Category
🎥
Short filmTranscript
00:00:00 [silence]
00:00:11 [bell ringing]
00:00:14 [drum music]
00:00:17 ♪ ♪
00:00:25 [drum music]
00:00:28 ♪ ♪
00:00:38 [drum music]
00:00:41 ♪ ♪
00:00:48 [bell ringing]
00:00:51 [drum music]
00:00:54 ♪ ♪
00:01:02 [bell ringing]
00:01:08 [drum music]
00:01:11 ♪ ♪
00:01:18 [bell ringing]
00:01:21 [drum music]
00:01:24 ♪ ♪
00:01:30 [drum music]
00:01:33 ♪ ♪
00:01:40 [drum music]
00:01:43 ♪ ♪
00:01:50 [bell ringing]
00:01:53 [bell ringing]
00:02:00 [drum music]
00:02:03 ♪ ♪
00:02:11 - Board tree, Sergeant Fitzsimmons.
00:02:14 [footsteps]
00:02:17 [footsteps]
00:02:20 [footsteps]
00:02:33 [knocking]
00:02:34 - Yes?
00:02:36 - Sir, Junior Frisbee just rode in.
00:02:38 - Oh, well, have one of the men keep an eye on him.
00:02:42 He's steaming murdering partner with him, I presume.
00:02:44 - In a manner of speaking, sir.
00:02:46 - How's that?
00:02:49 [groans]
00:02:51 [clears throat]
00:02:53 [footsteps]
00:02:57 [sandpaper scraping]
00:03:00 [drum music]
00:03:03 ♪ ♪
00:03:10 [clears throat]
00:03:12 [footsteps]
00:03:17 - This here dirty old bag of bones was my partner for 30 years.
00:03:22 [footsteps]
00:03:25 And do you know what he is now?
00:03:27 He's dead. That's what he is.
00:03:29 Now, what do you got to say about that?
00:03:31 - Oh, I'd say bury him, Junior.
00:03:33 - You don't even care who done it, do you?
00:03:37 - No, I don't.
00:03:38 - Well, I'll tell you who done it.
00:03:40 Baker's done it.
00:03:41 And you don't care why he done it, do you?
00:03:44 - You can't say I do, Junior.
00:03:46 - All Bill did here was kick his dog.
00:03:49 Just kicked his damn dog and Baker laid him out for the purdy goose.
00:03:54 And you're not gonna do a damn thing about it, are you?
00:03:57 - No.
00:03:58 - How come?
00:04:00 Ain't it your job to protect folks?
00:04:03 Ain't it your job to protect good, clean, decent white folks from the heathens?
00:04:09 [footsteps]
00:04:13 Well, ain't it?
00:04:15 [footsteps]
00:04:20 - Well, I'd say he looks healthier than last time I saw him, Junior.
00:04:24 - How can he look healthier when he's dead?
00:04:27 - Must agree with him.
00:04:29 - We was talking about protection.
00:04:31 - Well, how many people would you say he's killed during his mythical life?
00:04:37 - None that didn't deserve it.
00:04:39 - How many have you killed, Junior?
00:04:41 - None that didn't deserve it.
00:04:42 Me and Bill was very particular about that.
00:04:44 We never killed Turk's folks, neither.
00:04:46 Of course, there was a Baptist got in the way once, but very seldom.
00:04:50 - Yeah.
00:04:52 Well, you ought to bury him.
00:04:56 - All you got to say.
00:04:58 You know what I'm gonna do?
00:04:59 I'm gonna write a letter to Washington about you.
00:05:02 Yes, sir.
00:05:04 - A what?
00:05:06 - Well, I'm gonna find somebody that can write for me,
00:05:09 somebody with a fine, delicate hand,
00:05:11 'cause that's all they understand in Washington.
00:05:14 I'm gonna write a letter.
00:05:16 You wait and see if I don't.
00:05:18 - Sergeant, see that poor Bill is underground before dark.
00:05:21 - Yes, sir.
00:05:22 - Flies are getting bad.
00:05:23 - Yes, sir.
00:05:24 - Getting so decent folks can't move in this country without...
00:05:31 getting killed.
00:05:37 - 30 years, Sergeant, and my wife will be coming through the gate any day now.
00:05:42 She wants to make sure I retire this time.
00:05:45 Get Bookbinder in here.
00:05:47 - Yes, sir.
00:05:59 - Frisbee's out there telling how he's aiming to write a letter to Washington.
00:06:03 - Yes, yes, a fine, delicate letter.
00:06:06 - Very fine and very delicate, because that's what...
00:06:08 - That's what they understand in Washington.
00:06:09 Yes, yes, I know.
00:06:11 We haven't heard anything of Baker in four or five months.
00:06:13 What's he up to?
00:06:14 - It's hard to keep up with him.
00:06:16 Him and them he rides with, always on the move.
00:06:20 He travels with a dog.
00:06:22 - What was that?
00:06:23 - I said he travels with a dog.
00:06:25 - Well, why did you tell me he travels with a dog?
00:06:28 - Well, I don't know why I told you.
00:06:30 I just told you, that's all.
00:06:31 I didn't mean for you to get put out, none.
00:06:33 - All right, all right.
00:06:35 Where does he make his base?
00:06:36 - He ain't got none.
00:06:38 Gets around like a fever and lives on a rock.
00:06:42 Word has it he's planning something big.
00:06:45 - Something what?
00:06:46 - Something big, that's all I heard.
00:06:49 - Bookbinder, you do work for us, do you not?
00:06:53 - Right.
00:06:54 - You are employed by the United States Cavalry as a scout, am I right or wrong?
00:06:59 - Scout, cavalry, yeah.
00:07:01 - Well, then get out, do some scouting, find out something.
00:07:04 Find out what Baker is planning to do.
00:07:07 ♪ Like a grain of sand that wants to be a rolling stone ♪
00:07:11 ♪ I want to be the man I'm not ♪
00:07:15 ♪ And if the things I really haven't got, and that's a lot ♪
00:07:22 ♪ There'll be a joy and there'll be a laughter ♪
00:07:25 ♪ Something big is what I'm after now ♪
00:07:28 ♪ Yes, it's what I'm after now ♪
00:07:33 ♪ After I take it, I take up, I give it ♪
00:07:35 ♪ Something big is what I'm living for ♪
00:07:39 ♪ Yes, it's what I'm living for ♪
00:07:43 ♪ Living for ♪
00:07:49 ♪ Why do I go on and fill my life with little things ♪
00:07:53 ♪ When there are big things I must do ♪
00:07:57 ♪ And lots of dreams that really should come true ♪
00:08:01 ♪ Before I'm through ♪
00:08:04 ♪ There'll be a joy and there'll be a laughter ♪
00:08:06 ♪ Something big is what I'm after now ♪
00:08:10 ♪ Yes, it's what I'm after now ♪
00:08:14 ♪ And after I take it, I take up, I give it ♪
00:08:17 ♪ Something big is what I'm living for ♪
00:08:20 ♪ Yes, it's what I'm living for ♪
00:08:24 ♪ Living for ♪
00:08:31 ♪ After I take it, I take up, I give it ♪
00:08:34 ♪ Something big is what I'm living for ♪
00:08:37 ♪ Yes, it's what I'm living for ♪
00:08:41 ♪ Living for ♪
00:08:46 Well, if we were gonna talk, why couldn't we have met at Badwater or some civilized place?
00:08:51 I could get shot in a civilized place, Baker. Folks treat me like an animal.
00:08:57 What do you want?
00:08:59 Heard you were planning something big.
00:09:02 Where'd you hear that?
00:09:04 On the wind.
00:09:06 You ought to stay out of the wind, Cobb, or you could catch your death.
00:09:09 Never mind. We heard it.
00:09:11 So?
00:09:13 I could get my hands on something that might interest you.
00:09:17 What?
00:09:19 A Gatling gun.
00:09:27 What are you willing to take for this big gun?
00:09:30 [Gatling gun clicking]
00:09:33 [Gatling gun clicking]
00:09:46 [Gatling gun clicking]
00:09:49 [Gatling gun clicking]
00:09:52 [Gatling gun clicking]
00:09:54 I'll trade you that there big gun for a woman.
00:09:58 A what?
00:10:01 A woman.
00:10:04 What do you want with a woman?
00:10:07 What do you mean? What do you mean, what do I want with a woman?
00:10:11 What's any man want with a woman?
00:10:14 I'll pay you for the big gun.
00:10:17 Yeah, and I'll spend it all on the first waterhole I come to.
00:10:20 You know I can't leave the territory. It's a woman or nothing.
00:10:24 Where am I going to find a woman out here?
00:10:27 Well, that's your problem.
00:10:30 Is there a deal?
00:10:33 Yeah, it's a deal.
00:10:39 [Horse snorts]
00:10:42 [Horse snorts]
00:10:57 What's that shining in your horse's mouth?
00:11:00 It's teeth.
00:11:02 Shines like gold.
00:11:04 Cavities. I love my horse.
00:11:07 [Horse snorts]
00:11:10 Let's see you're gonna stand there, old sisters.
00:11:18 What?
00:11:20 I couldn't do that.
00:11:23 [Horse snorts]
00:11:50 Hey, are the bones still here?
00:11:53 His name is John.
00:11:55 John?
00:11:57 It's right here in Badwater, two weeks ago, Mr. Baker.
00:12:16 [Horse snorts]
00:12:19 Dear Mr. Baker, you and my loving brother Tommy...
00:12:28 must be having a fine time of it out there in the West.
00:12:31 Out there where the most respectable man within shouting distance...
00:12:35 is a thief and a rogue and a cutthroat.
00:12:38 But it's coming to the end, laddie.
00:12:41 And that's why I'm taking my pen in hand to write to you, you miserable man.
00:12:46 By the time you receive this wee message, I'll be on my way.
00:12:50 I'm coming for you, Mr. Baker.
00:12:54 Oh, no.
00:12:56 You can set your mind to it and pack your kit.
00:13:00 You asked me to marry you and you meant it.
00:13:03 And I said I would and I meant it.
00:13:05 So you can get your great brute of a self ready...
00:13:09 and I'm coming by the first passage I can find.
00:13:12 Your loving Dover.
00:13:14 Dover, aye? Is she sick?
00:13:16 She's come.
00:13:17 Coming here?
00:13:18 To take me back to Pennsylvania.
00:13:20 Oh, my God.
00:13:21 She's coming to take me back whether I'm ready to go or not.
00:13:24 Well, you did ask my sister to marry you.
00:13:26 And we've been out here almost four years.
00:13:28 And two years was your agreement with her.
00:13:30 You told her you could make your fortune in that time and go home as rich as Croesus.
00:13:34 Thought you were on my side.
00:13:37 I came out here to do something big. Am I right or am I wrong?
00:13:40 You're right.
00:13:41 Well, your time's more than run out and you haven't done it yet...
00:13:43 because you keep putting it off and putting it off.
00:13:45 Because you know that when you do it, it'll be the end of this life for you.
00:13:49 Well, you might as well face it, lad.
00:13:51 It's gonna be the end anyway once my sister gets here and that's a fact.
00:13:54 Emilio Estevez was the biggest bandit of them all, senor.
00:14:00 This whole town is his.
00:14:02 He was the enemy of Benito Juarez.
00:14:05 And he was the enemy of Maximilian.
00:14:07 Also, he did not care for his mother.
00:14:09 When he took this town, he kept it.
00:14:11 Everything he steals, he brings to this place.
00:14:13 It's the Sodom and Gomorrah of Mexico.
00:14:15 Yeah. They'll remember me for this.
00:14:18 It's like the sack of Rome.
00:14:21 But we are only a dozen guns.
00:14:23 But with the big gun, we can do it.
00:14:26 What guy? The big gun?
00:14:28 Hey, look.
00:14:32 [Footsteps]
00:14:34 You suppose...
00:14:41 Aye. Those three were doing what we're thinking about.
00:14:44 It's not gonna be easy, Baker.
00:14:46 There are over a hundred guns down there.
00:14:49 The hell with their guns, Tommy. This is it.
00:14:52 Something big.
00:14:54 Big!
00:14:55 [Gunshots]
00:14:59 [Gunshots]
00:15:01 [Gunshots]
00:15:11 Manny!
00:15:28 [Gunshots]
00:15:30 Yeah.
00:15:45 Sir, I think you best come to the saloon, sir.
00:15:48 Saloon? Why?
00:15:49 Well, I think you best come and see, sir.
00:15:52 Very well.
00:15:55 [Door opens]
00:15:56 [Music]
00:16:04 [Music]
00:16:06 [Singing]
00:16:14 [Singing]
00:16:16 [Singing]
00:16:19 [Singing]
00:16:21 [Singing]
00:16:26 [Singing]
00:16:47 [Singing]
00:16:49 [Cheering]
00:17:00 Sir, the men wanted me to tell you what a pleasure it's been to serve under you.
00:17:07 And, well, we know it's gonna be two weeks before you're leaving,
00:17:11 but some of the men here are gonna be out on patrol when it comes your time to leave us.
00:17:16 Well, we'd like to take this opportunity.
00:17:19 Sir, it's my privilege and honor to be the one chosen to present you with this token of our esteem.
00:17:31 And I speak for all the horse soldiers in your command when I say that it's been an honor to serve with you.
00:17:37 Under? Under?
00:17:39 Under you, sir.
00:17:40 [Clears throat]
00:17:41 Yes.
00:17:42 Thank you, Corporal.
00:17:46 Thank you.
00:17:48 [Cheering]
00:17:54 [Clears throat]
00:17:59 Men, I find myself rather at a loss for words.
00:18:03 It's most difficult for me to express my feelings about this occasion and all of you and the cavalry.
00:18:13 I believe only a soldier could understand that, possibly only a horse soldier.
00:18:18 [Clears throat]
00:18:19 I've, uh, I've been a cavalryman for 30 years.
00:18:24 And it's been my privilege and my honor to be acquainted with a great many very brave men.
00:18:33 So, I'm most grateful tonight for this opportunity to tell you
00:18:40 that of all those with whom I served, you men are the finest.
00:18:50 And I thank you.
00:18:53 [Cheering]
00:18:56 Sir, sir, you believe in fair play, don't you? And doing what's right?
00:19:03 Of course, Sergeant.
00:19:05 Well, it was me that was supposed to give you that Indian headdress and not Corporal James here.
00:19:10 Well, I'd like your permission to express my feelings on this matter, sir.
00:19:14 Oh, I see. Well, certainly.
00:19:17 Corporal James, that was a bad thing you'd done to me.
00:19:24 Oh, but Sergeant...
00:19:25 I'm gonna take you one by one, but put him up to it, too.
00:19:30 Tie me, Sarge!
00:19:31 [Grunts]
00:19:32 [Glass shatters]
00:19:33 Excuse me, sir.
00:19:36 Carry on, Sergeant.
00:19:37 [Gunshot]
00:19:38 [Music]
00:19:40 [Glass shatters]
00:19:47 [Glass shatters]
00:19:51 [Glass shatters]
00:20:01 [Glass shatters]
00:20:02 Oh, your hat, sir.
00:20:10 Thank you, Corporal. That was very unwise, you know. Sergeant Fitzsimmons is sensitive.
00:20:14 Sensitive, sir?
00:20:16 Very sensitive.
00:20:17 [Glass shatters]
00:20:18 [Glass shatters]
00:20:26 [Glass shatters]
00:20:27 Colonel!
00:20:34 Good evening.
00:20:39 Good evening, sir. Will you set us to help?
00:20:41 Mind if I do? Thank you.
00:20:42 Have a cigar.
00:20:43 I will. Thank you.
00:20:45 [Glass shatters]
00:20:54 [Glass shatters]
00:20:55 [Clears throat]
00:20:57 Well, Captain, I'm going to miss this outfit very much.
00:21:01 [Glass shatters]
00:21:02 And any day now, my wife will be arriving through the gate.
00:21:06 And away I go.
00:21:08 Mrs. Morgan is coming here to the fort?
00:21:11 Yeah. With bells on, Captain. Bells on.
00:21:14 I guess she wants to be sure I retire this time.
00:21:20 I started to twice before, but when I came right down to it, I...
00:21:24 I swore to her.
00:21:26 Listen to that.
00:21:27 History we're making, Captain.
00:21:36 We're making history.
00:21:38 Someday it'll be a tired old ghost.
00:21:41 That's all.
00:21:43 Blowing in the wind.
00:21:44 [Clears throat]
00:21:49 Good night, Captain.
00:21:50 Good night, sir.
00:21:51 Thank you for that cigar.
00:21:52 You're welcome, Colonel.
00:21:53 How are you?
00:22:17 Muy buenas tardes.
00:22:19 What the...
00:22:21 That Mr. John Anderson.
00:22:22 Well, yeah, but, uh...
00:22:24 It was his last wish.
00:22:27 On his last day.
00:22:28 Mr. Anderson said,
00:22:30 "If his friends cannot be with him, he always wants to be with his friends."
00:22:35 That was a very fine gesture.
00:22:37 What would you like to drink?
00:22:38 Oh, whiskey, I reckon.
00:22:44 You wouldn't be knowing a man named Baker, I don't suppose.
00:22:47 He rides with a dog.
00:22:49 Si, everybody knows Mr. Baker.
00:22:51 He been around lately?
00:22:53 Oh, seven, eight days ago.
00:22:55 Why do you ask?
00:22:57 Mr. Baker a compadre to you?
00:23:00 No, not exactly.
00:23:02 I... I heard he was planning something big.
00:23:05 Oh, yes.
00:23:06 He's planning something big. Mucho, mucho, mucho.
00:23:08 Very big.
00:23:10 Yeah.
00:23:11 What?
00:23:14 I don't know.
00:23:16 (HORSE GALLOPING)
00:23:18 (SCREAMS)
00:23:30 (HORSE NEIGHING)
00:23:43 (HORSE NEIGHING)
00:23:45 (HORSE NEIGHING)
00:23:46 (HORSE NEIGHING)
00:24:12 (HORN HONKING)
00:24:13 Are you a bandit?
00:24:17 No, ma'am. Just an old cowboy trying to get along.
00:24:20 Hell, honey, I don't care what you call yourself,
00:24:23 but if you're after our valuables,
00:24:25 I'll tell you now, mine you can't put in a saddlebag.
00:24:29 You want to bet?
00:24:31 Tommy?
00:24:33 (SUSPENSEFUL MUSIC PLAYING)
00:24:35 Well?
00:24:53 Why not?
00:24:55 You bring shame on yourself, Guy, in Johnny Cobb, a woman like her.
00:24:58 Well, how do you figure?
00:25:00 Look at it, lad.
00:25:01 Do you want people to think she's the best you can do?
00:25:03 (SPEAKING SPANISH)
00:25:08 He just said he wanted a woman.
00:25:14 He didn't say he wanted one with a bloodline.
00:25:16 Can you no understand, lad?
00:25:18 Taking her to Cobb would be to go against the scripture.
00:25:21 Scripture? What's the Bible got to do with it?
00:25:24 Christian thing to do is to get the kind of a woman for Cobb
00:25:29 that you'd want Cobb to get for you.
00:25:31 You're right.
00:25:36 Luis!
00:25:38 (SPEAKING SPANISH)
00:25:40 (DOG BARKING)
00:25:58 (GUNSHOT)
00:25:59 Two men.
00:26:09 More than likely, that's Johnny Cobb and the flea that rides with him.
00:26:13 More than likely.
00:26:14 And you don't have the woman for him, for trade.
00:26:17 It could mean trouble.
00:26:19 Well, let's let him hear what trouble really sounds like.
00:26:21 Aye. What air do you fancy, then?
00:26:24 Campbells are coming.
00:26:26 (PANTING)
00:26:28 (DOG BARKING)
00:26:31 (TRAIN WHISTLE BLOWING)
00:26:35 (BAGPIPE MUSIC PLAYING)
00:26:38 (MUSIC FADES)
00:26:41 (BAGPIPE MUSIC CONTINUES)
00:26:44 (BAGPIPE MUSIC CONTINUES)
00:26:46 (BAGPIPE MUSIC CONTINUES)
00:26:48 (BAGPIPE MUSIC CONTINUES)
00:27:13 (BAGPIPE MUSIC CONTINUES)
00:27:15 Hey. Welcome home.
00:27:35 Come on, Tuffy.
00:27:36 You were gone a lot longer this time than I thought you'd be.
00:27:40 I was down in Mexico looking over town of Estavez.
00:27:43 (DOG BARKING)
00:27:44 They rode in this morning.
00:27:49 (DOG BARKING)
00:28:18 Baker, where's the woman?
00:28:20 Johnny's talking to you, Baker.
00:28:23 You start something with me, Moon,
00:28:25 and they'll be collecting you in a gunny sack.
00:28:27 Where's the woman?
00:28:29 When I have her, I'll let you know, all right?
00:28:31 When?
00:28:32 What do you think I am, cub, a magician?
00:28:34 You think it's easy to produce a woman out of nowhere?
00:28:38 Don't you think if I could find a woman in this territory,
00:28:40 I'd have one or two for myself?
00:28:42 Yeah. Well, what about the time they stole your cook's wooden leg
00:28:46 out of that cathouse in Badwater and used it for firewood?
00:28:49 You found them another?
00:28:50 Where'd you find a wooden leg way out here?
00:28:52 Well, it wasn't easy.
00:28:53 And that horse of yours?
00:28:55 You got the only horse in the world with gold teeth.
00:28:58 What's your point?
00:28:59 His point is, if you can find them things in this country,
00:29:02 you can find him a woman.
00:29:04 Yeah. Now, you just listen to me, and you better listen good.
00:29:08 If it wasn't for the $5,000 price on my head outside this territory,
00:29:12 I wouldn't even be talking to you.
00:29:14 We got a deal, you and me, a deal.
00:29:17 A woman for a Gatlin gun.
00:29:19 Now, I can get my hands on that Gatlin gun this week.
00:29:22 Where's the woman?
00:29:23 You need a drink, Johnny.
00:29:25 What I need is a woman!
00:29:27 You could make a man deaf yelling his ear like that.
00:29:30 Sit down, Johnny. Have a drink. Sit down.
00:29:41 When I lie down at nights, I'm thinking about a woman.
00:29:46 And when I get up in the morning, I'm thinking about a woman.
00:29:51 It's been years.
00:29:54 Baker, it's been years.
00:29:58 I can't remember.
00:30:00 I can't even remember what it's like.
00:30:03 Well, Johnny, I'll tell you what it's like, first of all.
00:30:06 I don't want you to tell me! I want to do it!
00:30:09 Now we got a deal! Gatlin gun for a woman! Now, where is she?
00:30:13 It's a sorry kind of a man who resorts to violence, Cobb.
00:30:17 Just take a drink.
00:30:24 They're waiting for you.
00:30:37 Redbell!
00:30:39 Don't you do that outside, bookbinder.
00:30:45 Sergeant Fitzsimmons has just finished cleaning the office.
00:30:47 No, not now!
00:30:49 Where'd you find out?
00:30:52 Well, I rode out to Badwater and talked to a Mexican there that runs the cantina.
00:30:57 Where?
00:30:58 Then I rode on down to the stage stop and talked to a mountain man there named Nate Hattersby.
00:31:05 Go on.
00:31:07 Then I rode back a hundred miles to Lost Boy Pass and talked to a couple of Navajos there riding south.
00:31:13 Bookbinder, could you just get to it?
00:31:16 What is Baker planning? Baker?
00:31:19 Something big.
00:31:21 Bookbinder, I've been in the Army most of my life.
00:31:26 Thirty years in the cavalry, to be exact.
00:31:28 And I have never, ever, had a scout as utterly worthless as you are.
00:31:33 Get out.
00:31:34 Colonel, if a man can't find something out, he just can't find it out. Now that's all there is to it.
00:31:40 No, that is not all there is to it, bookbinder. You are paid to know. Do you understand?
00:31:45 No, you don't. Get out. Get out!
00:31:48 Get out.
00:31:50 Forward to post!
00:31:53 Left wing post!
00:31:58 Post!
00:32:00 Ha ha ha! Ha ha ha! Ha ha ha! Ha ha ha!
00:32:07 [crash]
00:32:09 [music]
00:32:13 [music]
00:32:17 [music]
00:32:20 [music]
00:32:28 [music]
00:32:38 [music]
00:32:44 [music]
00:32:47 One of the horses here!
00:33:01 [crash]
00:33:05 [music]
00:33:08 [music]
00:33:11 [music]
00:33:14 [crash]
00:33:18 [music]
00:33:21 [music]
00:33:29 Baker. It's only here. It's Baker.
00:33:40 Forward! Right wheel!
00:33:42 He's held up four stagecoaches in one week, gentlemen. Here, here, here, and here.
00:33:49 He hasn't harmed anyone, and he hasn't taken anything from them.
00:33:52 Now, where does that leave?
00:33:54 Obviously, he's looking for something, or someone, or whatever.
00:33:58 Now, before he finds them, or it, or whatever it is he's looking for, I want to know who or what it is. Understand?
00:34:06 Now, one thing for sure, as I'm standing here, we know he's out there right now somewhere, holding up another stagecoach.
00:34:15 Question, gentlemen, why is he doing it? Why?
00:34:20 [rumbling]
00:34:30 [rumbling]
00:34:33 Whoa! A patty flat!
00:34:40 [music]
00:34:48 [music]
00:34:51 You folks better come in. This'll be your last drink of water before it dry wells.
00:35:11 [music]
00:35:14 [music]
00:35:17 What's going on here?
00:35:38 Who are you? What do you want?
00:35:41 [footsteps]
00:35:44 [slap]
00:36:04 I'm going to see you shot!
00:36:06 And who's going to do the shooting?
00:36:08 It may interest you to know that my name is Marianna Morgan. My husband is the commanding officer of the port at dry wells.
00:36:16 Is that the best you can think of to scare me?
00:36:19 You cannot be the colonel's lady, lassie.
00:36:21 And why not?
00:36:23 Every man in the territory knows that the colonel is married to a cold lady who lives back east.
00:36:27 Aye, a cold, frigid, barren woman we need her, I saw.
00:36:32 You know the colonel?
00:36:34 We've met along the way.
00:36:36 And I suppose he told you all this about his wife?
00:36:39 He didn't have to. What other kind of a woman would make a man live alone to do his duty?
00:36:44 How's your health? Your belly ever hurt you?
00:36:47 I beg your pardon?
00:36:48 Or your head? Or anything?
00:36:50 Tell you one thing, you sure do look like everything is in order.
00:36:56 See you in a minute, Tommy.
00:36:58 Bye.
00:36:59 [footsteps]
00:37:07 [music]
00:37:33 [colonel shouting]
00:37:37 What do you mean the colonel's wife ain't here?
00:37:40 There wasn't nothing you could do, huh?
00:37:42 Not a thing, just what they took us for.
00:37:44 What's going on here?
00:37:45 Where's my wife?
00:37:46 You! Stop! Where's Mrs. Morgan?
00:37:48 Sir, I got your wife's luggage and that's all.
00:37:52 Colonel, I just don't know how to tell you.
00:37:54 Well, find a way, then. Find a way, quickly.
00:37:56 Well, sir, your wife was tooken at Apache Flats.
00:37:59 There was about a dozen of them, mostly Mexican.
00:38:01 But the leader, he were no mix.
00:38:04 He had dark hair.
00:38:05 And a dog.
00:38:06 Brown eyes.
00:38:07 Yep, and a dog.
00:38:08 Tall and lean, was he?
00:38:09 That's right, and he had a dog.
00:38:10 Yes, and a dog.
00:38:12 Baker.
00:38:15 Baker.
00:38:18 Something big.
00:38:21 [sniffles]
00:38:23 Bring this man to my office.
00:38:25 Yes, sir.
00:38:28 [horse galloping]
00:38:34 [music]
00:38:38 [music]
00:38:58 I'll make a deal with you.
00:39:00 You can hate me, but you can still drink my water.
00:39:03 On that basis, I'll do it.
00:39:06 I don't have a disease.
00:39:07 Neither do I.
00:39:09 And it's gonna remain that way.
00:39:14 Will you answer one question for me?
00:39:17 I got no secrets.
00:39:19 Why am I here?
00:39:21 What do you intend to do with me?
00:39:23 You want it straight out?
00:39:24 Yes.
00:39:27 I'm trading you to a man for a Gatlin gun.
00:39:32 I know it ain't right, but no one's ever accused me of being good.
00:39:36 I got a clown.
00:39:37 I don't want you to think that I'm bragging, but I've known a lot of women in my time.
00:39:42 But I don't remember seeing one as beautiful as you.
00:39:46 And it's sure gonna hurt me to turn you over to him.
00:39:50 [music]
00:39:59 Don't you have any idea which way they went?
00:40:01 Nope, I sure ain't, Colonel.
00:40:03 I ain't even got a notion which way they come.
00:40:05 They was just there.
00:40:07 Just there.
00:40:10 Are you absolutely certain you didn't hear him say anything?
00:40:13 I didn't say I didn't hear him say anything.
00:40:16 I said I didn't hear him say anything about where he was going.
00:40:19 And you did hear him say something?
00:40:22 Sure did.
00:40:24 Well.
00:40:26 Would you mind telling me what he said, if it's not too much strain?
00:40:30 He said...
00:40:31 What?
00:40:32 What'd he say?
00:40:33 He asked Mrs. Morgan how her belly was.
00:40:38 What?
00:40:43 Then he give her a probe or two.
00:40:47 Seemed real pleased.
00:40:49 Who seemed real pleased?
00:40:52 Baker.
00:40:53 Tyler!
00:40:54 We're taking your troop. Issue three days' rations to the men.
00:40:56 Yes, sir.
00:40:57 We'll pick up their trail to Apache Flats.
00:40:58 Bookbinder!
00:40:59 Bookbinder!
00:41:00 Yes, sir.
00:41:01 Yes, sir.
00:41:02 [DOG BARKING]
00:41:06 [MUSIC PLAYING]
00:41:09 [DOG BARKING]
00:41:12 [MUSIC PLAYING]
00:41:15 [MUSIC PLAYING]
00:41:18 [MUSIC PLAYING]
00:41:47 They rode out of here heading east, Colonel.
00:41:51 I figure they're headed for the Guadalupe.
00:41:53 They'll stay here the night.
00:41:55 Push out in the morning.
00:41:56 Yes, sir.
00:41:59 See the horses at corral, Captain.
00:42:00 Yes, sir.
00:42:01 At a walk!
00:42:02 Forward!
00:42:03 Halt!
00:42:15 Colonel, I reckon I've heard about everything there is to hear about Baker.
00:42:21 Oh, I know you're worried about your lady, but I ain't never yet heard tell of Baker hurting a woman.
00:42:28 Bookbinder, there are things a man can do to a woman without hurting her.
00:42:33 Vile, rude, disgraceful, undignified things.
00:42:37 Unspeakable things, Bookbinder.
00:42:39 Yeah.
00:42:40 Yeah.
00:42:41 Luis.
00:42:57 Si.
00:42:58 Senor Baker, four wagon loads of whiskey going to Lordsburg.
00:43:07 Good.
00:43:08 [HELICOPTER WHIRRING]
00:43:12 [HELICOPTER WHIRRING]
00:43:16 [HELICOPTER WHIRRING]
00:43:19 [HELICOPTER WHIRRING]
00:43:23 [HELICOPTER WHIRRING]
00:43:26 [HELICOPTER WHIRRING]
00:43:41 [HELICOPTER WHIRRING]
00:43:44 [HELICOPTER WHIRRING]
00:44:05 [HELICOPTER WHIRRING]
00:44:08 You stay there, miss, and I'll get you a drink.
00:44:15 This is all well and good, but it's not the big thing, is it?
00:44:34 Indians are going to like this whiskey.
00:44:36 Ay, de menos de no.
00:44:37 What kind of an answer is that, then?
00:44:39 We're going to need him for our big thing.
00:44:42 OK.
00:44:43 Good night.
00:44:44 [HORSES NEIGHING]
00:45:12 [HORSES NEIGHING]
00:45:15 They love me.
00:45:33 [HORSES NEIGHING]
00:45:36 Baker!
00:45:43 Jesus saves!
00:45:45 Amen!
00:45:47 Whiskey!
00:45:49 Good!
00:45:50 You bring sunshine!
00:45:52 So good welcome!
00:45:54 I figured you'd like it.
00:45:56 You good man, Baker!
00:45:59 You lovely man!
00:46:02 Chief, thank you.
00:46:04 But, um...
00:46:05 There's just one little thing.
00:46:08 Lovely! Lovely! Lovely!
00:46:12 [HORSE NEIGHING]
00:46:31 [HORSE NEIGHING]
00:46:34 Hey, Pickens!
00:46:41 Brung you a guest for supper.
00:46:43 Yeah, I saw.
00:46:45 And I'm glad to see you finally...
00:46:48 [LAUGHING]
00:47:00 I can't... I can't believe this!
00:47:03 What's so funny about my tasting women?
00:47:07 Is she the one...
00:47:09 What's wrong with her?
00:47:11 Is she the one you got for Johnny Cobb?
00:47:14 Yeah, what's wrong with her?
00:47:15 Joe, don't you know who she is?
00:47:19 Well, she told us some story about...
00:47:22 You mean...
00:47:24 You don't mean...
00:47:27 [GASPING]
00:47:30 I don't suppose you'd like to talk about it.
00:47:34 Just before they stand you in front of my husband's firing squad...
00:47:38 I'll be happy to discuss it with you, Mr. Baker.
00:47:41 Now, will you please show me to my quarters?
00:47:46 Show you to your quarters? You sleep here?
00:47:49 Indeed. And where will you sleep?
00:47:51 Beneath you.
00:47:52 I prefer to sleep somewhere else, thank you.
00:47:55 I prefer to sleep somewhere else.
00:47:57 You sleep here, I'll sleep beneath you...
00:48:00 And that's the way it's gonna be until Cobb comes to collect you.
00:48:03 Tommy.
00:48:23 How does a good man like me get into a mess like this?
00:48:50 I'm sorry, Mrs. Morgan, but we don't stock Lila water.
00:48:53 You can't seriously expect that I'm gonna bathe in that tub...
00:48:59 In this room.
00:49:00 Well, except for the fort at Dry Wells...
00:49:03 That's the only tub I know of for a hundred miles.
00:49:05 That isn't exactly what I meant, Mr. Baker.
00:49:08 I seriously doubt whether you've ever known one...
00:49:11 But I happen to be a lady.
00:49:13 Is that a fact?
00:49:15 That is most certainly a fact.
00:49:18 Does that mean that you're put together...
00:49:20 Somehow different than any other woman?
00:49:22 What I'm getting at is...
00:49:25 If I didn't know any other females...
00:49:27 Then I wouldn't know what I was looking at.
00:49:29 Would I?
00:49:31 Would I?
00:49:32 But it just so happens I know other females...
00:49:35 And I know exactly what I'm looking at.
00:49:37 So it don't make no difference, does it?
00:49:40 Out here we all bathe in the same water.
00:49:44 I usually go first, but I'm giving you that honor...
00:49:47 You being such a fine lady and all.
00:49:49 And here's the way it works.
00:49:51 Tommy scrubs my back, I scrub Tommy's back.
00:49:54 Pickens scrub Louis' back, and Louis scrubs Pickens' back.
00:49:58 That's the way it was until you come in...
00:50:00 And messed up the whole organization.
00:50:02 Now we'll just have to rearrange it all.
00:50:04 And while you're here, Louis will scrub your back...
00:50:09 And you'll scrub...
00:50:10 And you'll scrub...
00:50:11 She's still in it.
00:50:22 Where'd you meet her?
00:50:23 I was in her husband's company during the war.
00:50:26 We rode together at Manassas.
00:50:28 I guess I'd still be a horse soldier if I hadn't lost my leg.
00:50:32 In the war?
00:50:34 No.
00:50:35 See, there was this girl in Virginia...
00:50:38 Her father caught us.
00:50:40 Cut it off.
00:50:41 Chopped it clean off with an axe.
00:50:44 While I was sleeping.
00:50:46 Really?
00:50:47 Crossed my heart.
00:50:49 You're lucky it was only your leg.
00:50:53 I'll be back.
00:50:54 I know what you're thinking.
00:51:14 You're thinking that somewhere out there...
00:51:18 Your husband's looking for you.
00:51:21 Very logical.
00:51:22 Why'd you make him live all those years alone?
00:51:26 I can't think of any reason in the world...
00:51:28 Why I should answer a question like that from you.
00:51:30 You don't have to talk to me at all.
00:51:33 What have you got to lose?
00:51:36 That's one way of looking at it, I suppose.
00:51:39 You don't seem as upset as I thought you'd be.
00:51:42 If I don't...
00:51:44 It's because I...
00:51:45 I don't believe it.
00:51:47 Things like this don't happen.
00:51:49 Not to me.
00:51:50 Nothing ever happened to me back in Pennsylvania either.
00:51:53 That's why I came out here.
00:51:55 All my life I wanted to do something big.
00:51:58 Really big.
00:51:59 Now I can do it, but I need that Gatlin gun.
00:52:02 And that's where I fit in.
00:52:05 This is my first chance to do the big thing.
00:52:07 Maybe my last chance.
00:52:10 You wouldn't understand.
00:52:12 I understood that my husband had to be cavalry.
00:52:16 Had to be a horse soldier.
00:52:19 I never sympathized, but I understood.
00:52:22 I don't believe you.
00:52:26 I don't believe you're going to trade me for a Gatlin gun.
00:52:29 Why don't you believe me?
00:52:31 Because I'm worth more than that.
00:52:34 Far more.
00:52:35 And you know it.
00:52:37 And you know it.
00:52:38 [crickets chirping]
00:52:40 [water bubbling]
00:52:50 [water bubbling]
00:52:52 Looks like they've been here, Colonel.
00:53:10 [water bubbling]
00:53:12 Colonel!
00:53:24 Dog soldiers, send a word we're coming.
00:53:27 Tyler.
00:53:38 Sir.
00:53:39 I'm going on alone, Captain.
00:53:41 You take the men back to dry wells.
00:53:43 Well, sir, the men understand. They're more than willing to continue.
00:53:45 Yes, I'm certain they are.
00:53:47 This is a very personal matter.
00:53:49 It can endanger their lives.
00:53:51 I'm begging the Colonel's pardon, but don't you consider...
00:53:54 No, no, this is not an Indian matter, Captain.
00:53:56 Just take the men back to the fort.
00:53:58 Yes, sir.
00:53:59 Thank you.
00:54:05 I'm sending the men home, Bookbinder.
00:54:07 If you'd like to go with them, it's all right with me. I understand.
00:54:10 Things are getting a little dull back at the fort, Colonel.
00:54:13 I believe I'll just stay with you.
00:54:15 Appreciate that.
00:54:16 [dramatic music]
00:54:34 Whoo! Hip-hop!
00:54:36 On your horses!
00:54:38 [alarm ringing]
00:55:00 [dramatic music]
00:55:28 Baker, you just get purtier and purtier.
00:55:31 I sure am a lucky man.
00:55:33 Every time I come back here, I half expect to see you two gone.
00:55:36 Every time we think of leaving, Polly finds another nugget.
00:55:40 That's right.
00:55:41 We ain't got nothing but a cow and a hole in the ground.
00:55:44 You might say we live from nipple to nugget.
00:55:47 Come on, Dan.
00:55:49 I got an itch that needs scratching.
00:55:56 Coffee?
00:55:57 Hey, you.
00:56:01 Why don't you plant some flowers or something on your husband's grave?
00:56:05 He didn't smell nice living.
00:56:07 Why should he smell nice dead?
00:56:09 I'm speaking about, uh, respect.
00:56:12 That's right, Baker.
00:56:14 And we got a lot of respect for you.
00:56:18 Sure am hungry. You got anything cooking?
00:56:26 [dramatic music]
00:56:28 [shouting orders]
00:56:33 [shouting orders]
00:56:48 [shouting orders]
00:56:50 Why do you suppose the army always picks uninhabitable places to settle?
00:57:07 I don't know, ma'am, but it's a fact.
00:57:10 Oh, maybe I should tell you.
00:57:12 It's customary for all ladies to check into the fort at the company office.
00:57:16 First building over there.
00:57:18 Send your baggage over.
00:57:20 [dramatic music]
00:57:22 [shouting orders]
00:57:37 [dramatic music]
00:57:39 I'm looking for Baker.
00:57:55 Everybody's looking for him, ma'am.
00:58:04 And why do you suppose they're doing that?
00:58:07 Well, ma'am, I could give you a thousand reasons,
00:58:10 but particularly because he's got the colonel's wife.
00:58:13 Does he?
00:58:15 Ah, well, I never knew Baker when he didn't have some man's wife.
00:58:19 Aye, he follows the skirts like a dog follows the scent of a fox.
00:58:23 How is it you know him so well, ma'am?
00:58:26 He's going to marry with me.
00:58:28 I am Miss Dover McBride, and I've come to get him.
00:58:34 Forward, halt!
00:58:36 You laddie, tell me this. What we gonna do with her?
00:58:45 I don't know, but she's right.
00:58:50 She's worth a hell of a lot more than that goddamn gun.
00:58:53 You know something? Cobb's cheating me.
00:58:57 Aye. If only she weren't the cavalry colonel's wife, eh?
00:59:02 That's not it. It's her. It's all her. She makes me wonder.
00:59:05 About what?
00:59:07 Now, what do you think?
00:59:09 Look, you're gonna have to make a decision.
00:59:11 Cobb's gonna be along any day with the big gun.
00:59:13 I know.
00:59:14 What you gonna tell him when he comes?
00:59:16 I don't know.
00:59:18 If she's still here, he's gonna see her.
00:59:20 I know.
00:59:21 Look, I got the colonel's wife.
00:59:24 Dover's coming to get me.
00:59:27 Cobb's coming with the big gun.
00:59:30 It's getting hard to keep things straight in my mind.
00:59:33 Have you considered taking her back, then?
00:59:38 You know, I'm getting a terrible pain in my head, Tommy.
00:59:43 Would you mind just shutting up?
00:59:45 Look, if you take her back, you'll have nothing for Cobb.
00:59:49 If you give it to Cobb, we'll have the whole U.S. cavalry against us.
00:59:52 Now, personally, I prefer Cobb.
00:59:54 I'm just trying to be helpful, you understand?
00:59:56 Well, you're not being helpful, Tommy. You're making me sick.
00:59:59 Hi.
01:00:01 [♪♪♪]
01:00:04 [♪♪♪]
01:00:07 [♪♪♪]
01:00:34 [♪♪♪]
01:00:36 Count it.
01:00:57 Not enough.
01:01:00 [crunching]
01:01:02 Well, now, why don't you try counting it, Malachi?
01:01:09 I know how much it is. Not enough.
01:01:11 You know how much it is, then you know it's what we agreed on in Tucumcari.
01:01:16 This ain't Tucumcari.
01:01:19 Say what you gotta say. I'm in a hurry.
01:01:24 Words in Tucumcari ain't money in El Paso.
01:01:30 Cost me more than I thought for the big gun.
01:01:33 Come too far, risk too much, take a loss.
01:01:36 How much more?
01:01:38 Uh, half a gallon as much.
01:01:42 You must think my mama raised a fool.
01:01:45 Half a gallon as much, Cobb.
01:01:48 Take it or leave it.
01:01:56 He eat like a pig.
01:01:59 Buenos tardes.
01:02:08 Oh, mi amigo.
01:02:10 Tequila or whiskey?
01:02:12 Whiskey.
01:02:13 Uh, what do you have to eat, sir?
01:02:15 Well, I got goat, billy or nanny.
01:02:17 Never mind. Do you have anything else?
01:02:19 Horse.
01:02:21 I would have some of the goat and whiskey.
01:02:25 Thank you.
01:02:26 Me too.
01:02:28 Ah, there we are.
01:02:35 Muchas gracias.
01:02:37 Uh, Mr. Bookbinder here tells me you're acquainted with a man by the name of Baker.
01:02:42 Is that right?
01:02:43 Oh, si. Si, Baker's a good friend of mine.
01:02:46 Very close.
01:02:47 Ah, you see, Bookbinder, when I tell you, you have to know how to handle these people.
01:02:51 Treat them nicely, decently, speak to them quietly, and there's no end to what you can find out.
01:02:56 Now then, uh, has he been around to see you lately, Baker?
01:03:01 I don't remember when was the last time.
01:03:04 Uh, where does he live, Revere?
01:03:08 No se.
01:03:10 How many hombres ride with him?
01:03:14 I don't know.
01:03:17 You said he was a good friend of yours.
01:03:19 Si, mucho, mucho, mucho. Very good friend.
01:03:23 I see.
01:03:24 Well, thank you very much. You've been most helpful.
01:03:28 Gracias.
01:03:31 Plum fully information, ain't he?
01:03:36 [Gunfire]
01:03:42 What a sight. I'm Mr. McCall and I should have been a general.
01:03:52 Have you made any decisions regarding the colonel's lady?
01:03:55 You gonna start that again?
01:03:57 You haven't got much time, Baker.
01:03:59 [Gunfire]
01:04:03 You got me into this.
01:04:05 I got you into it?
01:04:06 You're the one who said I should give Johnny Cobb the kind of woman I'd expect him to give to me.
01:04:10 Och aye, but I didn't promise him any kind of a woman.
01:04:13 I never spoke to Cobb. You did and you best not be forgetting it either.
01:04:16 [Gunfire]
01:04:19 Why do you suppose a man's supposed to love only one woman?
01:04:23 It's the Lord's ruling.
01:04:24 You know something, Tommy?
01:04:26 If she wasn't the colonel's lady and it wasn't for Dover,
01:04:30 and if she was willing, which she naturally would be, I mean me being me and all,
01:04:36 I'd keep her for myself.
01:04:38 And what about the big gun?
01:04:40 We'd take that away from Cobb.
01:04:42 He's nothing but a thief and a robber. He'll understand.
01:04:45 [Gunfire]
01:04:48 [Music]
01:04:53 [Glass breaking]
01:04:55 Carrie! Carrie!
01:05:05 Two men coming.
01:05:09 [Music]
01:05:13 [Music]
01:05:17 [Knocking]
01:05:31 Good evening, ma'am. I'm Colonel Morgan, commanding officer of the...
01:05:34 Come on in. You don't want to wait out here.
01:05:37 Yes, ma'am. I mean, no, ma'am. Thank you.
01:05:39 You can come in too, mister.
01:05:41 Thank you, ma'am.
01:05:43 Good evening.
01:05:47 I'm Polly Standoff. This here's my sister, Carrie.
01:05:52 How do you do?
01:05:53 Ladies, we're looking for a man named Baker. Would either of you happen to know him?
01:05:57 Know him? He come through here last year like a dose of salts.
01:06:06 He didn't even take his boots off.
01:06:09 Yes. Do you know where we could find him?
01:06:13 Wherever it is, it's soft and warm.
01:06:16 Why don't you sit down, make yourselves at home.
01:06:24 Oh, no, thank you very much. We'd be most appreciative if you'd allow us to sleep in your shed tonight.
01:06:30 What's in the shed?
01:06:32 I beg your pardon?
01:06:34 There ain't nothing in the shed for you.
01:06:38 You come right over here. Sit down.
01:06:43 Oh, thank you.
01:06:45 Thank you very much.
01:06:48 I just love soldiers.
01:07:01 Thank you.
01:07:04 Sailors, too.
01:07:07 But I lean more to soldiers.
01:07:11 That's very kind of you, ma'am.
01:07:13 And it's always good to be appreciated.
01:07:16 You know, I always felt that if more civilians felt the way you do, I believe if more civilians felt the way you...
01:07:28 You don't really want to spend the night in that old shed, do you?
01:07:31 It's so cold and dirty out there.
01:07:35 Well, I've become accustomed to sleeping in the dirt and cold and heat.
01:07:41 Welcome to my military career. Where do you think you're going?
01:07:45 I'm just going to go out and get a little fresh air.
01:07:47 No, you're staying right here, bookbinder.
01:07:50 But look, Colonel, I...
01:07:51 Sit down, bookbinder. Sit down. It's an order.
01:07:58 We're staying in this room together and when we leave, we are leaving together. Is that understood?
01:08:04 As a matter of fact, we're leaving now.
01:08:06 It's a plea. It's early. We get an early start.
01:08:10 I'll see you here.
01:08:12 Look, you two, I appreciate the food and hospitality very much, but there is a limit to what you can expect of a guest.
01:08:19 You ain't no guest, honey. You're supper.
01:08:21 What?
01:08:22 You take a turn, Polly, and then you can hold the gun for me.
01:08:27 I just love soldiers.
01:08:31 [Gun cocks]
01:08:33 [Bugle plays Reveille]
01:08:41 [Bugle continues]
01:08:44 Dismiss the troop, Corporal.
01:09:04 Company, dismiss!
01:09:08 [Hooves clop]
01:09:11 Sir, am I glad to see you, sir.
01:09:15 What's the problem? Fitzsimons?
01:09:17 Well, sir, it's a woman.
01:09:19 A what?
01:09:21 If you don't mind my saying so, sir, she's quite beautiful.
01:09:23 Well, what's she doing here?
01:09:25 She's looking for Baker, sir.
01:09:26 Looking for Baker? Where is she?
01:09:29 Well, sir, I had to billet her in the Colonel's quarters.
01:09:32 You did what?
01:09:34 Well, sir, I couldn't very well put her in the enlisted man's barracks, could I?
01:09:39 [Knock on door]
01:09:51 Oh.
01:09:58 Good evening, ma'am.
01:09:59 I'm Captain Tyler, Colonel Morgan's adjutant.
01:10:02 Sergeant Fitzsimmons said that...
01:10:04 Tell me what Sergeant Fitzsimmons said I said, and then I'll tell you what I said.
01:10:09 Yes, ma'am. Well, Sergeant Fitzsimmons said that...
01:10:11 I'm surprised that your army has an Irishman in such a position of authority,
01:10:15 for you can never rely on one of them for the truth.
01:10:18 He said you...
01:10:19 It's drinking they do best, and fighting and blaspheming,
01:10:22 and telling outrageous stories,
01:10:24 the likes of which you've never heard of in your born days.
01:10:27 He said...
01:10:28 I, the Irishman with tears in his eyes, will tell you that every word passing his lips is the truth.
01:10:35 Yes, ma'am. Well, he said that you, uh...
01:10:38 that you came to get...
01:10:40 To get Baker. I have that.
01:10:43 Well, what are your plans, ma'am? I mean, how do you propose to find him?
01:10:47 I'm here.
01:10:52 He'll know.
01:10:54 [music]
01:10:56 [music]
01:10:59 [music]
01:11:02 [music]
01:11:05 [music]
01:11:08 [music]
01:11:11 [music]
01:11:14 [music]
01:11:17 [music]
01:11:20 [music]
01:11:23 [music]
01:11:26 [music]
01:11:29 [music]
01:11:31 [music]
01:11:37 [music]
01:11:40 [music]
01:11:43 [music]
01:11:46 [music]
01:11:49 [music]
01:11:52 [music]
01:11:56 [music]
01:11:58 [music]
01:12:01 They're having a good time.
01:12:03 Yes, I know.
01:12:06 I've seen that kind of good time before. Many times.
01:12:09 In the cavalry.
01:12:11 Always before they go out, when there's a possibility they may not come back.
01:12:15 The Indians do it too, I hear.
01:12:18 I'm not giving you to Johnny Cobb.
01:12:24 Why aren't you?
01:12:26 Straight out?
01:12:28 Straight out.
01:12:30 You were right.
01:12:32 You are worth more than the gun.
01:12:35 Isn't there another reason?
01:12:38 If there was, why should it interest you?
01:12:41 A woman is always interested in a man's reason for changing his mind about her.
01:12:46 [music]
01:12:48 [music]
01:12:50 [music]
01:12:53 You ask me why I've made my husband live alone all these years.
01:12:57 Well, we've had a month together out of every one of those years.
01:13:02 And in each of those months, we lived a year.
01:13:06 Each time he took his leave, it was always new.
01:13:11 Each time we've been together, it's been new.
01:13:15 It was falling in love all over again, year after year.
01:13:22 I was always ready for him and always wanted him.
01:13:27 Do you think I would have meant the same thing to him if I'd lived all those years with him in the desert, in the heat, on the dirt?
01:13:37 A cold, barren woman, your friend said of me.
01:13:42 No.
01:13:45 Because, you see, my bed is a rose garden.
01:13:51 [music]
01:13:55 I can tell you now the real reason I'm not giving you to Johnny Cobb.
01:14:00 I can't have you. Why should he?
01:14:05 [birds chirping]
01:14:15 [music]
01:14:17 [birds chirping]
01:14:29 [music]
01:14:45 [groans]
01:14:47 Bookbinder.
01:14:50 Free the word of this to a living soul and you're a dead man.
01:14:59 [music]
01:15:09 [footsteps]
01:15:14 Wake up. Come on, Joe, wake up.
01:15:18 Your future wife is here.
01:15:20 No. Where?
01:15:23 The fort at Dry Wells.
01:15:25 How do you know?
01:15:28 [door opens]
01:15:31 [snoring]
01:15:37 It's true?
01:15:39 White squaw come.
01:15:41 Far land.
01:15:44 Stage spring.
01:15:46 What makes him think it's Dover?
01:15:48 He heard her talking to a sergeant.
01:15:51 Bluecoat.
01:15:52 White woman.
01:15:55 Dover. Dover.
01:15:57 Dover. It's true then.
01:15:59 Right.
01:16:01 Hmm.
01:16:02 [footsteps]
01:16:08 Baker. Good friend.
01:16:10 [footsteps]
01:16:16 You better go get her. I'll meet you at Potter's Mesa.
01:16:19 [dog barks]
01:16:24 [music]
01:16:46 Well, Mr. Cobb, we haven't had the pleasure of seeing you around the fort lately.
01:16:50 Been off on an ocean voyage, have you?
01:16:52 Ain't no normal business where I've been.
01:16:55 I wanted in this here territory.
01:16:57 No, you're not wanted for anything in this territory yet, Mr. Cobb.
01:17:00 However, we always have high hopes of doing business with you in the future.
01:17:04 You too, Mr. Moon.
01:17:06 Now, do you mind if I ask what you're hauling there?
01:17:09 None of your business.
01:17:11 Not true, Mr. Cobb.
01:17:14 Why, there could be rifles for the Apaches.
01:17:19 Whiskey.
01:17:22 Any manner of things.
01:17:24 Whose horses are these?
01:17:27 The one there is Mr. Moon's. The other is mine. I bought 'em.
01:17:32 Who from?
01:17:33 What difference does it make?
01:17:35 I asked, Mr. Cobb. That's the difference.
01:17:38 I bought 'em from a man named Malachi Morton.
01:17:42 Hmm.
01:17:43 Mr. Morton sold you the saddle and the saddlebags and all, did he?
01:17:47 Yeah. That's right.
01:17:50 Hmm.
01:17:53 Well.
01:17:55 Told you he was a rager, too.
01:17:58 Looks like Mr. Morton went out of business permanently, didn't he?
01:18:08 Well, then.
01:18:10 I wouldn't do that if I was you.
01:18:18 I just knew deep in my heart we'd be doing business together one of these days.
01:18:23 I didn't steal that there big gun. Bought it from Mr. Morton.
01:18:28 Now, a Gatling gun disappeared from the Federal Arsenal in El Paso four weeks ago. I figure that one's it. What do you figure?
01:18:35 I didn't take it.
01:18:36 That's not the point, Mr. Cobb. The point is that you got it.
01:18:41 And I figure you and Mr. Moon here for ten to twenty years in federal prison.
01:18:46 Hmm.
01:18:48 Of course, I could just take the gun from you and look the other way while you two ride off into the sunset.
01:18:55 What are you getting at?
01:18:58 I'm trying to find a man named Baker.
01:19:01 I figure if there's anybody in the territory who can help me, it's you.
01:19:06 Why should I?
01:19:07 Ten to twenty, Mr. Cobb.
01:19:10 [knocking]
01:19:12 Miss Dover McBride?
01:19:22 Aye.
01:19:24 Baker sent me.
01:19:26 [music]
01:19:40 Whoa, whoa.
01:19:42 [music]
01:19:58 I'm a sweet and loving brother of Tommy, who's looking after my interests in the West.
01:20:03 Oh, you're a truly dependable sort, Tommy.
01:20:08 And how's your health, Baker?
01:20:11 Glad to see you, Dover.
01:20:13 Are you now?
01:20:15 Years ago, when I was but a wee lassie in Scotland, the Americans came to town with a traveling circus.
01:20:26 They called it the Great Big Western Show.
01:20:30 It was all make-believe.
01:20:39 Just like you, Baker. With your gun on your hip and the devil in your heart.
01:20:44 You're not being fair to me, Dover. I don't have the devil in my heart.
01:20:48 Do you have me in your heart, then?
01:20:50 You're the only woman I ever think about.
01:20:53 Oh, if I believed that, the United States government should ship me back to Scotland as an undesirable, due to mental incompetence.
01:21:01 Do you really believe I could ever look at another woman?
01:21:05 I wasn't thinking about your looking, Baker. I was thinking about your touching and your kissing and your hugging.
01:21:11 Men get fair hearings at a crooked poker game than they get from you.
01:21:15 I've missed you, Baker. I've missed you because I love you.
01:21:24 Are you going to marry me or are you not?
01:21:27 Of course I am, Dover. But my men, they look to me and depend on me.
01:21:31 I've no doubt they look to you, Baker, and depend on you, too.
01:21:36 They look to you as the embodiment of their own heathen ways and depend on you for the hair of the dog that bit them.
01:21:43 Now, pack up, Baker. For if you intend to marry with me, it's back to the land that spawned you.
01:21:50 I couldn't say no to you doing something big in your life.
01:21:54 But I have a life, too. And you'd best be remembering it.
01:22:00 You're not make-believe, lad. You're not the great big Western show.
01:22:05 And with another brother like you, Tommy, I'd be out of the business as a woman.
01:22:19 Aye.
01:22:21 I'd be out of the business as a woman.
01:22:24 Tommy, I'd be out of the business as a woman.
01:22:27 Aye.
01:22:29 One more week or else.
01:22:32 Or else what?
01:22:43 If you didn't make arrangements to join me in a week, I'd be returning to Pittsburgh and making my bed with Angus McNamara.
01:22:52 Angus McNamara?
01:22:54 Aye.
01:22:55 You wouldn't do that to me. You wouldn't shame me like that.
01:22:58 You've been away a long time, Baker.
01:23:01 I'm a woman with a woman's feelings and a woman's desires.
01:23:05 One more week and no more.
01:23:08 Or it's back to Angus McNamara, that wee small nut of a man from Pittsburgh.
01:23:14 Come on.
01:23:16 Come on.
01:23:18 Here.
01:23:20 Here.
01:23:22 [dog barks]
01:23:30 What a cruel woman she is.
01:23:41 What is it you want with Baker?
01:23:44 He's got something that belongs to me.
01:23:49 And you want it back, huh?
01:23:51 Yes, I want it back.
01:23:54 It must be valuable.
01:23:57 It is.
01:23:59 He's stealing it.
01:24:01 That's right.
01:24:03 There it is.
01:24:08 That's where you're gonna find him.
01:24:11 All right, Cobb, a deal's a deal. You and Moon can go now.
01:24:17 Well, now, if it's all the same to you, we'll just tag along.
01:24:21 No, I don't need you anymore, Cobb. I don't want you.
01:24:25 Baker's got something for me, Morgan. As soon as I get it, I'll leave.
01:24:30 You were heading for there all the time, weren't you?
01:24:35 Bringing him the gun?
01:24:38 Now, what does he want with a Gatling gun?
01:24:40 I never asked him. None of my business.
01:24:45 Of course, if I was to make a guess, I'd say he was planning something big.
01:24:51 Yeah, something mighty big.
01:24:56 [♪♪♪]
01:24:59 Señor McBride.
01:25:20 [♪♪♪]
01:25:23 Look.
01:25:30 Baker, the big gun, it's coming, and--
01:25:39 Louise, the big gun's here.
01:25:41 Now, you give Cobb and Moon every chance to leave and no bloodshed and get somebody to get our Indian friends.
01:25:47 You didn't give me time to finish, laddie. Carol, no, Morgan and Jesse's William.
01:25:51 - What? - Aye. It's all happening at once. What do we do now?
01:25:55 Mr. Baker. Mr. Baker, any minute now, my husband is gonna come riding over that hill.
01:26:00 All my female instincts want to rush into his arms, but I won't.
01:26:05 Not only because of the horrible mess you're in, but because of you and the way you've treated me.
01:26:11 Like a lady. I want you to have that something big.
01:26:15 So I'll just go inside while you settle it with Mr. Cobb.
01:26:18 But please, please be careful.
01:26:22 Is the devil demanding his due, laddie?
01:26:42 - I've been thinking about you, Colonel. - Have you?
01:26:45 I've been thinking about you, too, Baker.
01:26:48 I've been thinking about you for days and days.
01:26:58 Yeah, well, I was just telling Tommy here--
01:27:01 Now, hold on, Colonel. It was all a mistake. Now, if I'd known--
01:27:08 Wait. Now, you see, if you're gonna fight, I don't wanna fight--
01:27:12 - Get out of the way. - Yes, sir.
01:27:21 Oh, Colonel, don't hit him again. Let's talk about it.
01:27:24 - Marianna. - Donald.
01:27:31 Oh, you look lovely. What are you doing with that dog?
01:27:35 Whose dog is that?
01:27:37 Mine.
01:27:39 She hasn't been touched. Nobody laid a hand on her.
01:27:46 I was planning on bringing her to you. Ask if you don't believe me.
01:27:55 That's enough. Do you hear me? Enough. You're both just alike.
01:28:05 Has he taken advantage of you?
01:28:08 No. He was gonna bring me to you.
01:28:11 You got that there woman for me? His wife?
01:28:21 What are you gonna give my wife to him?
01:28:23 Look, Colonel, me and you, we don't have to fight again, do we?
01:28:26 - Yep. - Donald.
01:28:28 Baker! You and me, we got a deal.
01:28:31 Big gun for a woman. I don't get the woman, you don't get the big gun.
01:28:36 Louise.
01:28:42 I got 20 guns and they're all aimed at you.
01:28:49 So that ends your argument. The big gun's mine.
01:28:52 No, hold on a minute. The gun is federal property. You can't have it.
01:28:56 - Let him have it. - Let him have it. It's government property.
01:28:59 - I'm a Colonel of the Cavalry. - No, you're not.
01:29:01 - What? - You were retired two days ago.
01:29:03 You have nothing to say about that gun.
01:29:06 Let him have it.
01:29:08 Get off my wagon.
01:29:23 Get off my wagon.
01:29:25 Get off my wagon.
01:29:53 Get off.
01:29:55 Yeah!
01:30:15 Yeah!
01:30:17 Yeah!
01:30:19 Yeah!
01:30:47 Just be a moment.
01:30:49 Where are you going, Cobb?
01:31:01 There's about as far away from here as I can get.
01:31:05 I gotta have a woman.
01:31:07 What about your friend there? You wanna bury him?
01:31:10 No.
01:31:12 Maybe something will come out of the hills tonight and drag him off.
01:31:17 All I wanted was a woman.
01:31:20 Cobb.
01:31:33 It just happens that we know about a couple of women.
01:31:40 On this side?
01:31:42 No, just over the border.
01:31:45 Now, that don't help me an awful lot, does it?
01:31:49 Well, I just thought I'd let you know.
01:31:53 I'm sorry.
01:31:55 What are you sitting out here for, mister?
01:32:19 I'm gonna cross that there line. Everybody wants to kill me.
01:32:23 There's a price on my head.
01:32:26 What?
01:32:40 [SIREN WAILING]
01:32:44 [SIREN WAILING]
01:32:47 [SIREN WAILING]
01:32:50 [SIREN WAILING]
01:32:53 [SIREN WAILING]
01:33:07 [SIREN WAILING]
01:33:13 [SIREN WAILING]
01:33:16 [SIREN WAILING]
01:33:32 [SIREN WAILING]
01:33:42 [SIREN WAILING]
01:33:45 [SIREN WAILING]
01:33:48 [SIREN WAILING]
01:33:51 [SIREN WAILING]
01:33:57 [WATER SPLASHING]
01:34:08 [WATER SPLASHING]
01:34:11 [HORSE NEIGHING]
01:34:29 [HORSE NEIGHING]
01:34:36 [HORSE NEIGHING]
01:34:39 Wait here.
01:34:43 [HORSE NEIGHING]
01:34:48 [HORSE NEIGHING]
01:35:15 What do you make of it, lad?
01:35:17 Where are they?
01:35:18 I do not know.
01:35:20 You better find them, Lois, 'cause I'm about to get mad.
01:35:23 [HORSE NEIGHING]
01:35:26 [SPEAKING SPANISH]
01:35:32 [HORSE NEIGHING]
01:35:49 [HORSE NEIGHING]
01:35:52 Now, see?
01:36:03 That is Emilio Estevez.
01:36:06 [HORSE NEIGHING]
01:36:09 Tell me, you're not Emilio Estevez?
01:36:34 I am brother Emilio Estevez.
01:36:37 Biggest bandit in Mexico?
01:36:39 [CHUCKLING]
01:36:40 No.
01:36:41 Those days are gone.
01:36:43 Those days are over, praise God.
01:36:46 Over?
01:36:47 I was once a man of great evil and walked in the shadows of wickedness.
01:36:52 But God, in his infinite mercy, found me and delivered me into the garden of heaven.
01:36:59 Then there's no treasure?
01:37:02 See the lilies in the field, how they grow.
01:37:05 They neither toil nor spin.
01:37:07 But even Solomon, in all his glory, was never clothed like one of these.
01:37:12 This is our treasure, brother.
01:37:27 We share it with you.
01:37:30 [CRICKETS CHIRPING]
01:37:33 Now.
01:37:39 Now!
01:37:40 [GUNSHOTS]
01:37:43 [GUNSHOTS]
01:37:46 [SCREAMING]
01:37:49 [HORSE NEIGHING]
01:37:52 [SCREAMING]
01:37:55 [GUNSHOTS]
01:37:58 [SCREAMING]
01:38:01 [GUNSHOTS]
01:38:04 [SCREAMING]
01:38:07 [GUNSHOTS]
01:38:10 [GUNSHOTS]
01:38:13 [GUNSHOTS]
01:38:16 [DOG BARKING]
01:38:19 [GUNSHOTS]
01:38:22 [GUNSHOTS]
01:38:25 [GUNSHOTS]
01:38:28 [GUNSHOTS]
01:38:31 [GUNSHOTS]
01:38:34 Let's get out of here!
01:38:37 [GUNSHOTS]
01:38:40 [GUNSHOTS]
01:38:43 [GUNSHOTS]
01:38:46 [GUNSHOTS]
01:38:49 [GUNSHOTS]
01:38:52 What kind of a mess are we in now?
01:38:54 I don't know, but I wish I was back in the Army.
01:38:56 [GUNSHOTS]
01:38:59 [GUNSHOTS]
01:39:02 [GUNSHOTS]
01:39:05 [GUNSHOTS]
01:39:08 [CHEERING]
01:39:10 Here come your Indians!
01:39:12 [GUNSHOTS]
01:39:15 [GUNSHOTS]
01:39:18 [GUNSHOTS]
01:39:21 [GUNSHOTS]
01:39:24 [GUNSHOTS]
01:39:26 This is all right.
01:39:27 Pickle us here and I'll come down there.
01:39:29 [GUNSHOTS]
01:39:32 [GUNSHOTS]
01:39:35 [CHEERING]
01:39:38 [GUNSHOTS]
01:39:41 [CHEERING]
01:39:42 Hey, they're leaving us!
01:39:44 [GUNSHOTS]
01:39:47 [CHEERING]
01:39:50 [GUNSHOTS]
01:39:53 Where are they going?
01:39:54 They've used up your whiskey!
01:39:56 [GUNSHOTS]
01:40:01 Get in between them and head us out of here!
01:40:04 [GUNSHOTS]
01:40:08 Here he comes!
01:40:09 Here comes the gun!
01:40:10 [GUNSHOTS]
01:40:13 [GUNSHOTS]
01:40:16 (guns firing)
01:40:18 (explosions)
01:40:20 (guns firing)
01:40:23 (guns firing)
01:40:25 (guns firing)
01:40:29 (guns firing)
01:40:31 (guns firing)
01:40:35 (guns firing)
01:40:44 (guns firing)
01:40:53 (guns firing)
01:40:55 (guns firing)
01:41:05 - We've done it.
01:41:19 - Si. - We've done it.
01:41:20 Baker!
01:41:21 - Aye, yeah! - Baker!
01:41:22 (men cheering)
01:41:25 - We did it, laddie, we did it.
01:41:30 - The gold, where's the gold?
01:41:34 - Where else?
01:41:37 (dramatic music)
01:41:52 - There go the last of 'em.
01:41:54 (dog barking)
01:41:57 (dramatic music)
01:42:00 (dramatic music)
01:42:02, (guns firing)
01:42:07 (dramatic music)
01:42:10 (guns firing)
01:42:33 (guns firing)
01:42:36 - Here it is, men.
01:42:42 - Oh!
01:42:45 (men cheering)
01:42:52 (men cheering)
01:42:55 - Now, pack up, Baker.
01:43:17 For if you intend to marry with me,
01:43:19 it's back you go now to the land that spawned you.
01:43:23 I couldn't have said no to you
01:43:24 doing something big in your life,
01:43:27 but I have a life too,
01:43:29 and you best be remembering it now.
01:43:31 You're not make believe, lad.
01:43:35 You're not the great big Western show.
01:43:38 (dramatic music)
01:43:42 (dramatic music)
01:43:45 - No regrets?
01:44:01 - Oh, no regrets, laddie, no.
01:44:03 It's not the end, you know, it's beginning.
01:44:05 Remember what I wrote you last year
01:44:08 when I was missing you so badly?
01:44:10 You said you would give your boots and saddle
01:44:12 to spend one night with me.
01:44:13 - Shh.
01:44:14 Well, I don't have boots and saddle any longer.
01:44:18 - But all your nights.
01:44:19 - Mm-hmm.
01:44:19 (dramatic music)
01:44:22 - Present arms!
01:44:24 (dramatic music)
01:44:29 set sail!
01:44:30 (dramatic music)
01:44:33 (dramatic music)
01:44:35 - Thanks for my share, Joe.
01:44:50 - Post rags!
01:44:56 Hoo!
01:44:59 - You've got a fine big man there, Mrs. Morgan.
01:45:02 - I think we're both fortunate, Miss McBride.
01:45:05 - Aye, we are that.
01:45:07 - Mind you step, mind you.
01:45:21 I'll be with you in a moment.
01:45:22 Now, Jesse, my replacement will be here before long.
01:45:27 He's unfamiliar with the territory of it.
01:45:29 I'm sure with your able assistance,
01:45:31 I'll--
01:45:32 - I'll do everything I can to help him, Colonel.
01:45:33 - Yes, I'm sure you will.
01:45:35 God help him.
01:45:37 Now, Sergeant, that's for you.
01:45:40 You drink it in good health,
01:45:41 and may you be in heaven half hour
01:45:44 before the devil knows you're there.
01:45:46 (chuckles)
01:45:47 Goodbye, Sergeant.
01:45:47 - Sir.
01:45:48 (sniffs)
01:45:49 - Here, here, careful.
01:45:51 Get a grip on yourself, man.
01:45:52 Been in the Army too long, Sergeant.
01:45:56 Entirely too long.
01:45:57 - Comma two to the left!
01:45:59 (shouts)
01:46:01 Forward, halt!
01:46:10 - I'm still gonna write that letter!
01:46:21 You'll just see if I don't!
01:46:25 (helicopter whirring)
01:46:28 - Finest light cavalry in the world.
01:46:34 (children cheering)
01:46:37 (dramatic music)
01:46:43 (children laughing)
01:46:46 ♪ Like a grin of sand that wants to be a rolling stone ♪
01:47:09 ♪ I want to be the man I'm not ♪
01:47:13 ♪ And have the things I really ♪
01:47:16 ♪ Haven't got, and that's a lot ♪
01:47:21 (tires screeching)
01:47:22 ♪ Something big is what I'm after now ♪
01:47:26 - It was a dark day, I humbled my poor body to you,
01:47:30 you great ape!
01:47:31 (dog barks)
01:47:38 - I love him.
01:47:39 ♪ Love me, joy me, love me, love me ♪
01:47:42 ♪ Something big is what I'm after now ♪
01:47:46 ♪ Yes, it's what I'm after now ♪
01:47:51 ♪ After, take it, take up, give it ♪
01:47:53 ♪ Something big is what I'm living for ♪
01:47:57 ♪ Yes, it's what I'm living for ♪
01:48:01 ♪ Living for ♪
01:48:07 ♪ After, take it, take up, give it ♪
01:48:10 ♪ Something big is what I'm living for ♪
01:48:13 ♪ Yes, it's what I'm living for ♪
01:48:17 ♪ Living for ♪
01:48:21 (upbeat music)
01:48:23 (dramatic music)