Aired (November 11, 2004): He is well-known as the impersonator of Asia's Song Bird, Regine Velasquez, for his immaculate impersonation of the singer. But people are unaware that Anton Diva (Cogie Domingo) has a difficult past.
Cast: Cogie Domingo, Jeffrey Quizon, Dexter Doria, Dick Israel, Christine Reyes, Joseph Hizon, Neil Ryan Sese, Simon Ibarra, Shyr Valdez, Eric King, Jd Dionisio
Cast: Cogie Domingo, Jeffrey Quizon, Dexter Doria, Dick Israel, Christine Reyes, Joseph Hizon, Neil Ryan Sese, Simon Ibarra, Shyr Valdez, Eric King, Jd Dionisio
Category
😹
FunTranscript
00:00:00 [sad music]
00:00:13 [shouting]
00:00:21 Anton!
00:00:22 Where are you going?
00:00:23 Daddy, please have mercy. I won't do it again.
00:00:27 I won't do it again. I'll leave now.
00:00:31 He became famous for his imitation of Regine Velasquez.
00:00:37 From the way he stands and his form, to his voice,
00:00:41 he is a copy of Asia Songbird.
00:00:44 Aside from that, he is also famous for being a sing-along master in various comedy bars.
00:00:49 But, despite his colorful personality,
00:00:53 there is a bitter past that is far from his current fame.
00:01:01 My friends, let's listen to the story of Anthony Ragaza,
00:01:06 who is better known in his country as Anton Diva.
00:01:10 [shouting]
00:01:12 Mommy, Kuya hid my toy doll.
00:01:17 [shouting]
00:01:20 [shouting]
00:01:23 I'm confused with what I'm counting.
00:01:26 [shouting]
00:01:29 He hid my toy doll.
00:01:32 I'll return it to you as soon as possible.
00:01:36 That's not suitable. That's a toy for a girl.
00:01:38 You should've just found the one your uncle gave you.
00:01:42 I don't want that. I want the toy for my grandmother.
00:01:45 No, it's not suitable for you. That's a toy for a girl. That's for a boy.
00:01:49 [crying]
00:01:52 [shouting]
00:01:59 Stop it! Stop it!
00:02:01 Mommy, what's that? Why?
00:02:03 [crying]
00:02:07 Toy doll?
00:02:09 [crying]
00:02:11 You're holding a toy doll? Why?
00:02:13 Look at you. Why are you like that?
00:02:15 [crying]
00:02:16 Come here. Let's fold our clothes.
00:02:20 You're good at folding clothes.
00:02:22 Come here. Let's fold our clothes.
00:02:25 Come here.
00:02:27 When he was a child, Anton was seen moving around and acting like a girl.
00:02:34 Something that his father didn't like.
00:02:37 Okay, one more. Hurry up.
00:02:41 There. Okay, bring it. Two more.
00:02:44 Come here. Come down here.
00:02:46 Daddy will be here soon. He'll be here soon.
00:02:48 He'll give you a beating.
00:02:50 Come here.
00:02:51 Yes, he's still big.
00:02:53 Hey!
00:02:54 What are you doing there?
00:02:56 I'm sorry.
00:02:57 I told you to go back there because the tree is slippery.
00:02:59 Why are you letting your brother be like that?
00:03:01 I'm going down.
00:03:03 Go down there so you can see what you're looking for.
00:03:07 Yes.
00:03:08 Go down!
00:03:09 Yes.
00:03:10 Anton's father is strict and he's very hard on his brothers.
00:03:15 They were punished for a few times for even the smallest of things.
00:03:20 I won't do it again.
00:03:22 You won't do it again?
00:03:23 You've been climbing the tree four times and I believe you won't do it again.
00:03:28 You're not going to get up?
00:03:32 [screaming]
00:03:35 What's that?
00:03:36 [screaming]
00:03:37 Hey, don't come near me.
00:03:40 You're hurting the child.
00:03:42 You can't leave the child.
00:03:45 You should be teaching him a lesson.
00:03:47 [screaming]
00:03:49 I'm sorry, father.
00:03:52 I'm sorry, father.
00:03:54 [screaming]
00:03:57 I won't listen to you.
00:03:59 I know how to take care of this.
00:04:01 I'm sorry, father.
00:04:03 [screaming]
00:04:05 I won't do it again.
00:04:07 You're not going to teach him a lesson?
00:04:09 You're not going to teach him a lesson?
00:04:11 I won't do it again.
00:04:12 You're not going to do it again?
00:04:14 [screaming]
00:04:33 Let's go.
00:04:35 [screaming]
00:04:37 I love you.
00:04:39 [screaming]
00:04:45 But, really,
00:04:47 I've noticed that these last few days,
00:04:52 you've been bleeding a lot.
00:04:56 You're even holding hands.
00:04:58 What's the problem?
00:05:01 I don't know.
00:05:03 Your son is too lazy to move.
00:05:07 He's even blinking.
00:05:08 His ears hurt.
00:05:09 And he's obviously into fighting with other women.
00:05:13 Maybe,
00:05:16 maybe, your son has become gay.
00:05:23 What are you saying, Noli?
00:05:26 We're talking about our son, not someone else.
00:05:29 That's why I'm like this. He's our son.
00:05:31 That's why you're afraid that your son will become like that.
00:05:34 What do you want?
00:05:35 For him to become a basagolero?
00:05:38 A devil?
00:05:40 For him to become a murderer?
00:05:43 Enough.
00:05:44 I'd rather make him a basagolero than a gay.
00:05:48 What will my family say?
00:05:51 That we have no gay in our family?
00:05:53 Noli became a bit strict with his son, Anton.
00:05:58 Because he wanted him to be strict and avoid being naughty.
00:06:04 But it seems like Anton doesn't care.
00:06:07 Especially with his growing up.
00:06:10 I'm here, always looking at the clouds and stars.
00:06:20 My heart and mind are one.
00:06:27 I'm here, loving.
00:06:32 You're really good, Anton.
00:06:36 You haven't been praised by Sir Eugene Velasquez.
00:06:39 Of course.
00:06:40 He's thankful that I gave birth to him first.
00:06:42 Because if not, it means that Anton is older than him.
00:06:48 I memorized the lyrics.
00:06:51 Hurry, put the minus one.
00:06:54 [music]
00:07:10 Hey!
00:07:11 What's that?
00:07:12 You're singing again?
00:07:13 You're shouting so that my neighbors will get confused?
00:07:16 You two, go home!
00:07:18 You two, go home!
00:07:21 You're so brave, you're the ones who are being strict.
00:07:23 You, go back to your room before I do something to you.
00:07:27 Hurry!
00:07:28 It's so hard.
00:07:31 Why is daddy like that?
00:07:38 He always scolds me, that's why my friends are happy.
00:07:42 You're not used to your daddy.
00:07:49 He's just tired, that's why he's hot-headed.
00:07:51 He's not tired, he's always scolding me.
00:07:55 He's always sulking, he's hot-headed.
00:07:58 You know that's not true.
00:08:01 Your daddy loves you.
00:08:03 Isn't it because of him that you got good at singing?
00:08:07 How can I love him?
00:08:10 I only know women's songs.
00:08:13 For him, it's all old, all low.
00:08:18 While for me, it's all Regine Velasquez, Whitney Houston.
00:08:23 How can I love him?
00:08:26 You know what, you're not only good at singing, you're also good at making people laugh.
00:08:31 You're so rich.
00:08:33 And you're also good at singing.
00:08:36 You're so pretty.
00:08:39 I have a new love
00:08:47 And it's finally here
00:08:56 I'm here, always looking
00:09:04 For the clouds and the stars
00:09:12 Where my heart is
00:09:15 Is a place
00:09:20 Where I'm here
00:09:25 Smiling
00:09:31 Smiling
00:09:38 Now, the one we've been waiting for
00:09:42 The one who used the first prize
00:09:45 No one else but
00:09:48 The one who sang "Nabito Ako"
00:09:50 Anthony Vagasa!
00:09:53 [applause]
00:10:03 You're really a different kind, Ineng.
00:10:06 Your voice is so beautiful.
00:10:08 You know, if I were you, I would've taken your singing seriously.
00:10:12 I'm sure your future is there.
00:10:14 I've heard that so many times.
00:10:17 It's true, right?
00:10:20 Your voice is like the sound of an Eiffel Tower.
00:10:22 And your arrive is also divine.
00:10:26 I'm sure I'll lose to the one who fell from the top of the Eiffel Tower
00:10:31 if I see my dad's face like this.
00:10:33 So, go ahead, take off your makeup.
00:10:35 You're the one who's being sarcastic.
00:10:38 You're even wearing a sunglasses.
00:10:40 Let's just erase that.
00:10:42 What are we really doing here?
00:10:48 We came here to see how many
00:10:50 of these guys I've been chasing.
00:10:52 So you can see your idol.
00:10:54 We can exchange our smells with the people here.
00:10:57 You just stay there.
00:11:00 Let's just enjoy this because we're already here.
00:11:03 Enjoy?
00:11:04 How can I enjoy?
00:11:06 My feet are already shaking.
00:11:08 We've been standing here for a while.
00:11:10 And my neighbor is so cute.
00:11:15 [screaming]
00:11:18 What happened?
00:11:29 What happened?
00:11:32 You heard what Regine said.
00:11:34 She's already on her way.
00:11:35 I just saw her.
00:11:38 She's really famous, right?
00:11:40 Huh?
00:11:42 What you mean is
00:11:44 we've been standing there for hours
00:11:47 and your idol, Regine Velasquez,
00:11:50 is already on her way?
00:11:53 I didn't see her?
00:11:54 You're so arrogant.
00:11:56 I should just go home.
00:11:58 Wait.
00:11:59 I'm coming with you.
00:12:01 What do you mean by that?
00:12:02 Huh?
00:12:03 What do you mean by that?
00:12:05 Daddy,
00:12:06 my stuff.
00:12:07 Why are you letting my stuff get inside?
00:12:10 Ouch!
00:12:11 Huh?
00:12:12 Daddy, don't do that to me.
00:12:14 When will you learn to be a man?
00:12:31 [indistinct shouting]
00:12:34 Daddy, stop it.
00:12:37 Stop it, Daddy.
00:12:40 I can't hear you.
00:12:41 What are you doing?
00:12:43 Hey, stop it!
00:12:45 What are you doing?
00:12:46 Anton's father would often raise his hand
00:12:50 because he couldn't accept his true identity.
00:12:54 But his own parents were able to stop him.
00:12:57 It wasn't a hindrance to Anton's expression of his feelings.
00:13:01 I don't know, Barda,
00:13:03 but I just can't do it anymore.
00:13:05 I know, Barda.
00:13:08 Maybe, even if it's just for a short while,
00:13:11 I won't change the way Daddy sees me.
00:13:14 You can do it, gay.
00:13:20 We're gay because we're fighters, right, Enig?
00:13:24 And you know what?
00:13:30 I'm still crying.
00:13:34 You know what?
00:13:36 It's better if we just put an end to this.
00:13:39 Let's just be single.
00:13:41 Let's get rid of the badness inside us.
00:13:46 What do you think?
00:13:48 You're really crazy.
00:13:52 That's why we're best friends, right?
00:13:56 We're both beautiful,
00:13:59 and we're both crazy.
00:14:02 Despite his bad relationship with his father,
00:14:05 Anton was able to get over it.
00:14:09 He became active in class,
00:14:11 and because he was smart,
00:14:13 he finished studying with a high rank.
00:14:17 I'm so happy, my child.
00:14:20 My parents were so jealous of me when I graduated.
00:14:26 Because they said,
00:14:28 "Besides your kindness, you're also very smart."
00:14:32 I did my best in my studies,
00:14:37 so that you can be proud of me.
00:14:39 These are really for you.
00:14:55 What's wrong?
00:14:56 You're still so shy.
00:14:58 I'm really proud of you.
00:15:00 Because I know that you're not just smart,
00:15:04 you're also very good at singing.
00:15:06 You're a very kind brother.
00:15:09 And most of all,
00:15:11 you're a very good son.
00:15:14 Really, Mommy?
00:15:17 Of course.
00:15:21 Of course.
00:15:22 Why are you not happy?
00:15:26 Because I know that whatever I do,
00:15:33 even if I graduate with honors,
00:15:37 my father won't look down on me.
00:15:40 I just want to be happy.
00:15:50 I want my father to be proud of me.
00:15:52 He loves me as a son.
00:15:57 I hope you'll remember this.
00:16:02 No matter what the problem of our family is,
00:16:08 you'll always think, "I'm just here."
00:16:14 I love you so much.
00:16:20 I love you too.
00:16:21 Even though his father is a teacher,
00:16:24 Anton still followed his dream of becoming a good singer.
00:16:29 He started going to sing-along bars
00:16:33 to show his talent in singing.
00:16:38 Oh my God.
00:16:39 You're even more feminine than us.
00:16:42 Yes.
00:16:43 Your eyebrows are getting thinner.
00:16:45 But in fairness, he's handsome.
00:16:47 He's handsome in fairness.
00:16:49 You can do it.
00:16:50 Anthony, what will you sing for us?
00:16:53 I hope I can sing Regine Velasquez's song again.
00:16:56 That's a high note.
00:16:59 I told you.
00:17:00 You don't want to be pitied?
00:17:01 Okay, good luck.
00:17:03 I hope you have something to breathe before you finish singing.
00:17:08 Right?
00:17:10 Give it up for Anthony.
00:17:13 [applause]
00:17:16 [music]
00:17:20 [singing]
00:17:24 [applause]
00:17:28 [singing]
00:17:32 [applause]
00:17:33 [singing]
00:17:37 [applause]
00:17:40 [singing]
00:17:44 [applause]
00:17:47 [singing]
00:17:51 [applause]
00:17:54 [singing]
00:17:58 [applause]
00:18:02 [singing]
00:18:06 [applause]
00:18:10 [singing]
00:18:14 [applause]
00:18:19 [singing]
00:18:22 [applause]
00:18:26 [singing]
00:18:30 [applause]
00:18:34 [singing]
00:18:38 [applause]
00:18:42 [singing]
00:18:47 [singing]
00:18:49 Dad, I'm leaving.
00:18:51 Me too. I'll go ahead, Dad.
00:18:54 Wait, I'll give you some money.
00:18:59 Ana Lu, go home right after class.
00:19:08 Take care.
00:19:10 Yes.
00:19:12 I'm more important than you.
00:19:15 No, Mom. I still have money.
00:19:17 Balda and I were singing last night.
00:19:21 We sang together and I was so happy.
00:19:24 I gave her a kiss.
00:19:25 Because of the pressure from his father,
00:19:28 Anthony was forced to escape
00:19:31 just to join and sing in singing contests.
00:19:36 Hey, why are you still awake?
00:19:38 Dad, I'll just finish my assignment.
00:19:42 Okay, go ahead and sleep. You have classes tomorrow.
00:19:45 I'll close the doors here. I'll check this.
00:19:47 I'll just put this here.
00:19:48 Brother, what's wrong? Why are you taking so long?
00:20:16 Dad just got here. We'll be late.
00:20:18 I'm sorry, my dear sister.
00:20:20 You know, I won the singing contest.
00:20:23 And this is your coat.
00:20:25 Really? You won a prize?
00:20:27 Secret. Come on, let's go to bed.
00:20:30 Through studying, Anthony was forced to escape
00:20:35 to join singing contests.
00:20:38 If he doesn't have classes,
00:20:40 he always goes to the bars in Malati.
00:20:45 Here, his talent in singing was more than expected.
00:20:48 Why are you still in a hurry?
00:20:54 I just won the contest.
00:20:55 The contest is just over.
00:20:57 You might forget, I have to go home early today.
00:21:02 It's Friday.
00:21:07 Yes, it's Friday.
00:21:08 And you know what's on Friday.
00:21:13 I almost forgot, it's Friday.
00:21:16 I have to go.
00:21:19 Let's go to the bar.
00:21:21 I'll go home early.
00:21:22 Don't forget, I have to go home early.
00:21:24 I have to go home early.
00:21:26 See? I told you.
00:21:28 You're just a singer, even if you're just a gay.
00:21:32 You're really a gay.
00:21:35 Stop it, Tic Tac Tune. Let's go.
00:21:38 Let's go.
00:21:39 Just check.
00:21:41 Anton, I know you're a good singer.
00:21:45 Do you perform in other bars?
00:21:48 No, actually, I'm just a guest here.
00:21:51 Really?
00:21:52 Because I have a bar.
00:21:54 If you want, if you're interested,
00:21:57 I can get you a master singer.
00:21:59 Me?
00:22:02 Yeah, why don't you believe me?
00:22:05 You're a good singer, you're beautiful.
00:22:08 You can do it.
00:22:10 And you can explore your voice there.
00:22:13 Anton's singing skills are undeniable.
00:22:17 That's why he was easily recognized in music bars as a sing-along master.
00:22:22 Meanwhile, to take care of his income,
00:22:26 his older brother, Eman, is his best caretaker.
00:22:31 But it seems like a joke.
00:22:34 Something bad happened between the brothers.
00:22:39 Brother, it's good that you're still awake.
00:22:41 I've been waiting for you.
00:22:43 Here's the update of your savings.
00:22:46 It's written here your expenses and also the amount you need to pay.
00:22:52 Brother, can I just do it tomorrow? I'm really tired.
00:23:01 No, you can't. I have work to do.
00:23:04 And by the way, you haven't given me your income for the last two weeks.
00:23:09 Give it to me so we can get into the bank.
00:23:12 And if possible, give it to me now.
00:23:13 Because if tomorrow, I'll have something to do.
00:23:15 Then, just give it to me when you have time.
00:23:19 I don't think you're interested.
00:23:23 You have the money I'm taking care of.
00:23:29 If you don't want to give me your money, just tell me.
00:23:31 Brother, it's not like that. I'm just really tired.
00:23:36 I just want to rest.
00:23:37 You're tired? Tired? Tired?
00:23:40 I'm not tired. I have work tomorrow.
00:23:43 But I'm begging you to wait.
00:23:46 You're just saying tomorrow?
00:23:47 You're so cheap.
00:23:49 You're not my secretary.
00:23:51 I'm just taking care of your money because you don't know how to handle money.
00:23:57 Why? It's my money.
00:23:58 I'll decide who I want to bring and who I'll spend it on.
00:24:01 I'm not asking you to do it.
00:24:03 I'm the one who's having a hard time helping you.
00:24:05 How angry are you?
00:24:06 Erman, stop it.
00:24:08 You're hurting my son.
00:24:09 So, it's my fault now?
00:24:11 I haven't done anything right in this town since Dad was with you.
00:24:14 I'm the one who's having a hard time working.
00:24:19 And I'm the one who's at fault?
00:24:20 Don't you dare say that your kindness is helping.
00:24:23 If you want to leave, then leave.
00:24:25 Erman!
00:24:26 I don't have any business with you.
00:24:27 Erman, stop it!
00:24:28 Take your money and leave.
00:24:29 Anton, stop it.
00:24:30 And even if I don't do that, I'll do it. Just be happy.
00:24:33 Anton, stop it.
00:24:35 Anton, what's wrong with you?
00:24:37 Anton, what's wrong with you?
00:24:38 After leaving their house,
00:25:02 Anton moved to the boarding house
00:25:04 where he owns a bar where he works.
00:25:07 At this time,
00:25:09 he started impersonating Regine Velasquez.
00:25:15 I don't have any problem even if I stay here.
00:25:18 You can see my talents.
00:25:20 Almost everyone lives here, right?
00:25:22 Thank you so much.
00:25:26 I'll do my best in my job.
00:25:29 And you really can't ask me to do it.
00:25:33 I know.
00:25:34 That's why I want you to have your own gimmick.
00:25:39 Because there are many Singalong Masters now.
00:25:43 I want you to have your own character.
00:25:46 A character that will set you apart from the other Singalong Masters.
00:25:50 And I was thinking,
00:25:52 because you're doing your stories with high-class songs,
00:25:56 why don't you just impersonate Regine Velasquez?
00:26:01 Oh, I don't have any problem with that.
00:26:03 She's my idol.
00:26:04 I can reach her songs since I was a kid.
00:26:07 I can do it.
00:26:08 I don't have any problem with that.
00:26:10 I see.
00:26:11 And I'm pretty sure
00:26:13 that there are many Singalong Masters who are just wandering around here.
00:26:17 Sir, thank you so much.
00:26:22 Not long after,
00:26:25 Anton was also followed by his mother
00:26:28 to the boarding house that he continues.
00:26:30 Mommy, I think I should just stay here.
00:26:32 I didn't meet daddy.
00:26:35 And brother Eman is still mad at me.
00:26:38 Why are you thinking like that?
00:26:41 How are you here?
00:26:44 How are you eating?
00:26:45 Are you eating well here?
00:26:47 I'm okay, mommy.
00:26:49 Don't worry about me.
00:26:50 I have food and I can take care of myself.
00:26:54 Why is your brother Eman?
00:26:59 Oh,
00:27:00 you just have to remember this,
00:27:03 no matter what happens,
00:27:05 all of us,
00:27:07 your brother, your daddy,
00:27:10 we love you so much.
00:27:27 Let's thank Anton for being our friend.
00:27:29 Thank you.
00:27:32 You're hot, Si.
00:27:50 I can see that you're getting thinner.
00:27:53 You're so sweet.
00:27:55 Don't be like that.
00:27:56 I might fall in love with you.
00:27:57 Really?
00:28:00 Your boyfriend might get mad at you.
00:28:02 I don't have a boyfriend.
00:28:04 It depends on you if you'll allow it.
00:28:07 Waiter!
00:28:10 Excuse me.
00:28:13 Do you have coffee?
00:28:14 Yes, we do.
00:28:16 Anton's heart fell for Eguy
00:28:21 because he was shown the kindness of a child.
00:28:24 He felt closer to him.
00:28:27 First,
00:28:39 this is Anton, my friend.
00:28:41 I'm glad you guys came here.
00:28:50 You know, you're a great singer.
00:28:53 And you're a very kind girl.
00:28:54 Thank you so much.
00:28:57 You're welcome.
00:28:58 Anton, I'll leave you guys.
00:29:02 Go back to work.
00:29:04 Don't you feel awkward when I'm with you?
00:29:09 Why would I feel awkward?
00:29:12 Of course,
00:29:15 I'm not a girl.
00:29:18 What are you talking about?
00:29:22 I'm not a bad guy, right?
00:29:23 And I'm proud of you.
00:29:25 Really?
00:29:28 Of course.
00:29:29 You're even prettier than other girls.
00:29:32 Really?
00:29:35 Yes.
00:29:36 I'm too pretty?
00:29:37 Not only pretty,
00:29:39 you're very beautiful.
00:29:40 But despite Anton's knowledge,
00:29:43 the happiness he felt with Eguy
00:29:47 was just temporary.
00:29:49 I'm impressed with you, Guy.
00:29:51 It's like all the girls
00:29:53 give their heart to you.
00:29:55 Yes,
00:29:57 and they're the ones who come to you.
00:29:59 What's your secret?
00:30:00 Teach us.
00:30:02 You know,
00:30:04 not everything should be taken seriously.
00:30:06 If you do that,
00:30:08 we'll lose.
00:30:10 Right?
00:30:12 Yes.
00:30:13 I promise you,
00:30:14 if there's a chance,
00:30:15 we'll just play.
00:30:17 We're men,
00:30:19 we'll never lose.
00:30:21 You learned something.
00:30:23 I learned something from you.
00:30:25 You're really a good friend.
00:30:26 When can we have that seminar?
00:30:28 Are you kidding me?
00:30:30 Are you kidding me?
00:30:31 No.
00:30:32 Okay, I'll take you to the seminar.
00:30:34 Let's go.
00:30:36 Let's go.
00:30:37 Anton,
00:30:57 what are you doing here?
00:30:59 Who are you taking here?
00:31:03 You think you can fool me?
00:31:05 Don't be noisy, Anton.
00:31:06 You're disturbing the neighbors.
00:31:08 What do you mean?
00:31:10 What's wrong, Anton?
00:31:12 I told you not to.
00:31:13 Get out of here.
00:31:14 Why?
00:31:15 Who am I?
00:31:16 Why can't you see me?
00:31:17 What? Am I hurting you?
00:31:18 You'll be hurt even more if you don't stop.
00:31:20 Stop it.
00:31:21 Get out of here.
00:31:22 Stop it.
00:31:27 What?
00:31:28 Stop it.
00:31:29 Fine.
00:31:30 Do you want to know?
00:31:32 Yes.
00:31:33 Are you sure?
00:31:34 Yes.
00:31:35 Sorry, Anton.
00:31:58 I didn't want to hurt you.
00:32:02 But you're too stubborn.
00:32:03 Maybe now,
00:32:07 you know who's with Egay in the house.
00:32:09 So, you'll stop your illusion.
00:32:11 And don't you dare to make a scene
00:32:15 because I won't ask for the police's help.
00:32:17 You'll be ashamed.
00:32:19 Come on, Egay.
00:32:22 Come on.
00:32:25 [music]
00:32:46 You look drunk again.
00:32:48 I just disappeared for a moment.
00:32:54 I don't know what you're thinking.
00:32:56 I love Barda so much.
00:33:02 You have a classic line.
00:33:06 It's like an old movie.
00:33:10 I love her so much.
00:33:12 But you...
00:33:18 I've told you many times
00:33:22 that love
00:33:24 will destroy the careers of people like us.
00:33:29 But you don't want to listen.
00:33:33 He fooled me.
00:33:37 He fooled me.
00:33:39 Really?
00:33:42 When your father hit you,
00:33:47 you didn't drink.
00:33:48 You didn't look at yourself.
00:33:51 You just didn't look at yourself in the mirror.
00:33:53 What can I do?
00:33:59 What does a songbird do
00:34:06 when it gets hurt?
00:34:08 Of course,
00:34:11 it returns to its roots.
00:34:14 Come on.
00:34:17 Don't be stubborn.
00:34:19 You're still a kid.
00:34:20 Where are we going?
00:34:22 Where else?
00:34:24 Go home.
00:34:27 Stop being a kid.
00:34:30 I'm not your dad.
00:34:32 For the first time,
00:34:37 Anton experienced the pain of love.
00:34:40 He felt it deeply.
00:34:42 But it's like this is also the way
00:34:45 for him to return to his home.
00:34:48 Although it wasn't easy,
00:34:50 Anton faced his strict father again.
00:34:53 Oh,
00:34:55 if I see that man,
00:34:57 I will kill him.
00:34:59 I'm telling you,
00:35:03 he's not a nobody.
00:35:05 It's a waste of your tears
00:35:07 for a man like him who has no story.
00:35:09 You're still a kid.
00:35:12 There are many good things
00:35:14 that can happen in your life, my child.
00:35:16 Thank you, Mom.
00:35:18 Thank you too,
00:35:23 because you're home
00:35:25 that I'm longing for.
00:35:27 Is there a problem again
00:35:35 that you let your son in?
00:35:36 Why?
00:35:39 He just arrived.
00:35:40 You're sick.
00:35:42 You're so mean.
00:35:45 You're mean
00:35:46 because you're hugging my son.
00:35:47 He's my son.
00:35:50 Okay, Mom.
00:35:55 I'll go to your room first.
00:35:57 Come on, I'll prepare you something to eat.
00:36:08 Come on.
00:36:10 Do you know the implication of that
00:36:12 if you're in a fight?
00:36:14 It's up to Darna.
00:36:15 As long as I'm sure
00:36:17 that I'll stop studying.
00:36:19 And I'll concentrate on
00:36:21 making those single bars.
00:36:23 You know, if you do that,
00:36:26 it's like you declared war
00:36:27 to your father and your mother.
00:36:28 Sister, I've been immune
00:36:31 to my father's pain for a long time.
00:36:32 He's hitting me,
00:36:34 he's punching me.
00:36:35 Even if he cuts me off again,
00:36:37 I'll really
00:36:39 give up.
00:36:40 Brother,
00:36:43 what are you talking about?
00:36:44 Are you really here?
00:36:46 Of course.
00:36:50 I'll sing
00:36:52 and I'll make sure
00:36:54 that I'll do something useful.
00:36:56 I don't know
00:36:58 how or when,
00:36:59 but I'm sure
00:37:02 that I'll be successful
00:37:04 just like my idol, Eugene.
00:37:08 [indistinct chatter]
00:37:10 Hey,
00:37:15 come here.
00:37:16 What does this mean?
00:37:19 What does this mean?
00:37:21 How can you explain
00:37:23 that you haven't been in school for a long time?
00:37:25 That you've been fooling us for a long time?
00:37:27 Do you value
00:37:31 the hardship of your mother?
00:37:32 Do you value that we're going to
00:37:35 get a good education?
00:37:37 And then, you're going to do this?
00:37:40 Get out!
00:37:42 Get out!
00:37:43 I don't have a son.
00:37:44 I don't have a son.
00:37:45 I don't have a gay son!
00:37:46 Don't!
00:37:48 Don't, Noli!
00:37:49 Don't do that, Noli!
00:37:50 Stop it!
00:37:53 Yes,
00:37:56 I'm sure you don't have a gay son.
00:37:58 And if you don't have a gay son,
00:38:01 it means that I don't have a father
00:38:02 who's hurting his son.
00:38:04 I've been holding it in for a long time,
00:38:06 and I've been asking myself
00:38:08 why you're so mad at me.
00:38:10 Why didn't you know
00:38:12 that I wouldn't get hurt?
00:38:14 Now, I know.
00:38:17 Maybe you don't have a real son.
00:38:21 Son, stop it.
00:38:28 Don't let your father's anger
00:38:30 get to you.
00:38:32 Please, stop it.
00:38:33 Please, stop it.
00:38:34 Get out of here.
00:38:35 Don't!
00:38:37 Get out of here.
00:38:38 Noli, don't!
00:38:39 Get out of here!
00:38:40 Get out of here!
00:38:41 Don't, Noli!
00:38:42 Noli, what are you doing?
00:38:43 What are you doing, Noli?
00:38:46 You'll see what happens
00:38:47 if you let your father get hurt!
00:38:48 Get out of here!
00:38:50 Get out of here!
00:38:52 I don't want to see you
00:38:54 if you show your face here!
00:38:55 Get out!
00:38:56 Anton!
00:38:57 Where are you going?
00:38:58 Daddy, please,
00:39:01 I won't do it again.
00:39:02 You really won't do it again?
00:39:03 You're not going anywhere
00:39:05 and you're going to stay with the dog!
00:39:06 Get out!
00:39:18 I don't have a son
00:39:19 who won't obey me!
00:39:20 I'm going to die!
00:39:21 [music]
00:39:23 [music]
00:39:25 [music]
00:39:26 (music)
00:39:28 (music)
00:39:30 (music)
00:39:32 (suspenseful music)
00:39:35 (suspenseful music)
00:39:38 (suspenseful music)
00:39:41 (suspenseful music)
00:39:47 (suspenseful music)
00:39:52 (suspenseful music)
00:39:56 (suspenseful music)
00:40:00 (suspenseful music)
00:40:06 (suspenseful music)
00:40:09 (speaking in foreign language)
00:40:14 (speaking in foreign language)
00:40:18 (speaking in foreign language)
00:40:23 (speaking in foreign language)
00:40:27 (speaking in foreign language)
00:40:31 (speaking in foreign language)
00:40:45 (speaking in foreign language)
00:40:49 (speaking in foreign language)
00:40:53 (speaking in foreign language)
00:40:57 (speaking in foreign language)
00:41:02 (speaking in foreign language)
00:41:07 (speaking in foreign language)
00:41:11 (speaking in foreign language)
00:41:16 (speaking in foreign language)
00:41:42 (speaking in foreign language)
00:41:46 (speaking in foreign language)
00:41:50 (speaking in foreign language)
00:41:54 (speaking in foreign language)
00:41:58 (speaking in foreign language)
00:42:02 (speaking in foreign language)
00:42:06 (speaking in foreign language)
00:42:10 (speaking in foreign language)
00:42:14 (speaking in foreign language)
00:42:19 (speaking in foreign language)
00:42:47 (speaking in foreign language)
00:42:51 (speaking in foreign language)
00:43:16 (speaking in foreign language)
00:43:20 (singing in foreign language)
00:43:29 (audience applauding)
00:43:45 (singing in foreign language)
00:43:49 (singing in foreign language)
00:43:54 (singing in foreign language)
00:43:58 (gentle music)
00:44:16 (speaking in foreign language)
00:44:21 (speaking in foreign language)
00:44:25 (speaking in foreign language)
00:44:30 (speaking in foreign language)
00:44:34 (speaking in foreign language)
00:44:39 (speaking in foreign language)
00:44:43 (speaking in foreign language)
00:44:48 (speaking in foreign language)
00:44:52 (speaking in foreign language)
00:44:56 (gentle music)
00:45:20 (speaking in foreign language)
00:45:25 (gentle music)
00:45:28 (speaking in foreign language)
00:45:33 (speaking in foreign language)
00:45:37 (speaking in foreign language)
00:45:41 (gentle music)
00:45:44 (speaking in foreign language)
00:45:48 (speaking in foreign language)
00:45:52 (gentle music)
00:45:55 (speaking in foreign language)
00:46:00 (speaking in foreign language)
00:46:05 (speaking in foreign language)
00:46:10 (speaking in foreign language)
00:46:14 (gentle music)
00:46:17 (speaking in foreign language)
00:46:22 (speaking in foreign language)
00:46:26 (speaking in foreign language)
00:46:31 (speaking in foreign language)
00:46:36 (gentle music)
00:46:39 (speaking in foreign language)
00:46:43 (gentle music)
00:46:47 (speaking in foreign language)
00:46:51 (gentle music)
00:46:54 (speaking in foreign language)
00:46:58 (gentle music)
00:47:01 (speaking in foreign language)
00:47:05 (speaking in foreign language)
00:47:14 (gentle music)
00:47:30 (speaking in foreign language)
00:47:32 I'm proud of you.
00:47:33 (gentle music)
00:47:37 (audience applauding)
00:47:49 (speaking in foreign language)
00:47:56 (speaking in foreign language)
00:48:00 (audience applauding)
00:48:05 (speaking in foreign language)
00:48:10 (speaking in foreign language)
00:48:14 (audience applauding)
00:48:30 (singing in foreign language)
00:48:38 (audience applauding)
00:48:42 (singing in foreign language)
00:48:51 (singing in foreign language)
00:48:54 (gentle music)
00:48:57 (singing in foreign language)
00:49:02 (singing in foreign language)
00:49:06 (singing in foreign language)
00:49:10 (singing in foreign language)
00:49:15 (singing in foreign language)
00:49:20 (gentle music)
00:49:22 (singing in foreign language)
00:49:25 (singing in foreign language)
00:49:30 (gentle music)
00:49:33 (singing in foreign language)
00:49:37 (singing in foreign language)
00:50:05 (audience applauding)
00:50:08 (singing in foreign language)
00:50:34 (audience applauding)
00:50:38 (singing in foreign language)
00:50:42 (singing in foreign language)
00:50:47 (singing in foreign language)
00:50:52 (gentle music)
00:50:54 (singing in foreign language)
00:50:57 (singing in foreign language)
00:51:02 (gentle music)
00:51:04 (singing in foreign language)
00:51:09 (singing in foreign language)
00:51:37 (audience applauding)
00:51:40 (gentle music)
00:51:45 (gentle music)
00:51:55 (speaking in foreign language)
00:52:02 (gentle music)
00:52:05 (audience applauding)
00:52:12 (speaking in foreign language)
00:52:18 - If you make, you make.
00:52:29 But if you break, you break.
00:52:34 (speaking in foreign language)
00:52:39 (speaking in foreign language)
00:52:44 (speaking in foreign language)
00:52:48 (speaking in foreign language)
00:52:53 (speaking in foreign language)
00:53:21 (speaking in foreign language)
00:53:26 (speaking in foreign language)
00:53:31 (speaking in foreign language)
00:53:35 (speaking in foreign language)
00:53:43 (speaking in foreign language)
00:53:58 (gentle music)
00:54:01 (audience applauding)
00:54:04 (singing in foreign language)
00:54:08 (gentle music)
00:54:11 (singing in foreign language)
00:54:15 (gentle music)
00:54:18 (singing in foreign language)
00:54:22 (singing in foreign language)
00:54:26 (audience applauding)
00:54:51 (singing in foreign language)
00:54:56 (audience applauding)
00:55:00 (singing in foreign language)
00:55:05 (gentle music)
00:55:08 (singing in foreign language)
00:55:12 (singing in foreign language)
00:55:17 (singing in foreign language)
00:55:21 (singing in foreign language)
00:55:25 (singing in foreign language)
00:55:29 (singing in foreign language)
00:55:33 (singing in foreign language)
00:55:38 (singing in foreign language)
00:55:42 (singing in foreign language)
00:55:47 (singing in foreign language)
00:55:51 (gentle music)
00:55:54 (singing in foreign language)
00:56:00 (singing in foreign language)
00:56:05 (singing in foreign language)
00:56:09 (singing in foreign language)
00:56:14 (singing in foreign language)
00:56:19 (singing in foreign language)
00:56:24 (singing in foreign language)
00:56:50 (audience applauding)
00:56:54 (speaking in foreign language)
00:56:59 (speaking in foreign language)
00:57:03 (speaking in foreign language)
00:57:07 (speaking in foreign language)
00:57:11 - What kind of effort did you have to do?
00:57:29 (speaking in foreign language)
00:57:33 (speaking in foreign language)
00:57:37 - Do you ever think about that?
00:57:40 (speaking in foreign language)
00:57:44 (speaking in foreign language)
00:57:59 (speaking in foreign language)
00:58:03 (speaking in foreign language)
00:58:26 (speaking in foreign language)
00:58:30 (speaking in foreign language)
00:58:46 (speaking in foreign language)
00:58:55 (speaking in foreign language)
00:58:59 - I have something for you.
00:59:07 - I can't have this.
00:59:08 (speaking in foreign language)
00:59:12 - Thank you very much.
00:59:14 (speaking in foreign language)
00:59:19 (speaking in foreign language)
00:59:23 (speaking in foreign language)
00:59:28 (speaking in foreign language)
00:59:33 (speaking in foreign language)
00:59:37 (speaking in foreign language)
00:59:42 (speaking in foreign language)
00:59:46 (speaking in foreign language)
01:00:07 (speaking in foreign language)
01:00:11 (speaking in foreign language)
01:00:17 (speaking in foreign language)
01:00:34 (speaking in foreign language)
01:00:36 - Okay, thank you very much.
01:00:38 (speaking in foreign language)
01:00:42 (speaking in foreign language)
01:00:46 (speaking in foreign language)
01:00:51 (speaking in foreign language)
01:00:56 (speaking in foreign language)
01:01:01 (speaking in foreign language)
01:01:27 (singing in foreign language)
01:01:30 (singing in foreign language)
01:01:34 (singing in foreign language)
01:01:38 (singing in foreign language)
01:01:42 (singing in foreign language)
01:01:46 (singing in foreign language)
01:01:51 (singing in foreign language)
01:01:54 (gentle music)
01:01:57 (singing in foreign language)
01:02:03 (singing in foreign language)
01:02:07 (singing in foreign language)
01:02:11 (gentle music)
01:02:13 (upbeat music)