La vida prometida Cap 5
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00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:48Amapola, dolcissima amapola La luce dei miei giorni splendente
01:07Fai fiorire la passione Come il suono della mia canzone
01:37Amapola, dolcissima amapola La luce dei miei giorni splendente
02:07A su servizio, Don Vincenzo
02:22Acaba de llegar de América
02:24Dile a mi primo que aún no podemos irnos. Tengo que ajustar cuentas con la familia del varón. Venga, vete.
02:43Nunzia, ven aquí. Por favor, que nunca falten flores en la tumba del varón. ¿Entendido?
02:58¡Compren la voz de Italia! ¡Los asesinatos en Nueva York no cesan! ¡Tiroteo entre bandas rivales!
03:20Doña Carmela, ¿cómo es posible que siempre les pase lo mismo?
03:23Enseguida llegará Antonio, tenga paciencia.
03:26Entiendo, ¿pero seremos capaces de reunirlos a todos?
03:37Gracias.
03:39¡Atentado en el consulado italiano de Buenos Aires! ¡Hay más de doscientos...
03:43Tengo que irme ya, es tarde.
03:45No, espere un poco.
03:47Ya ha llegado.
03:49Perdonad, he tardado más por comprarle el periódico a Alfred.
03:53Ah, la culpa es mía.
03:54Sí.
03:55Siempre hay excusas para todo.
03:57Venga, colócaos todos. Hagamos la foto, María, tú a mi lado.
04:01Venga, venga, tenga paciencia, señor. ¿Queréis haceros la fotografía, sí o no?
04:04Ven, ven, Rocco.
04:06Tú aquí, pequeño.
04:08¡Alfredo, Antonio, venga!
04:10Todos listos.
04:13Muy bien, quietos. ¿Cómo estáis? Y no os mováis.
04:18No, espere, espere. Me he equivocado.
04:20¿Qué pasa ahora, Doña Carmela? Por favor.
04:22Que quiero hacer la foto como la que hicimos la última vez.
04:25Ahora también estoy yo, mamá.
04:26Sí, mi vida.
04:27Venga, mamá, da igual, da igual.
04:29No, no da igual. Poneos Antonio donde Alfredo y Alfredo donde Antonio.
04:33Venga, venga.
04:34¿Estamos o no estamos?
04:36Así sí.
04:37Vamos allá.
04:39Miradme.
04:41Sonreid.
04:53No.
05:16¡Para, Carmela!
05:18¡Para!
05:19No!
05:20Behave yourself! Don't touch me!
05:22Aren't you ashamed?
05:24You dirty pig!
05:26It's incredible that you're a pig!
05:28I'm going to tell your mother!
05:30But how dare you? You look like an octopus with those hands!
05:33An octopus...
05:34Hey, Angela, what's going on?
05:36Why do you say that?
05:37Ask your son.
05:38He's put his hand under my clothes.
05:40Well, you see...
05:41One more, one less, what else will he give?
05:43Mrs. Carmé, I won't allow it.
05:44What are you saying?
05:45You've insulted all my children!
05:47It's them who always get on my nerves!
05:49You've even tried it with poor Rocco.
05:51But what are you saying?
05:53He went into the bathroom with everything out.
05:55He has to lock him up in the pigeon cage.
05:57That fool is out like a dog.
05:59Listen to me carefully.
06:01You, to talk about my son, you wash your mouth, understood?
06:03Rocco is like the others.
06:05And cover yourself, come on.
06:07The show is over, to your homes.
06:09But, well, what happened?
06:11My God, Rocco...
06:12It's a shame, a shame!
06:13Rocco...
06:14And you, get dressed.
06:16And you, women, don't even think about looking at them.
06:18It's a shame if your father were here.
06:21Do you know what he would do to you?
06:23And now get out of my sight.
06:25Get out!
06:27I'm sorry, Mom, I'm sorry.
06:29Rocco is bad, Rocco is bad.
06:47Help me.
07:07Bad Rocco is bad, bad.
07:16Bad, bad.
07:47Rosa...
07:50No, no.
07:53Don't be afraid, Rosa.
08:16What's he doing?
08:21Hey, what are you doing?
08:24Get him!
08:27What are you doing?
08:30What are you doing?
08:33Come on, come on.
08:36Come on.
08:39Come back home.
08:42It's Rosa, look at her!
08:46Rocco!
08:49You're free now.
08:52Fly!
08:57He's crazy!
08:59Rocco, what are you doing?
09:01Rocco, get down!
09:09I'm coming with you.
09:10I'm coming with you, Rosa, because Rocco can fly too.
09:14Rocco can fly too.
09:16Fly!
09:17Rocco is free.
09:19Let's go flying.
09:21No one will be able to stop us.
09:25Fly, fly, Rosa.
09:27And also fly, Rocco.
09:31Rocco is free.
09:33Rocco.
09:34Rocco is free.
09:38Go, fly.
09:40Fly.
09:42Rocco is free.
09:46Rocco, fly!
09:47Rocco, come here.
09:48Rocco, fly!
09:49Rocco is bad.
09:51Forgive me.
09:52Come here.
09:53Rocco is bad, Mama.
09:55He's bad, Mama.
09:59No, you're not bad, little one.
10:02Mama is angry.
10:03No, I'm not angry.
10:06He's bad, Mama.
10:08Rocco, what happened is normal.
10:11What happened is normal.
10:13Mama is angry.
10:18I'll take care of you.
10:20I'll take care of you.
10:22I'm bad, Mama.
10:26I'll take care of you.
10:28Forgive me.
10:29I'll take care of you.
10:31I won't do it again, Mama.
10:34I won't do it again, Mama.
10:37Let's go. Let's go home.
10:39Let's go home.
11:07What do you want?
11:24What do you want?
11:37Let's go home.
12:00Rosa, you have a letter.
12:07Let's go home.
12:25I'm leaving, Rosucha.
12:27It's daytime.
12:32You liked it, didn't you, Rosa?
12:36I like being able to buy medicine for my son.
12:41I'll see you next month, as soon as you sell the harvest.
12:44I'm looking forward to it.
12:46Goodbye, Rosa.
12:50Honey. Honey.
12:53Look at this.
12:55This is for the good syrup.
12:58And this is for that medicine that will cure you very quickly.
13:02We can even call a doctor.
13:05Honey.
13:09Honey.
13:32Dear Miss Canuto.
13:46In response to your letter in which you claimed to be available to marry an Italian resident in the United States.
13:59It is a young Sicilian named Rizzo.
14:04Rocco Rizzo.
14:06Which one will it be?
14:08He wants to get married as soon as possible.
14:10Pietro. Wake up, Pietro.
14:12Come here. Let's get married, my love. Let's get married.
14:16We're going to America, honey.
14:18We'll wait for your answer and send you a greeting.
14:22Yes, yes. Put that. Signed, Carmela Rizzo and Rocco Rizzo.
14:30Antonio, come on, move.
14:32Are you coming or what? Wait, wait.
14:34Let him wait for me.
14:35Stop talking nonsense. Let's go.
14:37Antonio. Antonio.
14:39Come on, move.
14:45Mom, Antonio.
14:47Forget him. He doesn't have time for us.
14:54Why, mom?
14:57Why, mom?
15:00Come on, a letter has arrived for you.
15:03Come on.
15:05He has responded personally.
15:09He knows how to read and write.
15:11Doesn't he look good? Sit down.
15:17Rosa Canuto, daughter of Giacinto and Matilde Gregori.
15:20Born in Canicati, Sicily, like you.
15:23Where is Canicati?
15:26It's outside my town.
15:28Mrs. Carmen, what else do you want?
15:30It is seen that in your town they are smarter
15:32because no one has loved their son.
15:34And look, I tried.
15:36It seems that this Rosa has understood by the photo
15:38who the married son is.
15:40What an obsession with the flute.
15:42Rocco, behave yourself.
15:44Twenty-three years old, single.
15:47Wait.
15:49She has a four-year-old son.
15:51What? Single with a four-year-old son?
15:54Mrs. Carmen.
15:56Not one, two mouths to feed.
16:01Has he sent a photo?
16:03A photo?
16:05Let's see.
16:07Mrs. Carmen, what do you want?
16:09Let's make it clear.
16:10It's not that you like Rodolfo Valentino.
16:12But how dare you?
16:13I'm not Valentino, I'm Rocco Rizzo.
16:17Mrs. Carmen, tell me yes or no.
16:19If you think it's okay, okay.
16:21If not, there are more people.
16:23Don't get a stranger into the house.
16:26I have to think for a moment.
16:42Very good.
16:44Thank goodness.
16:45Now we have to marry your son by force
16:47and send all the documentation to the future wife.
16:50Agree?
16:51Very good.
16:53Thank goodness.
16:55Great, Rocco.
16:56Congratulations.
16:57May you have male children.
16:59I am a man.
17:01I am a man.
17:03Come with mom.
17:06We found you, woman.
17:09Thank goodness.
17:10It's done.
17:15Your change, sir.
17:16Thank you.
17:21Come on, baby.
17:24What a cute bag.
17:25Thank you, madam.
17:30Thank you, sir.
17:33You are a great dancer.
17:37Sam, welcome, sir.
17:48Come in.
17:51Have you read the newspaper?
17:53Alfredo, I have read it, yes.
17:55Look.
17:56Your drink, sir?
17:57Yes.
17:58Shall I leave them on the table?
17:59Thank you very much.
18:00You are welcome, sir.
18:02If President Hoover doesn't start the economic reforms
18:05he promised in the election campaign,
18:07the market could collapse.
18:09But hey, I think your investment is good.
18:12Real estate funds are the safest,
18:14but you have to be careful.
18:16Remember what I've always told you.
18:18The chess and the stock market are the most ruthless games.
18:21Even the best move at the wrong time
18:23can lead you to lose everything.
18:25In the stock market, you only save those who make the right move
18:28or those who cheat.
18:29But that's not your case.
18:30So diversify your investments.
18:32Okay.
18:33Okay, right, as always.
18:39But now you work alone?
18:41I had to fire the guys
18:43and reduce Morín's working hours.
18:49What's America like, huh?
18:51It's not like we dreamed it would be.
18:53It's given us a lot, and now it's over.
18:56Everything changes, Alfredo.
18:58Even you have changed.
19:00The first time I saw you, you were like this.
19:06Am I running too fast, Mr. Ferry?
19:08If you have the patience, why not?
19:10Two years ago, you made a lot of money
19:12with that investment fund.
19:14You would have preferred to finish high school
19:16before jumping into the pool.
19:18I didn't have time.
19:19I had to help my family, my brothers.
19:23And how's your mother?
19:25I haven't seen her in a while.
19:26She's still the same.
19:28Worried about everyone and ironing shirts.
19:31We've had shirts on our backs for years.
19:34A great woman.
19:36And also very stubborn, to be honest.
19:40By the way, Mr. Ferry, I have to go.
19:44Because today she wants to see us all for dinner.
19:47But all of us.
19:50And when that happens, she has something on her mind.
19:53The suit looks great on you.
19:56Is this your tailor?
19:58I owe her a lot of money.
20:02Can I do something for you?
20:05Yes, of course.
20:08Say hello to your mother for me.
20:11I'm leaving.
20:13Goodbye, Alfredo.
20:14See you soon, Mr. Ferry.
20:35All those poor people who come here.
20:37It's a difficult time.
20:39Yes, I know.
20:40I wanted to ask you something.
20:41It's done.
20:42What?
20:45You haven't finished the salami.
20:47Take some salami.
20:49Mom, you know we can't eat pork.
20:51Mrs. Carmen, it's a matter of religion.
20:53But don't worry, I'll eat the pasta.
20:55I'll eat it.
20:59Always the same.
21:00And Alfredo, don't we wait for him?
21:02No, he'll eat the pasta.
21:05Have you seen what I've done, Mom?
21:07What have I done?
21:08What you had to do.
21:10He's a man like all of you.
21:12It's done.
21:13When the documents arrive, he'll get married.
21:16He'll get married.
21:17Yes, yes, Rocco, he'll get married.
21:20I'm a man.
21:23I'm a man.
21:25Of course, what are you going to do if you don't?
21:27Good morning.
21:28Good morning, Alfredo.
21:29Hi, Mom.
21:30Sorry for the delay.
21:31Good morning.
21:32Here.
21:33See how you're late too?
21:34I was at Mr. Ferry's.
21:36Consulting him about real estate.
21:38Are you involved in that story?
21:40What do you mean?
21:42Here they're still making laws for the rich.
21:44They take away the houses from the poor.
21:46And then they auction them off.
21:47But if I didn't buy them, someone else would.
21:49Maybe if there wasn't a lawsuit,
21:51the poor could keep their houses.
21:53And why is it so controversial?
21:56If you understood how the market works, you wouldn't talk like that.
21:59Besides, those communist sermons are out of place.
22:02Now you call me a communist?
22:03Yes, because they put you...
22:04Enough!
22:05I told you, we don't talk about politics or business in my house.
22:11Let's eat.
22:12Enjoy.
22:13Hey, Mom.
22:14By the way,
22:16Mr. Ferry sends his regards.
22:18Thank you.
22:19He says he hasn't seen you in a while.
22:21Mom, he's got other things on his mind.
22:24Don't tell me.
22:25Really?
22:27What did I miss?
22:29Rocco is getting married.
22:31I'm a man!
22:34What are you saying?
22:36Yes, yes.
22:37By power.
22:41But with whom?
22:42A Sicilian.
22:43Like us.
22:44She has a four-year-old son.
22:47Rocco, are you getting married because of Mom's handkerchief?
22:55Handkerchief.
22:56The handkerchief.
22:57But she knows what Rocco is.
23:01I sent her a picture.
23:02She hasn't sent me any.
23:03She's uglier than a pain.
23:04Which one did you send her?
23:05Hey, Mique.
23:06Show her.
23:07Come on.
23:14She sent this one.
23:16Mom, did you send her this one?
23:18But would you put a sign on it so she would recognize it?
23:22I already told her that any of us could be the groom.
23:25Let me see, let me see.
23:27Mom, you've fooled her.
23:29Do you know what will happen when she sees Rocco?
23:31She'll turn around.
23:32Of course.
23:33No.
23:34I want to see that moment.
23:36Or do you think that when I got to Battery Park and saw Mateo Esquiabón, I was happy?
23:44Women like her and me, we've never chosen.
23:47We've never been able to choose.
23:52She'll end up accepting him.
23:55Because none of you think about Rocco.
23:57Everyone does their own thing.
23:58You, with your business.
24:00You, with the factory and the blissful politics.
24:03And you, may God know what you do.
24:06No one thinks about my Rocco.
24:08I have to think.
24:10Because when I'm gone...
24:16Mom, you're right.
24:17And we'll help you.
24:18We all love Rocco a lot.
24:20She'll end up accepting him, like we've all done.
24:28The handkerchief, mom.
24:31Don't you eat, Salvatore?
24:34Have you heard that you're going to have a little cousin?
24:37Yes.
24:38More or less your age.
24:39Are you happy?
24:40Yes.
24:41The little cousin.
24:42The little cousin.
24:47Very good, mom.
24:50I'm going to have a little cousin.
24:52I'm going to have a little cousin.
24:54I'm going to have a little cousin.
24:56I'm going to have a little cousin.
24:59I'm going to have a little cousin.
25:02Do you, Rosa Canuto, want to marry the present Lorenzo Arduini,
25:08in the representation of Rocco Rizzo?
25:13Do you, Rocco Rizzo, want to take Rosa Canuto as your legitimate wife?
25:20Here represented by Conchita Ardigó, according to the rite of the Holy Mother Church.
25:27You must say yes.
25:29Rocco.
25:33Yes, yes, mom.
25:35Not to me, my dear.
25:36You have to say yes to the priest.
25:38Say yes to the priest.
25:41I am a man.
25:45No, Rocco.
25:46You must say yes.
25:47Say yes.
25:48Yes.
25:50Yes.
25:52Do you, Conchita Ardigó, in the representation of Rosa Canuto,
25:58want to take Rocco Rizzo as your legitimate husband?
26:06Yes.
26:13Yes.
26:14Yes, we do.
26:15Yes, we do.
26:17Yes.
26:22Blessed be the Lord.
26:48Go over there.
26:49Okay.
26:53This is the house.
26:54Okay.
26:55Here.
26:56Here.
26:58Mom!
26:59Maria!
27:03Over there.
27:05I get it.
27:08Here it is.
27:09Be careful.
27:12Okay, slowly.
27:14Be careful.
27:18Maria.
27:20Maria.
27:21Come on.
27:46Here comes the gentleman.
27:48It's a great surprise, you'll see.
27:50Miquel, come and give me a hand.
27:52Be careful, it's delicate.
27:53And how does it weigh?
27:54Well, yes.
27:55We put it here.
27:58Come on, Rocco, plug it in.
27:59Come on, come on.
28:00Come on, Rocco, let's go.
28:02Look, Rocco, this here is a radio.
28:04It speaks, it has music, and it connects you with the whole world.
28:07It was invented by an Italian, Guglielmo Marconi.
28:10Look how pretty.
28:13Can you hear it?
28:15Music!
28:16Music, Rocco!
28:17Come on, I'll show you something.
28:19If you turn this little wheel,
28:21look,
28:23the music changes.
28:24Have you seen it?
28:26This is my wedding present.
28:27Your wife is coming today, Rocco.
28:29Come here.
28:30What a ceremony for her.
28:32Not even Queen Margarita would come.
28:37Have some coffee.
28:38Thank you.
28:39Come on, let's go.
28:41Wait, leave it, leave it.
28:49What does it say?
28:52That interest rates have gone up.
28:55Is that a bad thing?
28:57Yes, Mom.
28:58It could make the stock market go down.
29:00Will it make you go down, too?
29:03Not me, don't worry.
29:07What a beautiful music.
29:08I'll never understand this trade that Ferri has taught you.
29:12Is it better to be beaten at the factory, like Michele?
29:14Yeah, but Michele does a job that tires him,
29:17and then they give him money.
29:18Good, Mom.
29:19What do you mean, good?
29:20Don't you understand that work is not just tiredness?
29:21If you squeeze your brain and invest in the stock market,
29:23you earn money with the money.
29:25But since you've earned money,
29:27couldn't you open a restaurant to provide work to the whole family?
29:30Do you know how much we would earn with Mom's sauce?
29:32I don't know, I don't know,
29:33but would you really like to cook for a lot of people?
29:36And what do I do every day?
29:37I cook.
29:38And now we're going to be two more at home.
29:40Hurry up, we'll be late for the pier.
29:43Is it the door?
29:44No, no, Mrs. Carmen, it's the phone.
29:47Mom, I'm going.
29:48You've filled my house with weird gossip.
29:50You're right, Mrs. Carmen, but it's modernity.
29:53Do you understand?
29:56Hello?
29:59Ah, Anto, hello.
30:03Okay.
30:04Yes, Anto, but we're always the same.
30:09Antonio says he can't come to the boat,
30:11but he'll come home later.
30:13But how?
30:14Antonio!
30:15No, Mom, you have to talk here.
30:16Yes.
30:17I know.
30:18Antonio, you have to come to the boat.
30:20Do you understand?
30:21Because when she gets off the boat,
30:23she has to meet the family in line, all of them.
30:25Yes?
30:26At noon at the battery.
30:27And on time.
30:30Put that in its place.
30:33It was Antonio who didn't want to come to the battery.
30:35Rocco, do you want to receive your wife in underwear?
30:39Come on, go put on the suit Alfredo bought you.
30:41Come on, get dressed.
30:42You have to be very handsome.
30:44Handsome, handsome.
30:46Come on, pull.
30:50Like this?
31:01Antonio always arrives late.
31:03You know him.
31:04I'll take the suitcases, please.
31:05Just a cent.
31:06No, no, we're waiting for someone.
31:08We don't take suitcases.
31:09Just a cent.
31:10Here you go.
31:11He works for immigrants, like you.
31:13Thank you.
31:14When you were little.
31:15Dad, will you hold me in your arms?
31:17I'm here, I'm here.
31:20You've done your part, but only half.
31:23And you're late.
31:25He brought me here by car.
31:27Ah, now he's going to make you a chauffeur.
31:30Come on, Mom.
31:37Mom, where are we?
31:39Have we arrived?
31:40Yes, honey, we've arrived.
31:42We're in America.
31:46Rocco, raise the sign higher.
31:48Raise it well for Mom.
31:50That's it.
31:51Your wife is arriving.
32:12Mom!
32:28Look at them.
32:33Who is that?
32:35Yes, that.
32:37She's pretty.
32:39Yes, a lot.
32:51Mrs. Rizzo!
32:53I'm Rosa.
32:55Pleased to meet you, Rosa.
32:57Likewise.
32:59Give me the little one.
33:01God bless you.
33:03Give me the bag.
33:05The whole family.
33:07Maria, my daughter.
33:09Rosa, a pleasure.
33:11Moses, her husband.
33:13Salvatore.
33:15Alfredo.
33:17Antonio.
33:19Likewise.
33:25And he is my eldest son.
33:27Miguel.
33:33And Rocco.
33:35Put the poster down for mom.
33:37Say hello to your wife.
33:41Rocco.
33:45I'm a man.
33:47I'm a man.
33:49Yes, Rocco.
34:05Rocco.
34:25Rocco, you make me dance.
34:36Hey, say something to your daughter.
34:39Tell her to stay still.
34:47Shameless.
34:49Today we also celebrate your wedding.
34:51Come on, but what a wedding, mom.
34:53Come on, come on, don't be seen.
35:05Rocco.
35:09Rocco.
35:11Why are you so sad?
35:15Come on, have fun.
35:21I'm glad you came back from Italy.
35:23Me too, Michele.
35:25After two years in prison, I was able to be with my mother.
35:29You know I was also with the poor Chiro's family?
35:31Hey, but what happened with Joan?
35:33That American, so beautiful.
35:35Nothing, it's over.
35:37Hey, have you seen that they have begun to fire people in the factory?
35:41I've seen it, I've seen it.
35:43We have to think of a strategy, Michele.
35:45Organize with the union, with the other factories.
35:47We have to fight.
35:49They want to scare us.
35:51Well, we won't let them.
36:01Mom.
36:21Mom, why are you crying?
36:25For nothing, heaven, for nothing.
36:31Good afternoon, Antonio.
36:33Surprised?
36:35No, good afternoon, please come in.
36:37Salvo, the wine.
36:39Hello, Salvo.
36:45Salvo.
36:47Hello.
36:49Hey, are you stupid?
36:51Don Matranga is here.
36:53Oh, how beautiful.
36:55It means that you have made a promise.
36:57And with whom?
36:59With the black hand.
37:01And stop screwing up.
37:03Good afternoon to all.
37:05Concheta, quiet.
37:09I don't think I've invited these gentlemen.
37:11Mom, please.
37:13Antonio, don't meddle.
37:15Don't meddle.
37:17Don't meddle.
37:19Don't meddle.
37:21Antonio, don't meddle.
37:23Do me a favor.
37:25I don't like you or your thug.
37:27And not just me.
37:29Don't worry, Mrs. Carmen, we'll go.
37:31No, no, no, where are you going, Concheta?
37:33Stay here.
37:35They have to go.
37:37Obey your mother.
37:39You must be a good son.
37:45Good afternoon to all.
37:47Congratulations and many boys.
37:49Out.
37:51Salvo, let's go.
37:55You're coming too.
37:57Angela.
38:01Where are you going?
38:03Come on, come on.
38:11Excuse me.
38:13What a shame.
38:15I told you I didn't want those people in my house.
38:17Mom, that's my boss.
38:19Nobody takes me out of my head.
38:21That pig and his thug have something to do with Ardigo's death.
38:23What are you talking about?
38:25Nothing has been proven.
38:27There you have the proof.
38:29We have to put him in jail.
38:31What are you talking about?
38:33Nothing has been proven.
38:37There you have the proof.
38:41We have to put him in jail.
38:43But Antonio has no balls.
38:45Nobody knows better than me that I've seen him grow up.
38:47You've grown up too, Angelina.
38:49And if you get close to Salvo again,
38:51I'll kill you both.
38:53Come on.
38:55So-and-so.
39:01Come on.
39:31Come on.
39:51We'll say goodbye to Rosa tomorrow.
39:53Okay?
39:55Thank you for coming.
39:57Goodbye.
40:01That girl has been a bit strange.
40:03She just got here
40:05and locked herself in her room.
40:07Mrs. Carme, what did you expect?
40:09She must be a bit confused about the trip.
40:23Thank you.
40:25And congratulations again to Rocco.
40:27Thank you very much. See you soon.
40:31See you soon.
41:01Alfio!
41:03How much have you grown?
41:05I can't believe it, Alfio.
41:07When did you arrive in America?
41:09Two years ago.
41:11I've been looking for you,
41:13but you changed your last name.
41:15Yes, it's true. They changed it to Immigration.
41:17Carrizo was very difficult for the Americans
41:19and they called us Rizzo.
41:21What have you been doing all this time?
41:23I've been in the West working on the railroad.
41:25Then in the South, in California, in a vineyard.
41:27Mom! Mom!
41:29Look who it is!
41:33What a surprise!
41:35What a surprise!
41:39Alfio!
41:41Mrs. Carmela.
41:43Welcome.
41:45Maria!
41:47Come and see who it is.
41:49Maria.
41:51Alfio.
41:55Alfio.
41:57What are you doing?
41:59Give me your hand.
42:03It's been a long time.
42:11A long time.
42:15Moses, Maria's husband.
42:17Nice to meet you.
42:19Alfio.
42:21What?
42:23Alfio.
42:25And this little one here
42:27is Maria's son
42:29and Moses' son.
42:35Nice family. Congratulations.
42:37Have you eaten?
42:39Do you want to eat something?
42:41I just stopped by to say hello.
42:43I didn't want to...
42:45What are you saying?
42:47Come on, don't be silly.
43:03Alfio.
43:05Alfio.
43:07Rocco, how are you?
43:09Alfio.
43:13Are you okay?
43:17Yes.
43:33May I?
43:35Of course.
43:39I'm sorry, Rosa.
43:41What are you doing?
43:43People are waiting for you outside.
43:45I'm sorry.
43:47I've had a hard time sleeping with the little one.
43:53Is there something bothering you?
43:55What do you mean?
43:57No, I'm referring to the room.
43:59Oh, it's okay.
44:01Thank you.
44:03Okay, I'll wait for you.
44:07Mrs. Carmela, I'm sorry.
44:09It's okay.
44:13But where is this church?
44:15It must be beautiful.
44:17Oh, that's the church where Rocco got married.
44:19It's at the end of Monroe Street,
44:21near here. Do you like it?
44:23It's not like the one in our town,
44:25but it's pretty.
44:27I'll take you there.
44:31Hurry up.
44:39Okay.
45:05Bravo, Rocco!
45:09Bravo, Rocco!
45:39Bravo, Rocco!
46:09Bravo, Rocco!
46:11Bravo, Rocco!
46:13Bravo, Rocco!
46:15What's wrong, Rocco?
46:17Mom!
46:19Come here.
46:21Is something wrong?
46:23Mom!
46:25Mom!
46:27Mom!
46:29Mom!
46:31Mom!
46:33Mom!
46:35Mom!
46:37He's a good boy.
46:39He gets like that from time to time,
46:41but you'll see how he gets over it.
46:53Hello?
46:55Who is it at this hour?
46:57I'm Michele Rizzo's mother.
46:59Could you please let her know?
47:01Don't bother people in the night.
47:07Mr. Rizzo!
47:09They're calling you!
47:11Yes, I'm coming, Mrs. Miglietta.
47:13But I already told your mother
47:15that this isn't the time to call.
47:17Yes, yes, yes.
47:19I know, I know.
47:23Hello, Mom. What is it?
47:25Michele has left.
47:27What do you mean, who?
47:29Rosa, with the little one.
47:31Damn it. I told you this would end like this.
47:33I know. I was wrong, I was wrong.
47:35You have to bring her home.
47:37I'll call the police. It's dangerous for her to be out there.
47:39No, no, not the police. Wait.
47:41Listen.
47:43Now that I remember,
47:45she asked me about the church
47:47at the end of Monroe Street
47:49where Rocco got married.
47:51She'll probably be there.
47:53Of course. Now it's going to be clear.
47:55Don't make fun of me, Michele.
47:57Bring her home.
47:59I'll take care of it.
48:01Please.
48:03Goodbye.
48:13What have I done?
48:33What have I done?
49:03What have I done?
49:33What have I done?
50:03What have I done?
50:33What have I done?
50:35What have I done?
50:37What have I done?
50:39What have I done?
50:41What have I done?
50:43What have I done?
50:45What have I done?
50:47What have I done?
50:49What have I done?
50:51What have I done?
50:53What have I done?