologue
30:18and disorder is a dialogue.
30:20And since I don't have anyone
30:21to talk to...
30:24Can I help you?
30:25Maybe with the twins.
30:28Of course.
30:29Thank you.
30:37It smells great, Carmela.
30:39Just like my shirts.
30:42Thank you.
30:48I get the feeling
30:49you want to talk to me.
30:50Am I wrong?
30:52No, you're not wrong.
30:55Where do I start?
30:57We're disembarking tomorrow.
30:59People are talking
31:00and I get nervous.
31:02Because if it's true
31:03that we have to pass a medical exam
31:05and that they want us all to be healthy,
31:07it's because my son, Rocco,
31:09is not well.
31:11He's not well from here.
31:13And what do I do?
31:15I can't go back.
31:17I'll tell him
31:19something I haven't even told the priest
31:20in the confession.
31:22Because Mr. Ferry
31:23has entrusted me with his trust.
31:26And also his patience.
31:28My son, Rocco,
31:30was as healthy as the others.
31:34And if he's like this now,
31:36it's my fault.
31:38Only mine.
31:47Because in my town
31:49there was a man named Vincenzo Espano.
31:51A man without scruples.
31:53The kind that when they want something,
31:54they get it.
31:56I'm sorry.
32:12Sometimes the beauty
32:13of a woman
32:14can be her sentence.
32:16But what beauty?
32:18Her inner beauty, Carmela,
32:19which may be even greater.
32:21It's not your fault.
32:23Destiny is not always
32:24in our hands.
32:25But it is.
32:26Because I brought you here.
32:28If the Americans don't love you
32:29and won't let you go,
32:30what do I do?
32:31Throw myself into the sea
32:32with all my children?
32:33Drown?
32:35Everything will be fine, Carmela.
32:38They'll get it.
32:44I haven't thanked you
32:45for everything you've done
32:46for Alfredo.
32:49What have you taught him?
32:50What have you taught him?
32:52I don't know.
32:53Several things.
32:55A bit of English.
32:57A bit of arithmetic.
33:00A bit of chess.
33:02I've also told him
33:04about my job,
33:05my profession.
33:06Finances, the stock market.
33:08What's that?
33:09It's about making money
33:10from other money.
33:12It's like a game,
33:13but it's dangerous.
33:14You can lose.
33:15Then why did you teach him?
33:17Because he's a smart,
33:18smart kid.
33:20Even if he's small,
33:21I've planted the seed.
33:22And who knows,
33:23maybe tomorrow
33:24we'll reap the benefits.
33:29Mr. Ferri knows so many things.
33:31And he knows the rules.
33:34He could just tell me
33:35what I can do.
33:37What can I do
33:38so they won't close the doors
33:39of this paradise
33:40on my face?
33:42Rocco!
33:43Where are you?
33:44Rocco!
33:50Rocco!
33:51How could you?
33:52Come down!
33:53You have to stay
33:54close to me.
33:55Mikele!
33:57Mom!
33:58Mom's here!
33:59Mikele!
34:02Rocco, come down.
34:04Come on, come down.
34:05You can't run away like that.
34:08And don't make that face.
34:09I know you understand me.
34:11You have to listen to me.
34:13Otherwise,
34:14they won't let you in.
34:16You should be calm
34:17because we're taking care of it.
34:20Mikele,
34:21inside the immigration office
34:22you take him from here
34:23and you, Antonio, from here.
34:25Hold him tight.
34:27Do you understand?
34:30And if they ask you,
34:31tell them
34:32he's dizzy in the boat.
34:35Say yes with your head
34:36to know you understand.
34:38I'm dizzy in the boat.
34:42Very good.
34:43Like that.
34:47I have to tell you something else.
34:50This life
34:51this journey
34:53has been very expensive.
34:56And not only
34:57because of what happened to Mariuzza.
35:01Also because of this.
35:04This alliance
35:05is not your father's.
35:07Mine and his
35:08I left them to Mrs. Asunta
35:09for Mariuzza's funeral.
35:14In Naples I had to get married
35:18with another by powers.
35:20But when?
35:22And who is that man?
35:23That doesn't matter.
35:25He's a good man.
35:29If a woman is not married
35:31with a man who has citizenship
35:33he can't enter.
35:34So I had to do it.
35:37I did it for us.
35:40He's also Italian.
35:42Well, he's Lombardo
35:46and a widow.
35:47Why didn't you tell me?
35:51Because you would have stopped me.
35:55And we had to leave.
36:01Now we can't look back.
36:04No.
36:13Mom, look, we're arriving.
36:15You can see America.
36:21Look, look, we're arriving.
36:24Have you seen that we've arrived, Rocco?
36:28Look.
36:42Let's start a new life.
36:45Start there.
36:46May the Lord help us.
37:16Welcome to the United States.
37:18Here you must take care of your health
37:20and speak with a lot of enthusiasm.
37:24Let me through.
37:25Let me through.
37:29Have you seen
37:31what letters they've put on me?
37:36I'm going to die.
37:38I'm going to die.
37:40I'm going to die.
37:42I'm going to die.
37:43I'm going to die.
37:45I'm going to die.
37:47I've sold everything to come here.
37:49The house, the land.
37:51Maria, Maria, Maria, Maria.
37:55I have to feed three children.
37:57Please.
37:58Please.
37:59I don't want to die.
38:00Maria, Maria.
38:01I don't want to die.
38:02Maria.
38:03Maria.
38:05No, please.
38:06What will become of us?
38:07Please.
38:08What will become of us?
38:09Please.
38:10Please.
38:11Please.
38:12I don't want to die.
38:13Please.
38:14I'm sick.
38:18Mom, why does he have a C on his back?
38:20No idea.
38:21Because he's sick.
38:22C stands for cardiopathy.
38:24Sick people are sent back to Italy
38:26or left on the island of Elis
38:28in quarantine for 40 or 50 days.
38:38Welcome, Mr. Ferry.
38:39Thank you very much.
38:41Look, this is from that family.
38:46And this is for you.
38:49For the inconvenience.
38:50Thank you.
38:52Listen to me, Rocco.
38:53What do you have to say
38:54in the exam you're taking?
38:56That I'm seasick on the boat.
38:58I'm seasick on the boat.
39:00I'm seasick on the boat.
39:01Yes, Rocco, but say it just once.
39:03Don't be a pain.
39:05Very well.
39:06Just once.
39:11They're with me.
39:12Let them pass.
39:13Come on.
39:15The documents first.
39:18Hurry up.
39:24Hurry up.
39:36Five people.
39:41Yes.
39:42Do you have money?
39:49She is married to an American citizen.
39:52These are the documents.
40:02He was seasick.
40:04Seasick?
40:05Yeah.
40:07What are you laughing at?
40:09Officer.
40:30Why?
40:31He's healthy and strong.
40:37They're approved.
40:41What did he say?
40:42That everything is fine.
40:43You can go in.
40:44Don't we have to take the medical exam?
40:46No, ma'am.
40:47There will be a saint in paradise.
40:49You're cleared.
40:52Thank you.
40:53Here it says Ritzo.
40:54We'll call ourselves Carrizo.
40:56Ritzo, Carrizo.
40:57What else will it give?
40:58Go on.
40:59Before it's too late.
41:00Thank you.
41:01Thank you.
41:02Thank you.
41:03Thank you.
41:04Next one.
41:34Let's go.
41:35Let's go.
41:36Let's go.
41:37Let's go.
41:38Let's go.
41:39There are 50 cavalry posts.
41:40But if you accept the job, 50% is mine.
41:42What are you saying?
41:43That's how it works here, you understand?
41:45Go for a walk, do you hear me?
41:47My partner already has a job.
41:49It was possible.
41:50Come, Mike.
41:51Gennarino is my cousin.
41:52A pleasure.
41:53Likewise.
41:54Are they looking for workers in Red Hook Foundation?
41:57Where will I work?
41:58Mike, hey, see you tomorrow at 5.
42:00Please be on time, I'll wait for you.
42:02Por favor, sé puntual. Te espero.
42:04Adiós.
42:04Espera, espera. ¿Cómo la encuentro?
42:06Pregunta por ahí. Todos la conocen.
42:11¡Está ahí!
42:12¡Es ese!
42:13El del cartel que pone Carrizo.
42:15¿Estás seguro de que es ese?
42:17Nos mira, pero no se mueve.
42:32¡Perdone, pero no estaba seguro de si era usted, porque ahí pone Esquiavo, y yo mi apellido Esquiavón, con N.
42:48Ah.
42:49Además, no me podía creer que fuera usted, señora.
42:53¡Estamos aquí!
42:59Encantada.
43:01Carmela Carrizo Rizzo.
43:04Un placer.
43:05Este es mi hijo Mikele, Antonio, Rocco y Alfredo.
43:09¿No tiene ninguno más?
43:11Por desgracia, no. También tenía una hija.
43:15Lo siento. No lo sabía. Perdone.
43:20¿Saludar?
43:21Buenos días.
43:22He traído el carro.
43:25¿El carro?
43:26Porque pensé, perdona, pensé que el tranvío sería incómodo.
43:31Pero mamá está un poco cansada.
43:33Pero estamos a dos pasos, ¿eh? Y luego os llevaré a ver la ciudad. Es una buena ocasión. Vamos.
43:42Dame esto.
43:44Gracias.
43:45Suelta, Rocco.
43:53Vamos.
43:59Hotel Walford, por favor.
44:04Mamá.
44:05¿Eh?
44:06Vámonos.
44:07Sí.
44:08Bueno, ¿entonces nos va a enseñar América?
44:12¿Cómo no? Vamos.
44:15Antonio, empuja.
44:17Sí.
44:38Hola.
45:08¡Venga! ¡Camina! ¡Camina! ¡Vamos, Alfio!
45:27Querido Alfio.
45:28¡Camina!
45:29Estoy aquí sola. Se han ido todos a América. Ven, por favor, María.
45:38¡Camina!
45:39¡Camina!
45:40¡Camina!
45:41¡Camina!
45:42¡Camina!
45:43¡Camina!
45:44¡Camina!
45:45¡Camina!
45:46¡Camina!
45:47¡Camina!
45:48¡Camina!
45:49¡Camina!
45:50¡Camina!
45:51¡Camina!
45:52¡Camina!
45:53¡Camina!
45:54¡Camina!
45:55¡Camina!
45:56¡Camina!
45:57¡Camina!
45:58¡Camina!
45:59¡Camina!
46:00¡Camina!
46:01¡Camina!
46:02¡Camina!
46:03¡Camina!
46:04¡Camina!
46:05¡Camina!
46:06¡Camina!
46:07¡Camina!
46:08¡Camina!
46:09¡Camina!
46:10¡Camina!
46:11¡Camina!
46:12¡Camina!
46:13¡Camina!
46:14¡Camina!
46:15¡Camina!
46:16¡Camina!
46:17¡Camina!
46:18¡Camina!
46:19¡Camina!
46:20¡Camina!
46:21¡Camina!
46:22¡Camina!
46:23¡Camina!
46:24¡Camina!
46:25¡Camina!
46:26¡Camina!
46:27¡Camina!
46:28¡Camina!
46:29¡Camina!
46:30¡Camina!
46:31¡Camina!
46:32¡Camina!
46:33¡Camina!
46:34¡Camina!
46:35¡Camina!
46:36¡Camina!
46:37¡Camina!
46:38¡Camina!
46:39¡Camina!
46:40¡Camina!
46:41¡Camina!
46:42¡Camina!
46:43¡Camina!
46:44¡Camina!
46:45¡Camina!
46:46¡Camina!
46:47¡Camina!
46:48¡Camina!
46:49¡Camina!
46:50¡Camina!
46:51¡Camina!
46:52¡Camina!
46:53¡Camina!
46:54¡Camina!
46:55¡Camina!
46:56¡Camina!
46:57¡Camina!
46:58¡Camina!
46:59¡Camina!
47:00¡Camina!
47:01¡Camina!
47:02¡Camina!
47:03¡Camina!
47:04¡Camina!
47:05¡Camina!
47:06¡Camina!
47:07¡Camina!
47:09¡Camina!
47:30¡No!
47:35♪♪
47:45♪♪
47:55♪♪
48:05♪♪
48:15♪♪
48:25♪♪
48:35♪♪
48:45♪♪
48:55♪♪
49:05♪♪
49:15♪♪
49:25♪♪
49:35♪♪
49:45♪♪