The Expendables (2010)
The Expendables is a 2010 American action film directed by Sylvester Stallone, who co-wrote it with David Callaham and also starred in the lead role. The film co-stars an ensemble cast of mostly action film actors consisting of Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Steve Austin, Mickey Rourke, and Bruce Willis. The film was released in the United States on August 13, 2010. It is the first installment in The Expendables film series. This was Dolph Lundgren's first theatrically released film since 1995's cyberpunk film Johnny Mnemonic.
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00:11:00 Coming.
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00:11:04 Who is it?
00:11:06 Someday you'll find a man who'll be happy just to watch you sleep.
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00:11:12 Hi. I didn't know you were back.
00:11:14 Hey, babe.
00:11:16 I just arrived.
00:11:18 Hi.
00:11:20 I...
00:11:22 I wish you would have called.
00:11:24 Yeah, I've never been a good caller.
00:11:26 I haven't heard from you in over a month.
00:11:28 Really?
00:11:30 Time flies, huh?
00:11:32 Won't happen again. Sorry.
00:11:34 But...
00:11:36 I do have a surprise.
00:11:38 Bruce Fland. Your favorite.
00:11:40 And, um...
00:11:42 I did have something else for you.
00:11:44 Something I picked up.
00:11:48 Uh...
00:11:50 Obama. It's a ruby.
00:11:52 It's a good color, but...
00:11:56 It's hard to say in this light.
00:11:58 It's, um...
00:12:00 It's kind of a little shiny when I bought it in the shop, you know?
00:12:02 [chuckles]
00:12:04 Everything all right?
00:12:06 Yeah.
00:12:10 Who's he?
00:12:12 He's a friend.
00:12:14 Kind of late.
00:12:16 Same.
00:12:18 Friend. She just told you.
00:12:22 Lee, come on.
00:12:26 Don't leave like this. Lee, I'm sorry.
00:12:28 I thought things were good between us.
00:12:30 I felt like you never cared about getting in my life
00:12:32 or letting me into yours. Stop!
00:12:34 Yeah, sure I did.
00:12:36 No! I've known you for over a year and a half
00:12:38 and I don't even know what you do for a living!
00:12:40 What's the matter? When I'm here, I'm with you.
00:12:42 That matters.
00:12:44 When you're here, you're not really here.
00:12:46 You're a good man. I love you, but...
00:12:48 Lace!
00:12:50 I hate his voice. Did you say something?
00:12:52 Don't let him come down here.
00:12:54 Please don't. You understand what I'm saying. You have to understand.
00:12:56 I understand. You take care.
00:12:58 Lee.
00:13:00 He's no good, Lace.
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00:13:46 Hey, brother, don't you ever sleep?
00:13:48 Ah.
00:13:50 This is, uh, my friend, uh...
00:13:52 What's your name again, baby?
00:13:56 Cheyenne. Cheyenne. Cheyenne.
00:13:58 Arapaho, Cherokee, Pawnee.
00:14:00 You want a drink?
00:14:02 I'm good.
00:14:04 Why don't you, uh...
00:14:06 Why don't you run upstairs and get me one of those super-duper...
00:14:08 Six-olive martinis, baby.
00:14:10 Anything for you, baby.
00:14:12 You got it.
00:14:14 Whew. Got a crush on me.
00:14:16 Like the last 50.
00:14:18 Hey, brother, Mr. Chairman. Damn, you look good.
00:14:20 Yeah, you look cute in that goddamn coat piece of steel, brother.
00:14:22 Yeah, well...
00:14:24 Okay, my friend.
00:14:26 Let's finish this bird up.
00:14:28 Well, let's do it, bro.
00:14:30 Let's do a couple of letters.
00:14:32 Ah.
00:14:36 We had to get rid of Gunner.
00:14:38 Oh, well, he went Krakenstein on your ass.
00:14:40 You got to cut him loose.
00:14:42 Yeah, you want to fill in?
00:14:44 Let me tell you something. Remember when we was last on?
00:14:46 Where were we? We were ass-deep in that mud and blood.
00:14:48 Nigeria.
00:14:50 Yeah, and your hand was all shot to shit.
00:14:52 You were bleeding all over the place,
00:14:54 and I was bleeding, and...
00:14:56 You know, when I did, I promised myself...
00:14:58 I don't want to die all alone,
00:15:00 full of holes in the mud and blood.
00:15:02 I want to die with something that counts.
00:15:04 I want to die with a woman.
00:15:06 I want to die with someone who cares about me, you know?
00:15:08 I don't want to die for a woman.
00:15:10 I want to die laying next to a woman.
00:15:12 That's what I want.
00:15:14 Christmas time.
00:15:18 Yeah, I can smell it from here.
00:15:20 Mr. Christmas. How you doing, brother?
00:15:26 I'm good, too.
00:15:28 Take a look at this. What do you think?
00:15:30 Yeah, it still looks like a black chicken.
00:15:32 Black chicken? Black chicken.
00:15:34 You done? All done.
00:15:36 It's a damn raven.
00:15:38 Oh, man.
00:15:40 Good to see you, brother.
00:15:42 Wow.
00:15:44 You know what?
00:15:46 For you.
00:15:48 I got a great idea.
00:15:50 Why don't you let me doodle, like, uh...
00:15:52 I don't know.
00:15:54 I could put a Charlotte's Web
00:15:56 on your head, on the top of your head.
00:15:58 You know, something different, something exciting.
00:16:00 'Cause you got one of them perfectly shaped,
00:16:02 little muscular heads.
00:16:04 I could put a Web
00:16:06 on the top of the head.
00:16:08 Maybe a pregnant Charlotte
00:16:10 coming out of your ear, peeking around,
00:16:12 making sure that bugs don't come inside.
00:16:14 Her long leg dangling down your neck.
00:16:16 Yeah.
00:16:18 Sexy, right? Very sexy.
00:16:20 Give you a little mystery, a little more character.
00:16:22 And very... sexy.
00:16:24 You understand? Makes her stand out.
00:16:26 Looks thrilling.
00:16:28 Well, okay, I'll tell you what.
00:16:30 I'm feeling a little lucky tonight.
00:16:32 I'm feeling very accurate.
00:16:34 Now, now, that's uncomfortable.
00:16:36 Come on. Take 'em on.
00:16:38 Come on, Christmas. Bring it, baby.
00:16:40 I'm encouraging you. Please.
00:16:42 He'll never beat you in your life.
00:16:44 Come on, Christmas. No disgrace in boozin'.
00:16:46 ( music playing )
00:16:48 ( phone rings )
00:17:02 Yes?
00:17:04 Yeah.
00:17:10 Okay.
00:17:15 Well, I got three pieces of work.
00:17:18 Two are walking to park.
00:17:20 And one to hell and back.
00:17:22 I need some time alone.
00:17:24 Hey, cheer up. Make the meeting.
00:17:26 ( music playing )
00:17:34 ( sirens wailing )
00:17:36 I got it!
00:18:02 ( grunting )
00:18:04 ( speaking Spanish )
00:18:06 General!
00:18:22 ( speaking Spanish )
00:18:26 ( grunting )
00:18:28 ( music playing )
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00:18:58 ( gunshot )
00:19:00 Now we can see inside of him.
00:19:06 And I see lies.
00:19:10 He wasn't stealing from you.
00:19:12 He was stealing from us both.
00:19:14 You want your ape's respect?
00:19:18 Snuff those, too.
00:19:20 ( footsteps )
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00:19:30 Let's just keep it simple.
00:19:34 If the money's right, we don't care where the job is.
00:19:36 Got it?
00:19:38 Let's quit jerking off. Get down to business.
00:19:40 See who's hungry.
00:19:42 I know your real name's probably not Barney Ross.
00:19:44 You don't need to know my name.
00:19:46 The only thing you need to know is the job's real
00:19:48 and the money's real.
00:19:50 But since we're in this nice place,
00:19:52 why don't you just call me Mr. Church?
00:19:54 Okay, Church, what can I do for you?
00:19:58 Wait a minute.
00:20:00 I'm still waiting for one more guy.
00:20:02 Who?
00:20:04 You know him?
00:20:16 We used to be on the same team together.
00:20:18 That's my oldest worst friend doing here.
00:20:20 Both your names came to the top of the list.
00:20:22 Is that a problem?
00:20:24 Yeah. Should've shot him when I had a chance.
00:20:26 Big Barney Ross.
00:20:28 Bigger Trent Mouse.
00:20:30 What are you doing?
00:20:32 Praying for Brooke? Could be.
00:20:34 Any bit sick?
00:20:36 You lost weight.
00:20:38 Really? Whatever weight I lost, you found, pal.
00:20:40 You guys aren't gonna start sucking each other's dicks, are you?
00:20:44 No.
00:20:46 Let's get down to business.
00:20:52 See who wants to work.
00:20:54 You ever hear of an island called Valena?
00:20:56 No.
00:20:58 Yeah. It's a little island in the Gulf.
00:21:00 That's right.
00:21:02 You should read more.
00:21:04 Thanks.
00:21:06 There are resources on that island
00:21:08 that my people are very interested in.
00:21:10 But the general put the name of Gaza as it was thrown to have as government.
00:21:12 That's right.
00:21:14 My people are having a problem with this fanatic Gaza.
00:21:16 So you want Gaza gone?
00:21:18 I want him dead.
00:21:20 Or he takes his little army.
00:21:22 Only an idiot would do this job.
00:21:24 How much?
00:21:26 Oh, like I said.
00:21:28 I'm busy anyway, so
00:21:30 give this job to my friend here.
00:21:32 He loves playing in the jungle. Right?
00:21:34 Right. That's right.
00:21:36 Hey, why don't we have dinner?
00:21:38 Sure. When?
00:21:40 In a thousand years.
00:21:42 Too soon.
00:21:44 What's his fucking problem?
00:21:46 He wants to be president.
00:21:48 I got to recon this island first.
00:21:52 I'll have a contact for you on the island.
00:21:54 Good riddance.
00:21:58 I got to tell him everyone else is passing this job,
00:22:00 so our fee is
00:22:02 five mil.
00:22:04 Five mil?
00:22:06 And I want half up front and the other half in an offshore account.
00:22:08 You already got a problem with that?
00:22:10 No.
00:22:12 What I have a problem with
00:22:14 is people trying to fuck me over.
00:22:16 So if you take this money
00:22:20 and you don't deliver,
00:22:22 they try to fuck me
00:22:24 in some kind of weird cockamamie scheme of yours.
00:22:26 Me and my people
00:22:30 are going to come get you and your people
00:22:32 and chop you up
00:22:34 into little fucking
00:22:36 dog treats.
00:22:38 You got a problem with that?
00:22:40 Let's talk.
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00:23:18 Velina.
00:23:20 Yeah, Velina.
00:23:22 They got work there?
00:23:24 Come on.
00:23:32 You know you shouldn't be here, Connor.
00:23:34 Don't replace me.
00:23:36 I'm good.
00:23:38 I'm still good.
00:23:42 You're still using me.
00:23:44 I can't trust you anymore, man.
00:23:46 You can't trust me.
00:23:48 You can't trust me.
00:23:54 Be careful.
00:24:04 You threatening me, Connor?
00:24:06 Nah.
00:24:10 I'm a nice guy.
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00:24:14 So going over the info this guy at church gave me,
00:24:22 there's probably about 6,000 people on the island.
00:24:24 How many soldiers?
00:24:28 Maybe a couple of hundred.
00:24:30 Wouldn't take much more than that to control a space that small.
00:24:32 Great.
00:24:34 They've got a small army.
00:24:36 What do we got? Four and a half men.
00:24:38 Not so funny.
00:24:40 I need a raise.
00:24:42 Why?
00:24:44 I need more money for my son. I want to send him to a better school.
00:24:46 Virginia, get a family.
00:24:48 I have no idea.
00:24:50 You don't ask, I don't help.
00:24:52 Anyway, pay share stays the same.
00:24:54 That's the way it's gonna be.
00:24:56 Now the target of this island is a guy named General Garza.
00:24:58 What's the problem?
00:25:00 Who gives a shit what the problem is?
00:25:02 We got enough problems right here of our own.
00:25:04 We don't get rid of those first,
00:25:06 they're gonna get rid of us.
00:25:08 Tell me, Tolga, when's the last time you saw your add-ons?
00:25:10 This morning.
00:25:14 Yeah, what'd you talk about?
00:25:16 Avoiding personality disorder.
00:25:20 You think too much.
00:25:22 You know, Tolga, you're an unusual guy.
00:25:24 And you're always gonna have unusual problems, right?
00:25:26 Unusual?
00:25:28 You're talking about my ear.
00:25:30 Oh, come on, don't start with the ear again.
00:25:32 Not the ear story.
00:25:34 No, again, we all know the ear story.
00:25:36 I'm the judge.
00:25:38 No, you guys started this.
00:25:40 We all know I wrestled in college.
00:25:42 Right.
00:25:44 Common injury associated with that sport is trauma to the ear.
00:25:46 A clot, which if left unattended
00:25:48 causes a contraction in the cartilage
00:25:50 and forms cauliflower ears.
00:25:52 And you're pointed.
00:25:54 It ain't easy being green.
00:25:56 Anyway, me and Chris
00:26:00 are gonna head down to Valina
00:26:02 and scout the island to see if we should take the job.
00:26:04 How much do you pay?
00:26:06 I need more money for my family.
00:26:08 What family?
00:26:10 My family.
00:26:12 Listen, that girl wasn't your type.
00:26:30 Her loss, right?
00:26:32 I should have bought that bus, this job.
00:26:34 Maybe you're lucky you could have broke yours.
00:26:36 Impossible.
00:26:38 You know, Christmas, I understand,
00:26:40 but let's just say you're with it for a couple hours
00:26:42 and it's nice and it's hot and heavy,
00:26:44 but after that, think about it.
00:26:46 What do you do for the rest of the day?
00:26:48 You probably did your favor.
00:26:50 Now you have more time to feel sorry for yourself.
00:26:52 You're a bleak bastard.
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00:27:41 - Morning.
00:28:01 Morning.
00:28:03 - Morning.
00:28:07 - Speak English?
00:28:08 - Big plane, huh?
00:28:12 - Yeah, we use it to transport injured animals.
00:28:15 - Why are you here?
00:28:16 - Ornithologist.
00:28:18 - We're photographing exotic birds.
00:28:20 (dramatic music)
00:28:23 - Can hear us?
00:28:34 - Yes.
00:28:35 (dramatic music)
00:28:38 - Why?
00:28:39 - You just look nervous.
00:28:41 - Nervous?
00:28:42 Do I look nervous?
00:28:43 - Your skin looks a little dry.
00:28:44 I think you should apply it with the window closed.
00:28:46 - It's the altitude.
00:28:47 - It is the altitude.
00:28:48 It'll get to you.
00:28:50 (dramatic music)
00:28:52 (children laughing)
00:29:00 (dramatic music)
00:29:03 - What's the address?
00:29:17 - Yeah, it's in my head.
00:29:19 - Do you wanna share it?
00:29:21 - Is it Gloria or Quentin?
00:29:23 - It's actually Quentin Gloria.
00:29:25 In Spanish.
00:29:26 - Spanish.
00:29:27 Who are you, Zorro?
00:29:30 - Army.
00:29:31 (car horn honking)
00:29:32 - Come on.
00:29:33 - In there.
00:29:34 (car horn honking)
00:29:37 (car horn honking)
00:29:43 (car horn honking)
00:29:48 - You rolling?
00:29:54 - Yeah.
00:29:55 - You, you!
00:29:59 Where's the truck?
00:30:01 - Water!
00:30:03 - Get the suit.
00:30:05 Tighten up on the suit.
00:30:06 - Got it.
00:30:07 - Look at these clouds.
00:30:16 Antique monkeys.
00:30:17 - Water!
00:30:22 - Coming up!
00:30:28 - What's wrong with this place?
00:30:30 - Everything.
00:30:33 - Let's get out of here.
00:30:36 - No, that's the point.
00:30:37 You think you know someone,
00:30:39 and you truly do not.
00:30:40 - Aren't you the guy who said
00:30:41 the man who best gets along with women
00:30:43 is the man who can get along without them?
00:30:46 - That's bullshit.
00:30:47 - Truthfully, she wasn't your type.
00:30:48 - Well, it wasn't finished.
00:30:49 - Look, enjoy your freedom.
00:30:50 - Yeah, you wait till it happens to you.
00:30:52 - It has.
00:30:53 (speaking in foreign language)
00:30:57 - Gracias.
00:30:57 - Context, Light.
00:31:01 - All right, let's go.
00:31:03 - Chill.
00:31:04 Have you ever been rejected?
00:31:17 - You're really pushing the boundaries
00:31:23 of our relationship, you know that?
00:31:25 (gentle music)
00:31:28 - Is that the contact?
00:31:40 - Could be.
00:31:41 - I'm gonna bet she's so hungry.
00:31:46 - Stay focused.
00:31:47 - You the contact?
00:31:52 - I'm Sandra.
00:31:53 What's your names?
00:31:55 - Buddha and Pest.
00:31:56 - Follow me, please.
00:32:03 - Buddha and Pest, nice.
00:32:09 You do all these?
00:32:24 - Yes.
00:32:25 Take one, a gift.
00:32:27 - Oh, taking free gifts.
00:32:30 How much you want for it?
00:32:33 - Nothing.
00:32:34 Taking money for something is not a gift.
00:32:36 Taking nothing for something is.
00:32:39 - Isn't life and soul a time?
00:32:41 - This place was a beautiful place.
00:32:43 Then one day they came with money
00:32:45 and General Garza sold his soul.
00:32:48 And people who fight back are killed.
00:32:50 - You said they came with money.
00:32:51 Who's they?
00:32:52 - Some Americans.
00:32:53 That's all I know.
00:32:55 But someday, all this will change back.
00:32:59 - You really believe that?
00:33:00 - Yes.
00:33:01 The best day will be the one when we can say
00:33:03 our lives are our own again.
00:33:06 - You have a family, Sandra?
00:33:13 - My mother, when I was little, she died.
00:33:15 And my father, he's gone too.
00:33:18 - So how close can you get to the palace?
00:33:21 - The palace?
00:33:23 - Why?
00:33:24 - We just want to check out the view.
00:33:26 - There is no view.
00:33:28 - Why don't we just go there where you are, okay?
00:33:32 - Where is my growth?
00:33:45 Where is your manpower?
00:33:48 (dramatic music)
00:33:51 - Do you know how long it takes for a cocoa pill to produce?
00:33:57 Of course you don't, let me tell you.
00:33:58 We are eight weeks behind schedule.
00:34:01 Kick your peasant's asses, get me my product.
00:34:04 - When you talk like this to me in front of my men,
00:34:07 it's no good.
00:34:08 - I am your lifeline.
00:34:12 I am the one who coordinates all this confusion.
00:34:15 I am making you rich, and being wealthy is very good.
00:34:19 It allows people to be the real asswives
00:34:21 nature intended them to be.
00:34:24 - Sometimes, things are just not worth the money.
00:34:32 - Sure they are.
00:34:35 (dramatic music)
00:34:39 (car engine revving)
00:34:42 - Sandra, are we close?
00:34:52 - It's just over there.
00:34:53 - Pull over, please.
00:34:55 - Where are you going?
00:35:02 - Where am I going?
00:35:04 Well, I suppose you could say,
00:35:07 I get to look at the world from different views.
00:35:11 - Don't lose my hat.
00:35:14 We should get going.
00:35:19 I'm very emotional.
00:35:21 (dramatic music)
00:35:30 (birds chirping)
00:35:32 (dramatic music)
00:35:35 (dramatic music)
00:35:38 - What are you looking for?
00:36:03 - I'm looking for my friend.
00:36:06 - Sandra, how do I know you're not setting us up?
00:36:12 - What does setting us up mean?
00:36:14 - You don't look like the kind of person
00:36:16 that we deal with all the time.
00:36:17 How did you get involved in this?
00:36:19 - An American came here.
00:36:21 He asked my friend to show you around.
00:36:23 He was afraid, so he asked me to.
00:36:25 - And you're not afraid?
00:36:27 - I'm afraid.
00:36:28 But he said maybe you can help, Villena.
00:36:31 - I don't think so.
00:36:33 - If I were you, I'd leave.
00:36:35 Just leave.
00:36:36 - You should leave.
00:36:46 (gun firing)
00:36:49 (dramatic music)
00:36:52 - Don't say anything, let me talk.
00:36:56 (grunting)
00:37:01 (dramatic music)
00:37:04 (speaking in foreign language)
00:37:09 (screaming)
00:37:23 (speaking in foreign language)
00:37:27 (screaming)
00:37:29 (dramatic music)
00:37:32 - Get her!
00:37:56 - Got it!
00:37:57 (grunting)
00:37:59 (speaking in foreign language)
00:38:03 - Are you crazy?
00:38:12 Could've killed me!
00:38:13 - You're welcome.
00:38:14 (dramatic music)
00:38:17 - What?
00:38:20 (speaking in foreign language)
00:38:22 - All right, speed it up, we're on the way.
00:38:25 (dramatic music)
00:38:28 (speaking in foreign language)
00:38:33 - She's coming with us, right?
00:38:34 - She better.
00:38:35 - How can we leave?
00:38:39 - We got a plane.
00:38:39 - No, I can't leave.
00:38:41 - Yeah, well you don't have a choice.
00:38:42 - Yes, I do.
00:38:43 - Yeah, we're gonna find you in an hour.
00:38:44 - Maybe, but I'm staying.
00:38:45 - Stay for what?
00:38:46 There's nothing here.
00:38:47 - Not to you.
00:38:48 - Look, you stay in your tent, she's leaving with us.
00:38:55 (dramatic music)
00:38:58 (tires screeching)
00:39:01 (dramatic music)
00:39:04 (tires screeching)
00:39:07 (dramatic music)
00:39:09 (tires screeching)
00:39:18 (tires screeching)
00:39:23 (dramatic music)
00:39:26 (tires screeching)
00:39:29 - I got the guys in sight.
00:39:43 - Give me a 60 second lead.
00:39:44 - Got it, go, go, go.
00:39:45 - Come on.
00:39:46 (guns firing)
00:39:49 (dramatic music)
00:39:51 (gun firing)
00:40:03 - Get in.
00:40:03 Get in.
00:40:06 - No. - Get in.
00:40:06 - No, no, I can't.
00:40:08 - Just go.
00:40:08 - I can't, I belong here.
00:40:09 - There's no time.
00:40:10 - Go, you go.
00:40:12 Please go.
00:40:12 (dramatic music)
00:40:15 (guns firing)
00:40:18 - Hey.
00:40:33 (guns firing)
00:40:35 You look nervous.
00:40:36 (dramatic music)
00:40:39 (tires screeching)
00:40:42 (dramatic music)
00:40:45 (tires screeching)
00:40:47 (horn honking)
00:40:50 (tires screeching)
00:41:01 (dramatic music)
00:41:05 (tires screeching)
00:41:10 (dramatic music)
00:41:13 (tires screeching)
00:41:16 - Run, you bastards!
00:41:20 (dramatic music)
00:41:22 - Come on!
00:41:24 (men shouting)
00:41:29 (dramatic music)
00:41:31 (guns firing)
00:41:41 (dramatic music)
00:41:44 - Where's the girl?
00:42:10 - She's gone, she wouldn't leave.
00:42:12 - Wouldn't leave?
00:42:14 What the hell would anybody want to say?
00:42:17 (dramatic music)
00:42:20 - Howdy.
00:42:27 - Get over there.
00:42:31 - Climb, baby, climb.
00:42:32 - Come on.
00:42:33 (engine revving)
00:42:39 (dramatic music)
00:42:41 - God damn it.
00:42:47 (engine revving)
00:42:51 - Come back?
00:42:56 - Yeah.
00:42:57 - Run and die.
00:42:58 - Run and die, let's go.
00:43:00 (engine revving)
00:43:02 (dramatic music)
00:43:05 (dramatic music)
00:43:08 (dramatic music)
00:43:11 (engine revving)
00:43:13 (dramatic music)
00:43:16 (engine revving)
00:43:19 (dramatic music)
00:43:22 (guns firing)
00:43:47 (dramatic music)
00:43:50 - What are they doing?
00:44:13 (dramatic music)
00:44:17 (guns firing)
00:44:19 (explosion booms)
00:44:30 (dramatic music)
00:44:45 - Good job.
00:44:46 - That was a statement.
00:44:49 (dramatic music)
00:44:51 - How did two obvious professionals
00:45:08 pass right through security personnel,
00:45:10 kill 41 soldiers and get away?
00:45:14 - With help, that's how.
00:45:16 Everything is under control except one detail.
00:45:19 A daughter who wants her father and company
00:45:22 dead and gone.
00:45:23 Bad Shakespeare.
00:45:25 Somehow the company parasites got to her.
00:45:28 Look, she's your daughter and that's tragic.
00:45:31 But blood or not, she goes.
00:45:33 Fell at the price of doing business.
00:45:37 - They don't give your family.
00:45:39 - Come around my house during the holidays, pal.
00:45:43 (dramatic music)
00:45:46 - Nice bird.
00:46:03 - First of all, I don't feel comfortable
00:46:06 talking business with a giant carrying a shotgun.
00:46:09 - Pretty boy wouldn't give you up.
00:46:11 - Not if you wanna know where they are.
00:46:12 - What are you in now?
00:46:14 - I used to be one of them.
00:46:16 - Why are you turning on the lover's quarrel?
00:46:23 Will you settle on 50?
00:46:24 - No math whiz.
00:46:26 We settle on 100 grand up front in my pocket.
00:46:30 - Guy thinks he's a real badass.
00:46:32 - This case is a bloody joke.
00:46:34 - Life's a joke, shit bird!
00:46:35 (gun fires)
00:46:37 If you don't want that fool man
00:46:38 shooting off back into the 60s,
00:46:39 you better keep your gum chewing trap shut
00:46:42 and show some respect.
00:46:44 - Bring it.
00:46:45 - Hey, be nice.
00:46:47 Need a facelift, pretty boy?
00:46:49 - Back off, Fink.
00:46:53 - I'm gonna kill him.
00:46:54 - We need him.
00:46:55 - Back off!
00:46:58 - Here's what I think is happening.
00:47:05 This guy who calls himself Church
00:47:06 is really a front for the CIA.
00:47:09 - So we're working for the agency?
00:47:11 - Yeah, Church hired us to take out the General,
00:47:13 but the real target's this guy, James Monroe.
00:47:17 He used to be with the agency,
00:47:20 but got greedy, went rogue,
00:47:21 and teamed up with the General
00:47:22 to keep the whole drug operation for themselves.
00:47:25 And that's a big cash loss.
00:47:27 But Church and the agency can't afford
00:47:28 to send in the Navy SEALs and Special Forces
00:47:31 to take out one of their own.
00:47:33 That'd be a bad headline,
00:47:34 so they hire us to kill 'em.
00:47:37 And they're back in business.
00:47:39 - And we're taking him?
00:47:40 - Nobody's gonna miss us.
00:47:42 - It's still five million.
00:47:43 - We'd never live to spend it.
00:47:44 I'm telling Church the deal's off.
00:47:47 Sound about right?
00:47:49 - It's about right.
00:47:51 I agree.
00:47:52 (car engine revving)
00:48:00 (ominous music)
00:48:02 - Where is he?
00:48:18 - Come on, come on.
00:48:20 - Right here, right here, right here.
00:48:23 - Hey, who the hell is that?
00:48:33 - Some punk.
00:48:34 Don't worry about it.
00:48:36 We got your back.
00:48:37 He comes over here, we bust his ass.
00:48:46 - What do you want?
00:48:48 - Your life.
00:48:50 I was thinking about taking it.
00:48:52 - Not right.
00:48:54 - But I don't do so well in tight spaces, so.
00:48:56 Going to prison worries me.
00:48:58 You shouldn't have bruised her face.
00:49:00 - Really?
00:49:02 - You should've let her, kept it the way it was.
00:49:03 - Keep the bitch, 'cause I'm done with it.
00:49:06 (grunting)
00:49:08 (grunting)
00:49:10 (grunting)
00:49:12 (grunting)
00:49:15 (grunting)
00:49:17 - Lee.
00:49:44 - I still love the flight, boy, your balls.
00:49:47 Friend.
00:49:47 - Now you know what I do for a living.
00:50:01 I'm no perfect.
00:50:02 You should've waited.
00:50:04 - I was worth it.
00:50:11 (engine revving)
00:50:15 (shouting)
00:50:17 (gunshots)
00:50:20 (shouting)
00:50:22 (shouting)
00:50:24 (shouting)
00:50:26 (shouting)
00:50:29 (shouting)
00:50:31 (shouting)
00:50:33 (shouting)
00:50:35 (shouting)
00:50:38 (shouting)
00:51:06 - So your daughter paints too.
00:51:09 - This is how it starts.
00:51:12 - Let's go.
00:51:13 - There's nothing here.
00:51:14 - All.
00:51:15 - How it ends.
00:51:16 (gunshots)
00:51:22 (gunshots)
00:51:24 - What's the matter, Barney, don't you ever sleep?
00:51:47 - No, what happened to your girlfriend?
00:51:49 - Another one bites the dust, brother.
00:51:53 I was gonna paint this for her,
00:51:54 and you know what, I'm gonna finish it.
00:51:58 And I'm just gonna smash the shit out of it.
00:52:00 - You wanna be alone?
00:52:02 - Not really, so what's up?
00:52:06 - On this island, there was this girl.
00:52:08 - Well, you usually are.
00:52:10 - Yeah.
00:52:12 She showed us around, she was the target's daughter.
00:52:17 It was when she had a chance to leave.
00:52:20 She didn't do it.
00:52:21 - Well, she had some guts.
00:52:23 - Why can't I get that out of my mind?
00:52:28 - Hmm, I know she stands for something.
00:52:32 You know, man, we don't stand for shit.
00:52:33 We used to, but that dried all up like this
00:52:36 isn't gonna dry all up.
00:52:39 It's your paint that's gonna dry up.
00:52:42 - What dried up?
00:52:46 - This belief, man, just the belief in the soul.
00:52:49 Just, I don't know, the human parts, brother.
00:52:53 You remember that time we was up in Bosnia?
00:52:56 We took down them Serb bad boys?
00:52:59 All our guys were getting chopped up all around us,
00:53:04 and there was blood everywhere.
00:53:07 I never thought I was gonna make it out of there,
00:53:09 and I don't know you did, you didn't either.
00:53:12 I was kind of feeling like dead, too, you know?
00:53:16 My head's all very, very black place.
00:53:19 I don't believe in shit.
00:53:22 Just goddamn Dracula black.
00:53:24 Remember, I got this bottle of local shit
00:53:28 they have over there, that's still a bit,
00:53:31 I don't know, I think that's what it was called.
00:53:35 And I ain't feeling no pain now.
00:53:38 And I come up on this,
00:53:42 I come up on this old wooden bridge,
00:53:43 and I see this,
00:53:44 I see this,
00:53:47 I see this woman standing there, you know,
00:53:53 and she's, I stepped out, and she saw me,
00:53:56 and she's just looking right in my eyes,
00:54:00 and I was looking right in her eyes.
00:54:04 I knew what she was gonna do.
00:54:06 She looked at me, and I knew she was gonna jump.
00:54:10 You know what I did, man?
00:54:12 I just turned around and I kept walking
00:54:15 'til I heard that splash.
00:54:17 She was gone, and after,
00:54:23 after taking all them lives,
00:54:27 here was one that
00:54:28 I could have saved, but I didn't, and
00:54:34 what I realized later on was,
00:54:40 if I'd have saved that woman,
00:54:42 I might have,
00:54:43 I might have saved what was left of my soul, you know?
00:55:09 (gunshots)
00:55:11 - A very wise dead man once told me
00:55:34 that a real man never strikes alone.
00:55:39 You push some if you have to,
00:55:42 but you never strike them.
00:55:44 Thouay was right.
00:55:47 This man, however, does not share that moral number.
00:55:51 This man...
00:55:53 So the question's on you.
00:56:02 Why were the Americans here?
00:56:04 (yells)
00:56:06 (shouts in foreign language)
00:56:08 (shouts in foreign language)
00:56:12 (gunshot)
00:56:25 (dramatic music)
00:56:28, (shouts in foreign language)
00:56:33 (dramatic music)
00:56:35 (shouts in foreign language)
00:56:46 - Don't fight.
00:56:56 (shouts in foreign language)
00:56:59 (dramatic music)
00:57:02 (coughs)
00:57:19 (dramatic music)
00:57:23 (coughs)
00:57:25 - Again, what did the Americans tell you?
00:57:33 Who were they after?
00:57:35 Continue.
00:57:38 (dramatic music)
00:57:41 (coughs)
00:57:43 (dramatic music)
00:57:46 - I'm going back to Bolivia.
00:58:01 - Yeah, something change?
00:58:03 - What's the plan?
00:58:04 - There's no plan.
00:58:05 - Oh, wait, wait, wait.
00:58:06 We need a strategy.
00:58:07 - I'm going, you're not.
00:58:08 - What?
00:58:09 - I'm going, you guys aren't.
00:58:11 - What do you got in your mind?
00:58:12 - It's personal business.
00:58:14 - You don't know that woman nothing.
00:58:16 - You didn't say I did.
00:58:17 - You wanna kill yourself, go ahead, fine.
00:58:18 Your call.
00:58:19 - Listen, I don't wanna kill myself.
00:58:20 You guys take care.
00:58:21 You gotta do this.
00:58:22 - Hey, hey, hey.
00:58:23 - What?
00:58:24 - Don't let this guilt crap on us.
00:58:25 We don't deserve it.
00:58:26 - Hey, this is my choice.
00:58:27 There's no guilt.
00:58:28 There's no guilt.
00:58:30 Take care.
00:58:31 - Yeah, fuck his choice.
00:58:38 Yeah.
00:58:39 - Yeah.
00:58:40 - I said I'm going alone.
00:58:50 - I'm going too.
00:58:51 - Come on, you gotta get the hell out.
00:58:53 - Just drive.
00:58:54 - Don't lose your nerve.
00:59:07 - Don't talk to me, cockroach.
00:59:10 - So why are you doing this?
00:59:23 - Friends die together.
00:59:25 - Hey, give me the good luck ring.
00:59:29 Come on.
00:59:29 Don't make me hurt you, Yang, come on.
00:59:32 - Speed better than luck.
00:59:34 - Whatever.
00:59:37 - Life is difficult.
00:59:39 - What is?
00:59:40 - My life is difficult.
00:59:41 I need more money.
00:59:42 - Why is that?
00:59:43 - I work harder than the rest.
00:59:44 - No, you don't.
00:59:45 - Yes, I do.
00:59:47 Because they're taller.
00:59:49 Everything is harder for me.
00:59:50 When I get hurt, the hole is bigger.
00:59:53 Because I'm smaller.
00:59:55 When I travel, I need to go farther.
00:59:57 - I know, 'cause you're smaller, right?
00:59:59 - Yes.
01:00:00 My life is harder than you think.
01:00:06 I need more money.
01:00:07 - I know you told me.
01:00:09 We're your family, right?
01:00:11 - I don't have family.
01:00:12 - I know.
01:00:13 - Maybe even then I will.
01:00:17 - No!
01:00:18 (gunshots)
01:00:20 (tires screeching)
01:00:26 (gunshots)
01:00:29 (engines revving)
01:00:33 (tires screeching)
01:00:36 - Get out there!
01:00:45 - Why me?
01:00:46 - Because you're smaller.
01:00:48 (engines revving)
01:00:51 (tires screeching)
01:01:03 (gunshots)
01:01:05 - Oops.
01:01:06 - Do that again, I'll kill ya!
01:01:09 (gunshots)
01:01:11 (tires screeching)
01:01:14 (engines revving)
01:01:20 (tires screeching)
01:01:25 (gunshots)
01:01:31 (tires screeching)
01:01:34 - Cut 'em!
01:01:44 Come on, Cutter!
01:01:51 - That's good.
01:01:54 (engines revving)
01:01:58 (tires screeching)
01:02:26 - What are you doing?
01:02:27 - You're dead, junkie!
01:02:29 (gunshots)
01:02:31 - Insect.
01:02:36 (tires screeching)
01:02:39 (engines revving)
01:02:47 - There!
01:02:51 (engines revving)
01:02:54 - Shit!
01:03:01 (grunting)
01:03:19 (dramatic music)
01:03:21 - Yay!
01:03:31 (gunshots)
01:03:34 - What are you wearing, size three?
01:03:41 Bring it, Happy Feet!
01:03:43 (gunshots)
01:03:45 (dramatic music)
01:03:48 (grunting)
01:03:50 (dramatic music)
01:03:54 (grunting)
01:03:56 (glass shattering)
01:04:00 (gunshots)
01:04:02 (dramatic music)
01:04:05 (dramatic music)
01:04:08 (dramatic music)
01:04:10 (dramatic music)
01:04:13 (dramatic music)
01:04:16 (dramatic music)
01:04:19 (dramatic music)
01:04:21 (dramatic music)
01:04:24 (grunting)
01:04:33 (dramatic music)
01:04:36 - My turn!
01:04:49 (dramatic music)
01:04:52 - Got her!
01:04:59 (dramatic music)
01:05:02 - Shit!
01:05:07 (dramatic music)
01:05:09 (grunting)
01:05:12 (dramatic music)
01:05:14 - You shot me.
01:05:38 - Don't say that, you were gonna kill him.
01:05:41 - I was just gonna scare him.
01:05:42 - Don't put that on me, you never liked him.
01:05:46 - Am I dead?
01:05:49 - Shot's a couple inches above your heart.
01:05:52 - I'll take that as a yes.
01:05:57 - Who sent you?
01:06:03 Who hired you?
01:06:04 - Who cares?
01:06:07 - Do yourself a favor.
01:06:09 Don't go out of total hassle to cooperate
01:06:11 for once in your miserable life.
01:06:14 - That better make me right.
01:06:17 You got it.
01:06:18 Who sent you?
01:06:19 Who sent you?
01:06:20 Is the girl still alive?
01:06:22 - Come closer.
01:06:23 (dramatic music)
01:06:26 (roaring)
01:06:33 (dramatic music)
01:06:36 - You know, it's not easy being your friend.
01:06:45 - That's true.
01:06:46 - Man, we'll die with you,
01:06:47 just don't ask us to do it twice.
01:06:49 - I know the layout.
01:06:51 I'll tell you about it on the way.
01:06:53 - What the hell happened to you?
01:06:55 - It's too sad to talk about it.
01:06:56 - Let's fly.
01:07:01 (dramatic music)
01:07:04 - You know, the enemy's always been terrified of noise.
01:07:22 Especially shotguns.
01:07:23 With this big boy spitting out 250 rounds a minute,
01:07:28 you tell me who's tolerating that.
01:07:30 - Absolutely zero.
01:07:32 - So let me get this right.
01:07:34 Gunner tries to kill you,
01:07:36 you shoot him,
01:07:37 and the death story gives you the whole land.
01:07:39 - Something like that.
01:07:40 - I would've went.
01:07:41 - I know you would've went.
01:07:43 (dramatic music)
01:07:45 You know what?
01:07:47 I trust you.
01:07:49 I want you to meet my girlfriend.
01:07:52 Omaya Kaboom.
01:07:56 - You lost me there.
01:07:57 - When Omaya was here,
01:07:59 when Omaya's primers struck,
01:08:01 she gets off a miniature warhead to arms itself.
01:08:05 And when that happens,
01:08:07 anything that gets in my lady's way
01:08:09 becomes instant red sauce and jam.
01:08:12 And if that doesn't work,
01:08:13 (dramatic music)
01:08:16 her sister will.
01:08:18 - You should meet my doctor.
01:08:21 - Too late.
01:08:22 (dramatic music)
01:08:25 (dramatic music)
01:08:27 (dramatic music)
01:08:30 (dramatic music)
01:08:33 (shouting)
01:08:40 (dramatic music)
01:08:43 (dramatic music)
01:08:51 (dramatic music)
01:08:54 (dramatic music)
01:08:57 (dramatic music)
01:09:14 (dramatic music)
01:09:17 (dramatic music)
01:09:20 (dramatic music)
01:09:45 (dramatic music)
01:09:48 - It's 336.
01:09:50 We have 20 minutes to take this place down.
01:09:52 I'll take the cellar.
01:09:53 - You got company?
01:09:55 - I got 'em.
01:09:57 You guys take off.
01:09:58 (dramatic music)
01:10:01 (gunshot)
01:10:10 (dramatic music)
01:10:13 (dramatic music)
01:10:16 - Is there a reason you've taken the soldiers
01:10:28 this man has trained to make them look like fools?
01:10:30 - They look like warriors.
01:10:34 Warriors loyal to me.
01:10:42 I thought that people of Helena hired
01:10:44 these mercenaries to kill me.
01:10:46 But then I think maybe this is your plan
01:10:50 because you cannot control me
01:10:52 and torturing Sandra works for you.
01:10:55 You want to kill her to make me suffer.
01:10:59 A man can never kill a child,
01:11:03 but you can.
01:11:06 Bring Sandra here.
01:11:08 Bring her now.
01:11:12 Or I will kill you.
01:11:14 - Go get her.
01:11:14 (dramatic music)
01:11:40 (dramatic music)
01:11:42 (dramatic music)
01:11:45 (dramatic music)
01:11:49 (dramatic music)
01:11:52 (dramatic music)
01:11:54 (dramatic music)
01:11:59 (dramatic music)
01:12:06 (dramatic music)
01:12:15 (dramatic music)
01:12:18 (dramatic music)
01:12:35 (dramatic music)
01:12:42 (dramatic music)
01:12:45 (dramatic music)
01:12:52 (dramatic music)
01:13:05 (dramatic music)
01:13:09 (dramatic music)
01:13:11 (dramatic music)
01:13:21 (dramatic music)
01:13:36 (dramatic music)
01:13:39 (screaming)
01:13:49 (dramatic music)
01:14:00 (dramatic music)
01:14:03 (screaming)
01:14:09 (dramatic music)
01:14:12 (screaming)
01:14:17 (dramatic music)
01:14:20 (crying)
01:14:24 - It's okay, it's okay.
01:14:28 It's all right.
01:14:30 Nobody's gonna hurt you.
01:14:31 - All right.
01:14:32 - How are you here?
01:14:34 - I just am.
01:14:35 Get a move on.
01:14:38 - Yeah.
01:14:39 - Okay?
01:14:41 You're okay.
01:14:42 - I'm here.
01:14:42 - Okay.
01:14:43 (dramatic music)
01:14:46 - Time's up.
01:14:48 Where's the bunny?
01:14:49 - What's the call?
01:14:49 - Can't find him in 10 minutes,
01:14:50 we're gonna have to send him where we came in.
01:14:51 - No way, that's what he wanted.
01:14:53 - 10 minutes.
01:14:54 Let's go.
01:14:55 (dramatic music)
01:14:58 (dramatic music)
01:15:01 (thudding)
01:15:06 (screaming)
01:15:08 (screaming)
01:15:11 (groaning)
01:15:14 (thudding)
01:15:22 - No, no!
01:15:23 Stop him!
01:15:24 You knocked his mind into mine!
01:15:26 - Get her out of here!
01:15:27 - Get her out of here!
01:15:28 - Seal the building.
01:15:29 - Mr. Lyle, no!
01:15:30 - Stand him up.
01:15:31 (groaning)
01:15:33 - You know, if you didn't have this Kevlar vest,
01:15:39 your insides are gonna be like fucking mush.
01:15:41 - Well, I did, sir.
01:15:42 - You know you're a lucky man.
01:15:44 - I'm not a lucky man.
01:15:45 - No, no, you're a lucky man.
01:15:46 He told me to keep you conscious.
01:15:50 - Did he?
01:15:51 All right, sure.
01:15:54 (groaning)
01:15:56 - You're real tough, aren't you?
01:15:59 - What?
01:16:00 - Are you a real tough guy?
01:16:02 Look at me, you piece of trash.
01:16:05 How many men you got?
01:16:06 - Just your mother.
01:16:07 (thudding)
01:16:09 (screaming)
01:16:11 (dramatic music)
01:16:14 - This is your last time.
01:16:23 Give me the right answer,
01:16:24 and I'll cut your brain.
01:16:26 If you give me the wrong answer,
01:16:29 you will die a damn slow death.
01:16:31 Do you understand me?
01:16:33 Do you understand me?
01:16:35 Who sent you?
01:16:36 - Breathe, breathe.
01:16:38 Loosen up.
01:16:39 Who sent you?
01:16:41 - Your head, sir.
01:16:45 (groaning)
01:16:47 (thudding)
01:16:49 (groaning)
01:16:52 (dramatic music)
01:16:54 (screaming)
01:17:12 (gun firing)
01:17:19 (dramatic music)
01:17:22 (groaning)
01:17:24 (thudding)
01:17:28 (gun firing)
01:17:34 (dramatic music)
01:17:36 (groaning)
01:17:46 (dramatic music)
01:17:48 (thudding)
01:17:51 (groaning)
01:17:53 (dramatic music)
01:17:56 (thudding)
01:17:58 (groaning)
01:18:00 (thudding)
01:18:02 (dramatic music)
01:18:17 (groaning)
01:18:19 (dramatic music)
01:18:22 (groaning)
01:18:32 (dramatic music)
01:18:45 (groaning)
01:18:47 - No, you gotta go!
01:18:59 (gun firing)
01:19:01 (dramatic music)
01:19:04 (groaning)
01:19:08 (dramatic music)
01:19:11 (groaning)
01:19:13 (dramatic music)
01:19:16 (groaning)
01:19:22 (dramatic music)
01:19:25 (gun firing)
01:19:29 (dramatic music)
01:19:31 (groaning)
01:19:40 (gun firing)
01:19:42 (dramatic music)
01:20:08 - Remember this shit at Christmas?
01:20:11 Damn, that thing's loud.
01:20:14 What happened to you?
01:20:15 - Got my ass kicked.
01:20:16 - Hey, come on, get my rifle, let's go.
01:20:21 - What's this?
01:20:29 - Everything bad that has happened, you bring.
01:20:35 Take your money.
01:20:37 I only see death with you.
01:20:39 Take it all and go.
01:20:41 - I'm not going anywhere.
01:20:42 - You are done here.
01:20:43 - You can't succeed without me.
01:20:45 - I am the leader.
01:20:46 - You're a puppet in a hat.
01:20:48 (shouting)
01:20:50 (dramatic music)
01:20:53 (speaking in foreign language)
01:21:08 (dramatic music)
01:21:11 (shouting)
01:21:13 (dramatic music)
01:21:16 (speaking in foreign language)
01:21:28 - Shit, no.
01:21:32 - Your lucky ring sticks.
01:21:34 - I know.
01:21:35 - Let's backtrack.
01:21:36 - The building's rigged, there's no way out.
01:21:38 (speaking in foreign language)
01:21:46 - Chopper's ready in five minutes.
01:21:51 - We're not leaving yet.
01:21:52 (speaking in foreign language)
01:21:57 - What's he saying?
01:22:02 - He said we're dead with an accident.
01:22:04 - We ain't dead.
01:22:06 - Blow the building.
01:22:07 - Not yet.
01:22:08 - We will kill this American disease.
01:22:12 (dramatic music)
01:22:12 (guns firing)
01:22:15 (speaking in foreign language)
01:22:21 (guns firing)
01:22:23 - Blow the building.
01:22:30 - She's still in there.
01:22:32 - The money.
01:22:33 (guns firing)
01:22:36 (dramatic music)
01:22:39 - Blow it.
01:22:40 (dramatic music)
01:22:42 - Blow it.
01:22:45 (dramatic music)
01:22:48 - She's out.
01:22:53 - Blow the fucking building.
01:22:56 (dramatic music)
01:22:58 (explosion booms)
01:23:01 (guns firing)
01:23:26 (dramatic music)
01:23:28 (explosion booms)
01:23:47 (guns firing)
01:23:50 (dramatic music)
01:23:53 (guns firing)
01:23:55 (dramatic music)
01:23:58 (guns firing)
01:24:16 (dramatic music)
01:24:19 (guns firing)
01:24:29 (dramatic music)
01:24:32 - I'm out.
01:24:46 (dramatic music)
01:24:48 (guns firing)
01:25:02 (dramatic music)
01:25:05 (guns firing)
01:25:09 (dramatic music)
01:25:12 (guns firing)
01:25:14 (dramatic music)
01:25:17 (guns firing)
01:25:24 (dramatic music)
01:25:27 - Let's go, come on.
01:25:41 (dramatic music)
01:25:44 (guns firing)
01:25:54 (dramatic music)
01:25:57 (guns firing)
01:26:05 (dramatic music)
01:26:09 (guns firing)
01:26:11 (dramatic music)
01:26:14 (man screams)
01:26:23 (dramatic music)
01:26:26 (guns firing)
01:26:33 (dramatic music)
01:26:36 (man screams)
01:26:39 (guns firing)
01:26:41 (dramatic music)
01:26:44 - Come on.
01:26:45 (dramatic music)
01:26:48 (guns firing)
01:26:58 (dramatic music)
01:27:02 (man screams)
01:27:04 (dramatic music)
01:27:07 (guns firing)
01:27:12 (dramatic music)
01:27:15 (guns firing)
01:27:21 (dramatic music)
01:27:24 (man screams)
01:27:26 (guns firing)
01:27:28 (dramatic music)
01:27:31 (man screams)
01:27:42 (dramatic music)
01:27:44 (guns firing)
01:27:56 (dramatic music)
01:27:59 (guns firing)
01:28:13 (dramatic music)
01:28:16 (dramatic music)
01:28:19 - Hey!
01:28:28 - It's the weapon.
01:28:29 - Give me it!
01:28:30 What do you want me to do?
01:28:31 - Throw it as high as you can.
01:28:32 (man screams)
01:28:35 (guns firing)
01:28:37 (dramatic music)
01:28:40 (guns firing)
01:28:44 (dramatic music)
01:28:47 - Blow up the dump.
01:28:59 - Got it!
01:29:00 (dramatic music)
01:29:03 (dramatic music)
01:29:06 (guns firing)
01:29:20 (guns firing)
01:29:24 (explosion booms)
01:29:33 - I'm out!
01:29:34 Drop the weapons or I'll put a bullet through her eye.
01:29:38 Don't test me.
01:29:42 (guns firing)
01:29:51 (woman screams)
01:29:54 - No, no, no!
01:29:55 - Shut up or I'll kill you.
01:29:57 The agency parasites hired you, didn't they?
01:30:02 I'd have paid you twice as much to go fishing.
01:30:05 You'd have to think I'm pretty freaking stupid
01:30:09 to surrender to the agency.
01:30:11 Why would I do that?
01:30:13 I created this.
01:30:14 I made it all happen.
01:30:16 And then they wanted me out.
01:30:18 Why?
01:30:18 Because I saw the big picture.
01:30:20 Stop walking.
01:30:22 What about me and you?
01:30:26 We're both the same.
01:30:28 We're both mercenaries.
01:30:30 We're both dead inside.
01:30:32 Why the hell did you come after me?
01:30:35 - I didn't come after you, dipshit.
01:30:37 I came for her.
01:30:38 (woman screams)
01:30:39 (guns firing)
01:30:41 (dramatic music)
01:30:44 - You okay?
01:30:59 - Yeah.
01:31:00 - Pull it or tie.
01:31:01 - Yeah, I guess so.
01:31:05 - You're not as fast as you think.
01:31:09 - I'm beginning to sense that.
01:31:11 (man laughing)
01:31:14 (guns firing)
01:31:19 - Take an account number of mine.
01:31:26 It'll help get things going around here.
01:31:28 - No, I can't.
01:31:29 You've done so much.
01:31:30 - I was so of you.
01:31:31 Give for a gift.
01:31:33 You take it.
01:31:34 - Will you come back?
01:31:36 - I promise I'll always be around.
01:31:39 (dramatic music)
01:31:42 You take care, Sandra.
01:31:50 You take care.
01:31:54 (dramatic music)
01:32:00 Bye.
01:32:28 - What?
01:32:29 - Truthfully?
01:32:31 - Yeah.
01:32:32 - I never really thought she was your type.
01:32:34 (man laughing)
01:32:37 (dramatic music)
01:32:57 - You all right?
01:32:58 - Yeah.
01:32:59 - Well, I'm glad.
01:33:00 - Hey, all right.
01:33:01 Come on, let's see what you got.
01:33:04 (men shouting)
01:33:07 - That's it.
01:33:08 - No, no, no, no.
01:33:12 No, stop.
01:33:12 (man shouting)
01:33:16 - Take it back to the dead.
01:33:25 How you feeling?
01:33:27 - Good.
01:33:28 Considering you could've killed me.
01:33:31 - I forgive you.
01:33:32 - Okay.
01:33:33 - I wouldn't have went.
01:33:36 - Of course.
01:33:37 - Hey, Gunnar.
01:33:41 Whatever doesn't kill you,
01:33:42 makes you stronger, brother.
01:33:44 There.
01:33:45 - Man's got a point.
01:33:47 (man laughing)
01:33:51 - You know what?
01:33:52 I'm gonna do you a favor, Tore.
01:33:56 I once knew a man called Tore.
01:33:58 - I love poetry.
01:34:00 - To me, he was the epitome of cool.
01:34:03 Good with a knife.
01:34:06 Bad with a wife.
01:34:12 - That hurts.
01:34:14 - But to think he could beat me.
01:34:15 Dreaming.
01:34:18 He'd defeat me.
01:34:20 Cool Tore,
01:34:25 you gotta be a fool.
01:34:27 Oh yeah.
01:34:32 (man shouting)
01:34:35 (upbeat music)
01:34:38 ♪ Guess who just got back today ♪
01:34:48 ♪ Now wow, that boy's still a bit away ♪
01:34:51 ♪ Haven't changed, haven't much to say ♪
01:34:54 ♪ But I still greet them cats and birds ♪
01:34:57 ♪ They were asking you around ♪
01:35:00 ♪ How you are, I swear you couldn't be found ♪
01:35:03 ♪ Told them you make it living downtown ♪
01:35:06 ♪ Driving all the old men crazy ♪
01:35:08 ♪ The boys are back in town, the boys are back in town ♪
01:35:13 ♪ I said, the boys are back in town ♪
01:35:18 ♪ The boys are back in town ♪
01:35:20 ♪ The boys are back in town, the boys are back in town ♪
01:35:23 ♪ The boys are back in town ♪
01:35:27 ♪ You know that chick that used to dance a lot ♪
01:35:42 ♪ Every night she'd be on the floor shaking what she got ♪
01:35:45 ♪ Man, when I told you she was cool, she was a red hot ♪
01:35:47 ♪ I mean, steaming hot ♪
01:35:51 ♪ We had that time over at Johnny's place ♪
01:35:54 ♪ Well, this chick got up and she smacked Johnny's face ♪
01:35:57 ♪ Man, you fell about the place ♪
01:36:00 ♪ That chick don't wanna know, forget her ♪
01:36:02 ♪ The boys are back in town, the boys are back in town ♪
01:36:07 ♪ I said, the boys are back in town ♪
01:36:11 ♪ The boys are back in town ♪
01:36:14 ♪ The boys are back in town, the boys are back in town ♪
01:36:17 ♪ The boys are back in town ♪
01:36:21 (upbeat rock music)
01:36:24 (upbeat rock music)
01:36:27 (upbeat rock music)
01:36:56 ♪ You're a lonely knight, dressed to kill ♪
01:36:58 ♪ Down that dingle, it's brighter than a hill ♪
01:37:01 ♪ Drink will flow, blood will spill ♪
01:37:04 ♪ If the boys wanna fight, you better let 'em ♪
01:37:08 ♪ The jukebox in the corner blasting out my favorite song ♪
01:37:12 ♪ These nights are getting longer and it won't be long ♪
01:37:15 ♪ Won't be long 'til summer comes ♪
01:37:18 ♪ And the boys are back in town, the boys are back in town ♪
01:37:24 ♪ The boys are back in town, the boys are back in town ♪
01:37:29 ♪ The boys are back in town, the boys are back in town ♪
01:37:34 ♪ Spread the word around, the boys are back in town ♪
01:37:39 (upbeat rock music)
01:37:45 (upbeat rock music)
01:37:48 (upbeat rock music)
01:37:51 (upbeat rock music)
01:37:54 (upbeat rock music)
01:38:22 ♪ She's a great young dame, that's for sure ♪
01:38:27 (upbeat rock music)
01:38:30 (upbeat rock music)
01:38:59 (upbeat rock music)
01:39:02 (upbeat rock music)
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01:43:24 [BLANK_AUDIO]