Sexbomb (1989) Full Movie - PJ Box
A low-budget film producer begins shooting his next two epics, "I Rip Your Flesh With Pliers" and "Werewolves in Heat." What he doesn't know is that his sexy young wife wants him dead, and plans to use the films as a cover to do it.
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Short filmTranscript
00:00:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:01:00oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:01:30oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:02:00oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:02:30oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:03:00oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:03:30oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:04:00look at that limp weenie i'm paying to impersonate a director
00:04:06king baby don't you king baby me look at this set what's wrong with it what's wrong with it
00:04:13i'll tell you what's wrong with it it looks too damn good that means you've spent too much money
00:04:18on it all right maybe we win a hundred dollars over budget on sets you don't have to make a
00:04:22federal case out of it you know i'll say this for you weber you got the typical damn director's
00:04:28attitude down pat what's a hundred dollars here what's a hundred dollars there if i didn't keep
00:04:33my foot on your neck you'd hundred dollar me right in the goddamn chapter 11 hey production manager
00:04:42why the hell are these lights on in between takes con ed is not a profit participant in this picture
00:04:48kill the lights no leave them what did you say look king let's get something straight you're
00:04:56the producer and you're my boss but on the set i'm in charge and i don't like being insulted in
00:05:02front of you you're in charge where is that you don't like take five insulted i'll insult you up
00:05:09the wazoo i'll show you who's in charge here we go again you know what i'm gonna do you care
00:05:15i'm gonna kill you
00:05:38let's not go ape shit i think you got my drift
00:05:41i want you to bring in this picture cheap and fast and if anybody's gonna go on a power trip
00:05:47it's gonna be me you got that yes yes what yes king sir okay now let's get the crew back on
00:05:56okay let's get cracking what the hell is that sorry if i was eavesdropping there was gonna
00:06:03be any bloodshed i didn't want to miss it who is this clown lula rod pleasure to meet you
00:06:09i didn't hire you what the hell is he doing here he's my technical advisor technical advisor i'm
00:06:16sort of an expert on psycho killers and sex crimes it's my hobby really where are you pocket picking
00:06:22son of a bitch what is it your cousin no no really king he really is an expert he knows exactly how
00:06:28these psycho killers operate i attend their trials i correspond with in prison this is fiction cheap
00:06:34exploitive fiction you run out of ideas you steal them from some other slice and dice flick
00:06:39but but you said you wanted i rip your flesh with pliers to be better than all those others
00:06:44you said you wanted ethan to be the first believable unstoppable killer no no no i was
00:06:49just massaging your bloated ego that's before you hired a technical advisor how much is he paying you
00:06:57well the money's not really why i'm doing this it's more of a way to break into the business
00:07:01how much what i really want to do is write screenplays how much
00:07:0775 a week 75 i would have done it for nothing hey hear that he would have done it for nothing
00:07:16how much has he paid you so far not counting tomorrow's paycheck 150 150 okay give it back
00:07:23huh 150 give it back you said you'd do it for free all right i accept hey i need that money
00:07:30oh so you're a liar too i gave up a paying job to do this i was teaching a film class at hollywood
00:07:36junior college when this happened and next week i'm expecting another 75 dollars i mean that's
00:07:41what we agreed on mr faraday not with me i really like your now you work for free or you don't work
00:07:45at all and i can look it's all due respect uh i think this picture needs me well then
00:07:50festering fury picture needs you jason and freddie move over you're fired got a really
00:07:55big pair of get out of here mr faraday i've been on a lot of sets but this one
00:08:00well it's really cool mr faraday i really like your pictures
00:08:08what i i like i really like your pictures who is this little asshole you get off my
00:08:17soundstage get out of this building the two of you get the fuck off of my property
00:08:25you want a slice sir i can't believe we got nothing but black coffee and breakfast squares
00:08:36day after day meal after meal what are you bitching about we got all four varieties
00:08:41hey you don't mind if i save this for dinner and breakfast tomorrow what what's happening
00:08:47i just got fired you serve employees only beat it i pay for the pizza i say you can have a slice
00:09:00thanks steve see you around good luck
00:09:18and i've shaved the day of your shooting schedule i only have three days left of a six day are you
00:09:22arguing with me no no it's just i gotta catch up work faster you're the director that's your
00:09:28problem you gotta make up for the hundreds that you wasted on this set and that leech advisor
00:09:33excuse me mr faraday uh it's your wife she says she's getting bored sitting around here
00:09:38she wants to leave here listen give it his
00:09:50tell everyone buy something
00:10:08so
00:10:31get the hell out of my car
00:10:38so
00:10:45what do you think you're doing nothing uh i'm just looking to see if the keys were in the car
00:10:51uh no i just need to take my car out what's with you sticking your head in a rolls royce
00:10:57it doesn't belong to you well what's with you blocking this whole line of cars don't you know
00:11:01who i am i'd just be guessing i'm mrs king faraday does that make you queen faraday that
00:11:09makes me candy faraday and you better quit pestering me or i'll tell my husband to have
00:11:13you disciplined well i think i've taken all the shit from your husband that i'm gonna
00:11:21you're not afraid of him are you kidding hey bring us a couple mops i'll mop up the floor with him
00:11:28what's your name lula rye pleasure to meet you
00:11:34i love my husband mr faraday and i won't stand here and listen to you
00:11:38threaten his life i didn't say
00:11:50i'll forgive you this once
00:11:57see you tomorrow
00:12:06but i don't work here anymore
00:12:28do
00:12:42do
00:12:58so
00:13:00so
00:13:23other people pay rent what makes you so special six months late is six months too late you can
00:13:28find your things out back in the dumpster
00:13:33perfect day to a perfect day
00:13:59so
00:14:18oh you scared me i thought you were asleep well you kind of startled me yourself
00:14:25do you always have such a messy car no i had to move out in a hurry last night
00:14:31somebody after you bill collectors landlord
00:14:38your husband fired me yesterday and now you're back to take your revenge
00:14:45well no actually i was thinking of calling back on my belly and asking for a job any job
00:14:51any job well i'm glad to see you can control your impulses
00:14:56anyhow he won't be in today he had to fly to chicago to talk with his investors so uh
00:15:04what brings you here that's a good question actually the truth is i bought this video
00:15:12player and it's not working i thought one of you smart filmmakers could fix it for me
00:15:18okay i could give it a look see would you
00:15:23so
00:15:42nice day
00:15:46that's right how did you know just a wild guess would you like a drink thanks maybe later
00:15:53first things first about that calstrint vcr uh it's over here but i think it's a sony
00:16:06i think i see what the problem is this isn't a vcr it's a cd player
00:16:11are you sure no wonder the tapes wouldn't fit i feel like a fool bringing you all
00:16:17the way here for nothing well could offer me that drink again i could offer you a lot more than that
00:16:26like what oh i don't know there's a lot of stuff in the fridge pickles hot dogs
00:16:38half an old sardine sandwich wait a minute wait a minute wait a minute
00:16:41it we're getting into deep water here let's just take a step back and ask ourselves
00:16:58louis you're driving me wild
00:17:05you're so bad do we louie
00:17:27not here this is king's favorite chair let's go to my room
00:17:34so
00:17:41welcome to my big paradise oh man color coordinate sacks
00:18:04he's so horrible well he's now louis v mera that's for sure
00:18:09it's mean he neglects me i don't even think he likes the color pink the tasteless swine
00:18:17oh louis i didn't want this to happen i just didn't try hard enough to stop it try
00:18:27he's coming back tonight i can't stand the thought of him doing these things to me that
00:18:32you just did well you could get a divorce i guess i signed a pre-nuptial agreement
00:18:40he said all his wives signed them i divorce him i get nothing
00:18:47not even the t-bird not uh-huh well that's a shame
00:18:55we're thinking about the same thing aren't we louie how good it would be with him gone and
00:18:59all his money stayed here let's not kid ourselves louie we knew this was coming
00:19:06it's the only way i i mean it's the only way we can have everything we want isn't it louie
00:19:14nobody calls me louie
00:19:18this is never going to work there's no way you can get him to rehire me don't worry louie i
00:19:23know how to handle my husband he'll give you a job and then we can plan the best way to do it
00:19:27and and that's another thing i'm not going to help you kill your husband why not let's see if
00:19:34i can make you understand to me murder is a spectator sport i'm not a player now if you
00:19:41want to kill your husband go right ahead i'll follow your trial i'll visit you in prison
00:19:47but don't you want his money don't you want me frankly no i don't want his money all i want
00:19:52from him is a job and i've had you you won't be so smirky if he finds out about us he gets really
00:20:00jealous and he has some nasty friends you might just end up wearing cement boxer shorts now how's
00:20:06he gonna find out about us sometimes i've learned things out i can't help myself oh great that
00:20:12really makes me feel like committing murder with you you'll never work another day in this town
00:20:16you little weasel come on sterling here's king coming to you trying to make a deal but you're
00:20:21not giving him anything to work with when i get through with you you're gonna wish you were up to
00:20:25your neck and buffalo shit well what's the matter mr artistic integrity are you deaf why the hell
00:20:32doesn't he say something search me king what's the matter sterling are you mad this is a disaster
00:20:39there goes the cheapest writer in hollywood king honey i need to talk to you oh candy what the
00:20:44hell are you doing here i'm right in the middle of some very delicate negotiations who the hell
00:20:49is this lula rod yeah name's familiar your candy's hairdresser and a script writer oh yeah any good
00:20:58i think so i ready stuff it's brilliant yeah i'll bet okay you're hired you start work today
00:21:06you mean try to screenplay will you catch on fast tinker bill what'd you say your name was
00:21:12lou the rod what lou larod larod larod okay come on follow me
00:21:18see he didn't recognize me it's the liquor ah cirrhosis of the brain
00:21:28hey weber heads up i want you to meet someone
00:21:32rick weber this is lou larod he's a writer
00:21:35how do you do mr larod
00:21:43weber here thinks he's a brilliant director i'm letting him learn the truth at my expense
00:21:48and listen you had any expensive directorial touch the day until i got up right now he's uh
00:21:55he's finishing up i rip your flesh with pliers part two the return of ethan from there he goes
00:22:01right into production on your screenplay oh i still don't know what it is i'm writing
00:22:06it's called werewolves in heat the story is well it's about this horny werewolf and every 10 pages
00:22:14you put in some nudity gory death or both you can fill in the blanks with whatever you want
00:22:18hell i don't care be creative hey phoebe come on over here i want you to meet lou
00:22:37phoebe love this is lou larod he's your next writer haven't we met before gee i don't think so
00:22:45oh um it must have been in another life phoebe's known as the screen queen she's the hottest star
00:22:51and her as a regular doris carloff faraday international pictures has her under contract
00:22:56for six films or six weeks whichever comes first okay everybody let's go back to work
00:23:01come on web but move your ass okay everybody back to work good luck stranger
00:23:06honeybun you must be bored listen let me give you some money and you go do some shopping now
00:23:14i want to do my hair oh now angel cakes your hair looks beautiful besides i need mr lou right now
00:23:23to start working on his third project on the writing assignment well that's what you wanted
00:23:27wasn't it to give him a job i'm not sure if you want to do it or not i'm not sure if you want to
00:23:32project on the writing assignment well that's what you wanted wasn't it to give him a job yes
00:23:37well then you better make time for me soon mr lou my hair won't wait too long
00:23:51what a pain in the but she's a wild cat in the sack i'll say what was that
00:23:59how did you and candy meet well i was in denmark i was on one of those three-day package tours
00:24:06the historical brothels of copenhagen yeah but don't you get any idea she was a tour guide
00:24:11she said she'd never met anybody like me before but that's because she's got a lot of european
00:24:15class you know well the next thing i know i find myself in a 500 year old little chapel
00:24:22but you don't want to hear all of this right now we got to discuss business uh
00:24:28uh speaking of which mr paraday i was wondering if it might be possible to get a small advance on
00:24:33my advance advance you're hired for 10 minutes already you're a bloodsucker but i'm currently
00:24:40between apartments and i've got no place to stay so you sleep here on the set no up there you can
00:24:46work there too in the loft don't worry we'll do it up right for you you just get these money ideas
00:24:51out of your head um by the way about my fee the pay is a flat 400 400 for screenplay oh my
00:25:01my you you've heard about what the majors pay i mean i can't even mention that without gagging
00:25:07and i'm not the majors besides you've got to have it finished in 48 hours 48 hours that's
00:25:12right the rod two days but look at it this way you get two hundred dollars a day two hundred
00:25:19dollars two hundred dollars i must be crazy offering a putz like you that kind of money
00:25:25i'll take it all right i'm a sap and i'll probably regret it but you caught me in a generous mood
00:25:32only just remember i want to see every penny on those pages yes sir all 40 000 pennies rolling
00:25:39camera action
00:25:45team three this is team two i think i got the bastard for good this time
00:25:50can you hear me team three ethan is dead
00:26:08beautiful let's move on look around your pal in this town everybody's a screenwriter
00:26:17any one of these slappering jackals would kill for the opportunity i'm giving you
00:26:29this is the overall concept nice work thanks now by putting him in clothes we would save money
00:26:35by not building a full body suit oh that's fine from what about the head right over here
00:26:44as you can see it has a full range of facial expressions
00:26:49yeah that's great just great what about this oh this is what i'm most proud of
00:26:54this is a fully mechanical torso now back here is the access plate all the transistors and
00:27:01diodes and hydraulics but i have it all hooked up to a master controller
00:27:06right here now this is the basic effect
00:27:13oh from you about done yourself now that's class real class thanks as you can see
00:27:23i got editing equipment up the wazoo i'll tell you something about editors they're like
00:27:28spoiled children they gotta have every little tinker toy they lay their eyes on
00:27:32and they gotta have big chords they gotta have tiny chords they got it what the hell is that
00:27:43at this now this is the ultimate editor's play toy it's called a split reel
00:27:50so ordinary reels aren't good enough for him no this is 10 times as expensive
00:28:00now this this is what's known as a flatbed editing machine it's a miracle of modern technology
00:28:07designed to suck money out of my pocket now this is my staff editor red mac hi mac the name's todd
00:28:17mac here is editing i rip your flesh with pliers as fast as that asshole weber can shoot it
00:28:22sounds efficient you're goddamn right it's efficient picture gets cut twice as fast
00:28:28plus the director's stuck back on the set so he doesn't have a chance to buddy
00:28:33well go on show Lou what i'm paying you for
00:28:39make a cut cut there i can't cut here this scene plays in one shot
00:28:45there's nothing to cut to so you run the film back and you run it forwards at high
00:28:52speed i don't give a shit impress the new guy put on a show
00:28:57oh
00:29:14i think they're so goddamn smart they don't know a fucking thing about showmanship
00:29:19hunched over a little weasel so larod you think you're getting all of this
00:29:25uh yes showmanship hunched over weasels good good now you just keep paying attention
00:29:31i promise you by dinner time you'll know everything you have to know about movie making
00:29:39all right move it okay kimmy thanks for coming uh have you ever seen yet all right well what i
00:29:47want you to keep in mind is that we're going for stark raving terror here all right so when the
00:29:52werewolf attacks you scream from your soul okay nelson
00:30:02and action
00:30:07and cut thank you kimmy you made a believer out of me if you could just give me a picture
00:30:11and resume we'll call you have a nice day next girl
00:30:16girl join yourself larod to tell you the truth i'm kind of anxious to get started writing
00:30:24i bet you are
00:30:28hello rowena rowena okay i have you've got a chance to read the scene right come on come on
00:30:36speed it up you're not casting normie ray here okay what i want you to remember is sip it weber
00:30:42now listen up girly when the werewolf attacks you scream your tits off
00:30:46okay you with the glove action
00:30:51good good good give me the picture come on chop chop excuse me mr faraday call me king
00:30:59you can't weber and keep them moving next girl your highness i mean king if i'm gonna finish
00:31:05the screenplay i really need to get started yeah you're not sweating yet ideas aren't percolating
00:31:13now sit back and look for inspiration hey you there with the glove there don't uh don't wait
00:31:19for action just pawn when they pass okay okay give me the picture king i think i'm really pretty
00:31:29inspired already let's get this straight you work when i tend and you look at tits when i tend
00:31:39i know you writers the more time you have to futz through pages
00:31:45the more time you sneak in themes and meanings now what i want is good fast-paced crap
00:31:51oh candy candy baby what are you doing here can't you see we're working
00:32:03i know sweetums that's why i'm here i thought i'd bring you some fresh home-brewed coffee
00:32:09is this a hell of a wife or what here i'll pour you a cup
00:32:28excuse me i gotta go to the bathroom
00:32:38so
00:33:02if only it were a case of simple lycanthropy if all that happened was i turned into a wolf that
00:33:07i could handle but it's more than that doctor i'm turning into a werewolf
00:33:20go away candy i'm working look how tense you are mechanic can help you loosen up i can't loosen up
00:33:28i have to deliver this screenplay to king in 24 hours why he won't be around to read it
00:33:34oh yes he will he's gonna live to read this if i have to hogtie you
00:33:39he's paying me 200 a day for my services candy doesn't he at least deserve to see what he's
00:33:43paying for it really turns me on when you get angry
00:33:52oh no you're not working your sex magic on me tonight i got too much writing on this screenplay
00:33:58to let myself get distracted peekaboo lily i'm not in the fucking mood candy oh you're
00:34:06ten finger typist all i can do is hunt and peck
00:34:14oh candy that was great and these shorts they're really something thanks
00:34:24but i got work to do don't you even want to know why i came here tonight
00:34:28but we just got that out of the way no you silly king wanted to see you
00:34:33that had to be over an hour ago jesus
00:34:48it'd be so easy right now to do it
00:34:54do it louis do what smother him now while he's too drunk to struggle he has a bad heart you know
00:35:01let's say it was a heart attack no are you crazy have you ever heard of forensic science
00:35:06they'll know it wasn't a heart attack you have a very negative attitude louis
00:35:10he didn't ask you to bring me here tonight did he you wanted me here to help you kill him
00:35:16is that so wrong you know i like it when we do things together it's too bad they don't have
00:35:21prison we could do time together you're being silly why would anyone suspect murder
00:35:27trust me homicide detectives are very suspicious people
00:35:31they might suspect someone even as innocent seeming as you but you're the one who did it
00:35:37no i didn't do it it hasn't been done and i'm not going to do it well mr larod my eyes are open now
00:35:45you suddenly had me fooled if i'd known you were so mean i never never would have fallen in love
00:35:52with you if you'll excuse me i have 70 pages of bone-chilling horror to write by this time
00:35:59tomorrow before you go help me get him to bed i don't think that we will i can't lift him alone
00:36:08if you won't kill him at least let him have a good night's sleep
00:36:16right
00:36:17so
00:36:36jesus
00:36:38i'm not picking him up
00:36:45this is the side of you i've never seen before kind considerate let go what let go of him
00:36:54oh not this again how many times do i have to say to you i don't feel like committing
00:36:57murder tonight you have to do it you may never get a chance like this again
00:37:08oh stop it are you crazy i'm losing my balance you're gonna kill us both
00:37:21lola oh hi candy i mean mom hello daddy well looks like i've been expelled again
00:37:30what's the matter with daddy is he dead or just drunk
00:37:38who's this oddball uh mr larotte my hairdresser he's helping me put daddy to bed yes i'm mr
00:37:44lu i compose symphonies in hair with the help of your mother's scalp of course stepmother please
00:37:51uh i'm going to bed and my room better be exactly the way i left it
00:38:07so
00:38:37Yeah, the musicians are doing the same thing.
00:39:34Hey, Weber!
00:39:38Weber? Hey, Weber!
00:39:40Yeah, Lou, what's up?
00:39:42What the hell's with all this noise?
00:39:44Oh, this? We're just getting set up for today's shoot. We're doing a music video today.
00:39:48A video?
00:39:49That's right. We're shooting one of those MTV things.
00:39:53Every picture's gotta have one these days.
00:39:56So I rip your flesh, it's gonna have a rock band in it.
00:39:58We're shooting them today while we're waiting for you to finish a goddamn script.
00:40:03I can't write with all this noise.
00:40:05Who the hell you can't?
00:40:08I gotta listen to this shit.
00:40:10And I gotta hang over like I got kicked in the head by a goddamn bull elephant.
00:40:14Now you get back to work, and I want to see you at my house ten o'clock tonight with a finished shooting script.
00:40:19Here, hold this.
00:40:33Ten o'clock
00:41:03I don't know what you're doing, but you're killing it today
00:41:12Come on
00:41:15Come on to the rhythm
00:41:18Come on
00:41:30Come on, move it to the left, move it to the rhythm
00:41:36Come on, get down low, I don't want to feel that
00:41:42Come on, shake it to the right, move it to the rhythm
00:41:48Come on, get down low, I don't want to feel that
00:41:53Move it to the left, move it to the right
00:41:59Come on
00:42:02Come on to the rhythm
00:42:06Come on
00:42:10Come on
00:42:17Come on
00:42:21Come on
00:42:23Come on
00:42:29Move it to the left, move it to the right
00:42:32I'm gonna have to let you go, let you go, let you go, let you go
00:42:53I don't know what you're saying, I don't know what you're doing
00:42:56I would bet a million that you're giving up your love
00:43:03Oh
00:43:06Come on, come on, come on, come on
00:43:09Come on to the rhythm
00:43:17Come on
00:43:19Come on
00:43:22Come on
00:43:28Come on
00:43:30Move it to the left, move it to the left
00:43:40Move it to the left
00:43:44Move it to the left
00:43:49Move it to the left
00:43:52Move it to the left
00:43:55Move it to the left
00:43:58Move it to the left
00:44:02I'm gonna have to let you go
00:44:14Yikes! Look out!
00:44:16Oh, sorry!
00:44:17I just brought you some coffee
00:44:19Oh, thanks, I was just on my way to get some myself
00:44:22Still working like a maniac, huh?
00:44:24You got that right
00:44:26Well, how's it going?
00:44:28It's brilliant, stinking brilliant
00:44:30There's nothing wrong with it, the six weeks of rewriting couldn't fix
00:44:33Well, I'm not gonna bug you, I just thought you'd need a ten second break
00:44:39Okay, your ten seconds are up, you get back to work
00:44:42Right
00:44:44Thanks
00:45:15Wow
00:45:19Daddy, it's that hairdresser guy
00:45:22It's about time
00:45:26Have you finished it yet?
00:45:28Right here
00:45:29Wait a minute, young lady, where do you think you're going?
00:45:31Out dancing
00:45:33In your school uniform?
00:45:35The boys seem to like it
00:45:38Yeah, alright, but you'll be home by two o'clock
00:45:41Daddy, I'm thirty-five years old
00:45:44Oh, by the way, my step-monster said to give you a message
00:45:49She says for you not to leave until she gets back
00:45:56Remember, two o'clock
00:46:03Those kids are gonna be crazy
00:46:12You want a drink?
00:46:14Yeah, thanks
00:46:41Thanks
00:46:47Is this brilliant?
00:46:49Well, it needs some work
00:46:52It better goddamn well not need any more work
00:46:55We start shooting tomorrow
00:46:58I can rewrite it tonight
00:47:00Such a pile of trying to read
00:47:12What the hell is this?
00:47:14You think I'm made out of money?
00:47:27What's this?
00:47:29What's this?
00:47:31What's this?
00:47:33What's this?
00:47:35What's this?
00:47:37What's this?
00:47:40What's this character?
00:47:42Psychoanalyst?
00:47:44No picture of mine is gonna have a shrink in it
00:47:47I went to one of those assholes once
00:47:50Biggest blood-sucking scam in the world
00:48:10For God's sake, unbelievable
00:48:29Listen, if you think I'm gonna pay you for this pile of crap, you're dead wrong
00:48:34I've read some unreadable shit in my life, but this is the worst
00:48:38Why didn't you just take a dump on the pages?
00:48:41Now I'll have to hire somebody to rewrite while we shoot
00:48:44And as for you, I never want to see you on my set again
00:48:48Now you're gonna get no money, and you're gonna get no credit
00:48:52You're lucky I didn't have you arrested for assault with a deadly weapon
00:48:58Candy was right about you
00:49:01What did you say?
00:49:03You don't deserve to live
00:49:05No, no, I mean, what did you say about Candy?
00:49:08I said Candy's a great lay
00:49:11What?
00:49:12That's right, I screwed your wife
00:49:15And what's more, she wants me to kill you
00:49:18But I said no, I can't take a human life
00:49:20What I didn't realize is you're not human
00:49:23You're more like some kind of slug that excretes movies like a slime trail
00:49:36Mr. Faraday, are you okay?
00:49:39Mr. Faraday!
00:49:41King!
00:49:43King, are you okay?
00:49:50Louie, you did it
00:49:52It's okay, it's over
00:49:54Now it's just the two of us
00:49:55I didn't do anything
00:49:57You don't have to pretend with me
00:49:59You don't have to pretend with me
00:50:01You don't have to pretend with me
00:50:03You don't have to pretend with me
00:50:05He had a heart attack
00:50:07With a little help from little Louie
00:50:09I heard what you said to him
00:50:10You're so clever
00:50:12It was horrible
00:50:14He just went
00:50:16And then all of a sudden he was just gone
00:50:21I think I'm gonna throw up
00:50:22Not now, Louie, I'm too excited
00:50:24Jesus, Candy, get a grip on yourself
00:50:26Where's the sense of human compassion?
00:50:28That's your husband stiffening in that chair
00:50:31He's talking
00:51:02We have to figure out what to do with the body
00:51:06We don't have to do anything to the body
00:51:08He died of natural causes
00:51:10All we have to do is call the police
00:51:13Oh, Louie
00:51:15I have something terrible to tell you
00:51:18Things have changed since last night
00:51:21I went through King's papers
00:51:23And I found the will
00:51:25It's as bad as the prenuptial agreement
00:51:27He left everything to Lola
00:51:29Well, that's too bad, isn't it?
00:51:30I hope you get on good with the little schoolgirl
00:51:32Her?
00:51:33She's always hated me
00:51:35She can't stand the idea that her stepmother's younger and prettier than she is
00:51:39Do you know what this means?
00:51:40We have to hide the body
00:51:43Make it look like he's not dead at all
00:51:44Like he just ran away or something
00:51:46Ran away? From what?
00:51:48I don't know
00:51:49You're the writer
00:51:50Make up something
00:51:53You know, if Lola gets the money
00:51:56Your precious little movie's not gonna get made
00:52:10Hello, Candy
00:52:11Mom
00:52:12Hello, Daddy
00:52:13What's going on?
00:52:15Don't disturb your father, Lola, sweetheart
00:52:18He's had a very hard day
00:52:21Always
00:52:23I'm going to bed
00:52:26Good night
00:52:45What are you looking for?
00:52:47This
00:52:50I'm gonna write a dummy into the script
00:52:52And then have it get blown up
00:52:54You can do it, you're a genius
00:52:56Jeez, talk about clawing your way into showbiz
00:53:02Good morning, everybody
00:53:03I'm on somebody else's prescription uppers this morning
00:53:05So please, no loud noises or sudden movements
00:53:08Here it is, Werewolves in Heat
00:53:10What's our production schedule?
00:53:12Six days
00:53:13Oh, we better get started
00:53:15Barry, you're AD and production manager, right?
00:53:17Right
00:53:18Okay, we better break this down this morning
00:53:20Looks like we have one day pre-production, people
00:53:23Where's King?
00:53:25King had to go to Chicago to talk to his investors
00:53:28He said if we're not well into this by the time he gets back, heads are gonna roll
00:53:31So who's in charge?
00:53:33Well, you all know what to do
00:53:35Just do your jobs the way you do it
00:53:38If King were here breathing down your necks
00:53:41And if you have any questions you just can't answer, come to me
00:53:45So, Ryder?
00:53:47That's right
00:53:49The Ryder
00:53:51Now get your goddamn nasses in gear, you limp weenies
00:53:54Or there's gonna be hell to pay
00:53:56Jeez, King number two
00:54:03You've got to stop seeing me, Debbie
00:54:06I'm turning into a sex-crazed animal
00:54:10That's what I've been waiting for
00:54:13No, no
00:54:16I don't understand
00:54:21How did you see this bit right here?
00:54:24Hey, Mr. Author
00:54:26Lou, I need to talk to you
00:54:28Sure thing, we'll hash this out later, okay?
00:54:31What's up?
00:54:32I want to talk to you about my character
00:54:34Do you see me as cold?
00:54:36Oh, no, not at all
00:54:37Not hard to get close to or, you know, all business?
00:54:40No, that's an interesting interpretation, but I don't think it's gonna work
00:54:44In fact, she's gotta be exactly the opposite
00:54:46What are you talking about?
00:54:48Debbie is the emotional center of the story
00:54:50She's the one that takes the werewolf beyond mere sexual gratification
00:54:53No, wait a minute
00:54:55I'm talking about my character
00:54:58Oh
00:55:00I don't think that sounds interesting
00:55:02Do you think this business is making me hard or...
00:55:05It's not easy being a new Death House fan
00:55:08I don't think you're hard
00:55:10You're just doing your job like a professional
00:55:12Greg said
00:55:14People let their emotions run away with them, and it gets them into nothing but trouble
00:55:18Thanks, boss
00:55:22Whatever she told you, it's a lie
00:55:23What?
00:55:24I never said that she had to sleep with me
00:55:26I merely suggested that it might help our work
00:55:29I don't even know why she's bringing you into it
00:55:31I told her it was just a joke
00:55:34See, we were... it was...
00:55:36They...
00:55:39This isn't what it's supposed to be like
00:55:41I'm the director, and I can't get away with anything
00:55:47Oh, it's so nice to have a rich dead husband
00:55:50It really makes marriage fun
00:55:53Now I can do just what I want
00:55:56I think I'm gonna have the whole house painted pink
00:55:59Inside and out
00:56:00Won't that be wonderful?
00:56:02Yeah, it'll be just like living in a giant mouth
00:56:05There you go again, being negative
00:56:07You know, there are a lot of other pink things in this world besides mouths
00:56:10I'm sorry, Candy, I've just been under a lot of pressure
00:56:13Here, I need you to sign some more checks under King's account
00:56:16I don't like spending so much money on this movie
00:56:19Candy, we've been through all this
00:56:22Faraday Pictures is your source of income
00:56:25And I need to spend money to make money
00:56:29You're a businesswoman now, you've got responsibilities
00:56:32I don't want responsibilities
00:56:34I just want to go shopping
00:56:36Girls are supposed to have fun
00:56:40Candy?
00:56:43What is it?
00:56:44Where's Daddy?
00:56:47He had to go to Chicago
00:56:49No way, his suitcases are still in his room
00:56:53Well, that's where he said he was going
00:56:57Is somebody in there with you?
00:56:59Of course not
00:57:01Let me in
00:57:02No
00:57:03Why?
00:57:04What are you trying to hide?
00:57:07I'm naked
00:57:09I'll give you an inferiority complex
00:57:12Ah, can it, you stinking balloon sculpture
00:57:25Quiet, this is a take
00:57:27Scene 5A, take 1
00:57:29And action
00:57:31Oh my God, what's happening to you?
00:57:35Run, Debbie, run
00:57:53Guys, guys, bigger, make it bigger
00:57:59Scene 5A, take 9, let's get it right
00:58:01And action
00:58:04Oh my God, what's happening to you?
00:58:08Starting, Debbie
00:58:11Run, Debbie, run
00:58:25Cut, cut, cut, I said bigger
00:58:27Scene 5A, take 42
00:58:30Action
00:58:33Run, Debbie, run
00:58:44Cut
00:58:45Damn it, Froome, can't you control those air bladders?
00:58:49Sorry, Rake
00:58:51Cut
00:59:00Well, I say it'll play
00:59:03Sure, we could always retitle the movie
00:59:07Attack of the Killer Acne
00:59:12It's just a suggestion
00:59:13Just a little joke
00:59:15No, more of a suggestion
00:59:17You know, it's not too late to replace you
00:59:19With an unpaid intern from one of the local film schools
00:59:22You catch my drift?
00:59:23Yes
00:59:24Yes, what?
00:59:25Yes, King
00:59:29All right, let's keep moving
00:59:31Make a cut, cut right there
00:59:36Jesus, we gotta get back on schedule
00:59:39Hey, I can't get these jeans on over this
00:59:42Jesus Christ, Barry, find an AD and buy some baggy pants
00:59:46What about this guy? He's not doing anything except hitting up on Phoebe
00:59:48No, not him, he's not part of the crew
00:59:50Then who the hell is he?
00:59:51He's Phoebe's spiritual advisor and psychic nutritionist
00:59:54He calls himself Brother Ron of the Church of Rolls
00:59:57Rolls, like in Rolls Royce?
00:59:59No, R-O-L-S, it stands for Ron's Own Little System
01:00:03You don't want to mess with him
01:00:05He's got some kind of psychic hold over Phoebe
01:00:07You insult him and she might walk off the picture
01:00:11Oh, by the way, he's also her personal manager
01:00:18Hi there
01:00:19You were great in that scene
01:00:21Thanks, boss
01:00:23Vice boss, please, I'm just King's representative
01:00:26Well, you're the only boss we have on this shoot
01:00:32You're the writer
01:00:34That's me
01:00:35What do you know of werewolves?
01:00:37That's me
01:00:38What do you know of werewolves?
01:00:40Do you know what causes lycanthropy?
01:00:42I'll tell you
01:00:44Improper diet
01:00:46Gee, I didn't know that
01:00:48I'll tell you something else
01:00:50The werewolf craves human flesh
01:00:52But that's the worst thing for him
01:00:55Uh-huh
01:00:56Cannibalism is devastating to the human immune system
01:00:59The lycanthrope thinks he's a wolf, but in reality, he's a human
01:01:04Undergoing a violent allergic reaction
01:01:07So in essence, his taste buds are out of whack
01:01:11I was a werewolf in a previous life
01:01:14Luckily, I was able to persist on a bean curd human flesh substitute
01:01:18Or I could have incurred a substantial karmic penalty
01:01:22Brother Ron, aren't you going to be late for your seminar?
01:01:30This movie may go over well with your average teen audience
01:01:33But real werewolves are going to laugh it off the screen
01:01:40Wow
01:01:42He sure seems to know what he's talking about
01:01:46He wants to give me injections from the pituitary glands of female beavers
01:01:50He says it'll help my career
01:01:53What do you think?
01:01:57You're Mr. Lu, right? Are you in charge here?
01:01:59Yeah
01:02:00Listen, we need to talk
01:02:02This isn't a good place to talk
01:02:03I am really worried about Daddy
01:02:05I haven't seen or heard from him in two days
01:02:07I'm sure he's fine
01:02:08But I need money
01:02:10Can't Candy write you a check on her account?
01:02:12Oh, you gotta be kidding
01:02:13She wouldn't give me a nickel
01:02:15And she's been acting really weird lately, too
01:02:17All snotty and superior
01:02:19You don't think she did something to Daddy, do you?
01:02:22Candy?
01:02:23No, wait, she couldn't hurt a fly
01:02:26Ew, this dummy smells like shit
01:02:29This film's not in Smell-O-Rama, is it?
01:02:31Oh, no, no
01:02:32But I guess you could say this is full of shit
01:02:35Actually, it's just a dummy full of jellignite
01:02:38It's a smelly explosive
01:03:02Help!
01:03:03Help!
01:03:08What the hell is this?
01:03:10We're looking for Lu LaRod
01:03:12Look, you can't just come in here
01:03:14You LaRod?
01:03:15No
01:03:16Then shut up
01:03:17I'm Lu LaRod
01:03:18Our boss wants to talk to you
01:03:19Who's your boss?
01:03:20Gersh Stefan Stangulian
01:03:22Isn't that a Hoppikani sauce?
01:03:24Listen, LaRod
01:03:26Our boss is a friend of your boss
01:03:28And your boss would want you to come talk to our boss
01:03:30So you gonna come easy or painful?
01:03:32You don't come to the set and make threats
01:03:36How's it gonna be?
01:03:38Gee, this Stangulian sounds fascinating
01:03:40I can't wait to meet him
01:03:43I'm calling the police
01:03:44No, just, I'll be okay
01:03:46Just don't fall behind schedule
01:03:47Keep shooting
01:04:01I'm sorry
01:04:13Alright, now do that one again
01:04:15Yeah, that's good, that's good
01:04:16I tell you what, do that Hans and Franz thing
01:04:18You know, where your arms shape an O like that
01:04:20Oh, that's good
01:04:21Oh, that's good
01:04:22Oh, that's good
01:04:23That's really, that's it, that's nice
01:04:25Oh, that is really nice
01:04:30Yes, yes, huh?
01:04:31Oh, hey
01:04:32Hey, that was quick
01:04:33You must be Lou LaRod, huh?
01:04:35Really glad you could come, Louis
01:04:36And you must be...
01:04:37Yeah, I'm Gersh
01:04:38Gersh Stefan Stangulian
01:04:41Lou, why don't you come over here and sit down
01:04:44Come on
01:04:46Yeah
01:04:47Yeah
01:04:48Yeah, now put her there, Lou
01:04:49Put her there
01:04:50Yeah, one of the real pleasures of my life, Louis
01:04:52Is meeting new people
01:04:55And when you run out of people to meet you
01:04:57You're sent out for some new ones
01:05:06Sabina, would you please offer our guest a California sparkling water
01:05:14Oh, what can I tell you, Louis
01:05:17I love L.A.
01:05:19And it happens every time, too
01:05:21I mean, just look at these things
01:05:24Sometimes I think I should maybe move my operations out here, you know
01:05:27But, I don't know
01:05:30Deep at heart, I think I'm just a Midwest type of guy
01:05:33Oh, really?
01:05:34I'm from the Midwest myself
01:05:38Yes
01:05:40I know, Bloomington, Indiana
01:05:46I guess it's written all over my face
01:05:49Well, when someone catches my attention, Louis
01:05:51I like to learn as much about them as I can, you know
01:05:53It sort of gives me that extra edge, if you know what I mean
01:05:57Mr. Stanglian?
01:05:59Gersh
01:06:01Gersh
01:06:02With that seeming pushy, what's this all about?
01:06:07Well, I think you know, Louis
01:06:10I do
01:06:13Okay, okay, I'll buy a timeshare
01:06:15Just give me my toaster and let me get out of here
01:06:18You want us to start on them now?
01:06:23I hate when I have to act a stereotypical mobster
01:06:33Where is King Faraday?
01:06:37He's in Chicago visiting his investors
01:06:40No
01:06:42No?
01:06:43No
01:06:44I am his Chicago investors
01:06:48Now, he owes me a great amount of money
01:06:51At 80% interest, Louis
01:06:54King Faraday finances his movies with loan shark money?
01:06:56Please, please
01:06:58I prefer to consider myself the lender of last resort
01:07:05And you have killed my best customer, Louis
01:07:11Now, wait a minute
01:07:13Can they put you up to it?
01:07:15That's right
01:07:16That's right, I know all about Candy
01:07:18Candy's been trying to pull this scheme down with different guys ever since she married King
01:07:23Never thought she'd find anyone stupid enough to throw in with her
01:07:26Until you
01:07:28Now, wait a minute
01:07:29If King Faraday isn't in Chicago with his investors, then I don't know what's going on
01:07:34But you're beginning to catch on, aren't you, Louis?
01:07:38You know, when people lie to me
01:07:42I lose my grip
01:07:44On cheerfulness
01:07:47But
01:07:48I don't know, maybe you are telling me the truth, huh?
01:07:51I always like to look on the good side of things for as long as I can
01:07:55But
01:07:56When I do find out the truth
01:07:58I mean
01:07:59I just can't have people running around killing my golden geese, can I?
01:08:06I just have to kill someone
01:08:16You okay?
01:08:17Oh, yeah
01:08:18Turns out this Stangolian guy is just a reporter for Premier Magazine
01:08:23I'm feeling kind of queasy
01:08:30Hey, Lou
01:08:31Are you okay?
01:08:32Yeah, listen
01:08:33I can't talk now
01:08:35I have to go
01:08:36You look terrible
01:08:37Something bad's happened, hasn't it?
01:08:40Yeah
01:08:42But I can't talk about it
01:08:44I gotta go
01:08:46If there's anything I can do, just let me know
01:08:54I think you're getting all upset over nothing
01:08:57Nothing?
01:08:59As soon as this guy finds out that King isn't coming back, he's gonna kill me
01:09:03Well, maybe you should go into hiding
01:09:06Yeah, right
01:09:07Leave you with King's money and me out with a contract on my life
01:09:09No thanks
01:09:10No thanks
01:09:12You know, it's too bad he didn't mention what he's gonna do to you
01:09:15He's had his eye on you for some time, did you know that?
01:09:18And he also told me that you've been trying to get other guys to do this before me
01:09:21A lot of other guys
01:09:24How do you know that?
01:09:26I'd like to meet this Mr. Stangolian
01:09:29Gosh, is that French?
01:09:32Listen to me
01:09:34This guy is not a potential new boyfriend
01:09:36This guy is mafia
01:09:39Now if we don't stick together on this, we're gonna wind up as part of the concrete foundation of a union headquarters
01:09:45But you're the one who did it
01:09:47For the thousandth time, he died of a heart attack
01:09:50What do I look like, a pile of cholesterol?
01:09:54My only criminal act was figuring out a way to keep his death a secret
01:09:59That makes you the criminal mastermind
01:10:02Which hotel did you say this gush was staying at?
01:10:05I guess it's cooked
01:10:11How do you think that Deborah Winger and Meryl Streep got to be where they are?
01:10:16Not with beaver injections
01:10:19How do you know?
01:10:22Phoebe, I need to talk to you, alone
01:10:25Sure
01:10:27Brother Ron, would you mind leaving for a few minutes?
01:10:30Would you mind leaving for a few minutes?
01:10:33I'll send my mind out of the room
01:10:35No, leave in person and take your mind with you
01:10:39You can't break the psychic link between us
01:10:42Anything he tells you will just be downloaded into my brain
01:10:51I learned that from my dog trainer
01:10:54So what's up?
01:10:56You asked me if I needed help?
01:10:58Uh-huh
01:11:00Well, how far are you willing to go?
01:11:03Why? Who'd you kill?
01:11:11It's him, all right
01:11:13For a second I didn't recognize him because he wasn't yelling
01:11:17Oh, I guess you weren't kidding
01:11:19And I swear to you, he died of natural causes
01:11:21But nobody's gonna believe that now
01:11:23Stein Goulding sure won't
01:11:25I assume you have a plan?
01:11:27If King is found dead, or even if he's just disappeared
01:11:31Stein Goulding's gonna call it murder and nail me for it
01:11:34Unless...
01:11:36Unless what?
01:11:38Unless Stein Goulding thinks that he's the one who killed King
01:11:44I have a scheme, but I can't pull it off alone
01:11:47Sounds like fun
01:11:51Before applying the plaster, make sure that your subject is relaxed and comfortable
01:11:56Check
01:11:58Draws up the nose so he can breathe
01:12:00I guess we can skip that
01:12:03It's ready
01:12:05You know, it would have been smarter to bring Mitch in on this instead of me
01:12:09I guess I'm just a romantic at heart
01:12:12So are you gonna do this?
01:12:14You bet. Smear away
01:12:22Yeah?
01:12:24Hey, you chicken shit bastard
01:12:26Try saying that to my...
01:12:28Wait...
01:12:30Hey boss, I think it's King
01:12:32Sounds like he's been drinking for days
01:12:38King?
01:12:40Is that you, Stein Goulash, you crook asshole?
01:12:43Is that you, King?
01:12:45Who else, you limp weenie?
01:12:47I got a favor to ask you
01:12:49It's kind of personal
01:12:50I want you to nip the warts off my fat behind
01:12:54Can you do that for me, old pal?
01:12:56You think you can handle that?
01:13:01Yes
01:13:03I think I can do something about your warty behind, King
01:13:08But not over the phone
01:13:10Where are you, King?
01:13:12Oh, you like me to tell you that?
01:13:14So you can send your muscle boys down here to give me the old lead colostomy?
01:13:17Well, I'm not that dumb
01:13:18Don't sell yourself short, King
01:13:20You're pretty dumb
01:13:22You know, buddy, I've been doing a lot of drinking
01:13:25And I've been doing a lot of thinking
01:13:27You know what I figured out?
01:13:29I don't owe you a goddamn cent
01:13:32What, are you welshing on your loans?
01:13:34It's time our law-abiding citizens started standing up for cheap hoods like you
01:13:43I'm losing my cheerfulness
01:13:49King, you cheap Hollywood sleazeball
01:13:52When I find you
01:13:54You're not going to find me, you mafia reject
01:13:56Because as soon as I leave this soundstage
01:13:59I'm going far, far...
01:14:02Oh, Nelly
01:14:04I must have got some bad bourbon
01:14:08Skyrunner, you wimp weenie
01:14:10Excuse me, I think I'm going to...
01:14:12Take a little nap
01:14:18Take a little nap
01:14:48Take a little nap
01:15:19Oh, Mr. Whistler
01:15:21No, no way
01:15:23I mean, you never leave this car behind
01:15:25Something is not right
01:15:28I got you covered, asshole
01:15:30Drop your gun
01:15:32I said drop them or you're dead meat
01:15:35I'm warning you, King
01:15:37You are messing with my good humor
01:15:39I'm warning you, King
01:15:41I'm warning you, King
01:15:43I'm warning you, King
01:15:45I'm warning you, King
01:15:46You are messing with my good humor
01:15:48Oh, that sounds real goddamn scary
01:15:50Coming from the asshole
01:15:52That just walked into my trap
01:16:07Listen, what do you think you're doing?
01:16:09I'll tell you what I'm doing
01:16:11I'm wiping you off my ass for good
01:16:17Look, calm down, King
01:16:19Why don't we talk this thing out?
01:16:21Talk is over, pal
01:16:23It's shooting time
01:16:31Don't let that bastard get away
01:16:34Get away from me, you idiots
01:16:36I've been butt shot
01:16:46Don't let him get away
01:16:47Don't let him get away
01:17:18You're kind, isn't it?
01:17:20And flex, and flex
01:17:22All right, girls, don't go away
01:17:24We'll be right back
01:17:26Mr. Steve Covey with the Channel 4 Headline Newsbreak
01:17:29This just in
01:17:31Murder in Tinseltown
01:17:33Prolific B-movie producer King Faraday
01:17:35was blown up in his Rolls Royce early this morning
01:17:38in what police are calling a mob-style hit
01:17:41More on this and other breaking stories
01:17:43on the Channel 4 News at 5
01:17:45Wait a second
01:18:05Mr. Stan Gilliam would like to talk to you
01:18:14Hey
01:18:15Looks like I owe you an apology, huh?
01:18:18Hey, no, really
01:18:19No, that's okay
01:18:20Listen, I can't stop the chat now
01:18:24I have to get on back to Chicago
01:18:26But I got a business proposition for you, Lewis
01:18:29Oh, yeah?
01:18:30Yeah
01:18:31I'm thinking of moving my operations out here permanently
01:18:34Getting out of the loan sharking business
01:18:36and maybe producing movies
01:18:38Really?
01:18:39I got a bunch of 5s, 10s, 20s lying around
01:18:42You think maybe you could finance a slate of films
01:18:45with 6 tons of small bills?
01:18:49Sure
01:18:50Great!
01:18:51Great, well, listen, we'll talk some more
01:18:52when I get back on my feet
01:18:54And listen
01:18:55How are you getting along with my evil twin?
01:18:58I'm sorry?
01:18:59My twin
01:19:00My twin brother, Steve
01:19:01Come on, you know who that is
01:19:02I mean, he speaks very highly of you
01:19:04Has a lot of complimentary remarks about you
01:19:07Our Steve?
01:19:08Steve Steinway?
01:19:09That's right, Steve Steinway
01:19:11Yeah, he had to change his name
01:19:12when he went into show business, you know?
01:19:15The family demanded it
01:19:17Anyway, he was always the black sheep of the family
01:19:20He never really fit in back at the compound, you know?
01:19:23Hey, he is a dynamite actor
01:19:26Well, that's what King always used to say
01:19:29King?
01:19:31Yeah, that King, huh?
01:19:33You know, he was really a pain in the ass King, but
01:19:37Pain in the ass, good
01:19:38Pain in the ass
01:19:43Yeah, but he always had a real good taste for acting
01:19:47I'm glad to see that you do, too
01:19:55It's called Hell, Babe
01:19:57And it's about this alien creature
01:19:58that comes to Earth in the form of a Hollywood sex bomb
01:20:00to entrap men and destroy them
01:20:03Oh, gee, I don't know, that sounds like a downer
01:20:05Well, it's played for laughs
01:20:08Candy, long time no see
01:20:09Help, you're gonna hide me
01:20:11Hide you from what?
01:20:12From her
01:20:14Candy, there you are, you naughty girl
01:20:17What's going on here?
01:20:18Candy, give me the keys
01:20:20I won't
01:20:21What is this?
01:20:22I'm selling the T-Bird
01:20:23I don't think it's right for a widow
01:20:25to be driving a car like that
01:20:27She's just doing it because she hates me
01:20:29Oh, now, Mother, you know I don't hate you
01:20:32I'm just trying to look out for you
01:20:33in your declining years
01:20:35You can't have my car
01:20:37You know, all your clothes are at my house
01:20:42A lot of hard-to-replace ensembles
01:20:44If you don't give me those keys,
01:20:46I might just decide you need a whole new look
01:20:48Tacky, maybe
01:20:50Do something, Luis
01:20:51Oh, no, no way
01:20:52This is between you and Lola
01:20:53Family matter, I'm out of this completely
01:20:55Oh, my God
01:20:56This is between you and Lola
01:20:57Family matter, I'm out of this completely
01:20:59Give me the keys
01:21:01Or would you rather I arrange a nice pink bonfire?
01:21:11Get in there
01:21:14Candy, I've got people out there waiting for me
01:21:17She's mean
01:21:18She makes me do housework
01:21:20Well, you're living in her home on her money
01:21:22It's my money
01:21:23I don't care what any old will says
01:21:25Even if the lawyer said I can't write checks
01:21:26or have credit cards anymore,
01:21:28it's my money
01:21:29I earned it
01:21:31Did you know she has me on an allowance?
01:21:33Well, you're a big girl
01:21:34Why don't you move out?
01:21:36I'd be homeless
01:21:39I have to kill her
01:21:44Goodbye, Candy
01:21:46You know, I know things that you'd want to keep a secret
01:21:50Anything you know that could hurt me
01:21:52would hurt you just as bad
01:21:56It depends who I tell
01:21:58Gerstefan Stangolian, for instance
01:22:02I bet he'd be interested to know that King died
01:22:04three whole days before he got blown up
01:22:10The guys had to leave
01:22:11They said we could meet later for drinks
01:22:14So, Candy, what's cooking?
01:22:16Think about what I said
01:22:22Scheming again, huh?
01:22:24She's got murder on the brain
01:22:26She could get us killed
01:22:30Too bad she doesn't have a heart condition
01:22:37Louis, we have got to get rid of her
01:22:50So, it's back to Louis
01:22:55Oh, oh
01:23:08Oh, yeah
01:23:13Oh, yeah
01:23:22Oh, my
01:23:32Oh
01:23:39Oh, my
01:23:43Oh
01:23:50Oh, yeah
01:24:02Oh, my
01:24:13Oh, my
01:24:25Oh, my
01:24:31Oh, my
01:24:34Oh, my
01:24:42Oh, my
01:24:47Oh, my
01:24:58Oh, my
01:25:04Oh, my
01:25:15Oh, my
01:25:24Oh, my
01:25:30Oh, my
01:25:33Oh, my
01:25:39Oh, my
01:25:48Oh, my
01:25:53Oh, my
01:25:57Oh, my
01:26:03Oh, my
01:26:34Oh, my
01:26:40Oh, my
01:26:46Oh, my
01:26:52Oh, my
01:26:58Oh, my
01:27:03Oh, my
01:27:09Oh, my
01:27:16Oh, my
01:27:23Oh, my
01:27:29Oh, my
01:27:33Oh, my
01:27:39Oh, my
01:27:45Oh, my
01:27:52Oh, my
01:27:59Oh, my
01:28:03Oh, my
01:28:09Oh, my
01:28:15Oh, my
01:28:22Oh, my
01:28:29Oh, my
01:28:33Oh, my
01:28:39Oh, my
01:28:45Oh, my
01:29:03Oh, my
01:29:09Oh, my
01:29:15Oh, my
01:29:21Oh, my
01:29:27Oh, my
01:29:33Oh, my
01:29:39Oh, my
01:29:45Oh, my
01:29:51Oh, my
01:29:57Oh, my