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Tous les jours dans Le club de l'été, Europe 1 reçoit un invité pour évoquer l'actualité culturelle.
Retrouvez "L'invité culture" sur : http://www.europe1.fr/emissions/l-invite-culture
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Retrouvez-nous sur :
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NewsTranscription
00:00 Europe 1, the summer club.
00:02 Anessa Hadadi.
00:04 Amanda Sters' summer club on Europe 1.
00:06 I hope you're doing well.
00:08 It's Wednesday, some of you may be already packing your bags.
00:10 Some of you are leaving this weekend.
00:12 It's the big weekend of "Chasser-Croisier"
00:14 so we'll be with you at Europe 1.
00:16 If you're at work, we're very happy to be with you this morning
00:20 with Clément Lanou, Eloïse Goua, Julien Pichenay and Amanda Sters.
00:24 Amanda, it's time for your "doudou".
00:26 Every morning, Julien Pichenay stops on a song, an artist or a movie
00:29 that has been a part of the life of the guest.
00:31 This morning, Amanda will talk about your favorite movie.
00:33 Amanda, be careful because your love for Italy is starting to show.
00:37 Your last movie, "Les Promesses", adaptation of your book of the same name,
00:40 takes place in Tuscany. The main actor is Italian, Pierfrancisco Favino.
00:44 In 2002, you released a novel, "Le Café Suspendu",
00:46 which takes place in Naples, etc.
00:48 If I ask you, Amanda, if Italian cinema is your favorite cinema,
00:51 you won't say no, will you?
00:53 It's probably my favorite cinema.
00:55 We hit the nail on the head this morning.
00:57 We'll talk about your favorite movie in a moment,
00:59 but we'll get into the mood with some music.
01:01 It's the first of the 12 blind tests you're going to do.
01:04 There are a lot of blind tests.
01:06 I really hate this creation of blind tests.
01:08 No, no, we don't have the points.
01:10 Let's go with the first extract to see a little bit of Italian cinema.
01:16 What do you think of this?
01:18 I know, but...
01:20 Marcelo Mastroianni and Annie Teichberg in a nightgown in the Tréville fountain.
01:24 The...
01:26 The Dolce Vita.
01:28 You had it on the tip of your tongue.
01:30 I thought of some Italian films, watching your film "Les Promesses",
01:33 and especially the one with this music.
01:35 We are 31, right?
01:40 A little earlier. "Moravenise" with the music of Gustav Mühle.
01:44 Ah, you thought of that, my son?
01:46 The beach scenes, yes.
01:48 Maybe because they were scenes from the past.
01:50 I love this film, "Moravenise",
01:53 hypnotizing, but very, very dark.
01:57 Very dark.
01:59 It's the scenery, right?
02:01 The scenery made you think of "Moravenise".
02:03 Yes, playing a beach scene that doesn't necessarily happen in the contemporary era.
02:05 Last extract before listening to your cult film.
02:08 It's...
02:13 Sergio Leone.
02:15 Exactly.
02:17 With "L'homme à l'harmonica", he was once in the West.
02:20 And Njomorekone, he will compose the music for your cult film, we're getting there.
02:24 "20 ans après", he was once in the West.
02:26 Yes, the most beautiful...
02:28 I think it's half of the film, this music, also by Njomorekone,
02:33 which is "Cinéma Paradiso".
02:35 It's your favorite film, "Cinéma Paradiso"?
02:37 Yes, just the music made me cry.
02:39 A film of...
02:40 We're not going to listen to it for too long, are we?
02:42 We don't want to lose our guest.
02:44 But you can cry if you want.
02:46 It's a film that makes you cry, it's a film that is touched by grace,
02:50 a film about transmission, a tribute to life, to memories, to nostalgia,
02:54 and of course, to cinema, with a Philippe Moret at the top of his game,
02:57 with Jacques Perrin and the little Salvatore Caschio,
03:00 who is great and who plays the young Toto.
03:02 Amanda, it's the rule in this chronicle,
03:05 it's the little test that all the guests of the Club de l'Été go through.
03:07 I'm going to ask you to pitch "Cinéma Paradiso" in 15 seconds.
03:11 It's a little boy who is fascinated by the cinema booth
03:16 in which the projectionist, played by Philippe Moret, works.
03:21 He goes there every day and we see him grow, evolve,
03:25 we see him fall in love, we see him leave this Italy
03:28 to be able to go live his life and become a great director.
03:32 Bravo!
03:33 You must not come here.
03:35 I've told you a hundred times.
03:36 How come I can't make you understand?
03:38 If the film catches on fire, little as you are,
03:41 it will only be a flambé.
03:43 And you will become a piece of coal.
03:46 You have a good tongue, eh?
03:50 Philippe Moret, who already has 30 years of career at the time of the shooting,
03:53 is already a legend of French cinema in 1988.
03:56 He had a real crush when Tornatore sent him the script.
03:59 This is what he confessed at the time of the release of the film. Listen.
04:02 I really had tears in my eyes when I finished the script.
04:05 Then I met Giuseppe,
04:09 who came to see me on the film I was shooting in Italy.
04:12 I told him right away, yes, there was no problem,
04:15 I had to do that.
04:17 There are things that you don't want to let others do.
04:19 You know, we are very jealous that actors say that.
04:22 We have to love each other.
04:24 But this one, it would have annoyed me that it was someone else who was playing it.
04:27 Fabulous. It would have annoyed him that it was someone else.
04:29 And yet, at the beginning, it was another Italian actor
04:32 who was felt. Did you know who it was?
04:35 No, I didn't even know that.
04:36 Me neither. I learned it by preparing this column.
04:38 I admit it, it's Marcelo Mastroianni who had to play it.
04:40 He didn't have any other option.
04:42 Indeed, we take Mastroianni for everything.
04:44 I think he had about a billion applications in his career,
04:47 but he refused because he was shooting a film at the same time, Splendor,
04:49 which had about the same scenario, and he didn't want to seem like he was repeating himself.
04:52 A little trick question now.
04:54 The film takes place in Sicily, in the village of Giancaldo.
04:57 Do you know exactly where Giancaldo is located?
04:59 No, not at all.
05:00 Good answer, because this village doesn't exist.
05:03 So now you're trapping the guests.
05:06 It's a joke.
05:08 The film was shot in Palazzo Adriano,
05:11 but the name of the village in the film doesn't exist.
05:14 And finally, Amanda, I'm not asking you this question by chance,
05:16 I'm just saying that the film takes place over several years.
05:18 Do you know the name of the actor who plays Toto, a teenager?
05:21 I don't know, but I saw him,
05:24 even though I was madly in love with him.
05:27 And one day, my ex-husband Patrick Bruel sent me a picture of him
05:31 shooting an Italian film called Una Familia, a very beautiful film.
05:35 And he sends me a selfie with a guy, he says, "Do you recognize him?"
05:38 I say, "No, I don't see him."
05:40 I say, "Man, who knows, it's an ex I forgot."
05:43 And in fact, it's him who is still an actor,
05:47 and who hasn't had a huge career,
05:52 but who is still a recognized actor in Italy, etc.
05:55 And I forgot his name.
05:57 So you have his face in mind, obviously,
05:59 because you were a little in love with him while watching the film.
06:01 Marco Leonardi.
06:03 Note his name, if you want to contact him, it's more practical.
06:07 A great actor, and they are all magnetic.
06:14 In this film, there is this incredible voice of Philippe Noiré,
06:17 but it's also the little boy who plays Salvatore, he's extraordinary.
06:21 You have to see it in VF, because it is dubbed in the Italian version.
06:24 A film by Philippe Noiré without his voice is a bit of a shame.
06:27 Yes, it's a shame. You have to watch it with his voice.
06:30 Cinema Paradiso, another recommendation.
06:32 What else can we watch?
06:33 It's very easy to find on the internet.
06:35 Go ahead, watch it with your family. It's good to watch it with your children.
06:38 I showed it to my children, I waited for them to be of good age, and they loved it.
06:43 It's a very beautiful film that we recommend.
06:45 Europe 1, the summer club.
06:48 Amisad Ady.
06:49 With Amanda Sters until 11am.
06:51 With Héloïse Gois, Julien Pichenay and Clément Lanoue.
06:54 It's the last straight line, Amanda Sters.
06:56 This film, Les Promesses, we've talked about it since 9am this morning.
06:59 It comes out on August 9th.
07:01 It's adapted from your novel, with Pierre-Francisco Favinaud, Kelly Riley, Jean Reno, Léon Hesby.
07:07 What do you want people to remember from this film?
07:10 I said there is nostalgia, there is anger, there is joy, there is love, there is friendship,
07:14 there is football, loneliness.
07:16 What do you want us to remember from this film?
07:18 I've been lucky to have been in a few places around the world, and to have had feedback.
07:22 I did a series of previews, and often people say,
07:26 "I'm going to try to call this person I love if it's not too late."
07:29 That's what I want people to remember.
07:31 It can be calling a person you love lovingly,
07:34 but it can also be calling your friends.
07:36 A film can be used to recreate the links we had distanced ourselves from.
07:42 I think it's very beautiful.
07:43 Something is going to happen.
07:44 If you go see this film, I'm telling you, something very positive is going to happen.
07:48 We ask ourselves a lot of beautiful questions, and we attach to these characters,
07:52 the promises, so the 9th of August, at the cinema.
07:54 An exhibition also at Arles?
07:56 Yes, at Mondestert.
07:57 An exhibition that had been in Paris, called "The next day everything changed".
08:01 I collected for more than 15 years photos in bookshelves,
08:05 and I reinvented a story, a life for them.
08:08 And framed, it becomes, apparently, works of art,
08:12 small unique objects.
08:14 It was exhibited at the Faubourg Gallery, 75 Faubourg in Paris.
08:20 And now it's taken up in this particular hotel in Arles, which is the 8th Gallery.
08:26 And so, these photos are accompanied by texts?
08:29 Yes, sometimes there are always manuscripts on them.
08:33 Sometimes they are fake letters.
08:35 Sometimes there are even objects with them.
08:38 It's like a kind of album reconstruction of imaginary family.
08:42 You have realized the fantasy of many people,
08:45 that we are all, or we are at the terrace of a café,
08:47 we see people passing by and we imagine a life for them.
08:49 That's what you did with these photos found in bookshelves.
08:52 Go to Arles to see this exhibition.
08:54 And then, to slip into the suitcase.
08:56 So there, it's true that we have two hearts.
08:58 These are your last two books.
09:00 So first, there is "The suspended coffee", at Mondestert, it takes place in Naples.
09:04 The principle of the suspended coffee is that we take a little espresso with coffee,
09:08 but we pay two instead of one.
09:10 We leave a second, at the Ardoise, for someone who does not have the means to offer one.
09:13 And so we redistribute.
09:15 And it's not just about offering a coffee, it's about offering the possibility to someone to enter into life,
09:19 to meet other people, to give an opinion,
09:22 since a café is always a busy place.
09:24 And it's a work of charity that I have always found very touching and beautiful.
09:30 These are seven stories between a person who leaves a coffee, a person who receives it,
09:34 and what this charity does in our life.
09:37 It's built like an opera.
09:39 It's very pretty.
09:40 There are a lot of meetings.
09:41 It's your last novel, "The suspended coffee".
09:43 And then another, so this one, at Mondestert and at Réligion.
09:46 There you wrote in four hands, with Réligion.
09:49 It's called "Resistance 2050".
09:51 The principle is quite simple.
09:53 We are in 2050, we all have a chip in our head.
09:55 Obviously, if we have a chip, we're going to be hacked.
09:58 And all of this will lead to a civil war in France.
10:03 There are two areas that resist, it's Brittany and the south of France.
10:06 Yes, more or less.
10:07 We took up the resistance islands, which were those of the Second World War,
10:12 as a nod, but also because it's the coastal areas,
10:14 often the populations move.
10:17 There are these populations that resist.
10:20 It's not that simple.
10:22 And if Manichean, the chip also brings a lot of benefits,
10:28 health problems, among other things.
10:31 So it's not black or white.
10:35 It's really a questioning about this use that's going to happen.
10:40 And so it's important to ask yourself the questions now.
10:43 And I think we launched it a bit like a warning cry with Aurélie,
10:46 so that today, public authorities make decisions
10:51 and include science ethics in all the techno and scientific research.
10:56 We need ethics.
10:57 Resistance 2050, quickly.
11:00 I know we're in a hurry.
11:01 I know Olivier Pouls is coming.
11:02 That's for the books to slip in the suitcase.
11:04 If we had to listen to something this summer, it could be that.
11:07 Yes, that.
11:09 Who's singing?
11:11 It's Léon Esbis.
11:12 Your son?
11:13 My son, yes.
11:14 Your son, Patrick Bruel's dad, and Léon who is getting into the song,
11:18 in addition to being on the cover of the film Les Promesses.
11:20 Did he work with his dad on this song?
11:22 No, his dad is very proud and gave him his opinion and advice.
11:26 But he's leading his career alone in the United States.
11:29 Obviously, the poor guy, we bring him back to us in France.
11:33 I wish him his individual journey in the United States.
11:38 It's coming.
11:39 It's a summer hit.
11:40 One, two, three, it's a summer hit.
11:42 We might hear it for a long time.
11:44 Thank you very much, Amanda Sters, for these two hours spent with us.
11:48 We wish you a great summer.
11:49 We wish you a lot of success for Les Promesses.
11:52 Thank you.
11:53 See you soon on Europe 1.