Fallen Angel-SD
Fallen Angel-SD
Category
📺
TVTranscript
00:00:00 [MUSIC PLAYING]
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00:01:18 Hey, you, come on.
00:01:22 I've seen that sleeping act before.
00:01:23 You know your ticket ran out at the last stop.
00:01:25 How much to San Francisco?
00:01:30 $2.25.
00:01:31 [MUSIC PLAYING]
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00:02:26 [BELL RINGING]
00:02:28 Yes, three days.
00:02:29 So it's three days she's gone.
00:02:34 Where do you get off keeping it from the police 72 hours?
00:02:38 I didn't want her to get around, Mr. Johnson, that's all.
00:02:41 People talk.
00:02:43 Stella's a good girl.
00:02:44 Really, she is.
00:02:45 I don't want them to talk.
00:02:47 Well, we'll find what took her.
00:02:49 Why not give it till morning, Johnson?
00:02:52 Stella's short.
00:02:53 OK, till morning.
00:02:56 You ought to know, Mr. Judd.
00:02:57 Good night.
00:02:59 Night, Johnson.
00:03:00 Good night.
00:03:01 Way down this week, Pop.
00:03:03 Nobody plays it with Stella not around.
00:03:06 Yeah, I guess not.
00:03:08 You don't think she might have done something to herself?
00:03:10 Not Stella.
00:03:12 Back in New York, I handled 31 suicide cases, personal.
00:03:16 Everything from poison to jumping
00:03:18 in front of a Flatbush subway.
00:03:21 Stella's not the type.
00:03:24 Here's your receipt.
00:03:25 Thanks, Hopkins.
00:03:26 I'll be singing.
00:03:28 Cup of coffee, please.
00:03:31 It's after 10, we're closed up.
00:03:33 And a hamburger, well done, with onions, mustard, relish.
00:03:36 What else you want on that hamburger?
00:03:37 The whole state of California?
00:03:39 What's the population?
00:03:40 I'll fix you something.
00:03:41 Cigarette?
00:03:54 No, thanks.
00:03:55 Never touch them.
00:03:56 [bell ringing]
00:04:02 I knew you'd be back.
00:04:23 OK.
00:04:26 I'm back.
00:04:27 Well, here you are, young man.
00:04:28 Stella, you--
00:04:36 You're OK.
00:04:38 I'm hungry.
00:04:39 Right away, Stella, right away.
00:04:43 You don't know what it's been like since you went.
00:04:45 You won't go away, Stella, will you, again?
00:04:48 Well, even more.
00:04:50 Drew's waiting for you.
00:04:52 I paid him not to touch a thing.
00:04:53 You wanted it like that, didn't you, Stella?
00:04:56 And you'll come back to your job here,
00:04:59 everything just like it was, as if you'd never been away.
00:05:03 That's just how it'll be.
00:05:06 After a long rest, you sure look run out.
00:05:10 So what?
00:05:13 One look at him, and I knew he wasn't any good.
00:05:15 I knew--
00:05:16 You make me sick.
00:05:19 He's finished his coffee.
00:05:20 Go on.
00:05:22 Well, it was the best hamburger I never ate.
00:05:24 Sorry.
00:05:25 Come back later.
00:05:26 I mean, tomorrow.
00:05:27 I'm closing up.
00:05:28 How much?
00:05:29 It's OK.
00:05:30 It's not OK.
00:05:32 He got his coffee.
00:05:33 Let him pay for it.
00:05:34 $0.05.
00:05:35 $0.05.
00:05:36 [doorbell rings]
00:05:40 [footsteps]
00:05:43 [doorbell rings]
00:05:47 [doorbell rings]
00:05:57 [footsteps]
00:06:01 [footsteps]
00:06:04 [door slams]
00:06:19 Good evening.
00:06:21 Uh-huh.
00:06:22 Professor Madley, please.
00:06:23 Professor Madley?
00:06:24 Oh, he won't be here till tomorrow.
00:06:26 Oh.
00:06:27 Maybe Mr. Ellis could help you.
00:06:30 Ellis?
00:06:31 The professor's assistant.
00:06:32 He registered this morning.
00:06:34 Oh, Ellis.
00:06:35 Oh, yes.
00:06:36 What's his room number?
00:06:37 It's 216.
00:06:42 But he's not in just now.
00:06:44 Of course.
00:06:45 He's getting tuned.
00:06:47 Tuned?
00:06:48 To the other world.
00:06:49 He always does that before the professor comes in.
00:06:51 Is that so?
00:06:52 Oh, sure.
00:06:53 Well, I'll wait for Ellis up in his room.
00:06:55 But that's against the rules.
00:06:56 Don't worry.
00:06:57 It's all right.
00:06:58 [footsteps]
00:07:00 [doorbell rings]
00:07:03 [door opens]
00:07:08 [door closes]
00:07:11 Oh.
00:07:26 Mr. Ellis, I presume.
00:07:28 Yes.
00:07:29 My name is Stanton.
00:07:34 Eric Stanton.
00:07:35 Never heard of you.
00:07:36 Professor Madley's an old friend of mine.
00:07:39 When was that?
00:07:40 Good old days.
00:07:41 How old?
00:07:42 Old enough to be good.
00:07:44 Oh.
00:07:45 Drink?
00:07:46 My favorite brand.
00:07:48 Ought to be.
00:07:49 I got it out of your bureau drawer.
00:07:52 Huh.
00:07:53 Help yourself to everything in here, as long as you're
00:07:56 a friend of the professor's.
00:07:58 From my cradle days.
00:07:59 Then you'll do the professor a favor.
00:08:01 Lend Leeson $30.
00:08:03 $30?
00:08:04 Do him half a favor, $15.
00:08:06 [laughs]
00:08:07 What's so funny?
00:08:08 Tell me.
00:08:09 I'd like to laugh too.
00:08:10 I came up to put the bite on you.
00:08:13 Now let's hear how you laugh.
00:08:15 You can't sleep here.
00:08:16 Oh, wait a minute.
00:08:17 Consult the spirit of my friend the professor.
00:08:19 What's he say?
00:08:20 I know what the manager says.
00:08:22 One more guest, one more dollar.
00:08:24 I haven't got enough to pay my own bill.
00:08:26 Then the extra dollar wouldn't matter.
00:08:28 Don't take your shoes off.
00:08:29 I'm enough to aggravate me.
00:08:32 Don't worry.
00:08:34 I'll get you out of it.
00:08:35 What with?
00:08:36 You're broke.
00:08:37 I've got to have $15 by noon tomorrow,
00:08:40 or lose the whole downstairs in my deposit,
00:08:42 besides being kicked out of here and my luggage held.
00:08:45 What about the professor's spooks?
00:08:46 Don't they generally come through with an advance sale?
00:08:49 Sure, when there's nobody to stop them.
00:08:51 But there's a certain woman in this town
00:08:53 who doesn't believe in spooks.
00:08:54 And what she says goes for the rest of the women.
00:08:57 She's not only the daughter of the former mayor,
00:08:59 who donated a new organ to the church,
00:09:01 but the president of the ladies' auxiliary.
00:09:04 Gain such a combination, not even I could sell one ticket.
00:09:08 Go charm her.
00:09:09 Miss Mills will have no truck with me,
00:09:12 not even on the phone.
00:09:14 Well, let's sleep on it.
00:09:15 I said no.
00:09:16 We're in this thing together.
00:09:18 Naturally, I'll sleep here.
00:09:20 Stands to reason.
00:09:21 What stands to reason?
00:09:23 You're in trouble, man.
00:09:25 I've got to pull you out of it.
00:09:27 You got any toothpaste?
00:09:28 In the bathroom.
00:09:31 Hope you like my brand.
00:09:32 Good morning.
00:09:49 Hey, mistress, please.
00:09:50 Who?
00:09:51 Miss Clara Mills.
00:09:53 I'm Clara Mills, and we're not buying anything either.
00:09:56 Miss Mills, I'm here to speak on behalf of the dead.
00:09:58 Who?
00:09:59 Walton's respected deceased.
00:10:00 They're having a rendezvous tonight at the Walton Hotel
00:10:02 at 8 o'clock.
00:10:03 There's nothing to discuss.
00:10:04 I told you that over the phone.
00:10:05 Now, please don't call again, Mr. Ellis.
00:10:07 Well, I'm not Mr. Ellis, and I'm not a part of the spook act
00:10:10 down at the hotel.
00:10:11 I'm Eric Stanton.
00:10:12 Now, would you listen to me for a minute?
00:10:14 Well, out with it.
00:10:15 I'm busy.
00:10:16 So is Professor Madley.
00:10:17 Appointments with the dead from coast to coast.
00:10:19 Yet this soul of generosity finds time to drop in on Walton
00:10:22 to deliver a message of hope.
00:10:24 For money.
00:10:25 He's a charlatan, a fraud.
00:10:27 Not the Professor Madley.
00:10:28 Pretending to commune with the dead.
00:10:30 Now, look.
00:10:32 He and Ellis are just a couple of struggling artists
00:10:34 trying to make a living like fortune tellers
00:10:36 or a vaudeville team.
00:10:38 I won't let the poor, gullible people of Walton be fooled.
00:10:41 If my father were alive, these fakers
00:10:42 would never have gotten a license.
00:10:44 Your father?
00:10:45 Yes, Abraham Mills was a real mayor.
00:10:46 He wouldn't have stood by and let frauds
00:10:48 take advantage of honest people.
00:10:49 Wait a minute.
00:10:50 What if Mayor Mills would like to make another speech
00:10:52 or tell you something?
00:10:53 Suppose he's defending--
00:10:54 Suppose you leave right now.
00:10:56 Suppose I do.
00:10:57 Don't forget, the curtain goes up tonight at 8 o'clock.
00:11:04 Birds of a feather.
00:11:14 They won't hatch anything here.
00:11:17 Trading on people's sacred feelings.
00:11:19 Everything that's dear held up to ridicule
00:11:24 by frauds in a trance, wrapping on a table.
00:11:29 We won't have any of the cheap vulgar tricks
00:11:31 of spiritualism here.
00:11:32 You think I'm wrong?
00:11:37 I think he's right.
00:11:39 But how can he be?
00:11:41 June, don't be taken in by his glib manner.
00:11:43 He meant it.
00:11:44 Just two people trying to make a living.
00:11:46 Why can't they make an honest living?
00:11:48 Are we to judge?
00:11:51 Well, it's too late now.
00:11:53 There's nothing we can do about it.
00:11:54 Yes, there is.
00:11:56 Well, we can buy two tickets if we go.
00:11:59 Everybody else will.
00:12:00 Shall I call the hotel?
00:12:03 I'll think about it.
00:12:06 We thank thee, oh Lord, for our daily bread
00:12:08 and for our many blessings.
00:12:10 Amen.
00:12:12 [birds chirping]
00:12:14 [music playing]
00:12:22 Donut?
00:12:27 No, thanks.
00:12:28 Like to make a few extra dollars?
00:12:34 How?
00:12:35 Push these tickets with your customers.
00:12:37 Give you 20% of all your sales.
00:12:39 Sure.
00:12:40 What are they for?
00:12:41 That spook meeting tonight, featuring the one
00:12:43 and only Professor Madley.
00:12:45 No.
00:12:46 Why not?
00:12:47 If the ladies in the auxiliary don't want him,
00:12:48 I don't want him.
00:12:49 Well, don't worry about the women.
00:12:51 They wouldn't miss hearing Abraham Mills.
00:12:52 Mills?
00:12:53 The professor's bringing him back with a message.
00:12:56 I don't believe in it.
00:12:57 What's the difference?
00:12:58 You can still make yourself some money.
00:13:00 No, I don't want to get mixed up in anything.
00:13:02 [doorbell rings]
00:13:04 Pop, coffee, please.
00:13:06 Right away.
00:13:09 Here he is, Professor, your old friend, Eric Stanton.
00:13:12 Old friend?
00:13:13 Don't recall.
00:13:14 Oh, Buffalo's.
00:13:15 Connected him.
00:13:16 Sorry, I still can't remember.
00:13:18 He's seized.
00:13:19 Relax, Professor.
00:13:20 We've never met before.
00:13:22 Last night in my room, you said.
00:13:24 And you never met?
00:13:25 Glad to meet you now, Professor.
00:13:27 Delighted, Mr. Stanton.
00:13:28 Well, all the signs point to a prosperous association.
00:13:31 Dollar signs.
00:13:32 I've sold a batch of tickets already.
00:13:34 Couple of beers, please.
00:13:36 OK.
00:13:37 Coming up.
00:13:39 I heard from my assistant here that you really work wonders.
00:13:41 Congratulations on your success, my boy.
00:13:43 We'll have sellout after sellout.
00:13:45 Oh, OK.
00:13:47 You know, I never believed that you could talk Miss Mills
00:13:50 into buying tickets.
00:13:51 I just had a call from her sister to reserve a couple.
00:13:53 They're coming over to get a message from their old man.
00:13:56 Right, Professor?
00:13:57 Ah, yes.
00:13:58 I had a visitation from him on US Route 101.
00:14:01 He definitely arrives tonight.
00:14:02 What do you say, Pop?
00:14:03 Now do you believe it?
00:14:05 He definitely arrives tonight, sir.
00:14:07 He better arrive tonight.
00:14:10 He's your main attraction.
00:14:12 Dig up the vital facts, Ellis.
00:14:14 Who is Mills, and what does he want to come back for?
00:14:16 OK.
00:14:17 See you later.
00:14:18 Wait a minute.
00:14:19 Leave me one of these.
00:14:20 Oh, Pop.
00:14:21 Let me hang this up in here, and I'll
00:14:23 give you a couple of tickets to the best show in town.
00:14:25 [phone ringing]
00:14:26 All right.
00:14:27 Go ahead.
00:14:28 There you are.
00:14:29 Eric, my boy, you've got a great calling.
00:14:31 Spook promotion.
00:14:32 You like the back of the head?
00:14:34 You like to back that up with a fin?
00:14:36 Gladly.
00:14:37 Hope to see you in my room later.
00:14:39 I have a fine collection of friendly spirits there.
00:14:42 Scotch ancestry.
00:14:43 [doorbell ringing]
00:14:49 There you are, Stella.
00:15:00 Thank you.
00:15:02 Have you any idea what the deceased Mr. Mills is going
00:15:05 to say at the séance tonight?
00:15:07 Why?
00:15:09 They've brought a great deal of them around here.
00:15:12 You want to be careful.
00:15:14 Thanks.
00:15:16 [music playing]
00:15:19 [music playing]
00:15:43 [music playing]
00:15:46 A beer, please.
00:16:09 [music playing]
00:16:12 That the only record in that box?
00:16:19 I like it.
00:16:21 He knows what you like.
00:16:24 That's for his wife to worry about.
00:16:28 What does he do?
00:16:30 He's from New York.
00:16:32 Oh, yeah.
00:16:34 He came out here to stay to get his health back.
00:16:38 How'd he lose it?
00:16:40 Working too hard, I guess.
00:16:43 He used to be a big man back there on the police force.
00:16:48 You like to come to the show?
00:16:52 You asking me?
00:16:53 Here.
00:17:00 Never mind.
00:17:05 What's the matter?
00:17:06 I don't go places alone.
00:17:09 OK.
00:17:10 Here.
00:17:14 Is that four beers?
00:17:16 Three beers and a cup of coffee.
00:17:18 [music playing]
00:17:21 [music playing]
00:17:24 You have just heard the spirits of citizens of Walton
00:17:46 who have gone on before us.
00:17:48 You have returned tonight through me.
00:17:50 Returned to tell you how happy they
00:17:51 are in their eternal reward.
00:17:53 Now, my good friends of Walton, we
00:17:56 have come to our last and most difficult experiment
00:17:58 for which I must have your undivided attention
00:18:01 and your sincere concentration.
00:18:04 I feel a strange vibration coming over me,
00:18:07 the vibration of a spirit who has remained troubled,
00:18:10 who has found no peace or contentment since he departed,
00:18:15 Abraham Mills.
00:18:18 I can feel his troubled spirit trying
00:18:21 to get through from beyond.
00:18:24 Yes, Abraham Mills.
00:18:25 I can hear you.
00:18:29 Would you mind moving over?
00:18:30 Yes, Abraham Mills.
00:18:32 Like it?
00:18:36 Yes, very much.
00:18:38 You're troubled because your daughter, Clara,
00:18:41 has lost practically everything you left her--
00:18:45 the bonds, the orange groves.
00:18:48 You can't understand how she could have trusted that man.
00:18:52 That man--
00:18:54 John Martin.
00:18:55 John Martin.
00:18:56 John Martin, who came here after you passed down and talked
00:19:01 her into selling everything.
00:19:03 Why didn't she ask the police for help
00:19:07 when he ran away with the money?
00:19:08 Come, Clara.
00:19:09 You'll find peace only when you know that Clara will guard
00:19:13 the last of the inheritance for herself
00:19:15 and her younger sister, $25,000 in stocks.
00:19:19 I'm sorry.
00:19:20 I shouldn't have made you come.
00:19:22 [applause]
00:19:24 Gee, that was awful mysterious, how he knew everything.
00:19:40 Say, can I ask you a favor?
00:19:42 Sure, what?
00:19:43 Well, you know the professor, don't you?
00:19:45 Sure I do.
00:19:46 I'd love to have my fortune told.
00:19:47 Do you think he'd do it if you ask him?
00:19:49 I can tell it better myself.
00:19:51 Where are we going?
00:19:52 The horoscopes up there.
00:19:55 I'd like a drink.
00:19:57 OK, you're on.
00:19:58 Where do we go?
00:19:59 I know the place.
00:20:01 [music playing]
00:20:04 I like the way you talk.
00:20:20 I like the way you dance.
00:20:23 [applause]
00:20:27 Yes, sir, two burgers.
00:20:29 Who ordered them?
00:20:30 Do you want them?
00:20:32 OK.
00:20:35 Thanks.
00:20:37 You said you'd tell my fortune.
00:20:39 Well, you don't belong in a one-arm joint.
00:20:44 No?
00:20:45 And if you're like you, you get style, beautiful style.
00:20:48 You inherited that.
00:20:50 Your father was a leading citizen, rich.
00:20:53 He trusted people too much.
00:20:56 And?
00:20:57 Your mother, her line seems to have run out.
00:21:00 Don't scare me.
00:21:01 She runs a boarding house in San Diego.
00:21:03 And my old man came from a long line of drunks.
00:21:05 Anyway, there's a man in your life.
00:21:10 You just met him.
00:21:12 Tomorrow he's going to San Francisco.
00:21:14 And you're going to lie awake at night, unable to forget.
00:21:18 Hm.
00:21:19 What can I do about it?
00:21:23 [theme music]
00:21:26 [theme music]
00:21:29 [theme music]
00:21:32 [theme music]
00:21:35 [theme music]
00:21:38 [theme music]
00:21:41 [theme music]
00:21:44 [theme music]
00:21:47 [theme music]
00:21:50 [theme music]
00:21:53 [theme music]
00:21:56 [theme music]
00:21:59 [theme music]
00:22:02 [theme music]
00:22:05 [water rushing]
00:22:23 [water rushing]
00:22:26 [water rushing]
00:22:42 Listen to that.
00:22:45 The sound of far off places.
00:22:50 You like the sound of the ocean?
00:22:51 I like the way you talk.
00:22:56 No.
00:23:10 That's OK for kids, but not for me.
00:23:13 Not anymore.
00:23:16 Where are you from?
00:23:18 What has that got to do with it?
00:23:20 OK, don't tell me.
00:23:23 I'm from New York.
00:23:25 Now you know.
00:23:27 Um, what do you do when you don't tell fortunes?
00:23:30 I help make them for others.
00:23:33 I passed actresses, directors, producers
00:23:35 through a publicity mill I ran.
00:23:37 They came out famous.
00:23:38 Their names in all the papers.
00:23:40 You know people like that?
00:23:42 I know all people in all places.
00:23:45 Like 21, the Stork Club.
00:23:47 That's where you belong, Smothered in Mink.
00:23:49 I can see you there.
00:23:51 And do you see me with a ring on my finger?
00:23:53 Somebody to give me a home?
00:23:55 Sure.
00:23:56 Sure.
00:23:57 Now look.
00:23:59 Last night I made up my mind.
00:24:02 That's the way I want it.
00:24:04 He didn't see it that way, so I walked home.
00:24:07 At night.
00:24:08 Miles before I got a ride.
00:24:11 I was plenty tired when I got in, too.
00:24:14 You saw me.
00:24:15 But when I make up my mind--
00:24:17 Forget about last night.
00:24:18 You talk different, sure.
00:24:25 But you drive just like the rest.
00:24:28 Well, you got the wrong girl.
00:24:32 Yeah?
00:24:34 No.
00:24:35 No.
00:24:37 Tomorrow you're going.
00:24:39 Where does that leave me?
00:24:40 You'll go with me.
00:24:42 What on?
00:24:43 You got into town with $1 in your pocket.
00:24:45 You're a fake.
00:24:47 Well, you little jip.
00:24:49 Stealing a buck out of the cash register and calling--
00:24:53 Go on.
00:24:54 Go on back to your one-armed joint
00:24:55 and wait for somebody to come and marry you.
00:24:57 [doorbell ringing]
00:25:06 [doorbell ringing]
00:25:08 Coming, Eric?
00:25:24 Yeah, I'm coming.
00:25:26 Professor's waiting.
00:25:27 Never felt so good getting out of town.
00:25:30 Even with the bills all paid.
00:25:32 Don't smile.
00:25:33 Your face looks better without it.
00:25:36 See you downstairs.
00:25:38 OK.
00:25:40 Ah, top of the morning for boy hopping.
00:25:43 Good morning.
00:25:44 Get in.
00:25:45 I'm not going.
00:25:46 Not going?
00:25:47 What's wrong?
00:25:48 Nothing.
00:25:49 You go ahead.
00:25:50 I'll meet you.
00:25:51 Eric, we need you for the advanced publicity.
00:25:52 San Francisco's a tough town on spooks.
00:25:54 Come on.
00:25:55 Hit 'em like the earthquake.
00:25:56 When I feel like it.
00:25:57 I made it clear to you when I took this job,
00:25:59 you can't tie me down.
00:26:00 Camp's my style.
00:26:02 I always work best when a certain feeling comes over me.
00:26:04 And right now, I haven't got it.
00:26:05 A genius.
00:26:06 Eric, my boy, you're an artist.
00:26:08 You have my sympathy.
00:26:09 And a bus ticket on the firm.
00:26:10 Never mind that.
00:26:11 Well, you'll always find your favorite brand
00:26:13 in my bureau drawer.
00:26:14 [thud]
00:26:16 [thud]
00:26:18 [music playing]
00:26:22 [thud]
00:26:23 [thud]
00:26:24 [music playing]
00:26:27 [thud]
00:26:28 [music playing]
00:26:31 [thud]
00:26:32 [music playing]
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00:27:05 [music playing]
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00:27:09 [music playing]
00:27:12 [thud]
00:27:13 [music playing]
00:27:16 It's about time you showed up.
00:27:18 [bell ringing]
00:27:21 [bell ringing]
00:27:31 My bus leaves in 15 minutes.
00:27:36 Got a nickel?
00:27:37 [music playing]
00:27:40 [music playing]
00:27:43 [music playing]
00:27:46 [music playing]
00:27:49 [music playing]
00:27:52 I just came back to say I'm sorry about last night.
00:27:57 Save it.
00:27:58 [music playing]
00:28:01 [music playing]
00:28:04 [thud]
00:28:05 [music playing]
00:28:08 Nothing else you want to say?
00:28:10 No.
00:28:11 [music playing]
00:28:15 Don't give me that act.
00:28:16 What act?
00:28:18 You know what I mean.
00:28:19 [bell ringing]
00:28:21 [thud]
00:28:22 [music playing]
00:28:24 Hello?
00:28:26 So long, for good.
00:28:28 [music playing]
00:28:30 [bell ringing]
00:28:31 [thud]
00:28:32 What bit him?
00:28:34 Trying to make his bus, I guess.
00:28:36 [thud]
00:28:37 [music playing]
00:28:40 [music playing]
00:28:43 [music playing]
00:28:46 [music playing]
00:28:49 [thud]
00:28:50 [music playing]
00:28:53 Well, in or out.
00:28:55 Skip it.
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00:28:59 [music playing]
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00:32:40 [music playing]
00:32:43 Very good performance, Miss Mills.
00:32:45 Please, go on.
00:32:46 Beethoven never sounded so good before.
00:32:49 I wasn't playing Beethoven.
00:32:50 No?
00:32:51 Oh, I'm sure it was Brahms.
00:32:53 The old boys do sound alike, don't they?
00:32:55 I mean in spots.
00:32:56 What spots?
00:32:57 You know, the way they began, the way they end.
00:32:59 Sometimes in the middle, like the piece you were just playing.
00:33:01 Brahms--
00:33:02 It wasn't anything.
00:33:03 I was just improvising.
00:33:04 Well, if Brahms didn't write that, you weren't in one better.
00:33:07 That was beautiful.
00:33:08 It was classical.
00:33:09 It was inspiring.
00:33:11 You know, you belong in Carnegie Hall.
00:33:14 Now look, you can't stay angry at me forever,
00:33:17 not two full days.
00:33:18 Wait a minute.
00:33:19 What about living up to the place we're in
00:33:22 and the music you play here?
00:33:24 So when a guy comes around and says he's sorry,
00:33:26 the least you can do is forgive him.
00:33:29 All right.
00:33:30 I forgive you.
00:33:31 Friends?
00:33:33 I hardly know you.
00:33:34 Well, don't worry about that.
00:33:36 We'll fix it right away.
00:33:37 You know, it's a good thing word didn't come through
00:33:39 from New York this morning.
00:33:40 Gives me a chance to stay over another day,
00:33:42 square things with you and your sister.
00:33:46 Tell me, what is there to do in a town like this
00:33:48 to make time pass till tomorrow?
00:33:50 That's up to you, isn't it?
00:33:52 What do you do?
00:33:53 Oh, there's plenty to occupy your time here.
00:33:56 The movies, dancing, the beach isn't far.
00:34:00 They'll tell you at the hotel.
00:34:02 You still think I tried to hurt your sister?
00:34:04 I didn't mean to, really.
00:34:06 I only meant to help the professor.
00:34:08 But that's happened to me before.
00:34:10 I try to help somebody, somebody else gets hurt.
00:34:12 That's the way it's been all my life.
00:34:14 Of course.
00:34:16 You live by impulse.
00:34:17 And you never bother to think if you're following
00:34:19 the right impulse or the wrong one.
00:34:21 I see you don't stop at music, you read too.
00:34:24 Don't you?
00:34:25 Me, I haven't opened a book since I left school.
00:34:27 They're phony.
00:34:29 So are some people.
00:34:30 At least they're alive.
00:34:32 So are books.
00:34:33 Yeah, you come to a part you don't like,
00:34:35 you can turn the page, but try it on people.
00:34:37 Or try it on life.
00:34:39 I'll tell you something about yourself, Miss Mills.
00:34:42 You're scared to live.
00:34:43 That's why you bury yourself in books and music.
00:34:46 I think you ought to respect my ways as I respect yours.
00:34:49 Only I live and you don't.
00:34:51 All the things you look down on are the things that make up life.
00:34:54 What things?
00:34:55 Little things, like a game of bowling or a swim at night or...
00:34:59 [bell ringing]
00:35:02 Or a dance, a kiss, stuff that bubbles.
00:35:07 But you never had a drink.
00:35:09 That doesn't mean anything.
00:35:10 Not by itself it doesn't.
00:35:12 But you add up all the little things.
00:35:14 That's what makes up life.
00:35:16 Maybe you're the one that's scared, not I.
00:35:19 How come?
00:35:20 Well, you don't know what you want.
00:35:22 That's why you're scared.
00:35:23 That's why you keep running after every little thing.
00:35:26 You know, that's quite a mind you have there, Miss Mills.
00:35:29 You mean for a girl in a small town?
00:35:32 Must be the books, huh?
00:35:34 Must be.
00:35:36 You know, if you didn't know me so well, I might ask you something.
00:35:38 You'd probably say no, though.
00:35:40 Probably.
00:35:41 So there's really no use in asking, is there?
00:35:43 Well, why don't you ask me anyway?
00:35:46 Will you have dinner with me tonight?
00:35:48 Well, I don't think I can.
00:35:51 You see?
00:35:52 You're afraid to step out of your tower.
00:35:55 No, no, no.
00:35:56 That isn't it.
00:35:57 You're a sister?
00:35:58 Of course not.
00:35:59 Then what are you afraid of?
00:36:01 I'm not afraid.
00:36:02 Why should I be?
00:36:03 Yeah, why should you be?
00:36:04 I'll pick you up at 7.
00:36:06 At 7?
00:36:07 [car driving away]
00:36:22 Don't you ever see anything through to the end?
00:36:25 When it's worth it.
00:36:26 Well, now we've had a dinner that you didn't like
00:36:29 and saw a movie you didn't like.
00:36:30 What's next?
00:36:31 Dancing.
00:36:33 All right.
00:36:34 Let's not miss any of the little things
00:36:36 that make up your happy life.
00:36:40 Well, here's to your first scotch.
00:36:49 How do you like it?
00:36:51 Tastes like soap.
00:36:55 If this is what all your little things add up to,
00:36:57 I-- I don't think it's very much.
00:36:59 Did you learn how to play Beethoven in one night?
00:37:01 No.
00:37:02 Then don't expect to learn how to play at this in one night.
00:37:04 But I don't think you enjoy it either.
00:37:06 Because you don't.
00:37:07 But I want to.
00:37:08 That's why I came.
00:37:11 Frankly, why did you ask me?
00:37:13 No special reason.
00:37:14 You happen to interest me.
00:37:17 In what way?
00:37:18 I can't define it.
00:37:20 Maybe it's your charm.
00:37:22 Maybe it's your talent.
00:37:23 Ever think of a career?
00:37:26 Maybe.
00:37:27 And?
00:37:28 No.
00:37:29 No, I know my limitations.
00:37:31 One shouldn't set a limit on what one can do.
00:37:34 Mr. Stanton, that sounds as if it came out of a book.
00:37:38 And not a very good one.
00:37:40 There goes that mind again.
00:37:42 Shall we turn the page and dance?
00:37:44 Oh, it-- it's been an awfully long time.
00:37:46 I'll lead you.
00:37:56 You're doing fine.
00:37:58 Thank you.
00:38:12 Hey, ditch him and I'll meet you afterward.
00:38:16 I don't cheat on a date.
00:38:18 [music playing]
00:38:37 There's still one more little thing.
00:38:40 But don't worry, I'm not going to kiss you goodnight
00:38:42 and make you unhappy.
00:38:44 Unhappy?
00:38:46 Don't you take too much for granted?
00:38:48 No.
00:38:49 One kiss goes a long way with you.
00:38:51 You need a guy who'll take it the same way,
00:38:53 who'll give you a marriage with all the trimmings,
00:38:55 home and kids, who'll walk to church with you every Sunday,
00:38:58 listen to your play, save all your good nights for him.
00:39:02 What makes you think I wanted you to kiss me?
00:39:04 Didn't you?
00:39:15 [doorbell ringing]
00:39:25 Short of help this morning, huh?
00:39:27 Kinda.
00:39:28 She always come in this late?
00:39:30 Sometimes.
00:39:31 Why, you wouldn't know.
00:39:34 I just thought maybe she'd skipped out on you again.
00:39:37 No, she won't do it.
00:39:38 She promised me she won't.
00:39:40 [doorbell ringing]
00:39:41 Stella.
00:39:42 Morning, Stella.
00:39:45 Good morning.
00:39:50 Sure could use some coffee.
00:39:54 I got something special for you.
00:40:04 I waited for you last night until after three.
00:40:08 That's nice.
00:40:10 Where were you?
00:40:13 Around.
00:40:15 With that guy?
00:40:16 Oh, leave me alone, will you?
00:40:17 It's too early.
00:40:18 Here you are.
00:40:20 Thanks.
00:40:21 Where'd you get the watch?
00:40:23 Like it?
00:40:26 Get me some hash.
00:40:28 Good and brown.
00:40:30 I said some hash.
00:40:35 You get this last night?
00:40:39 Wait till we're married and then ask me.
00:40:42 Till then, I don't have to tell you a thing.
00:40:44 We're as good as married.
00:40:46 Hmm, hmm.
00:40:49 You're dropping out of circulation.
00:40:51 From now on, when you go out, it'll only be with me.
00:40:55 You got a steady date.
00:40:57 With Miss Mills.
00:40:58 I'm only doing that for you.
00:41:01 Lot of good I'm getting out of it.
00:41:02 You will in a couple of days.
00:41:04 Okay, a couple of days, but that don't mean forever.
00:41:07 [phone ringing]
00:41:11 Morning, Mr. Judd.
00:41:17 Good morning, Stella.
00:41:30 Hello?
00:41:33 With my compliments.
00:41:35 Thank you.
00:41:36 Thank you.
00:41:37 I'm leaving tomorrow and I wanted to say goodbye.
00:41:40 Goodbye, Mr. Stanton.
00:41:43 We were just going to pick up a few things.
00:41:45 Can we take you anywhere?
00:41:47 Anywhere you say.
00:41:51 Can three of us get in there?
00:41:52 I think so.
00:41:53 You go ahead.
00:41:54 Thank you.
00:41:58 [car engine]
00:42:05 Nice town.
00:42:06 Hate to leave it.
00:42:08 Expect to go far?
00:42:10 Maybe.
00:42:11 Maybe I'll be back.
00:42:14 And maybe I won't.
00:42:16 It depends.
00:42:18 On what?
00:42:20 On what there is to come back to.
00:42:23 I'll be just a minute.
00:42:27 What would you come back for, Mr. Stanton?
00:42:29 June.
00:42:31 I gathered as much.
00:42:32 Let's be frank, shall we?
00:42:33 My cards are on the table, Miss Mills.
00:42:36 I want you to leave June alone.
00:42:38 We don't know who you are or where you come from.
00:42:40 What do you do?
00:42:42 Nothing.
00:42:44 That's frank at least.
00:42:45 And I'm sure you'll be interested to know I have no bank account either.
00:42:48 I thought so.
00:42:50 Your hand is showing, Miss Mills.
00:42:52 You've got a trump card, money.
00:42:54 And because I haven't--
00:42:55 That isn't true.
00:42:57 It has nothing to do with money.
00:42:59 June has quite enough for herself, even without my share.
00:43:01 Your share?
00:43:03 Yes, she'll get that too.
00:43:04 I want her to be happy.
00:43:05 That's all I care about.
00:43:07 It's all hers, whatever I have.
00:43:10 In San Francisco, Mr. Stanton, where no one can touch it.
00:43:15 Not until she meets the right man.
00:43:18 Well, maybe I'm not the right man after all.
00:43:21 And you won't see her again?
00:43:24 Suppose we leave that up to the one concerned.
00:43:26 There you are.
00:43:44 Thank you.
00:43:45 Wonderful.
00:43:51 Just wonderful.
00:43:53 If I've accomplished nothing else, at least I made you like one of the little things I like.
00:43:58 I have my little secrets too.
00:44:01 Bet you think all I do is read big heavy books, don't you?
00:44:05 Well, I don't.
00:44:07 For years I've been saving ads out of magazines.
00:44:10 Sometimes I--
00:44:12 I feel like I'm the girl in the ads.
00:44:15 Softly alluring, full of grace.
00:44:18 Gown by Schiaparelli.
00:44:20 If I had money, I'd dress you like the ads.
00:44:22 Take you to New York, at least to San Francisco.
00:44:25 You'd have that Schiaparelli gown.
00:44:28 It isn't that important.
00:44:30 It would be when I took you to the nightclubs, the theater, the concerts.
00:44:34 Did you ever hear the San Francisco Symphony Orchestra?
00:44:37 On the radio.
00:44:38 Oh, what do you hear on the radio?
00:44:40 A lot of noise.
00:44:41 But when you see them up on the stage, all dressed up with their fiddles and their horns,
00:44:46 people right up to the roof, 10,000 of them waiting for the music to begin.
00:44:49 That's a concert.
00:44:50 Particularly when Toscanini conducts, like he's going to tomorrow afternoon.
00:44:54 Toscanini?
00:44:55 Yeah.
00:44:57 And you know what?
00:44:58 After the concert, I'll get him to listen to you play.
00:45:01 See who's right about your talent, you or me.
00:45:03 You know Arturo Toscanini?
00:45:04 I'll make it my business to meet him.
00:45:05 For you, we can leave for San Francisco in the morning, make it in plenty of time.
00:45:09 All right?
00:45:11 Yeah.
00:45:13 Your sister?
00:45:14 Yes.
00:45:17 Does she ever do everything she says?
00:45:19 No, but I--
00:45:21 Well, I guess after tonight, it's goodbye.
00:45:24 I guess it is.
00:45:27 Anyway, there are a few things to remember.
00:45:33 It could have been wonderful.
00:45:39 If I were another guy, the right guy, it could have gone on like this, night after night.
00:45:45 Just the two of us.
00:45:47 The fire, hot dogs, wine, martinis.
00:45:52 Wonderful martinis.
00:45:54 It could have been a dream.
00:45:57 A beautiful dream.
00:45:59 You and I together.
00:46:00 New York and San Francisco.
00:46:03 Getting you all those things in the ads.
00:46:07 Going everywhere together.
00:46:08 To the concerts, to hear the famous people play.
00:46:12 Becoming famous yourself.
00:46:14 Great career.
00:46:16 Miss June Mills, the finest talent of them all.
00:46:20 Woman of the year.
00:46:21 [music playing]
00:46:24 [music playing]
00:46:27 [music playing]
00:46:30 [music playing]
00:46:33 [music playing]
00:46:36 [music playing]
00:46:39 [music playing]
00:46:42 [music playing]
00:46:45 [music playing]
00:46:49 [music playing]
00:46:52 [music playing]
00:47:16 [knocking]
00:47:19 [knocking]
00:47:20 Who is it?
00:47:21 Eric, I've got to see you right away.
00:47:23 I can wait till tomorrow.
00:47:25 It's important.
00:47:26 OK, I'm listening.
00:47:28 I can't talk to you like this.
00:47:30 I can hear you.
00:47:32 Come on, open up that door.
00:47:33 What are you afraid of?
00:47:34 Oh, pipe down, will you?
00:47:37 Quiet.
00:47:38 Do you want to wake everybody up?
00:47:39 What do you want?
00:47:41 I came to tell you I can't go through with it like I planned.
00:47:44 It'll take too long.
00:47:46 I knew it.
00:47:47 You didn't stand a chance.
00:47:49 That isn't it.
00:47:50 Look, you know how I feel about you.
00:47:52 You've got to believe in me, have confidence in me.
00:47:55 I want you, Stella.
00:47:57 I'm nuts about you.
00:47:58 That wasn't the deal.
00:47:59 Oh, what of it?
00:48:01 I'll get you that home and everything you wanted with it.
00:48:03 I can do it.
00:48:04 I've got ideas that work, pay off big.
00:48:07 Come on, let's get out of here, tonight.
00:48:09 I'm taking no chances.
00:48:11 I'm listening, Stella.
00:48:12 I stick to a deal.
00:48:14 Satisfied there's nobody here?
00:48:20 Now beat it.
00:48:24 [phone ringing]
00:48:37 [phone ringing]
00:48:40 [knocking]
00:48:44 Yeah?
00:48:45 Eric?
00:48:46 Yeah.
00:48:47 So glad.
00:48:48 I was afraid you might have already left.
00:48:50 Who is this?
00:48:51 June.
00:48:53 Eric, I'm going with you.
00:48:56 To San Francisco?
00:48:58 To the concert on the 9 o'clock train.
00:49:00 We'll pick you up on the way to the station.
00:49:02 Wait.
00:49:03 Yes, Clara's going along, too.
00:49:05 She had to go to San Francisco anyway
00:49:07 to take care of some business, so she thought she might as
00:49:09 well do it a week ahead of time.
00:49:11 Have her along.
00:49:12 Thank you, Eric.
00:49:13 We'll be right over.
00:49:34 [car door slams]
00:49:36 Want to wait here?
00:49:37 No, I'll go in with you.
00:49:38 Do you mind?
00:49:39 Not at all.
00:49:40 Mills, number 17.
00:49:52 Yes, Miss Mills.
00:49:53 Clara and June Mills, joint ownership.
00:49:56 Either one of you will be able to get in.
00:49:58 I'll be in the back.
00:49:59 I'll be in the front.
00:50:00 I'll be in the back.
00:50:01 I'll be in the front.
00:50:02 We'll take care of the front.
00:50:04 I'll take care of the back.
00:50:05 We'll take care of the front.
00:50:06 I'll take care of the front.
00:50:07 I'll take care of the back.
00:50:08 I'll take care of the front.
00:50:09 I'll take care of the back.
00:50:10 I'll take care of the front.
00:50:11 I'll take care of the front.
00:50:12 I'll take care of the front.
00:50:13 I'll take care of the front.
00:50:14 I'll take care of the front.
00:50:15 I'll take care of the front.
00:50:16 I'll take care of the front.
00:50:17 I'll take care of the front.
00:50:18 I'll take care of the front.
00:50:19 I'll take care of the front.
00:50:20 I'll take care of the front.
00:50:21 I'll take care of the front.
00:50:22 I'll take care of the front.
00:50:23 I'll take care of the front.
00:50:24 I'll take care of the front.
00:50:26 Have you a telephone directory?
00:50:28 Yes, right around the corner.
00:50:30 This way?
00:50:31 Yes.
00:50:32 Thanks.
00:50:34 I'll take care of the front.
00:50:35 I'll take care of the back.
00:50:36 I'll take care of the front.
00:50:37 I'll take care of the back.
00:50:38 I'll take care of the front.
00:50:39 I'll take care of the front.
00:50:40 I'll take care of the front.
00:50:41 I'll take care of the front.
00:50:42 I'll take care of the front.
00:50:43 I'll take care of the front.
00:50:44 I'll take care of the front.
00:50:45 I'll take care of the front.
00:50:46 I'll take care of the front.
00:50:47 I'll take care of the front.
00:50:48 I'll take care of the front.
00:50:49 I'll take care of the front.
00:50:50 I'll take care of the front.
00:50:51 I'll take care of the front.
00:50:52 I'll take care of the front.
00:50:53 I'll take care of the front.
00:50:54 I'll take care of the front.
00:50:55 I'll take care of the front.
00:50:56 I'll take care of the front.
00:50:57 I'll take care of the front.
00:50:58 I'll take care of the front.
00:50:59 I'll take care of the front.
00:51:00 I'll take care of the front.
00:51:01 I'll take care of the front.
00:51:02 I'll take care of the front.
00:51:03 I'll take care of the front.
00:51:04 I'll take care of the front.
00:51:05 I'll take care of the front.
00:51:06 I'll take care of the front.
00:51:07 I'll take care of the front.
00:51:08 I'll take care of the front.
00:51:09 I'll take care of the front.
00:51:10 I'll take care of the front.
00:51:11 I'll take care of the front.
00:51:12 I'll take care of the front.
00:51:13 I'll take care of the front.
00:51:14 I'll take care of the front.
00:51:15 I'll take care of the front.
00:51:16 I'll take care of the front.
00:51:17 I'll take care of the front.
00:51:19 That was great.
00:51:20 Black and found a man.
00:51:21 Who?
00:51:22 Somebody very important.
00:51:23 Might have a great effect on your career.
00:51:24 Who is he?
00:51:25 Wait till you meet him.
00:51:26 I told him we'd be over right away.
00:51:28 Go ahead.
00:51:31 I want to make a call from here.
00:51:32 I'll meet you after the concert.
00:51:34 No, we wouldn't think of it.
00:51:35 Eric asked you to go with us.
00:51:36 Thanks, but--
00:51:37 Sure you're going.
00:51:38 Meet us at 230 Sharp in front of the auditorium.
00:51:41 230.
00:51:43 Good luck.
00:51:44 Thanks.
00:51:45 We'll need it.
00:51:46 [car engine]
00:51:49 There is no concert.
00:52:10 I suppose you know that.
00:52:11 He knew it all along.
00:52:13 Getting us all the way up here to San Francisco,
00:52:14 pretending--
00:52:15 He had to.
00:52:16 Why?
00:52:17 Can you think of any better way of getting June out of Walton?
00:52:19 As long as she was there, we didn't have a chance.
00:52:21 What chance?
00:52:22 Get married.
00:52:23 Married?
00:52:24 Sure.
00:52:25 Here's the evidence.
00:52:27 Certificate of marriage.
00:52:30 June.
00:52:33 You don't know what you've done.
00:52:35 I do.
00:52:37 I'll have the whole thing annulled.
00:52:39 No, you won't, Clara.
00:52:40 I know what I want.
00:52:41 This isn't as sudden as you think.
00:52:44 Well, what's the verdict?
00:52:48 I hope you'll be very happy.
00:52:50 Thank you, Clara.
00:52:51 I suppose the next thing to say is, shall we be friends?
00:52:55 We could be, if you'd make June happy.
00:52:59 Sure, I will, right from the start.
00:53:02 What are your plans?
00:53:04 Well, I'd like to go home first and get a few things together.
00:53:08 Then we'll go someplace for a little while.
00:53:10 All right, Eric?
00:53:11 Okay, back to Welton.
00:53:13 But first, I'd like to try another bank.
00:53:15 I want to put this in a safe deposit box.
00:53:17 Don't want to take any chances carrying it around.
00:53:19 I'm a few valuables too, you know.
00:53:21 Why don't you put it in our box?
00:53:22 It wouldn't pass me.
00:53:23 It's in your name.
00:53:24 I'll put it away for you.
00:53:25 I always thought of it that way, didn't I, June?
00:53:35 Yes, dear.
00:53:36 I said to myself, when June gets married,
00:53:38 this will be her home.
00:53:41 I'll give it to her and her husband to do with as they please.
00:53:44 If I'm to stay on, it'll be as a guest.
00:53:48 A guest in June's home.
00:53:51 Assuming, of course, that I'm wanted.
00:53:54 Of course we want you with us.
00:53:56 Absolutely.
00:53:57 Here, have some more.
00:53:58 No.
00:54:00 It's time for a guest to say goodnight.
00:54:03 Goodnight.
00:54:04 Goodnight.
00:54:05 Goodnight, Clara.
00:54:11 [music playing]
00:54:14 [music playing]
00:54:17 [music playing]
00:54:20 [music playing]
00:54:24 [music playing]
00:54:51 I'll be up in a minute.
00:54:52 [music playing]
00:54:55 [music playing]
00:54:58 [music playing]
00:55:01 [music playing]
00:55:04 [music playing]
00:55:07 [music playing]
00:55:10 [music playing]
00:55:13 [music playing]
00:55:16 [music playing]
00:55:19 [music playing]
00:55:23 [music playing]
00:55:26 [music playing]
00:55:29 [music playing]
00:55:33 [music playing]
00:55:36 [music playing]
00:56:05 [music playing]
00:56:08 [music playing]
00:56:11 [music playing]
00:56:14 [bell ringing]
00:56:17 [music playing]
00:56:18 Won't you even have a drink with me?
00:56:21 I got a date.
00:56:24 Can I walk you home?
00:56:25 You said I got a date.
00:56:28 Goodnight, Stella.
00:56:30 Don't forget to lock the door.
00:56:33 [door slams]
00:56:36 [music playing]
00:56:39 [door opens]
00:56:40 Stella?
00:56:41 Yeah?
00:56:42 You're going to San Francisco tomorrow.
00:56:45 Am I?
00:56:47 Tomorrow, I'll have that money.
00:56:49 All of it.
00:56:50 You meet me up there, and then we'll--
00:56:51 How do I know you'll have it?
00:56:53 Because I'm going to San Francisco with her to get it.
00:56:56 Well, I won't.
00:56:58 And she won't either.
00:56:59 Oh, yes, she will.
00:57:01 It's her honeymoon.
00:57:04 Her what?
00:57:06 Yeah.
00:57:07 I married her this afternoon.
00:57:10 It was the only way.
00:57:12 Congratulations.
00:57:16 Now, listen.
00:57:17 We're really not married.
00:57:19 I mean, we'll be divorced in no time.
00:57:21 I haven't even kissed her.
00:57:22 As a matter of fact, I can have it a null.
00:57:24 Goodnight.
00:57:25 [bell ringing]
00:57:26 Now, wait a minute.
00:57:28 What do you want?
00:57:29 She's your wife, not me.
00:57:31 I don't run around with married men.
00:57:33 I did it for you.
00:57:34 I got you what you wanted.
00:57:36 Now, you'll keep your part of the deal.
00:57:38 Oh, sure, but she's got the ring on her finger.
00:57:40 She's not so dumb.
00:57:43 Well, I'm not a dope either.
00:57:44 [car engine starts]
00:57:45 [engine revs]
00:57:47 [engine stops]
00:57:48 [engine revs]
00:57:49 Good morning.
00:58:13 Good morning.
00:58:14 Sugar?
00:58:24 Cream?
00:58:25 No.
00:58:26 Go ahead.
00:58:34 Say it.
00:58:35 I have nothing to say, Eric.
00:58:38 I'm waiting for you.
00:58:41 Well, I'm sorry.
00:58:44 Maybe I shouldn't have stayed out that late.
00:58:47 All of a sudden, there I was, a married man.
00:58:50 I had to go out for a drink.
00:58:53 By the time I got back in, you were asleep.
00:58:55 Why did you go to see that girl in the diner?
00:58:57 What girl?
00:58:59 Clara saw you.
00:59:02 You mean she went out after me?
00:59:03 Yes, she told me this morning.
00:59:05 Well, that's fine.
00:59:07 Clara told you.
00:59:08 What you gonna do?
00:59:09 Follow me around everywhere I go?
00:59:11 Check up on me?
00:59:12 That sister of yours has been running your life up to now,
00:59:14 and she better stay out of mine.
00:59:15 You tell her.
00:59:16 I was angry with her too at first.
00:59:18 But she means well.
00:59:20 Yeah?
00:59:21 Now, why didn't she tell you?
00:59:23 So you could have a good time worrying?
00:59:26 I didn't worry.
00:59:29 Until that-- that man came to see you.
00:59:33 What man?
00:59:35 He's with the police.
00:59:38 Wants to ask you something.
00:59:40 Ask me what?
00:59:43 About that girl.
00:59:45 She was found murdered.
00:59:49 Stella?
00:59:51 Yes.
00:59:52 Yes, that was her name.
00:59:57 Eric, what did she mean to you?
01:00:04 Does Mr. Judd know?
01:00:07 Judd?
01:00:09 He's downstairs waiting.
01:00:25 Mr. Judd, congratulations, Mr. Stanton.
01:00:27 I just heard you were married.
01:00:28 And my very best wishes to you, Mrs. Stanton.
01:00:30 Thank you.
01:00:31 Well, our church organist certainly surprised us all.
01:00:34 Married in San Francisco and not in the church.
01:00:37 It certainly saves time, doesn't it?
01:00:39 Gives one the chance to get back the same night
01:00:41 and have a nice little family dinner.
01:00:43 And after that, where'd you go?
01:00:44 We retired.
01:00:46 Everybody?
01:00:47 I locked the door myself.
01:00:49 Mm-hmm.
01:00:52 Well, I guess I'll check up on a few things.
01:00:54 Mind if I go with you?
01:00:55 Not a bit.
01:00:56 Thank you.
01:01:08 How did it happen?
01:01:09 Who did it?
01:01:10 I don't know yet.
01:01:11 The chief of police called me this morning
01:01:13 and asked me to give them a little help.
01:01:15 He appointed me special investigator.
01:01:17 You know, it's strange.
01:01:19 What is?
01:01:20 That a man doesn't spend his wedding night at home.
01:01:23 Did Clara tell you?
01:01:24 No, she didn't say anything.
01:01:26 I saw you around myself.
01:01:37 Out of the way, folks.
01:01:38 One side, please.
01:01:42 Hiya, Mr. Judd.
01:01:48 One side, please.
01:01:50 One side.
01:01:51 Out of the way.
01:02:01 Come on, Mr. Judd.
01:02:02 Hello, Pop.
01:02:31 You can sit down now.
01:02:32 Thanks for coming, Mr. Judd.
01:02:33 Chief.
01:02:34 The coroner was here.
01:02:35 He'll send in his report as soon as possible.
01:02:37 In the meantime, however, here's what he said.
01:02:41 She was killed by a blow on the left temple.
01:02:46 Weapon undetermined.
01:02:49 Probably a lead pipe.
01:02:51 Tentacles were found.
01:02:53 She was shot in the head.
01:02:56 Weapon undetermined.
01:02:58 Probably a lead pipe.
01:03:01 Time of death between 3 and 4 a.m.
01:03:06 Find the weapon?
01:03:07 It's not in here.
01:03:11 Who's she?
01:03:13 She lived downstairs, Mr. Judd.
01:03:15 Says someone ran out of here late last night.
01:03:20 She found the gold watch under the step this morning.
01:03:23 Guess he must have dropped it.
01:03:36 What did he look like?
01:03:38 I don't know, mister.
01:03:39 It was so dark I couldn't see him.
01:03:41 Just as I went to close the window, I saw him running down the street.
01:03:45 How do you know it was a man you saw?
01:03:47 I didn't say it was a man.
01:03:49 That it was a woman?
01:03:50 No.
01:03:51 It can't be a man.
01:03:52 I guess it was.
01:03:53 A man always took her home.
01:03:55 Who?
01:03:56 I don't know.
01:03:58 I saw him come up.
01:04:05 And once I saw him.
01:04:09 Which one did you see last night?
01:04:11 Oh, I can't say if it was them, honest.
01:04:15 Can I go now, mister?
01:04:17 I should be down in the store.
01:04:19 Please.
01:04:20 I don't like to stay in here.
01:04:22 You can go.
01:04:31 So can you, Pop.
01:04:33 I don't need you right now.
01:04:36 Let me stay, mister Judd.
01:04:38 It's her room.
01:04:39 It was her room, Pop.
01:04:41 She was a good girl, wasn't she, mister Judd?
01:04:44 She never meant bad.
01:04:46 Everybody liked her.
01:04:48 Yes.
01:04:49 Everybody.
01:04:54 Your name?
01:04:55 Atkins.
01:04:56 I gave my statement to the chief.
01:04:58 What do you do?
01:04:59 Well, you know me.
01:05:00 I operate jukeboxes around here.
01:05:01 And slot machines.
01:05:03 Only in Nevada, where it's legal.
01:05:05 Now, look.
01:05:06 I already said what I had to to the chief.
01:05:08 I'm not answering any more questions.
01:05:10 What makes you think I'm going to question you, mister Atkins?
01:05:14 I know how cops work.
01:05:15 How do they work, mister Atkins?
01:05:17 Well, you're supposed to show me.
01:05:21 Perhaps we'd better go in there, if you don't mind.
01:05:24 No, I don't mind.
01:05:29 Here's his statement, mister Judd.
01:05:31 Check his alibi.
01:05:33 There's a phone in the store downstairs.
01:05:35 Right away.
01:05:46 Sit down.
01:05:51 Now, let's get down to facts, mister Atkins.
01:06:04 You've got my alibi right there.
01:06:05 You don't believe me?
01:06:07 Why don't you wait until the chief gets back?
01:06:09 But I'm not interested in your alibi.
01:06:11 I'd like to know when you gave her this watch.
01:06:13 When?
01:06:14 When?
01:06:16 Why don't you ask me if I gave it to her?
01:06:18 I know you did.
01:06:19 You don't.
01:06:21 I told you I know how cops work.
01:06:27 I don't believe you know how I work, mister Atkins.
01:06:34 Those kid gloves?
01:06:35 Certainly.
01:06:37 I don't like to mess up any case I'm on.
01:06:43 You gave her the watch, didn't you?
01:06:44 No.
01:06:45 You did.
01:06:46 No.
01:06:47 You gave it her.
01:06:49 You gave her the watch, didn't you?
01:06:50 No.
01:06:51 You did.
01:06:52 You gave it her.
01:06:54 No.
01:06:59 You gave it her.
01:07:00 You gave it her.
01:07:10 All right.
01:07:17 Let's pick it up.
01:07:18 What about you and Stella?
01:07:20 Well, I've known her for a long time.
01:07:23 I used to board at her mother's home down in San Diego.
01:07:30 I didn't have any money then, so I couldn't marry her.
01:07:36 Skip the romance.
01:07:37 Last night you picked her up at 10.15.
01:07:40 You were with her until 2.
01:07:42 What happened in between?
01:07:43 We had dinner.
01:07:46 Drove down to the beach.
01:07:48 Well, you got there, didn't you?
01:07:51 Yeah, yeah.
01:07:52 That's when she said she'd marry me.
01:07:55 And you brought her home.
01:07:56 You came up to kiss the bride.
01:07:58 No, no, I didn't come up.
01:07:59 I left right away.
01:08:02 You see, when Stella was murdered,
01:08:05 I was in a motor court just outside of Glen Olden.
01:08:08 That's 100 miles away.
01:08:10 How do you know what time Stella was murdered?
01:08:12 The coroner's report.
01:08:15 It says around 4.
01:08:18 Well, you know I couldn't have murdered her.
01:08:20 Sit down.
01:08:22 You did give her the watch, didn't you?
01:08:29 No.
01:08:30 Tell him I went home.
01:08:31 Come on, Mr. Atkins.
01:08:33 Just for the record, so we can clear that up.
01:08:36 Doesn't make you any more guilty if you did give it to her.
01:08:39 You quarreled, you took it back,
01:08:42 and you lost it on the way down.
01:08:44 No, I never gave her any jewelry.
01:08:46 Come on, Mr. Atkins, admit it.
01:08:48 No.
01:08:50 I bet you were generous just once.
01:08:51 No.
01:08:52 Admit it.
01:08:53 No.
01:08:54 Mr. Stanton.
01:09:02 Look, you don't try that on me.
01:09:04 I wouldn't think of it.
01:09:06 I just happen not to like his face.
01:09:09 Mr. Jarrett, he's out of I.S.O.P.
01:09:12 The lead old motor court in Glen Olden
01:09:14 said he checked in at 2.30.
01:09:17 All right, Mr. Atkins, you may go now.
01:09:21 I knew his alibi, little devil.
01:09:23 You got the watch?
01:09:25 I didn't say you could go, Mr. Stanton.
01:09:32 Sit down.
01:09:36 I'm on to the rules.
01:09:37 You can't ask me anything or hold me without charges.
01:09:40 You seem to be an expert on loopholes.
01:09:42 Perhaps you could tell us who might have murdered the girl.
01:09:45 I don't know. Could have been anybody. Atkins, maybe.
01:09:47 No, it isn't Atkins.
01:09:48 Pop, he was stuck on her.
01:09:50 Perhaps.
01:09:51 Or was it a woman? Clara Mills.
01:09:53 Or the woman downstairs.
01:09:54 Or you, Mr. Stanton.
01:09:55 Or you, Mr. Judd.
01:09:56 A splendid deduction.
01:09:58 Possibilities are many.
01:09:59 And all quite interesting, don't you think?
01:10:01 In a cold-blooded sort of way, sure.
01:10:03 You still aren't helping us get anywhere.
01:10:05 It's your case.
01:10:06 But you're involved in it.
01:10:07 More than you realize.
01:10:09 Now, look.
01:10:10 I'm looking.
01:10:11 The facts.
01:10:12 They're all against you.
01:10:14 You came into town with no obvious reasons.
01:10:17 Of course, you were going elsewhere.
01:10:20 Meet a young lady, spend some time with her,
01:10:23 then you come up here.
01:10:25 The woman downstairs saw you.
01:10:27 Then you meet another young lady and marry her.
01:10:30 On your wedding night, you walked the streets
01:10:32 looking for young lady number one.
01:10:34 How do we know you didn't wait for her until...
01:10:37 I didn't.
01:10:39 You're an expert, Mr. Stanton.
01:10:42 You know the exact value of a man's word against facts.
01:10:45 Are you accusing me?
01:10:47 Not yet.
01:10:48 Perhaps after we find the weapon.
01:10:50 However, I wouldn't plan on any out-of-town honeymoon just yet.
01:10:55 We might need you any moment.
01:10:58 Good day.
01:10:59 What are you packing for?
01:11:09 If you're not going away, I'm going.
01:11:11 You're not going away now, are you?
01:11:13 Yes, I am.
01:11:14 June, I won't let you go with him.
01:11:16 Not after that girl was murdered.
01:11:18 I'm going, Clara.
01:11:19 How can you?
01:11:20 Why throw yourself away on someone who's not worth it?
01:11:23 He isn't worth it.
01:11:25 Oh, June, it's no use.
01:11:26 There's no happiness in it.
01:11:27 I know.
01:11:28 I've been through all this.
01:11:29 It's not the same thing, Clara.
01:11:30 Please try to understand.
01:11:32 I do understand.
01:11:34 Once I believed in someone, too.
01:11:37 No matter what people said, I believed in him.
01:11:40 You don't know what he meant to me.
01:11:42 What all of his lies and broken promises and dishonesty did to me.
01:11:46 I can't let you ruin your life, too.
01:11:49 June, a man who went out after another woman the night of your marriage.
01:11:52 Maybe you're right, Clara, but I can't let it end now.
01:11:55 I must give us every chance.
01:11:56 I hardly know him yet.
01:11:58 We've said so little to each other, we're practically strangers.
01:12:01 Together, maybe he'll change.
01:12:03 He won't change.
01:12:04 Maybe not.
01:12:06 But at least I'll have tried.
01:12:07 Done everything I could.
01:12:10 Goodbye, Clara.
01:12:12 Eric, there's a train leaving in a half hour and I thought...
01:12:27 Forget about the honeymoon.
01:12:29 I'm beating it alone.
01:12:30 I'll make better time.
01:12:31 You're running away.
01:12:33 What do you want me to do?
01:12:34 Stick around here?
01:12:35 Get framed?
01:12:37 My face punched in.
01:12:39 You bet I'm running away.
01:12:40 Won't it look bad if they watch you?
01:12:43 That's for Mr. Judd to figure out.
01:12:44 If he wants to pin it on me, he'll have to find me first.
01:12:47 Where will you go?
01:12:50 What do you want to know for?
01:12:52 Because I want to go with you.
01:12:54 You'll need me to get the money, San Francisco.
01:12:57 Who asked you for money?
01:12:59 You'll need it.
01:13:01 You mean you're giving me the money?
01:13:04 No.
01:13:05 I'm not giving it to you. It belongs to both of us.
01:13:08 All right.
01:13:09 When this thing blows over, I'll pay it back to you every cent.
01:13:12 Very well. I'll get the car.
01:13:13 No.
01:13:14 And we can't take the train or the bus either.
01:13:17 Judd will have them all watched.
01:13:19 We've got to get on the highway without being seen.
01:13:21 We'll hitchhike to San Francisco.
01:13:22 And no luggage.
01:13:24 It's got to look as if we were just out taking a walk.
01:13:26 Come on.
01:13:28 (Door opens)
01:13:30 (Train whistle)
01:13:34 Good evening.
01:13:55 In and out, out and in.
01:13:57 Sorry.
01:13:58 One right after the other.
01:14:00 Can't even wait till the room is ready.
01:14:03 I never saw such a rush.
01:14:05 Everybody getting married.
01:14:07 What a dump.
01:14:14 It isn't so bad.
01:14:16 Tired?
01:14:23 Maybe I am.
01:14:24 Waiting for something to happen.
01:14:27 Nothing's going to happen.
01:14:30 (Paper rustles)
01:14:33 (Paper rustles)
01:14:36 (Paper rustles)
01:14:38 (Door slams)
01:14:49 (Door slams)
01:15:04 (Train whistle)
01:15:06 Shut it off, will you?
01:15:17 I just thought you might like a drink.
01:15:23 I sure would.
01:15:24 But not that.
01:15:26 Well, there's a bar downstairs and we still have a little money left.
01:15:29 What do you want me to do?
01:15:30 Walk right into his arms?
01:15:32 He probably isn't after you at all.
01:15:34 Not much.
01:15:36 Must have sent a description of me to all the papers.
01:15:40 Maybe we missed an edition.
01:15:45 Couldn't be in the papers yet. It's too early.
01:15:48 There's no reason to be afraid.
01:15:50 Sure. Murder raps nothing.
01:15:52 Let's just up and go home so he can pin it on me.
01:15:54 I didn't say we ought to go home.
01:15:56 No, you didn't say it, but you meant it.
01:15:58 Room's not good enough.
01:16:00 Why don't you go on, tell me? I got you into this.
01:16:02 You're sorry you ever came.
01:16:04 But I'm not sorry. I wanted to.
01:16:06 What for? So you could drive me nuts with that quiet way of yours?
01:16:09 Eric...
01:16:10 Why'd I ever bring you anyway?
01:16:12 I don't need your dough.
01:16:13 Wouldn't have to wait around here, hang around this dump.
01:16:15 If I'd been alone, I could have kept right on going.
01:16:18 Maybe I will.
01:16:21 (Door opens)
01:16:23 (Door closes)
01:16:25 (Footsteps)
01:16:27 Devil's Scotch, thanks.
01:16:43 Better make it a single.
01:16:45 I'll settle for a beer.
01:16:47 Better make up your mind, mister.
01:16:49 It is made up, a beer.
01:16:51 (Footsteps)
01:16:53 (Glass clinks)
01:16:57 (Door opens)
01:17:00 (Footsteps)
01:17:02 (Door closes)
01:17:06 (Footsteps)
01:17:11 (Door closes)
01:17:20 (Footsteps)
01:17:22 Eric?
01:17:33 Yes.
01:17:35 Could you give me a towel, please? They're on the bed.
01:17:39 Here.
01:17:44 Thank you.
01:17:47 (Door closes)
01:17:49 (Door opens)
01:17:54 Eric, could you get me my coat? It's in the closet.
01:17:58 (Door opens)
01:18:03 Here.
01:18:09 (Door closes)
01:18:13 (Footsteps)
01:18:15 (Door closes)
01:18:20 (Door opens)
01:18:24 I, uh...
01:18:31 Thought I'd bring you one of these.
01:18:33 Thank you.
01:18:36 And this.
01:18:39 Help you pass the time.
01:18:42 Very sweet of you.
01:18:44 I thought it would say it better than I could.
01:18:47 And I'm sorry. Just nervous, I guess.
01:18:50 I understand.
01:18:52 Well, all I mean is, there's nothing in it for you chasing around like this.
01:18:55 You ought to go home. No.
01:18:57 Why do you waste your money on a guy like me?
01:18:59 I'm not wasting my money.
01:19:01 It's yours as well. I don't care what you do with it.
01:19:03 Burn it up, tear it up, do anything you want with it!
01:19:06 Take it easy.
01:19:11 I only meant it for your sake.
01:19:13 If you had any consideration at all, you wouldn't even mention the money.
01:19:16 Okay. But any time you want to, you can always pull out. Remember that.
01:19:20 Bill fixed you up with a divorce just for the asking.
01:19:22 Just tell him how I lied to you.
01:19:24 That I only married you for your money, I'm wanted for murder, and...
01:19:26 You didn't murder that girl. Maybe I did. You didn't even ask me.
01:19:29 I didn't have to. I knew you didn't. What do you know about...
01:19:31 All I know is that I love you. I love you, Eric. I love you.
01:19:35 (Crying)
01:19:38 (Crying)
01:19:40 I could go on for the rest of the night telling you about my batting average.
01:20:02 How many times I've struck out.
01:20:04 Even when I hit a home run, it wasn't any different.
01:20:07 Like the time in New York, just before I came west.
01:20:10 I'd started a publicity office.
01:20:13 Like always, it was great in the beginning.
01:20:15 Guy comes along, wants to buy the business, offered me 8,000 bucks on the line.
01:20:20 I took it.
01:20:22 We had a big celebration that night.
01:20:24 In a couple of hours, I'd lost half of it back.
01:20:27 To him and his friends.
01:20:29 I knew the dice were loaded.
01:20:31 But I couldn't prove it.
01:20:33 Anyway, I came west. Chicago for a while.
01:20:36 Then Omaha, Las Vegas.
01:20:40 That's where I dropped the other half of the dough.
01:20:43 When I was kicked off of that bus at Walton, I only had one dollar left.
01:20:48 And then...
01:20:52 Ah, but why go on?
01:20:54 I want to know everything about you.
01:20:58 It all adds up to only one thing.
01:21:02 A washout.
01:21:04 That's what you're looking at. A complete washout at 30.
01:21:07 Yeah, I'm finished, okay?
01:21:11 You're not finished, Eric.
01:21:13 Sure I am. I'm tired.
01:21:15 Like I was a million years old.
01:21:18 With a million jobs behind me.
01:21:20 And girls.
01:21:22 Chances I never followed up.
01:21:25 Eric...
01:21:27 Did you care very much for Stella?
01:21:32 I don't know.
01:21:34 I guess I did.
01:21:36 I even promised her I'd marry her.
01:21:40 I can't figure it out now.
01:21:43 Would have lasted a couple of weeks.
01:21:46 Maybe less.
01:21:48 Anyway, that's all gone.
01:21:53 Just as if I'd died with her.
01:21:57 Yeah, that's over.
01:22:01 Yeah, that's over too.
01:22:03 Up in smoke. Like everything in my life.
01:22:06 My school, the publicity game.
01:22:08 Easy come, easy go.
01:22:10 I got everything by talking fast in a world that goes for talk.
01:22:15 And end up with exactly nothing.
01:22:17 Perhaps we can find what you want when this is all cleared up.
01:22:26 If it's cleared up.
01:22:28 Eric...
01:22:30 Wouldn't it look better not to run away?
01:22:33 To go back to Walden?
01:22:34 Sure, go back to the chair.
01:22:36 Or is it the gas chamber in California?
01:22:38 You're innocent. There's nothing to worry about.
01:22:41 Maybe that's the way it works in your books.
01:22:45 But even when I was a kid, I was always being beaten up for something I didn't do.
01:22:49 That's when I learned to run away, before it was too late.
01:22:52 You're tired.
01:22:55 Come, lie down.
01:22:58 Come.
01:23:00 Tomorrow, we'll go wherever you want to go.
01:23:07 Joan...
01:23:11 Why don't you just go on home?
01:23:13 We're married, remember?
01:23:16 Besides, I...
01:23:19 I want to be with you.
01:23:21 Why?
01:23:23 I need you, Eric.
01:23:26 You need me?
01:23:28 Yes.
01:23:30 You're my husband.
01:23:32 And I'm your wife.
01:23:34 Right out of a book.
01:23:36 Again.
01:23:38 Yes.
01:23:40 Out of a book.
01:23:42 We were born to tread the earth as angels.
01:23:46 To seek out heaven this side of the sky.
01:23:51 But they who race alone shall stumble in the dark and fall from grace.
01:23:56 Go on.
01:23:59 Sounds good.
01:24:01 Then love alone can make the fallen angel rise.
01:24:06 For only two together can enter paradise.
01:24:11 [The End]
01:24:14 [The End]
01:24:17 [The End]
01:24:20 [The End]
01:24:24 [The End]
01:24:27 [The End]
01:24:30 [The End]
01:24:33 [The End]
01:24:36 [The End]
01:24:39 [The End]
01:24:42 [The End]
01:24:45 [The End]
01:24:48 [The End]
01:24:51 [The End]
01:24:54 [The End]
01:24:57 [The End]
01:25:00 [The End]
01:25:03 [The End]
01:25:07 [The End]
01:25:10 [The End]
01:25:13 [The End]
01:25:41 Four and a half minute eggs.
01:25:43 I certainly married a man with a peculiar taste.
01:25:46 You can still get out of it.
01:25:48 Promise me you'll never say that again.
01:25:51 Okay. I promise.
01:25:53 It's ten o'clock.
01:25:56 - The bank just opened. - Let's go.
01:25:58 [Indistinct shouting]
01:26:04 [Indistinct shouting]
01:26:08 [Indistinct shouting]
01:26:11 [Indistinct shouting]
01:26:14 You wait here. I'll be right back.
01:26:16 - Shine, sir? - Paper's here.
01:26:19 [Indistinct shouting]
01:26:22 [Indistinct shouting]
01:26:25 Morning paper's here.
01:26:28 Paper!
01:26:30 - Mrs. Catton? - Yes?
01:26:32 Will you come with us, please?
01:26:36 [Horn Honking]
01:27:04 Here.
01:27:06 But I ain't finished yet.
01:27:08 Now, let's be sensible. We've been here for hours.
01:27:12 Tell us where he is.
01:27:20 We're bound to find him soon.
01:27:22 Mrs. Stanton, you're not helping him or yourself.
01:27:32 Getting mixed up in this murder is an accessory after the fact.
01:27:35 If he doesn't want to come back, he must have a reason.
01:27:38 What reason could an innocent man have, assuming he's innocent?
01:27:43 He is. He could never have done it.
01:27:45 How can you say that?
01:27:47 You know very little about him.
01:27:50 He came into town a total stranger, and within a week he married you.
01:27:54 All to his credit, of course.
01:27:56 But why this trust in him?
01:28:00 A man who went out to see another woman the night of your marriage.
01:28:04 That's between the two of us.
01:28:07 Ask Miss Clara Mills to come in.
01:28:13 Miss Mills, please.
01:28:18 - June? - Sit down, Miss Mills.
01:28:27 Come in.
01:28:29 In your sworn statement, you identified this envelope,
01:28:38 which was found in your safe deposit box, as the one Mr. Stanton gave you.
01:28:42 Would you please repeat that for your sister?
01:28:45 Yes.
01:28:47 This is the envelope he gave me after they were married in San Francisco.
01:28:50 Why did he want you to put it away?
01:28:53 Mm-hmm.
01:28:56 Would you care to see your husband's valuable property, Mrs. Stanton?
01:29:00 A blank piece of paper.
01:29:07 Now, why would a man want to put a blank piece of paper in your safe deposit box?
01:29:12 I'll tell you.
01:29:15 It gives him the excuse to open the box, to steal your money.
01:29:18 No, he wouldn't. Whatever he did, he...
01:29:21 - He did because he was confused. - He knew what he was doing.
01:29:24 He wanted that money so he could run away with that girl.
01:29:27 - But he didn't run away with her. - No. He made the mistake of coming back a married man.
01:29:31 And she didn't want to have anything to do with married men.
01:29:34 They had an argument and he killed her.
01:29:36 - You're only assuming that. You have no proof. - All right.
01:29:39 But why shield a man who lied to you, who wanted to steal from you,
01:29:43 when you have positive proof that he married you for your money?
01:29:46 He didn't lie to me.
01:29:48 And he isn't guilty. I know he isn't.
01:29:50 He only ran away because he had to.
01:29:53 He's always had to run away, all his life, even as a child,
01:29:56 when he was beaten for things he didn't do.
01:29:59 But he won't come back because of you.
01:30:01 Because you won't give him a chance. You only think the worst of him.
01:30:05 Trying to make him guilty of murder when he didn't do it.
01:30:08 I tell you he didn't do it! He didn't do it!
01:30:11 Take her home now.
01:30:19 You're responsible she doesn't leave the house.
01:30:22 Not the same, Mr. Judd. I think I'll sell the place.
01:30:41 Yes.
01:30:43 Hello, Pop. Some coffee, please.
01:31:10 I knew you'd be back.
01:31:12 Yeah.
01:31:14 Well, drink your coffee and we'll go down to the chief of police.
01:31:17 Thanks.
01:31:19 Enjoy San Francisco?
01:31:24 Sure.
01:31:27 How come you didn't go after me?
01:31:29 I didn't have to.
01:31:31 And how come there wasn't a word about Stella's murder in the papers?
01:31:35 Why are you holding it back?
01:31:37 Professional reasons.
01:31:39 Was it for professional reasons you beat up Atkins?
01:31:42 When all the time you knew he was innocent?
01:31:45 You don't seem to appreciate my methods, Mr. Stanton.
01:31:49 Frankly, no.
01:31:51 That's what brought me back.
01:31:53 You know, I got worrying about you in San Francisco.
01:31:57 About me?
01:31:59 Yes, Mr. Judd.
01:32:01 You know, you ought to stay home nights with your bad health.
01:32:05 Not walk the streets.
01:32:07 Like the night you said you saw me looking for Stella.
01:32:10 More coffee, Pop.
01:32:12 You know, you weren't strong enough to keep on working on the New York force.
01:32:16 Why are you working so hard on this case?
01:32:19 Maybe you'd better slow down.
01:32:21 Don't you worry about me. I'm okay.
01:32:24 I said I wanted more coffee, Pop. Get it?
01:32:28 I don't worry about you, Mr. Judd. Not anymore.
01:32:31 Not since I called a friend of mine in the DA's office in New York.
01:32:36 He assured me you were in perfect health when you left there.
01:32:40 They only retired you from the force because you ruined another man's health.
01:32:45 Almost killed him in a routine investigation.
01:32:48 They would have sent you up if you hadn't had such a good record.
01:32:52 That was before you started to enjoy your work too much.
01:32:55 Wearing gloves, you know. And what's more, I checked up on...
01:32:58 That's enough.
01:33:00 Save it for the chief.
01:33:02 Yeah, Pop.
01:33:05 Now, you remember that watch?
01:33:07 The one with the three diamonds that belonged to Stella.
01:33:10 - Ever found out who bought it for her? - Perhaps.
01:33:14 You know, you made your fatal mistake, Judd,
01:33:16 when you had June arrested up in San Francisco.
01:33:19 Well, you scared me at first, all right.
01:33:21 But then I stopped, and I began to think.
01:33:25 And I kept right on thinking about that watch.
01:33:28 And I started a little routine investigation of my own.
01:33:31 The result is the Walton police will get a wire from San Francisco.
01:33:35 They'll know who bought that watch by tomorrow morning.
01:33:38 That is, unless you'll admit it tonight.
01:33:41 Shall we go?
01:33:43 Oh, I came in a police car. They're waiting outside.
01:33:45 I thought it would be more convenient.
01:33:47 Sit down.
01:33:51 - You don't mind if I finish my coffee? - You're insane, Judd.
01:33:57 The police are waiting right outside.
01:33:59 Perhaps I am insane.
01:34:01 Perhaps this might have been the perfect crime if I hadn't dropped the watch.
01:34:10 Oh, I doubt it.
01:34:12 - Always some slip. - Yeah, there always is.
01:34:15 You understand.
01:34:19 You know what she was like.
01:34:22 You couldn't get away from her, either.
01:34:26 Two years I came in here and drank coffee just to get a look at her.
01:34:31 Day after day for two years.
01:34:35 Insane, perhaps.
01:34:38 Those evenings when she went out with other men...
01:34:41 while I was waiting for her in the shadow of the porch.
01:34:44 Remember three nights ago when you brought her home and kissed her?
01:34:50 I was standing there...
01:34:55 insane, perhaps.
01:34:57 The night before last, when she was out with Atkins.
01:35:01 After he left, I went up.
01:35:05 When she told me she wouldn't wait any longer for my wife to give me a divorce...
01:35:09 that she was going to marry that slut machine operator the next morning...
01:35:13 I hit her.
01:35:15 Unfortunately, I didn't remember my ring.
01:35:19 Get out of the way, Mr. Sam! I'm gonna kill him!
01:35:23 He murdered his son! I'm gonna kill him!
01:35:25 Let's go.
01:35:39 Let's go.
01:35:41 You gotta forget it, Pop.
01:36:02 No, I'll never forget Stella.
01:36:07 You will.
01:36:09 I felt the same way myself until...
01:36:12 Well, you'll find yourself, Pop.
01:36:15 Eric.
01:36:23 Where to?
01:36:34 Home.
01:36:36 <i>♪ I suddenly knew ♪</i>
01:36:39 <i>♪ That I was in love ♪</i>
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