• 5 months ago
Al Fondo Hay Sitio 11 Capitulo 44 Completo
Al Fondo Hay Sitio 11 Capitulo 45 Completo
Al Fondo Hay Sitio 11 Capitulo 46 Completo
Al Fondo Hay Sitio 11 Capitulo 44 Completo
Transcript
00:00Hello?
00:01We've got you.
00:02Cris!
00:03Cris!
00:04Cris!
00:05No!
00:06Please, it's my brother!
00:07Cris!
00:08Cris!
00:09Cris!
00:10Cris!
00:11Cris!
00:12No!
00:13Please, it's my brother!
00:14Cris!
00:15Cris!
00:16Cristóbal!
00:17Cristóbal!
00:18Crista, help!
00:19Cristóbal!
00:20Cristóbal!
00:21Here he is, Cris.
00:22Let's go!
00:35Here he is, Chris!
00:38He's alive!
00:40Chris!
00:43It's over, son! It's over!
00:44It's over!
00:57Chris, Chris, are you okay?
01:00I'm fine.
01:02I've never been so scared.
01:06Don't go.
01:07No, no, no.
01:08Stay here.
01:09I'm here, I'm here.
01:10Don't worry.
01:12It's over.
01:13Christobal is safe.
01:16He's okay.
01:17And you're still so sad and down.
01:21I was so scared for him.
01:24If something had happened to him, I would never have forgiven him.
01:27No, no, no.
01:28Don't say that.
01:29You're not responsible for anything at all.
01:43Let's go.
01:50I love you, Yuri.
01:52I love you!
01:54Open your eyes, Christobal.
02:08Peter, I wanted to ask you to train the staff of the Cocachimba Hotel.
02:13Me?
02:15There must be more trained people.
02:17There is no one more trained than you.
02:19But I returned to Lima to support her in her fight against that scum.
02:23I know, but I need you in that new task.
02:26Of course, madam.
02:27Do you think you could go there today?
02:29Yes, madam.
02:30Of course.
02:31I'm going to ask my secretary to change my flight ticket to your name.
02:35Thank you for your trust, madam.
02:37I don't think anything will happen in my absence.
02:39Nothing that cannot be solved.
02:41One question.
02:43Where is Cocachimba?
02:52Oh my God, Charo.
02:54With all this madness, I forgot to pick up the clothes.
02:57Now I wrap them up and take them to their clients.
03:01Okay.
03:02Charo, what's that face?
03:04Oh, how worried.
03:06For Yuli, who is afflicted by Cristóbal's kidnapping.
03:12Oh girl, but look.
03:13The good thing is that she appeared and that she is alive.
03:15Exactly. I told her the same thing.
03:16But this girl feels bad.
03:18She is very sad and also feels guilty.
03:21The truth is that worries me, Tere.
03:23Charo, leave me.
03:24I'm going to talk to her.
03:25Well.
03:26But that little face.
03:27What?
03:28Something happens, Charo.
03:29I know you well.
03:30No.
03:31You are secretly dreaming with Xavi, for sure.
03:34That he tells you that he loves you.
03:35That he gives you a ring.
03:36They mortgage the few assets they have
03:38and they rent an apartment here next door.
03:40With two puddles.
03:41They are called Copito and Colorado.
03:42Please.
03:43Teresa, you have an overflowing imagination.
03:46Charo, let's not fool ourselves.
03:48The truth of the facts is that when we meet someone
03:50and we click,
03:51we imagine the nuptial march.
03:54And we should not be like that, Charo.
03:56We must take things more lightly.
03:59Do you understand me?
04:00Like cool.
04:01Like good time and next.
04:04Oh, Teresa.
04:05If I did that,
04:07it wouldn't be me.
04:11And how would it be to be
04:15the other Charo?
04:17It's a secret.
04:20I'm a poet and I only write what I feel.
04:28Romero.
04:32How is Chris?
04:34He's not well.
04:36He just told me in detail everything that happened to him.
04:39It was horrible.
04:41Poor thing.
04:42Yes.
04:43It's going to be hard for him to get over it.
04:45I think you should talk to him like a professional, right?
04:48Yes, I told him the same thing.
04:55Honey.
04:57Don't take it the wrong way, okay?
04:59But...
05:01Maybe Julie should stay away from him for a while.
05:06I don't think your brother wants to.
05:08No, of course not.
05:09That's why she's the one who should propose it.
05:15I don't know how to tell him.
05:19Me neither.
05:22Forget it.
05:23I didn't say anything.
05:35Julie.
05:36Are you going to study?
05:38Yes, in a while.
05:40I think it's very good.
05:41Divine creature.
05:42You have to continue with your routine.
05:44I'm doing it too.
05:45I just picked up the pets' clothes and then wrapped them
05:49and gave them to each of the clients.
05:52We are strong women, Julie.
05:54Look, and in the most complicated moments,
05:57that's when our strength is tested.
05:59Life goes on, my creature.
06:03Nadia told me that if something happened to Cristobal,
06:06it would be my fault.
06:08No, my love.
06:09Don't believe that.
06:10What are you going to believe that flying cockroach?
06:13The love you have for Cristobal and you is incredible.
06:17It's strong.
06:18It's like a protective shield.
06:21Nothing will break it.
06:23I'm telling you, Teresita Collazos, the fairy godmother of love.
06:27You have a good, beautiful love.
06:29You accompany each other.
06:30You are one for the other.
06:34I already remembered Gaspar.
06:36No, Teres.
06:38Oh, girl.
06:39I also want an endless story.
06:41An unconditional love.
06:45Could it be that Gaspar is the love of my life?
06:49But if Gaspar is the love of my life,
06:51why doesn't he know how to ask for my hand?
06:54He doesn't read me.
06:57Should I throw the towel, Julie?
07:00Or should I try it one more time?
07:03Oh, no.
07:05I don't know what to do anymore.
07:07I'm in a crossroads, Julie.
07:09I'm stuck.
07:11Oh, what do I do, girl?
07:14The other type of blood found
07:16coincides with that of Benjamín Chirinos.
07:20But the trail ends a few meters further
07:24where a parked truck was.
07:28Do they shoot him twice and then see him in a car?
07:31We are handling the hypothesis
07:33that someone dragged a body to the truck.
07:37Someone we don't know anything about.
07:39For the moment.
07:41We will continue with the investigations.
07:43If there is any news,
07:45we will be letting you know.
07:48Thank you, General.
08:01Buddy, is it necessary to accompany her to the school gate?
08:04Of course.
08:05Have you seen how cute my daughter is, buddy?
08:07Go wash yourself, buddy.
08:11But tell me the truth, Pepe.
08:13Have you ever imagined that my daughter would be so beautiful?
08:16Do you want her to be skinny?
08:17No.
08:18But she is just like me. Look what she has.
08:28Daughter, you forgot your lunch box.
08:30Oh, no. But I'm ashamed to use the lunch box again. I don't want to.
08:32Yes. At least take your bread with you.
08:34Oh, no. Don't you want to give me 10 soles for a piece of bread during recess?
08:37Of course, princess.
08:38Hey, buddy, give her 10 soles.
08:3910 soles, buddy?
08:41I only have 5 with the change.
08:43What am I going to do with 5 soles?
08:44Take it or leave it.
08:48Yes, I also wish you a nice day.
08:53Hey, buddy, your girl needs her mom urgently.
08:56Many are mistreating her.
08:57I just want to win her affection, buddy.
08:59Well, it's not the best way.
09:00Let's go.
09:01Come on, wake up. Let's go.
09:03Do you want bread with torreja?
09:04No, I don't want it.
09:05I don't want it.
09:08What am I advising Charo? To be cooler?
09:12Could I have a love adventure?
09:16Well, maybe yes.
09:19Maybe if I didn't have Agaspar stuck in my mind.
09:24And in my heart.
09:36Take me an espresso and make it hot.
09:50So, the killer request didn't fail?
09:52I wouldn't be so sure.
09:54Put your back, Peco.
09:55I only say what I think.
09:57I would like to go to Las Lomas to see Cris.
10:00But I don't want to cross paths with Teresa.
10:02Her contempt already hurts me a lot.
10:05I'm not going to say anything.
10:07Me neither, by the way.
10:09It's just that nothing makes her happy, and you are a witness to that.
10:15She wants me to be someone I'm not, and that's not how it is, Pe.
10:18Nor, to please her, to look her in the face,
10:20I'm not going to be someone I'm not.
10:24Is that a relationship?
10:25No, it's not.
10:28Is that a relationship?
10:31Oh, you're not going to talk?
10:35She and I think differently.
10:38I have nothing to do with Teresa.
10:40Each one in his own way.
10:43Oh, little brother.
10:44You've said that thing like a thousand times already.
10:47I'm just telling you to listen to your stupidity.
10:58Calm down, calm down, it's just a glass.
11:03Does he know about the guy who kidnapped you?
11:06No, it looks like...
11:09It looks like he's not in this world anymore.
11:11Looks like? What do you mean, looks like?
11:13That's what it looks like.
11:15But you're not very sure.
11:22I don't know.
11:24I don't know.
11:33Francesca, your things.
11:35Leave them there, and the coffee here.
11:55Francesca, I work in the administration area.
11:58Who asked you?
12:00It's just that there's nothing between my functions.
12:03Get out, that's all.
12:24Oh.
12:42And that face?
12:44No, nothing, dad.
12:47You've been where, Francesca?
12:49We'll talk later.
12:54Bye.
13:03What are you doing here?
13:05Don't worry, I didn't come to fight.
13:07Then why did you come?
13:09I came to talk to you, woman to woman.
13:11Get tired, Laia.
13:13Cristóbal and I are together.
13:15We love each other.
13:17And nothing or nobody is going to separate us.
13:19Except death.
13:21Cris loves you, that's obvious.
13:23But I don't trust your feelings.
13:25What?
13:27Cristóbal pretends to be normal, but he's terrified.
13:30Julie, I'm sure he's still thinking that monster is still out there.
13:33And you believe it too.
13:36So why are you still with him?
13:39Julie, please, leave Cris.
13:42And I swear I'm not telling you so he can come with me.
13:45If you don't leave him, something bad is going to happen to him.
13:51I love you.
14:05Hello?
14:06Come to my office.
14:08Yes, I'm coming.
14:13What does she want now?
14:22Come in.
14:27Francesca, you called me.
14:29Ten minutes ago.
14:30Yes, but I was finishing a...
14:32When I call you, you leave me alone and come.
14:35Let me see if I understand something.
14:38You just have to understand that I am the owner and you are an employee.
14:41Yes, sure.
14:42Meet with the tax advisor to see the pending payments.
14:46I'm trying to contact him, but I still can't.
14:48I don't care about the details of your incompetence.
14:50Francesca.
14:51That's all.
15:17I have nothing to do with Teresa.
15:19Everyone has their own path.
15:23Who are you looking for?
15:25You.
15:27I'm sorry, Gaspar.
15:28You and I are not meant for each other.
15:30Tere, Tere, Tere.
15:35Hey, what did you tell her?
15:36Nothing, she didn't even let me talk.
15:38Hey, Gaspar, but there's something called dignity.
15:41If I do it, I do it.
15:42I don't know.
15:44After this, I have nothing else to do with this lady.
15:49I'm sorry.
16:13Come in.
16:14Come in.
16:17Francesca, I already managed to coordinate with the tax advisor.
16:19I wanted to know if you were going to be at the meeting.
16:21Did you hit your head?
16:22What do I have to do with that meeting?
16:24No, I just thought you wanted ...
16:26Retire.
16:27You won't waste my time.
16:28What's up, Francesca?
16:29Why do you treat my daughter like that?
16:30Your daughter?
16:31I thought she was the new administration assistant.
16:33Dad, better don't get involved.
16:34You don't want to make me believe that this is how you treat your staff.
16:37You hate that she imposes me, that's why you grab her with Alesia.
16:41Alesia is very proud of the position you have given her.
16:45Be careful with looking for me, because you will find me.
16:48I'm very afraid of you, Diego.
16:50Let's go, daughter.
17:06How does the earth enter?
17:08Oh yes, Slim.
17:09Terrible and wet.
17:11Yes, well, I see.
17:13Humidity hits the ground.
17:17Water is breathed here.
17:19But I already got used to it.
17:21You are a little fish.
17:24I'm going to sweep the sidewalk.
17:38I'm going to sweep the sidewalk.
18:06Where are the invaders?
18:07Miss Alesia is still not coming down.
18:09Young Cristobal ran out, poor thing.
18:11Every time he hears a noise, he runs out.
18:14And Mr. Diego is here to accompany you to have breakfast.
18:18Excuse me.
18:22Stop being sarcastic, Quirino.
18:25Forgive me, Frank.
18:26It was not my intention to bother you.
18:29And what could be your intention?
18:31You know that your mere presence irritates me, makes me sick.
18:35Enough, Frank.
18:36I'm tired of your nonsense, your humiliations, your offenses.
18:40All the time saying horrible things.
18:42Get out of my house and end this nightmare.
18:44This house is also my house.
19:06Cris.
19:09Love.
19:10I was just going to call you to meet us.
19:18Is something wrong?
19:23We have to talk.
19:36I thought you weren't coming.
19:38Forgive me, it's not easy to leave my house without giving explanations.
19:42You are beautiful.
19:43Thank you.
19:44But I don't have much time.
19:46Well, then.
19:47What?
19:48I haven't wasted more time.
19:49I don't understand what you mean.
19:51Of course.
19:57I don't want to waste more time with you.
20:00Never again.
20:02Never again.
20:06You are beautiful.
20:24First of all,
20:26I want to tell you that
20:27your love is the most beautiful thing that has ever happened to me.
20:33That all this has been like a fairy tale to me.
20:39You stopped being the young Cristóbal
20:44to become my Cristóbal.
20:48The love of my life.
20:52Julie.
20:54Where do you want to go with this?
20:57I don't know.
21:02I love you so much,
21:05but we can't go on.
21:10Is it because of Benjamin?
21:12Julie, I'm not going to let him separate us.
21:15Then a tragedy is going to happen.
21:18Cris, he wants to kill you.
21:22Don't go ahead, my love.
21:24He may be dead.
21:27I'm sure of it.
21:29And we can't risk it.
21:33But what does that matter?
21:35We're going to face that problem like we've faced all our problems, my love.
21:39Together.
21:41Yes, I know.
21:42I'm going to go to the police station.
21:44I'm going to tell my dad to give me his contact of the minister.
21:46I don't know.
21:47I don't know, but we can solve it.
21:48No.
21:49Cris.
21:50Cris has escaped twice from the hospital.
21:54He won't stop
21:56until he hurts you a lot.
22:01Julie.
22:05Do you want to break up with me?
22:14You're going to be better.
22:16No.
22:17No.
22:18No, no, no.
22:19I can't live without you, my love.
22:22I can't live without you.
22:24I'm not going to leave you.
22:25I'm not going to leave you, my love.
22:33But I do.
22:35Goodbye, Cris.
22:38I love you.
22:39I love you.
22:40You're the love of my life.
22:41And I know you love me too.
22:43Please.
22:44Please.
22:45No.
22:46Don't make it harder.
22:47Yes?
22:48Please.
22:52Please.
22:55Please.
23:10Cousin.
23:13What happened?
23:16Did something happen to Cris?
23:25I broke up with Cris.
23:29I broke up with Cris.
23:31Because I love him too much.
23:40You've become more stupid!
23:43What's wrong with you?
23:44It's over, Francesca.
23:45It's over, Diego.
23:46Peaceful and good people.
23:48Good people?
23:49When have you been good people?
23:50And I don't want you to break my dishes.
23:52Your dishes?
23:53These dishes, in case you don't remember,
23:55are my dishes.
23:57I bought them in Denmark.
23:59They were my contribution to this house.
24:01So I do with them what I want.
24:06And stop treating me like an idiot and humiliating me.
24:09So you bought these dishes.
24:18Oh, how good I feel after breaking
24:21what little you contributed to this house.
24:23And these glasses that were the inheritance of Grandma Maldini.
24:27Don't scare me!
24:28I dropped it!
24:31Another one!
24:35Oh no, oh no, oh no.
24:37Oh no!
24:39Why don't you die already?
24:41Please, what's going on?
24:43Calm down, calm down.
24:44My God, what happened here?
24:46He broke my glasses, this bastard.
24:48The glasses are the inheritance of the Maldini family, Mr. Diego.
24:50She broke my tableware.
24:51The tableware from Denmark, Mrs. Francesca, for so much?
24:54Yes.
24:55For God's sake.
24:56Did you do all this?
24:58She did.
24:59Dad, let's go.
25:00But she threw a knife at me.
25:01Let's go, let's go, let's go.
25:02Witch, crazy, crazy old woman.
25:04Evil, beast.
25:07Witch.
25:08Idiot.
25:09Madman.
25:16How delicious.
25:17Oh, Xavi, enough, please.
25:19I would accept your decision at another time,
25:21but right now I can't take it anymore.
25:22No!
25:23Just a little kiss.
25:24Xavi, listen to me.
25:26Respect my time.
25:27Yes, I respect your time.
25:28Let's have fun.
25:29Of course, but I can't take it anymore.
25:30This is crazy.
25:31You can't find us.
25:32I'm leaving, I'm leaving.
25:33Don't go, please.
25:34Now we're starting to heat up the engines.
25:36But Xavi.
25:37What?
25:38This is not the right time or place.
25:39What do you mean?
25:40What better place than here, surrounded by flowers?
25:41Well, that's it.
25:42Done.
25:43Where's my wife?
25:44Thank you.
25:45Hey, listen to me.
25:46What?
25:47One more for the memory.
25:49Pretty.
25:50Tiny.
25:51Tiny and tasty.
25:54Enough.
25:55I love you.
25:56Now yes, Xavi.
25:57What happened?
25:58This flower is for you.
26:00I cut it before.
26:02Thank you.
26:04I'm leaving.
26:05Do you like it?
26:06Charo, Charo, Charo.
26:07What's going on, for God's sake?
26:08Just listen to the sound of my clarinet.
26:09I want you to know that I'm thinking of you.
26:13Enough.
26:14Enough, Xavi.
26:15Now yes.
26:16I'm leaving.
26:17Oh, my God.
26:19What a beautiful woman.
26:26For God's sake.
26:34Koki.
26:35What happened?
26:36I don't know.
26:37I don't know.
26:38It came to me as a sensation of the most unpleasant.
26:40I have alcohol in the bottle.
26:41I bring you.
26:42No, no, no.
26:43Stop, stop, stop.
26:44It must have been because of the position.
26:45Although the pain was in this area.
26:50How are my employees?
26:52How are you, guys?
26:53Look what I found.
26:54It's nice, isn't it?
26:55I don't know.
26:56It's good.
26:59What happened to him?
27:00I don't know.
27:01I don't know.
27:02I don't know.
27:03I don't know.
27:19I don't know.
27:50I can stand the rejection of his family.
27:56And all the provocations of the guide.
28:00But I can't forgive him for my fault.
28:07Although my heart breaks.
28:10At least I keep him away from danger.
28:15Cousin.
28:17What if they go to live in Recuai?
28:20Even if it's for a while.
28:21No.
28:22Until they catch this idiot and have him well locked up.
28:24No.
28:26I couldn't keep him away from his sister.
28:28Nor from his father.
28:30Besides, Recuai is not for him.
28:33Even if he says otherwise.
28:36He is not made for the CIA.
28:39And if we do a job?
28:42Can we do a job and pay Pacho to take care of him 24 hours?
28:46What kind of life is that?
28:49My decision was the best.
28:52There is no other.
28:56Laura.
28:58What happened?
29:02I broke up with Cris, aunt.
29:04Oh, my heart.
29:06I love you.
29:13That Julia broke up with Cris means that she modifies my plans, but for good.
29:18So, Alessia, consider yourself lucky.
29:22Because if it weren't for Jimmy, I would have already taken you out of the restaurant.
29:26And you, Cristobal, get ready, because I'm going with you with everything.
29:36I love you.
29:37That's the temperature.
29:39Temperature.
29:42I will not allow you to be blessed, traitor and coward.
29:45Treat me like that in my own house.
29:47I can't allow it.
29:48And what are you going to do?
29:50To begin with, I will not share the table with him again.
29:53I disgust his presence.
29:54I understand.
29:56That remédo de hombre has to pay for the glasses that he has broken.
30:00From my aunt Marielena.
30:02Oh, what a bad time I sent Peter to Cocachimba.
30:05Oh, where is that?
30:07Chachapoyas.
30:08Oh, who eats that?
30:10Claudio.
30:13I want you to do me a favor.
30:15But fast.
30:22Daughter.
30:23Believe me, I am sorry.
30:25I am very sorry to have been unfaithful to Francesca.
30:28Of having taken advantage of her affection.
30:31And you know.
30:32You are a witness that I have done my best to show her my regret.
30:36Okay.
30:37It didn't work.
30:38It didn't work.
30:39But from there to humiliate me all the time and humiliate you in the corporation.
30:42No, no.
30:43Everything has a limit.
30:44Yeah, dad.
30:45But you can't react like that either.
30:46Yes, yes.
30:47You're right.
30:48Maybe I overdid it by throwing the plate that way.
30:49But she knows how to hit me.
30:51She knows how to hit me right where it bothers me.
30:54Also take into account the events of recent times.
30:57What happened to you in marriage.
30:59Our precarious economic situation.
31:01Julie's dangerous relationship with your brother.
31:04I'm like a pressure cooker.
31:06Dad, dad, dad.
31:08Calm down.
31:09Calm down.
31:10You have to relax.
31:15Let's go to the kitchen.
31:16I'll make you an omelette.
31:17Let's go, let's go, let's go.
31:25Good morning.
31:26Good morning.
31:27How is Francesca doing?
31:28Much better.
31:29Thank you.
31:30Please tell her that later I want to talk to her.
31:33Don't worry.
31:34I'll tell her.
31:35Let's go.
31:36Please.
31:51Mrs. Francesca.
31:52Here's what you asked for.
31:54How fast.
31:55Excellent.
31:58Why did Charo have to kiss Professor Xavi?
32:03He just broke up with Koki.
32:07They are very brave here.
32:09Who are they brave?
32:10Felix.
32:11Jolinda.
32:12Why were you listening to me?
32:13Why were you listening to me?
32:14No, because I was here.
32:15I was surprised by you.
32:16Why were you listening to me?
32:17Tell me, tell me, tell me.
32:18I was close.
32:19Besides, I saw you walking a little weird.
32:20As if you were carrying a very heavy weight on your shoulders.
32:23Hey, this plant you have here in your head, what is it?
32:25No.
32:26It's creepy.
32:27I went to the park and saw something.
32:30What did you see?
32:31That scared me.
32:33And then I threw myself down.
32:36But what did you see?
32:37You have to tell me.
32:38Because I am the watchman of the Lomas.
32:39The one in charge here of security.
32:40Please.
32:41I need to know all those details.
32:42Tell me.
32:43I saw ...
32:49A choro?
32:50Did you see a choro, Linda?
32:51Don't tell me.
32:52That's unacceptable.
32:53No, I'll take care of it.
32:54I'm going to see.
32:55Where?
32:56There.
32:59That was close, right?
33:00Yes, it was very close.
33:06My joker doesn't like gossip.
33:10I have to make an effort.
33:12Let's go.
33:18Chris?
33:24Chris.
33:25He is still traumatized by the kidnapping.
33:28Son.
33:30Son, everything is fine.
33:31You are at home.
33:32With your sister and your father.
33:34We love you very much.
33:37Chris, what happened?
33:41Julie betrayed me.
33:42Yes!
33:43Dad!
33:44Sorry, I couldn't help it.
33:45She left me unintentionally.
33:48My Julie doesn't deserve what's happening to her.
33:51Poor creature.
33:52Why would she have to end her relationship like this?
33:57Another thing that will end badly, Charo,
33:59is your relationship with Xavi.
34:02It all started as a forbidden love.
34:04Then you separate from Koki because of the teacher.
34:09Now you kiss him in the park.
34:12And now you're in a relationship.
34:14Now you kiss him in the park.
34:17What's next?
34:19Nothing.
34:20Nothing at all.
34:22Next time you see him,
34:23tell him that you can't be together and shut up.
34:32He's playing the instrument.
34:36I love the way he plays it.
34:45No, no, no.
34:48Oh, Olinda.
34:50You look pale. Is something wrong?
34:52No, no.
34:53I think I'm going to catch a cold.
34:55I'll make you a hot tea.
34:56No, don't worry, Charito.
34:58It's okay.
34:59Olinda, a cold, a bad treatment, a bad treatment
35:02can have consequences.
35:03Lie down, I'll hold you.
35:05I know how to take care of myself.
35:07Thank you very much, Charito.
35:09I saw you flirting with Professor Xavi.
35:15I'm going to my room.
35:16Yes, I'm going to make an apple pie for my dad
35:18and I'm going there.
35:19No, no, no. What a coincidence.
35:20Talk to your brother.
35:21I'm going to shower and change.
35:22No, but the apple pie.
35:23It's not necessary.
35:24What I've heard has made my day.
35:28Don't disgust him.
35:29I don't care.
35:31Tell me.
35:33Ayuli
35:35says it's the only way
35:37Benjamín won't attack me.
35:39And I don't understand.
35:41I don't understand, Ale.
35:44That crazy guy
35:46is going to interfere in my relationship.
35:48No, I don't accept it.
35:50Cris,
35:51I agree with Yuli.
35:53What?
35:55And give up after everything we've fought to be together?
35:58No, no.
35:59She's not choosing the easy way.
36:01On the contrary,
36:02she's letting go of the love of her life.
36:05She's letting go of the love of her life.
36:07She's letting go of the love of her life to protect him.
36:10It's a very big sacrifice.
36:12Cris, you should value it.
36:13Of course, because it hasn't happened to you.
36:14If Jimmy were in your situation,
36:16I would do exactly the same.
36:18I don't even know why I asked you.
36:20Cris.
36:25But what nonsense is that, Linda?
36:27You were in front of him and suddenly,
36:30they fought, right?
36:32Oh, please.
36:33You must not have been confused with two people like us.
36:36No, no, no.
36:37It wasn't you.
36:38He gave you a flower, didn't he?
36:40What flower?
36:41The one you're hiding there.
36:42I saw it.
36:44I saw it.
36:45Oh, Linda.
36:46Please,
36:47I beg you to be discreet.
36:49All this is very delicate.
36:51I'm going to tell the family in due time.
36:54But imagine,
36:55I just ended a relationship.
36:58It would look very bad
36:59if I'm dating someone else so soon.
37:02I beg you to please
37:04keep your mouth shut.
37:06The mouth shut.
37:07Oh,
37:08I was telling you that your brother is a big mouth,
37:10that he doesn't know how to keep secrets.
37:12Yes.
37:13Mom.
37:14Have you seen my green underwear?
37:15Have you looked in the drawer of the underwear?
37:17Oh, no.
37:18Son, please.
37:21Charito.
37:23For the Lord of Quilmapata,
37:25I swear I'm going to try,
37:26but since I was a little girl,
37:27since I was a baby,
37:28I can't.
37:29I have that big
37:31defect.
37:32What?
37:33I'm very gossipy.
37:34Oh, no.
37:35I swear I do.
37:36Oh, no.
37:37My attempts,
37:38but I'm too transparent.
37:39I get in where they don't call me.
37:41I hear a lot of things
37:42and I
37:43can't hide secrets.
37:45And if they tell me not to tell them,
37:47it's worse.
37:48Oh, my God.
37:52Soon that girl
37:53will find a lover
37:55among her peers
37:56and that will make this crazy murderer
37:58look at that new boy.
38:01The thing is that my son
38:02is in danger.
38:04But
38:05that will be a problem less.
38:08Now what it's time for
38:09is to fix things with Fran.
38:11Even if he doesn't deserve it,
38:12I'll go and apologize to him.
38:14I'll tell him,
38:15Fran, I'm very sorry.
38:16It won't happen again.
38:18And period.
38:19To move on.
38:20It's over.
38:27How can you not keep a secret?
38:29Oh, it's just that
38:30it comes from my habits,
38:32from my culture.
38:35Besides, gossip
38:36helped human evolution.
38:39Since I was a baby.
38:40Since I was a baby,
38:41I used to walk
38:42very slowly
38:44and I always got in
38:45where everyone else was talking.
38:46Yes, of course.
38:47I've noticed.
38:48You love
38:49listening to other people's conversations.
38:51I'm very snobbish, aren't I?
38:52Well, that doesn't mean
38:53you're a gossip.
38:54Because I still
38:55don't trust them much.
38:56But when gossip is good,
38:58like yours is,
38:59I feel like everyone
39:00has the right to know.
39:03Polinda, for God's sake,
39:04forget what you said.
39:06That's how my people are.
39:08Forgive me.
39:09I don't know if I can control it.
39:12No, you're going to do it.
39:14You're going to do it.
39:15I trust you
39:16and I trust
39:17you're going to make
39:18your best effort.
39:20Please.
39:22I have verbal incontinences.
39:34Yes?
39:35Fran, it's me.
39:37I have to talk to you
39:38about what happened.
39:41Come in.
39:44Fran.
39:48Fran.
39:51Fran,
39:52I want to apologize
39:55for the terrible
39:56outburst I had.
40:01What?
40:02Are you serious, Fran?
40:06Of course, of course.
40:07I came to apologize,
40:08but I see it's useless
40:09with your attitude.
40:11Wait.
40:12What's going on?
40:15Huh?
40:21My hair!
40:24You put something in my shampoo.
40:26No, I never.
40:28Francesca Maldini,
40:30this is a declaration of war.
40:32Get ready.
40:34I'm not afraid of you.
40:42Oh, Jillerito.
40:44How were you?
40:45You didn't tell me you were going out.
40:47Yes, I went for a walk.
40:50Although I live around here,
40:52I didn't know the surroundings.
40:54Do you want me to help you with something?
40:56Yes, you can put those bags away.
40:58Yes.
40:59The ones with the laces.
41:00Okay.
41:03And where did you go?
41:04To the park.
41:06Oh, but just here.
41:08How did you take so long?
41:10I saw you in the park.
41:15What did you see, little turtle?
41:18Why don't you talk?
41:19Don't you want to tell me?
41:21Oh, Jillerito, please.
41:22You ask me everything.
41:24But you told me yourself
41:26that you had seen something.
41:28It's you.
41:29Okay.
41:30You ask me everything.
41:31What do you think?
41:32That I...
41:33What?
41:34What thing?
41:35That I'm hiding something?
41:36Something dangerous?
41:37Something mysterious?
41:38Some secret?
41:40No.
41:41No, no, no.
41:42I'm not hiding anything from you.
41:43Just in case.
41:44You told me yourself
41:45that you don't like those things.
41:48Excuse me, then.
41:51You excuse me
41:52for reacting this way.
41:54Well,
41:55we give each other a kiss and...
41:57Kiss?
41:58What kiss?
41:59Why are you talking about kisses?
42:00Where's the kiss?
42:01What kiss?
42:02Oh, Jillerito.
42:03How ridiculous.
42:04You're very weird.
42:05No, I'd better go.
42:09I'm so old,
42:10and I still don't understand women.
42:15Well, I'll continue with my sweat.
42:36Good afternoon.
42:37This is Francesca Maldini,
42:39representative of the Maldini Corporation.
42:42I thank you for your valuable time
42:44and the opportunity to meet
42:46with a commercial relationship
42:47between S.C.O.R.P.
42:48and the company I represent.
42:57I'm sure that at the end of this meeting
43:00we will have set the foundations
43:02of a historic decision
43:03for the future of our companies.
43:08I'm going to ask you, please,
43:11to excuse me for a moment.
43:13There has been a small inconvenience
43:15that I must resolve before continuing.
43:37Oh, you're a tracer, S.C.O.R.P.
43:40Stop, stop, dime a little, Jellito.
43:42Let's hit him where it hurts the most.
43:44No, go back, back, back, back, back, back, back, back, back.
43:48Go back, back, back, back, back.
43:51What?
43:52I'm in a meeting.
43:54Stop being so noisy!
43:56I'm sorry, Fran,
43:57but it's time for my urban dance rehearsal.
43:59What urban dance?
44:00What do you know about that?
44:01That's why, that's why I'm rehearsing.
44:04It's an important meeting.
44:06We have our problems, but please, come another time!
44:10Well, I also had an important meeting, but guess what?
44:14I can't go because I look like a strawberry chupetín!
44:17You are part of the corporation!
44:19This benefits both of us!
44:21It is a very important commercial alliance!
44:24Oh yes, you should have thought that before leaving me as one of the magic godparents!
44:28And?
44:29An animated drawing that Cristóbal saw, excuse me, I must continue with my rehearsal.
44:33Oh, traitors like ...
44:37Stop, stop, tell me what you want!
44:39Come on, hit him where it hurts ...
44:41No!
44:42And back, back, back, back, back, back, back, back, back, back, back, back, back ...
44:45I'm going to die!
44:55Hello?
44:56I called to remind you that I'm here for what you need,
44:59that I don't stop to think about the difficult moments you have been through.
45:02Thank you, Laia.
45:03What do you say if I invite you to dinner?
45:05You and Julie, so you can get distracted and have a good time.
45:09I don't think that's possible.
45:11I understand. You have other plans.
45:14Well, we can leave it for tomorrow.
45:16No, Laia, that's not it.
45:19Julie and I...
45:21We broke up.
45:23Oh, what a shame. I didn't know.
45:27Yes, in fact, I was just going to call you to ask you if you could give me the day off
45:33because, to be honest, I'm not feeling very well.
45:36You already know that I gave you the day off, but I recommend that you don't stay at home.
45:41You have to go out in difficult times.
45:44I don't know.
45:46What is it, friend?
45:48You have to stop thinking about Julie.
45:50Come on, come to Francesca's and, well, if you want, you don't work, but you keep me company in the kitchen.
45:55And so you don't lock yourself in your room, having a bad time.
46:01I think it's best if I leave my house. My dad will drive me crazy here.
46:14A message from Francesca.
46:18Diego, please. This is getting out of control.
46:22We have to solve it as adults. Please. I'll wait for you in my office.
46:26She hasn't even used the heavy artillery and she wants to sign the peace treaty.
46:31Charo and I are just in a bad moment, but we're going to come back.
46:37Well, good luck, because you're going to need it.
46:45Yes, of course. I can help you.
46:48At first I had a terrible time with Mate 1 and Mate 2, but then I broke her from high school.
46:52That's my Jimmy. It's perfect.
46:54Teach him all the tricks, all the secrets, all the shortcuts, okay?
46:57Yes, yes. Don't worry, Tito. Relax.
46:59This doesn't mean it's the end of your story.
47:03Once the danger passes, you will be together again.
47:07You are made for each other.
47:11It could take years until I catch him.
47:14Time will tell. You'll see.