Hitman (2007)
Hitman is a 2007 action-thriller film directed by Xavier Gens, based on the video game series of the same name. The film stars Timothy Olyphant as Agent 47, a professional hitman engineered to be an assassin by the Organization. He becomes ensnared in a political conspiracy and finds himself pursued by both Interpol and the FSB. Dougray Scott and Olga Kurylenko star in supporting roles.
Category
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Short filmTranscript
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00:04:43 >> Are you a good man, Inspector?
00:04:45 >> I think.
00:04:47 >> And yet you've killed men.
00:04:49 >> Yes.
00:04:52 >> I'm gonna ask you a question.
00:04:54 How you answer it will determine how this night ends.
00:04:57 How does a good man decide when to kill?
00:05:03 The man you've been chasing is a killer, a ghost.
00:05:07 [MUSIC]
00:05:10 Rumor has it that he works for a group known only as the Organization.
00:05:14 So secret no one knows it exists.
00:05:17 It takes no sides, yet it has ties to every government.
00:05:21 Its sole purpose is the training and conditioning of professional killers.
00:05:27 These men are selected at birth.
00:05:31 Rejects, orphans, all of them unwanted and disposable.
00:05:36 They are made experts in every aspect of combat and programmed for one purpose.
00:05:42 To kill.
00:05:44 The man you've been chasing for the last three years, Inspector,
00:05:48 is the very best of them.
00:05:52 >> Put him there.
00:05:54 [MUSIC]
00:06:03 You shouldn't have stolen from me, brother.
00:06:06 Now you must pay.
00:06:08 [MUSIC]
00:06:18 >> Why you did this kind of thing?
00:06:21 [MUSIC]
00:06:23 >> I'm sorry.
00:06:26 >> What happened to his voice?
00:06:29 >> Amen, Miss Waro.
00:06:31 >> What did you do to his voice?
00:06:33 >> Nothing of it.
00:06:35 Exactly as he was delivered.
00:06:38 >> Delivered?
00:06:41 You didn't find him?
00:06:43 >> No.
00:06:44 A contractor.
00:06:45 An American.
00:06:49 >> Swallow what?
00:06:51 [MUSIC]
00:07:00 >> Run!
00:07:03 [MUSIC]
00:07:10 >> We have all heard your theories, Inspector.
00:07:14 >> This isn't a theory.
00:07:16 This is our guy.
00:07:18 No motive, no forensic evidence, no witnesses.
00:07:20 He's a ghost.
00:07:22 >> And how long have you been chasing this ghost?
00:07:25 >> Three years.
00:07:27 >> Well, thank goodness you have Interpol to finance your persistence.
00:07:31 You see, Inspector, despite being the airness of the third world,
00:07:34 we attempt a competent police work here.
00:07:36 And it is our belief that one of you was killed by his own brother.
00:07:40 >> So he choked down a pound of C4 and knocked on Ovi's door?
00:07:45 >> Probably.
00:07:47 >> General, this man truly is the best at what he does.
00:07:52 He is likely responsible for over 100 deaths.
00:07:56 Let me show you what I mean.
00:08:00 This is Ovi.
00:08:07 And these are just the ones we know about.
00:08:11 Are you beginning to get the picture?
00:08:14 [music]
00:08:37 >> They might kill you for that.
00:08:41 >> What are you doing to that whiskey?
00:08:44 >> Brutalizing lip advice.
00:08:48 >> Never more than two cubes.
00:08:50 The water's down the scotch.
00:08:54 >> I'm sorry.
00:08:56 Aftermath of my potential sixth husband, I'm afraid.
00:09:03 >> I'm June, and you are?
00:09:08 >> Tell me your name.
00:09:11 >> Excuse me.
00:09:17 [music]
00:09:28 [water splashing]
00:09:32 [music]
00:09:42 [laughing]
00:09:44 [music]
00:09:56 [water splashing]
00:09:59 [music]
00:10:11 [music]
00:10:21 [music]
00:10:31 [music]
00:10:41 [music]
00:10:51 [music]
00:11:01 [music]
00:11:06 >> Africa job complete.
00:11:08 The money has been wired to your account.
00:11:11 Nice work.
00:11:13 Regrettably, the next target date has been moved up at the client's request.
00:11:18 The client wishes it to be public.
00:11:22 >> I've planned something more subtle.
00:11:25 I've made preparations.
00:11:27 >> Incumbent Russian President Mikhail Bilikov's recent political shift is in direct conflict with our client's interests and threatens their control of the Russian government.
00:11:38 The client needs it to be public.
00:11:40 Do you accept the new parameters?
00:11:45 >> Yes.
00:11:46 >> We appreciate you breaking your normal protocol.
00:11:49 The specifics are being uploaded.
00:11:52 [music]
00:12:06 >> I for one will not let the cowards to tell me.
00:12:09 [applause]
00:12:11 [music]
00:12:21 [music]
00:12:31 [music]
00:12:41 [music]
00:12:51 [music]
00:12:59 >> I'm sorry.
00:13:01 In light of your political positions, do you think the hardliners will continue to support your re-election?
00:13:05 >> One only needs to be --
00:13:07 [music]
00:13:12 [music]
00:13:22 [music]
00:13:25 [explosion]
00:13:29 [music]
00:13:35 [music]
00:13:45 [music]
00:13:55 [music]
00:13:58 >> We have a problem.
00:13:59 There was a witness in St. Petersburg.
00:14:02 >> How reliable are your sources?
00:14:04 >> Impeccable, as always.
00:14:07 Interpol has arranged the pick-up.
00:14:09 Will you intercept?
00:14:11 >> Yes.
00:14:12 >> Uploading data.
00:14:15 [music]
00:14:25 >> Girl, how much?
00:14:29 [music]
00:14:56 [music]
00:15:23 >> I can't be sure.
00:15:25 He never works again so quickly.
00:15:27 But the Russians say that Belikov was grazed by a single bullet from over four kilometers away.
00:15:33 But it definitely sounds like him.
00:15:36 Yes, sir.
00:15:37 >> Well, what bothers me is that he missed.
00:15:41 Yes, sir, I know what this investigation has cost.
00:15:44 I -- I understand.
00:15:47 I just need a little more time.
00:15:49 >> Sir, you need to see this.
00:15:50 >> Sorry, sir, I'm going to have to call you back.
00:15:56 >> Okay, he shoots a bodyguard to get a clean shot of Belikov.
00:16:00 >> Yep, he splits these two civilians by a couple of inches.
00:16:02 Keep watching.
00:16:03 Keep an eye on the bodyguard.
00:16:05 See that?
00:16:06 >> No, no, back it up.
00:16:07 Back it up again.
00:16:10 >> That's an awful lot of arterial spray for a miss.
00:16:13 >> Sir, you have a call.
00:16:15 >> This is Whittier.
00:16:17 >> They found him?
00:16:20 >> Concierge where?
00:16:24 >> A picture.
00:16:26 >> Where the hell did they get a picture?
00:16:29 >> All right, I'm on my way.
00:16:33 >> They found him.
00:16:36 Contact the Russian secret police in St. Petersburg and tell them Interpol has jurisdiction.
00:16:40 They have to keep him under surveillance only.
00:16:42 No one moves until we get there.
00:16:44 No one.
00:16:46 [dramatic music]
00:16:52 >> Was this target not at the location?
00:16:54 >> The girl was there, but she was no witness.
00:16:56 She'd never seen me before.
00:16:58 >> We will be unable to transmit payment for the Belikov assignment, as the task was not completed.
00:17:04 >> No.
00:17:05 He took a direct hit through the nasal cavity.
00:17:07 I watched it myself.
00:17:09 >> Please wait.
00:17:11 Uploading live news feed.
00:17:14 >> Yes.
00:17:16 Don't afraid of my message.
00:17:18 There are cowardly violences that I respond.
00:17:20 >> That was a scene outside of St. Petersburg.
00:17:23 >> Who was the client?
00:17:27 >> Answer me.
00:17:29 >> Who ordered the hit on Belikov?
00:17:34 >> If you set me up, I will find you and I will burn that building to the ground around you.
00:18:01 >> What's the status of my suspect?
00:18:04 >> I was told you were coming, Inspector.
00:18:06 I am Captain Gudnayev, St. Petersburg Militia.
00:18:10 Please, make yourself comfortable.
00:18:12 My men are almost in position.
00:18:14 >> In position for what?
00:18:15 >> We have been informed that the suspect intends to flee.
00:18:18 My orders are to seek --
00:18:19 >> Whoa, whoa, whoa.
00:18:20 Orders?
00:18:21 Orders from who?
00:18:22 Interpol has jurisdiction here.
00:18:23 >> Militia is only responsible for the extraction.
00:18:25 Captain Gudnayev is not directing this operation, I'm afraid, Inspector.
00:18:28 I am.
00:18:29 I am Chief Agent Yuri Markov of the FSB.
00:18:32 >> The FSB.
00:18:33 Why the hell is the Russian secret police involved in this?
00:18:37 >> One minute.
00:18:38 >> [ Speaking Russian ]
00:18:40 >> Sir, they're going in.
00:18:41 >> Captain, I advise you to get your men out of there.
00:18:43 You have no idea who you're dealing with.
00:18:45 >> I assure you, Inspector, these men are quite capable of handling this situation.
00:18:48 I command you, Captain, shoot on sight.
00:18:52 >> [ Speaking Russian ]
00:18:53 >> Do not give that order.
00:18:57 >> [ Speaking Russian ]
00:19:00 >> [ Speaking Russian ]
00:19:02 ♪♪
00:19:13 >> 47, it's Diana.
00:19:15 I could be retired for contacting you directly.
00:19:20 The client was Belikov.
00:19:25 Your location has been compromised.
00:19:28 ♪♪
00:19:40 [ Explosion ]
00:19:43 ♪♪
00:19:49 >> Come on.
00:19:51 ♪♪
00:20:01 ♪♪
00:20:11 ♪♪
00:20:21 >> [ Speaking Russian ]
00:20:23 ♪♪
00:20:33 ♪♪
00:20:43 ♪♪
00:20:53 >> [ Speaking Russian ]
00:20:55 ♪♪
00:21:03 >> Stay here. Cover the elevator.
00:21:05 Call me on my cell and tell me when it stops.
00:21:07 ♪♪
00:21:15 >> [ Speaking Russian ]
00:21:17 ♪♪
00:21:21 >> [ Speaking Russian ]
00:21:23 ♪♪
00:21:26 [ Gunfire ]
00:21:28 ♪♪
00:21:36 ♪♪
00:21:46 ♪♪
00:21:56 ♪♪
00:22:00 >> Yeah.
00:22:01 >> I've got five people on the lift, sir.
00:22:02 >> None of them are our boy.
00:22:04 He's on the third floor, sir.
00:22:05 He must have opened the doors from inside the shaft.
00:22:07 ♪♪
00:22:13 >> Freeze!
00:22:15 ♪♪
00:22:20 >> Get her!
00:22:22 >> Yes, master.
00:22:24 >> Get her!
00:22:26 >> Yes, master.
00:22:28 ♪♪
00:22:33 [ Gunfire ]
00:22:35 ♪♪
00:22:41 >> Fuck.
00:22:43 ♪♪
00:22:45 >> Sir!
00:22:47 >> We had him.
00:22:49 >> How many men did you lose?
00:23:07 >> 16, dad.
00:23:09 >> No, no, no, wait, wait, wait, wait, wait.
00:23:10 Don't touch that!
00:23:12 >> Oh.
00:23:14 Where do you get your fucking license?
00:23:16 >> I need the room, captain.
00:23:18 >> Ashley!
00:23:23 ♪♪
00:23:31 ♪♪
00:23:40 ♪♪
00:23:50 ♪♪
00:24:00 ♪♪
00:24:10 ♪♪
00:24:20 >> Where does he get all this stuff?
00:24:22 >> Can you make it work?
00:24:24 >> Probably.
00:24:28 >> Why?
00:24:30 ♪♪
00:24:34 >> I've been looking for you, inspector.
00:24:37 I think we started off on the wrong foot.
00:24:41 Who informed you of the whereabouts of my guy?
00:24:45 I believe it's time we had a chat, you and I.
00:24:49 >> Jenkins.
00:24:51 >> Yes, sir.
00:24:53 >> Rush with us.
00:24:58 >> Spasibo.
00:25:00 This, uh, assassin,
00:25:03 my associates tell me you believe him to be freelance.
00:25:06 >> Your associates tell you that?
00:25:08 >> You do not believe he is connected with Central Intelligence Agency.
00:25:12 >> Why do you ask?
00:25:13 >> No reason. It just seems a bit naive.
00:25:16 >> Well, it's a theory.
00:25:19 >> Yes, a theory, but a theory shared by Moscow.
00:25:23 In accordance with Article 1764.3 of the AU Charter,
00:25:28 any state matters which deal directly with intelligence
00:25:31 shall be the sole jurisdiction of the host country.
00:25:35 >> Ah, the light bulb comes on.
00:25:37 Took me a minute. Must be the jet lag.
00:25:39 You're telling me to fuck off?
00:25:42 >> No, of course not. You're a good man, Michael.
00:25:46 >> One of Interpol's best.
00:25:48 >> But leave this intelligence work to the FSB.
00:25:52 >> And Belikov?
00:25:58 >> I'm sorry.
00:26:06 You know, there's two things wrong with this photograph.
00:26:10 One, the footage has been tampered with.
00:26:12 Someone inserted that civilian to cover up what actually happened.
00:26:16 >> Ah.
00:26:18 >> And the second thing, my boy doesn't miss.
00:26:24 [car approaching]
00:26:29 [♪♪♪]
00:26:55 [phone ringing]
00:26:58 >> Delivery.
00:27:05 >> You're supposed to leave this at the desk.
00:27:08 >> Mr. Belikov sent it.
00:27:10 >> Make a sound, I'll end your life, you understand?
00:27:21 Who else is inside?
00:27:24 >> I know you. From the street earlier today.
00:27:26 >> You're coming with me.
00:27:28 >> I can't. Okay, okay. I've got my coat.
00:27:31 [speaking in foreign language]
00:27:38 >> Where are you taking me?
00:27:43 >> Somewhere safe.
00:27:46 Get in.
00:27:47 >> Fuck you, I'm not getting in there.
00:27:48 Ah, there's a dead man in there!
00:27:50 [speaking in foreign language]
00:27:54 [♪♪♪]
00:27:58 >> Are you going to kill me?
00:28:20 [dog barking]
00:28:23 >> I'm going to ask you some questions.
00:28:31 Before today, on the street, have you ever seen me?
00:28:35 Why were you there?
00:28:36 >> My boyfriend, he told me to meet his driver on the corner.
00:28:39 >> Belikov?
00:28:41 How, after I put a bullet through his head,
00:28:44 was he able to give that speech this afternoon?
00:28:48 >> I've been here, I'm no use to me.
00:28:51 >> Wait, wait, there is something.
00:28:55 Doubles, doubles, Mikhal has doubles, just like Saddam Hussein.
00:28:59 >> The man I shot was not an imposter.
00:29:01 Belikov is dead.
00:29:03 [♪♪♪]
00:29:08 [♪♪♪]
00:29:12 >> Why'd you tattoo your face?
00:29:24 >> Because it's the only place I knew Belikov wouldn't hit.
00:29:27 [♪♪♪]
00:29:31 >> Tell me about Udrey Belikov.
00:29:36 >> You're his brother?
00:29:38 >> He runs slave girls, drugs, weapons.
00:29:41 Both the CIA and FSB want him dead.
00:29:44 Mikhal's been protecting him.
00:29:46 >> Get up. Get up. You're coming with me.
00:29:49 >> I can't. He'll kill me if he finds out I left the apartment.
00:29:52 >> Belikov hired me to kill him, used you to set me up.
00:29:55 The dead man in the trunk was your driver.
00:29:58 He was going to use it on you.
00:30:04 You're as good as dead without me.
00:30:07 >> Where are you going?
00:30:12 >> I'm going to finish the job I was hired to do,
00:30:17 find out who's behind this.
00:30:19 [indistinct chatter]
00:30:31 >> I need to talk to you.
00:30:34 >> I need coffee. Follow me.
00:30:37 We have three roadblocks. Here, here, here.
00:30:43 We completely shut down International Airport.
00:30:46 All border security has been tripled.
00:30:48 You cannot get out of city.
00:30:50 >> What about the train stations?
00:30:52 >> Temporarily closed.
00:30:53 >> St. Petersburg station?
00:30:55 >> There are no trains leaving Russia from this station.
00:30:57 Only commuter trains headed towards interior.
00:31:01 >> What make you think you go further into Russia?
00:31:04 >> Because I know him better than anyone.
00:31:07 >> Thanks for the coffee.
00:31:28 >> Go to the last platform and wait.
00:31:31 >> Why?
00:31:33 >> Now.
00:31:34 [dramatic music]
00:31:37 >> Jenkins, anything?
00:32:00 >> Nothing.
00:32:01 >> Stay sharp.
00:32:04 >> I don't know, sir.
00:32:06 It seems odd for him to come here.
00:32:08 >> Trust me, this is where he'll be.
00:32:10 [dramatic music]
00:32:14 [dramatic music]
00:32:18 [dramatic music]
00:32:21 [dramatic music]
00:32:24 [dramatic music]
00:32:27 [dramatic music]
00:32:30 [dramatic music]
00:32:33 [dramatic music]
00:32:36 [dramatic music]
00:32:39 [dramatic music]
00:32:42 [dramatic music]
00:32:45 [dramatic music]
00:32:47 >> Jenkins, bench.
00:32:48 >> Here, here.
00:32:49 >> That's it.
00:32:51 >> Sorry, bro.
00:32:52 [dramatic music]
00:32:55 [dramatic music]
00:32:58 [dramatic music]
00:33:01 [dramatic music]
00:33:04 [dramatic music]
00:33:07 >> Fuck.
00:33:08 [dramatic music]
00:33:11 [dramatic music]
00:33:12 >> Jenkins.
00:33:13 [dramatic music]
00:33:16 (dramatic music)
00:33:18 - I'm still on him, boss.
00:33:23 Platform number nine.
00:33:26 Boss?
00:33:29 (dramatic music)
00:33:32 (dramatic music)
00:33:35 (dramatic music)
00:33:37 (dramatic music)
00:33:40 (dramatic music)
00:33:43 (dramatic music)
00:33:46 (dramatic music)
00:33:48 (speaking in foreign language)
00:33:56 (dramatic music)
00:34:01 (dramatic music)
00:34:04 (dramatic music)
00:34:06 (dramatic music)
00:34:09 (dramatic music)
00:34:12 (dramatic music)
00:34:15 (dramatic music)
00:34:18 (dramatic music)
00:34:20 (dramatic music)
00:34:26 (dramatic music)
00:34:30 (dramatic music)
00:34:39 (dramatic music)
00:34:46 (dramatic music)
00:34:49 - Got him slow.
00:34:52 Tell me why.
00:34:57 Why is there a hit on me?
00:35:01 Stay here.
00:35:08 (gunshot)
00:35:10 (dramatic music)
00:35:12 (dramatic music)
00:35:15 (dramatic music)
00:35:18 (dramatic music)
00:35:21 (dramatic music)
00:35:48 (dramatic music)
00:35:51 (dramatic music)
00:35:54 (dramatic music)
00:35:57 (dramatic music)
00:36:01 (dramatic music)
00:36:03 (gun cocks)
00:36:10 (dramatic music)
00:36:27 (dramatic music)
00:36:30 - How about dine with a little dignity?
00:36:33 (dramatic music)
00:36:36 (dramatic music)
00:36:47 (dramatic music)
00:36:54 (dramatic music)
00:36:57 (dramatic music)
00:37:07 (dramatic music)
00:37:10 (dramatic music)
00:37:34 (dramatic music)
00:37:37 (dramatic music)
00:38:02 (dramatic music)
00:38:05 (dramatic music)
00:38:12 (dramatic music)
00:38:28 (dramatic music)
00:38:31 (dramatic music)
00:38:56 (dramatic music)
00:38:59 (dramatic music)
00:39:04 (dramatic music)
00:39:13 (dramatic music)
00:39:16 (gunshot)
00:39:41 (dramatic music)
00:39:44 - You think it's done?
00:39:49 It's just beginning.
00:39:51 (gunshot)
00:39:55 (dramatic music)
00:39:59 - I told you to wait.
00:40:07 - I know.
00:40:10 - I'm sorry.
00:40:11 (dramatic music)
00:40:16 (dramatic music)
00:40:37 (dramatic music)
00:40:40 (gunshot)
00:40:45 (screaming)
00:40:47 - Freeze!
00:40:48 (dramatic music)
00:40:51 You're the one who's been tracking me.
00:41:01 The Russian militia have got the town in a lockdown.
00:41:04 You need a hostage.
00:41:06 Take me.
00:41:07 Come on.
00:41:09 He hasn't seen your face.
00:41:11 He doesn't have to die.
00:41:13 Take me instead.
00:41:14 (gunshot)
00:41:16 (dramatic music)
00:41:20 (gunshot)
00:41:22 (dramatic music)
00:41:24 - Please.
00:41:38 Stop.
00:41:40 (dramatic music)
00:41:43 (dramatic music)
00:41:46 - She saved your life.
00:41:51 (dramatic music)
00:41:54 (men chattering)
00:42:05 (men chattering)
00:42:08 (speaking in foreign language)
00:42:16 - He said your ribs are broken.
00:42:21 Unlucky.
00:42:22 You seem awfully calm, considering.
00:42:28 Your assassin is dead.
00:42:30 (laughing)
00:42:32 - Why are you covering this up?
00:42:34 You know that's not our killer.
00:42:36 - I told you before, Inspector,
00:42:38 this is no longer your affair.
00:42:40 Now, there are two ways in which we may proceed.
00:42:43 One, my men will accompany you to the hospital,
00:42:45 and when you and your associates are able to travel,
00:42:47 they will escort you to the airport.
00:42:49 Then I will write a report extolling Interpol for its help.
00:42:53 Medals will probably be involved.
00:42:55 Or I can report your incompetence and disregard
00:42:59 for my nation's laws to your superiors.
00:43:01 This will undoubtedly find its way to the state prosecutor in Moscow.
00:43:05 So, how do you think we should proceed, huh?
00:43:08 - How about go fuck yourself?
00:43:18 (car horn honking)
00:43:28 (car engine revving)
00:43:31 - (speaking in foreign language)
00:43:41 - Don't be dramatic.
00:43:42 - Dramatic?
00:43:43 - I got rid of the body.
00:43:44 - We've been there for hours!
00:43:45 - I brought you breakfast.
00:43:48 (sobbing)
00:44:16 - Thank you for wasn't so mad at you.
00:44:18 - Look at me.
00:44:20 Back at the station, you interfered.
00:44:25 I'm sorry.
00:44:28 I can't allow that.
00:44:30 - I swear I'll never--
00:44:33 - Stop talking.
00:44:35 - If you're looking for a reason not to kill me,
00:44:40 I don't really have one.
00:44:44 I'm not a whore by choice.
00:44:47 Pellikov owns me.
00:44:49 I'm his property.
00:44:51 Would you like to know how much he paid for me?
00:44:53 300.
00:44:54 American.
00:44:56 I've tried to escape the last time.
00:45:03 (laughing)
00:45:13 (gunshots)
00:45:15 (screaming)
00:45:17 (gunshots)
00:45:19 (screaming)
00:45:21 (laughing)
00:45:23 (sobbing)
00:45:25 - I'm gonna rush.
00:45:38 (explosion)
00:45:40 - It is a strange thing to wish to die.
00:45:49 So are you going to kill me?
00:45:59 - No.
00:46:06 You don't want to fuck me, and you don't want to kill me.
00:46:09 I've never felt so much indifference in my entire life.
00:46:13 - If you ever again interfere with me like that--
00:46:19 - I won't.
00:46:21 - Are we clear?
00:46:22 - Yeah.
00:46:24 - Eat your sandwich. I need to get some sleep.
00:46:29 - You know--
00:46:34 - Mika.
00:46:35 - Yes?
00:46:36 - Stop talking or I'll put you back in the trunk.
00:47:03 (speaking in foreign language)
00:47:07 (knocking)
00:47:17 (phone ringing)
00:47:20 (speaking in foreign language)
00:47:29 (speaking in foreign language)
00:47:33 - I've gotta give it to you, sir.
00:47:56 Pretty slick.
00:47:59 - Go fuck yourself.
00:48:01 - It was a pretty stupid idea, actually.
00:48:05 If we get caught, we'll be making smoke-ons in Siberia
00:48:07 for the next 20 years.
00:48:09 - Yet here we sit.
00:48:11 - Belikov.
00:48:19 - Shit.
00:48:22 - Hide that thing.
00:48:24 (siren blaring)
00:48:27 (dramatic music)
00:48:30 - We came to see Chief Agent Yuri.
00:48:34 What's the problem?
00:48:35 - Chief Agent is a very busy man.
00:48:36 He asked you to go directly to the airport.
00:48:38 We'll escort you there immediately.
00:48:40 - Okay.
00:48:42 (phone ringing)
00:48:57 (dramatic music)
00:49:00 (phone ringing)
00:49:12 - It's for you.
00:49:13 - After all these years, I think you'd trust me
00:49:19 a little more than this.
00:49:21 - Tell me what you know.
00:49:22 - Officially, nothing.
00:49:24 Unofficially, it appears your employer
00:49:27 has thrown you to the wolves.
00:49:29 - Why?
00:49:30 - Apparently, Belikov's softening political stance
00:49:32 and his refusal to cooperate with the hardline
00:49:34 has upset a lot of people.
00:49:36 So they ordered the hit and replaced him
00:49:37 with one of their own.
00:49:38 - Seems you and your friend here are the only ones
00:49:40 who know Belikov is actually a double.
00:49:42 - What's the CIA's position?
00:49:44 - The company usually likes to be on the side
00:49:46 of whoever wins.
00:49:48 - Take the envelope from the girl.
00:49:50 (dramatic music)
00:49:53 - Ah, Udrey Belikov, Mikhail's younger brother.
00:50:00 - Rumor is you'd like him to disappear.
00:50:02 - That is the rumor.
00:50:03 - I'd like to help.
00:50:04 - How's killing Udrey Belikov gonna help you?
00:50:07 - Let me worry about that.
00:50:09 - Well, that might be worth something.
00:50:10 What do you want in your trouble?
00:50:12 - Small favor.
00:50:13 (dramatic music)
00:50:19 - This is a small favor?
00:50:21 - I don't think I can do this.
00:50:22 - Not in your time frame.
00:50:23 - Keep reading.
00:50:24 - Jesus Christ.
00:50:26 - Tell me this isn't what I think it is.
00:50:28 - Okay, it's not what you think it is.
00:50:31 But I'd expect the last thing you'd want
00:50:32 is for me to be arrested with that file.
00:50:35 (dramatic music)
00:50:38 - Okay.
00:50:41 - I'll try.
00:50:42 - Thank you.
00:50:43 - Yeah, you're welcome.
00:50:45 You know, Udrey's been planning something
00:50:47 with a German arms dealer named Price.
00:50:49 Two have never met.
00:50:51 That's your way in.
00:50:52 Intercept Price and you get a shot at Udrey.
00:50:55 I'll get you his file.
00:50:57 I'm meeting in Istanbul in two days.
00:51:00 (dramatic music)
00:51:04 (train horn blaring)
00:51:07 - Good morning.
00:51:20 Have you slept at all?
00:51:22 - Some.
00:51:23 - You know, you can sleep in the bed.
00:51:28 I won't bite you.
00:51:30 Unless you pay me.
00:51:32 (dramatic music)
00:51:35 - It's not polite to stare.
00:51:41 So, when are you gonna tell me your name?
00:51:59 - The dress.
00:52:00 - What for?
00:52:02 - We're going to dinner.
00:52:04 You need to buy your new dress.
00:52:07 - You know, you're really quite charming
00:52:10 when you aren't killing people.
00:52:12 (dramatic music)
00:52:15 (people chattering)
00:52:19 (dramatic music)
00:52:22 - This place looks nice.
00:52:46 - Yeah.
00:52:48 - Don't you think?
00:52:49 - Mm-hmm.
00:52:50 - Wait here.
00:52:53 (dramatic music)
00:52:58 (people chattering)
00:53:01 (dramatic music)
00:53:13 (dramatic music)
00:53:16 - Hey, what'd you do?
00:53:38 You put out me?
00:53:39 How did you know I wouldn't just take off?
00:53:42 - I did.
00:53:43 Come on, we have dinner reservations at eight.
00:53:45 - James.
00:53:54 - Hey.
00:53:55 - How'd you feel?
00:53:56 - My pride hurts, where's the my arms?
00:53:58 Any word?
00:54:00 - The sketch is out to every Interpol substation
00:54:03 in Europe, train stations, airports, border crossings.
00:54:06 - What's that?
00:54:08 - This is what I wanted to show you.
00:54:10 Every appearance Belikov has made
00:54:12 within the last 12 months.
00:54:14 This is from a speech he made in London on May the 7th.
00:54:18 And this is from some shitty political luncheon
00:54:20 he had in northern Georgia.
00:54:22 Someone took a photo from a mobile phone.
00:54:24 Look at the date.
00:54:26 - May 7th.
00:54:28 - How is that possible?
00:54:30 - I can't be sure, but unless he's figured out
00:54:32 how to be in two places at once.
00:54:34 - He has a double.
00:54:35 - He's certainly paranoid enough.
00:54:37 - That explains the arterial sprain.
00:54:39 I hope he had health benefits.
00:54:41 - When I was a little girl, I had this little squirrel.
00:54:51 You know with black stripes on the back?
00:54:53 - Chipmunk.
00:54:54 - Oh yeah, that's right, chipmunk.
00:54:55 His name was Tishka.
00:54:57 - I'm sorry sir, but this is for another gentleman.
00:55:02 - Table 26.
00:55:03 - That's right.
00:55:04 - My mistake.
00:55:08 (soft music)
00:55:10 - You know what table that is?
00:55:13 - I saw the layout when we came in.
00:55:15 - Do you remember everything you see?
00:55:17 - No, not everything.
00:55:18 - What's the soup of the day?
00:55:20 - Red lentil and mint with sauteed onions and diced tomatoes.
00:55:23 - The woman sitting two tables behind you.
00:55:26 What's she wearing?
00:55:27 - With the red hair and silk dress facing you.
00:55:29 - Yeah.
00:55:30 - That's not a woman.
00:55:33 (soft music)
00:55:35 - What color underwear am I wearing?
00:55:46 - You're not wearing any underwear.
00:55:49 (grunting)
00:55:57 (grunting)
00:55:59 - Niko, ask for the check.
00:56:08 - But I'm not done.
00:56:09 - Then hurry.
00:56:11 - You scratch what I said about you being charming.
00:56:19 (soft music)
00:56:21 (phone ringing)
00:56:23 - Sorry, sir.
00:56:32 (grunting)
00:56:42 (grunting)
00:56:49 (soft music)
00:56:51 - Shit.
00:56:55 (soft music)
00:56:57 - A surprise.
00:57:14 Thank you for the introduction to Udre Belikov.
00:57:18 (soft music)
00:57:20 - A little help, please.
00:57:23 (gunshots)
00:57:26 - What the fuck?
00:57:40 - Let's go.
00:57:41 - What?
00:57:42 - Now.
00:57:44 (soft music)
00:57:46 - Well, that was lovely.
00:57:54 Right up to the time you drug me out of my hair.
00:57:57 And dress me.
00:58:00 So very good with firearms,
00:58:03 not so good with ladies undergarments.
00:58:06 Careful, I'm not wearing any panties.
00:58:11 - Niko, you're drunk.
00:58:13 - And?
00:58:14 - And this is a very bad idea.
00:58:17 - Oh, you mean this?
00:58:20 - Yes, that.
00:58:22 - How about this?
00:58:25 - Definitely that.
00:58:28 - Then, this must be really bad.
00:58:36 (soft music)
00:58:40 (gunshot)
00:58:42 (soft music)
00:58:44 (screams)
00:58:46 (soft music)
00:58:48 (car engine)
00:58:58 (tires screeching)
00:59:01 (soft music)
00:59:04 (soft music)
00:59:06 (upbeat music)
00:59:16 - Give me a kick.
00:59:22 - Mr. Price.
00:59:24 So, you took it upon yourself to change our appointment.
00:59:29 How forward of you.
00:59:31 As I told your men downstairs,
00:59:33 I was attacked earlier tonight by some lunatic.
00:59:36 Common sense dictated--
00:59:37 - Common sense should have dictated
00:59:39 you not abuse my good nature.
00:59:41 Sit.
00:59:43 (upbeat music)
00:59:45 I was just going over a few of my lines
00:59:53 with some of your competitors.
00:59:55 (upbeat music)
00:59:57 (moans)
01:00:01 Lines.
01:00:02 My lines.
01:00:03 You get it?
01:00:05 Where was I?
01:00:08 He's not Price.
01:00:12 (soft music)
01:00:15 - The?
01:00:28 This is the, uh, the Kedr 9mm compact.
01:00:32 It's, uh, less than two kilograms,
01:00:36 select fire single or fully automatic.
01:00:39 Empty.
01:00:42 And safe.
01:00:44 Or if you are looking for an assault rifle,
01:00:49 I have the M203 with underbarrel grenade launcher.
01:00:53 A lot of Tarwal dictators got a lot of 7.62s.
01:00:57 Got a lot of 7.62s stockpiled.
01:01:00 Saves them a lot to buy ammo.
01:01:02 Everything here is available in bulk, of course.
01:01:06 Prices not negotiable.
01:01:09 Any questions, Mr. Price?
01:01:14 - Yeah.
01:01:16 What about the little one there?
01:01:19 - Here, I show you.
01:01:23 This is a Makarov 22.
01:01:25 (moans)
01:01:26 A favorite of the KGB.
01:01:28 Particularly effective in the right hands.
01:01:31 But for a real target, you need to find a soft spot.
01:01:35 - Whoa, whoa, whoa, hold up.
01:01:37 Hey, wait.
01:01:38 This is not a Kedr.
01:01:40 It's a Chinese copy.
01:01:42 In fact, I don't know if it's the drugs
01:01:44 or if you're usually this inept,
01:01:45 but you've been wrong about most of these weapons.
01:01:47 If the gun you're holding is as cheap as this one,
01:01:50 even if you could manage to shoot her in the eye,
01:01:52 and I'm not saying you could,
01:01:54 you wouldn't kill her.
01:01:56 (laughs)
01:01:57 (yells)
01:01:58 (gunshot)
01:01:59 (screams)
01:02:00 (gunshot)
01:02:01 (screams)
01:02:03 (gunshot)
01:02:04 (dramatic music)
01:02:07 (gunshots)
01:02:09 (dramatic music)
01:02:11 (gunshots)
01:02:13 (gunshots)
01:02:15 (dramatic music)
01:02:17 (gunshots)
01:02:19 (dramatic music)
01:02:21 (gunshots)
01:02:23 (dramatic music)
01:02:25 (gunshots)
01:02:27 (dramatic music)
01:02:29 (gunshots)
01:02:31 (screams)
01:02:32 (gunshots)
01:02:34 (gunshots)
01:02:36 (dramatic music)
01:02:38 (gunshots)
01:02:40 (dramatic music)
01:02:42 (gunshots)
01:02:44 (dramatic music)
01:02:47 (dramatic music)
01:02:50 (gunshots)
01:02:52 (dramatic music)
01:02:54 (gunshots)
01:02:56 (dramatic music)
01:02:58 (gunshots)
01:03:00 (dramatic music)
01:03:02 (gunshots)
01:03:04 (dramatic music)
01:03:06 (gunshots)
01:03:08 (dramatic music)
01:03:10 (gunshots)
01:03:12 (dramatic music)
01:03:14 (gunshots)
01:03:16 (dramatic music)
01:03:18 (gunshots)
01:03:20 (dramatic music)
01:03:22 (groans)
01:03:24 (groans)
01:03:26 (gunshots)
01:03:28 (dramatic music)
01:03:30 (dramatic music)
01:03:32 (dramatic music)
01:03:34 (dramatic music)
01:03:36 - Why are you doing this to me?
01:03:38 - I need you to help me with your brother.
01:03:40 (dramatic music)
01:03:42 - Mikhail,
01:03:44 fuck him.
01:03:46 I do whatever you want.
01:03:48 What the fuck do you want me to do?
01:03:52 Just this.
01:03:53 (gunshot)
01:03:55 (thunder)
01:03:57 (splashing)
01:04:00 (eerie music)
01:04:02 (eerie music)
01:04:05 (eerie music)
01:04:07 (eerie music)
01:04:10 (eerie music)
01:04:12 (eerie music)
01:04:37 (eerie music)
01:04:39 (phone ringing)
01:05:01 (phone ringing)
01:05:04 - You know, it says here that when the male penguin
01:05:09 meets the female penguin, he knows in the first 10 seconds
01:05:13 whether he's gonna like her or not.
01:05:14 Are you listening?
01:05:17 - I'm listening.
01:05:18 I read that.
01:05:20 - These articles are full of shit.
01:05:23 Why do you buy these magazines?
01:05:26 - For the advertisements.
01:05:27 - What do you need luggage like this for?
01:05:31 - Because that perfectly holds my blazer sniper rifle
01:05:33 in 245 and a gag for irritating, talkative little girls
01:05:37 like yourself.
01:05:38 You want me to stop and get it out?
01:05:39 - I don't know.
01:05:40 You think we have time for foreplay?
01:05:42 (eerie music)
01:05:46 You know, when I was a little girl,
01:05:58 my father raised grapes.
01:06:00 And I told him that one day at my own vineyard.
01:06:05 - It looks nice.
01:06:15 We need to get off the road.
01:06:26 (people chattering)
01:06:29 - Jax.
01:06:53 Is that his suitcase?
01:06:56 - How do we get that?
01:06:58 - As a consolation prize, Captain Goodenough sent me.
01:07:00 Our boys' stuff from the hotel in St. Pete
01:07:02 in case it might help.
01:07:03 - Anything?
01:07:04 - Not much.
01:07:05 There is this.
01:07:09 What do you make of this?
01:07:14 - Trust unto God and he shall direct your path.
01:07:24 - That's Shams.
01:07:25 Never forget her boy as the religious type.
01:07:28 - That's strange.
01:07:30 - Nika.
01:07:49 I have to go.
01:07:52 (dramatic music)
01:07:55 - So much for happy endings.
01:07:58 I don't want you to do this.
01:08:04 - Belikov needs to die.
01:08:08 - I don't care about that.
01:08:11 Not anymore.
01:08:12 - As long as he's alive,
01:08:15 they will never stop looking for you.
01:08:17 (dramatic music)
01:08:19 (dramatic music)
01:08:22 (dramatic music)
01:08:25 (dramatic music)
01:08:28 - Take this.
01:08:54 At the next station,
01:08:56 get off the train as soon as it stops.
01:08:58 Move with the crowd.
01:08:59 - Where did Dunman know your name?
01:09:03 - The place I was raised,
01:09:05 they didn't give us names.
01:09:06 They gave us numbering.
01:09:08 Mine was 47.
01:09:11 - Well, that explains a lot.
01:09:15 How will I find you?
01:09:19 - Don't worry.
01:09:20 I'll find you.
01:09:21 - What are you going to do?
01:09:25 - What I do.
01:09:26 (dramatic music)
01:09:30 (phone buzzing)
01:09:54 (dramatic music)
01:09:57 (door slamming)
01:10:06 (speaking in foreign language)
01:10:36 - You don't want to drink with your new president,
01:10:37 товарищ?
01:10:39 - You're celebrating, yes.
01:10:41 All the evidence is erased.
01:10:46 Mikhail Belikov.
01:10:48 And this pathetic brother Udra.
01:10:52 Now I'm the one and only.
01:10:57 And the one man I have asked you to kill,
01:11:00 the only one who can expose us,
01:11:03 is the one man not in this room.
01:11:05 (glass shattering)
01:11:08 - So, tell me, tovarisch,
01:11:12 what exactly have you done to find him?
01:11:14 - It seems if we wait long enough,
01:11:18 he will find you.
01:11:19 - Us?
01:11:21 - Tovarisch, Yuri, he will find us.
01:11:23 - The organization has sent in their best operatives.
01:11:26 - I know.
01:11:27 Don't let your incompetence hinder them.
01:11:30 We will not have this conversation again.
01:11:32 (dramatic music)
01:11:35 - Three hours ago, Belikov's brother, Udra,
01:11:52 was found dead in Istanbul.
01:11:53 They're waiting for the body to arrive in Moscow
01:11:55 for the funeral.
01:11:56 - Michael, how's things going?
01:12:00 - Belikov's brother has just been found murdered.
01:12:03 It's him, sir.
01:12:03 It's our guy.
01:12:05 He's setting Belikov up.
01:12:06 - We're getting pressure from the ministry
01:12:08 and the EU to drop this investigation.
01:12:11 But sir, the Russians will confirm--
01:12:12 - The Russians are the ones leading the EU on this.
01:12:15 They blatantly deny your ghost exists
01:12:17 and have filed papers with the minister's office
01:12:19 claiming you've overstepped your authority.
01:12:22 - Who?
01:12:22 Who brought those allegations?
01:12:23 - The FSB, specifically Chief Agent Yuri Markov.
01:12:27 I need you to stop.
01:12:29 - No, you don't understand.
01:12:31 The FSB is covering this up.
01:12:33 He killed Belikov's brother.
01:12:35 Now why?
01:12:36 Why would he do that unless--
01:12:37 - Michael Belikov announced that he would attend
01:12:39 funeral services tomorrow morning for the burial--
01:12:42 - The funeral.
01:12:43 He's gonna take Belikov at Udra's funeral.
01:12:47 - There is some speculation that Belikov's opponent--
01:12:49 (sighing)
01:12:52 (door opening)
01:12:54 (door closing)
01:13:16 (door opening)
01:13:18 (eerie music)
01:13:21 (footsteps approaching)
01:13:24 (eerie music)
01:13:27 (footsteps approaching)
01:13:30 (eerie music)
01:13:55 (eerie music)
01:13:58 (eerie music)
01:14:05 (gun firing)
01:14:09 - This generator produces over 3,000 amps,
01:14:19 much more than is necessary,
01:14:21 but I wanted you to understand the gravity of the situation.
01:14:25 At 2.30, that radio taped to your hand will activate.
01:14:29 You'll have 30 seconds to order the shooting
01:14:30 if your friend Belikov.
01:14:32 If you don't, the generator will start.
01:14:37 Your skin will melt.
01:14:38 Your blood will vaporize.
01:14:40 There won't be enough left of you to identify.
01:14:42 - You have gone to a great deal of trouble.
01:14:46 I am just a bureaucrat.
01:14:49 There is nothing I can do for you, I'm afraid.
01:14:53 - I disagree.
01:14:54 This is not a request.
01:14:56 This situation is fixed,
01:14:58 and you know both possible outcomes.
01:15:00 Live or die, your choice.
01:15:05 Here's something to keep things in perspective.
01:15:09 I picked it up last night when I was in your house.
01:15:15 - You bastard!
01:15:17 - If I were you, I'd keep that radio dry.
01:15:19 - So get set!
01:15:21 - Yell all you like.
01:15:24 The Lord himself won't hear.
01:15:26 - Don't get there!
01:15:29 - There are over 100 highly trained
01:15:51 Alpha Special Forces soldiers in this cathedral.
01:15:55 It would be foolish to attempt any type of violence.
01:15:57 A man as highly trained as your assassin would realize this.
01:16:00 - What if he does?
01:16:01 Look around you.
01:16:03 How much civilian blood do you think will be shed?
01:16:05 - We are prepared for that as well.
01:16:08 Gas canisters are being deployed.
01:16:10 If anything should occur,
01:16:12 the civilians will be rendered unconscious.
01:16:14 Now, if you will excuse me.
01:16:16 (dramatic music)
01:16:19 (guns firing)
01:16:21 (dramatic music)
01:16:24 (dramatic music)
01:16:28 (dramatic music)
01:16:31 (dramatic music)
01:16:33 (dramatic music)
01:16:36 (dramatic music)
01:16:57 (dramatic music)
01:17:00 - One minute, 50 seconds.
01:17:22 (speaking in foreign language)
01:17:26 (speaking in foreign language)
01:17:30 My brother, he was a troubled man,
01:17:33 but he was not always like that.
01:17:34 - One minute, 25 seconds.
01:17:38 One minute, 20 seconds.
01:17:42 - Should we choose to be kind
01:17:45 and let her die much like my brother?
01:17:47 Or should we do what is necessary,
01:17:51 what is hard, to save what we love?
01:17:55 - One minute.
01:17:56 - I for one will not fail again,
01:18:04 not with this country,
01:18:06 not with our children's future,
01:18:08 not with you, my countrymen.
01:18:10 - 35 seconds.
01:18:14 - Come on, die!
01:18:15 (speaking in foreign language)
01:18:19 Change targets, shoot bellicose!
01:18:22 (speaking in foreign language)
01:18:23 (dramatic music)
01:18:26 (speaking in foreign language)
01:18:35 - Just fucking do it now!
01:18:37 (gun firing)
01:18:44 (dramatic music)
01:18:52 (gun firing)
01:18:55 - Do not let the assassin escape.
01:19:01 Release the gas, lock down the doors.
01:19:04 I suggest you and your men follow me.
01:19:06 - Let's go!
01:19:08 (dramatic music)
01:19:12 (gun firing)
01:19:14 (dramatic music)
01:19:17 (speaking in foreign language)
01:19:28 (gun firing)
01:19:42 (dramatic music)
01:19:44 (gun firing)
01:20:01 (dramatic music)
01:20:04 (speaking in foreign language)
01:20:13 - Your man has made a mistake.
01:20:15 There is no exit, he's trapped.
01:20:17 - Doesn't make sense.
01:20:22 Why would he?
01:20:25 (dramatic music)
01:20:28 - Trust unto God,
01:20:34 and he shall direct your path.
01:20:37 - Shit, he set this up from the very beginning.
01:20:41 (dramatic music)
01:20:43 (gun firing)
01:20:51 (dramatic music)
01:20:54 (gun firing)
01:20:56 (dramatic music)
01:20:59 (speaking in foreign language)
01:21:16 (screaming)
01:21:18 (dramatic music)
01:21:21 (gun firing)
01:21:24 (dramatic music)
01:21:26 - Where does this key fit?
01:21:38 - The archbishop's personal chambers.
01:21:41 The third tower over the Moskva.
01:21:43 - He's going into the river like in St. Pete.
01:21:48 - Janks, get our men, let's go.
01:21:49 (dramatic music)
01:21:52 - He's in the southwest tower, call in the gunships.
01:21:56 Do not let him escape.
01:21:57 - Seems I underestimated you.
01:22:03 - Consistently.
01:22:04 - I miss calculation on my part.
01:22:09 - Who are you?
01:22:13 Answer me.
01:22:17 - Let me help you.
01:22:19 - How would you do that?
01:22:20 By having me killed?
01:22:21 - Ah, no, for that I'm sorry, it was a mistake.
01:22:24 - And Niko, was that a mistake?
01:22:26 Or did you destroy her life for your own amusement?
01:22:28 - What?
01:22:29 You think you can take what has cost millions,
01:22:32 years of planning for the good of this country,
01:22:35 and destroy that?
01:22:37 Then what?
01:22:38 Walk away?
01:22:40 You don't really think they will let you do that?
01:22:43 If you kill me, they will never let you go,
01:22:45 they will hunt you for the rest of your life.
01:22:48 (dramatic music)
01:22:51 You did your job, and you did it very well.
01:23:02 And for that, my boy, you should be proud.
01:23:06 - That's it?
01:23:08 - Yes, I am offering you your life back.
01:23:13 That is why you are here, yes, that is what you want.
01:23:15 (dramatic music)
01:23:19 - Oh, no.
01:23:20 (gunshot)
01:23:26 (speaking in foreign language)
01:23:27 (helicopter whirring)
01:23:30 (gunshots)
01:23:33 (helicopter whirring)
01:23:37 (gunshots)
01:23:40 (helicopter whirring)
01:23:43 (gunshots)
01:23:45 (helicopter whirring)
01:23:52 (gunshots)
01:23:55 (helicopter whirring)
01:23:58 (helicopter whirring)
01:24:02 (glass shattering)
01:24:05 (helicopter whirring)
01:24:33 (dramatic music)
01:24:35 - Interpol, drop your weapons.
01:24:56 - We have an arrest warrant for that man.
01:24:58 (dramatic music)
01:25:01 - Don't move, hands on your head, on your head, on your knees.
01:25:08 - Don't do anything stupid.
01:25:09 (dramatic music)
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01:25:21 (dramatic music)
01:25:24 (dramatic music)
01:25:27 (dramatic music)
01:25:48 (dramatic music)
01:25:51 - Just one thing.
01:25:56 - Knowing how this ends was a worth it.
01:25:59 - Killing Belikov.
01:26:02 - Knowing how this ends?
01:26:04 Definitely.
01:26:07 - What do you make of that?
01:26:10 (tires screeching)
01:26:13 (dramatic music)
01:26:16 (tires screeching)
01:26:19 - Who the hell are you?
01:26:35 - I'm Agent Smith, with the US Central Intelligence Agency.
01:26:38 I need all you men to the rear of that vehicle.
01:26:40 - You don't have jurisdiction here.
01:26:41 - We aren't here, which means when we open up
01:26:44 and you enshred your bodies with automatic fire,
01:26:46 then this will never have happened.
01:26:47 We have reason to believe you're involved
01:26:51 in terrorist activities.
01:26:52 - We're Interpol, and in accordance with section three,
01:26:56 we're transporting an international criminal.
01:26:58 - What criminal?
01:26:59 - Oh, Jesus Christ!
01:27:03 - You know what, I'm sorry, man.
01:27:05 - My mistake.
01:27:08 I thought you were someone else.
01:27:10 - You prick.
01:27:11 - On behalf of the United States government,
01:27:14 I'd like to extend your sincerest apologies.
01:27:17 - Load up, boys.
01:27:20 (tires screeching)
01:27:26 (dramatic music)
01:27:28 (tires screeching)
01:27:31 - So now what?
01:27:51 - Now you have to answer my question.
01:27:53 Are you a good man, Inspector?
01:27:58 - I think.
01:27:59 - And yet you've killed men.
01:28:01 So, Inspector, how does a good man decide when to kill?
01:28:06 - If I think that a man means to do me or my family harm,
01:28:12 then I will do whatever I can to stop him,
01:28:15 but beyond that, it's a crap shoot.
01:28:24 - The key.
01:28:25 You knew I had jurisdiction,
01:28:29 and would walk you right out through the front door.
01:28:32 - I don't wanna be left alone.
01:28:35 - Just like that?
01:28:38 - Yeah, just like that.
01:28:39 This is the man you've been looking for.
01:28:48 Ballistics will confirm he was shot by your weapon.
01:28:53 The magazine is in the nightstand next to your bed.
01:28:55 Don't forget it when you call your superiors.
01:28:58 - Did you kill him here?
01:29:00 - It's five.
01:29:01 If you wait a few hours until the girls go to school,
01:29:04 you won't have to expose him to this.
01:29:06 Explains why you waited so long before you called it in.
01:29:08 - I can't go along with this.
01:29:10 - I hope you can.
01:29:11 For both our sakes.
01:29:14 Goodbye, Michael.
01:29:21 (thunder rumbling)
01:29:24 I hope I never see you again.
01:29:26 (phone ringing)
01:29:36 (dramatic music)
01:29:39 - I told you to leave her alone.
01:30:03 You should've listened.
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