Al Fondo Hay Sitio 11 Capitulo 49 Completo HD Online

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Al Fondo Hay Sitio 11 Capitulo 49 Completo
Al Fondo Hay Sitio 11 Capitulo 50 Completo
Al Fondo Hay Sitio 11 Capitulo 51 Completo
Al Fondo Hay Sitio 11 Capitulo 49 Completo
Transcript
00:00Why are you and Gaspar the one for the other?
00:06But if the universe doesn't want us to be together...
00:08Are you going to listen to the universe or are you going to listen to your heart?
00:13Society is useful.
00:16Turning me into a hero.
00:21Why do I play with my feelings?
00:24You will be the novice riñonera.
00:27And Major Salcedo will be your victim.
00:30They will call the attention in the bar to recruit you.
00:34Understood, General.
00:36Lilith will be your new partner.
00:39Like you, she is doing her internship in the infirmary.
00:42Hi, Lilith. I'm sure we'll be good friends.
00:45Not Lilith, Lilith.
00:50She doesn't answer.
00:53Dude, she has blocked you.
00:54Realize it.
00:55How long are you going to insist?
00:56Until she answers me.
00:58Well, you won't get anything like that.
01:00So let it go.
01:01Laia, you don't understand.
01:02Our relationship can't end like this.
01:03We've worked too hard to be together.
01:06Look, when you want to continue with your life, let me know.
01:10No way! My son is not going to be an intermediary!
01:13It was perfect for him to help me with Maripaz.
01:15He's the closest thing I had to a son.
01:16Well, who's next on the list?
01:18Let's see, let's see.
01:20Jimmy.
01:22Yes, I understand you. It's like Joel, right?
01:24I mean, everything is fine with Jimmy.
01:25No, it's cool, I like him.
01:26But it's about my daughter, man.
01:28She leaves one, they have two.
01:30How nice, right?
01:31Who says it, right?
01:32The one who doesn't surpass my aunt and the one who doesn't surpass my daughter.
01:34But we want you to get it.
01:37And we're going to do it today.
01:38But today we're not going hunting, so shave, okay?
01:41What are you doing, friend?
01:42Oh, I was super concentrated on memorizing the internal organs.
01:46Oh, don't worry, I'll help you if you want.
01:48Thank you, but no.
01:56I've missed you, Dolores.
01:58Me too.
02:03Do you want me to go out with Duchivola?
02:04No!
02:05It's just that you look for her at school and take her home.
02:07It's normal, uncle, I'll give her the race.
02:09Yeah, but that's not all.
02:11On the way you have to talk to her about me.
02:14No, impossible.
02:15Jimmy, you owe me.
02:17Remember that you took her to the disco behind my back.
02:20Uncle, I already told you that she cheated on me.
02:22She told me that you gave her permission.
02:23Well, that's it, that's it.
02:24You're a nephew, don't be bad.
02:25By the way, you have to talk to Maripaz because she doesn't care about my friend anymore.
02:28Yes, after last night she took the wing off me, she told me to move.
02:31That's why I need you as an intermediary, Jimmy.
02:34Uncle, you know that I support you in whatever I want.
02:36If I tell you that it is impossible, it is because you can't talk in the motorcycle taxi.
02:39Frank, right?
02:41Yes, well, she goes back, I go forward.
02:43You can't, it's impossible.
02:45I know, at the traffic lights.
02:47Good idea, buddy.
02:48Of course, every time there is a traffic light and the motorcycle taxi stops,
02:52you can tell her a quality of mine.
02:54You can tell her at the first traffic light that I am sincere.
02:56At the next traffic light you tell her that I am, I don't know, ocurrent.
02:59At the next one, funny, and so on.
03:01Successively.
03:02I don't know, uncle.
03:03Sometimes it sounds a bit forced to me.
03:05She will realize that you sent me.
03:07You can't, nephew.
03:08It has to be in a casual conversation.
03:10And Solapa, you tell her cool things about my buddy.
03:13Of course, of course.
03:14Normal, so that it flows normally.
03:15That it flows?
03:16Yes, it flows.
03:17How am I going to talk to a 16-year-old girl and that it flows?
03:19Don't be crazy.
03:20Dude, realize that she is your younger sister.
03:22Come on, put me on your side.
03:24Get over it.
03:25Come on.
03:26Come on, uncle.
03:27I'm going to help you.
03:28I'm going to see how it goes.
03:29At least, nephew.
03:30My buddy is desperate.
03:31Yes, Lini.
03:32You don't know how difficult it is to be a father.
03:34Hey, don't be a victim either.
03:35You've been a father for six months.
03:37That's it.
03:38Imagine everything that awaits me.
03:43Very good, boys, girls.
03:46Now that we are aligned with the same vibration,
03:49we are going to do a simple meditation exercise
03:51that consists of blocking all negative thoughts
03:56and taking our mind to a happy place.
04:00A happy place?
04:01Uh-huh.
04:02What happy place?
04:03What is a happy place?
04:04It's not a place, Frank.
04:05It's a way of saying that you think of something beautiful.
04:08I know, I'm not stupid.
04:10I want to know what you mean.
04:12Oh, yes, teacher.
04:13Explain it as beautifully as you do.
04:15It's very simple, Claudio.
04:16It consists of leaving the mind blank.
04:19Good.
04:20That is, we are going to block any negative thought.
04:23If one appears, we burst it like a bubble of soap.
04:27Okay?
04:28So, to reach the state of grace,
04:31the most important thing is to think of a happy moment in our life.
04:36For example, sunbathing on the beach
04:38or walking among daisies in the field.
04:41Or eating something delicious.
04:44For example, everyone can think of the place they want while they are happy.
04:48I'll start.
04:49I'll start, okay?
04:50Let's see, let's see.
04:57In silence, Claudio, please.
04:59Oh, sorry, Mrs. Francesca.
05:01But my happy place is eating something exquisite.
05:04I'm so sweet.
05:13In silence, Claudio, please.
05:21You do want my happy place.
05:23In silence, Claudio, please.
05:42This is life.
05:54My happy place.
05:56In silence, Claudio, please.
06:22This is my happy place.
06:26In silence, Claudio, please.
06:36Oh, my happy place.
06:42One moment.
06:43I know that smile.
06:44What is your happy place, Fran?
06:46What do you care?
06:47Are you hurting me in your happy place?
06:49It's my imagination.
06:50I can do whatever I want.
06:51No, except hurting me.
06:52Teacher, you're cheating.
06:54Why without my happy place?
06:56Let's see, please.
06:57Calm down.
06:58Let's go back to...
06:59Oh, that's not fair.
07:00They already woke me up.
07:01I was so comfortable.
07:02Your happy place can't be torturing me.
07:04Everyone finds happiness in their own way.
07:06And be grateful that I only do it in thought.
07:08Oh, that's not fair, teacher.
07:10Aren't we supposed to be beings of light?
07:12Well, let's see.
07:13Francesca can think of whatever she wants.
07:15Besides, Diego is inside a fictitious world of hers.
07:17That's it.
07:18Go, go, go, go.
07:19Oh, well, I can do it too, then.
07:22Here.
07:23No.
07:24Here.
07:26Here.
07:27Oh, no, no.
07:28I'm also going to think of a happy place.
07:31Go, go, go, go.
07:33How delicious.
07:34Here.
07:35Yes, yes, yes.
07:36Oh, how delicious.
07:37Oh, how delicious this tastes.
07:39Here.
07:40Oh, let's see, let's see.
07:41A little more.
07:42You can't, you can't.
07:43You have to do nothing.
07:44It's a violent world, please.
07:45You can't do anything.
07:48Here.
07:51I can't take it anymore.
07:53They don't stop arguing.
07:55Oh, my God, my life.
07:58I'd better take a shower and relax and go into a zen state.
08:04Oh, it's cold.
08:10Oh, no, no, no, no, no, no.
08:11Just a moment, just a moment.
08:12You don't go and leave me alone.
08:13No, no, no, no, no.
08:14I'm going to...
08:15No, no, no, no.
08:16Besides, look, you are the worst.
08:18You don't stop arguing.
08:19You're always there with violence.
08:20It's your fault.
08:21It's your fault.
08:22You see how you solve it.
08:23No.
08:24You use reiki, transcendental meditation, yoga, whatever.
08:27But you don't go and leave us all crazy in there.
08:29No, I'm going to the bathroom.
08:30No, no, no, no.
08:31Let's go, let's go.
08:32Let's go inside.
08:33Let's go, let's go, let's go, let's go.
08:34Calm down, calm down.
08:35Breathe, breathe.
08:36Go in, go in, go in, go in.
08:40What's up, buddy?
08:42Pepe, you won't believe it.
08:43I just saw Professor Sans Calato.
08:45Buddha came and took him away.
08:47What?
08:48Where?
08:50If Buddha is not in hell, Buddha was cool, like Jesus.
08:53Ah, will he be in heaven then?
08:55Sure, but another kind of heaven.
08:58And you see how the beer makes us philosophize, buddy?
09:00I think he's just nervous about your daughter.
09:02Yes, it must be.
09:04How will he be doing to Jimmy, right?
09:12Maripaz!
09:19Hi, Jimmy.
09:20Hey, what a coincidence.
09:22I always pass by here.
09:24Oh, really?
09:25Do you want me to take you home?
09:26Do you want me to pull you?
09:27Yes, pull me.
09:28Hey, I'm a little tired.
09:30I don't know if you're in a hurry.
09:32Can we go for an ice cream?
09:33No, I'm not in a hurry.
09:34Let's go.
09:35Great, I'll invite you then.
09:36Yes, yes.
09:37It can't be.
09:38It's happening.
09:41Hello?
09:43Yes, of course.
09:44Hey, did you finish so early?
09:47I'll be right there.
09:50Hey, do you mind if we make a stop on the way?
09:52It's normal.
09:53Oh, honey.
09:55How nice.
09:56Thank you for coming to pick me up.
09:57Of course.
09:58How can I not come if you call me?
10:00Did you finish?
10:01Are you leaving early?
10:02Yes, I'm taking work home.
10:03There's no rush, right?
10:05We can take a little break.
10:08What do you think?
10:09Yes, I'd love to, honey.
10:10Yes, but we have company.
10:12Company?
10:13Yes.
10:14Oh, Maripaz.
10:15Yes.
10:17Shall we go?
10:18Yes, let's go.
10:21Hi.
10:22Hi.
10:23Tito asked me to pick you up from school.
10:25Yes, but I'm already in fifth grade.
10:27Anyway.
10:29Well, what do we do?
10:31Shall we go?
10:32Shall we drop you off at your house or what?
10:34Jimmy promised me an ice cream.
10:35So, if you want, we can drop you off at the new mall.
10:39But the three of us can go, right?
10:40Yes.
10:41It's going to be fun.
10:42Yes, I love the idea.
10:43Nice.
10:45Honey, honey, honey.
10:46What's up with Tito?
10:47It's just that she's upset with Tito
10:49about what happened at the club.
10:51Yes.
10:52And Tito asked me to pick him up so he can forgive him.
10:54Oh, how nice of Tito.
10:55How nice of him.
10:56Yes.
10:57Well, if you want, I can help you.
10:58Yes, please.
10:59I'm on the moon.
11:00Oh, don't worry.
11:01Between girls, we understand each other.
11:02Thank you.
11:03You're like my little sister.
11:04And?
11:05Tell me everything.
11:06Are you in fifth grade?
11:07Yes.
11:08Oh, and how are the classes?
11:09Fine, fine.
11:10Hey, I love your uniform.
11:11It's pretty.
11:12I don't like it.
11:13No?
11:14Please don't look at this clothes.
11:15Do I look like a lady?
11:17I'm a stupid.
11:18I sacrifice myself for him to protect him
11:21and yet he ...
11:22Of course, the first thing you do is that he goes
11:23from side to side with that alaya.
11:25Oh, not with you Cristobal.
11:28I feel like a snob.
11:29He's still the same haughty child.
11:31Always.
11:33The shift roll for this week has already come out.
11:37I have to go early.
11:39Yes.
11:40Any problems?
11:41You know that's luck.
11:42Oh, sorry, ma'am.
11:43I'm sorry, ma'am. I didn't say anything.
11:45It's okay.
11:46Go home, rest, and come back at three in the morning.
11:49Excuse me.
11:54If you want, I can change shifts with you in the morning.
11:57Really?
11:58Would you do that for me?
12:00Yes, of course. That's why we're friends.
12:03But we just met.
12:05I notice you're super tired.
12:07Let me replace you tonight.
12:09Oh, thank you so much, Lilith.
12:10You don't know how much it means to me. I'm just going to sleep.
12:13Don't worry. You can cover for me later.
12:15One question. Where are the keys?
12:17Oh, they're here. In that drawer.
12:21Here they are.
12:22Take care of them because there's no one at that time.
12:24And if you stay out, you stay out.
12:26Don't worry. I'll take care of them like gold.
12:29Okay. Thank you so much.
12:36A happy place?
12:37Yes, yes. It's a very effective meditation technique.
12:41It seeks a feeling...
12:44Well, a Zen feeling.
12:46I mean...
12:47Tranquility.
12:48Tranquility, a connection with the universe.
12:50Peace.
12:51A frequency of 512.
12:52How nice. Do you do that with people?
12:54Yes, yes, yes. It's something very simple.
12:56But, well, lately, the truth is that I haven't been very successful because...
13:01In this case, with Francesca and Diego, who are a lost case.
13:04Yes, and I have failed as...
13:07As a mentor of peace.
13:09Oh, I don't think the problem is yours, Xavi.
13:12The truth is that they are very special.
13:14Look, and in the end, they lose it.
13:16Well, let's stop talking about third parties.
13:18And let's take advantage of the time we have together.
13:22Are we alone?
13:23No.
13:24Very alone.
13:26Well, but your daughter can come at any time.
13:29Don't worry about my daughter.
13:30Because when my daughter comes, she goes straight to her bedroom.
13:33We hardly talk.
13:36And we hardly address each other.
13:38Don't you talk to your daughter?
13:40We have a complicated relationship, I would say.
13:45And wouldn't you like to change that?
13:48The truth is that I have tried by all means.
13:50But I can't.
13:51Well, you have tried it.
13:54But I haven't.
13:56No idea.
13:58Do you have an oven?
13:59What are you planning, Charo Flores?
14:03Ready, we finished the ice cream.
14:05Now comes the chocolate cake.
14:07Chocolate cake, chocolate ice cream.
14:09Get used to it, men are basic.
14:12Yes, I prefer an intense flavor to several different and artificial ones.
14:16I hadn't thought about it.
14:17I think from now on I'm just going to order vanilla ice cream, which is my favorite flavor.
14:22Try it, try it.
14:23It's better that way because you stay with the flavor all day, right?
14:26Interesting, I hadn't thought about it.
14:28I love how you see life.
14:29You never told me that.
14:31It's just that you're usually the one who talks.
14:33Oh no, my love, I also listen to you, don't be so unfair.
14:36I know, I know, my love.
14:39Maripaz, we have to talk.
14:43In front of her?
14:44Yes.
14:46When we went to the disco, you told me that Tito had given you permission and that's not true.
14:51Ah, that.
14:52Yes, that.
14:54We're sitting here, eating dessert like friends, and friends don't lie.
15:00What happens is that Tito can't tell me where I'm going, where I'm not going.
15:03On top of that, he played a horrible role in the disco.
15:05Maripaz, I'm not talking about Tito, I'm talking about us.
15:08You and me.
15:09I didn't like anything about you lying to me.
15:12I'm sorry.
15:14I promise I won't do it again, but I don't want us to stop being friends or anything.
15:17Okay.
15:19Well, problem solved.
15:21All good?
15:22Yes?
15:23Now, let's go eat dessert.
15:24Uh-huh.
15:25Uh, and then we can go get some sanchipapas.
15:26What do you think?
15:27Let's go.
15:34It's an authentic esconguaxo.
15:37Very good.
15:38Well, let's see.
15:39Let's see.
15:40Let's see how it goes.
15:41Very good.
15:42Hey, are you really not going to notice?
15:44A little more.
15:46No.
15:47No.
15:48She's not going to notice.
15:49You're preparing it.
15:50I'm just helping you.
15:51What happens is that she is quite suspicious that I start preparing desserts from good to bad.
15:55Oh, you don't have to give explanations.
15:56Your daughter will be happy to come from a long day at work and meet a delicious banana cake.
16:03It smells very good.
16:04I have to go.
16:05No.
16:06Yes.
16:07No, no, you can't go now.
16:08I'm going to burn this.
16:09Yes, but I already explained the temperature, the time.
16:11How long?
16:12Look, I already told you everything.
16:13Don't worry.
16:14Okay.
16:15You have to watch her every now and then until the knife comes out dry.
16:19Already.
16:20Yes?
16:21Yes.
16:22Now I'm going.
16:23Already.
16:24Perfect.
16:25Well, have a very good day, Mrs. Mother.
16:29Oh, blessed, child of my heart.
16:32You look good.
16:33A little kiss.
16:35Bye.
16:36Go carefully, ma'am.
16:46Yes.
17:00We've arrived.
17:01That's it.
17:02Oh, how fun it was, didn't it?
17:04I loved it.
17:05Can we repeat it another day?
17:06Bye, Alicia.
17:08What do you think?
17:09If we go out again.
17:11Or not.
17:12I know.
17:13We can go out just the two of us, on a girls' day, what do you think?
17:16We can go shopping or...
17:18Oh my love, I love that! I've always wanted to have a younger sister.
17:21Well, see you later. Bye. Bye my love.
17:25I'm going to say goodbye to Alessia and I'm going to get you home.
17:29Sorry.
17:30Yes, don't worry. I'm going to stay here.
17:32Oh, yeah?
17:34Well, that's good. I'll see you in a bit.
17:44Son!
17:45Mom, how are you?
17:46Maripaz, you're back here.
17:49Yes, ma'am, I have a question.
17:50Yes?
17:51Can I stay here tonight?
17:52Of course, this is your home.
17:54Well, you can come in. I'll be right back.
18:00Oh, how lucky these two are to live in front of each other.
18:04Yes.
18:05Excuse me.
18:07I'm luckier than I am in the same house.
18:12Is she going to stay in your house?
18:14Yes.
18:15That's great, how come?
18:16I don't know, I guess it's your magic.
18:18Maybe you told her about the older sister and she liked it.
18:20Oh, I told you, leave me alone with my girls.
18:23What a teacher.
18:24You'll see.
18:27I'm going.
18:28Let's go.
18:29Yes.
18:31You have the days counted.
18:33You have the days counted.
18:39Why?
18:41Why did it have to be like this?
18:47I just wanted her to help her with her boss.
18:50And I thought she was coming for me.
18:53That it was her intention.
18:55But no.
18:56I have to break with the past.
18:59I have to forget Lady forever.
19:03Fuck, hurry up.
19:05I'm coming, I'm coming.
19:27What does it smell like?
19:29It smells burnt.
19:33Dad, have you cooked?
19:35Son, I've made you a delicious banana cake.
19:39Just like that?
19:40Yes, of course.
19:42What's the matter?
19:43Has he never done anything for you?
19:45Tell me.
19:46Well, it's true that I've been unfair to you.
19:48Because I remember when I was little you gave me a flashlight in the shape of a cat.
19:51When I dropped the first ball.
19:53You gave me a flashlight in the shape of a cat when I dropped the first ball.
19:56Yes, well, add to your list this wonderful banana cake and your cat flashlight.
20:02It smells great, huh?
20:04Wonderful.
20:05Try it.
20:06What do you think?
20:10Wonderful.
20:11Say it, you say it.
20:14It's very tasty.
20:15It's very tasty, wonderful.
20:16And you just cooked and who taught you?
20:18And then I'm the technological outdated.
20:20I go on YouTube, I watch a tutorial and voila.
20:24Look, I don't know if to believe you, but I'm so tired that I'm going to sleep.
20:27But you're not going to eat it whole or what?
20:29I shouldn't.
20:31No, honey.
20:32Look, it doesn't have sugar, it's vegan, gluten-free.
20:34And besides, no animal has been mistreated during the process.
20:38Dad, that's a lie.
20:39Of course it's a lie.
20:40But you have to take it.
20:42Because I've done it with a lot of love for my daughter.
20:46Thank you, daddy.
20:47Yeah.
20:51Mmm.
20:57My daughter has kissed me.
21:00I'm awake, right?
21:03You just kissed me.
21:07Charo was right.
21:10This woman has bewitched me.
21:12Everywhere.
21:16Now it's my turn.
21:21Mmm.
21:25I'm a beast.
21:29Hurry up, man!
21:32How long have you been there? Are you constipated?
21:35And that look?
21:36Ah, how are you?
21:37Beautiful or not?
21:38I'm going that way.
21:40Ah, you're going hunting.
21:42That's the idea, Petito.
21:44Good for you, Joel.
21:45Yes, the truth is yes.
21:46It's not worth crying for any woman.
21:48Congratulations.
21:50Maripaz!
21:51Daughter, you're back!
21:53Hi.
21:56My princess is back!
21:58Yes, yes, yes.
21:59But it looks like you don't care, right?
22:00No, it doesn't matter.
22:02One step at a time.
22:03At least she's home.
22:04Yes.
22:05Jimmy!
22:06Jimmy!
22:07You did it!
22:08What did you tell her?
22:09How did you make her come back?
22:10I didn't tell her anything.
22:11No.
22:12It was all Alesia's work.
22:13Because she spoke to her very nicely.
22:15She treated her as if she were her younger sister.
22:17Give her my thanks.
22:19Thanks to both of you, really.
22:21Cool, Tito.
22:22Hey, brother, what's up?
22:23Where's the party?
22:24I'm going hunting with the band of the despised.
22:28The band of the despised?
22:29Who's that?
22:30Ah, Coqui.
22:31And Gaspar, anyway.
22:32Yes, and me.
22:33They've broken my heart a little bit.
22:35Brother.
22:36Hey, but give the voice to Cristóbal.
22:37He's also a bit drunk.
22:38Of course.
22:39Take him to the Vampirin.
22:40Maybe he'll help you get girls.
22:42No.
22:43No, no, no.
22:45No, no, no, no.
22:46The Vampirin is like...
22:47Oh!
22:48Ricolazo.
22:58Hey, hey, hey.
22:59Let the party begin.
23:00Hey.
23:01Well, that's a good way to put it.
23:03What?
23:04Are we going to throw alcohol?
23:05That's it.
23:06Let's fish, let's fish.
23:07For what?
23:08For the drinks.
23:09That's it.
23:10What?
23:11Who's drinking?
23:12Leave it, leave it.
23:14That's my Pau, that's my Pau.
23:15Let's go, let's go.
23:18What good music.
23:19Yes, yes.
23:20I want to go there.
23:21Where?
23:22There, there.
23:23To Payares?
23:24There, look, look.
23:25Two and two.
23:26There it is.
23:27There, there.
23:28Let's go.
23:29To champion.
23:30There we are, Luis.
23:31Let's go.
23:32And what are we going to do with the coffee?
23:33Are we going to throw it away?
23:34What for?
23:35What for?
23:36Besides, where do I get one more?
23:37There are two more.
23:38Let's go, let's go, let's go.
23:39Hey, hey.
23:40Hey, hey.
23:41Hey, hey.
23:42Let's go.
23:43Without sweet, without drawing attention,
23:44without drawing attention, there.
23:45Let me burn you!
23:46Hey, let me burn you!
23:47Let her burn you!
23:48I don't want to burn myself!
23:49Hello, girls.
23:50How are you?
23:51How are you?
23:53It was him?
23:54I set fire to you!
23:55No, no, me.
23:56What a coincidence.
23:57Hi, Gaspar.
23:58How are you?
23:59They didn't tell me.
24:00They came hunting.
24:01Hunting, they say ...
24:02No, no, we came to celebrate our achievements.
24:05Our achievements, we're doing a good job, right?
24:07Yes.
24:08And you were born?
24:10What are you doing here?
24:11What's up, friend? How are you, man?
24:13What's up, man?
24:14Come here for a minute. I want to talk to you.
24:16No, man.
24:18Hey, look who I found. He says he knows you.
24:20Hi, Joel. How are you? What a surprise.
24:23Everything's rotten.
24:26You know him. You know him.
24:27How convenient. He's looking for me. I'm sorry.
24:29Really? Wait a minute. Come here.
24:32Oh, please. Be very careful.
24:34What's up, man? I'm fine. I don't want anything from you.
24:37Shut up. Where's the look I gave you?
24:39Don't touch me.
24:40What's up?
24:41Don't touch me.
24:42Tell me.
24:43That's why I had to take her.
24:44Okay, okay.
24:45Excuse me.
24:46Don't listen to him. He's trying to get over it.
24:54Any suspicious contact?
24:57Nothing yet, Major.
24:59Okay.
25:00Let's continue with the operation.
25:04What do you want to drink?
25:05Sometimes I take precautions.
25:06Well, tonight I invite you.
25:08Go, go.
25:20Save yourself, Juana. Save yourself.
25:25It hasn't been that long.
25:29But I don't know if he loves me.
25:32Save yourself!
25:33Save yourself.
25:38But he wanted to invite me to the ice cream.
25:41Before the heavy Alessio showed up.
25:45He wanted to go out with me.
25:57Another round on my account.
26:00I'm still giving you two.
26:01Hey, hey.
26:02There's a couple over there.
26:04Don't overdo it.
26:06What's wrong with that poor guy?
26:07Look, I really came for Joel.
26:09Just because they broke his heart and all that.
26:11But no.
26:12I'm not here to meet anyone.
26:13But come with me to get the flowers.
26:15What do you know?
26:16Okay, okay. Well, I won't promise you anything.
26:17But...
26:18I'm still stuck with Laché.
26:20Charo's Laché?
26:21Yes. Call me idiot if you want.
26:23I'm still in love with that girl.
26:29You're right.
26:30It's okay.
26:32It won't be Laché.
26:34You're interested?
26:37You're interested in breaking my heart.
26:39You're interested in the love of my life.
26:41So today, calm down.
26:42Well, cheers to that.
26:45Have a good time, Joel.
26:48That's the idea, right?
26:49Mission accomplished.
26:50Yes.
26:51Shall we leave him alone?
26:53One more round.
26:57Drink, daddy, drink.
26:58Drink, drink.
26:59Easy, easy, easy.
27:00Slow down, slow down.
27:02I'm driving, just in case.
27:03I'm in the car.
27:04But don't worry, I'll take care of you.
27:06The night is ours.
27:08My lucky night.
27:10You have no idea what's waiting for you.
27:16My body is shaking.
27:17Cheers.
27:27Oh, no.
27:28No.
27:40I already told you, Chris,
27:44that Julie did it to protect you.
27:49Go to sleep.
27:59Again.
28:01I'm sorry, little brother.
28:08What I don't understand is why she broke up with me.
28:11I mean, we were together, Ale.
28:13If we're together, we face the problems together, right?
28:16Chris, it's Julie.
28:18Yes, she felt guilty and she wanted to protect you.
28:21That's it, don't look for more logic.
28:22Go to sleep.
28:23Let's say it's like that.
28:24Let's say she thought of breaking up with me
28:26and she made the decision.
28:28Why does she look at the people I go out with?
28:30Why does she get upset?
28:31Oh, come on, you too.
28:33She decided to go out with Laia.
28:35Because I work with her, because she's my friend
28:37and because she cares about me.
28:39No, she doesn't care about you.
28:41She takes advantage of the situation, which is very different.
28:44You see her as the bad girl in the movie.
28:46Chris, Laia is the bad girl in the movie.
28:48Realize that.
28:49No, she listens to me and supports me.
28:52Look, Ale, I love Julie, okay?
28:54And I want to go back with her.
28:55But I don't understand her.
28:57On the one hand, she hits me, she stops talking to me,
28:59but on the other hand, she doesn't let me continue with my life.
29:01You knew it wasn't going to be easy.
29:03Because of my dad, because of society and blah, blah, blah, blah, all that story.
29:06No, because they are different.
29:08Chris, you went to Raquay.
29:10You met his house.
29:12Compare it to ours.
29:14Julie has a beautiful, united family.
29:16We grew up among our parents' fights.
29:20But Jimmy and you are fine.
29:22Yes, but it took us a year and a stab.
29:26I hate that you're right.
29:28I have it.
29:29Good night.
29:34But close the door!
29:36No!
29:41With that banana cake,
29:44she was going to get along very well with her daughter.
29:49Oh, what happened?
29:52Oh, how long am I going to keep finding these things?
30:14Yes, come in.
30:17See you tomorrow, Dad. Did you sleep well?
30:20Ah.
30:21What's wrong? As if I had never said good night.
30:27Yes, yes, yes.
30:29Only that you stopped doing it until you turned ten, yes.
30:33Well, it's never too late to start again.
30:36And also, from what I see,
30:38you have settled very well in this new life.
30:40I see you as renewed.
30:43Is there something you want to tell me?
30:46Well, Peru is magical.
30:51It seems so.
30:52Well, rest well.
30:54Yes, thank you. You too.
30:57Good night.
31:03Peru is magical.
31:06And that Inca princess has bewitched me.
31:09Peru is magical.
31:11And that Inca princess has bewitched me.
31:19What's wrong with me?
31:21I drank too much.
31:23Don't worry, I'll take you dancing, come on.
31:32Well, I'm already here.
31:34I'm also sleepy.
31:36I'm going.
31:37Did we notify the judge?
31:38Yes.
31:39Oh, it looks like he's having a good time.
31:41Hey, Joel, we're leaving.
31:43Good champion.
31:45Hey, are you going to be able to drive?
31:47All right, all right, all right.
31:49There's no need. Ready. Let's go.
31:51At least he's having a good time.
31:52Thank you, champion.
31:53You too.
31:54Hey, what? You guys are leaving.
31:55And Joel.
31:56No, no, no, lady.
31:57Please, don't bother him anymore.
31:58This exit was for him to forget.
32:01And he found a womanizer.
32:02Terrible womanizer.
32:03Womanizer.
32:05So we, like good ducks, we're leaving.
32:07We leave him alone.
32:08And let it be what God wants.
32:09Oh, you don't understand.
32:10He could have been a tiger.
32:11Where is she?
32:12Please, please.
32:13Enough excuses.
32:14Look how she's having a good time.
32:15Where did they go?
32:17Well, I don't know.
32:18They must be in a dark corner.
32:20Don't bother him anymore.
32:21I'll do it.
32:22Is something wrong?
32:23What do you care?
32:24Messy hair.
32:25Hey, it's the mayor.
32:26What did he say?
32:28We are in an operation against prisoners.
32:30What, what, what?
32:31Yes, I mean.
32:32That girl was with Joel because of her kidney.
32:36But they really thought that her friend
32:37falls in love with women with her face.
32:40So, Joel is in danger.
32:44Are you going to love me or not?
32:46Idiot.
32:47How am I going to believe that I'm going to fall in love
32:48if I'm so horrible?
32:49Fortunately, what interests me are the kidneys
32:52and not the brain.
32:53Wait a minute here, daddy.
32:54Wait a minute.
32:58Come, my love, come.
32:59Come to dad, come to dad.
33:00I'm going to fall in love.
33:01Come.
33:02Where are we going?
33:03We're going to the Hotel Cielito, my love.
33:05Oh, how nice.
33:07I'm going to make you necklaces.
33:08Necklaces, necklaces.
33:10Oh, what a necklace.
33:13Oh, young man.
33:15Oh, yes.
33:17We're going, we're going.
33:18Go, go, go, go.
33:19Go over there, go over there.
33:20Go, go, go.
33:21Go over there.
33:22Go, go.
33:23Necklaces, let's make them, let's see.
33:24Oh, how nice.
33:25Go, go, go.
33:29Where are we going?
33:30Ten minutes ago we followed a yellow Volkswagen
33:32and it turned out to be a taxi.
33:34Now yes, my mayor.
33:35I swear that's the bomb.
33:36Are you sure?
33:37What's the plate?
33:39I forget, I'm nervous.
33:40Don't worry, I'm calling Joel's cell phone.
33:42The first thing they do is turn it off.
33:43They are professionals.
33:45Let's see, look, look, look.
33:47False alarm, another taxi.
33:49Oh, my love.
33:50Why, Joel?
33:51Why did you have to throw the medal?
33:52What's up with the medal?
33:53It has a GPS.
33:54Now how are we going to find it?
33:55And if you try to track it?
33:56For what?
33:58I would try.
33:59Yes.
34:00Do you think?
34:01Yes.
34:04Oh, how heavy this idiot is.
34:07Have we arrived at the hotel?
34:09Yes, my love, we have already arrived.
34:11Get comfortable, my heart.
34:13Oh, what a mess.
34:15I'm a little dizzy.
34:17Let's go to the jacuzzi.
34:19Yes, yes, let's go right now.
34:20Stay still so I can take off your clothes, my beautiful.
34:24Take off the tie, tie.
34:27Oh, how sad.
34:34It's a dream.
34:37It's always a dream.
34:43Oh, calm down, calm down.
34:49Son of a bitch.
34:50Mom.
34:55Stop there!
34:56Let go of that imbecile.
34:57I mean, stay away from Joel.
34:59You were arrested for kidney.
35:01But why do they believe that about me?
35:03Hey, mommy, you were about to open it.
35:05Nothing to do.
35:06If I am the nurse on duty, look.
35:08Yes, sure.
35:09And this is your patient, right?
35:10Come on.
35:11He's a guy I met.
35:12And I brought him because I was drunk and I didn't know where his house was.
35:16You have to believe me, please.
35:17You explain all that to the prosecutor.
35:19No, please.
35:40It's normal that you're half a rat, damn it.
35:44Oh, my head.
36:02Maripaz, you're up early.
36:04Oh, yes.
36:05What happens is that I wanted to be ready early to ask Jimmy to take me to school.
36:09Oh, what a shame.
36:11Jusito went to high school.
36:14Oh, yes.
36:15He and I always leave early.
36:17But ask Tito.
36:18He's happy to take you to school.
36:20Rather, I already have to go to the clinic.
36:22Apparently a partner was not his turn.
36:24Well, bye Jusito.
36:25Bye.
36:30For the pure Maduro.
36:35Oh, don't go.
36:36How cold.
36:37How cold.
36:38Yes, it's very cold.
36:39Not crazy, not crazy.
36:40Compadre, look, check it out, check it out.
36:41What, what, what?
36:42They left the door open.
36:44Yes, look, come, come, come.
36:49Compadre, what if we get into a pool?
36:51The pool is tempered.
36:52But, compadre, with the cold, what is it?
36:54Do we have to kick ourselves to get in there?
36:56Yes, but it's in one, just.
36:57We get in, we go out to the touch, we do it.
36:59What do you say?
37:00Let's go?
37:01Yes, let's go.
37:02Let's go to the touch, let's go to the touch.
37:05Wait, wait, wait.
37:06Oh, oh, oh.
37:08Compadre.
37:10Uy.
37:12Claudio has started to clean the pool, brother.
37:14He won't let us in.
37:15Franco, just a little bit, right?
37:17Hey, we have to get a thermos.
37:19But it's going to be very expensive, compadre, with thermos.
37:21Let's go.
37:22The little plane?
37:23The little plane, yes.
37:24You just saw it.
37:25Let's see.
37:30Ay, ay, ay.
37:31How about risaca, for my mother, huh?
37:36But why am I like this?
37:38I didn't drink much yesterday.
37:40Joel, I think you're not the same as before, man.
37:44Of course I am.
37:46With Lili.
37:49They call her Linda.
37:51I'm going to be a legend again, man.
37:54I'm in love.
37:55I invested my charisma in my beauty.
38:01Hello, lady.
38:03Joel, are you okay?
38:04How did you wake up?
38:05I'm fine.
38:06I'm fine, okay?
38:08Why are you calling me?
38:10Get over it, man.
38:11You're being dragged.
38:13What?
38:14Don't you remember anything from last night?
38:16Last night I didn't have anything with you, just in case.
38:18Just in case.
38:20I went out with a skinny girl.
38:23So you're gone, man.
38:25You're gone.
38:27Joel, she was a whore.
38:28You almost got two.
38:31Whore?
38:32What are you talking about, lady?
38:33Please, please.
38:35God, why did I leave her like that?
38:37Please, lady.
38:39Get over it, man.
38:41Get over it.
38:43Come to the police station as soon as you can.
38:45We have to check you in case there's any evidence.
38:48I'm not going, just in case.
38:50You're wasting your time.
38:51I'm not going.
38:52Everything you make up.
38:54You know what?
38:55It's over, baby.
38:56Get over it, man.
38:57Don't be pathetic.
38:59But, Joel.
39:00Okay, okay.
39:04What a whore.
39:06Good try, man.
39:07I wanted her to run away.
39:08She's crazy.
39:10What a whore.
39:22What a whore.
39:28What a whore.
39:30What a whore.
39:34What a whore.
39:48Well, let's see.
39:51Hey, baby.
39:52Pass me a sandwich.
39:53Yes.
39:54And a hot tamale.
39:56Why does Olinda have that ring on her hand?
40:05What?
40:06Did they arrest my partner?
40:08That's right.
40:09Apparently, Lilith was acting like a riñonera.
40:12What's that?
40:14You're so naive.
40:16Riñoneras are criminals who extract organs from incautious poor people.
40:21God, that's terrible.
40:23I don't know.
40:24I don't know.
40:26I don't know.
40:27I don't know.
40:29I don't know.
40:31I don't know.
40:32I don't know.
40:34It's terrible.
40:35And they seemed like good people.
40:36Obviously.
40:37All riñoneras look like good people.
40:39But you have to be careful.
40:41Last night, they almost opened a door here to a poor girl.
40:45You have to be really dumb to fall for a woman like that.
40:50The police department said she was a complete idiot.
41:01I'm so scared.
41:02Oh, thank God, they arrested him.
41:08But that ring isn't a ring.
41:10Listen, yesterday...
41:12Tell me, tell me!
41:13Gaspar and Coqui...
41:14Gaspar!
41:15I was in danger because of a baby girl.
41:18Gaspar, that's a joke.
41:20I'm sorry, I got married and I don't remember what happened to the big one.
41:23What's wrong with you?
41:25He told us a very interesting story and then he tells it.
41:28Daddy, can you explain to me why Olinda has that ring on her hand?
41:32The formality that was missing, daughter.
41:35We have committed ourselves.
41:38She has agreed to marry me.
41:41Please, hug each other.
41:43No, no!
41:44Dad, we are your family.
41:47You had to consult us, I am your daughter.
41:50It was important that you knew what I think, I respect.
41:54It happened at the clinic.
41:57Being so close to death,
41:59I realized that I couldn't leave things as they are,
42:02as they are now.
42:04And this little woman
42:06only wants your money.
42:08Tere.
42:09Charito, let me defend myself.
42:12I am not a little woman.
42:14I am a woman,
42:16made and right.
42:18And I'm not interested at all.
42:21If I want to marry your dad,
42:23it's because I love him and respect him.
42:25I don't care about his goods, his money, or anything.
42:28I just want to make him happy.
42:30Rather, the one who seems to be interested in his inheritance is you.
42:34Direct and without scales.
42:36Shut up!
42:37What did you tell me?
42:38What you heard.
42:40That it seems that you are interested in the inheritance.
42:43I do not.
42:44If it were for me, I would marry the separate goods.
42:47That's how it's said.
42:48Yes, yes, that's correct.
42:49No, little girl.
42:51You are going to accompany me until the end of my days.
42:55You deserve to enjoy what little I have.
42:59Make it clear, daddy,
43:01that I do not agree with this marriage.
43:06Who else opposes?
43:09Come on, family.
43:10Say that all of you do not agree with the marriage.
43:14Pepe.
43:15You are a coherent man in life.
43:17Tell my dad.
43:18Tell him, please.
43:19Tere.
43:20See?
43:21He does not agree, dad.
43:22He does not agree with your marriage.
43:23There it is.
43:24No, sister.
43:25It's not what I was going to say.
43:27I agree that Don Gil marries Olinda.
43:30Judas.
43:32You betray me.
43:33You were my brother.
43:34You had to support me.
43:36Sister.
43:37I am with you in whatever it is,
43:38but this time I do not agree.
43:42My mother died many years ago
43:43and Don Gil has the right to redo his life.
43:46Tere.
43:47Pepe is right.
43:48Don Gil has the right to be happy as little as he has left of life.
43:50Also, he does not lack much.
43:51You shut up, cat!
43:53You are not from the family.
43:54That I am not from the family?
43:55That I am not from the family, you say, compadre.
43:57Do I have the same rights at home or not?
43:58Yes, yes, calm down, compadre, calm down.
43:59Rather, Don Gil, hurry up.
44:00Suddenly he can take care of a last heir.
44:03You know, before he stretches his leg.
44:04It can't be.
44:05Can you stop saying so many nonsense?
44:08Joel.
44:09Joel.
44:10You are a mature and intelligent boy.
44:12Come on.
44:13Give me your opinion.
44:14Say it.
44:15That yes, that yes, that yes.
44:16Excuse me, aunt,
44:17but I can not put myself to the happiness of the grandfather.
44:19I mean,
44:20really, if he wants to play the discount,
44:21he goes out with the pretty grandmother,
44:23he has to let him, I mean,
44:24let him stretch his legs happy.
44:25Leave it alone.
44:26I can not believe it.
44:29But I can believe it.
44:31Because all of you are good-for-nothing men
44:34cut with the same scissors.
44:36Teres.
44:37Fortunately, I have Charo.
44:39Charo,
44:40show me your sobriety.
44:42Teres,
44:43I don't know why
44:44we would have to oppose Mr. Gil's happiness.
44:48Charo.
44:50Are you betraying me too?
44:54Look, listen to me all of you.
44:58If something happens to my daddy,
45:00you will carry that in your conscience.
45:02I will not witness it.
45:05I'm leaving this house.
45:07But Teresita.
45:08I'm leaving this house, dad.
45:12Too much, too much.
45:14Why don't you believe me?
45:16Why do you doubt my feelings for you?
45:20That's how you live it.
45:23But it will pass.
45:26And besides,
45:28I don't think you should leave the house.
45:39Served, miss.
45:40Ready for your day at work.
45:41No, there's still something missing.
45:45Mother, that thing just reset my GPS.
45:47Ah, there it is.
45:48So you remember me all day.
45:50Anyway.
45:51Sorry, sorry.
45:52Who is it?
45:53Maripaz.
45:55Let's see what she says.
45:56You escaped me early.
45:58Can you pick me up in the afternoon?
45:59Sure, cousin. I'll pick you up in the afternoon.
46:02She's not your cousin.
46:04Well, she's your daughter.
46:05You're like my cousin, right?
46:07You don't realize anything.
46:09What?
46:10Oh, my love.
46:11Maripaz is dying for you.
46:18Good mail.
46:20I have very sharp nails.
46:24Of colors that I love.
46:27Did you sleep well?
46:29Yes.
46:31And did you dream about that crazy guy again?
46:34No.
46:36Well, little by little you'll find him, okay?
46:38I hope so.
46:41Teresita, please.
46:43You can't leave the house.
46:45You're wrong.
46:46Yes, I can do it, Father.
46:48And right now I'm going to my research.
46:50Enough, Teresa.
46:53You can't behave that way.
46:57How old are you?
47:00Didn't you go on a date and a checkup at the same time?
47:04Yes, of course.
47:05Of course.
47:06They called me and changed my appointment.
47:10Oh, yes. What an inconvenience.
47:11It's heavy.
47:12Yes, I had to go back.
47:14And why did you take so long?
47:16There was a queue at the subway station.
47:19You don't know.
47:22Maripaz is really in love with me.