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00:00Assalamualaikum, Salam Ramadan.
00:16Welcome back to Borat Celebrity. As usual, I'm Faliq.
00:19My name is Dina Nazir. Salam Ramadan and happy fasting everyone.
00:23Yes.
00:24This is the first episode in Ramadan this year.
00:27Yes.
00:28Alhamdulillah.
00:29Once again, we are here together with a legend.
00:35Okay.
00:36She is Love.
00:37This time, she is someone that people say,
00:40when she acts,
00:42people say her character is really powerful.
00:45Yes.
00:46She holds the character.
00:47That's right.
00:48If she acts, Dina won't be in a hurry.
00:49Ah, there must be people saying that.
00:51What is this?
00:52What?
00:53Why?
00:54What is the world's problem now?
00:55That's right.
00:56Does she really want to act like that?
00:57Huh?
00:58Does she really want to act like that?
00:59Ask her.
01:00Ah, I got it.
01:01What are you doing?
01:04We are together with Farah Ahmad.
01:06Assalamualaikum.
01:07Waalaikumsalam.
01:08Assalamualaikum.
01:09Happy fasting everyone.
01:10Happy fasting.
01:11It's never boring.
01:12It's really fun.
01:13People say,
01:14simple yet meaningful.
01:17What do you think?
01:18Okay, let's shorten it.
01:19Let's shorten it.
01:20It's not going into the box itself,
01:21but natural beauty.
01:22Natural beauty is easier, right?
01:25Let's lock that one.
01:26It's easier, right?
01:27Simple yet meaningful.
01:31It's really long.
01:32Happy fasting.
01:33Happy fasting everyone.
01:36Our names are Farah.
01:37We have the same name.
01:38Oh, it's the same.
01:39Dina.
01:40And,
01:42when did you start?
01:441999?
01:451997?
01:461997, yes.
01:481997.
01:49Have you been there since then?
01:51Just a year.
01:52Okay.
01:53Alhamdulillah, you've been there.
01:56It's like you don't know.
01:59And,
02:00all kinds of medium that you've been in.
02:04You've been in movies,
02:05you've been in theatre,
02:06you've been in dramas,
02:07you've been in tele-movies.
02:11So, Farah Ahmad,
02:12what else do you want to do?
02:14What's next?
02:17People are waiting for me to direct.
02:20But that doesn't make sense,
02:22you haven't directed yet.
02:25Because I have one where
02:29if I don't have money,
02:30I don't want to do it.
02:31I understand.
02:32Budget.
02:33Because we start from the bottom.
02:34We know how
02:36friends experience
02:38payment issues.
02:40So, I really,
02:41even in theatre with my mother-in-law,
02:43I said,
02:44we don't have enough money,
02:46I don't want to do.
02:48So, I really,
02:49it's not that I don't want to make money,
02:50I can go to a funder,
02:51I know, I can.
02:52But sometimes,
02:55when we get someone
02:57who wants to give us money,
02:59but our work,
03:01we have to follow them.
03:03So, that thing,
03:05I don't understand.
03:07The work is not perfect.
03:08There are friends who are waiting,
03:10the script is already there,
03:11but I don't have money yet,
03:12I said, wait for me to find money.
03:15That's fun.
03:17Our own money,
03:19we can arrange it ourselves.
03:22Yes, because I have,
03:24I,
03:25in my life,
03:26A to Z only.
03:27If you want to make a bad story,
03:28it's true.
03:29If you want to make a good story,
03:30it's true.
03:31But I,
03:32if my first baby,
03:33I want to do the bad,
03:35the good first,
03:36because medium TV
03:38or social media
03:40is a medium education.
03:42So, I want that thing
03:44to continue.
03:45The knowledge,
03:46you can get it.
03:47Yes, it's right to teach people things that are not possible.
03:49Okay.
03:50Actually, we are not that good,
03:52but we want other people to be good.
03:54It's okay,
03:55we are artists,
03:56we continue the legacy of art.
03:59Okay,
04:00let's rewind,
04:01let's go back to the beginning.
04:03How?
04:04How?
04:05How did you start acting?
04:06Actually,
04:07I started,
04:08if acting,
04:09I started with commercial.
04:11Okay.
04:12I remember first,
04:13my commercial was
04:14No Chicken Cube,
04:15with tagline,
04:16I'm really good at cooking.
04:18Oh.
04:19I looked for that video,
04:21it's not there.
04:22I'm really sad.
04:23All my old stories,
04:24it's not on YouTube.
04:25That means,
04:26I'm really old.
04:27I'm like,
04:28Allah.
04:29It's not possible,
04:30in 1996,
04:31I think it's already there.
04:32But maybe,
04:33the production team
04:34didn't save it.
04:35I think it's okay.
04:37Or the production house
04:38must have closed.
04:39So,
04:40we didn't have time.
04:41But,
04:42Alhamdulillah,
04:43sometimes,
04:45I remember.
04:46Oh, Kakak.
04:47It's not Kakak in the story.
04:48One more thing,
04:49I can't mention it
04:50because it's a different TV station.
04:51What?
04:52That's what a lot of people mentioned,
04:53Cita Anak Cacat.
04:54One more thing,
04:55eh, Kakak,
04:56isn't it the commercial?
04:59I remember.
05:01At least.
05:02Do you feel appreciated?
05:03No.
05:04It's like,
05:05it's really special.
05:06If it's not on YouTube,
05:07you have to remember it.
05:08Yes.
05:09It's more meaningful in memory.
05:10So, okay.
05:11I started acting in theater.
05:12Theater.
05:13I started acting in theater
05:14after I met my husband,
05:17the late Muhammad Firdaus,
05:19before Muhammad Hanif.
05:20At that time,
05:21we were hanging out
05:22in our studio.
05:23We didn't hang out in the park.
05:24I don't like.
05:25It's the same.
05:26I don't like.
05:27I'm so sorry.
05:28I don't know like you.
05:29I knew him
05:30when I went to his house.
05:31Eh, it's been a long time.
05:32Let's tidy up
05:33and cut the grass.
05:34It's different.
05:37I like outdoor activities.
05:38I can't sit like this.
05:40Dating.
05:41Dating is different.
05:42It's different, right?
05:43Yes, it's different.
05:44I taught him to tidy up
05:45his mother's house.
05:47At that time,
05:48his mother lived in another place.
05:49Okay.
05:50So, we tidied up.
05:54It's funny.
05:55Then,
05:56we hung out
05:57in his mother's studio.
05:58I saw people training.
06:00I heard people screaming.
06:03Then, one night,
06:04there weren't enough people
06:05to read the script.
06:06Okay.
06:07So, one of his friends said,
06:09Farah, please read the script.
06:10We read it too.
06:11We read the script.
06:12We read the script.
06:13We read the script.
06:14You have a strong voice.
06:15You have a strong voice.
06:16Join us.
06:17Then, we joined.
06:18It was fun.
06:19It was fun in the beginning.
06:20Yes.
06:21It was tough.
06:22But, we got used to it.
06:23We got used to it.
06:24Then,
06:25maybe that's the way
06:26God wants us to be.
06:27This is the way
06:28you should be.
06:29Even your mother-in-law
06:30would say,
06:31maybe.
06:32Maybe.
06:33Maybe, right?
06:34So, we...
06:38This is my time.
06:39This is my time.
06:41This is the way
06:42God wants us to be.
06:43This is the way.
06:44But, we didn't think
06:45about it.
06:46We just thought
06:47at that time,
06:48people were
06:49talking about us.
06:50We were like,
06:51okay, let's go.
06:52No.
06:53At least,
06:54when we were practicing,
06:55we had a good reason
06:56to meet each other.
06:58Yes.
06:59In front of many people,
07:00there were witnesses.
07:01Yes.
07:02Yes.
07:03There were no secrets.
07:04Yes.
07:05Yes.
07:06So...
07:07Yes.
07:08It became a higher price.
07:09Yes.
07:10Oh, my God.
07:13Oh, my God.
07:15So, it was a play.
07:17It was an accident.
07:18Yes, it was an accident.
07:19Yes, it was an accident.
07:20Oh.
07:21It was an accident.
07:22Then, my mother-in-law...
07:23At that time,
07:24there was a production house.
07:25Yes.
07:26They did a drama.
07:28They offered to act together.
07:31Okay.
07:32But, there was no connection.
07:33We never...
07:34In all our lives,
07:35with her,
07:36it was only three times
07:39that we acted together.
07:40Oh.
07:41That was the last time.
07:42It was the third time
07:43for this year.
07:45She said,
07:46she wanted to do it
07:47in the same frame.
07:48Okay, let's go.
07:49We rarely got together.
07:51That was the first drama
07:52with her.
07:53Oh.
07:54Okay.
07:55Oh.
07:56The first play...
07:58I think it was her.
07:59Yes.
08:00But, it was her first drama.
08:01Yes, it was her first drama.
08:02She was the director.
08:03Wow.
08:04She wasn't an actress,
08:05but a director.
08:06No, no.
08:07She was the director
08:08of the theatre,
08:09because it was her production.
08:10Yes.
08:11It was her choice.
08:12She could do whatever she wanted.
08:14The drama...
08:15The first drama was with her.
08:18That was...
08:19The first drama...
08:20The first telemovie was with her.
08:22The first episode was with her.
08:24She was the director.
08:26But, we went to the casting.
08:27Oh.
08:28She told us,
08:29the producer was different.
08:30Even though, she was the mother-in-law?
08:31Yes.
08:32No, not yet.
08:33Oh, not yet.
08:34It was wrong.
08:35It was wrong.
08:36We were good at acting.
08:39Yes.
08:40But, we also went to the casting.
08:42The cable was strong, right?
08:44With the producer.
08:45The money, the producer,
08:46the TV station.
08:47Yes, yes.
08:48It was different.
08:49It was different.
08:50It was different.
08:51They had the right to say no.
08:53Yes.
08:54But, maybe at that time,
08:55we were like,
08:56we were good at acting.
08:57We got it.
08:59We were good at acting.
09:02But, before that,
09:03before you were trapped
09:04in the commercial world,
09:05the theater world,
09:06all of that,
09:07what did you do for a living?
09:11Oh, I'm not an art student.
09:12I'm not an art student.
09:16I have nothing to do with acting.
09:18I've never acted.
09:19I've never.
09:21I think I only acted once at school.
09:24Like, what was it?
09:25Talent Time.
09:26Okay.
09:27I only acted once.
09:28I became Dracula.
09:29That's it.
09:30I only dared to do costume.
09:31My mother-in-law did costume
09:32with a hoodie.
09:33How was it?
09:34I still remember that.
09:35My friends also remember.
09:36That's it.
09:37I joined a school choir
09:39in West Cape School.
09:41That was when I was in middle school.
09:43If I joined a choir,
09:44why did I have to do PPSM?
09:47For no reason?
09:49No.
09:50I didn't.
09:51I didn't.
09:53I didn't know.
09:54I didn't know.
09:55I didn't know.
09:56I didn't know.
09:57I didn't know.
09:58I didn't know.
09:59It was a blessing.
10:00A blessing.
10:01Maybe a blessing.
10:02Because, they said,
10:03just learn.
10:04Make a promise to learn.
10:05Because,
10:07in the duration of learning,
10:09whatever the course is,
10:11we don't know
10:12when we will wear it.
10:13That's right.
10:14We really don't know.
10:16I agree.
10:17Maybe, I have a feeling.
10:19When I was young,
10:20I always told myself,
10:21when I saw people,
10:22I was like,
10:23maybe that's useful.
10:24That's a blessing.
10:25That's another God's blessing.
10:26God's blessing,
10:27you can't resist.
10:28Some people said,
10:29now,
10:30wow, that's a blessing.
10:31Seeing people like this,
10:32there's a lot of question marks.
10:33Apparently,
10:34it's for yourself.
10:35You have to be an actor.
10:37God.
10:38That's right.
10:40Okay, after that,
10:41let's go to the movie.
10:43There's a lot of movie involvement
10:46that,
10:47the character that,
10:48if it's given to Farah Ahmad,
10:49it must be heavy.
10:50It's heavy.
10:51It has to be swept.
10:52It's like,
10:53it's about the size of the body.
10:55I want to say.
10:57No,
10:58yes,
10:59that's right, I understand.
11:00I understand.
11:01It's like,
11:02in the movie,
11:03the soul,
11:04it's really heavy.
11:05At that time,
11:06there are a lot of stories.
11:08Most of them.
11:09Most of them.
11:10So, if they say,
11:11if there's an actor,
11:12producer can't cast,
11:13Farah Ahmad.
11:15Okay, this character is weird.
11:16It's so weird.
11:17Farah Ahmad.
11:19Right?
11:20Me too.
11:22Now, I ask you guys,
11:23am I really weird now?
11:28She's not weird,
11:29she has responsibility.
11:31Because she's like,
11:32she's like,
11:33go-getter,
11:34personality,
11:35go-getter.
11:42Okay, like this,
11:43I feel,
11:45how strong,
11:47my base,
11:48I feel,
11:49because I play theater.
11:51Okay.
11:52In playing theater,
11:53I start from Ibu Fazlanawi,
11:55Dato Fazlanawi,
11:56that her script,
11:57has never been light.
12:00Everything,
12:01Ya Allah, Ya Tuhanku,
12:02sometimes,
12:03I get mad at her friend,
12:05I get mad at you guys,
12:07until she has a metaphor,
12:09she has logic,
12:10wisdom,
12:11maturity,
12:12life,
12:13but indirectly,
12:14the process actually
12:15matures our lives.
12:16For example,
12:17with the words,
12:18that,
12:19that,
12:20and that,
12:21wrongly said,
12:22it has to be corrected.
12:25Do you know why
12:26the verse is that,
12:27why the verse is this?
12:28There's a reason,
12:29there's a pressure,
12:30every word,
12:31every verse,
12:32there's a pressure.
12:33If your pressure is not right,
12:35you will give information,
12:37or information,
12:38that the audience gets,
12:39is different.
12:41I said,
12:42wrongly said,
12:43wrongly said,
12:44wrongly said,
12:45Oh my God,
12:47out,
12:48out,
12:49she said,
12:50out of the mouth of a snake,
12:51into the mouth of a wire.
12:54Help, help.
12:55But,
12:56when it's been a long time,
12:58a long time,
12:59a long time,
13:00a long time,
13:01a long time,
13:02it's become easy for us.
13:05So, when people give difficult text,
13:08okay,
13:09there's a little bit
13:10that we have to understand
13:11the director's visual,
13:12we can catch it,
13:13it's become easy.
13:15Because we've been taught,
13:16don't,
13:17but now,
13:18it's lagged,
13:19it's on TV,
13:20it's become naughty,
13:22the strip is broken,
13:24right?
13:25No,
13:26if it's wrong,
13:27you can't,
13:28you can't even leave one line,
13:29because we've been taught
13:31to respect the writer's writing.
13:34Okay,
13:35there's a reason why he wrote it.
13:37If we don't know how to say the dialogue,
13:40if we're like,
13:41this dialogue is not good,
13:42we have to get angry.
13:43The dialogue is not good,
13:44it's your mouth,
13:45not the character's mouth.
13:46Now,
13:47you're playing a different character,
13:48so you have to understand
13:49what his intonation is,
13:51what his understanding is,
13:52and why the character's dialogue
13:54speaks like that.
13:56That's the job of an actor, right?
13:58So,
13:59it's a learning process.
14:01And when there's a difficult text,
14:03God willing,
14:04with the blessing of the knowledge
14:06that has been blessed by God.
14:08Amen,
14:09God willing, amen.
14:10So, we get it.
14:11It's true.
14:12Because in the past,
14:13most of our stories
14:14are from poetry
14:16or from the script
14:17of the national poet,
14:19which is processed into a script
14:21without changing a single word
14:25from the writer.
14:27That's the great friend of Dato' Fozanawi,
14:30Irdan Dambulya.
14:32His script is really good.
14:33He never changed a single word
14:36to be combined
14:38from all the scripts
14:39into one script.
14:41We're the ones who have to get angry.
14:43We have to get angry,
14:44we have to understand.
14:46That's why people see
14:47that Farah can do it,
14:48Farah can do it,
14:49but they don't know
14:50that Farah is also stupid.
14:51Oh my God!
14:53Right?
14:54Confidence level,
14:55you have to be confident.
14:56Yes, yes, yes.
14:57Oh, you can do it.
14:58You can do it,
14:59but what's the problem?
15:00In front of people,
15:01they don't have to know
15:02what's going on behind their back.
15:03Yes, they don't know what's going on behind their back.
15:04Oh my God!
15:06I pray to God.
15:08On the other hand,
15:10have you ever rejected
15:12the characters
15:14that you played,
15:15the heavy characters?
15:16Yes,
15:17I think I rejected two.
15:21I don't know if it's heavy or not,
15:23but when he talked about the dialect,
15:26one was Terengganu,
15:27I said,
15:28I'm sorry,
15:29I don't know how to speak Terengganu,
15:31and I don't want to ruin the language,
15:33I'm afraid.
15:34Because there,
15:35Terengganu and Kelantan
15:36are very powerful.
15:37Now!
15:38Now!
15:40I'm afraid
15:41that we won't be able
15:43to understand everyone.
15:45Why don't they learn?
15:47But on our side,
15:49we don't have enough time.
15:51But that's not the only reason.
15:53If we don't have enough time,
15:54why don't they learn?
15:55It's a long story.
15:56So they don't learn, right?
15:57They don't have to learn.
15:58One more thing,
15:59recently there was a story
16:00about Negeri Sembilan.
16:01I said,
16:02we don't have enough time.
16:03Dialect too?
16:04Yes, Negeri Sembilan.
16:05I said,
16:06we don't have enough time,
16:07and I'm afraid.
16:09Because in this time,
16:11we have a lot of projects
16:12that we have to do.
16:13If it's a different story,
16:15like the movies,
16:17before this,
16:18there was a class,
16:19One Month Before,
16:20Makan Tidur,
16:21all of the scripts
16:22were written by me.
16:24What I was taught
16:25when I was in theatre,
16:26I've been practising it
16:27until now.
16:28And what I've been doing
16:29since I was in school,
16:31when I want to memorise
16:32something difficult,
16:33I will write it again.
16:35Yes, that's right.
16:36So that I can remember.
16:38That's right.
16:39One thing,
16:40it's true,
16:41I remember the movie
16:42Tong Biruwo.
16:43It was fun.
16:44The character was fun.
16:46But it's good
16:47that I got a good teacher.
16:49I was afraid.
16:53But,
16:54did you know that
16:55your son has started acting?
16:57Oh, really?
16:58Yes.
16:59It's so spotty.
17:00His son has long hair,
17:02but the character
17:03needs short hair.
17:04Cut it off.
17:05Seriously?
17:06Cut it off.
17:07Why don't you wear a wig?
17:09You can't wear a wig.
17:10Oh, no.
17:12I respect my son.
17:15I think
17:16his reason is the same as mine.
17:19He doesn't feel comfortable
17:20when he wears a wig.
17:21Okay.
17:22And he's afraid
17:23that it will interfere
17:24with his acting.
17:25Okay.
17:26He wants to move
17:27when he's acting.
17:28He doesn't want people
17:29to hit him.
17:30So he said,
17:31I don't want to wear a wig.
17:33I just want to cut my hair.
17:34So,
17:35cut it off.
17:37Or maybe he's waiting
17:38to cut his hair.
17:40This is the chance.
17:42This is the chance.
17:43This is a good excuse
17:44to cut his hair.
17:45It's okay.
17:46Do you have
17:47three daughters?
17:48Do you have three actors?
17:49No.
17:50One of them
17:51just finished her diploma
17:52in directing.
17:54God willing,
17:55she will continue.
17:56Is there anyone
17:57who wants to sponsor her
17:58to study abroad?
18:01Are you looking for a sponsor?
18:04There used to be Esro.
18:05That's Diya.
18:06There used to be Esro.
18:07Now, Esro is gone.
18:08You can't apply.
18:11Diya is in the middle.
18:12Diya is a director
18:13in the world place.
18:16Mia,
18:17she started from…
18:18I don't know about Mia's fortune.
18:20Maybe…
18:21That's her fortune.
18:22Actually,
18:23she's been a diva
18:24since she was young.
18:26She's a dancer.
18:27She's a dancer.
18:28She's a showgirl.
18:29She's a showgirl.
18:30She's a showgirl.
18:31She's an actress.
18:33She's an actress.
18:34She's a dancer.
18:35She's an auntie now.
18:36And then,
18:37she started…
18:38Her first short movie,
18:41first tele-movie,
18:43first film,
18:45first episode.
18:49All with me.
18:52You mean,
18:53all at once?
18:55First short film,
18:57Sayang.
18:59She's my adopted daughter.
19:03Tele-movie.
19:06Tele-movie.
19:07There are two.
19:08Raya.
19:09Raya.
19:10Raya,
19:11she's like a neighbor's daughter.
19:14Portrait Moya.
19:15Okay.
19:16Maybe,
19:17it's a family story.
19:20There's a grandmother,
19:21a father.
19:22Okay.
19:23She's my granddaughter
19:25because she's a ghost.
19:28First film,
19:29she's my daughter.
19:30You don't have to make a sound.
19:34First film,
19:36Roh.
19:37She's my daughter.
19:38My daughter,
19:39Roh.
19:40This is the first episode.
19:41She's younger than me.
19:45Maybe,
19:46it's taken from
19:48one of the
19:50same sense of humor.
19:53She's like us,
19:55from the womb.
19:56So,
19:57it's difficult,
19:58deep,
19:59easy for them to understand.
20:01That's my daughter's character.
20:03From the womb?
20:04Yes.
20:05From the womb.
20:06That's right.
20:07You don't have to make a sound.
20:10You'll be like this.
20:12You'll be like this.
20:15What about you, Tia?
20:16I have.
20:21I don't have.
20:22She did an ad with her grandmother.
20:25She was an extra
20:27in a drama with me.
20:28Another TV station.
20:29It's a children's story.
20:30It's fun.
20:31But,
20:32the first commercial with her grandmother,
20:34when she was working,
20:36in Malaysia,
20:37when she was working,
20:38even for children,
20:39they didn't think of children.
20:41That's a problem.
20:42Not all of them.
20:43She thought of timing as an adult.
20:44Yes.
20:45The service too?
20:46No, not the service.
20:47But,
20:48the timing.
20:49But,
20:50it depends.
20:51It's rare to see
20:53a production
20:54that will follow
20:55the children.
20:56I understand.
20:57But,
20:58we understand.
20:59The production
21:01works according to the schedule.
21:03The schedule.
21:04Yes.
21:05Her grandmother did it.
21:06It was fun
21:07to make money
21:08as a child.
21:09Then,
21:10she said she didn't want to do it.
21:12There were only scary stories.
21:13She had to offer
21:14scary stories.
21:15She didn't want to do it.
21:16She didn't want to do it?
21:17She didn't like it.
21:18She liked martial arts stories.
21:20She liked it.
21:21But,
21:22we didn't force her
21:23because she was
21:24giving her advice
21:25and understanding.
21:26She understood.
21:27She understood what we were doing.
21:28But,
21:29so far,
21:30she didn't act.
21:33She was into music.
21:34She played the violin.
21:35She played the violin.
21:36She was into music.
21:37She liked it.
21:39I heard a song.
21:40What song was it?
21:42Snoop...
21:43Snoop Dogg.
21:44Snoop Dogg?
21:45No.
21:46It's a rock song.
21:47It's a metal song.
21:48What was it?
21:50Metal?
21:51What was it?
21:52Shadow.
21:53Sleep Knot.
21:54Sleep Knot.
21:55Sleep Knot.
21:56Sleep Knot.
21:57Sleep Knot.
21:58Sleep Knot is great.
21:59Sleep Knot.
22:00We can talk about it.
22:01We know
22:02you've been around.
22:03Yes.
22:04We were in the car
22:05with her.
22:06In the middle of the day,
22:07listening to a song like this.
22:08It was so intense.
22:09I can't breathe.
22:10I can't breathe.
22:11I can't breathe.
22:12What did you feel?
22:13Come on.
22:14Calm down.
22:15Calm down.
22:16Calm down.
22:17Help.
22:18Help.
22:19Wait.
22:20How did you know
22:21that your son
22:22listened to Sleep Knot?
22:23How?
22:24I mentioned Snoop Dogg.
22:25Snoop Dogg.
22:26Snoop Dogg.
22:27Sleep Knot.
22:28That's great.
22:29In the world
22:30we live in now,
22:31in the social media world,
22:32it's important
22:33that the actor
22:34becomes popular.
22:35He has a popular label.
22:37That's right.
22:38I don't.
22:39I don't.
22:40I don't.
22:41So,
22:42you want to give
22:43Farah's perspective.
22:44It's important.
22:45It's important.
22:46Whatever you do,
22:47it's important.
22:48Even in the job sector,
22:49for me,
22:50if it's known,
22:51the road
22:52is more visible.
22:55Okay.
22:56It's like
22:57if we open
22:58a small door,
22:59we can only see a little.
23:00It's a metaphor.
23:01If we open the door,
23:02we can see a lot of lights.
23:04It's like
23:05if you look at this,
23:06it's the same
23:07as if you're laughing
23:08outside.
23:09There are a lot of lights.
23:10The view is more visible.
23:12It's important.
23:13I think it's important.
23:14But,
23:15it has to be but.
23:16Fulfillment is also important.
23:18Fulfillment is also important.
23:19Dear,
23:20to me,
23:21when God
23:22has given you a little,
23:23you're already popular.
23:24But,
23:25you take the opportunity
23:26and forget
23:27what kind of fulfillment
23:28you need to fulfill.
23:29I understand.
23:30It's like
23:31the box outside
23:32is so beautiful.
23:33But, it's empty inside.
23:34It's empty.
23:35It's better
23:36if it's just a normal box
23:37that people say
23:38is recycled.
23:39But, inside,
23:40there are a lot of things.
23:41Metaphor.
23:42It's a metaphor.
23:43There are a lot of things.
23:44It's not wrong
23:45if it's ugly outside.
23:46Why?
23:47It's not ugly.
23:48What is this?
23:49You just said
23:50it's natural beauty.
23:51No.
23:52I mean,
23:54That's her suggestion.
23:55The box
23:56that's not beautiful
23:57inside
23:58can be beautified
23:59from the box
24:00that's beautiful
24:01outside.
24:02But,
24:03it's closed tightly.
24:04It doesn't want
24:05to be filled
24:06with
24:07a scrooge.
24:08So,
24:09in your opinion,
24:10is that the responsibility
24:11of an actor?
24:12The responsibility.
24:13The responsibility of a human.
24:14Which one?
24:15An actor.
24:16The responsibility of an actor.
24:17When,
24:18I don't care.
24:19I know people have issues.
24:20They say,
24:21anyone can be an actor.
24:22Famous people
24:23are all actors.
24:24They're all followers.
24:26Yes.
24:28Stop.
24:31As an actor,
24:32what is the responsibility?
24:34What is the responsibility?
24:35It's not just the responsibility
24:36of the actor himself.
24:37But,
24:38it's also the people around him
24:39who support him.
24:40What is the responsibility
24:41of the management?
24:42What is the responsibility
24:43of friends,
24:44sparring partners?
24:47We give advice.
24:49What is he?
24:51If he doesn't follow,
24:52that's his fault.
24:53But, it's not wrong
24:54to be popular.
24:55It's not wrong.
24:56And it's not wrong
24:57to be unpopular.
24:58Because,
24:59in life,
25:00we're not perfect.
25:02We're looking for perfection.
25:04We won't work alone.
25:06I cannot blame you alone
25:08if you're popular
25:09but you're stupid.
25:10That's what I mean.
25:11What is my responsibility?
25:13We'll talk about it.
25:15We'll look at people.
25:16We'll talk about it.
25:17If he's the type that's not,
25:19we have to read him.
25:20But, it's best
25:21to be an actor.
25:22Because,
25:23when we've studied,
25:24we can read people.
25:25That's right.
25:34There's a lot of sound effects.
25:37We're also talented
25:38in radio dramas.
25:39Do you have a radio drama?
25:42We've just finished
25:433 radio dramas
25:44to celebrate Eid.
25:49If we can't praise him
25:50in the front,
25:51we'll praise him
25:52based on our behaviour.
25:54Okay.
25:55If we can't praise him,
25:56we'll say,
25:57how do you want to read this?
25:58How do you want this?
25:59We also have
26:00new actors
26:01that we know
26:02are famous
26:03and they look at us
26:04like...
26:06But, we don't say anything.
26:08We feel like,
26:09oh my God.
26:10We pray,
26:11oh my God,
26:12I'm so embarrassed.
26:13I'm scared.
26:14I'm scared to act
26:15with anyone.
26:16Even if they're young.
26:17They're still young.
26:18Not still,
26:19they're like...
26:20They're famous.
26:21They're famous.
26:22They're famous.
26:23We're just doing it.
26:24We're just doing it
26:25in this industry.
26:26It's not like
26:27we want to be in it.
26:28It's not on purpose.
26:29It's not on purpose.
26:30Then, we're like,
26:31okay, it's fine.
26:32But, we're like,
26:33we'll wait for you.
26:35We'll wait for you.
26:36We'll show you
26:37our acting.
26:38From work.
26:39From work.
26:40How they have...
26:42We don't say typical,
26:43but typical acting.
26:45We already know
26:46that people will
26:47act like this.
26:48But, I twist.
26:50So, I'm like,
26:51this is bad.
26:52If I don't do it,
26:53when we watch it,
26:54later,
26:55when it's set,
26:56the next day,
26:57they'll ask,
26:58how do I act?
27:00We'll answer,
27:01I'm not your teacher.
27:02Are you crazy?
27:03We'll give them advice.
27:04We'll give them advice.
27:05Go to class.
27:07Understanding.
27:09In the life of an actor,
27:10to act,
27:11the first thing that...
27:13Because we have
27:14an acting class.
27:16The first thing
27:17we'll tell the actors
27:18or people who want
27:19to learn acting,
27:20maturity in life is very important.
27:22It doesn't matter
27:23how old you are.
27:24When you're not
27:25mature in life,
27:26it means that
27:27you have no taste.
27:29Observation is very important.
27:32You have to learn.
27:33You don't have to
27:34go to class.
27:35Because,
27:36let's say,
27:37my acting class
27:38with my mother,
27:39there's no pencil,
27:40no pen.
27:41You have to do it.
27:42You have to look for it.
27:43I cannot teach you acting,
27:44but I can guide you.
27:46Understanding.
27:47In terms of logic,
27:48where's the logic?
27:49Why do it?
27:50You have to think.
27:51Because actors have to think.
27:52Even humans have to think.
27:53Yes, that's right.
27:55Those things.
27:56So, actors who...
27:58It doesn't matter
27:59if you have a name or not.
28:00Instagram is high or not.
28:03Choose.
28:04If you want to be an actor,
28:05this is what I always say.
28:07Even for actors
28:08who are in the acting class,
28:10if you want to be an actor,
28:11how do you do it?
28:13If you want to be...
28:16What do you want to be?
28:17Okay, you want to be an actor.
28:18There are two types of actors.
28:19What kind of actor do you want to be?
28:21Do you want to be a character actor?
28:23Or do you want to be
28:24a red carpet actor?
28:26I'm very straightforward.
28:27Okay.
28:28If you want to be
28:29a red carpet actor,
28:30the door will open.
28:32We can't help you.
28:33I'm sorry, I can't.
28:34I'm not good at it.
28:36But if you want a long...
28:39in the industry,
28:42be a character actor.
28:43Because the competition
28:44is about work.
28:45Not about looks.
28:46Because...
28:48the older you are,
28:49the more beautiful
28:50and handsome you are.
28:51That's right.
28:52The older you are,
28:53the more popular you are.
28:54That's right.
28:55But,
28:56where is our uniqueness?
28:58So that...
29:00people in the industry
29:01can see us.
29:02It's work.
29:03Commitment.
29:04Attitude.
29:06Those things.
29:07Quality.
29:08Yes, those things.
29:09If you want it to be long.
29:10But if you're in the industry,
29:11to be a business man,
29:12business woman,
29:13it's up to you guys.
29:14That's a different way.
29:15That's a different way.
29:16But for us,
29:17who do this job,
29:18it feels like...
29:19where...
29:20where...
29:21people say...
29:22Value.
29:23Value.
29:24Yes, value.
29:25Because in art,
29:26there's a culture.
29:27There's a culture.
29:28Art is not
29:29directed to...
29:30a certain person.
29:31There's no...
29:32There's no...
29:33There's no...
29:34There's no...
29:35There's no...
29:36There's no...
29:37There's no...
29:38There's no...
29:39There's no...
29:40There's no...
29:41There's no...
29:42There's no directed...
29:43Because art...
29:44Education, actually.
29:45Wherever we are,
29:46in whatever way,
29:47in whatever importance...
29:48in whichever story,
29:49the character is played by...
29:50by us, as an actor.
29:51But...
29:53And their destination...
29:54the story our playing...
29:57is a big responsibility...
29:58for an actor...
29:59to...
30:00Although, the story itself is negative,
30:02how shall we...
30:03make the audience positive?
30:04If the audience takes...
30:05if the bouquet is...
30:06negative
30:07to when ever
30:08we are held responsible.
30:09Betul, betul
30:10Haa, sedih pulak rasakan
30:12Tapi itulah
30:13Berat sebenarnya
30:14Orang kata senangnya jadi pelakon
30:15Saya kata, ya Allah, ya Tuhan ku
30:17Kalau benarlah senang
30:19Izinkan kami untuk senangkan hati kami
30:21Lakunan itu adalah senang untuk buat kami
30:23Sebab it's not easy untuk mempositifkan manusia
30:26Sebab sedangkan dalam buku kita, Quran pun
30:30Benda yang positif orang tak ikut
30:31Ini kan kita kan
30:32Tanggungjawab sangat besar
30:35Betullah
30:36Tak pernah nampak perspektif macam tu sebenarnya
30:39Yang selama ini, bila kita berbual dengan orang
30:42Belakon-belakon lah
30:43Dapat duit
30:44Kan?
30:45Tapi sebenarnya tanggungjawab yang diletakkan di atas bahu pelakon itu
30:49Sebenarnya pun besar
30:50Besar, betul
30:51Pastu, tanggungjawab kalau mak metua Fauzianawi pun besar kan?
30:57Ya, sebab kita salah informasi, salah lah
31:01Macam mana jadi menantu Fauzianawi?
31:04Datuk
31:07Datuk Fauzianawi
31:08Ya, dan macam mana
31:10Kita tahu Datuk Fauzianawi ini satu nama legend
31:13Seorang legend
31:14Besarlah
31:15Memang terkenal dengan kualiti kerja
31:17Dikenali sebagai seorang yang sangat disegani
31:20Outspoken juga kadang
31:21Outspoken juga
31:22Macam mana jadi menantu dia?
31:23Outspoken
31:28Macam mana jadi menantu dia?
31:29Mungkin masa saya kenal suami saya
31:32Kawan-kawan dia cakap, eh anak Fauzianawi nak kenal kau
31:35Siapa?
31:36Sebab saya jarang tengok TV
31:40Bila saya kawan dengan suami saya
31:44Baru saya tahu siapa Fauzianawi yang berlakon dalam Santan Belanda
31:47Oh, itu Fauzianawi
31:49Saya jarang tengok TV
31:50Saya sejenis sampai sekarang pun
31:51Kalau orang yang bekerja lama dengan saya, saya ingat
31:55Yang ala-ala macam Tashe Ngo saja, jarang ingat
31:58Kan?
31:59Sama juga macam TV
32:00Pengakuan berani
32:01Saya minta maaf
32:03Saya tak ingat saya minta maaf sangat
32:06Sama juga macam TV
32:07Saya jarang tengok TV
32:08Okay
32:09Okay
32:10Bila tengok pun sampai sekarang
32:11Melantaklah kau bernyanyi bagus
32:12Kau berlakon bagus pun kan
32:14Saya sekarang
32:15Even Hollywood ke siapa
32:16Mana-mana Malaysia
32:18Saya hanya
32:19Kalau let's say Dina
32:20Saya hanya tahu soal Dina saja
32:21Okay, Dina ini dulu masuk One in a Million
32:26Tapi saya tak akan korek sampai isu
32:28Mak bapak dekat mana
32:30Apa
32:31Apa tidak
32:32Setakat itu saja
32:33Okay
32:34Sebab saya rasa
32:35Banyak benda lah nak ingat
32:36Saya ada banyak benda lagi nak ingat
32:37Cukup yang
32:38Setidaknya saya bahagi-bahagi
32:39Saya tak adalah kata
32:40Aku terdekut sangat
32:41Tak saya bahagi ini
32:42So bila dapat tahu
32:43Oh ini ini
32:44Okay
32:45Mungkin
32:46Saya jadi rapat dengan dia
32:48Atau tidak terasa
32:49Macam orang kata
32:50Garang tahu Zainal bin
32:52Sebab
32:53Saya mulai pada berkawan
32:54Okay
32:55Berkawan
32:56Kerja
32:57Sama
32:58Grup theatre dengan dia
32:59Semua
33:00Sudah melalui dah
33:01Maki hamun
33:02Bergaduh bersama
33:03Jangan risau
33:04Saya pernah gaduh
33:06Tapi pasal kerja
33:08Itulah pula
33:09Dalam keluarga Fauzanawi ini
33:11Even anak-anak dia
33:12Kerja is kerja
33:13Okay
33:14Tak kisah
33:15Mak ke
33:16Suami ke
33:17Adik ke
33:18Kakak ke
33:19Kerja is kerja
33:20Salah
33:21Salah
33:22Okay
33:23Dia ada hak untuk bercakap
33:24Macam ada
33:25Ibu pernah kan dengan anak dia
33:26Masa itu
33:27Yelah ibu kan suka
33:28Berborak
33:29Ibu
33:30Masa itu
33:31Pergi sekarang
33:32Walaupun di depan orang
33:33Kerja
33:35Sebab itu yang dia ajar oleh Fauzanawi
33:37Kita ikut saja
33:38Ibu
33:39Kita tak baca
33:40Kita ikut saja
33:41Ibu yang mah ajar
33:45Jadi dia tahu
33:46Bila anak-anak dia
33:48Bertegas
33:49Even cucu dia pun
33:50Bertegas
33:51Pasal benda-benda ini
33:52Semua-semua
33:53Dia tahu
33:54Benda itu
33:55Dia pun macam itu
33:56Tegas
33:57Dia
33:58Tegas
33:59Dia orang kata
34:00Bukanlah sebab apa-apa
34:01Tapi nak
34:02Orang di hadapan dia semua
34:04Terbaik
34:06Jadi saya okey sajalah
34:07Sebab kita dah pernah boleh tackle
34:09Saya dah boleh tackle
34:10Dan ibu kan
34:11Verifikasi tahu
34:12Pasal makanan kan
34:13Mak
34:15Kau jangan main-main
34:16Tapi sekarang ini
34:17Dia dah kurang
34:18Dah sikit mungkin
34:19Dah Alhamdulillah
34:20Dah banyak ngaji
34:22Dah relax
34:23Yelah
34:24Tapi
34:25Bila kita
34:26Macam saya kan
34:27Bila dah umur dah 40 lebih
34:28Dekat 50 ini kan
34:29Dah orang kata
34:30Tuhan dah memang ajar
34:31Macam benda yang
34:33Fasal lah
34:34Untuk lagi memahami orang
34:36How to deal with people
34:38So sekarang ibu dah makin okey
34:40Kalau dulu
34:41Apa
34:42Tak sedar
34:43Saya tak boleh makan
34:44Benda ini
34:45Dulu
34:46Yang inilah
34:50Tapi
34:51Tapi saya sangat-sangat
34:52Alhamdulillah
34:53Allah pemudahkan
34:55Mungkin itu
34:56Nak mengajar saya
34:58Relax Farah
34:59Sebab saya pun berdarah panas
35:01Don't play with me
35:03Kan
35:04Dia bagi yang mak mentua
35:05Yang okey
35:06Selever
35:07Tuhan punya ilmu itu lain sekali
35:09Ya
35:11Nak mengajar cara lain
35:12Cara lain kan
35:13Saya Alhamdulillah
35:14I can handle
35:15Makan ke apa
35:16Kan
35:17Periklinik ke
35:18Semua
35:19Kalau apa-apa
35:20Kak Farah nak cakap-cakap
35:21Kalau keluarga kau
35:22Farah tolong settle lah
35:24Ingat tak tahun lepas
35:25Kita buat
35:26Berbual selalu
35:27Dengan ibu
35:28Kita tengah shoot
35:30Masa tu
35:31Kita tengah fikir
35:32Apa benda nak bagi
35:33Masa buka puasa
35:34Kita kena go through Kak Farah lah
35:36Dia makan ini tak?
35:37Dia makan ini tak?
35:38Dia sangat
35:39Apa ni
35:40Pasal makanan ke apa ke
35:42Selalu orang kan tanya saya lah
35:44Waktu timing kerja ke
35:46Apa ke
35:47Sebab kita dah
35:49Tahu lah
35:50Fizanali
35:53Tapi Alhamdulillah
35:54Mungkin itulah sebabnya
35:56Ada sebab lah macam-macam sebab
35:57Kenapa benda tu berlaku
35:59Dan dia
36:00Benda tu yang akan
36:01Yang tengah saya praktikkan
36:03Until now
36:05Untuk
36:07Please
36:08Untuk melayan
36:10Ibu Fauzia Nawi
36:12Tapi banyak juga artikel yang Dina baca
36:15Yang Kak Farah kata
36:16Kak Farah jadi sangat rapat dengan ibu
36:18Sejak
36:19Kehilangan suami
36:21Ya ok
36:22Apa yang terjadi sebelum ni
36:25Benda yang best
36:26Atau tak best
36:27Karena kalau benda yang tak best
36:28Kita suka mengeluh
36:29Benda yang best kita ingat
36:30Benda yang tak best
36:31Kita asyik mengeluh
36:32Betul
36:34Benda-benda tu saya rasa
36:36Ya ni untungnya main teater tau
36:38Mungkin tak masuk kelas asrah
36:39Aku tak suka kelas asrah
36:41Apalah
36:42Pantun-pantun ni aku
36:43Ya Allah
36:44Susahnya orang Melayu
36:45Dia cakap dia dah terus
36:46Tiba-tiba kerja kita
36:47Hah kau padan
36:49Tapi it's good sebenarnya
36:50It's good
36:51Dah lupa
36:53Apa?
36:54Lebih rapat
36:55Jadi rapat
36:56Bila kejadian berlaku
36:57Saya mengambil pendekatan
37:00Dimana itu adalah workshop
37:04Sebelum kita jadi pelakon kan
37:05Nak berlakon kita ada workshop
37:07Ok saya punya workshop
37:08Workshop Tuhan bagi
37:09As a farahmat
37:10Apa yang terjadi
37:11Baik, buruk
37:14360 dah apa benda tu
37:15Itu semua workshop
37:16Untuk saya selepas
37:17Kematian suami saya
37:19Dimana
37:21Tuhan nak tunjuk tu
37:22Saya kata wow
37:23It's very miracle
37:26Benda yang tak best
37:27Semua jadi sweet
37:29Benda yang tak best
37:30Mengajar kita
37:31Lebih orang kata
37:33This is tanggungjawab
37:35Bukan saja-saja
37:36Aku bagi engkau rasa benda tu
37:39Tapi untuk
37:41Engkau tengok macam mana
37:42Balasan aku
37:43Dimana
37:47Apa yang cakap
37:48Dimana
37:50Risauan
37:51Ataupun
37:52Hormat menghormati tu
37:55Dia jadi macam tu smooth
37:57Tidak perlu memaksa orang
37:59Faham
38:01Faham
38:02Tuhan
38:03Saya-saya cakap dengan
38:05Kenalan
38:06Kalau ada masalah
38:07Apa benda ke
38:09Dimana kita ada batas
38:10Cara nak menegur orang
38:11Siapa pun
38:12Mak ke, bapak ke
38:13Adik ke, kawan ke
38:15Kita ada batas
38:16Sebab kita tak tahu
38:17Apa orang tu alami
38:18Dalui
38:19So paling jauh pun
38:20Hanyalah kita berdoa secara baik
38:22Kalau tak doa secara mulut pun
38:23Dalam hati
38:24Satu masa
38:25Tuhan akan
38:26Balas
38:27Tuhan akan tunjuk macam mana
38:28Tapi dengan keadaan
38:30Tapi tinggal kita
38:31Terima atau tak terima
38:34Sedar atau tak sedar
38:35Sedar atau tak sedar
38:36Mungkin dia ambil yang
38:37Saya rasa itu
38:38My support system paling kuat
38:40Dia dah ambil
38:41Tapi in between
38:42Support system yang kuat itu
38:44Ada lagi satu kuasa kuat
38:46Yang akan mengaturkan
38:47Hidup engkau
38:48Yaitu
38:49Sang Percita
38:50Allah SWT
38:51Alhamdulillah
38:52Betul lah
38:53Kak kalau berdekongsi lah
38:54Masa kehilangan suaminya tu
38:56Macam mana
38:57Kak explain dekat anak-anak tu
38:58Sebab mereka masih kecil lagi kan
39:00Jadi macam mana
39:01Nak bagi mereka paham
39:03Betul betul
39:04Alhamdulillah lagi sekali
39:06Alhamdulillah
39:09Tuhan tu atur kan
39:10Macam saya cakap workshop tu
39:11Sebab kami memang
39:13Kerja mak bapak dia
39:14Outstation
39:15Gila gila
39:16So
39:17Jarak tak jumpa dengan
39:19Abang Pete tu
39:20Sebelum tu
39:21Sebulan
39:22Dua bulan
39:23Just call
39:24So benda tu dah biasa
39:25Dah biasa
39:26Sebelum tu pun
39:27Outstation dah biasa
39:28Bila kejadian berlaku
39:32Saya terus
39:35Tanamkan dalam dili
39:37Lili pula
39:39Alam lili pun boleh lah
39:41Alam lili
39:42Sumpaya bertabah
39:43Tanam alam lili
39:45Tanam dulu
39:48Saya tanamkan dalam dili
39:50Macam mana kita nak suruh orang sabar
39:52Jangan menangis
39:53Kalau kita pun tak sabar
39:54Kalau kita pun menangis
39:55Betul, faham
39:56Biarlah dalam hati tu
39:58Betul orang kata
39:59Bila kita
40:03Waktu yang paling
40:04Orang kata mujarab
40:06The best time to do'a
40:08Adalah bukanlah di bibir
40:10Tapi di hati
40:12Kerana do'a tu
40:13Hanya aku dengan Tuhan dia yang tahu
40:20Memang
40:21Itulah saya motivate
40:25Saya berdiri
40:27Kau jangan nangis
40:29Kau sabar
40:31Kau saya rendah Tuhan
40:34Itu lah
40:35So anak-anak pun memang
40:37Saya tak dengar
40:38Dia punya rawangan tu
40:40Tak dengar
40:42Alhamdulillah
40:43Sekarang mereka pun
40:44Kalau nangis pun
40:45Mereka ada nangis
40:46Mereka tersendiri
40:47Semunyi
40:48Kecuali yang kecil
40:49Kadang-kadang terbabas
40:50Sebab tiba-tiba tidur
40:53Semua, kalau dia nangis semua
40:55Mama
40:56Baru kejadian itu
40:57Mama, adik nangis
40:58Hah? Adik nangis
40:59Aku dah tahu dah
41:00Pasal apa
41:01Tidur dengan mama
41:02Kita dah tahu
41:03Kadang-kadang kita tak salah
41:04Kan benda itu
41:05Bagus
41:06Saya memang sentiasa do'akan Tuhan
41:08Kekalkan keninduan
41:10Supaya kami beringat
41:11Kuasa dia
41:12Apa yang berlaku
41:14Kalau orang kata benda itu pedih
41:16Pada kami
41:17Anak-beranak
41:18Benda itu tak pedih
41:19Sesuatu
41:20Orang kata hidangan manisan
41:21Yang Tuhan bagi sekali-sekala
41:22Untuk kami ingat
41:25Kita punya soulmate
41:26Dan secara tak langsung
41:27Kita akan ingat
41:28Sentiasa pada dia
41:29Berdo'a pada dia
41:30Sebab kita
41:31Kalau kita ingat seseorang
41:32Pasal apa
41:33Kita tak akan canggih
41:34Idina, aku tuh tiba-tiba teringat
41:35Abang Pete lah
41:36Macam sinetron
41:38Ibarat macam
41:39Sekarang
41:40Dia dalam hati
41:41Dalam hati
41:42Kalau orang kata
41:43Tak pernah pun teringat
41:44Kak Farah nak nangis ke
41:45Oh, korang
41:48Tak payah
41:49Biar aku nangis dengan dia je
41:50Sebab yang
41:51Memakbulkan pun dia
41:52Bukan kita
41:53Nidak-menidakkan support system
41:55Tapi support system
41:56Ada cara lain
41:57Betul
41:58Ada masing-masing bagian
41:59Ya, ya, ya
42:00So itu je
42:01Sebab saya dah janji
42:03Jangan nangis
42:04Sabar
42:05Saya akan bawa balik
42:08Arwah
42:09Arwah
42:10Dekat mak dia
42:11So
42:13Banyak benda
42:14Alhamdulillah
42:15Alhamdulillah
42:16Ini
42:17Idina nak tanya
42:18Tahu tak
42:19Kunsal atau apa
42:21Saya
42:22Tak tahu kan
42:23Saya kurang pasti
42:24Ok
42:25Apa tu?
42:26Entah
42:28Awak ni
42:29Kenapa tiba-tiba awak tanya
42:30Nak link kan dengan ni
42:31Ok
42:32Masalahnya
42:33Segway tu
42:35Segway tu
42:36Tak berapa
42:37Nak smooth lah
42:38Bukan
42:39Nak cepat
42:40Link tu tak berapa
42:41Nak cantik lah
42:42Macam mana nak link
42:43Ok lah
42:44Kunsal tu apa sekarang
42:45Aku tanya korang
42:46Orang yang ada
42:47Dua jantina
42:48Ok
42:49Dua jantina
42:50Atau
42:51Dua jantina
42:52Dua
42:53Alat kelamin
42:54Jantina lah
42:55Betul
42:56Dua jantina lah
42:57Betul
42:58Tadi
42:59Dia tak semestinya
43:00Cenderung kepada
43:01Dia mesti cenderung kepada
43:02Lelaki atau perempuan kan
43:03Jadi cerita ni
43:04Macam mana
43:05Sekarang ni
43:06Dia cenderung kemana
43:08Yang kusas
43:09Tengah cayang tau
43:10Tak ada lok tau
43:11Tak ada dia cerita hantu
43:13Eh cerita tu
43:14Ya Allah pecah kepala kan
43:15Menangis
43:16Marah-marah
43:17Sekarang tengok dekat teaser tu
43:18Aku tengok
43:19Oh lakar-lakar
43:20Eh kenapa lah
43:21Garang-garang
43:22Macam inilah
43:23Allah
43:24Astagfirullahalazim
43:25Kenapa ni
43:26Nanti cepat tua
43:27Nanti kena sakit jantung
43:28Marah-marah
43:29Macam ni sabar
43:30Sabar cerita
43:31Cerita
43:32Kunsal
43:33Karya
43:34Yang keberapa tau
43:35Budak ijat tu
43:36Aku tak tau lah
43:37Budak ijat tu
43:38Budak ijat tu
43:39Sekarang ni kunsal
43:40Dia tengah penuh kepala tu dah
43:44Cerita kunsal ni
43:45Pasal
43:46Ok untuk
43:49Saya kan ada juga tau
43:50Yang bertanya kunsal tu apa
43:51Ada setengah orang tak tau kan
43:52Kunsal tu
43:53Mereka ingat
43:54Kunsal bukannya pundan
43:55Adik-adik
43:56Bukan
43:57Ya Allah ya Tuhan
43:58Kalau buruk
43:59Jangan buruk sangat
44:00Kunsal bukannya pundan
44:01Kunsal adalah
44:03Manusia yang
44:05Ada dua
44:07Alat kelamin
44:08Lelaki dan perempuan
44:10Di waktu kecil
44:13Dan proses
44:14Untuk tahu
44:16Dia
44:17Badan itu
44:18Cenderung kepada
44:20Lelaki
44:21Ataupun perempuan
44:22Mengambil masa
44:23Bertahun-tahun
44:24Berpuluh tahun
44:25Sebab kita
44:26As a normal
44:27Jantina pun
44:28Akan end
44:29Kita punya hormon
44:31Lelaki-lelaki
44:3215 tahun ke atas
44:34Baru start
44:35Jerawat lah
44:36Nak ada suara
44:37Nak garam lah
44:38Take time
44:40Macam perempuan
44:41Memang awal
44:42Tapi kita punya ketinggian
44:43Akan stop selepas
44:4418 ke 20
44:45Kira dah
44:46Hang
44:47Kanlah perempuan sejati
44:48Hang
44:49Lelaki-lelaki lambat sikit
44:50Lelaki-lelaki
44:51Di antara umur
44:5220, 21
44:53Mereka ada masalah
44:54Ada lima
44:55Napsu
44:56Yang
44:57Nak
44:58Perempuan tak perempuan sangat
44:59Mereka lelaki sebenarnya
45:00Tapi mereka semangat
45:01Nak perempuan
45:02Itu
45:03Kita kena faham
45:04Kadang-kadang kita nak marah
45:05Dugaan lah
45:06Dugaan
45:07Dugaan biologi
45:08Ini bukannya
45:09Tapi
45:10Kunsal ni
45:11Dari kecil tiba-tiba
45:12Buka-buka
45:13Eh
45:14Ada dua
45:15Lelaki ke perempuan
45:16Tapi dia tidak
45:17Dia tidak lah
45:18Dia beri kebenaran
45:19Untuk manusia itu
45:20Memilih
45:21Jantina itu
45:22Aku nak anak lelaki
45:23Potong
45:24Perempuan
45:25Aku nak anak perempuan
45:26Potong lelaki
45:27Potong lelaki
45:28Tidak
45:29Dia perlu mengambil masa
45:30Dari segi
45:31Saintifik
45:32Itu kena pergi dokter
45:33Check hormon
45:34Sebulan
45:35Kalau leksilah lelaki kan
45:36Dia jab hormon lelaki
45:37Badan terima ke tak?
45:38Dia bukan terima
45:39Dia dalam masa sebulan
45:40Dua bulan
45:41Bertahun
45:42Sebab
45:43Pertumbusaran kan
45:44Ya
45:45Sama
45:46Game
45:47Sama
45:48Goes to
45:49Perempuan pun
45:50Sama
45:51Dan bila dah
45:52Leksilah hormon itu
45:53Sudah melekat pun
45:54Dia tengok dalam pulak
45:55Bila kita dah meningkat
45:56Reproductive system
45:57Apa pula yang
45:58Kerja
45:59Kalau ikutkan
46:00Sedikit info
46:01Atas sejarah
46:02Yang
46:03Siapa yang ada
46:04Kunsan ini
46:05Iduk tak lama
46:06Sekejap
46:07Sebab
46:08Bila
46:09Bila dorang dah tahu
46:10Dorang ke cenderung
46:11Kelaki atau perempuan
46:12Dah buat pemilihan itu
46:13Sebab kena ada
46:14Kelulusan jabatan agama juga
46:15Ada link dengan
46:16Dokter
46:17Ya
46:18Bila dah dapat itu pun
46:19Ada pulak
46:20Kompilasi dalaman
46:21Komplikasi
46:22Macam
46:23Maksudnya
46:24Kita yang normal pun
46:25Nanti tiba-tiba
46:26Ada sakit jantung
46:27Ya betul
46:28Ada komplikasi dia
46:29Sama dengan kunsan
46:30Dalaman
46:31Kompilasi dalaman
46:32Tambah pulak
46:33Kalau yang mana
46:34Perempuan
46:35Yang ke arah
46:36Perempuan
46:37Dia ada pulak
46:38Dia ada period
46:39Yang ini saya dapat
46:40Informasi daripada
46:41Yang buat research
46:43Daripada jabatan agama juga
46:45Bila dorang yang ada
46:46Dua perempuan
46:47Yang
46:48Bila pemilihan
46:49Dorang punya hormon itu
46:50Ke perempuan
46:51Dorang period
46:52Ada dua jenis period pulak
46:53Yang mana
46:54Yang kena segugut
46:55Hanya itu
46:56Period pin dia
46:57Lagi hidup tak lama
46:58Sebab darah tak keluar
46:59Okey
47:00Bagi yang darah keluar pun
47:01Dia
47:02Darah keluar mengikut
47:03Apa tau
47:04Saluran dubu
47:05Oh
47:06So macam
47:07Wah kesian
47:08Itu sebab
47:09Bila kita ada
47:10Yang
47:11Orang kunsan takkan
47:12Bagitahu dia kunsan
47:13Sebab dia malu
47:14Dorang kan
47:15Benda yang satu
47:16Tabu
47:17Yang macam
47:18Oh
47:19Kan
47:20Dorang
47:21Sangat
47:22Orang kata diam saja
47:23Tapi kita tahu
47:24Ada
47:25Kalau ikut kenalan saya
47:26Saya access
47:27Dua orang
47:28Yang kunsan
47:29Yang
47:30Tadi
47:31Peran
47:32Menjelang
47:33hujung
47:34Melayu
47:35Lelak
47:36Yang
47:37Sebijak
47:38Melayu
47:39Masa
47:40Yang
47:43Bergerak
47:44Ke
47:45Belanda
47:46Komen
47:47Sesuatu
47:48Terkendali
47:49Mendupa
47:50Itu
47:51Buat
47:52Mulut
47:53Benjamin
47:56Dan
47:57Saya
47:58Bcker
47:59We can reveal it
48:01Her father forced her to marry a man
48:05He closed her up
48:07That's not good
48:09That's Azharani
48:11Astaghfirullahaladzim
48:13He's sitting on the mountain
48:15Mr. Gwaku, Mr. Gwaku, are you scared?
48:17No, at the next station he's evil
48:19So, do you understand how Azharani is?
48:21Mr. Gwaku, he said
48:23So, when Jatina was decided at the beginning
48:31She was still growing, right?
48:33Yes
48:35So, it became an issue
48:37Issue
48:39Issue
48:41Issue
48:43Issue
48:45Issue
48:47Issue
48:49Issue
48:51So, when she grew up
48:53Her homo-vanita
48:55Became more and more
48:57That her father couldn't accept
48:59I understand
49:01And not until she was a teenager
49:03You can't tell
49:05You have to
49:07You can't tell
49:09You have to wait
49:11Every night
49:13In fact, Azharani couldn't accept
49:15That her daughter was a woman
49:17Because she already had other daughters
49:19She wanted a son
49:21That's why she forced her daughter to be a man
49:23Yes
49:25Understand?
49:27Where the parents
49:29If there is a hard-working child
49:31Relax
49:33Be patient
49:35God will determine
49:37Okay
49:39This week has already been broadcast
49:41For the first week already
49:434 episodes 5
49:45At that time, this recording was released
49:474 episodes
49:49Because it was on Monday
49:51Until Friday
49:53Monday to Thursday
49:55Yes, that's right
49:57What time?
49:599 pm
50:01Thursday to Thursday
50:034 episodes
50:05Monday to Sunday
50:0711 am
50:09Let her scold me
50:11She knows the TV show
50:13After returning from TV show
50:15It's fasting month
50:17Fasting is not to control food
50:19It's to control lust
50:21That's right
50:23Monday to Thursday
50:259 pm
50:27Or watch on demand
50:29You can also like
50:31Because all the other actors are great
50:33We have Azharani, Sherry Alhaddad
50:35Nadia Akila
50:37We have Laila Nasir
50:39We have actress
50:41Bika
50:43We have Farah Amat
50:45Mia Farhana
50:47Me
50:49A lot
50:51For your information
50:53Because the picture has been released
50:55One character
50:57There is
50:59Because there is a baby
51:01If it doesn't include a baby
51:03There are 5 actors
51:05Because he follows the era
51:07From baby to old
51:09I understand
51:11His growth
51:13So if the character
51:15His aunt or sister
51:17There are 5 actors
51:19That's why this story
51:21Long
51:23Shooting
51:25Not yet
51:27Not yet
51:29Be patient
51:31We want to know more
51:33We want to know
51:35But
51:37Surprise
51:41Ok
51:43That's all
51:45Thank you so much
51:47If you can know
51:49This is the last
51:51Between film or drama
51:53Which character is the heaviest?
51:55The last question
51:59There is no character that is not heavy
52:01This is my answer
52:03For an actor like Farah Amat
52:05For me
52:07If you give me a sleeping character
52:09Heavy for me
52:13The gravity is the same
52:15The same
52:17The preparation is the same
52:19There is no dialogue
52:21The preparation is the same
52:23Because we want to find the color of the character
52:25Not our color
52:27So all the characters are the same
52:29If it's heavy dialogue
52:31Light physically
52:33If both are light
52:35The production is heavy
52:37This is a heavy problem
52:41Everything
52:43Heavy things will be easy
52:45If we understand
52:47To balance
52:49The situation
52:51Because it will make it easier for us
52:53Beautiful
52:55Happy fasting
52:57Thank you all
52:59Assalamualaikum
53:07You