Navajo Joe-HD (1966)
Transcript
00:00:00 [crickets chirping]
00:00:02 [footsteps]
00:00:04 [tires screeching]
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00:00:50 [crickets chirping]
00:00:52 [woman screams]
00:01:04 [gunshots]
00:01:06 All right, get him!
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00:04:38 [man] Damned Indian.
00:04:40 He's still on our trail.
00:04:42 [footsteps]
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00:04:46 [gunshot]
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00:04:50 [gunshot]
00:04:52 Stupid! You're simply wasting your fire.
00:04:54 [horn honks]
00:04:56 Go ahead, Jim.
00:04:58 I know what to do.
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00:05:40 Go over that way.
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00:08:18 - Why don't you let me handle it?
00:08:20 [footsteps]
00:08:22 [footsteps]
00:08:24 One shot and I'd have finished him off.
00:08:26 [footsteps]
00:08:28 By this time I'd already be bringing you back a scalp.
00:08:30 - Maybe he would have had yours.
00:08:32 You're just too stupid.
00:08:34 - You're a real smart brother, aren't you?
00:08:36 Just like a true half-breed.
00:08:38 [gunshot]
00:08:40 - Be careful, brother.
00:08:42 I won't ever let anyone call me a bastard.
00:08:44 Hey, look over there!
00:08:45 [HORSE GALLOPING]
00:08:48 [MUSIC PLAYING]
00:08:53 [HORSE NEIGHING]
00:09:07 [HORSE GALLOPING]
00:09:10 [MUSIC PLAYING]
00:09:24 [MUSIC PLAYING]
00:09:28 [MUSIC PLAYING]
00:09:31 [GUNSHOT]
00:09:32 [APPLAUSE]
00:09:35 [MUSIC PLAYING]
00:09:55 [MUSIC PLAYING]
00:09:59 Look at that, Duncan.
00:10:08 They got a price on your head.
00:10:10 Your brothers, too.
00:10:11 Dirty cowards.
00:10:13 We come to sell scalps, and that's the welcome we get.
00:10:15 Yeah, they're crazy.
00:10:16 The sheriff must have made a mistake.
00:10:18 Yeah, well, then we'll just have to set them straight.
00:10:23 200, Jeffrey, that's more than you're worth.
00:10:26 Hey, don't throw it away, Duncan.
00:10:32 We'll set fire to the whole town with that piece of paper.
00:10:34 [LAUGHTER]
00:10:37 We're going to have a little fun.
00:10:45 They're really going to pay for this.
00:10:48 [LAUGHTER]
00:10:52 [MUSIC PLAYING]
00:10:54 Hey, one minute there.
00:10:55 No, no, you got to check your guns first.
00:10:58 You must be joking with all those tough characters in there.
00:11:00 Hey, mister, don't get excited.
00:11:02 You can keep us as hostages.
00:11:03 What good will that do?
00:11:04 Plenty.
00:11:05 If you pull up a couple of chairs for us,
00:11:07 then we can keep you company.
00:11:08 Huh?
00:11:09 You wouldn't want to keep us standing here, would you?
00:11:12 All right, I'll get a few chairs.
00:11:14 Thank you.
00:11:19 Now, after you.
00:11:20 [MUSIC PLAYING]
00:11:23 [SCREAMING]
00:11:40 What's going on?
00:11:41 [GUNSHOTS]
00:11:44 Well, come on, boys.
00:11:47 This friendly little visit isn't over yet.
00:11:48 I have an idea.
00:11:49 We'll have to give this town a reason
00:11:51 for collecting that reward.
00:11:52 [LAUGHTER]
00:11:55 [SCREAMING]
00:11:58 We didn't do it.
00:12:09 It was the sheriff's idea.
00:12:11 [GUNSHOTS]
00:12:12 The sheriff, huh?
00:12:13 Where is he?
00:12:14 I'd like to speak to him.
00:12:16 Right over here, Duncan.
00:12:19 What do you think you're doing?
00:12:21 Just why have you come here?
00:12:22 You know damn well.
00:12:24 We've been bringing you Indian scalps for years.
00:12:26 You played us good then, Sheriff.
00:12:28 That ain't against the law.
00:12:31 What's happened?
00:12:32 Those days are through.
00:12:33 The scalps you brought then were those of troublemakers.
00:12:37 Now you're attacking peaceful tribes,
00:12:39 killing even the women and the children.
00:12:42 This is murder, Duncan, and I must forbid it.
00:12:45 All Indians are the same to me, a bunch of red bastards.
00:12:49 Show them the scalps, monkey.
00:12:50 Here.
00:12:57 And there's more where these came from.
00:12:58 [LAUGHTER]
00:13:00 Now listen to me, Duncan.
00:13:01 I've warned you.
00:13:03 No sale.
00:13:04 Just come along with us.
00:13:05 Duncan, I'm arresting you for murder.
00:13:07 Get up.
00:13:08 [LAUGHTER]
00:13:09 Now open up the jail, Sheriff.
00:13:11 [LAUGHTER]
00:13:12 [GUNSHOTS]
00:13:15 [GROANING]
00:13:18 Nice shot.
00:13:21 Your boys are in top form, my friend.
00:13:23 Well, well.
00:13:28 Look who's here.
00:13:30 You've changed since you were in that rotten prison.
00:13:32 And you, you haven't changed at all, Duncan.
00:13:39 You're still selling out cheap, still satisfied with a dollar
00:13:43 a scalp like before.
00:13:44 Yep.
00:13:46 Yeah.
00:13:48 It's a personal hobby.
00:13:51 What about you?
00:13:53 You still make a living at a saving helpless woman?
00:13:56 No.
00:13:57 I'm also a doctor, remember?
00:13:59 And now I've gotten started in banking.
00:14:03 Banking?
00:14:05 The name Blackwood mean anything to you?
00:14:09 Sure.
00:14:11 They're rich, the ones that own the bank in town.
00:14:14 But I don't think they mean anything to you.
00:14:16 They mean a great deal.
00:14:17 Blackwood's a banker, and I've married his daughter.
00:14:20 You don't say.
00:14:22 I'm pretty influential now.
00:14:23 How about putting me on the payroll, Amiga?
00:14:25 Well, I just might have an opening for a teller.
00:14:28 Look, I have a proposition that might interest you.
00:14:30 There's a train due to arrive in Esperanza with half
00:14:33 a million dollars on board.
00:14:35 All you have to do is hold up the train.
00:14:37 When the job is done, both of us will be rich.
00:14:39 Or I'd be rich alone.
00:14:41 No, don't count on it.
00:14:43 You can't do it without me, my friend.
00:14:45 That money's locked up in an armored safe.
00:14:47 If you're thinking of using dynamite charges,
00:14:49 you'd blow up the safe all right,
00:14:51 and the money along with it.
00:14:53 But I know the combination on the lock,
00:14:55 so I could open it nice and easy.
00:14:59 Hold up that train, and then meet me at Hot Springs.
00:15:01 I'll be there tomorrow.
00:15:03 You won't have to run around chasing
00:15:05 these stinking Indians anymore just for a few lousy dollars.
00:15:09 And I'll be able to get the hell out of this miserable town
00:15:11 and head back to Europe.
00:15:14 You must really be in love with your wife.
00:15:16 Of course I am.
00:15:18 It's easy to love a woman who's such a solid investment.
00:15:22 But as far as the pleasures of matrimony are concerned,
00:15:25 that's another story.
00:15:26 [GLASS SHATTERING]
00:15:29 [SHOUTING]
00:15:33 Come on!
00:15:36 Come on, girls, hurry up.
00:15:37 Get up there.
00:15:38 Don't let those girls get away.
00:15:41 Larry, stop them.
00:15:43 Right, Duncan, make it fast.
00:15:45 You boys, come with me.
00:15:47 Yeah!
00:15:50 Hey, boys, let's go.
00:15:51 Get on those horses.
00:15:52 We got to stop them.
00:15:54 Don't let those girls get away.
00:15:55 [MUSIC PLAYING]
00:15:59 [HORSES GALLOPING]
00:16:02 Duncan, wait!
00:16:27 That Indian!
00:16:28 He got two more of our men.
00:16:30 Come on, we'll finish him off this time.
00:16:32 Later.
00:16:33 We've got something else to take care of now.
00:16:34 [MUSIC PLAYING]
00:16:38 [HORSES GALLOPING]
00:16:41 [MUSIC PLAYING]
00:16:46 [HORSES GALLOPING]
00:16:49 [HORSES GALLOPING]
00:16:53 [HORSES GALLOPING]
00:17:14 Oh!
00:17:17 Oh!
00:17:18 The reality's been hit!
00:17:19 [MUSIC PLAYING]
00:17:23 [SCREAMING]
00:17:41 [GUNSHOTS]
00:17:44 [GASPS]
00:17:45 [GUNSHOTS]
00:17:48 [GROANS]
00:17:57 You saved our lives, mister.
00:17:59 We're very grateful.
00:18:00 Don't think that we'll forget what you've done for us.
00:18:04 I didn't kill him for you.
00:18:06 Listen, mister.
00:18:06 In Paiute, we overheard Duncan and a man from Esperanza
00:18:09 gabbing about some train robbery they're setting up.
00:18:12 Geraldine could recognize the other fellow,
00:18:13 but they shot her.
00:18:15 It's the train that passes through Esperanza.
00:18:17 They have about half a million dollars
00:18:19 on board in one of the cars.
00:18:20 The bandits have arranged to meet back in Hot Springs.
00:18:23 There's still time to stop that train.
00:18:27 Here.
00:18:28 There's a chance you can help.
00:18:29 I don't know.
00:18:30 Just why do I have to take that chance?
00:18:34 It's a long ways to ride.
00:18:36 Maybe I'll go back.
00:18:38 I'll get to Esperanza.
00:18:39 Let's go.
00:18:43 [GRUNTS]
00:18:44 [HORSE GALLOPING]
00:18:46 We've got to get back to a doctor.
00:18:48 She's bleeding a lot.
00:18:49 [TRAIN RUMBLING]
00:18:52 [TRAIN WHISTLE BLOWING]
00:19:11 [CRYING]
00:19:41 [CRYING]
00:19:44 There, there.
00:19:45 Hush.
00:19:46 I know I'm going to love this country.
00:19:56 How beautiful the mountains are.
00:19:58 Do you think he'll like it too?
00:20:00 I'll let the little fellow have a look.
00:20:02 I'm sure he'll love it here.
00:20:04 [TRAIN WHISTLE BLOWING]
00:20:07 [TRAIN WHISTLE BLOWING]
00:20:11 [TRAIN WHISTLE BLOWING]
00:20:22 [TRAIN WHISTLE BLOWING]
00:20:26 King, Jack.
00:20:42 Ah.
00:20:43 I'm through.
00:20:44 [LAUGHTER]
00:20:45 You cleaned me out.
00:20:48 Never mind that.
00:20:49 You can help yourself from that safe inside.
00:20:50 [LAUGHTER]
00:20:53 It's your turn.
00:20:54 That's yours, Bill.
00:20:55 [TRAIN WHISTLE BLOWING]
00:21:01 [TRAIN WHISTLE BLOWING]
00:21:04 [GUNSHOTS]
00:21:10 [MUSIC PLAYING]
00:21:27 [TRAIN WHISTLE BLOWING]
00:21:31 [TRAIN WHISTLE BLOWING]
00:21:51 Stop! Stop the train!
00:21:56 What for?
00:21:57 Pause!
00:21:58 They're blocking the track!
00:21:59 Break, damn it!
00:22:00 Break!
00:22:01 [TRAIN WHISTLE BLOWING]
00:22:04 Give me a hand!
00:22:07 Hold on!
00:22:08 I'm coming!
00:22:09 [TRAIN WHISTLE BLOWING]
00:22:13 Look at that.
00:22:19 That was a close one.
00:22:21 Hey, give me a hand here.
00:22:24 What happened?
00:22:25 What did you see to yourself?
00:22:27 Punch out!
00:22:28 What did we stop for?
00:22:30 There's some logs on the tracks.
00:22:31 We have to clear them off.
00:22:34 Aw, it's all right.
00:22:37 [HORSES WHINNYING]
00:22:40 [GUNSHOTS]
00:22:44 [GUNSHOTS]
00:22:47 [GUNSHOTS]
00:22:51 [GUNSHOTS]
00:22:54 [GUNSHOTS]
00:22:58 [HORSES WHINNYING]
00:23:01 [GUNSHOTS]
00:23:04 [GUNSHOTS]
00:23:20 [GROANING]
00:23:27 [GUNSHOTS]
00:23:31 [GROANING]
00:23:36 [GUNSHOTS]
00:23:39 [GROANING]
00:23:43 [GUNSHOTS]
00:23:46 [GROANING]
00:23:50 [GUNSHOTS]
00:23:53 [GROANING]
00:23:57 [GUNSHOTS]
00:24:00 [GROANING]
00:24:04 [GUNSHOTS]
00:24:07 [GUNSHOTS]
00:24:11 [GROANING]
00:24:14 [GUNSHOTS]
00:24:18 [GUNSHOTS]
00:24:21 [GROANING]
00:24:22 Robledo, on!
00:24:24 [GROANING]
00:24:27 [LAUGHING]
00:24:32 Well, looks as though the man wasn't lying.
00:24:37 You can smell those dollars.
00:24:39 Yeah.
00:24:40 Now all we gotta do is wait for our friend.
00:24:43 [LAUGHING]
00:24:46 Search all the carriages.
00:24:47 Make sure we got everybody.
00:24:49 Cover the other side.
00:24:50 [HORSES WHINNYING]
00:24:53 Don't cry.
00:24:54 Don't cry.
00:24:55 [HORSES WHINNYING]
00:24:56 [GUNSHOTS]
00:24:57 [GUNSHOTS]
00:24:59 We said no witnesses, remember?
00:25:01 [HORSES WHINNYING]
00:25:03 You boys better decide what to do with the kid.
00:25:05 [HORSES WHINNYING]
00:25:08 Everything's quiet so far.
00:25:22 Good.
00:25:23 Change of guard every two hours.
00:25:25 You understand?
00:25:26 Right.
00:25:28 I'm going to go on the trunk for a month
00:25:30 with my cut of the money.
00:25:32 I'm going to buy me a ranch and breed me some horses.
00:25:34 Well, there's no sense speculating now.
00:25:37 We can make our plans when our friend comes tomorrow.
00:25:40 Just tell me one thing.
00:25:41 Why do we have to wait around?
00:25:42 Why couldn't he come on over in the safe tonight?
00:25:45 It'd be too risky.
00:25:46 He's too well known around here.
00:25:48 He has to have an alibi.
00:25:49 Just shut up and go to sleep.
00:25:51 [HORSE GALLOPING]
00:25:54 [FOOTSTEPS]
00:25:58 [FOOTSTEPS]
00:26:01 [FOOTSTEPS]
00:26:04 [FOOTSTEPS]
00:26:07 [FOOTSTEPS]
00:26:10 [FOOTSTEPS]
00:26:13 [FOOTSTEPS]
00:26:16 [FOOTSTEPS]
00:26:19 [FOOTSTEPS]
00:26:22 [FOOTSTEPS]
00:26:25 [FOOTSTEPS]
00:26:28 [FOOTSTEPS]
00:26:31 [FOOTSTEPS]
00:26:34 [FOOTSTEPS]
00:26:37 [GASPING]
00:27:01 [GROANING]
00:27:04 [GASPING]
00:27:20 [FOOTSTEPS]
00:27:23 [GASPING]
00:27:41 [FOOTSTEPS]
00:27:44 [GRUNTING]
00:28:10 [FOOTSTEPS]
00:28:13 Hey, you got a match?
00:28:26 Hey, what's the matter?
00:28:34 [GRUNTING]
00:28:37 [FOOTSTEPS]
00:29:06 [GUNSHOTS]
00:29:09 [TIRES SCREECHING]
00:29:17 [WHISTLING]
00:29:26 [TIRES SCREECHING]
00:29:30 [WHISTLING]
00:29:33 [FOOTSTEPS]
00:29:38 Hey, there!
00:29:41 Hey, listen a minute.
00:29:43 Oh, could you please tell us where we can find a doctor?
00:29:47 Dr. Lin's at the station with the others.
00:29:49 Ah, then please take us to the station.
00:29:52 Citizens of Esperanza, we have assembled here to welcome a very special train
00:29:56 that will be arriving with its precious load.
00:29:59 I hope you know how precious.
00:30:01 You're all quite aware what it means to us all
00:30:04 to receive this grant of $500,000 from our state.
00:30:08 This gift offers all of us definite advantages.
00:30:12 And all this will mean a great deal to our town.
00:30:17 And may we now acknowledge the efforts of our distinguished mayor,
00:30:20 Mr. Jefferson Clay, to whom we sincerely offer our thanks.
00:30:24 And we are also very grateful to Sheriffs Regan and Johnson for their aid.
00:30:28 Our appreciation also goes to the manager of our local bank,
00:30:32 Mr. Oliver Blackwood, and to his daughter, Hannah,
00:30:35 beloved wife of our very competent and highly esteemed Dr. Lin.
00:30:40 [HORSE GALLOPING]
00:30:43 Ooh, go there.
00:30:46 Hurry, help me, Maria.
00:30:49 - Gently. - Easy now.
00:30:52 - Be careful. - [GASPS]
00:30:54 - And we are very proud of all you've done. - I can't run again.
00:30:57 - What's the matter, Estella? - We need the doctor now.
00:31:00 A girl's been wounded.
00:31:02 - Oh, poor girl. - Lay the way.
00:31:05 Put her in that room. Hannah, get my bag quickly.
00:31:12 You find it, Estella. He put it in the carriage out front.
00:31:15 [MUSIC PLAYING]
00:31:20 [INDISTINCT CHATTER]
00:31:23 [CHURCH BELL RINGING]
00:31:27 [CHURCH BELL RINGING]
00:31:38 [CHURCH BELL RINGING]
00:31:49 [CHURCH BELL RINGING]
00:31:52 [CHURCH BELL RINGING]
00:31:55 [CHURCH BELL RINGING]
00:31:58 You're in no danger here.
00:32:00 The train will get here in a little while with an armed escort.
00:32:03 The soldiers will defend us.
00:32:06 Don't worry about Geraldine. There couldn't be a better man than Dr. Lynn.
00:32:10 Let's pray there's still time to save the poor child.
00:32:26 He must die.
00:32:28 - But who was this other man? - I don't know.
00:32:30 From where I was hiding, it was impossible to see his face.
00:32:33 Geraldine's the only one of us that managed to get a good look at him.
00:32:36 - She could recognize him. - No, no, it's you.
00:32:39 The man who's on the saloon.
00:32:42 Oh, you.
00:32:54 No!
00:32:56 It's too late.
00:33:08 Let's go now.
00:33:21 [FOOTSTEPS]
00:33:24 [GASPING]
00:33:30 Geraldine.
00:33:33 [GASPING]
00:33:50 [SCREAMING]
00:33:53 [SCREAMING]
00:34:07 [SCREAMING]
00:34:10 Hey, there's nobody on the train.
00:34:36 Who's that?
00:34:38 [FOOTSTEPS]
00:35:07 Who are you?
00:35:09 What are you doing here? Answer me!
00:35:12 Who are you?
00:35:17 - I've brought you a train. - Yes.
00:35:19 Yes, but why? What happened?
00:35:22 It's already cost many lives.
00:35:25 To try and save your lives, I had to take the train.
00:35:29 Duncan's riding here with all of his men.
00:35:32 Wait.
00:35:36 How did you get it?
00:35:38 By stealing the train. I told you.
00:35:41 Where is the money?
00:35:43 There, the train.
00:35:46 Come on, we'll make sure.
00:35:49 It's safe. She'll be in here.
00:36:05 Easy.
00:36:08 I'll open it.
00:36:16 Looks all right so far.
00:36:23 It's all here.
00:36:29 Then we should take it to the bank as quickly as possible.
00:36:32 Well, it looks so that man was telling the truth.
00:36:35 Duncan comes after that money. We don't stand a chance.
00:36:38 I don't think he'd dare come here.
00:36:41 And besides, there's a telegraph, if we need assistance.
00:36:44 Mr. Clay! Mr. Clay!
00:36:46 Somebody's cut the telegraph wires!
00:36:49 The line went dead just as I was receiving a message from Wellington.
00:36:52 They reported that Duncan and his men completely destroyed the town of Peyote.
00:36:57 We gotta do something quickly, or those bandits are gonna do the same to us.
00:37:00 But what can we do? You realize now it's impossible to call for any help.
00:37:04 But we can't just wait around till those bandits ride in and kill us.
00:37:08 You've got to organize some sort of defense.
00:37:10 There doesn't seem to be much we can do, Mrs. Lynde.
00:37:13 You know perfectly well we're not equipped to stop Duncan and his gang.
00:37:16 We here in Esperanza, thank God, are a peaceful community.
00:37:20 There's not a gun in town.
00:37:23 We're totally helpless.
00:37:25 You shouldn't give up so easily.
00:37:29 There's one way to get rid of your problem.
00:37:32 What?
00:37:34 Kill him.
00:37:36 Sure. Why didn't we think of that?
00:37:38 This is no time to be making jokes.
00:37:40 Who do you suppose would be able to kill that renegade?
00:37:43 Me.
00:37:46 - For a price? - We don't make bargains with Indians.
00:37:49 - He's crazy. - Come on, we're wasting time just listening to him.
00:37:52 But we still haven't decided what to do.
00:37:55 Enough of this ridiculous talk.
00:37:58 Let's get that money out of here and take it down to the bank.
00:38:00 Just a minute. This young man has just said that he is willing to help us out.
00:38:04 It hardly seems that we're in any position to refuse his proposal.
00:38:07 What are your terms?
00:38:09 I want a dollar a head from every man in this town.
00:38:17 For every bandit I kill.
00:38:20 Plus the reward that's been offered for Duncan and his brother.
00:38:24 Who do you think you're fooling?
00:38:27 You're stupid to trust him.
00:38:30 Nobody here is impressed by all your boasting.
00:38:33 Get moving, Indian. I said get moving.
00:38:36 Why don't you try and move me?
00:38:38 Someone in your town helped Duncan rob that train.
00:38:41 He's working with him.
00:38:44 He's a good guy.
00:38:46 I'm sure he'll be a good guy.
00:38:49 I'm sure he'll be a good guy.
00:38:52 I'm sure he'll be a good guy.
00:38:55 I'm sure he'll be a good guy.
00:38:58 I'm sure he'll be a good guy.
00:39:01 I'm sure he'll be a good guy.
00:39:04 I'm sure he'll be a good guy.
00:39:07 He's working with him.
00:39:09 He betrayed all of you once.
00:39:12 And he could do it again.
00:39:16 (chanting)
00:39:19 You boys defend the train.
00:39:40 I'll go to Wellington to ask for help.
00:39:43 We will need you to take care of the wounded.
00:39:46 Let the sheriff go. For my sake.
00:39:49 No, my dear. There's too much at stake.
00:39:52 And I feel it is my duty to go to Wellington.
00:39:55 I'll start right away.
00:39:58 (chanting)
00:40:01 (train whistle)
00:40:05 (train whistle)
00:40:08 (chanting)
00:40:27 (chanting)
00:40:30 (chanting)
00:40:38 (chanting)
00:40:43 (chanting)
00:40:50 (chanting)
00:40:53 (chanting)
00:40:59 Amen.
00:41:07 Chester, please be careful, darling.
00:41:10 Don't worry.
00:41:17 I'll be back.
00:41:20 I hope he makes it.
00:41:30 He's taking a big risk.
00:41:33 If Dr. Lynn doesn't get here in time with those men, it'll be a massacre.
00:41:37 In the meanwhile,
00:41:40 just what are we going to do?
00:41:43 What are you complaining about?
00:41:46 I'm complaining about the fact that you sent away the only man that could have been helpful.
00:41:49 That Indian? He was just a liar.
00:41:52 Oh, yeah. Well, if you had seen him kill those three bandits the way I did, you wouldn't speak that way.
00:41:55 Maybe it was a big mistake to send that boy away.
00:41:59 Let's ask him to come back. There's still time.
00:42:03 (dramatic music)
00:42:06 (dramatic music)
00:42:09 (dramatic music)
00:42:13 (dramatic music)
00:42:16 (dramatic music)
00:42:19 (dramatic music)
00:42:22 (dramatic music)
00:42:25 (dramatic music)
00:42:28 (dramatic music)
00:42:31 (dramatic music)
00:42:34 (dramatic music)
00:42:37 (dramatic music)
00:42:40 (dramatic music)
00:42:43 (dramatic music)
00:42:46 (dramatic music)
00:42:49 (dramatic music)
00:42:52 (dramatic music)
00:42:55 (dramatic music)
00:42:58 (dramatic music)
00:43:01 (dramatic music)
00:43:04 What do you want?
00:43:07 I said, what do you want?
00:43:10 My mistress sent me to see you.
00:43:13 (dramatic music)
00:43:16 (dramatic music)
00:43:19 (dramatic music)
00:43:22 (dramatic music)
00:43:25 (dramatic music)
00:43:28 (dramatic music)
00:43:31 Who is your mistress?
00:43:33 Dr. Lin's wife.
00:43:35 Her father is the banker of Esperanza.
00:43:38 But she's the one who decides everything.
00:43:40 She thinks since you saved her father's money once,
00:43:43 perhaps you can do it again.
00:43:45 (dramatic music)
00:43:48 She'll do anything you want.
00:43:50 And he'll pay the price you ask.
00:43:52 How'd you know I was here?
00:43:54 I just thought you might be.
00:43:57 (dramatic music)
00:44:00 Who's Indian, your father or your mother?
00:44:03 My mother.
00:44:05 (dramatic music)
00:44:07 You're a Navajo, aren't you?
00:44:10 (gun clicks)
00:44:12 What's your name?
00:44:14 (gunshots)
00:44:17 Joe.
00:44:19 (gun clicks)
00:44:20 I've never known an Indian named Joe.
00:44:24 And I've never seen a Navajo so far south before.
00:44:28 And me, an Indian girl that asks so many questions.
00:44:32 (dramatic music)
00:44:35 (guns clicking)
00:44:40 Go back and tell your mistress I'll save her money for her.
00:44:44 One more thing.
00:44:47 I'll need some dynamite.
00:44:50 (dramatic music)
00:44:53 (fire crackling)
00:44:56 (dramatic music)
00:44:59 (fire crackling)
00:45:02 (dramatic music)
00:45:05 (fire crackling)
00:45:10 (gunshot)
00:45:11 (screams)
00:45:13 (dramatic music)
00:45:16 (fire crackling)
00:45:18 Don't shoot, Duncan.
00:45:21 I want to talk to you.
00:45:23 Come here.
00:45:24 I think you owe me a few explanations.
00:45:28 What's to explain?
00:45:30 How that Indian scum filched the train right from under you.
00:45:34 And now the 500,000 has been locked up in the bank vault.
00:45:38 That damn dirty Indian.
00:45:40 Calm down, Duncan.
00:45:43 You can still help.
00:45:45 They're running around like a pack of scared rabbits in town.
00:45:48 They think I've gone to Wellington for help.
00:45:50 So what?
00:45:53 So you capture me.
00:45:56 And you take me to Esperanza.
00:45:58 We go to the bank and you force me to open the safe.
00:46:01 The money's there in the bank.
00:46:03 I know how to open the door.
00:46:05 Then you can give me my share.
00:46:07 Okay.
00:46:09 But be careful.
00:46:12 This is your last chance.
00:46:15 (dramatic music)
00:46:18 (dramatic music)
00:46:21 ♪
00:46:39 You sure he'll come?
00:46:42 ♪
00:46:45 What did he tell you, Stella?
00:46:49 What'll we do if he doesn't show up?
00:46:51 Things will be just as bad as before.
00:46:54 They'll be worse.
00:46:56 Damn Indian.
00:47:02 Do you think he'll come?
00:47:07 (glass shattering)
00:47:09 (men grunting)
00:47:10 That's enough!
00:47:12 We can fight 'em ourselves.
00:47:15 All right, get up. We'll show 'em.
00:47:17 Go ahead.
00:47:19 Besides, we don't know if that Indian's telling the truth.
00:47:22 It could be a trap.
00:47:24 Wait a second. Didn't he bring us the money?
00:47:27 She's right.
00:47:29 I'm sure that Chester will make it to Wellington.
00:47:31 And he'll come back here with the Rangers.
00:47:33 Meanwhile, trust the Indian. He'll guard us.
00:47:36 All by himself, an Indian?
00:47:38 Time was when we'd pay a dollar for his scalp.
00:47:41 No, we need the Rangers.
00:47:43 Don't count on that.
00:47:45 They won't come.
00:47:47 Your man took the wrong way.
00:47:51 What do you mean?
00:47:53 You'll see.
00:47:55 I know that I'm the man you need.
00:48:14 And you're absolutely sure you can fight that gang alone?
00:48:17 We won't be able to help you at all.
00:48:19 Don't forget.
00:48:21 A man who knows what he wants...
00:48:28 is worth a lot.
00:48:31 Well, then, what do you want?
00:48:35 I told you, a dollar a head.
00:48:38 All right. You'll defend us.
00:48:42 And one other thing.
00:48:44 You the sheriff?
00:48:50 No, the deputy.
00:48:52 He's the sheriff.
00:48:54 What do you want?
00:48:56 - That. - What?
00:49:08 You want us to appoint you as sheriff. Is that it?
00:49:12 That's right.
00:49:14 But you can't. An Indian sheriff?
00:49:18 The only ones elected in this country are Americans.
00:49:21 My father was born here, in the mountains.
00:49:25 His father before him, and his father before him, and his father before him.
00:49:29 Where was your father born?
00:49:31 What has that to do with it?
00:49:33 - I said, where was he born? - In Scotland.
00:49:39 My father was born here, in America.
00:49:41 His father before him, and his father before him, and his father before him.
00:49:45 Now, which of us is American?
00:49:48 And that's mine. It belongs to me.
00:49:53 Thanks.
00:49:56 - All right? - Good.
00:49:58 Go home and stay there.
00:50:01 And keep out of my way.
00:50:04 Give me some dynamite.
00:50:06 Then I'll tell you what to do with the money.
00:50:10 Then I'll tell you what to do with the money.
00:50:14 "The American Sheriff"
00:50:18 "The American Sheriff"
00:50:22 "The American Sheriff"
00:50:26 "The American Sheriff"
00:50:30 "The American Sheriff"
00:50:34 "The American Sheriff"
00:50:37 "The American Sheriff"
00:50:45 "The American Sheriff"
00:50:53 "The American Sheriff"
00:50:56 "The American Sheriff"
00:51:25 "The American Sheriff"
00:51:28 "The American Sheriff"
00:51:33 "The American Sheriff"
00:51:38 "The American Sheriff"
00:51:44 "The American Sheriff"
00:51:49 "The American Sheriff"
00:51:54 "The American Sheriff"
00:51:57 They're coming now.
00:52:05 They're coming now.
00:52:07 Girls, don't move.
00:52:10 Duncan is in town. If he sees us, we're dead.
00:52:13 Good Lord.
00:52:23 Why, it was insanity to rely on that Indian.
00:52:26 I hope Chester gets to Wellington.
00:52:31 By now, it's our only chance.
00:52:34 I don't know. Let's pray.
00:52:38 Let's pray.
00:52:40 "The American Sheriff"
00:52:44 "The American Sheriff"
00:52:47 "The American Sheriff"
00:52:50 "The American Sheriff"
00:52:54 "The American Sheriff"
00:52:58 "The American Sheriff"
00:53:03 "The American Sheriff"
00:53:07 "The American Sheriff"
00:53:10 "The American Sheriff"
00:53:13 "The American Sheriff"
00:53:17 "The American Sheriff"
00:53:21 "The American Sheriff"
00:53:25 "The American Sheriff"
00:53:29 "The American Sheriff"
00:53:33 "The American Sheriff"
00:53:38 "The American Sheriff"
00:53:41 "The American Sheriff"
00:53:45 "The American Sheriff"
00:53:49 "The American Sheriff"
00:53:53 "The American Sheriff"
00:53:57 "The American Sheriff"
00:54:01 "The American Sheriff"
00:54:06 "The American Sheriff"
00:54:09 "The American Sheriff"
00:54:12 "The American Sheriff"
00:54:15 "The American Sheriff"
00:54:42 No tricks, Duncan.
00:54:45 Don't worry, you'll get your share.
00:54:49 All right, where's the money?
00:55:11 You were lying all along.
00:55:13 I swear, it was here.
00:55:16 I don't understand. I saw it.
00:55:19 You're lying. Where's the money?
00:55:21 They must have hidden it somewhere, but I'll find it.
00:55:24 Where's the money?
00:55:26 I don't know.
00:55:27 Where's the money?
00:55:28 My wife will know where they hid it. Give me time to talk to her.
00:55:31 Chester, no!
00:55:37 - Oh, Chester! - Calm down.
00:55:39 - No! - Stay inside.
00:55:41 Chester!
00:55:43 Chester, no!
00:55:47 Darling.
00:56:04 Chester, the Indian has it all.
00:56:07 He hid it. It's my fault.
00:56:10 - I gave it to him. - All the money is with the Indian.
00:56:12 Forgive me, darling.
00:56:15 (Gunshots)
00:56:19 (Explosion)
00:56:23 (Shouting)
00:56:26 (Shouting)
00:56:29 (Shouting)
00:56:32 (Groaning)
00:56:58 (Gunshots)
00:57:01 - Come here! - No! Let me go!
00:57:10 Oh! No! Let me go!
00:57:13 Joe! Please help me!
00:57:16 Oh! Oh!
00:57:19 Hey, Indian, come on!
00:57:21 Come on out, do you hear me?
00:57:23 Throw your gun down or I'm gonna kill this woman!
00:57:26 - Can you see it? - No!
00:57:28 She's an Indian like you are.
00:57:30 Get down here fast, redskin, if you don't want this whore to die!
00:57:33 (Chanting)
00:57:36 (Chanting)
00:57:40 (Chanting)
00:57:43 (Groaning)
00:58:03 (Grunting)
00:58:06 (Whipping)
00:58:09 (Whipping)
00:58:13 (Whipping)
00:58:39 What are you waiting for? Slaughter him!
00:58:42 You hear me? Slaughter him. He's got to talk.
00:58:46 (Grunting)
00:58:50 (Grunting)
00:59:07 (Grunting)
00:59:09 You damned Indian.
00:59:11 Where did you put all that money?
00:59:14 Speak up!
00:59:16 You'll end up talking sooner or later.
00:59:20 I know you'd rather get a slug, but that's too simple.
00:59:25 First, you'll have to tell us where you hid the money.
00:59:31 Now, will you talk?
00:59:34 (Coughing)
00:59:37 Where's the money?
00:59:47 Talk!
00:59:49 (Whipping)
01:00:15 That's enough, brother.
01:00:18 You'll never know where the money is.
01:00:20 Corpses can't talk, even me for a while.
01:00:23 String him up by his feet.
01:00:34 (Grunting)
01:00:37 You can get yourself a little fresh air tonight.
01:00:54 Tomorrow, after you've had a good rest, you and me will have our talk.
01:01:02 (Hooves clopping)
01:01:06 (Hooves clopping)
01:01:09 (Hooves clopping)
01:01:12 (Hooves clopping)
01:01:16 (Hooves clopping)
01:01:19 (Hooves clopping)
01:01:22 (Hooves clopping)
01:01:25 (Hooves clopping)
01:01:52 (Snoring)
01:01:55 Oh, you frightened me, girl.
01:02:00 Next time you come, let us know that it's you,
01:02:03 or you might get an arrow through the stomach.
01:02:06 We have to be prepared in case one of Duncan's men finds us here.
01:02:09 Well, I've really had it.
01:02:12 Let's get out of this town. What are we waiting for, Chuck?
01:02:15 Me too. Why, the people here are all cowards.
01:02:18 Didn't you see? No one even tried to save that poor Indian.
01:02:21 You didn't do anything either.
01:02:24 Well, why have you come to us?
01:02:27 Please, help me save him.
01:02:30 He gave himself up to save my life.
01:02:33 He saved our lives too. Remember, Chuck?
01:02:39 Ah, of course I do.
01:02:42 Estelle is right. There must be something we can try.
01:02:45 Ah, females.
01:02:50 Very well, then, but I'll do it alone.
01:02:53 This is no job for women.
01:02:56 [music]
01:02:59 [music]
01:03:02 [music]
01:03:05 [music]
01:03:09 [music]
01:03:12 [music]
01:03:15 [music]
01:03:22 [music]
01:03:27 [music]
01:03:30 [music]
01:03:39 [music]
01:03:42 [music]
01:03:52 [music]
01:04:00 [music]
01:04:07 [music]
01:04:10 [music]
01:04:26 [music]
01:04:34 [music]
01:04:37 [music]
01:04:42 [music]
01:04:47 [music]
01:04:55 [music]
01:05:01 [music]
01:05:04 [music]
01:05:09 [music]
01:05:13 [music]
01:05:19 [horse whinnying]
01:05:21 What are you doing here, huh?
01:05:23 Me?
01:05:24 Answer me.
01:05:25 I'm taking a little walk.
01:05:26 Here?
01:05:27 Sure. I'm just crazy about horses.
01:05:29 And you know what? I noticed that white one has a limp.
01:05:31 Are you sure?
01:05:32 Look for yourself. Look!
01:05:33 You dirty little...
01:05:36 Help!
01:05:46 Help!
01:05:52 [grunts]
01:05:53 Thank you, friend.
01:06:08 Thank you.
01:06:11 They've let the Indians get away!
01:06:15 [gunshot]
01:06:16 [footsteps]
01:06:19 They're all gonna pay for this.
01:06:35 Listen to what I have to say.
01:06:44 If by noon the money hasn't turned up...
01:06:46 expect everyone to die.
01:06:49 That's absurd. They're all innocent.
01:06:51 Nobody knows where it's hidden.
01:06:53 Well, somebody does.
01:06:54 I'll be waiting.
01:06:55 For the love of God, Duncan!
01:06:57 I've warned you!
01:06:59 [wind howling]
01:07:01 I'll be leaving.
01:07:24 What do you mean?
01:07:25 I'll just be hiding.
01:07:26 But I need someone to bring those men that are guarding the corral to me.
01:07:29 But not me, huh?
01:07:31 Some jobs a man can't do.
01:07:33 But the big blonde can do it. Maybe.
01:07:37 Yes, that would be exciting.
01:07:40 But I don't murder men.
01:07:41 Ah, but he said nothing of killing.
01:07:44 All you have to do is get him to follow you.
01:07:46 I'll do the rest.
01:07:47 Just leave it to us.
01:07:51 [choral singing]
01:07:53 But I want you to live.
01:08:07 Why don't you go before it's too late?
01:08:10 I have to finish what I started.
01:08:13 Why do you hate Duncan so much?
01:08:18 If it's not for the money that you kill those bandits, then why?
01:08:21 Someday when you grow up,
01:08:24 and don't ask so many questions,
01:08:26 maybe I'll tell you.
01:08:29 Maybe I'll tell you.
01:08:30 [clock ticking]
01:08:32 [clock ticking]
01:09:01 Well, hello.
01:09:02 What are you hanging around the corral for?
01:09:04 You know it ain't alone.
01:09:05 Just as I passed here, this guard are unhooked.
01:09:09 I'd certainly appreciate a little friendly assistance.
01:09:13 With pleasure. I know all about these things.
01:09:19 Tickles! Thanks a lot.
01:09:22 You certainly are one big barrel of fun.
01:09:26 Let's have a little kiss from here.
01:09:29 Not here. Why don't you come to my cabin later?
01:09:32 Don't be late now.
01:09:34 And bring your body for my girlfriend.
01:09:36 Wait, wait!
01:09:37 Barbara, what happened?
01:09:39 They're coming.
01:09:40 Come on.
01:09:42 Coming?
01:09:43 I found two girls. Come on.
01:09:45 What about the horses?
01:09:46 Let them find their own girls.
01:09:48 Here we are, beautiful.
01:09:52 [grunting]
01:10:20 Come on, move! Get!
01:10:22 Barbara, they did it!
01:10:27 [grunting]
01:10:33 [gunshot]
01:10:34 [grunting]
01:10:56 All right.
01:10:58 You want to finish your days as sheriff?
01:11:03 Or you're going to tell me? Where's the money?
01:11:06 I don't know. I swear to you.
01:11:08 But you let him get away.
01:11:09 I don't know.
01:11:10 Come on, you know where. Start talking.
01:11:12 I swear. I don't know. I swear. I swear to you.
01:11:15 All I know is that the telegraph gave the alarm for the fire at Paione.
01:11:18 You're all in danger. The soldiers will be here.
01:11:21 Then get going. Go on.
01:11:23 You shoot, Jeff.
01:11:27 [laughing]
01:11:29 [gunshot]
01:11:31 [grunting]
01:11:33 You all hear that outside?
01:11:53 Now it's time for three more of you.
01:11:56 And if you don't decide to talk, I'll kill you all.
01:11:59 Kill you all.
01:12:01 One way or another.
01:12:07 You hear me?
01:12:09 One way or another.
01:12:12 Duncan, why are we wasting time?
01:12:14 Let's kill them all and get out of here.
01:12:16 Enough of this business.
01:12:19 What else can we do? We better go back before the army's all over us.
01:12:23 We'll leave exactly when I say so. Is that clear?
01:12:26 And I ain't leaving till I learn what they did with it.
01:12:29 Those soldiers will find a town full of corpses.
01:12:32 I'm a man of God, and I wouldn't lie to save my own life.
01:12:36 We don't know anything about the Indian or the money.
01:12:39 You've killed my daughter, and nothing matters to me anymore.
01:12:42 If I knew anything, I'd tell you.
01:12:44 [gunshot]
01:12:48 What's happening?
01:12:52 They've let the horses loose, and here's a message from the Indian.
01:12:55 It was attached to an arrow.
01:12:57 We saw shadows and we attacked, but he got away.
01:13:00 But they left your horse behind.
01:13:02 Where's the money?
01:13:04 It says in this note, and he wants it read aloud.
01:13:06 It's addressed to your attention.
01:13:08 Where is the money?
01:13:10 On the locomotive.
01:13:12 If he hears another shot, he'll get on the train and take it away with him.
01:13:15 Without horses, there's no way out.
01:13:17 We'll see.
01:13:21 Jeffrey, take my horse and ride fast to the station.
01:13:25 If you find the money, blow the train whistle three times.
01:13:28 And take off along the hot springs.
01:13:30 We'll join you with the train.
01:13:32 Right away.
01:13:33 But why just him alone?
01:13:35 Because I say so.
01:13:37 We'll wait right here.
01:13:39 And if it's a trap, and none of this is true,
01:13:43 I'm going to set the church on fire with all of you in it.
01:13:46 But for what reason?
01:13:48 That message is proof we know nothing about it.
01:13:50 I say it to your heart. I beg this of you.
01:13:53 Nobody ever had mercy on me.
01:13:56 When I was a boy, they beat me.
01:13:59 Even called me bastard.
01:14:01 I didn't cry, and I couldn't fight back.
01:14:04 So that began my revenge to get back at them.
01:14:08 Brought out my hatred for the Indians, like my mother.
01:14:12 And to kill white people like my father.
01:14:15 My father, a preacher like you, a minister.
01:14:19 Bread by mercy.
01:14:21 But I got a bad break when somebody killed him and beat me to the punch.
01:14:27 (BELL TOLLING)
01:14:29 (ALARM BLARING)
01:14:55 The signal! He found the money!
01:14:57 Come on, let's get out of here.
01:14:59 Let's go, you guys.
01:15:01 Thank you, Duncan.
01:15:03 For mercy in sparing our lives.
01:15:06 (GUNSHOT)
01:15:09 (GUNSHOT)
01:15:12 (THUDDING)
01:15:40 Look at that. They're all going away.
01:15:43 Come on, hurry!
01:15:47 Make this old crate move. We have to reach Jeffrey fast.
01:16:06 You heard him, boys!
01:16:09 (MACHINERY WHIRRING)
01:16:11 Look, the Indian!
01:16:38 (GUNSHOTS)
01:16:40 What is it? Why are you shooting?
01:16:43 Duncan, the Indian! He's in front of the train. I recognize his horse.
01:16:47 Come on, feed him some coal. We're gonna catch that pig.
01:16:51 Come on, move!
01:16:54 (GUNSHOTS)
01:17:01 (GUNSHOTS)
01:17:03 (WOMAN SCREAMING)
01:17:09 He's yours, Duncan. Get him now!
01:17:19 (GROANS)
01:17:22 (ALL CHEERING)
01:17:27 (ALL CHEERING)
01:17:29 Jeffrey.
01:17:43 I got to the train, found the cache, but the Indian came from behind.
01:17:52 (SIGHS)
01:17:54 (EXPLOSION)
01:18:09 (GUNSHOTS)
01:18:14 (GUNSHOTS)
01:18:16 (GUNSHOTS)
01:18:32 (GUNSHOTS)
01:18:34 (TIRES SCREECHING)
01:18:36 (CHOIR SINGING)
01:18:40 (CHOIR SINGING)
01:18:42 (CHOIR SINGING)
01:18:44 (CHOIR SINGING)
01:18:47 (CHOIR SINGING)
01:18:50 (CHOIR SINGING)
01:18:54 (CHOIR SINGING)
01:18:57 (CHOIR SINGING)
01:19:00 (CHOIR SINGING)
01:19:03 (CHOIR SINGING)
01:19:06 (CHOIR SINGING)
01:19:10 (CHOIR SINGING)
01:19:12 (CHOIR SINGING)
01:19:15 (CHOIR SINGING)
01:19:18 (GASPS)
01:19:21 (WIND BLOWING)
01:19:24 (WIND BLOWING)
01:19:26 (FOOTSTEPS APPROACHING)
01:19:43 (FOOTSTEPS APPROACHING)
01:19:45 You, Sancho, come with me.
01:20:04 (FOOTSTEPS APPROACHING)
01:20:06 (FOOTSTEPS APPROACHING)
01:20:08 (FOOTSTEPS APPROACHING)
01:20:11 (FOOTSTEPS APPROACHING)
01:20:13 (FOOTSTEPS APPROACHING)
01:20:16 (FOOTSTEPS APPROACHING)
01:20:18 (FOOTSTEPS APPROACHING)
01:20:46 Duncan, hold it a minute.
01:20:48 Who knows where he's hiding?
01:20:51 We may be walking into a trap.
01:20:54 Go on, hero. Move.
01:20:56 (FOOTSTEPS APPROACHING)
01:21:00 It looks like a mine.
01:21:05 Go on.
01:21:07 Both of us.
01:21:09 You dig in here. Keep a lookout.
01:21:11 (FOOTSTEPS APPROACHING)
01:21:13 (FOOTSTEPS APPROACHING)
01:21:16 (FOOTSTEPS APPROACHING)
01:21:19 (FOOTSTEPS APPROACHING)
01:21:21 (FOOTSTEPS APPROACHING)
01:21:49 Nobody.
01:21:51 (GROANS)
01:21:53 (GROANS)
01:22:04 (GUN CLICKS)
01:22:12 (FOOTSTEPS APPROACHING)
01:22:14 (GUN CLICKS)
01:22:28 (GROANS)
01:22:41 Now we got him. Behind the rocks over there.
01:22:44 Duncan, we're in the open here.
01:22:47 He'll pick us off easy.
01:22:51 Get moving.
01:22:53 But I don't want to be killed.
01:22:55 Move, I said.
01:22:57 I'm getting out of here and to hell with the money!
01:22:59 Get back here! Come back, you coward!
01:23:02 (GUN CLICKS)
01:23:04 (GROANS)
01:23:10 (GASPS)
01:23:12 (GROANS)
01:23:23 (GUNSHOT)
01:23:37 (GUNSHOTS)
01:23:39 (SCREAMING)
01:23:44 (GROANING)
01:23:52 (GUNSHOT)
01:24:01 (GUNSHOT)
01:24:04 (GUN CLICKS)
01:24:06 (GUN CLICKS)
01:24:29 (GUN CLICKS)
01:24:31 (GUN CLICKS)
01:24:55 (GUN CLICKS)
01:24:57 (GUNSHOTS)
01:25:05 (GUN CLICKS)
01:25:13 (GUN CLICKS)
01:25:20 (GASPS)
01:25:22 You won't escape now, redskin!
01:25:28 (GUNSHOTS)
01:25:30 You're sweating?
01:25:49 You all ready to give up now? Come on out, Indian.
01:25:52 Come on out. You're finished. You're through.
01:25:55 (GUN CLICKS)
01:25:57 (GUN CLICKS)
01:26:04 (GUNSHOTS)
01:26:07 I'm too smart to fall for that trick.
01:26:12 (GUN CLICKS)
01:26:18 Come on out, Indian! It's all over!
01:26:21 I'll pin your scalp to my saddle. That's for you, filthy, stinking Indian.
01:26:31 (GUN CLICKS)
01:26:32 Come on, Indian. Come on out.
01:26:35 Or would you rather not come out and rot for killing Jeffrey?
01:26:38 Damn you, Indian!
01:26:40 (GUN CLICKS)
01:26:43 (GUN CLICKS)
01:26:47 (GROANS)
01:26:49 Pace it, Indian! I outsmarted you!
01:26:53 (GUN CLICKS)
01:26:55 Throw down your belt.
01:27:12 (GUN CLICKS)
01:27:14 There you are. You won.
01:27:21 You're real smart, Humphrey.
01:27:23 Why did you follow me? Because you want to kill me?
01:27:26 I know you're a bounty killer.
01:27:31 You want to have my bounty. But you can have the money if you want.
01:27:35 But let me live.
01:27:37 You killed my brother, broke up my gang. Let me live.
01:27:41 (PANTING)
01:28:09 This belonged to my woman.
01:28:11 Do you remember her?
01:28:15 Huh?
01:28:16 (GRUNTS)
01:28:20 You're going to pay for her life.
01:28:25 (GRUNTS)
01:28:28 (GRUNTS)
01:28:32 (GRUNTS)
01:28:36 (GRUNTS)
01:28:37 (GRUNTS)
01:28:44 (GRUNTS)
01:28:55 (GLASS SHATTERS)
01:29:04 (GASPS)
01:29:05 (GUNSHOT)
01:29:10 (GASPS)
01:29:14 (SCREAMS)
01:29:15 (DRAMATIC MUSIC PLAYING)
01:29:20 (WOMAN VOCALIZING)
01:29:23 (GUNSHOTS)
01:29:24 (GUNSHOTS)
01:29:26 (WOMAN VOCALIZING)
01:29:29 (GUNSHOTS)
01:29:37 (GUNSHOTS)
01:29:48 (GUNSHOTS)
01:29:49 (WOMAN VOCALIZING)
01:30:16 (GUNSHOTS)
01:30:18 (GUNSHOT)
01:30:46 It's our money.
01:30:47 The Indian kept his promise.
01:30:49 Where is he?
01:31:00 Who cares? The money is all that counts.
01:31:03 Take his horse to the corral.
01:31:06 No.
01:31:07 Let him go.
01:31:09 He knows where to go.
01:31:16 (HORSE GALLOPING)
01:31:17 Go back to him.
01:31:22 Go.
01:31:24 Go.
01:31:27 (WOMAN VOCALIZING)
01:31:31 (HORSE GALLOPING)
01:31:32 (DRAMATIC MUSIC PLAYING)
01:31:36 (DRAMATIC MUSIC PLAYING)
01:31:37 (WOMAN VOCALIZING)
01:31:39 (WOMAN VOCALIZING)
01:31:40 (HORSE GALLOPING)
01:31:44 (WOMAN VOCALIZING)
01:31:49 (WOMAN VOCALIZING)
01:31:53 (WOMAN VOCALIZING)
01:31:59 (WOMAN VOCALIZING)
01:32:01 (WOMAN VOCALIZING)
01:32:02 (dramatic music)