• 5 ay önce
La vida prometida Cap 3
Döküm
00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
01:08Fai fiorire la passione come il suono della mia canzone
01:38Corre Alfio, he dicho que corras!
01:49Yo no se nada, no se nada
01:51No se nada
02:06Hemos encontrado a Alfio Don Espanol
02:09Donde este Maria, estará su familia, verdad Alfio?
02:17Y si la muchacha está en Nápoles, por lógica los demás estarán también
02:23Ah claro, que él no ha recibido esta postal
02:27No sabe de qué hablo, ya se lo explico yo
02:30Te la envío Maria Carrizo, desde Nápoles
02:33¿Quieres saber qué pone?
02:36Querido Alfio, estoy aquí sola, toda mi familia se ha ido a América, por favor ven, Maria
02:45¿Pero ven a dónde? ¿Por qué no ha puesto la dirección?
02:49¿O es tan tonta como el resto de su familia?
02:55¿O de tonta no tiene un pelo?
02:59¿Por qué para qué va a decírselo a quien ya lo sabe?
03:03Yo no sé la dirección de Nápoles, me voy a América, es lo que me dijo
03:10¿A América?
03:12A América
03:14¿A América? ¿A América? ¿Dónde? ¿Dónde?
03:20América es grande, ¿dónde está? ¿En Argentina? ¿En Nueva York? ¿Dónde coño están?
03:26No lo sé, si no estaría allí
03:30Si creen que basta con cruzar el océano para librarse de mí, es que no me conocen
03:38Llévate fuera este inútil
03:43Tú busca a mi primo americano, Don Guarino
03:46Sí, patrón
03:59¡Carmela! ¡Suéltame! ¡Suéltame! ¡Suéltame!
04:30¿A estas horas, qué ha pasado? ¿Te han seguido?
04:35Creo que no
04:37Entra aquí, que es más seguro
04:41Si espanó, descubre que has venido a verme, estamos perdidos
04:46He sabido que María sigue en Nápoles
04:48¿Cómo que en Nápoles? Los Carrizo partieron ya a América
04:52Don Cosimo, debo encontrar a mi María. ¿Conoce su dirección de Nápoles?
04:55Sí, donde Asunta, cerca de la iglesia de la Asunción
05:03Que no se te olvide. Sal por detrás, Alfio
05:25¡Vamos, vamos! ¡Vamos! ¡Vamos! ¡Vamos!
05:30¡Hemos llegado! ¡Vivimos ahí arriba, en el segundo piso!
05:35¡Venid, han llegado! ¡Venid, venid! ¡Han llegado los italianos!
05:39¡Y los chicos son muy guapos! ¡Virgen Santa! ¡Míralos! ¡Que vivan los novios!
05:45¡Vivan!
05:47¡La vida nos sonríe, Virgencita! ¡Bienvenidos!
05:51¡Enhorabuena! ¡Gracias!
05:53Oh!
05:54Bienvenidos!
05:55Bienvenidos!
05:56Encantada!
05:57Que alegría!
05:58Un placer!
05:59Vito Pinto, escribanos.
06:00Si necesita escribir alguna carta, mi despacho está allá abajo.
06:03Hay que ver qué guapa es.
06:04Yo me llamo Concheta.
06:05Un placer.
06:06Gracias, Concheta.
06:07Soy Carmela.
06:08A este qué le pasa?
06:09Está cansado.
06:10Déjala.
06:11Déjala.
06:12Hola, muchachos.
06:13Bienvenidos.
06:14Vamos arriba.
06:15Muchas gracias.
06:16Hay que celebrarlo.
06:17Vamos.
06:18Sí.
06:19América bonita.
06:20¡Viva!
06:21¡Viva!
06:22¡Viva Carolina!
06:23¡Viva!
06:24Me voy a muero.
06:25Me voy a muere.
06:26Está todo buenísimo.
06:27He traído unas pastas.
06:28Están ricas.
06:29Yo he preparado unas buenas berenjenas a la parmesana.
06:31¡Qué gracias!
06:32Mi marido es policía.
06:34Llevamos ya tres años aquí.
06:35Se vive bien.
06:36Ahora está trabajando.
06:38Pero cuando acabe, le digo que se pase a saludar.
06:41Le pongo unas cuantas berenjenas.
06:43No, gracias.
06:44Estoy cansada.
06:45Me las comeré mañana.
06:46¡Muy bien!
06:47Yo soy el primo de Angela.
06:48Soy siciliano, como ustedes.
06:50Yo la madre de Angela
06:52Menos mal que usted también tiene varios hijos así se hace en compañía cierto
06:59Es una muchacha muy guapa
07:02Salvo que es mi hijo tiene más o menos la edad de Antonio
07:05Salvo le prometes a mamá que les enseñarás américa a todos estos chicos como no mamá pues claro
07:11Yo te lo enseñaré todo señora carmen aquí se vive bien
07:15I mean
07:17Y sobre todo se puede empezar de
07:21Jerez no exageró hermano es retrasado o que no es que se mareó en el barco
07:27Retrasado anda no seas mal educado dame que me has arañado la fuente de las berenjenas
07:32Josephine ven aquí ven
07:35Esta es mi hija
07:37qué preciosidad
07:39Tengo sueño pues vete al cuarto donde hemos dejado las maletas anda vete alfredo ve a descansar
07:46Perdonad pero que estamos bebiendo fumo de uva pero parece vino
07:51un poco de imaginación
07:53el alcohol está prohibido
07:55Si en el barco nos contaron que había una prohibición es una ley del estado sólo sirve para los negros
08:01Bienvenidos
08:04Nosotros somos italianos bueno más bien somos sicilianos y lo que nos corre por las venas es vino no sangre
08:11saludos a todos
08:13vengo a brindar por los novios frank y bepe vino para los amigos bienvenido
08:18dime una cosa es que aún se te había olvidado invitarme debo tomármelo como un insulto no
08:24recuerda que aquí todos somos una familia adelante
08:28Es un honor mi mujer carmela
08:34Enhorabuena mateo
08:38Enhorabuena de verdad pero tú te mereces una mujer tan guapa
08:42y el anillo le regalaste el anillo
08:45es que a dónde saber que estaba la mujer del polismán de la policía no habría venido a esta casa traigo 30 botellas de
08:52vino y si su marido me detiene que hacemos
08:57Era una broma
09:01Hoy es un día de fiesta hay que reír y bromear
09:05en monroe street se bebe buen vino como este no agua y no
09:14Doña carmela me permite no gracias no bebo cuanto lo siento entonces lo beberá todo su marido porque el vino y él
09:23se llevan bien
09:26Perdón es señora pero cuantos hijos tiene cuatro enhorabuena como se llaman
09:33mikele
09:34roco antonio y alfredo que está durmiendo si quiere yo puedo darles a sus hijos a algún
09:41trabajillo para empezar para comenzar no se lo agradezco pero mi que le ya he encontrado trabajo
09:47pero lluvia de beri lakman jovencito
09:50pues yo tengo muchas ganas de trabajar
09:53Cuántas prisas
09:54mamá es que a eso hemos venido pasa mañana por la bodega
09:58necesito muchachos salvo también trabaja para mí
10:02y dónde se encuentra esa a mí me lo preguntas pregúntasela a tu padre
10:07quién mejor que él sabe dónde está
10:10verdad es que abón
10:12doña carmela le pido disculpas pero tengo que irme el deber me llama
10:17enhorabuena a todos pasarlo bien frank bepe despedidos hasta luego
10:22adiós
10:25Gracias
10:27quien era ese pues el que le quitó el negocio a su marido tú a callar es la verdad pero ha sido un detalle
10:34les quitó el negocio
10:37Ha sido un detalle y le ha dado un trabajo antonio sigamos celebrando
10:49Ven conmigo
10:52Esto también
10:55Esto está buenísimo
10:57Yo recojo venga te toca aquí cuando te casas pintó yo estoy abonado al burdel
11:05Mamá sí has visto matranga
11:10Hemos venido hasta aquí para encontrarnos a gente así a un mafioso
11:14No te asustes como que mafioso has visto el anillo como los que llevan en sicilia tú tranquilo estamos en américa
11:23es una exagerada
11:25es una descarada
11:29Buenas tardes
11:32Otro campeón
11:37Tranquila señora tranquila
11:39Tranquila como que tranquila vuelve con un policía y debo estar tranquila no doña carmé él es mi marido Giovanni el policía
11:46un placer Giovanni para servirla
11:49Le ha dado de beber algún desgraciado
11:53Deja mamá
12:08Vamos
12:11Claro ahora le traigo un café muy amable siéntate lleva siéntate toma un poco de vino de vino
12:18Y
12:28Ya se han dormido
12:36Controle bien a su marido por el vino
12:40No un poco de vino es hasta bueno no es que confío en las personas equivocadas
12:45Es
12:47Después de la muerte de adelina la primera mujer gracias a ella tiene esta casa ella le llevaba los negocios se los llevaba
12:54pero por qué le cuento todo esto es una smart woman una mujer despierta
13:02Ahora os da por la canción
13:04De la mano
13:18Una carta cuando quieras
13:30Buenas noches adiós Giovanni
13:34Oh
13:44Camila
13:48Quiero un poco la vela por lenta
13:56Carmela
13:58guapa la más guapa
14:01Y me ha tocado a mí a mateo esquiavón
14:07Ahora todo cambia todo cambia verás que mi suerte cambiará con usted
14:13Recuperaremos el negocio
14:15Recuperaremos el negocio en mi negocio
14:18Usted lo dirige y yo yo trabajo yo trabajo usted lo dirige como hacía mi pobre adelina
14:25La pobrecita que dios la perdone no era tan guapa como lo es usted
14:33Esto era de ella y ahora
14:38Es suyo
14:40Es suyo aquí tiene ella siempre lo llevaba el cuello
14:45No es necesario esquiavón no hace falta como que no hace falta es mi mujer
14:51Y solo es un regalillo que y tal vez usted también tenga otro para mí
14:59Y estas confianzas esquiavón
15:01perdone pero somos marido y mujer
15:05muy bien le perdono pero desde ya vamos a dejar clara una cosa
15:13En mi corazón no hay sitio para usted solo he tenido un marido
15:21Y en mi interior ya no hay sitio para ninguno
15:26solo para mis hijos todo lo demás lo acepto el trabajo el sudor el respeto le cuidaré si enferma pero ya está
15:36Para el resto
15:38vamos a ser como hermanos pero puede que con el tiempo siempre como hermanos
15:45Si me dice que no le parece bien lo entenderé
15:49Pero por desgracia así es
15:54Eso no me lo esperaba
16:00Bueno está bien
16:04Pero
16:06Pase que seamos hermanos
16:09aunque me tiene que jurar que en su corazón nunca habrá sitio para ningún otro nunca
16:19Muy bien eso puedo jurárselo por mis hijos
16:26Y ahora vamos a descansar
16:30que ya es muy tarde
16:32perfecto a partir de ahora manda usted esto es todo suyo todo si dice que hay que descansar se descansa
16:39perfecto es la jefa de monroe street esta jefa solo quiere irse a dormir porque está muy cansado
16:45dos a dormir hay que acostarse
16:49Perfecto perfecto
16:52porque ahora usted es la jefa de la casa y después con el tiempo
16:58tal vez
17:00cuando nos conozcamos
17:03Podremos
17:05Aquí en la casa
17:35I swear to you, I swear to you, for our children's sake, nothing happened, nothing.
17:56Since I brought you to Sicily, Spano has lost his head for you, or have you lost it for
18:00him?
18:01I swear I hate him, I hate him.
18:07It's the same, Carmela.
18:09When a feeling is so strong, hate and love are the same thing.
18:13But what are you saying?
18:14What are you saying?
18:15I just want to see him dead.
18:16I just want to see him dead.
18:17You have deceived me.
18:18Tell the truth, Carmela.
18:19No.
18:20I swear.
18:21I swear, my dear.
18:22I swear.
18:23Believe what I say.
18:24Believe what I say.
18:25Let's go home.
18:26Maria!
18:27Maria!
18:28Maria!
18:29Maria!
18:30Maria!
18:31Maria!
18:32But you're still like this, it's late.
19:01You have to get dressed, you're going to get married.
19:04Can't you hear the music, my dear?
19:07The musicians have arrived.
19:08But how beautiful you are.
19:12Almost as much as your mother.
19:14I wouldn't thank her, I know.
19:18And that also weighs on me, Doña Asunta.
19:20I have committed a mortal sin, I have become a Jew to marry him.
19:26Maria, but a Christian Jew, what else does it matter?
19:31It doesn't matter, we're all children of God.
19:33Besides, Moses is a good boy, he loves you and he's in love.
19:38Besides, he's rich.
19:39He inherited a house in New York.
19:42In a couple, one is enough ...
19:45In love.
19:46Two is too much.
19:47But I want another one, I want Alfio.
19:51You can't always love the one you love.
19:56You saw death with your own eyes.
19:59You better not think about certain things, do you understand?
20:02Accept life as it comes and with the good it gives you, with what it brings you.
20:07You have to enjoy it because it happens in a sigh.
20:10Do you know what we say in Naples?
20:12That life is two days, two days that fly by and go away.
20:18That's it, now we dress up, huh?
20:21I would marry enchanted just to put on this beauty, you know?
20:27But Artolo, I don't like it.
20:29He's a delinquent and violent, look at this.
20:32I've covered it with makeup.
20:34But what else is there?
20:36Today you get married.
20:38Look how beautiful.
20:57It's coming, it's coming.
20:59A big round of applause.
21:01Long live the bride.
21:03Long live the grooms.
21:05What a beautiful bride.
21:07You are a beautiful bride.
21:09You are a beautiful bride.
21:13Let me put this on you.
21:15What a bastard.
21:18Have you seen how beautiful she is?
21:20Let's go.
21:24Let's go.
21:34Let's all go.
21:36Yes, let's go.
21:39She's gorgeous.
21:50Let's go.
22:08Wait, what are you doing?
22:16What are you doing?
22:19Hey!
22:35Where is Maria?
22:37Where is the girl?
22:41Where is she?
22:49I gave Don Cosimo a heart attack for resisting.
22:51But you're going to talk.
22:53Right, Alfiucho?
22:57Stop, you idiot.
22:59Do you want to kill him?
23:03You crushed him just when he was going to talk.
23:05Let's go.
23:07Let's go.
23:09Congratulations.
23:11Congratulations.
23:13Congratulations.
23:15Congratulations.
23:17Congratulations.
23:19Congratulations.
23:33I can't, Mrs. Azunta.
23:35Come on, let's go.
23:39Let's go.
23:47You're so beautiful, Maria.
23:49But are you happy or not?
23:51Of course.
23:53I'm very happy.
24:03Let's go.
24:09When are we getting married?
24:11Don't worry, there will be time.
24:25Bravo.
24:27Not only did you not find the girl,
24:29but you killed the boy in Naples
24:31without saying a word to him.
24:35Bravo.
24:37You deserve the same luck.
24:39I'm going to grind you to pieces.
24:41But Mr. Vincenzo, what interest do they have?
24:43That's too much.
24:45I decide that.
24:47It's clear to you?
24:49I haven't forgotten that woman
24:51and her bastards.
24:53Did you find my American cousin?
24:55Not yet.
24:57But we know them.
24:59Known?
25:01Known?
25:03Known people are shit.
25:06Get out.
25:08Get out.
25:10Known people, he says.
25:12He must be a moron.
25:14Carmela, stop!
25:17Stop, Carmela!
25:21No!
25:33Carmela!
25:35Carmela!
25:37Carmela!
25:39Carmela!
25:41Carmela!
25:44Let go of me! Let go of me!
25:46Stay still, Carmen.
25:53Leave me alone!
25:55Betty, help!
25:57Shut up, bitch.
26:04You hurt me!
26:06No.
26:13The purchase of the electric company's block of shares
26:17take advantage of the euphoria of the stock market.
26:21Share?
26:23Thanks.
26:25Maureen, did you know that the electric company is also based in Italy?
26:29No, I didn't know.
26:36Did Captain Connor give you any news of that Italian family, the Carrizzo?
26:46No, Mr. Ferry, not yet.
26:49But sometimes they change their last name and disappear like nothing happened.
26:56Goodbye, Mom.
26:57Goodbye.
26:59Be careful on the street.
27:00Goodbye, Rocco.
27:01Goodbye.
27:02Come on, Rocco, take this.
27:03Rocco, hurry up, we have to go shopping.
27:29Mom,
27:31take this.
27:32I've been paid for the week at the factory.
27:35Thank you, Michele.
27:38It's just that your brother Antonio needs a jacket that shines a little more now that the cold is coming.
27:44And you too.
27:46Look at the holes.
27:48There are more holes than fabric.
27:51I'll fix it for you tonight.
27:53Very well.
27:55I'm sorry I burdened you with all the weight of the family.
27:58Don't worry.
28:00It's just that Schiavone earns a lot with peanuts.
28:04He's a good Christian, Mom.
28:06Yes, yes.
28:08And Antonio also works.
28:10Well, he hasn't given me any salary yet.
28:12No.
28:14I'll talk to him later.
28:21Michele.
28:25What's wrong, Mom?
28:27Nothing.
28:31Tonight I dreamed of Mariuzza.
28:34She said, Mom, I'm here, I'm here.
28:38And I feel, I feel in here that she is still alive.
28:43She is alive, it is fate, she is alive.
28:46I feel it in here.
28:51Don't worry, everything is OK.
28:53Are you sure?
28:55Yes, OK.
28:57Do you know how to say that in English?
28:59OK, OK.
29:02I also know how to say no.
29:04No, you've always known how to say it, Madam.
29:14Come on, Rocco.
29:16Eat, come on, eat.
29:21Where are you going?
29:23Guess.
29:28Busy.
29:32Well, how's work at Don Matranga's winery?
29:36Yes, fine, fine.
29:38How are you? Have you made new friends?
29:41Yes, some.
29:43Salvo is there, right?
29:45Yes, yes, him and more guys.
29:47It's just that I've been told that you play dice in the alley behind.
29:50Yeah, and with what money?
29:52Where have you put it?
29:54Where have I put it?
29:55Where is it? Where is it?
29:57I'm telling you, I don't have anything.
29:59And what is this?
30:01The money for the tips.
30:03Ah, the ones they give you when you sell alcohol, right?
30:06Which is illegal.
30:08Yeah, sure, and the priests who drink the wine during mass, who are criminals?
30:12But what are you saying, Santo?
30:14The Americans call us Chianti, like the wine.
30:17They say we are violent, drunk and mafiosos.
30:20Give me back the money.
30:22Put your hands away.
30:23Why didn't you give it to Mom?
30:25I forgot.
30:27Really? Well, I'll give it to her.
30:31Of course, great, great.
30:33I'm getting rich with my money.
30:36He has stolen you like a panoli.
30:39Yeah, of course.
30:41And this here?
30:43Ah, great. But this is for me.
30:45Get out of the way and hurry up.
30:48I'll wait for you, hurry up.
30:54Corleo.
30:56Corleo!
30:58Don't go overboard with the gin.
31:00How many times do I have to tell you?
31:02Three quarters of lemonade and another of gin go into each bottle.
31:05Do you know how much it costs me to bring a bottle of this from Canada?
31:09This bottle costs me a fortune.
31:11Go to hell.
31:13You, come here.
31:15Let it be clear to you.
31:17Everything that happens in here,
31:19must stay in here,
31:20as you tell it to someone, you win it,
31:22and then the cries come.
31:24Understood?
31:26Let's review.
31:28How does it work?
31:30Let's see.
31:32If they ask me for a lemonade,
31:34colored,
31:36I give them the one with gin.
31:38And how much does he have to pay you?
31:40One dollar a bottle.
31:42And if they ask me for three, there is an offer.
31:44Three to two dollars and fifty.
31:46The tips, you share them with the others.
31:48Yes, yes, I told him.
31:50You work well.
31:52You will earn a lot of money.
31:54Not like your father, who only sells peanuts.
31:56That's not my father.
31:58He was killed in Sicily.
32:00I know, I know.
32:03You don't like Schiavone, do you?
32:05Well, you're right.
32:08This store, this business, was yours.
32:11And it ended up being mine.
32:13Do you know why?
32:15Because America is for those of us who take what is ours.
32:18Do you understand?
32:20And you, don't steal more peanuts from me.
32:23Don't get your hands in the peanuts bags.
32:26If you go too far, you'll find out.
32:29Okay, Mr. Matanga.
32:31Come on, guys.
32:33The class is over.
32:41What good news.
32:43The children are very lucky, Maria.
32:45What good, what good news.
32:47I love you very much, Mrs. Asunta.
32:48Almost like my mother.
32:50And I love you like a daughter.
32:52We'll find your mother.
32:54There will be some news.
32:56Moses, very good.
32:58You've done half the work.
33:00Yes, Mrs. Sue, I want to thank you.
33:02If it weren't for you, thank you.
33:04But what are you saying, my son.
33:06Come on, come on.
33:08See you soon.
33:10Goodbye, Mrs. Sue.
33:12Handsome.
33:18I can't stop thinking about my mother and my brothers.
33:21Don't worry, you'll see how in three or four months,
33:23we'll be in America.
33:25But does it take so long?
33:27So long, I've already sold the store, you know?
33:29Until they give me the money.
33:31How will we find them?
33:33Don't worry, you've also heard Mrs. Asunta, right?
33:35There will be some news, we'll find them.
33:37I promise you.
33:39But they say America is a hundred times bigger than Italy.
33:42Or maybe more.
33:44Yeah, but the man who married your mother is from New York.
33:46You know, there's a huge community of Italians there.
33:49They will help us find them.
33:51Yeah.
33:53What do you think, Marie?
33:55This creature will be born in America.
33:57It will be American, Marie.
33:59Smile at me a little.
34:02Beautiful.
34:04What's wrong?
34:06Goodbye.
34:08Goodbye.
34:10We are husband and wife.
34:16Goodbye.
34:31Dear Mrs. Asunta,
34:33I have dreamed that my daughter Maria told me she was not dead.
34:40That she was not dead.
34:43Yes.
34:44I needed to ask you another favor.
34:48To find out if my daughter is really dead.
34:54Because if so,
34:57I want to know where and how they buried her body.
35:02So I can imagine her
35:06somewhere.
35:07Somewhere.
35:13Have you written it?
35:15I have written it, I have written it.
35:19And thank her too.
35:21Say goodbye and...
35:24I'm sorry, Mrs. Cami.
35:27Thank you.
35:30And give me the address.
35:32Yes.
35:35Rizzo...
35:37Carmela Esquiagón.
35:39745 Monroe Street.
35:42New York, America.
35:57Look at that.
35:59Let's go.
36:00Let's go.
36:06My children will absolutely love that.
36:09May I have a couple of oranges as well?
36:12Excuse me.
36:14Run, run, run, run!
36:16Run, run, run, run!
36:18Come on, hurry up, hurry up, run!
36:21Come on, run this way, run!
36:25Run!
36:28Come on, come on, run!
36:30This way, this way, this way!
36:32This way, this way, this way!
36:34Hurry up, hurry up!
36:36This way, this way!
36:38He went that way!
36:44Hey, hey, you!
36:46Over here!
36:50I will stop you!
36:52Over here, I got him!
36:54Over here!
37:01Hey!
37:02He went that way!
37:03Don't let him get away!
37:04Hey, hey!
37:23What happened?
37:24They stabbed a man here in Malberry Street.
37:26No, it wasn't a man, it was a boy.
37:28Who?
37:29What boy?
37:30But he's crazy!
37:31Let me go!
37:32I assure you that my son Salvo is a good boy!
37:35Don't you understand?
37:36A blessed boy!
37:37Mrs. Carmela!
37:38Tell him, tell him as well!
37:40Salvo is a friend of Antonio, you know him.
37:42He couldn't have done something like that!
37:44Mrs. Carmela!
37:45Mrs. Carmela!
37:47Concheta, take care of Rocco.
37:48I'll watch him, you don't have to worry.
37:50Rocco, behave yourself.
37:51Go in peace, Mrs. Carmela, we'll take care of him.
38:00Where's Antonio?
38:01He's not coming today.
38:02What do you mean he's not coming?
38:07It's your turn.
38:10Where is my son Antonio?
38:15Are you asking me, Mrs. Carmela?
38:17Yes, you.
38:18Because this morning I sent him here to work for you.
38:20And he's responsible.
38:21What's this all about, Mrs. Carmela?
38:23Excuse me.
38:24Let's see.
38:25Who should be angry?
38:26You or me?
38:27Because your son hasn't come to work, right?
38:30For the misery he pays you.
38:32Much more than he deserves.
38:34This was my husband's business.
38:36If it weren't for you, my son would be the boss of this.
38:39It's obvious that your husband didn't deserve this business either.
38:43Listen.
38:45If you want your son, I'll send for him.
38:48Take it as a personal favor, okay?
38:53I don't want any personal favor from you.
38:55What a shame.
39:03Was it Antonio?
39:04No.
39:05Are you sure?
39:06Does he think he has the balls to stab someone?
39:11Neither do you to play cards with me.
39:14Is that clear?
39:20Enrique?
39:26Garbancita tenía, tenía y ninguno lo sabía.
39:30Garbancita tenía un gallo y todas las tardes montaba caballo.
39:38Hey, Mike.
39:40Hello.
39:41Can you sing?
39:42Are you happy?
39:43Of course, Mike.
39:44Whenever I see you, I'm happy.
39:47What are you going to do after dinner?
39:50I'm going to bed.
39:51I'll get up at five to go to the factory.
39:55What a good boy.
39:57Hey, don't you like women?
40:01Not all of them.
40:04How rude.
40:06Do you know about Salvo?
40:09They say he stabbed someone and they took him to the police station.
40:13What are you saying?
40:14Yes.
40:15It seems there are no witnesses.
40:17But if they show up, he'll end up in a reformatory.
40:21And from there, Mike, he'll end up in the Black Hand.
40:26Do you know what the Black Hand is?
40:27Yes.
40:28The scum that the Italians have brought here.
40:31Maybe so.
40:32But my father says that if it weren't for them, the Irish would kill us all.
40:37Or even worse.
40:38We'd end up like the blacks.
40:42You know who to thank for your work, right?
40:45I don't have to thank anyone.
40:48Fuck you, Black Hand.
40:51And you don't like this either, do you?
41:12Keep Antonio away from Salvo.
41:14And when he comes back, teach him a good lesson.
41:16He deserves it.
41:17In Italy, they say that you have to teach them since they're kids.
41:21Yes. My husband is looking for him.
41:25Good evening, Giovanni.
41:27Well, I was just leaving.
41:29I'll walk you out.
41:30I know where the door is. Thank you.
41:34Thank you, Giovanni. Thanks for the advice.
41:47Did you know that Salvo is in trouble?
41:50He stabbed someone.
41:54Is Antonio involved?
41:56What do you mean, Antonio?
41:58Are you crazy?
42:01Besides, Salvo is to be seen.
42:04The Americans say that with the knife we cut the bread with,
42:07we slaughter people.
42:09But it's not like that.
42:11Why so much hatred against us?
42:13Not that we were beasts.
42:15We're not all good, Mom.
42:17Mom, where's Antonio?
42:19Now you're an American?
42:21I asked you where my brother is.
42:23Carmela!
42:24Carmela!
42:25I found him!
42:26Here he is!
42:27Let me go!
42:28Let me go!
42:30No shame, no shame.
42:31I'll sue you.
42:32Have you become a criminal?
42:33Enough, Mom!
42:34Enough!
42:36Have you become a criminal?
42:37Tell me!
42:38I haven't done anything!
42:39I haven't done anything!
42:40Then why did you escape?
42:41Why did you escape?
42:43Because I got scared.
42:44I saw how Salvo stabbed that man in the gut.
42:47But I haven't done anything, I swear.
42:49I haven't done anything.
42:52We'll go to the police tomorrow and tell them everything.
42:55Everything!
42:56No, no.
42:57I can't.
42:58I can't.
42:59I'm not a chivazo.
43:00You can't ask me that.
43:01You will!
43:02You'll do whatever I tell you!
43:03And you can forget about dinner!
43:07You're the shame of this house.
43:15We're almost there.
43:16I think you have to get out now.
43:18Look, there they go.
43:28I didn't want to, Salvo.
43:39Don't feel guilty.
43:41It was your duty to tell the truth.
43:45You have to follow the rules.
43:47The rules.
43:48Like they told us on the ship, remember?
43:50If not, they'll send us back.
43:53And you know what I'm telling you?
43:55Salvo will be fine with the reformatory.
43:58If Conquince stabs a man, what will he do when a massacre breaks out?
44:03Antonio!
44:04I'm talking to you!
44:05I'm talking to you!
44:27Is this from New York?
44:28Don't you remember?
44:30You old hag!
44:32You old hag!
44:33Oh, my God!
44:35What have I done?
44:36What have I done?
44:38My God!
44:51Azul!
44:52Jesus!
44:53Oh, my God!
44:54Oh, my God!
44:55Help me!
44:56Help me!
44:57Mrs. Azul!
44:58Call a doctor!
45:00Call a doctor!
45:02Oh, my God!
45:03Oh, my God!
45:04Oh, my God!
45:05Oh, my God!
45:06Mrs. Azul!
45:07Tell Maria I love her.
45:09Call a doctor!
45:10I love her!
45:11Call a doctor!
45:17Maria!
45:19Maria!
45:21Oh, my God!
45:22How is this possible?
45:23How could this happen?
45:26Oh, my God!
45:27Oh, my God!
45:32Oh, my God!
45:33Oh, my God!
45:34Oh, my God!
45:35Oh, my God!
45:36Oh, my God!
45:37Oh, my God!
45:38Oh, my God!
45:39Oh, my God!
45:40Oh, my God!
45:41Oh, my God!
45:42Oh, my God!
45:43Oh, my God!
45:44Oh, my God!
45:45Oh, my God!
45:46Oh, my God!
45:47Oh, my God!
45:48Oh, my God!
45:49Oh, my God!
45:50Oh, my God!
45:51Oh, my God!
45:52Oh, my God!
45:53Oh, my God!
45:54Oh, my God!
45:55Oh, my God!
45:56Oh, my God!
45:57Oh, my God!
45:58Oh, my God!
45:59Oh, my God!
46:00Oh, my God!
46:01Oh, my God!
46:02Oh, my God!
46:03Oh, my God!
46:04Oh, my God!
46:05Oh, my God!
46:06Oh, my God!
46:07Oh, my God!
46:08Oh, my God!
46:09Oh, my God!
46:10Oh, my God!
46:11Oh, my God!
46:12Oh, my God!
46:13Oh, my God!
46:14Oh, my God!
46:15Oh, my God!
46:16Oh, my God!
46:17Oh, my God!
46:18Oh, my God!
46:19Oh, my God!
46:20Oh, my God!
46:21Oh, my God!
46:22Oh, my God!
46:23Oh, my God!
46:24Oh, my God!
46:25Oh, my God!
46:26Oh, my God!
46:27Oh, my God!
46:28Oh, my God!
46:29Oh, my God!
46:30Oh, my God!
46:31Oh, my God!
46:32Oh, my God!
46:33Oh, my God!
46:34Oh, my God!
46:35Oh, my God!
46:36Oh, my God!
46:37Oh, my God!
46:38Oh, my God!
46:39Oh, my God!
46:40Oh, my God!
46:41Oh, my God!
46:42Oh, my God!
46:43Oh, my God!
46:44Oh, my God!
46:45Oh, my God!
46:46Oh, my God!
46:47Oh, my God!
46:48Oh, my God!
46:49Oh, my God!
46:50Oh, my God!
46:51Oh, my God!
46:52Oh, my God!
46:53Oh, my God!
46:54Oh, my God!
46:55Oh, my God!
46:56Oh, my God!
46:57Oh, my God!
46:58Oh, my God!
46:59Oh, my God!
47:00Oh, my God!
47:01Oh, my God!
47:02Oh, my God!
47:03Oh, my God!
47:04Oh, my God!
47:05Oh, my God!
47:06Oh, my God!
47:07Oh, my God!
47:08Oh, my God!
47:09Oh, my God!
47:10Oh, my God!
47:11Oh, my God!
47:12Oh, my God!
47:13Oh, my God!
47:14Oh, my God!
47:15Oh, my God!
47:16Oh, my God!
47:17Oh, my God!
47:18Oh, my God!
47:19Oh, my God!
47:20Oh, my God!
47:21Oh, my God!
47:22Oh, my God!
47:23Oh, my God!
47:24Oh, my God!
47:25Oh, my God!
47:26Oh, my God!
47:27Oh, my God!
47:28Oh, my God!
47:29Oh, my God!
47:30Oh, my God!
47:31Oh, my God!
47:32Oh, my God!
47:33Oh, my God!
47:34Oh, my God!
47:35Oh, my God!
47:36Oh, my God!
47:37Oh, my God!
47:38Oh, my God!
47:39Oh, my God!
47:40Oh, my God!
47:41Oh, my God!
47:42Oh, my God!
47:43Oh, my God!
47:44Oh, my God!
47:45Oh, my God!
47:46Oh, my God!
47:47Oh, my God!
47:48Oh, my God!
47:49Oh, my God!
47:50Oh, my God!
47:51Oh, my God!
47:52Oh, my God!
47:53Oh, my God!
47:54Oh, my God!
47:55Oh, my God!
47:56Oh, my God!
47:57Oh, my God!
47:58Oh, my God!
47:59Oh, my God!
48:00Oh, my God!
48:01Oh, my God!
48:02Oh, my God!
48:03Oh, my God!
48:04Oh, my God!
48:05Oh, my God!
48:06Oh, my God!
48:07Oh, my God!
48:08Oh, my God!
48:09Oh, my God!
48:10Oh, my God!
48:11Oh, my God!
48:12Oh, my God!
48:13Oh, my God!
48:14Oh, my God!
48:15Oh, my God!
48:16Oh, my God!
48:17Oh, my God!
48:18Oh, my God!
48:19Oh, my God!
48:20Oh, my God!
48:21Oh, my God!
48:22Oh, my God!
48:23Oh, my God!
48:24Oh, my God!
48:25Oh, my God!