Project Runway S20E04
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TV ve DiziDöküm
00:00:00 - Previously on "Project Runway All Stars."
00:00:02 - Hey!
00:00:03 - Your unconventional materials challenge
00:00:06 is to create runway looks from toys.
00:00:09 You've got dragons.
00:00:11 [dinosaur roars]
00:00:12 What is that dinosaur?
00:00:15 - The stress is real right now.
00:00:17 - What the--why are you crying?
00:00:19 - You're asking the baby.
00:00:21 - Oh, my God.
00:00:22 I'm going to do unconventional,
00:00:23 but I have the right not to like it.
00:00:26 - The look transcended the world.
00:00:29 It transcended the materials it was made of
00:00:32 and delivered full-on couture.
00:00:34 The winner is Victor.
00:00:36 - Oh, my God.
00:00:37 [laughter]
00:00:38 - Mila, Laurence, and Rami,
00:00:41 you all missed the mark for different reasons.
00:00:43 I'm so sorry, but Mila,
00:00:46 unfortunately, tonight you are out.
00:00:48 - I wish I could have given you a chance
00:00:50 to see me get back on track.
00:00:52 [all groaning]
00:00:55 - Just one more time.
00:00:57 [upbeat music]
00:01:00 - Fashion designer Christian Siriano,
00:01:03 journalist Elaine Welteroth,
00:01:05 fashion designer Brandon Maxwell,
00:01:07 and editor-in-chief of "Elle" magazine Nina Garcia
00:01:10 are looking for America's next great fashion designer.
00:01:14 At stake for the winner, a quarter of a million dollars
00:01:17 supplied by Pilot Frixion erasable pens,
00:01:20 a feature in "Elle" magazine,
00:01:22 and a career-changing mentorship
00:01:24 with the Council of Fashion Designers of America.
00:01:27 This is "Project Runway All Stars."
00:01:31 [dramatic music]
00:01:34 - You okay? - My sister.
00:01:35 - I know. - I'm coming here to hug you.
00:01:37 - It's okay.
00:01:39 - It's tough.
00:01:40 - Guys, it's tough.
00:01:42 - Listen, you're gonna get softer
00:01:43 by the end of this competition, Miss.
00:01:45 - Yeah. - Yeah, you're gonna be softer.
00:01:47 - Oh, those hugs and loving kisses.
00:01:49 - There you go. There it is.
00:01:50 - On my season, I never rocked the bottom.
00:01:53 Not a single time.
00:01:54 Yeah, I'm good.
00:01:55 So you gotta rebuild yourself.
00:01:56 Make sure that they see you the next time.
00:01:59 - We survived unconventional.
00:02:01 - Yeah. - Yes.
00:02:02 - Yeah, that was a wild one, right?
00:02:03 - That was really crazy.
00:02:04 - Everyone's so good that you just never really know.
00:02:07 Get some rest, and I'll see you real soon.
00:02:10 - Ooh, mystery. - Bye.
00:02:12 - Mystery.
00:02:13 - So what are you feeling the next challenge is, you guys?
00:02:16 - Honestly, after this, it's either gonna be, like,
00:02:19 bridal or, like...
00:02:21 - I'm all about a drag queen.
00:02:22 Give me a drag queen.
00:02:23 - Oh, no. - Oh!
00:02:25 [triumphant music]
00:02:28 ♪ ♪
00:02:29 - Oh, [bleep]
00:02:30 - The queen!
00:02:31 - It's the queen!
00:02:33 - [indistinct chatter]
00:02:35 ♪ ♪
00:02:37 - Everybody, look!
00:02:38 [laughter]
00:02:40 ♪ ♪
00:02:44 - Long live the king.
00:02:46 - Shh. That's me.
00:02:48 - Yes. - Oh!
00:02:49 - Done with this.
00:02:50 - Okay.
00:02:52 The world just witnessed a historic coronation
00:02:55 right across the pond.
00:02:56 And in celebration of this momentous occasion,
00:03:00 we want you to create...
00:03:02 a formal gown fit for royalty.
00:03:06 - Oh! - Oh, my goodness.
00:03:08 - Yes!
00:03:10 - We want a magnificent gown.
00:03:13 - That's-- - I'm with it.
00:03:15 - Glamour.
00:03:16 - Keep in mind, gowns can go quite dated
00:03:19 very quickly, so this needs to feel modern, fresh.
00:03:22 Royal of today, you know.
00:03:25 Cool, innovative, okay?
00:03:28 And the good news is...
00:03:31 we're dividing you up into teams of two.
00:03:33 - Oh, my God!
00:03:35 - Oh, my God.
00:03:36 - Yeah.
00:03:37 - Ah!
00:03:38 - We dread team challenges so much
00:03:41 because it's about compromising.
00:03:43 - One, two, one, two.
00:03:45 - Fitting that we're working with monarchy
00:03:47 because there's a lot of diplomacy involved.
00:03:49 - So, to determine the teams,
00:03:51 everyone's gonna grab one of these fabulous
00:03:54 little tea sandwiches, okay?
00:03:56 But don't take a bite.
00:03:58 Grab one.
00:03:59 Okay.
00:04:00 A little quicker.
00:04:01 - Nope. - This is heavy.
00:04:02 That's exciting.
00:04:04 - Ladies first.
00:04:05 - Oh, thank you.
00:04:06 - You guys are gonna find someone
00:04:08 who has the same sandwich as you,
00:04:10 and that will be your teammates.
00:04:12 - Who has watered, cressed, tomato, and cream cheese?
00:04:15 - That's me and you, baby.
00:04:16 - Whoo!
00:04:17 - Victor won the last challenge,
00:04:19 and I won the first challenge,
00:04:20 so we are the two winners.
00:04:21 - Excellent.
00:04:22 - Excellent!
00:04:23 - Excellent!
00:04:24 - Coronation chicken.
00:04:26 - My girl!
00:04:27 Oh, my gosh.
00:04:29 I'm so happy.
00:04:30 - [laughs]
00:04:32 - We're about to get this spot, man.
00:04:34 - We are.
00:04:35 - Oh, my God.
00:04:36 - Even though you're in a team of two,
00:04:38 only one of you will be going home.
00:04:40 - Damn.
00:04:41 - So you guys need to be crystal clear
00:04:43 of your contributions to these gowns.
00:04:46 But this is a two-day challenge.
00:04:48 Victor, you won the last challenge.
00:04:50 That means your team gets first pick of models.
00:04:53 - Oh.
00:04:54 - Isn't that nice?
00:04:55 - Yes!
00:04:56 - One look, one model.
00:04:58 There you go.
00:04:59 You pick.
00:05:00 - You mean Jessica or Jessica M?
00:05:02 - Jessica M.
00:05:03 - We're done.
00:05:04 - All right, who'd you pick?
00:05:05 - Ren.
00:05:06 - Fab.
00:05:07 Who'd you pick?
00:05:08 - Jessica M.
00:05:10 - Let me see.
00:05:12 Roberta, fabulous.
00:05:14 - We're doing Mimi.
00:05:16 - Sarah.
00:05:18 - Who'd you pick?
00:05:19 - Mimi.
00:05:20 - All right, so tomorrow morning,
00:05:22 you'll go to Mood.
00:05:23 I won't be there.
00:05:24 I have royal obligations, obviously.
00:05:26 - Oh, wow.
00:05:27 - But each team will have a budget of $1,000.
00:05:32 - Not bad.
00:05:33 - You guys have 30 minutes now
00:05:35 to brainstorm and sketch.
00:05:37 I left your friction pens
00:05:38 and your sketchbooks right over there.
00:05:40 All right, I'm headed back to my throne.
00:05:43 See you soon.
00:05:44 - Bye!
00:05:45 - Bye!
00:05:46 - Toodaloo.
00:05:47 - Yeah.
00:05:48 - So on.
00:05:50 - Miss T.
00:05:51 - Karrason.
00:05:52 - Brittany.
00:05:53 - Thank you.
00:05:54 - Rami.
00:05:55 - Thank you.
00:05:56 - I'm gonna go grab my fabric.
00:05:57 So my fabric from home
00:05:58 was given to me by a childhood friend.
00:05:59 This sh-- wasn't made for royalty.
00:06:00 I don't know what was.
00:06:01 - Oh, honey, yeah.
00:06:02 - I wanna do African-Haitian,
00:06:04 like, black royalty.
00:06:05 - Mm-hmm.
00:06:06 - Yeah, I just wanted it to look
00:06:07 like it's both of us.
00:06:08 - And I think that's what the marriage is.
00:06:09 - So Pajit's from Haiti,
00:06:10 and I'm originally from Liberia,
00:06:12 so immediately we know
00:06:13 we're going for African-Haitian royalty.
00:06:16 This is what this fabric was for.
00:06:18 We need to win, 'cause this fabric cost me a lot.
00:06:20 You know what I'm saying?
00:06:21 And it's rich.
00:06:22 - It's rich.
00:06:23 - See, Paton's fabric,
00:06:25 they're gonna bring, like, the drama.
00:06:27 The fabric has to be so rich-looking.
00:06:29 - I want the girl to walk,
00:06:31 and I want the judges to be like,
00:06:33 "Ugh!"
00:06:34 Not just the jewels and all that,
00:06:35 but the movement.
00:06:36 - I agree.
00:06:37 - Like, water.
00:06:38 - And maybe the back is, like,
00:06:39 literally a cape with a train.
00:06:42 - Yeah.
00:06:43 - But it's still sexy.
00:06:44 It's modern.
00:06:45 We could even have a slit,
00:06:46 so she could show her legs.
00:06:48 - Okay, so I'm thinking--
00:06:49 What about this?
00:06:50 What about if it's not around this way?
00:06:52 What if it goes up like a petal,
00:06:56 like a flower?
00:06:57 - Let's erase this,
00:06:58 'cause I love that idea better.
00:07:00 I think it's gonna be fantastic.
00:07:02 - I like the romantic aspect of it,
00:07:04 'cause it's feminine.
00:07:05 - Yeah, cool, feminine, yes.
00:07:07 - Mixing those two, like, elements.
00:07:08 I'm actually really, really excited
00:07:10 to have Anna as a partner.
00:07:11 We're both extremely feminine designers.
00:07:14 - It could be where this is maybe, like, opaque,
00:07:16 and then that could be, like, a sheer with an applique,
00:07:18 and it's, like, two skirts in one.
00:07:21 - You have on it. - Okay.
00:07:22 I think the outcome could be
00:07:24 one of the best looks
00:07:25 in Project Runway history.
00:07:28 - We are genderqueer.
00:07:31 I feel like it's an opportunity
00:07:32 to make a gown fit the aesthetic
00:07:35 that we have. - Yeah.
00:07:37 And we can look at queendom
00:07:38 in kind of a genderqueer, genderfluid way,
00:07:40 where we're sort of subverting the idea
00:07:42 of what queen is,
00:07:43 and subverting the idea of what a gown is.
00:07:46 The future of queerdom.
00:07:47 - I honestly have a strong connection
00:07:49 to the idea of femininity.
00:07:51 However, the way I see myself
00:07:53 doesn't always align with the way femininity
00:07:55 is described in this modern world.
00:07:57 So I choose to call myself non-binary
00:08:00 and go by she/they
00:08:01 to explain that I am not necessarily only feminine.
00:08:04 I feel that there's masculinity in me.
00:08:06 There's fully genderfluid energy in me.
00:08:09 So I am here to be that voice.
00:08:10 We're really looking to make a state and a peace
00:08:14 about queer identity,
00:08:15 about what it means to be a queen,
00:08:16 what it means to be regal,
00:08:17 and the future of what we see
00:08:19 as this kind of genderfree, genderfluid world.
00:08:23 - I love this.
00:08:24 Like, this is gorgeous.
00:08:25 - Yeah, Veneda is my number one love,
00:08:26 and this is literally--
00:08:27 - We're on the same page.
00:08:29 Even if we did, like, the cape,
00:08:31 like, when she's walking,
00:08:33 I like to get, like, a beautiful lining underneath.
00:08:37 - I work on the cape.
00:08:39 You work on the gown.
00:08:40 - Yeah.
00:08:41 - I don't know if I can make a dope-ass cape.
00:08:43 - I love my girl, Laurence.
00:08:44 She's so gangster.
00:08:46 [laughs]
00:08:47 She's like the leather on the lace.
00:08:49 We need to make sure that the dress
00:08:51 and the cape fabric marries well.
00:08:54 - A sleeve and neckline detail could be really interesting.
00:08:57 If we do want to do sculpture,
00:08:58 I think that you have really cool shapes,
00:09:00 and I think, like, with the shapes that I do,
00:09:03 if we put those together,
00:09:04 it can really create something cool.
00:09:06 - I am excited to be paired with someone
00:09:10 who is extremely talented.
00:09:11 This gown that we are creating is about to be a masterpiece.
00:09:15 - We don't want her to feel old.
00:09:16 I want to make sure she's, like--
00:09:18 - Right. For sure.
00:09:19 - Fresh as [bleep] modern-day queen.
00:09:21 - Team challenges are a challenge.
00:09:23 [laughs]
00:09:24 It's partly about the design,
00:09:25 but it's also partly about
00:09:26 your working style with other people.
00:09:28 - Did colors come to you?
00:09:30 - Not really, so that was where--
00:09:31 because to me, immediately, I would think, like, red,
00:09:33 because that's a very regal color,
00:09:34 so they wore purple, 'cause, like, duh, that's so obvious.
00:09:37 - There's this gorgeous lilac-y, lavender-y purple
00:09:41 that I think is, like, good for this kind of a thing.
00:09:44 - It's funny that you were saying that,
00:09:45 'cause lavender and purple is the royalty color.
00:09:48 - Exactly.
00:09:49 - All right, guys, let's go home.
00:09:50 - Let's get it. - It's been a long day.
00:09:52 - Whoo-hoo!
00:09:53 - Coming up...
00:09:54 - I want to be the leader.
00:09:55 I want to do something different.
00:09:57 Just give the room for this part,
00:09:59 and then you gather.
00:10:00 - I am not here to execute her vision.
00:10:03 - Yeah, I know how to gather.
00:10:04 - That was unpleasant.
00:10:06 - These challenges are gonna get harder and harder.
00:10:21 One day you're in, one day you're out.
00:10:23 - You know, you got your only as good as your last.
00:10:25 It's like, you won the first challenge,
00:10:27 I won the second, so...
00:10:29 They have more expectations on us.
00:10:31 - I bet there's a little target on our back.
00:10:33 - Yeah.
00:10:34 [laughter]
00:10:35 - Okay, friends, it's time to go to mood
00:10:39 and stress out some more.
00:10:41 [laughter]
00:10:43 [upbeat music]
00:10:46 - Good morning, mood.
00:10:48 - I can smell the fabric already.
00:10:50 - Designers.
00:10:53 - Christian is currently in my basement.
00:10:55 [laughter]
00:10:56 So I am your new mentor.
00:10:58 [cheers and applause]
00:11:00 - $1,000.
00:11:02 - You're crazy.
00:11:03 - Half an hour to have this bitch up.
00:11:05 Are you ready?
00:11:06 - Yes!
00:11:07 [laughter]
00:11:09 [upbeat music]
00:11:10 - Uh, charmeuse, satin, style.
00:11:12 - Bump the people right and left.
00:11:13 - Organza, chiffon.
00:11:14 - Where's--where's the--
00:11:15 - Back to the back.
00:11:16 - You're gonna go for the black you have.
00:11:17 - Yeah.
00:11:18 - Let's get the dress.
00:11:19 - Okay.
00:11:20 - You can stay in the black and white.
00:11:21 - I think these three here...
00:11:22 - Mm-hmm.
00:11:23 - With this overlay.
00:11:24 - Picking gray as a color story
00:11:26 is really intentional,
00:11:27 because gray is a color
00:11:29 that does not dictate gender.
00:11:31 So if we're doing pants, skirt,
00:11:34 we're keeping everything separate.
00:11:35 So over the pants, there's a skirt,
00:11:37 and then over this vest,
00:11:38 there is a set of sleeves that harness everything in.
00:11:41 - Let's see.
00:11:42 No, this is better.
00:11:43 I like this.
00:11:44 - This design is dedicated for an everyday woman.
00:11:47 She could be a housewife, she could be a mother,
00:11:50 but they still deserve to have, you know,
00:11:52 a royal moment while wearing this beautiful gown.
00:11:54 - I'll meet you at the counter.
00:11:56 - All right.
00:11:57 - I'm gonna take these for sure.
00:11:58 This one, I'm just gonna take four,
00:11:59 'cause they're so expensive.
00:12:00 - $1,000 is not really fit for a queen.
00:12:03 I mean, come on, we had $2,000 to spend
00:12:05 on toys the last challenge.
00:12:07 - How much is this one?
00:12:08 - $200.
00:12:09 - It's $200?
00:12:10 - Yeah.
00:12:11 - No way.
00:12:12 Really?
00:12:13 I think we're gonna be spending, like, $700 minimum
00:12:15 on a novelty fabric,
00:12:16 which leaves us only $300 to buy
00:12:18 everything else, and for a gown,
00:12:21 that's not a lot.
00:12:22 - How much money do we have left?
00:12:24 - $500.
00:12:25 - Left?
00:12:26 - [bleep] I'm about to buy the store.
00:12:28 - The fact that I'm using my special fabric from home
00:12:30 actually takes off a whole $1,000
00:12:32 that we won't have to spend at Mood.
00:12:34 - She's giving Haiti in.
00:12:36 - Yeah, she is giving Haiti in.
00:12:37 So mostly, we're looking for our masterpiece solid,
00:12:41 the foundation of this garment.
00:12:43 - I think it might look good,
00:12:44 'cause it's patent, it looks rich.
00:12:46 - Victor really wanted to use a silver metallic leather.
00:12:49 That's a little bit harder than my normal style,
00:12:51 but I want to give him that moment.
00:12:53 He's really adamant about it,
00:12:54 so I'm like, "You know what?
00:12:55 "Go ahead and get it.
00:12:56 "We can always choose to not use it later."
00:12:59 - And I'll make it look really expensive.
00:13:01 - Yeah.
00:13:02 - Two minutes!
00:13:04 - We have everything else, notions, and stuff, right?
00:13:06 Are we good?
00:13:07 - This is not me no more.
00:13:08 I don't like running around.
00:13:10 [indistinct chatter]
00:13:13 ♪ ♪
00:13:16 - Let's go, girls!
00:13:18 [cheers and applause]
00:13:20 ♪ ♪
00:13:27 - I like to be crown king.
00:13:29 ♪ ♪
00:13:35 - I think this lining is a little bit, like,
00:13:39 warm from the color from here.
00:13:41 If this doesn't work out,
00:13:43 use layers of this one will be fine, too.
00:13:45 - We don't have enough, I don't think.
00:13:47 - I cover more on this.
00:13:49 - We could do two layers on top of that.
00:13:50 - Yes, yes.
00:13:51 - But we have to have this.
00:13:52 - Yes.
00:13:53 - I would say 90% of us are very type A control freaks.
00:13:57 I am both of those things, as well as high strung.
00:14:01 You're gonna have to pad the hip and the waist,
00:14:04 and the bust is a little bit big.
00:14:05 - You don't need to. I can pass.
00:14:06 I do the skirt.
00:14:08 - I gotta--I gotta pad the waist.
00:14:09 - I want to be the leader. I want to do something different.
00:14:11 But I know Britney has a very strong opinion all the time.
00:14:16 I don't see either of us will be the leader.
00:14:20 - Ah, this color. Victor is so good.
00:14:24 - So rich.
00:14:25 - Oh!
00:14:26 - Victor and I are making this amazing
00:14:29 royal purple silk Georgia gown
00:14:33 with a metallic leather corset.
00:14:35 - I think you start on the corset.
00:14:37 - Okay.
00:14:38 - I will start on Zay Batiste.
00:14:41 - That one.
00:14:42 - Paija and I being miraculously, like, put together
00:14:45 is like the gods in themselves said, "You know what?
00:14:48 Be one."
00:14:49 - Maybe a tiny neck, maybe not a huge one.
00:14:51 - We decided to do a robe in the blue metallic.
00:14:54 So once you think you got it, boom, it drops,
00:14:57 and there's this really beautiful gown.
00:14:59 - Oh, my God, yes.
00:15:00 - Jesus gave us the green light, and we said, "Yes, sir.
00:15:03 Amen."
00:15:04 - I mean, thinking about it, does she have to be
00:15:07 long in the front?
00:15:08 You don't really have to, right?
00:15:09 - You could do the high-low. I love it.
00:15:11 - So we'll see your legs.
00:15:12 - Which is very--yes.
00:15:13 - Be sexy, too.
00:15:14 - Very sexy.
00:15:15 In my everyday life, I actually work a lot in groups.
00:15:18 I'm a costume designer.
00:15:20 Everything has to be cohesive, and I love Laurence.
00:15:23 Like, I could not have asked for a better partner.
00:15:26 - We can do pants and vest out of this.
00:15:28 - Exactly.
00:15:29 - And the sleeves out of this, and the skirt out of this.
00:15:31 - Maybe that's it. And then the crossover, this.
00:15:33 - Yeah.
00:15:34 - I believe true fashion embraces masculinity
00:15:36 and creates an entirely new other form
00:15:39 of gender representation.
00:15:40 - That's me beautiful. Yeah.
00:15:42 - So Fabio and I are really trying to treat this challenge
00:15:44 as a chance for us to be a spokesperson
00:15:47 for the queer generation.
00:15:48 - I like that you did this scene here.
00:15:50 - Right here? - Yeah.
00:15:51 - I'm filling up vibes.
00:15:53 - What vibes?
00:15:54 - Like the good vibes, man.
00:15:56 - We set good vibes and tensions.
00:15:59 - See?
00:16:00 - And I hope that we get what we want in the end.
00:16:02 - You're the sweetest partner ever, man.
00:16:04 - Since I've been on Project Runway,
00:16:06 I had the opportunity to dress the Queen of Jordan.
00:16:10 Having dressed royalty is like a huge honor
00:16:13 for somebody like myself.
00:16:15 When I first got the call, I just didn't believe it.
00:16:17 I thought that it was a joke.
00:16:18 To actually be flown first class
00:16:20 and to be greeted at the Mandarin Hotel
00:16:22 by Queen of Jordan herself,
00:16:24 it's a moment that I will always remember.
00:16:26 - We got this, Rami. - We got this.
00:16:29 [upbeat music]
00:16:33 - I'm gonna go and connect the skirt together.
00:16:36 - Okay.
00:16:37 - Our girl is definitely a pop culture,
00:16:39 like Beyonce or Celine Dion.
00:16:43 This is that queen.
00:16:44 We need to make it more sexy, more modern,
00:16:46 so I'm making a corset in the middle with leather.
00:16:49 That signature touch that if you see it,
00:16:52 you know it's mine.
00:16:53 You have to be very, very careful.
00:16:56 'Cause this is surgery here.
00:17:00 - Like, you don't have to, like, do all the pleats.
00:17:05 - What?
00:17:07 - Um, you can do, like, a gather.
00:17:10 - But it's not pleats. It's gathers.
00:17:12 - Is that what you're making?
00:17:13 - Yeah. It's fine. Whatever.
00:17:16 - Like, you can just give the room for this part,
00:17:23 and then you gather, and then place the folds, right?
00:17:25 - Yeah, I know how to gather.
00:17:27 - Oh, keeping my cool in this team challenge
00:17:30 is so crucial to our success.
00:17:32 I am not a seamstress here to execute her vision.
00:17:36 Just want to make it out of this team challenge alive.
00:17:40 - ♪ Everything is fine, everything is fine ♪
00:17:55 - Do you like my crown?
00:17:57 - Who's the royal Miss Bitch?
00:17:59 - Ow!
00:18:00 - Rami and I are creating a gown
00:18:03 that has a very architectural detail, but classic elements.
00:18:07 - I feel like it's more flattering if they fan out.
00:18:10 - From that side.
00:18:12 - When we do the heavy appliques,
00:18:13 you won't see that seam at all.
00:18:14 - Yes, that's what I did before.
00:18:16 - No, you won't see it at all.
00:18:17 I think we knew straight off where our queen was from.
00:18:20 Paris for you.
00:18:21 - Pretty much, which is enough.
00:18:22 - And Germany for me, since I was born in Germany.
00:18:24 - That's right.
00:18:25 - And thank you for adding the military twist for me,
00:18:27 since I'm an Air Force bride.
00:18:28 - Oh, you're welcome.
00:18:29 - A little black queen with a European twist, you know?
00:18:32 - I don't really want to say that her style is not mine.
00:18:35 She will go fully soft.
00:18:37 You know, I could be soft and hard.
00:18:39 I just like to mix the two together.
00:18:40 The cape is the hard one,
00:18:41 and the dress will be the soft part of the look.
00:18:45 I don't see a queen.
00:18:47 La Homme's fabric, that feels too party to me.
00:18:50 I like our bag.
00:18:53 [dramatic music]
00:18:56 Breaks my heart, cut you like this.
00:18:58 The fabric I brought from home
00:19:00 is actually one complete fabric.
00:19:02 It's on this nude mesh.
00:19:04 So I'm cutting each one out as Proje constructs the dress.
00:19:07 - She's serving rich bitch realness from Africa.
00:19:09 Cartouche fabric from home was flown in a private jet
00:19:12 by my future husband from Dubai
00:19:14 with all the oil, money, and the gold and the diamonds.
00:19:17 - I like where it's going.
00:19:19 - It just sparkles.
00:19:20 - We are going to give you the queen of Wakanda,
00:19:24 representing us, the people.
00:19:27 [dramatic music]
00:19:30 - Okay, so you got the sleeves, I got the pants.
00:19:34 - And you're doing the vest now.
00:19:36 - Finishing up the vest.
00:19:37 - And tomorrow I'm diving into skirt territory.
00:19:39 - You got me.
00:19:40 - I got you, babe!
00:19:41 That was unpleasant. Sorry to everyone.
00:19:43 - [laughs]
00:19:44 - Once you get it all draped, I'll help you with that part.
00:19:48 - That corset is giving me life now.
00:19:50 - Yeah, let's look at it.
00:19:52 Let's look at it tomorrow.
00:19:53 - Yeah.
00:19:54 - Victor and Kane's outfits.
00:19:57 I have so many questions.
00:19:59 So many questions.
00:20:00 - Yeah, you know why I think it's gonna be successful?
00:20:03 'Cause it looks like it's, like, a custom-made something.
00:20:06 I don't think they've seen this before.
00:20:09 - This should be like a sword.
00:20:11 I'm gonna take a ride on my dragon.
00:20:13 - [laughs]
00:20:14 - 15 minutes!
00:20:16 ♪ ♪
00:20:22 - I think from there,
00:20:23 it's probably gonna be ready for fitting.
00:20:24 You've already got the leather corset already ready.
00:20:26 - Yep, that's a game plan.
00:20:28 - Awesome. - Boom!
00:20:29 - Tomorrow I'll work on the body,
00:20:30 and then you can help me with this.
00:20:32 - I think it's gonna be really cool.
00:20:34 - This is done.
00:20:35 We have to connect the bodice.
00:20:37 - Oh, my God, yes.
00:20:39 - Damn.
00:20:40 - Just gotta have faith.
00:20:43 - Guys!
00:20:44 You ain't gotta go home,
00:20:46 but you got to get the hell up outta here.
00:20:49 - Ready to go. Let's go.
00:20:51 - ♪ Kick it up, duck, duck ♪
00:20:53 ♪ We told you that a lot ♪
00:20:54 ♪ Spring up, spring down ♪
00:20:56 ♪ Spring horse, spring around ♪
00:20:58 [laughter]
00:21:00 - ♪ Get a quick action ♪
00:21:01 ♪ I said, "I'ma kick her ass now" ♪
00:21:03 [laughter]
00:21:06 - So how do you feel about the walkthrough tomorrow
00:21:08 when Christian walks in?
00:21:09 - When Christian comes to, like, you guys,
00:21:11 'cause you like current seasons,
00:21:13 it's a different relationship.
00:21:14 And even with the judges, they be like,
00:21:16 "Okay, Rami, what rock did you climb from under?"
00:21:18 - Yes. - "Okay, that's great."
00:21:20 "Pashy!
00:21:22 How you doing, my brother?"
00:21:23 "Kusho, you still live in Arkansas?
00:21:26 Don't you have children?"
00:21:27 Like, what the hell?
00:21:28 - Yeah.
00:21:29 When you hear, like, a judge saying,
00:21:31 "Oh, it's so good to see you,"
00:21:32 and then you come back after so many years
00:21:34 and you don't get any of that warm welcome,
00:21:36 it just feels a bit off.
00:21:37 You know what I mean?
00:21:38 Considering that--
00:21:39 - I get that.
00:21:40 - You're a miracle artist.
00:21:42 - Yes.
00:21:43 Some of us are OGs.
00:21:44 Some of us are new, but there's two OGs gone.
00:21:48 Is this gonna be a pattern?
00:21:50 - But a lot of us are split teams.
00:21:52 - But you know, like, the way it is,
00:21:54 if you lose, only one of you go home.
00:21:57 If it works out where I get to the end,
00:21:59 yeah, great.
00:22:00 But I'm gonna show the [bleep] out
00:22:01 and be me 100%, but I'm not gonna have no regrets.
00:22:05 Some of the designers in here, they're fresh meat.
00:22:07 You know, we've been doing this since the beginning.
00:22:10 There's the respect to be due.
00:22:11 We've been here, we've done it.
00:22:13 I'm an OG, and I still got it.
00:22:14 God's been training me to get me ready.
00:22:17 This is my time now.
00:22:19 - Coming up...
00:22:20 - Girl, you know Christian's coming in 20 minutes.
00:22:22 - What?
00:22:23 - They do think it looks period.
00:22:24 - Hi, designers.
00:22:25 - I think you could do something more modern than this.
00:22:28 - I'm just, like--now I'm confused.
00:22:30 - [mumbling]
00:22:31 - The accessorizing is so over the top.
00:22:35 It's hard for me to consider it as a gown.
00:22:38 - I find this fabric to feel sad
00:22:40 and wilted.
00:22:42 - Here we go, here we go.
00:22:53 - Oh!
00:22:54 Good morning, lovely dresses.
00:22:56 We are back.
00:22:57 - Let's have a game plan.
00:22:58 Just want to communicate what's--
00:23:00 - What a swagger.
00:23:01 - Every person's doing, so that way it's a partnership.
00:23:04 'Cause I want to go on that runway, like,
00:23:06 proud and be able to defend her,
00:23:08 knowing that, like, one person wasn't doing enough.
00:23:11 - I really want to remind her that this is a partnership.
00:23:14 It is our vision.
00:23:15 - I want you to trust me with--
00:23:17 - I trust you so much.
00:23:18 Especially the thing I worked with you yesterday.
00:23:20 I see how you, like, seriously, like,
00:23:22 backing all the two together.
00:23:24 I trust you so much, technically.
00:23:26 - So important for you and your team member
00:23:28 to be on the same page is essentially gonna be
00:23:30 the key to the success of this team challenge.
00:23:33 - Okay, great. - Love you.
00:23:35 - Thank you, me too.
00:23:37 [upbeat music]
00:23:40 - I want to cut the skirt and put it
00:23:42 before Christian comes in.
00:23:44 - Yes, for sure.
00:23:46 ♪ ♪
00:23:48 - It looks amazing already.
00:23:50 ♪ ♪
00:23:52 [doorbell rings]
00:23:53 - Girl, you know Christian's coming in 20 minutes.
00:23:55 [siren wailing]
00:23:58 I'm sorry. - It's all right.
00:24:00 - Save that side eye for him.
00:24:03 [both laughing]
00:24:04 - We can do it. We can do it.
00:24:06 ♪ ♪
00:24:07 - Look how gorgeous. - Oh, yeah.
00:24:09 ♪ ♪
00:24:12 - I want to be her.
00:24:14 ♪ ♪
00:24:17 - Hello, everybody. - Hi, Christian.
00:24:19 - Hey, Christian. - How are you?
00:24:21 - Hi, Christian. - Good.
00:24:23 - Everyone feeling regal and fabulous?
00:24:25 - Yes. - Yes.
00:24:27 - Well, I love a gown, so I'm coming to see you.
00:24:29 - Yay. - Okay.
00:24:31 ♪ ♪
00:24:34 - Hello. - Hey. - Hi.
00:24:36 - What are we looking at?
00:24:38 - This is African standard. This is African style.
00:24:40 It's for the culture.
00:24:42 - I am from the Malian Empire,
00:24:44 so, I mean, I really am from royalty.
00:24:46 My mom's always told me she was a queen in her day.
00:24:48 - When she enters a room, her head is high,
00:24:51 she's regal, and she is dressed.
00:24:53 - And then, you know, when she gets on the runway,
00:24:55 we do that reveal. - Take it off.
00:24:58 - And then you have this beautiful dress.
00:25:00 - Yeah. - It's a whole look.
00:25:02 - Yeah, maybe it really just is about
00:25:04 making this applique shine. That's your star.
00:25:07 Which I think you're doing a good job so far.
00:25:09 I think it just has to be, like, perfect.
00:25:11 You have a good amount left, right?
00:25:13 - Yeah. - So you can wrap around to the back
00:25:14 and to the bottom. - Yeah, we are.
00:25:16 - All right, guys, trim, trim, trim.
00:25:17 - Yes. - Thank you.
00:25:18 - Bye.
00:25:20 ♪ ♪
00:25:26 I wish I had somebody in here fanning me.
00:25:29 Hello. - Hello.
00:25:31 - Hi. - What's happening here?
00:25:33 - For us, we wanted to showcase you don't have to be a queen
00:25:36 to have royalty and be poised.
00:25:39 - Every woman at some moment in her life
00:25:41 wants to have her royal moment.
00:25:43 - Mm-hmm. - And as women
00:25:45 who might even be housewives, I feel like sometimes
00:25:47 they're the unsung heroes that need to be celebrated.
00:25:52 - I do think that this could be something more dramatic,
00:25:57 because it does feel a little safe.
00:25:59 - Okay. - You guys could cut sections out.
00:26:02 I just think they're really gonna focus on what's so different.
00:26:05 Like, things that are a bit off will be better.
00:26:08 So have fun. - Thanks.
00:26:10 - Thank you, Christian. - Hopefully that helps you.
00:26:12 You look very worried. - No, I'm not worried at all.
00:26:14 This is, like, pleasing. Thank you.
00:26:16 - Okay. Goodbye.
00:26:17 - I'm happy that Christian is testing us
00:26:20 to kind of, like, bring our best.
00:26:21 I feel like it will add another cool factor
00:26:24 to the already amazing gown that we're creating.
00:26:27 - I see a cape. - Yes.
00:26:29 - So this kind of beautiful velvet leather cape.
00:26:32 - And that is the fabric that she brought from home.
00:26:35 - I'm known for leather,
00:26:36 but this is my alternative to leather.
00:26:39 I call this my Versailles fabric.
00:26:41 That's my little French side.
00:26:43 - It looks very rich.
00:26:44 Looks very regal and elegant.
00:26:46 So that's the cape, and then what goes underneath?
00:26:49 - So we now-- - I see a very icy queen over here.
00:26:54 I'm like, "I think you're channeling something."
00:26:57 - I am channeling something.
00:26:58 And this is where I'm thinking,
00:26:59 'cause, like, my dad was in the military forever.
00:27:02 Like, this is my mom.
00:27:03 She always had on whites.
00:27:05 She always had on these gloves.
00:27:06 He was, like, the officer, which is the heart,
00:27:08 and she was just always the beautiful soul.
00:27:11 - I love that. - Yeah.
00:27:12 - That's the concept. - Okay.
00:27:13 - That's beautiful. - Okay.
00:27:14 - And that helps it, I think, make a bit more sense.
00:27:17 - Yeah. - 'Cause they are
00:27:18 quite different. - Yeah.
00:27:19 - All right. Lots of work. - Yes.
00:27:22 - Like, the most work.
00:27:23 - I know. [laughs]
00:27:25 - So, so... - Okay.
00:27:26 - Thank you. - We got you.
00:27:28 ♪ ♪
00:27:30 - On the shoulders area here.
00:27:33 I need to see it more finished
00:27:34 for me to have a real opinion, to be honest with you.
00:27:39 - Long live the king.
00:27:42 ♪ ♪
00:27:43 - Ha-ha!
00:27:45 ♪ ♪
00:27:48 - Hello, gentlemen.
00:27:49 - When I like Christians. - Awesome.
00:27:51 - It's very purple over here.
00:27:52 - Yeah. - Yeah.
00:27:53 - We both are very inspired by music,
00:27:55 so it's like modern day.
00:27:56 - So it's kind of like a music icon.
00:27:59 - Yeah, exactly. - Yeah.
00:28:00 - And we really wanted to marry both of our aesthetics,
00:28:04 but push it. - Right now,
00:28:05 it is looking a little bit medieval costume.
00:28:11 This is this armored breastplate,
00:28:12 and she's got her cape sleeves, and she's purple,
00:28:15 and then she has this royal crown.
00:28:17 Everyone knows that you can make incredible clothes,
00:28:20 so I think you could do something a bit cooler
00:28:24 and more modern,
00:28:25 because you can do this tomorrow in like half an hour.
00:28:29 Like, this is not hard.
00:28:30 - I mean... - I just--I mean--
00:28:32 - You know what? I think it's really important
00:28:33 to be a good team player in this challenge,
00:28:35 'cause I do love and respect Victor's work.
00:28:38 It's just tough to decide,
00:28:39 is this corset cool for this challenge?
00:28:42 Are the judges gonna get it?
00:28:43 - I don't know. There could be--
00:28:44 there could be something going on.
00:28:45 - We're gonna use this baby, don't you worry.
00:28:47 - But also with that,
00:28:48 you could do something really interesting here,
00:28:51 but--ugh.
00:28:52 - Okay. - Goodbye.
00:28:53 - Don't push it. - Bye, thanks.
00:28:54 - Bye, thank you. Bye.
00:28:56 - I'm wondering, is this a good idea?
00:28:58 Should we take the corset out?
00:29:00 If I was designing it by myself,
00:29:03 I would definitely edit more,
00:29:04 but I think I'm too respectful of Kane,
00:29:08 and I want to make sure that his voice is on the garment
00:29:11 and mine voiced too.
00:29:13 - Who's your royal, regal queen moment?
00:29:17 - So we're thinking monarch queer.
00:29:19 Yeah, so gender fluid,
00:29:20 that's why the pants come into play,
00:29:21 because we want it to look like it is a gown,
00:29:24 but it's also-- - For the future.
00:29:25 We're trying to dress the future of what we see
00:29:27 as our culture. - You can just wear
00:29:28 what you want to wear, be who you want to be.
00:29:30 Like, it doesn't matter. - Exactly.
00:29:31 - Anyone, literally anyone.
00:29:33 I get what you're doing.
00:29:34 I think that the gray side looks a little richer.
00:29:37 I think the white almost is like day wear.
00:29:40 - Yeah, 'cause that was where we kind of came from.
00:29:42 We both kind of come from where day wear--
00:29:44 - I think for us, the ticket is really the skirt.
00:29:46 - We have to go as big as possible.
00:29:48 Fabio and I keep talking about how we need to kind of
00:29:50 bump it up into that regal category.
00:29:52 I got it from here.
00:29:53 You just start by fitting the pants,
00:29:54 and I'll be zhuzhing this until I'm ready for a mimeo class.
00:29:56 - This is a fairy little land we're in.
00:29:59 - It is. - Yes.
00:30:00 - So the queen is-- she's from this planet.
00:30:04 - Oh, she's from another planet.
00:30:05 - Her own planet, and it's all women.
00:30:07 - Of course. - No men.
00:30:08 None. - No men, none.
00:30:09 - So essentially the whole idea is--
00:30:11 - Not even a fabulous gay one?
00:30:12 - You could come, but you'd have to be celibate.
00:30:14 - Oh, well, okay.
00:30:16 - Our queen is the queen of this imaginary planet.
00:30:21 They reproduce their species by drinking
00:30:24 from the single running source of spring water.
00:30:26 - I did not drink spring water to get pregnant.
00:30:29 I did a lot of work. [laughs]
00:30:31 - We want to keep this queen very chic, modern,
00:30:34 so this is the top, and this is the go-to dress.
00:30:37 - Clearly, it's very fairy-like, very ethereal, romantic,
00:30:41 but it's about making sure this beading is placed.
00:30:44 - Sure. - 'Cause it looks like
00:30:45 you just stuck 'em on the skirt.
00:30:47 You gotta get this skirt done. - Yeah.
00:30:49 - You have a lot to do.
00:30:50 - It took me six hours to make the skirt.
00:30:54 - I'm not sure if I can finish this dress on time.
00:30:57 - That looks like you stuck it on with a hot glue gun.
00:30:59 - Okay. - I can see that.
00:31:01 That's fair.
00:31:03 - Teamwork is good?
00:31:05 - Yeah. - Yeah?
00:31:06 - Have fun. - I don't know.
00:31:07 That's a good idea. Okay.
00:31:09 [dramatic music]
00:31:12 ♪ ♪
00:31:15 ♪ ♪
00:31:16 - I'm just, like, now I'm confused.
00:31:18 - I do think it looks period right now,
00:31:20 but I think if we soften parts of it,
00:31:23 I think it's gonna work.
00:31:26 ♪ ♪
00:31:29 - I had Elise get this done before she gets here.
00:31:32 - We can put, like, the small ones there
00:31:34 and get it heavy, and then...
00:31:35 - So you think I just put the whole fabric on it?
00:31:40 - Mm-hmm. - And save us, like...
00:31:41 - Mm-hmm. - A million hours?
00:31:43 - I know.
00:31:44 - Our plans are matching. - Yeah, it looks like this.
00:31:46 - The more that we work on this look,
00:31:48 the more I can see the actual inspiration
00:31:51 of the challenge come to life.
00:31:53 I actually came out to my mom
00:31:56 in the midst of having her accept my choice
00:32:00 to go to fashion school as a career choice.
00:32:04 It was a very hard struggle for the both of us
00:32:06 until I became a finalist for Project Rummy.
00:32:09 - You've arrived. - I have goosebumps.
00:32:11 - I know. So do I.
00:32:12 - She actually sat down and watched
00:32:14 my own collection coming down.
00:32:16 That moment changed everything for us.
00:32:18 And that's why I keep coming back.
00:32:20 I'm really thankful. Thank you, Mom.
00:32:23 - Oh, there he is. Hi, designers.
00:32:25 - Hey. - Hi, Chris-John.
00:32:27 - Oh, Lord. - All right.
00:32:28 Let the model fitting begin!
00:32:30 - Whoo! - Yes!
00:32:32 - ♪ Model ♪
00:32:34 - Hey.
00:32:36 - ♪ Your move ♪
00:32:38 - Hi.
00:32:39 - Look at our queen.
00:32:40 - You look so pretty.
00:32:42 - Thank you.
00:32:43 - ♪ Your move ♪
00:32:45 - I'll have you step into her.
00:32:47 - I can get you started in the pants.
00:32:49 - We are thinking of using this fabric for the head wrap.
00:32:53 - It has to be that. - Yeah.
00:32:55 Serving them goddess.
00:32:57 - Feathers? - Not yet.
00:32:58 - Well, don't be making her look like Doris Day
00:33:00 all covered up. - No.
00:33:02 It's gonna be sheer. The back's gonna be open.
00:33:04 We're gonna make it dramatic.
00:33:05 - The beading is sophisticated,
00:33:06 but you gotta make it, like, modern and young
00:33:09 and fresh. - I like the idea
00:33:11 of making it see-through and sexy here.
00:33:13 - Yeah, that's-- - And opening the back.
00:33:14 - Oh, thank God. Yes. - Mm-hmm.
00:33:17 - Wow.
00:33:18 - Let's give it a little icy.
00:33:20 Wear her skates.
00:33:21 - I do not want any skating reference,
00:33:24 'cause first of all,
00:33:25 it doesn't look like a skating outfit.
00:33:27 - I wish they connected somehow a little bit more,
00:33:30 because they feel really different.
00:33:31 Maybe there's one thing that you could do...
00:33:34 - To marry the suit. - To marry it.
00:33:36 Okay.
00:33:37 - You know what, Katya?
00:33:39 A little leather slither right around here.
00:33:43 - This, where the crinoline is,
00:33:46 is creating quite a shelf.
00:33:48 - We were going for fullness.
00:33:50 - Maybe there's ways that you can create volume
00:33:53 with just the tool. - Uh-huh.
00:33:55 - Or there's peplums or overlays
00:33:57 or shapes or something else.
00:34:01 - It is too late to make it
00:34:03 from the pretty to edgy.
00:34:06 We just have to finish this dress.
00:34:09 - What is happening over here?
00:34:12 Is the armor gone?
00:34:14 - No. - Oh.
00:34:15 - No, we wanted to do a modernized portrait collar.
00:34:19 - Uh-huh.
00:34:20 - Are you gagging over it? Do you love it?
00:34:22 - I'm almost there.
00:34:25 I'm not there yet.
00:34:26 You're covering up the most beautiful part?
00:34:29 - We don't know.
00:34:31 - You guys play around with this.
00:34:32 It's getting there.
00:34:33 Still needs some refining.
00:34:34 - I mean, she's kind of something else.
00:34:35 I'm in love with her. - She's something else.
00:34:37 - She's something else.
00:34:38 She's something else. - She's giving.
00:34:41 - Wow.
00:34:42 - Perfect. You can just fit a fucking eye in there.
00:34:45 - Mm.
00:34:47 I don't know what this pant is.
00:34:49 It's not the most beautiful fitting pant yet.
00:34:52 I think you need to work on what this pant is.
00:34:54 - Yeah, honestly, just a straight panel
00:34:56 would look amazing under this too.
00:34:57 - No, the pant makes it, like, masculine/feminine thing.
00:35:00 - Yeah. - But, like, it's gotta be fab.
00:35:03 - Fab. - I think we can assume
00:35:05 that the skirt works, the top works,
00:35:06 and the harness works, and we should just
00:35:08 flip those pants inside out and pin them
00:35:09 and take them in right now.
00:35:12 - What are you running for?
00:35:13 You're making a shoulder pad.
00:35:15 - I know.
00:35:17 - All right, designers, say goodbye to your models.
00:35:20 - Goodbye, designers. - Bye.
00:35:22 - Bye. - Thank you, ladies.
00:35:24 - This is really cool. - Thank you.
00:35:26 - Bye, babe. - Bye.
00:35:27 - All right, designers, I'll see you guys tomorrow.
00:35:29 Good luck. It's gonna be a stunning show.
00:35:31 - I'll be on my throne. - Bye.
00:35:33 - Bye, Christian. - Bye.
00:35:35 - Goodbye.
00:35:36 - I need an extra four hours, please.
00:35:39 ♪ ♪
00:35:40 - She looks cleaner.
00:35:41 - Yeah, now I'm content with this fit.
00:35:44 - Front looks good.
00:35:45 - I'm just gonna go ahead and put this on.
00:35:47 I know this is Give It Month.
00:35:48 And if it's too long, I can just shred it.
00:35:51 - Okay, I'm sorry!
00:35:53 It's time!
00:35:54 - No!
00:35:56 - [growls]
00:35:57 - All the knaps.
00:36:00 - Oh, it's nasty. It's rainy.
00:36:03 - Oh, it's so cute.
00:36:05 Is it raining? Oh, my God, I'm melting.
00:36:08 ♪ ♪
00:36:14 - Jesus, okay.
00:36:16 Feels like I was just here five minutes ago.
00:36:18 ♪ ♪
00:36:20 Okay, and I'll get this last little thing on the back tacked.
00:36:23 - Okay. - That's why she's done.
00:36:24 - Are you okay if I split this up so I can do the same?
00:36:27 - Whatever you need. - Okay.
00:36:28 - Hi, everybody. - Hi!
00:36:31 Loving the suit. - Good morning.
00:36:32 - Hi. - How are you, yo?
00:36:33 - All right, designers, who wants a model?
00:36:35 - Pretty girls. - Ooh.
00:36:37 - Hi. - Good, good.
00:36:39 - Hi. - Hi, how are you doing?
00:36:42 - Turns her head, sir.
00:36:43 - Last minute, perfect. Beautiful.
00:36:45 - Can we do, like, a little leather belt?
00:36:47 - I kind of like it. It works.
00:36:48 - Okay.
00:36:50 - Is this dramatic enough at the shoulder?
00:36:53 - Okay.
00:36:54 - Can I have a little...
00:36:56 - No time. It's not right.
00:36:58 - I know, I know, I know.
00:37:00 - All right, designers, when you're ready,
00:37:01 take your models to the makeup studio
00:37:03 and the TRESemmé hair salon.
00:37:05 ♪ ♪
00:37:07 - Hi. - How are you?
00:37:08 - Good, how are you? - Good.
00:37:10 - We love the baby hairs.
00:37:11 - Just, like, natural beauty on max.
00:37:14 - Just, like, clean, pretty, but definitely, like, contoured.
00:37:17 Love her brows. - Okay.
00:37:19 ♪ ♪
00:37:21 - Did it! - Yeah.
00:37:22 - Yes! - Oh, I love it.
00:37:24 - All right, designers, 15 minutes.
00:37:26 - 15 minutes.
00:37:27 ♪ ♪
00:37:31 - Let me snap it.
00:37:32 - Yeah, can you hold it?
00:37:34 - Ah! All gorg.
00:37:36 - Nice.
00:37:38 - All right, designers, that's time.
00:37:41 ♪ ♪
00:37:45 All right, trim, trim, trim.
00:37:48 Anna, you have a lot to do.
00:37:49 You better sew this every inch of your life.
00:37:52 ♪ ♪
00:37:54 All right, designers, one minute.
00:37:56 - Let me just cut on this side a little bit.
00:37:58 Will you just tell me if the waist is centered now,
00:38:00 'cause I'm pulling it as tight as I need to.
00:38:02 - You gonna fan this out? - Yeah.
00:38:03 - So it's all ready? - Mm-hmm.
00:38:04 - Do you think I need to stitch this more,
00:38:06 or you think we're good? - I think we're good.
00:38:08 - All right, designers, that's it.
00:38:09 - We did it, girlfriends. - You guys ready?
00:38:11 - All right. - Yes!
00:38:12 It's gonna be a gorgeous show.
00:38:14 ♪ ♪
00:38:17 [dramatic music]
00:38:20 ♪ ♪
00:38:24 - Hi, everyone. - Hi!
00:38:27 - Well, you look fabulous today.
00:38:29 - Thank you.
00:38:30 - Somebody understood the assignment.
00:38:32 Well, we got all dressed up for you for this runway show.
00:38:36 - Thank you. - Bravo.
00:38:37 - I didn't get the dress-up memo, so...
00:38:40 - Somebody get him a crown, please.
00:38:43 - Can we grab one?
00:38:44 - It's my honor to introduce our guest judge
00:38:47 for this challenge.
00:38:48 He's dressed American royalty Michelle Obama,
00:38:52 cinematic royalty Gwyneth Paltrow,
00:38:55 the creative director of "Carolina Herrera,"
00:38:58 and my good friend, Wes Gordon.
00:39:00 - Thank you. - Yay!
00:39:02 - Hi, guys.
00:39:03 It's Wes Gordon, one of my favorite designers of all time.
00:39:07 I'm so excited to be here today,
00:39:09 and I'm so excited to see this incredible challenge
00:39:12 and the pieces you've made.
00:39:13 - "Carolina Herrera" is amazing.
00:39:15 This is my brand. That's it.
00:39:18 - All right.
00:39:19 Let's bring on the gowns and start the show.
00:39:22 [cheers and applause]
00:39:23 - Yes!
00:39:25 [dramatic music]
00:39:28 ♪ ♪
00:39:36 - I feel really good.
00:39:37 The look is feminine, it's romantic.
00:39:40 I'm not expecting to win this challenge.
00:39:42 I hope we're just safe.
00:39:43 I think that we're both thankful
00:39:44 that we made something really pretty
00:39:47 and that it's over.
00:39:48 ♪ ♪
00:39:51 I think we just did a pretty gown
00:39:54 rather than having something different.
00:39:57 I feel a little bit disappointed
00:39:59 for what we sent to the runway.
00:40:01 - Ooh.
00:40:03 ♪ ♪
00:40:08 - Roberta literally looks like European royalty.
00:40:13 I couldn't be happier.
00:40:15 ♪ ♪
00:40:19 - [gasps]
00:40:20 - I love the glove reference.
00:40:22 Yes, baby.
00:40:24 ♪ ♪
00:40:26 - After rocking the bottom on the previous episode,
00:40:29 this is my redemption.
00:40:32 I'm putting myself in the top.
00:40:34 ♪ ♪
00:40:42 - Wow!
00:40:45 ♪ ♪
00:40:47 - Wow!
00:40:48 - A gown for a royal needs to be loud.
00:40:51 We have the drama.
00:40:52 I think some of the others are a little bit more boring
00:40:55 and maybe ill-fitting.
00:40:56 ♪ ♪
00:41:02 - This is Game of Thrones.
00:41:04 ♪ ♪
00:41:06 - Our look is perfect for this challenge
00:41:08 of gown for royalty.
00:41:10 Rihanna, Beyoncé, J.Lo, Gaga--
00:41:14 they would all wear this gown, no question.
00:41:17 ♪ ♪
00:41:20 - My heart is about to explode
00:41:22 just by seeing the silhouette behind the scrims.
00:41:25 ♪ ♪
00:41:28 - Yes, off with their heads, honey.
00:41:30 - Yeah.
00:41:32 - Definitely seeing a lot of pageant-ready looks,
00:41:34 and we absolutely didn't take that course.
00:41:37 So I hope they can understand
00:41:38 that this is what we see for the future.
00:41:40 ♪ ♪
00:41:49 - If the judges do not take this as a top look,
00:41:52 I will lose it today because this is impeccable.
00:41:57 ♪ ♪
00:42:10 - I'm feeling amazing seeing my look go down the runway.
00:42:13 Rami and I spent so much time
00:42:15 creating such a chic and modern gown.
00:42:19 - Really well-made for 15 hours.
00:42:22 - Incredible, extraordinary.
00:42:24 ♪ ♪
00:42:25 - The gown fits her like a glove.
00:42:28 The train looks really beautiful,
00:42:30 the way the sleeve wraps around
00:42:33 from the shoulder down to the cape.
00:42:35 It's the sculpture. It's really beautiful.
00:42:37 I'm so proud of us.
00:42:39 ♪ ♪
00:42:42 - [indistinct chatter]
00:42:45 - Oh, my God.
00:42:46 - You better serve.
00:42:48 ♪ ♪
00:42:51 - She comes out, and it's like, "Whoa, girl.
00:42:54 I'm even like, 'Who made this? Oh, we made it?
00:42:56 Oh, okay.'"
00:42:57 It's amazing.
00:42:59 - I cannot tell who in the hell is whose.
00:43:02 ♪ ♪
00:43:04 - You can see this regal, royal, young queen.
00:43:10 Overall, this is a hit for us.
00:43:12 We're just soaking it in,
00:43:13 because it's just too goddamn beautiful.
00:43:16 ♪ ♪
00:43:24 - Thank you, guys.
00:43:26 - Bravo.
00:43:27 - Thank you, Nina.
00:43:28 - Well done.
00:43:29 There were no bad looks tonight.
00:43:31 Can all of you please step up to the runway?
00:43:34 ♪ ♪
00:43:38 - Come here.
00:43:41 - Designers, we've scored your designs,
00:43:43 and we would like to speak to all of you.
00:43:46 - That's a twist.
00:43:47 - There will be a winning and a losing team,
00:43:50 and someone from the losing team will be out.
00:43:53 ♪ ♪
00:43:58 - Designers, we've scored your designs.
00:44:05 The winner will come from the winning team,
00:44:07 and someone from the losing team will be out.
00:44:10 ♪ ♪
00:44:13 - All right, let's get the first look out here.
00:44:16 ♪ ♪
00:44:18 - I knew I heard her.
00:44:20 Hi.
00:44:22 - Ooh.
00:44:24 ♪ ♪
00:44:27 - Rami, Bishme.
00:44:28 - Hello.
00:44:29 - Talk about your partnership.
00:44:30 Tell us about your look.
00:44:31 - We did an amazing job with just intersecting
00:44:34 our strengths with each other,
00:44:35 understanding, like, what's the best thing
00:44:37 that we can do for a woman
00:44:39 that we feel like should be queen
00:44:41 and not just coming from a royal family.
00:44:43 - Did you guys think about, "We're going to go safe"?
00:44:46 - We wanted to take elements from classic things
00:44:48 and incorporate them in a new, modern way.
00:44:50 And sometimes when it looks simple,
00:44:53 it takes a lot of work to make sure
00:44:55 that the references are there to kind of, like,
00:44:58 showcase the modern twist.
00:44:59 - I really enjoyed the simplicity
00:45:01 of this classic gown silhouette that we have seen before,
00:45:05 but you made it modern. You updated it.
00:45:07 - This was one of the chicest dresses.
00:45:09 You guys have an amazing understanding
00:45:11 of drape and pattern making.
00:45:12 - Thank you. - Thank you.
00:45:13 - Coming from you, that's a big compliment,
00:45:15 so thank you for that.
00:45:16 - But is this the one that stands out,
00:45:18 like, that she is the one being crowned?
00:45:20 That's where I'm kind of hesitating.
00:45:22 - I think this is a classic.
00:45:25 - Thank you.
00:45:26 - I particularly love the drape of that half shoulder,
00:45:31 which looks like a half cape,
00:45:34 but why black?
00:45:35 - If it's for everyday women, like how we were thinking,
00:45:39 sticking with black felt like it was a perfect choice for us.
00:45:42 - I could see a young royal stepping into this big moment.
00:45:47 Where I didn't think that you needed it
00:45:50 was in the embroidery.
00:45:51 It took me from a royal place to a pageant place.
00:45:55 I would have loved to have just taken that illusion tool away.
00:45:58 Give us the modern tiara, the fantastic ponytail.
00:46:04 The ponytail to end all ponytails.
00:46:08 [laughter]
00:46:09 Bishme, Rami, thank you.
00:46:11 Sarah, you can leave the runway.
00:46:13 Hate to see it go.
00:46:15 - Yeah.
00:46:16 - Let's get the next look out here.
00:46:20 [dramatic music]
00:46:21 - Oh. - Adam.
00:46:23 - It's not a stone.
00:46:25 - Hey, Mama.
00:46:27 How you doing?
00:46:29 [laughter]
00:46:31 - Brittany, Anna, tell us about your look.
00:46:34 - So our queen is from an all-woman planet,
00:46:37 kind of like a Wonder Woman situation.
00:46:40 Essentially, the idea of this planet is
00:46:42 that every woman is a queen,
00:46:44 and we really wanted to, like, keep it modern
00:46:46 with embracing, like, the very feminine aspects
00:46:50 of what we both do.
00:46:51 - My eye immediately went to the train.
00:46:54 If you would just turn around, please.
00:46:56 It feels wilted.
00:46:58 It feels sad and heavy.
00:46:59 And I question the selection of the tool.
00:47:01 Would an organza have been better?
00:47:03 Something with more body
00:47:04 to tie back to those shoulder pads.
00:47:07 - Nina.
00:47:08 - It feels almost like a costume.
00:47:11 Is she nipped at the waist,
00:47:12 or is that supposed to be wider?
00:47:15 - It looks ill-fitting.
00:47:17 - What happens when you lift that part up?
00:47:20 I feel like the gathering of the tool
00:47:23 brings everything down.
00:47:25 - Okay.
00:47:26 - Who did that?
00:47:27 - I did the dress-- skirt.
00:47:29 - Brittany, what did you do?
00:47:30 The corset top and then the sleeve.
00:47:33 - You know I love you both,
00:47:35 so it pains me to say that I don't love this look.
00:47:38 I wish that you gave us something
00:47:40 that felt a little bit younger, more modern.
00:47:43 - We have seen some really inventive things
00:47:45 from both of you.
00:47:46 This is when you really have to tap into
00:47:49 who you know you are.
00:47:50 It's time to get risky.
00:47:51 - Okay.
00:47:52 - Anna, Brittany, thank you both.
00:47:55 - Thank you, Brendan.
00:47:56 - Thank you, y'all.
00:47:57 - Thank you.
00:47:58 - Okay, moving on.
00:47:59 Let's get our next look out here.
00:48:01 - Oh.
00:48:02 Here we go.
00:48:05 - Laurence, Kherison,
00:48:10 tell us about your collaboration
00:48:12 and about your look.
00:48:13 - When I think of royalty,
00:48:14 I think of a cape and a beautiful gown.
00:48:17 And we really wanted a European queen,
00:48:19 like Laurence was born in Paris.
00:48:21 I'm an Air Force brat.
00:48:22 I was born in Germany.
00:48:24 - Laurence brought this fabric from home,
00:48:26 and I know it's contrasting,
00:48:27 but I love a contrast.
00:48:29 - Laurence, so why did you choose
00:48:31 to use your fabric from home
00:48:32 on this challenge?
00:48:34 - This is my Parisian inspiration,
00:48:36 which in the beginning,
00:48:37 I just wanted to show her the fabric
00:48:39 and go to Mood and find something similar to that,
00:48:42 but we didn't find anything that we wanted,
00:48:43 so we decided to go with the black fabric,
00:48:46 but I love this fabric.
00:48:47 - I loved that immediately
00:48:50 when your model came on the runway
00:48:52 that I could see a piece of both of you,
00:48:54 because that so rarely happens
00:48:56 when you're paired up together.
00:48:58 - This is one of my favorite looks.
00:49:00 I love the sheer panels.
00:49:03 I love the intelligently placed ruffles.
00:49:06 I love the drama of the back
00:49:08 once the cape came off.
00:49:09 I love the skinny black leather belt.
00:49:11 - I think the cape is very chic,
00:49:13 very well made,
00:49:14 and I think the dress is quite beautiful.
00:49:16 I think they have no business being together.
00:49:19 Ladies, was this an homage to Karl Lagerfeld?
00:49:22 I love Karl Lagerfeld.
00:49:24 That's like one of my number one inspirations.
00:49:26 Well, it's all here.
00:49:27 [laughter]
00:49:29 I know that you don't like the cape.
00:49:31 I kind of love the cape.
00:49:32 I love that play of the black and the white.
00:49:36 I particularly love the leather detail
00:49:38 that gives it that color.
00:49:40 I really liked it.
00:49:41 This was dressing a royalty from the future.
00:49:44 Thank you.
00:49:45 Thank you.
00:49:46 Thank you, Laurence.
00:49:47 Thank you.
00:49:48 Thank you, Carisson.
00:49:49 Thank you so much.
00:49:50 Thank you.
00:49:51 OK, let's get the next look out here.
00:49:53 [music playing]
00:49:54 Oh, it's a--
00:49:55 Yes.
00:49:56 [music playing]
00:49:59 Victor, Kane, who is your royal?
00:50:05 Where are they going?
00:50:06 Our girl is definitely like Queen B, Beyonce, Lady Gaga.
00:50:11 We both dress celebrities, and we're like,
00:50:13 why don't we do something that we already do?
00:50:16 The leather is me.
00:50:18 The softness is him.
00:50:19 We just wanted to go from performance to beauty.
00:50:22 Can you explain where the dress ends
00:50:24 and the accessories begin?
00:50:25 So this is all a full dress.
00:50:27 This is nude illusion all the way to the neck.
00:50:29 It was like an embroidery fabric that we cut into an applique,
00:50:32 and we added all by hand, also on the leg.
00:50:34 So where does the leg end?
00:50:35 It's sewn into the waist here.
00:50:37 OK.
00:50:38 So with the exception of the corset,
00:50:41 the dress is one piece.
00:50:42 Correct.
00:50:43 Wow.
00:50:44 OK.
00:50:45 Personally, it veers into costume a little bit.
00:50:48 I found it to be more beautiful when you took the corset off.
00:50:52 Let's take the corset off.
00:50:54 [music playing]
00:50:57 All of a sudden, you have a really beautiful gown.
00:51:03 I am stumped of what to say, because the work is there,
00:51:07 but the accessorizing is so over the top
00:51:11 that it's hard for me to consider it as a gown and not
00:51:17 a costume.
00:51:18 [music playing]
00:51:21 I am kind of stumped of what to say,
00:51:30 because the accessorizing is so over the top.
00:51:34 So who did what in this gown?
00:51:36 Yeah, who took it over the top?
00:51:38 Can I see the back?
00:51:39 [music playing]
00:51:41 This part was definitely my portion.
00:51:45 The corset, draping and making the pattern was Victor.
00:51:49 Victor did the draping of the headpiece.
00:51:51 And then my main focus was the construction of the bodice.
00:51:55 You two are the winners of the last two challenges.
00:51:59 It's an explosive combination.
00:52:01 If this were a stage performance challenge,
00:52:06 you would have run away with the gold medal.
00:52:09 But this would deeply concern me.
00:52:13 I saw a royal walking out in this.
00:52:15 It just was too many things together.
00:52:19 Victor, Kane, thank you so much.
00:52:21 Wren, you can leave the runway.
00:52:23 [music playing]
00:52:26 All right, let's bring the model out.
00:52:30 Oh, it's almost time.
00:52:31 [music playing]
00:52:34 Hester, Fabio, how did you arrive at this look?
00:52:37 We come from the New York underground queer scene.
00:52:40 We feel like we needed what a gown would look like for us.
00:52:43 Yeah, and what a gown would look like for the world
00:52:45 we want to create.
00:52:46 Because we really felt that there
00:52:47 wasn't a representation of a queen who fit our perspective
00:52:50 of regal and royal.
00:52:51 And Mimi, do you mind if we see the pants?
00:52:54 Oh, this slips off.
00:52:55 So she can go from--
00:52:56 we actually designed a three look collection so far.
00:52:58 We can keep going.
00:52:59 That's so brilliant.
00:53:00 In 15 hours?
00:53:01 An unused reveal.
00:53:02 15 hours.
00:53:03 When I saw this, I was like, this is a risk.
00:53:07 But it made me very curious and very pleased.
00:53:12 I could see Meghan Markle wearing this.
00:53:14 Oh, that's royalty.
00:53:15 Right?
00:53:16 That's royalty.
00:53:17 A modern royal vibe.
00:53:18 Like, that's what you gave us with this look.
00:53:20 I personally, and it's subjective,
00:53:22 find this fabric to feel a little sad and older.
00:53:28 So we chose this color because to us
00:53:30 it felt like the perfect mixture between the black classic
00:53:33 and the white classic evening.
00:53:34 So for us, as looking at it as a non-binary or gender fluid,
00:53:38 we were trying to funnel that into the color of the work.
00:53:42 I love the drape of it.
00:53:43 I love the modernity of it.
00:53:45 I thought it was very successful.
00:53:47 Hester, Fabio, thank you.
00:53:49 Thank you.
00:53:50 Thank you.
00:53:52 Shall we get our final look on the runway?
00:53:55 [music playing]
00:53:59 Hey, lady.
00:54:02 Kato, Rajae, tell us about your collaboration together.
00:54:06 I'm 100% African, born and raised on the continent.
00:54:09 And we wanted to tell the story of people
00:54:11 that were taken to different parts of the world.
00:54:14 So Haiti, Barbados, Jamaica.
00:54:16 Everything we picked was very intentional.
00:54:18 From the blue fabric, the flow of it, the waters.
00:54:21 I mean, there was a lot of traveling.
00:54:23 We've gone through so much.
00:54:24 And still to this day, still fighting for rights.
00:54:26 So that's why we decided to create a queen when she steps
00:54:31 into the room, all eyes on her.
00:54:33 This beading here is Kato's fabrics from home.
00:54:36 And I have to give her great props and respect
00:54:39 for actually wanting to use that in a team challenge.
00:54:42 And of course, Kato and Rajae, you're going to get a head wrap.
00:54:46 That was our crown.
00:54:47 You did something with styling that I
00:54:49 think was quite important, which is that you
00:54:51 used the fabric from the opera coat, which I love,
00:54:55 as the headpiece.
00:54:56 If you hadn't done that, I'm not entirely sure
00:54:59 how married together the coat and the dress would have been.
00:55:03 But that simple touch made the whole look.
00:55:06 So well done with that.
00:55:08 Kato, your story was beautiful.
00:55:11 Thank you, Nina.
00:55:12 The choice of the blue with a burgundy.
00:55:15 She looks special.
00:55:17 That's an compliment coming from you.
00:55:19 I thought everything about it was
00:55:22 the definition of what this challenge is about.
00:55:26 I've watched Kato for years.
00:55:28 So we knew this moment right there
00:55:30 was already defined in the universe.
00:55:33 A lot of my inspirations are here.
00:55:35 And I don't want to cry.
00:55:37 I know.
00:55:38 Don't make us cry.
00:55:40 That's why this group is so special.
00:55:42 Yeah, like, these tears are just tears of joy.
00:55:45 This pot of soup is, like, ready.
00:55:47 And I have something to say.
00:55:49 I just want to be seen.
00:55:50 You have absolutely made the ancestors proud today.
00:55:53 Yay!
00:55:54 Without African fabric.
00:55:56 I just got hot.
00:55:57 It's brilliant.
00:55:58 Who did what?
00:55:59 Can you just break it down?
00:56:01 Kato is all over the coat.
00:56:03 I did the dress.
00:56:04 And then she definitely did come and help
00:56:07 the placement on this outfit.
00:56:09 I prayed to God, like, Lord, let me guide him
00:56:11 and not hurt his feelings.
00:56:12 But all these rhinestones can't go on this dress.
00:56:15 Beautiful work, you two.
00:56:17 Jessica, you can leave the runway.
00:56:19 Thank you.
00:56:21 Jessica is such a believable queen.
00:56:23 Oh, my God.
00:56:24 Yes.
00:56:26 Designers, there really wasn't a worst of the group.
00:56:30 It's just picking the smallest things out.
00:56:33 That being said, we're going to ask you to leave the runway
00:56:35 while we decide who will win and who will go home.
00:56:39 Thank you.
00:56:40 Thank you.
00:56:41 Thank you.
00:56:42 Thank you.
00:56:43 [laughter]
00:56:44 [crying]
00:56:45 She went, I'm pregnant.
00:56:46 Pregnant, pregnant, pregnant.
00:56:48 I love you.
00:56:49 You know I love you.
00:56:50 Literally, that was so beautiful,
00:56:52 what you said up there.
00:56:54 Beautiful.
00:56:55 OK, so the challenge was to create a gown fit for royalty.
00:56:59 I think that they all delivered.
00:57:01 Yes.
00:57:02 But let's decide who stays, who goes home.
00:57:05 I can genuinely say I do not know who's going home.
00:57:08 I know.
00:57:09 Or who's winning.
00:57:10 So we know who's safe.
00:57:12 Hester and Fabio, Bishme and Rami
00:57:16 fall somewhere in the middle.
00:57:18 Agreed.
00:57:19 Agreed.
00:57:20 Let's do the fun part first and decide
00:57:21 who gets the crown tonight, shall we?
00:57:23 Yes, please.
00:57:24 Between Laurence and Carousan and Coteau and Proget.
00:57:29 I am partial to Laurence and Carousan's look.
00:57:33 There's a lightness, a freshness.
00:57:36 And as an individual piece, that's probably the dress
00:57:39 you'd be most likely to wear to an event in New York.
00:57:41 Exactly.
00:57:42 But Coteau and Proget had an exuberance.
00:57:46 There's just those magical moments sometimes in fashion
00:57:49 when it all comes together.
00:57:51 It so rarely happens, but it's such a joy to witness.
00:57:54 And for me, Coteau and Proget tonight have that.
00:57:58 I think what brought the grandeur of this outfit
00:58:03 was really in the choice of fabric,
00:58:06 and that was all Coteau.
00:58:07 Now for the hard part.
00:58:08 We have to decide the losing team.
00:58:10 And beyond that, we have to decide who's going home.
00:58:13 Who wants to start?
00:58:14 Oh, God.
00:58:15 Not it.
00:58:16 Not it.
00:58:17 What's really challenging about picking who's going home
00:58:21 is that Victor and Kane and Anna and Brittany
00:58:26 had two very different problems.
00:58:28 I was frankly bored by what Anna and Brittany
00:58:32 sent down the runway.
00:58:33 But on the other hand, I was overwhelmed
00:58:36 by what Victor and Kane put down the runway.
00:58:39 One of them was giving us full-time Vegas,
00:58:44 and the other one is just basic and cliche.
00:58:48 If Anna and Brittany are our least favorite team,
00:58:50 who goes home?
00:58:51 Who did the mesh arms?
00:58:53 That's who needs to go home.
00:58:55 Brittany did the upper half, which was the arms.
00:58:58 Anna did that skirt.
00:58:59 The over-skirt is the culprit, because the weight of that
00:59:02 took an ephemeral light dress and stretched it down.
00:59:05 Yes.
00:59:06 But if Victor and Kane were our least favorite team,
00:59:09 who would go home?
00:59:10 Victor told us he made the corset.
00:59:14 And if that's what's the problem,
00:59:16 then Victor should go.
00:59:17 But what we don't like about this look is how costumey it is,
00:59:21 and Kane is a costumer.
00:59:23 So I think we know who is going home.
00:59:28 Are we all in agreement?
00:59:30 Yeah.
00:59:34 Let's get the designers out here.
00:59:36 Okay, designers, we have two favorite looks of the night.
00:59:49 Coteau and Prager, and Laurence and Carousan.
00:59:54 Your two teams delivered exactly what we were looking for,
00:59:59 a look that was fit for a queen.
01:00:01 Thank you.
01:00:02 Thank you.
01:00:03 And the winner of this team is...
01:00:07 Coteau and Prager.
01:00:09 [cheers and applause]
01:00:12 ♪ ♪
01:00:19 But only one designer could be crowned
01:00:21 the overall winner tonight.
01:00:23 And that designer is...
01:00:31 Coteau.
01:00:32 [cheers and applause]
01:00:34 Or should we say Queen Coteau.
01:00:37 [cheers and applause]
01:00:40 Oh, my God, thank you so much.
01:00:42 Congratulations.
01:00:43 Thank you.
01:00:44 I feel seen.
01:00:46 I'm so thankful to just represent for my people.
01:00:49 That really means a lot to me.
01:00:51 Your look together had an authenticity
01:00:54 that is so important to fashion.
01:00:56 It felt unique, it felt true.
01:00:58 It was really beautiful.
01:00:59 Thank you so much.
01:01:00 To get this win in a group challenge,
01:01:02 I think it's amazing, and it definitely shows.
01:01:04 Watch out for her.
01:01:05 She has something to say.
01:01:06 I'm still fighting to be seen as a Black woman,
01:01:08 so it wasn't just about a look.
01:01:10 Laurence, Carousan, Prager, you are all in.
01:01:14 Thank you.
01:01:15 Thank you.
01:01:16 Hester and Fabio, Fishme and Rami,
01:01:20 we also loved your looks, and you are all in.
01:01:24 Thank you.
01:01:25 Thank you.
01:01:26 You may leave the runway.
01:01:27 Thank you.
01:01:28 Thank you, guys.
01:01:29 Well done, guys.
01:01:30 [applause]
01:01:32 Ah!
01:01:34 This is history.
01:01:35 Four African-Americans in the top.
01:01:38 Never, ever happened in life.
01:01:41 Good job, you guys.
01:01:42 Good job.
01:01:45 Brittany and Anna, Victor and Kane,
01:01:49 unfortunately, someone from the losing team will be out.
01:01:55 Brittany and Anna, your look felt like you played it safe.
01:02:01 We expect much more from you.
01:02:05 Victor and Kane, your look needed editing.
01:02:12 It was more costume than fashion.
01:02:15 This was an extremely difficult decision for all of us.
01:02:20 [dramatic music]
01:02:24 Victor, you're out.
01:02:31 I'm so sorry.
01:02:34 Brittany, Anna, and Kane, you are in.
01:02:37 [music playing]
01:02:40 [inaudible]
01:02:41 Mm.
01:02:42 [inaudible]
01:02:45 Victor, what we saw of you was fantastic,
01:02:50 and I know that you have that talent in you.
01:02:53 I'm just so happy to be here.
01:02:56 I'm so happy to be in front of you guys
01:02:58 and to meet you and you and obviously you,
01:03:01 but I'm just happy to be here in front of Nina
01:03:03 because I admire you so much.
01:03:06 Thank you.
01:03:07 You're my queen.
01:03:08 You're a goddess.
01:03:09 And--
01:03:10 Oh, my god.
01:03:11 You're breaking my heart.
01:03:12 I am really sad to see you go, and I'm very proud of you.
01:03:17 Thank you guys so much.
01:03:19 I really-- it really means a lot.
01:03:20 You can all leave the runway.
01:03:22 Thank you.
01:03:23 Thank you.
01:03:24 Thank you.
01:03:25 Yay.
01:03:28 We have to remember, there's no immunity this season,
01:03:31 so one design can be your best, and then the next design
01:03:35 can be not well received.
01:03:37 Oh, my god.
01:03:38 Everyone's--
01:03:39 Wait, they're all here.
01:03:40 Oh, safe.
01:03:41 You're safe.
01:03:42 I'm going home.
01:03:43 What?
01:03:44 What?
01:03:45 Yeah.
01:03:46 I'm very sad.
01:03:47 I wanted to make it to the end.
01:03:48 I wanted you guys to see a lot more of me.
01:03:49 It's going to be a few months of hard doubting myself.
01:03:52 What did I do wrong?
01:03:53 But it's part of growth.
01:03:54 You know you're incredible.
01:03:56 I know you're incredible.
01:03:57 Feel good, because it was still floppy.
01:04:00 Thank you, Christian, for everything.
01:04:01 And you're-- I admire you, so thank you.
01:04:04 Bye.
01:04:05 Bye, bye.
01:04:06 Bye, Christian.
01:04:07 I'm grateful for everything, but I'm also
01:04:10 going to miss being on the runway in the rush.
01:04:14 [music playing]
01:04:18 Next on "Project Runway All Stars."
01:04:20 What is happening?
01:04:21 Oh, my god.
01:04:22 Oh, my god.
01:04:23 Each of you must create a runway look from this single bolt
01:04:27 of fabric.
01:04:28 [cheering]
01:04:31 What are you doing?
01:04:32 The crotch is a little wonky.
01:04:33 I'm starting to feel fear.
01:04:35 [bleep]
01:04:36 This challenge was about standing out, and yours stood out.
01:04:40 They do realize they've seen this dress since this competition
01:04:43 started, right?
01:04:44 I'm done.
01:04:45 Get some bold [bleep] out of here.
01:04:46 (explosion)
01:04:48 [BLANK_AUDIO]