• 5 ay önce
La vida prometida Cap 2
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00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
01:08Fai fiorire la passione come il suono della mia canzone
01:38I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I
02:08love you, I love you, I love you, I love you, I love you, I love you.
02:21Honorable ASUNTA, I had no opportunity to say goodbye. At last the ship sank. I left the sheets of the
02:28journey of Maria on the table. The alliances of my late husband are also there.
02:36You don't know how much I love you,
02:38but I left you because the doctor didn't give me any hope.
02:42I'd like you to pay for my poor daughter's funeral expenses.
02:47I don't want you to end up in a grave, Mrs. Asunta.
02:50Do you understand?
02:56I've dictated the letter to Mikele,
02:59because I don't know how to write.
03:01As soon as I can, I'll send you the address of my house in New York
03:05so that one day you can give me news.
03:09A very strong hug, Carmela.
03:21Poor thing.
03:27I fell in love.
03:29Poor thing.
03:36Losing a daughter, yes.
03:43Thank goodness she went to America.
03:46I love you.
04:02Here you go.
04:04Hurry up.
04:06Come on, come on.
04:08Hurry up, hurry up.
04:10Be careful.
04:12These are expensive clothes.
04:14Be careful.
04:16Let's see what he says.
04:18He says these clothes are very expensive.
04:20Do you understand? Very expensive.
04:22First class.
04:24Yes, of course.
04:27I'm Dolores.
04:29Spanish.
04:30And I'm Carmela.
04:32Sicilian.
04:33Married, of course.
04:34Yes.
04:36I had to marry for power.
04:38In Naples.
04:40Come here.
04:44With this.
04:47Well, the important thing is that you go to America.
04:52Anyway, I've been going and coming for about three years.
04:57Sooner or later I'll find an American husband.
05:02Well, of course, sure.
05:08So you've never been to America?
05:11No.
05:12But I've heard a lot about it.
05:15They say that as soon as you get there, there's a statue.
05:20The Statue of Liberty.
05:22That has a torch raised up to the sky in one hand.
05:26And that light illuminates the freedom of the world.
05:31Well, and in the other hand, there's a board where it says...
05:35Dolores, the one who works with me at the laundry,
05:39has told me that in America there are tall, very tall houses that reach the sky.
05:45And how do they reach the sky?
05:47They have elevators.
05:48Yes.
05:49Elevators? And what's that?
05:51They're boxes that go up and down.
05:53One of the immigrants has told me that we have to behave well
05:57and learn his language and his currency too.
06:00Don't tell me.
06:02It's not difficult.
06:03Dog is pronounced Do.
06:05Dog?
06:06Yes, that's how it's pronounced.
06:08And bread, bread and cheese, cheese.
06:12Cheese.
06:13Cheese.
06:15Rocco, do you know how to say stone in America?
06:20It's Rocco.
06:22Like you.
06:24Rocco, like me.
06:28Like you, like you.
06:38Cough, cough, cough, cough, cough, cough, cough.
06:48Are you feeling ill?
06:54What's wrong?
06:55Are you not feeling well?
06:57Here, drink a glass of water.
06:59Don't worry, I'll finish it.
07:00Go rest.
07:03Are you Italian?
07:05No.
07:06Chinese.
07:07I'm Chiro Parenti.
07:09Michele Carrizzo.
07:11I'm Sicilian, and you?
07:12I'm from Calvi Risorta, in Caserta.
07:16Do you know the Royal Palace?
07:18It's a communist camp.
07:20It's the worst.
07:22I'm Bolshevik.
07:24If I stayed, Mussolini would kill me.
07:27Or I would kill him.
07:29You came to this pre-dapio like me.
07:31Go to hell.
07:33Sooner or later you will rule in Italy.
07:36Then I will return home.
07:38And I will be able to cultivate my land.
07:41Not the foreign land.
07:43Shut up, fascist.
07:45Or I'll put you in the cauldron.
07:49It will be idiotic.
08:00Good night, Dolores.
08:02Good night.
08:03See you tomorrow?
08:04Yes.
08:05Sleep well.
08:06Good night.
08:07Good night.
08:16Michele.
08:18You are full of coal.
08:22What are you doing? Are you going to sleep now?
08:25Eat some bread.
08:27No, Mom. I don't want anything.
08:30Michele.
08:33If you don't eat, how will you live in America?
08:57Virgin.
09:02Virgin.
09:21My God.
09:23This is money.
09:25American money.
09:32Virgin.
09:48Okay, Turi. Okay.
09:51I'll give you the money back.
09:53The Carrizos are not thieves.
09:55We are not thieves.
09:56This is for my friend Carmela.
09:58Come on, Carmela. Let's eat something.
10:00You haven't eaten in a long time.
10:01Look, I made you a delicious sandwich.
10:04A sandwich.
10:05No, thank you. No, no, no.
10:07Why?
10:08I don't know what to do.
10:11I found money.
10:13Money.
10:14Do you understand?
10:15Yes, we all understand money, Carmela.
10:22It's a fortune.
10:24Really?
10:25Yes.
10:26With this, you can continue your first-class trip with your family.
10:32Take it.
10:33But I have to give it back.
10:35Give it back.
10:36Who is it?
10:37The 27th.
10:39Mr. Ferry.
10:40You stupid, honest woman.
10:43You should have kept the money.
10:45What does it say?
10:46It says you're an honest woman.
10:48But also a little stupid.
10:50If you kept the money, no one would notice.
10:53No, I have to give it back.
10:54I have to give it back.
10:56I take back to Mr. Ferry.
10:59What does it say?
11:00That he's taking Mr. Ferry.
11:16Good night.
11:24Come in, come in.
11:30Can I come in?
11:36Come in, please.
11:41It must be Carmela, the woman from the laundry who found the money that I forgot in my pants and gave it back to me.
11:48That's right.
11:49Do you know how much money it was?
11:51Yes, they told me.
11:54Is there a problem?
11:55No, no, no.
11:56It was just to tell you that anyone in your place would have kept it.
12:00And maybe I would have done the same.
12:05If I'm honest, so am I.
12:09But not because I'm not honest.
12:11Out of necessity.
12:14I understand, you know.
12:17Because when I left...
12:19You were also an immigrant?
12:21Yes, I've been in America for 25 years.
12:24I came back to Italy to bury my wife near her mother, in northern Italy, near Como.
12:29We're from there.
12:31I also buried my husband recently.
12:34And not just him.
12:35I'm sorry.
12:36Sit down, please.
12:38There?
12:39Wherever you want.
12:40There, yes.
12:46Do you want a drink?
12:48No, no, please.
12:50I'm getting dizzy.
12:57Then you must know America well.
13:00Let's say I've seen the good and the bad.
13:03The good and the bad.
13:05America is many things.
13:07It's like a goddess of abundance.
13:10She gives opportunities, food, work...
13:13And in return, she only asks for the will to do things.
13:16If you have the will, America says,
13:18Take it, it's all yours.
13:20It belongs to you.
13:21That's the good.
13:24And the bad?
13:25The bad, for example, is something unpleasant that happened in New Orleans in 1891.
13:32When 11 young Italians were accused of killing a police captain, a guy named Genesis.
13:4211 boys to kill a single man.
13:44In fact, the court acquitted them.
13:46But the sentence didn't please certain well-meaning Americans
13:50who believe that Italians are all the same.
13:53Some are criminals, some are murderers.
13:56So...
13:58So those gentlemen, huh?
14:00An army, there were a thousand, maybe more,
14:02they went to jail and they killed them.
14:05They killed them one by one.
14:06Holy Virgin.
14:08And the guards?
14:09The guards witnessed the lynching.
14:12Without moving a single finger.
14:15With their arms crossed.
14:18Among those 11 Italians...
14:22was my brother, who was 24 years old at the time.
14:25I'm sorry.
14:26Me too, but many years have passed.
14:31We all want fortune to smile on us, and as you can see, I can't complain.
14:34Yeah.
14:36Well, I don't have the same luck.
14:39Nor do my children.
14:42Here, for being honest.
14:44No, no, please, you're offending me.
14:48They're about to serve dinner.
14:52And it's late.
14:54A single man never arrives late.
14:56It's the only advantage of loneliness.
14:59I'll walk you to the door.
15:05But this is...
15:07I've never seen one.
15:08It's a gramophone.
15:10Do you like it?
15:12It's pretty.
15:13It's for listening to music.
15:17Goodbye.
15:41Don't be afraid.
15:43Calm down.
15:45I left the hospital this morning.
15:52But you're alive!
15:54You can see me, can't you?
15:57Oh, the Virgin!
15:59Did she heal you?
16:01The Virgin?
16:02Yes.
16:03She healed me.
16:05Oh, the Virgin!
16:07Did she heal you?
16:09The Virgin is the one who healed me.
16:13It's a miracle!
16:15That's what the doctor at the hospital said.
16:19And my mother and my siblings.
16:25Your mother...
16:28She went to America with your siblings.
16:35But they left without me.
16:40They thought you were dead, Maria.
16:46Your mother didn't want to leave.
16:49You don't know how many tears she shed.
16:51They thought you were dead, my daughter.
16:53But she left her an address.
16:55No.
16:56She had to send it to me.
16:58I don't know how to read or write.
17:00Neither does your mother.
17:02What a nuisance.
17:04But you don't have anyone there.
17:06I don't know.
17:07A relative, a friend, someone.
17:10You don't know anyone at all.
17:14What a shame.
17:18Wait.
17:19Wait.
17:20Wait, I'll show you something.
17:25Come, Maria, come.
17:29Come.
17:30Do you see this?
17:32They're yours.
17:33She gave them to you.
17:34I had to sell them for the funeral.
17:39But luckily, I didn't need them.
17:42They're yours.
17:43Here they are.
17:45And these rings, you see?
17:48Even if they're not gold.
17:50Here.
17:51They mean a lot to my mother.
17:53Yes, yes.
17:56And now what do I do?
17:59Stay with me.
18:00You can stay for a while.
18:02Do you think I'm going to kick you out?
18:05To a young girl who could be my daughter.
18:08Like the daughter I lost.
18:10Not from Bartolo, but from a great love of mine.
18:13Come.
18:14You have the bed.
18:15Let's stay here for a while.
18:17Stay here for a while and then we'll find them.
18:20Even if the sea swallowed them.
18:22All of them.
18:23We'll find them.
18:24Lie down.
18:25Rest.
18:26We'll find them.
18:27Don't worry.
18:28When you wake up, I'll bring you something good to eat.
18:31You'll see.
18:32Don't worry.
18:33I'll cook.
18:35The plate.
18:46Don't worry.
18:48We're not going to have a baby.
18:50I'm not sure.
18:54Please, please, let me go.
18:56My dear Alvio, I'm here alone.
18:58They've all gone to America.
19:01Come, please.
19:03Maria.
19:05Maria.
19:06Come, come.
19:08Let us through.
19:09Let us through.
19:11Come on, let us through.
19:23Look closely.
19:26Carmela Carrizo.
19:28Michele Carrizo.
19:29Rocco Carrizo.
19:31Antonio Carrizo.
19:33And Alfredo Carrizo.
19:34I understand.
19:35But if you don't remember the name of the ship or the day it left here,
19:39what do you want me to do?
19:41Make up your family's name?
19:43Are you sure they boarded regularly?
19:46Yes.
19:47Because there are a lot of people who, just to save two cents,
19:49get on a ship and then...
19:50As if such a thing ends at the bottom of the sea.
19:53Instead of in America.
19:55Thank you.
19:56What a considerate answer.
19:58Thank you very much.
19:59Let's go, Maria.
20:00Come.
20:01Miss.
20:02What's wrong?
20:04Miss.
20:06Thank you.
20:07It's nothing.
20:08It's just a little dizziness.
20:10Are you sure?
20:11It's over.
20:12But don't trust me.
20:14No, because I'm afraid you'll say it to get rid of someone who comes up to you
20:18and looks like an idiot.
20:19But his pale face says something else.
20:22Right?
20:23In the end, you'll really pass out, miss.
20:25Excuse me, who are you?
20:27Yes, you're right.
20:28I think...
20:29I can help you.
20:31Can you help me?
20:32Yes.
20:33Can you help me get to America?
20:35How? By buying the ticket?
20:37Can you find my family, who left me here without money, without a house, without anything?
20:43Is that all?
20:44What did I think it was?
20:47I tell you that I think I can help you.
20:49And how?
20:51I'm also going to America.
20:53He's going to America?
20:57Hey.
20:59Can I have five minutes?
21:01Huh?
21:02As long as it takes to have a coffee.
21:04Five minutes.
21:06Okay.
21:07Just five minutes.
21:08Huh?
21:09Let's go, Maria.
21:11Please.
21:18And what was I going to do if I didn't?
21:20My daughter was lost.
21:22I had to choose.
21:25And I chose to leave.
21:28I'm sorry.
21:30But deep down, in here, I feel like...
21:33Look at me. I haven't had children.
21:36No.
21:38Why?
21:40I was a flamenco dancer.
21:42And you know, everyone likes them, but no one marries them.
21:49Flamenco was born as a protest dance.
21:55To stand out.
21:57To fight.
21:58Come on, come on, dance, Carmela.
22:02Recover your strength, Carmela.
22:04Come on.
22:05No, Dolores.
22:07Carmela.
22:08I'm very sad.
22:26Is this already a vice?
22:28No.
22:32Of the 27th?
22:34Of Mr. Ferry.
22:35Mr. Ferry.
22:36That man wants to see you again, is that clear?
22:40Then I'll give him a surprise.
22:48Come in, come in.
22:53Who are you?
22:55Alfredo Carrizo, the son of the ironer.
22:58Alfredo Carrizo.
22:59Come, come closer.
23:00Come closer.
23:03How can I help you, Alfredo?
23:06My mother told me it's hers.
23:08But if she keeps forgetting things, she'll keep them next time.
23:13Your mother is right.
23:16I assure you I'm very fond of this watch.
23:20But lately I've been a bit distracted.
23:26How old are you?
23:27Almost 12.
23:28You're a little man, you're big.
23:30Are you going to school?
23:31I was, but here on the boat.
23:34Right.
23:35It's true that since there's no school, you can't go.
23:37What luck you've had.
23:38No, I liked going to school.
23:41Really?
23:42Yes, what I liked the most were the numbers.
23:44The numbers?
23:45Very good.
23:46I liked them too.
23:50And you like fruit?
23:53Take it.
23:55Really?
23:56Yes, take it, take it.
23:57Come on, don't be afraid.
23:59Take it, take it.
24:01Do I have to take it all?
24:03I don't know, the one that fits in your pockets.
24:06If you come back here, I'll give you more fruit.
24:09And maybe some kind.
24:12I would have liked to have a son like you, you know?
24:16Bread.
24:17What, you want bread too?
24:19No, I was going over the American.
24:22Well, if you come back here, I'll show you the numbers and also the American.
24:26We can start tomorrow, if you like.
24:32And this afternoon, right?
24:33Okay, we'll start this afternoon.
24:38Die...
24:40Dier.
24:41Very good.
24:42Which means...
24:45deer.
24:49Let's continue.
24:52Let's see, Alfredino, listen to me.
24:53Write 18 thirds.
24:5918 thirds.
25:06The stock market, Alfredo, is the currency market.
25:10And what does the currency do? It oscillates, as they say.
25:12It goes up and down, increases in value and loses it.
25:15It depends.
25:16It's a bit like sailing.
25:18Like we're doing now.
25:20When you're sailing, sometimes the sea is turbulent and other times it's calm.
25:28The secret is to be ready for everything.
25:30And to prepare, there are three fundamental things.
25:33The first is to study.
25:35The second is to study.
25:37And the third?
25:38Study.
25:39No, play chess.
25:41Should I start?
25:42Yes, take the blanks.
25:43Because strategy is important, you understand?
25:46And not only in the world of finance, strategy is important in life.
25:50Remember, Alfredo, don't make any move without thinking about the next one.
25:56Let's see how it goes.
26:02Do you understand, Chiro?
26:04That's what my father did.
26:06He faced a guy, Vincenzo Spano,
26:09who ended up killing him.
26:11Yeah, but because he fought alone, Mike.
26:13That was the mistake.
26:15And what was he going to do if he didn't?
26:18Mike,
26:20today injustice is fought in the United States.
26:23In America, there's the Federation of Labor.
26:25Do you understand me?
26:26Labor?
26:27Exactly.
26:28The workers against the boss.
26:30My cousin Domenico told me that.
26:31He already works in New York.
26:33I'm going to meet with him.
26:35Mike, if all the day laborers had supported your father,
26:39he would still be alive today.
26:41We have to fight, Mike.
26:43Work and fight.
26:44That's our duty.
26:45Shift one, back to work.
26:48Shift two, 15 minutes break.
26:50Let's get to work.
26:51Shift one, back to work.
26:53Shift two, 15 minutes break.
27:14Do you want some water?
27:27Thank you, ma'am.
27:30It was because of the girl who had her on her chest.
27:33Now, it's okay.
27:36Don't pressure me.
27:40Good night.
27:41Good night.
27:44Good night.
28:00Good morning, Mrs. Aso.
28:01Good morning, Mose.
28:03Good morning.
28:04May I come in?
28:05Of course, you're welcome.
28:07Is everything ready?
28:08Yes.
28:10How do I look?
28:11Handsome, very handsome.
28:12Thank you.
28:14Where's Maria?
28:15Maria?
28:16Maria!
28:17She went up to the roof.
28:19Here she is, here she is.
28:27I wasn't expecting you.
28:28I know.
28:30I went to the synagogue.
28:32It's close by, so I thought...
28:35It's not that close.
28:36Well, close by, far away.
28:38Should we invite Mose to come in or leave him here?
28:42I'll make him some coffee.
28:43Mose, come in, come in.
28:44Thank you.
28:45May I?
28:46Come on, let's go.
28:50Asunta, who's that?
28:52Come on, you want to know everything.
28:53Go away, go away!
28:55I'm leaving now.
28:57This woman must be an idiot.
28:58Sooner or later, she'll find out.
29:04Tomorrow, the ship will arrive in New York.
29:07This is the Immigration Manual.
29:09It says you have to be...
29:11Honorable...
29:13Honorable...
29:15And what are we?
29:17Take care of your hygiene and speak with a lot of manners.
29:21I'd love to go down with you, Carmela.
29:24My legs are shaking because I'm going down and because you're staying.
29:28We have the best country, the best jobs and the best laws.
29:32We know there's work here.
29:33No one said you could come.
29:35You're going to get to Ellis Island.
29:37They'll check your documentation.
29:39They'll ask you how much money you have.
29:42And above all, they'll do a medical exam to see if you're healthy.
29:47Whoever passes the exam takes the ship to New York.
29:50When you get there, be very careful with the estimators.
29:52Yes, you're the estimators.
29:57Come in.
30:00Am I bothering you?
30:02You're always welcome, Carmela.
30:04I'll bring you the shirts.
30:06Thank you.
30:08My God!
30:10What happened? Did you have a fight with the devil?
30:12You'll have to forgive me, but as they say,
30:15order is a monologue and disorder is a dialogue.
30:18And since I don't have anyone to talk to...
30:21Can I help you?
30:23Maybe with the twins.
30:26Of course.
30:27Give them to me.
30:29Of course.
30:37It smells very good, Carmela.
30:39Like my shirts.
30:42Thank you.
30:48I have the feeling you want to talk to me. Am I wrong?
30:52No, you're not wrong.
30:55Where do I start?
30:58We're disembarking tomorrow.
31:00People talk and I get nervous.
31:03Because if it's true that we have to pass a medical exam
31:06and that they want us all to be healthy,
31:08it's because my son Rocco is not well.
31:12He's not well from here.
31:14And what do I do?
31:16I can't go back.
31:18Look, I'll tell you something I haven't told the priest in confession.
31:23Because Mr. Ferry has entrusted me with his trust.
31:27And also his patience.
31:29My son Rocco was as healthy as the others.
31:35And if he's like this now, it's my fault.
31:39Only mine.
31:48Because in my town there was a man named Vincenzo Espano.
31:52A man without scruples.
31:54Of those who when they want something, they take it.
31:58But for who?
32:13Sometimes the beauty of a woman can be her fate.
32:17But what beauty?
32:19Your inner beauty, Carmela, which may be even greater.
32:22It's not your fault.
32:24Fate is not always in our hands.
32:25He said yes, because I brought him here.
32:27If the Americans don't love him and won't let him go, what do I do?
32:31Throw myself into the sea with all my children? Drown myself?
32:35Everything will be fine, Carmela.
32:38They'll get him.
32:44I haven't thanked you for everything you've done for Alfredo.
32:49What have you taught him?
32:52I don't know. Many things.
32:55A little English, a little arithmetic,
33:00a little chess.
33:02I've also told him about my job, my profession,
33:06the finances, the stock market.
33:08What's that?
33:09It's about making money from other money.
33:12It's like a game, but it's dangerous. You could lose.
33:15Then why did you teach him?
33:17Because he's a smart and intelligent boy.
33:20Even if he's small, I've planted the seed.
33:22Who knows? Maybe we'll harvest the fruit tomorrow.
33:29Mr. Ferri knows so many things, and he knows the rules.
33:34He could tell me what I can do.
33:37What can I do to keep the doors of this paradise from closing?
33:42Rocco, where are you? Rocco!
33:44Rocco, what are you doing? Come down.
33:47You have to stay close to me.
33:49Michele!
33:51Mom! Mom is here!
33:53Michele!
33:56Rocco, come down.
33:58Come on, come down.
33:59You can't run away like that.
34:01And don't make that face. I know you understand me.
34:04You have to listen to me.
34:07Otherwise, they won't let you go.
34:09You have to listen to me.
34:11You have to listen to me.
34:13Otherwise, they won't let you go.
34:16You have to stay calm, because we'll take care of it.
34:20Michele, go to the immigration office.
34:23You take him from here, and you, Antonio, from here.
34:25Hold him tight.
34:27Do you understand?
34:29Huh?
34:31And if they ask you, say that he got dizzy on the boat.
34:36Say yes with your head, to know that you understand.
34:39I got dizzy on the boat.
34:43Very good, like that, like that.
34:48I have to tell you something else.
34:51This trip has been very expensive.
34:56And not only because of what happened to Mariuzza.
35:01Also because of this.
35:04This alliance is not your father's.
35:07Mine and his, I left them to Mrs. Asunta
35:10for Mariuzza's funeral.
35:13I had to get married in Naples.
35:18With another man, for powers.
35:20But when?
35:21And who is that man?
35:23That doesn't matter.
35:25He's a good man.
35:28If a woman is not married,
35:31with a man who has citizenship, she can't enter.
35:34So I had to do it.
35:37I did it for us.
35:39He's also Italian.
35:42Well, he's a lombard.
35:46And a widow.
35:47Why didn't you tell me?
35:51Because you would have prevented it.
35:55And we had to leave.
36:01Now we can't look back.
36:04No.
36:12Mom, look, we're almost there.
36:14You can see America.
36:23Look, look, we're almost there.
36:26Have you seen how far we've come, Rocco?
36:31Look.
36:42We're starting a new life.
36:44Start there.
36:52May the Lord help us.
37:12May the Lord help us.
37:14May the Lord help us.
37:16May the Lord help us.
37:18May the Lord help us.
37:20May the Lord help us.
37:22May the Lord help us.
37:24Welcome to the United States.
37:26Here you must take care of your health
37:29and speak with a lot of enthusiasm.
37:31I'm sorry.
37:33Let me through.
37:35Let me through.
37:37Have you seen
37:40what they've written on me?
37:45I'm all alone.
37:47I sold everything to come here.
37:49The house, the land.
37:51Maria, Maria, Maria.
37:53Don't leave me.
37:55I have to feed my three children.
37:57Please, please.
37:59Don't leave me.
38:01Maria, Maria.
38:03Maria.
38:05No, please.
38:08Don't leave me.
38:10Please, please.
38:12Don't leave me.
38:14I'm sick.
38:17Mom, why does he have a C on his back?
38:20No idea.
38:22Because he's sick. C stands for cardiopathy.
38:24Sick people are sent back to Italy.
38:26Or they're left on Ellis Island
38:28in quarantine for 40 or 50 days.
38:38Welcome, Mr. Ferry.
38:40Thank you very much.
38:42Look, this is from that family.
38:47And this is for you.
38:49For the inconvenience.
38:51Thank you.
38:53Listen to me, Rocco.
38:55What do you have to say in the exam?
38:57I'm seasick on the boat.
38:59I'm seasick on the boat.
39:01I'm seasick on the boat.
39:03Yes, Rocco, but say it just once.
39:05All right.
39:07Just once.
39:12They're with me. Let them pass.
39:14Come on!
39:16The documents first!
39:18Hurry up!
39:20We'll listen to him.
39:22Michele Antonio Agarrada, Rocco.
39:24Hurry up!
39:36Five people?
39:38Yes, sir.
39:41Yes.
39:43Do you have money?
39:45No, my husband, Mateo Esquiabón, has it.
39:47He's an American citizen.
39:49She's married to an American citizen.
39:51These are the documents.
39:55I'm seasick on the boat.
39:57I'm seasick on the boat.
39:59You don't know the medical exam. Stay here.
40:01He was seasick.
40:03Seasick?
40:05Yeah.
40:07What are you laughing at?
40:10Officer.
40:23Think about it.
40:25Now, in the medical exam, they won't let him pass.
40:27No one will take the X.
40:29Why?
40:31He's healthy and strong.
40:35They're approved.
40:37What did he say?
40:40That everything is fine.
40:42You can go in.
40:44Shouldn't we pass the medical exam?
40:46No, ma'am.
40:48There will be a saint in paradise.
40:50You're cleared.
40:52Thank you.
40:54Here it says Ritzo.
40:56We'll call ourselves Carrizo.
40:58Ritzo, Carrizo, what else?
41:00Get out of here.
41:03Ritzo, Carrizo, what else?
41:05Get out of here before he thinks twice.
41:07If it says Ritzo, we'll call ourselves that.
41:09Let's go.
41:11Next one.
41:32Let's go.
41:34Let's go.
41:37Let's go.
41:39There are 50 job positions,
41:41but if you accept the job,
41:4350% is for me.
41:45What are you saying?
41:47This is how it works here.
41:49Go for a walk.
41:51My partner already has a job.
41:53It's not possible.
41:55Mique, Genarino is my cousin.
41:57Nice to meet you.
41:59They're looking for workers at the Red Hook Foundation,
42:01at 5 o'clock. Please be on time.
42:03I'll wait for you. Bye.
42:06Wait, wait. How do I find her?
42:08Ask around. Everyone knows her.
42:10She's there.
42:12It's her.
42:14The one from the poster that says Carrizo.
42:16Are you sure it's her?
42:18She's looking at us, but she's not moving.
42:31I'm sorry, but I wasn't sure if it was you,
42:33because it says Esquiavo,
42:36and my last name is Esquiavón, with an N.
42:38Ah.
42:40Besides, I couldn't believe it was you, ma'am.
42:42We're here!
42:44We're here!
42:46We're here!
42:48Nice to meet you.
42:50Carmela.
42:52Carmela.
42:54Carmela.
42:56Carmela.
42:58Carmela.
43:01Carmela Carrizo Rizzo.
43:03It's a pleasure.
43:05This is my son Mikele, Antonio, Rocco, and Alfredo.
43:09Do you have any more?
43:11Unfortunately, no.
43:13I also had a daughter.
43:15I'm sorry. I didn't know. I'm sorry.
43:19Say hello.
43:21Good morning.
43:23I've brought the car.
43:25The car...
43:27Because I thought... I'm sorry.
43:29It's uncomfortable.
43:31But Mom is a little tired.
43:34But we're two steps away.
43:36And then I'll take you to see the city.
43:38It's a good opportunity.
43:40Let's go.
43:42Give me this.
43:44Thank you.
43:46Let go, Rocco.
43:48Thank you.
43:59One fourth hotel, please.
44:04Mom?
44:06Let's go.
44:19Well...
44:21Are you going to show us America?
44:23Of course.
44:25Let's go.
44:27Antonio, push.
44:48Let's go.
44:50Let's go.
45:21Walk.
45:25Let's go, Alfio.
45:27Dear Alfio.
45:29I'm here alone.
45:31They've all gone to America.
45:34Come, please, Maria.
45:50Let's go.
46:20Let's go.
46:46Stop, Carmela, please.
46:48What do you want? Go away.
46:50Go away.
46:59Carmela!
47:12No!
47:20No!
47:50No!
48:20No!
48:50No!
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