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The choral referenced in the movie is from Antigone by Sophocles.

Subtitles include song lyrics and ancient Greek parts.

All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek.

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Learning
Transcript
00:01:30Oh
00:02:00I
00:02:30See
00:03:00Oh
00:03:30Then I'm a colleague
00:04:00Oh
00:04:30Oh
00:05:00Oh
00:05:30Oh
00:06:00Yes
00:06:30Oh
00:07:00Oh
00:07:30Oh
00:08:00See how it is
00:08:30I
00:09:00See how it is
00:09:02Oh
00:09:04Oh
00:09:06Oh
00:09:08Oh
00:09:10Oh
00:09:12Oh
00:09:14Oh
00:09:16Oh
00:09:18Oh
00:09:20Oh
00:09:22Oh
00:09:24Oh
00:09:26Oh
00:09:28Oh
00:09:31Oh
00:09:38Oh
00:09:42Oh
00:09:47Oh
00:09:49Mr. Nikoraidis, here, as a group of young girls from well-known and large families...
00:09:56Large families, of course, who have an extraordinary life and attitude.
00:10:01And attitude.
00:10:02Here, esteemed professors, whose heads have fallen on the ground...
00:10:07and find it difficult to impose the order.
00:10:09As much as you, my dear, who are about his age.
00:10:14His age, of course.
00:10:16Don't worry, Mr. Gymnasiarch.
00:10:18I'm sure they won't dare to do anything to me.
00:10:21That's the spirit, my dear.
00:10:24Have a seat, Mrs. Flora.
00:10:26Thank you.
00:10:33What's going on?
00:10:34They dared, my dear. They dared, of course, of course.
00:10:38What did they dare?
00:10:40Come closer, Mrs. Flora. Come closer.
00:10:49I'm a coward.
00:10:51Very well.
00:10:52They have written worse.
00:10:54Worse, of course, of course.
00:10:57But I don't understand.
00:10:59They stuck this in here.
00:11:01Probably.
00:11:02Unless you bring it from your house.
00:11:04Which is a little unlikely.
00:11:05A little unlikely, of course, of course.
00:11:07What is that?
00:11:08It is, it is, it is.
00:11:09But I told you, my dear, I told you.
00:11:11It is not possible to do it despite your good will.
00:11:15Mr. Gymnasiarch, listen to me.
00:11:16I'm sorry, Mrs. Flora, I'm very sorry.
00:11:18But now I have given in and I have delayed.
00:11:20That is...
00:11:23Mr. Gymnasiarch.
00:11:25I'll be waiting for you, Mr. Gymnasiarch.
00:11:27You'll be waiting for me?
00:11:28For what reason?
00:11:29I don't think we have to add anything.
00:11:31Maybe as we have already said.
00:11:32I'll be waiting for you, Mr. Gymnasiarch.
00:11:33My dear, what can I tell you?
00:11:34Here.
00:11:35Here.
00:11:36I told you.
00:11:43Where are you going?
00:11:45Don't you have a lesson at this hour?
00:11:47How?
00:11:48We have gymnastics.
00:11:50And why aren't you at your lesson?
00:11:52Mr. Gikas gave me permission to keep the company of Polychronopoulos,
00:11:55who suddenly fell ill.
00:11:56Ah, well.
00:11:57You are justified.
00:11:59And you?
00:12:00I am Polychronopoulos, Mr. Gymnasiarch.
00:12:03Ah, well.
00:12:04Let's go.
00:12:09Mind, health, physical health.
00:12:12As our ancestors used to say.
00:12:14And I was absolutely right.
00:12:16Because gymnastics not only ensures physical and mental health,
00:12:21but also ensures beauty.
00:12:23A person who exercises regularly is capable of having a nice body.
00:12:27And look at the perfect example in front of you.
00:12:31Mind, health, physical health.
00:12:33Attention.
00:12:35Initiation, pre-initiation.
00:12:37In one year.
00:12:38End.
00:12:39Self.
00:12:40End.
00:12:41Loss of muscles,
00:12:43hypersensitivity,
00:12:44and deep breathing.
00:12:47One.
00:12:50Two.
00:12:56Self.
00:12:59One.
00:13:01Two.
00:13:04What are you laughing at?
00:13:07You are making a mess.
00:13:11Who whistled?
00:13:14Scoundrel!
00:13:15I asked who whistled.
00:13:21Who whistled?
00:13:22Me, Mr. Professor.
00:13:25You?
00:13:27Why are you whistling, my child?
00:13:29Because I have meat in my mouth.
00:13:31You, my child, have meat in your mouth.
00:13:33You have whistled in your mouth.
00:13:35Scoundrel!
00:13:36Who is still laughing?
00:13:38Why are you laughing?
00:13:41Attention.
00:13:43And you, Papastavros,
00:13:45don't you dare to imitate me
00:13:47or we'll have a fight.
00:13:49It's my fault, Mr. Professor.
00:13:51Listen to me.
00:13:55Attention.
00:13:57The other way, Papastavros.
00:14:00Pre-initiation.
00:14:02In four years.
00:14:04End.
00:14:05One.
00:14:06Two.
00:14:07Three.
00:14:08Four.
00:14:09This.
00:14:10One.
00:14:11Two.
00:14:12Three.
00:14:13Four.
00:14:14Dimension.
00:14:15Intermediate.
00:14:16End.
00:14:18Expansion.
00:14:19End.
00:14:21Resurrection.
00:14:23One.
00:14:27What are you doing?
00:14:28Pre-initiation.
00:14:30What did I tell you?
00:14:32What did you tell us?
00:14:34Pre-initiation.
00:14:35Pre-initiation.
00:14:39All right.
00:14:40Attention.
00:14:43Attention.
00:14:45Resurrection.
00:14:46End.
00:14:47Resurrection.
00:14:49One.
00:14:53What did I tell you?
00:14:55Pre-initiation.
00:14:57Pre-initiation.
00:14:58Pre-initiation.
00:14:59Pre-initiation.
00:15:00Calm down, please.
00:15:03Attention.
00:15:06Attention.
00:15:11And now, girls, we're going to do the resurrection.
00:15:15Right?
00:15:16Yes.
00:15:17Let's be clear.
00:15:18Yes.
00:15:19Resurrection.
00:15:20Yes.
00:15:21Right?
00:15:22Resurrection.
00:15:23Resurrection.
00:15:24Resurrection.
00:15:25Yes.
00:15:26Resurrection.
00:15:27So, we're going to do our resurrection.
00:15:30All right.
00:15:31Right?
00:15:32Yes.
00:15:33Yes.
00:15:34Attention.
00:15:39Pre-initiation.
00:15:40Right.
00:15:41Resurrection.
00:15:42One.
00:15:47Girls, for God's sake, what did we say?
00:15:51Pre-initiation.
00:15:52Pre-initiation.
00:15:53Did I say something like that?
00:15:56Yes.
00:15:57Did I say pre-initiation?
00:15:59Yes.
00:16:00Did you hear what I said?
00:16:02I said, Anastas!
00:16:05You're going to make me look like an idiot?
00:16:11I said, Anastas!
00:16:24Excuse me, sir.
00:16:26Did you hear the order I gave in the morning?
00:16:27I heard it, sir.
00:16:28Anastas, I said, or Epikipsis?
00:16:29Anastas, sir.
00:16:30Thank you, sir.
00:16:31You saved me from 200 strokes.
00:16:33At least 200 strokes.
00:16:34But why?
00:16:35Because I decided to go to a neurologist tomorrow.
00:17:02Anastas!
00:17:22Ladies and gentlemen.
00:17:24Excuse me.
00:17:28You have been hanged.
00:17:29Yes.
00:17:31I'm going to kill you!
00:17:42Mr. Sinan, you have been hanged.
00:17:48Mr. Sinan, I'm sorry, you have been hanged.
00:17:53I'm sure of it.
00:17:56But why, Mr. Sinan?
00:17:59I explained it to you, I explained it to you, of course, of course.
00:18:03Aristophanes is indeed the greatest of all Greek poets,
00:18:07but he is not taught in the gymnasiums.
00:18:10And why is he not taught?
00:18:12He is not taught because of the liberating way he wrote his poems.
00:18:20His poems, of course, of course.
00:18:23Thank you, Mr. Sinan, thank you.
00:18:26Of course, of course.
00:18:34Ah, you are still here, young man.
00:18:37But you told me, I'm waiting for you.
00:18:39You told me, you told me, of course, but I also told you.
00:18:42Mr. Gimnasiarkas, I absolutely need to work.
00:18:45I know, I know, my dear, but I told you, the professors here are respectable.
00:18:49But what does it mean, I have to be respectable to work?
00:18:52If so, then I will not have time to be respectable.
00:18:53Besides, respect, as you certainly know better than me,
00:18:57is not inspired only by age.
00:18:59But now, my dear...
00:19:01Mr. Gimnasiarkas, I beg you, finally give it a try.
00:19:04A try?
00:19:06A try, indeed. Take me as a test subject.
00:19:08And if you see that I don't do it...
00:19:10As for what happened, believe me, it doesn't matter that much.
00:19:13What do you mean?
00:19:15The fact that they hung this paper on me.
00:19:17How does it not matter?
00:19:19Everything matters, my dear.
00:19:21Everything, of course.
00:19:23Mr. Gimnasiarkas, may I?
00:19:25What's going on?
00:19:27They hung this here.
00:19:29Which one?
00:19:31This one.
00:19:33What does it say?
00:19:35Be careful, the present is falling.
00:19:37The expired materials are sold at the price of opportunity, of course.
00:19:39Information inside.
00:19:41Inside?
00:19:43That's what it says.
00:19:45But they have written worse.
00:19:47Worse, of course.
00:19:49And don't forget to thank Mr. Nikolaidis.
00:19:53Yes, mother, I will. As soon as I get the chance, I will.
00:19:55Your deliveries are starting today.
00:19:57Starting today. Let's see how I'm doing.
00:19:59You will do well. With God's power, you will do well.
00:20:01Sit down, put something in your mouth.
00:20:03Ah, nice. Cheese, olives...
00:20:13Marmalade again?
00:20:15You didn't ask me for a strawberry yesterday.
00:20:16I didn't ask you for a strawberry.
00:20:18I just said I didn't like the taste.
00:20:20Come on, at least eat some butter.
00:20:22Of course, I'm not hungry.
00:20:24But at least drink your milk.
00:20:26Drink it like this, plain, like water.
00:20:28Come on, my dear.
00:20:30No, it's wrong, it's bitter.
00:20:32But it's not bitter, my child, I made it myself.
00:20:34Come on, come on, come on.
00:20:36Now you're going to drive me crazy.
00:20:38Come on, my child.
00:20:40The car, I'm still like this.
00:20:42Where are you going? Sit there.
00:20:43We're not well.
00:20:45The lady is waiting outside, the car is here.
00:20:47She says not to be late, because they're late.
00:20:49Don't wait for her.
00:20:51The lady will take our car.
00:20:53Tell Antonis to be ready.
00:20:55Yes, ma'am.
00:20:57What are you doing? Are you crazy?
00:21:14Hello, Antonis.
00:21:16Hello.
00:21:39Hello, Antonis.
00:21:43Hello.
00:21:49Let's see.
00:22:13Hello, Antonis.
00:22:43Hello, Antonis.
00:23:08Don't talk to me, please.
00:23:10A student just got out of the car.
00:23:11What's your name?
00:23:13Papastavros.
00:23:15Which class are you in?
00:23:17Eighth.
00:23:19Thank you very much.
00:23:21Girls, girls.
00:23:23Welcome.
00:23:25A new professor.
00:23:27A new one.
00:23:29Did you see him?
00:23:31No, but I think he's young.
00:23:33Young, young.
00:23:35Why does he study?
00:23:37Ancient Greek.
00:23:39Ancient Greek?
00:23:41To teach us ancient Greek.
00:23:43To teach us English.
00:23:45If we ever go to Hollywood,
00:23:47we'll be able to talk to Marlon Brando.
00:23:53How sweet.
00:23:55To teach us French.
00:23:57If we ever go to Paris,
00:23:59we'll be able to talk to Gerard Philippe.
00:24:01Girls, girls.
00:24:03How do you say, Mr. Philippe?
00:24:05Je t'aime.
00:24:07What do we say?
00:24:09To teach us Spanish.
00:24:11We're human beings.
00:24:13We might even end up in Masalia.
00:24:15What's that?
00:24:17What Masalia?
00:24:19What does Masalia have to do with Spain?
00:24:21It doesn't.
00:24:23Masalia is in Brussels.
00:24:25Girls, girls.
00:24:27I wanted to say something else.
00:24:29I say, to teach us a foreign language.
00:24:31To teach us.
00:24:33But not Greek.
00:24:35What can we do?
00:24:37Is there a chance to have a conversation
00:24:39with Pericles and Aspasia?
00:24:41What I would like to emphasize,
00:24:43Mr. Flora,
00:24:45is the way.
00:24:47The way, of course,
00:24:49which you will use.
00:24:51Don't doubt it, Mr. Koumissiarkas.
00:24:53I want to say that in a public school,
00:24:55the teacher has the opportunity
00:24:57to deal with the subject matter
00:24:59and the subject matter, of course,
00:25:01of each class, of each department.
00:25:03But in our school,
00:25:05which is a wonderful school,
00:25:07there is no doubt that it is a business.
00:25:09A business, of course,
00:25:11a business.
00:25:13I don't know if it is a business.
00:25:15Absolutely, Mr. Koumissiarkas.
00:25:23Come in, Mr. Flora.
00:25:25After you, Mr. Koumissiarkas.
00:25:26Come in, Mr. Koumissiarkas.
00:25:41Who is it?
00:25:43Who is it?
00:25:45Sit down, please.
00:25:48My dear children,
00:25:50I would like to introduce you
00:25:52to the new teacher, Mr. Pano Flora.
00:25:54Pano Flora, of course.
00:25:56He will take over from today
00:25:58the traditions of ancient Greeks
00:26:00and stories in your class.
00:26:04And I invite you,
00:26:06I invite you, please,
00:26:08to show your new teacher
00:26:10the same respect,
00:26:12the same respect, of course,
00:26:14the same respect with which
00:26:16you surround me,
00:26:18you surround me, of course.
00:26:21Silence, silence.
00:26:23Quiet, quiet, please.
00:26:25Here you are, Mr. Flora.
00:26:27Here you are, Mr. Flora.
00:26:29And I wish you a good career
00:26:31in society,
00:26:33in society, of course, of course.
00:26:36What lesson do you have now?
00:26:38Omira!
00:26:40Omira!
00:26:42Omira!
00:26:44Omira!
00:26:46Omira!
00:26:51Omira, my dear.
00:26:52Yes, father.
00:26:54Yes, father, I heard it.
00:26:56Omira.
00:26:58Omira, of course, of course.
00:27:00Here is your class.
00:27:18Quiet, please, quiet.
00:27:20Sir.
00:27:22Mr. Ginesiakis wished you
00:27:24a good career.
00:27:26Is this your first lesson?
00:27:28Yes, ma'am.
00:27:30A good career, then.
00:27:32Thank you, ma'am.
00:27:34Sir, sir.
00:27:36Here you are, ma'am.
00:27:38May I wish you a good career, too?
00:27:40Thank you, too, ma'am.
00:27:42Mr. Professor, Mr. Professor.
00:27:44Here you are.
00:27:46A good career,
00:27:48in society, of course, of course.
00:27:50What do you say now, what do you say now?
00:27:52We're done with that.
00:27:56Sir, sir, sir.
00:27:58Here you are.
00:28:00A good career.
00:28:10That's what you told me, ma'am.
00:28:12I told you?
00:28:14When did I tell you?
00:28:16I told you.
00:28:18When did I tell you? I don't remember.
00:28:22Quiet!
00:28:25Please, ma'am.
00:28:27Please,
00:28:29don't force me to start the good career
00:28:31that you wished me repeatedly
00:28:33in a way that I don't want it,
00:28:35and that, believe me,
00:28:37you wouldn't want it even more.
00:28:40Quiet!
00:28:42Mr. Katilitas.
00:28:44Here you are, ma'am.
00:28:46Can I go out?
00:28:49You can go.
00:28:56Indeed,
00:28:58there are many smart people.
00:29:01But it doesn't matter.
00:29:03We'll get to know each other better in time.
00:29:05Of course.
00:29:07Anyway,
00:29:09the time is past.
00:29:11In a quarter of an hour, you'll be in Koudouni.
00:29:12But since you have Omiro at this time,
00:29:14let's say at least a few words
00:29:16about the great poet of antiquity.
00:29:19And first of all, tell me where you are.
00:29:22You, ma'am.
00:29:32We are in chapter
00:29:34A, verse 123-124.
00:29:38I see, I see.
00:29:39I see, I see.
00:29:48Exactly.
00:29:52All right, all right.
00:29:54Do you like Omiro, ma'am?
00:29:56What do you mean?
00:29:58Do you understand him?
00:30:00Yes, quite a lot.
00:30:02You, ma'am.
00:30:04Excuse me?
00:30:06Do you understand Omiro?
00:30:07Yes, quite a lot.
00:30:09Quiet, quiet!
00:30:13Can you translate this part for me?
00:30:15What?
00:30:17Oh, I see.
00:30:19All of it?
00:30:21These four verses.
00:30:23All of them?
00:30:25All of them, of course.
00:30:27I can't do all of them.
00:30:29I'll help you.
00:30:31No problem.
00:30:32I see.
00:30:35I see.
00:30:40I see.
00:30:45I see.
00:30:47What do you mean?
00:30:49I mean, to be honest,
00:30:51out of all this nonsense,
00:30:53I only know the palace.
00:30:55You know it?
00:30:57I know it. I know it because I've been there.
00:30:59Where?
00:31:00In the palace.
00:31:03I see.
00:31:08Can you translate these four verses for me?
00:31:11The...
00:31:13The...
00:31:15The...
00:31:17Here it is.
00:31:22Did you ask for me?
00:31:24You are Yadikiaroglou.
00:31:26Is everything all right?
00:31:28Do you understand Omiro?
00:31:31I understand. I understand.
00:31:33Sit down.
00:31:37Quiet!
00:31:40What is it?
00:31:42We won't do well with him here.
00:31:44Why?
00:31:46He's a very tough man.
00:31:48Where will he go? He's so soft.
00:31:50You, over there.
00:31:52You two, in the hall.
00:31:54And Mia, come here.
00:31:56I said Mia.
00:31:58I'm Mia.
00:32:00I'm Mia.
00:32:02Quiet!
00:32:04Ladies, come a bit closer.
00:32:08Sit down now.
00:32:10Where should I sit?
00:32:12In front.
00:32:14And me?
00:32:16In the back.
00:32:18Quiet!
00:32:20Come, come.
00:32:22I beg you, ladies.
00:32:24As I can see from Omiro,
00:32:26you have a full midnight.
00:32:27There is something that is absolutely certain
00:32:30that it is remarkable.
00:32:32And it is remarkable not because we, the teachers, say so,
00:32:35but because the whole world and all the centuries say so.
00:32:38This, of course, you do from ignorance,
00:32:40because I am sure
00:32:42that together we will find the beauties
00:32:44that are hidden under these strange words
00:32:47that you don't understand now.
00:32:50And let's start systematically.
00:32:52Please be careful with me
00:32:54because we don't have much time at our disposal.
00:32:56Well,
00:32:58the Homeric monuments of the Greek language
00:33:01are not only the oldest,
00:33:03but also the oldest.
00:33:05From Homer himself we learn
00:33:07that before him other poems have been written
00:33:09by other ancient poets,
00:33:11among whom are mentioned
00:33:13Demodokos and Phimios.
00:33:15Kyrix den hersin
00:33:17kytharim perikalea thiken phimio
00:33:20os ryide
00:33:22and so on and so forth.
00:33:23That is, Kyrix put the beautiful guitar
00:33:26in the hands of Phimios
00:33:28who began to sing.
00:33:30Sir!
00:33:32Here you are.
00:33:34Did Phimios know?
00:33:36Please, let's leave the jokes, madam.
00:33:38But you say he took the guitar and sang.
00:33:40Please, madam, please, sit down.
00:33:45Does any of you know
00:33:47what Homer was?
00:33:49Sir, sir!
00:33:51Here you are, madam.
00:33:54Go!
00:33:59Go again, that is.
00:34:01And you would do well
00:34:03if you told me you wanted to go
00:34:05to settle permanently
00:34:07and not come back.
00:34:09Why is it bad?
00:34:11I don't understand that.
00:34:13Go and don't come back to the room.
00:34:15Like a goat.
00:34:17So, what were we saying?
00:34:19Ah, yes.
00:34:21Homer's homeland
00:34:23was the Ionia of Asia Minor.
00:34:25Seven cities claim his origin.
00:34:27But the most probable thing
00:34:29is that Homer was born in Smyrna.
00:34:31Sir!
00:34:33Here you are.
00:34:35Was Homer from Smyrna?
00:34:37Listen to me, my girl!
00:34:39And listen to the others, too!
00:34:41You don't want to learn
00:34:43is your right.
00:34:44But knowing is your obligation.
00:34:46I could forgive Amelia,
00:34:48but she cuts you off
00:34:50as much as you can learn.
00:34:52I can't get mad at a goat
00:34:54who can't understand math,
00:34:56but I can't get mad at you,
00:34:58my girl, who can't understand Homer.
00:35:00But I am determined
00:35:02to punish her.
00:35:04And I like that the first information
00:35:06I got about you
00:35:08is that you are girls of rich
00:35:10and great families.
00:35:12Get up, Pam.
00:35:14Yes, get up, Pam.
00:35:18Here you are.
00:35:20Be proud of being a girl
00:35:22of great families.
00:35:24But don't tell me, my girl,
00:35:26that until you were brought to school
00:35:28by your noble mother
00:35:30and your rich father,
00:35:32they didn't teach you
00:35:34even the most ordinary social manners
00:35:36that a man must have
00:35:38when he lives among people.
00:35:40Sit down.
00:35:42Before you asked me
00:35:44for the first time.
00:35:46Yes,
00:35:48I teach girls of rich and great families
00:35:50for the first time.
00:35:52But I have taught children
00:35:54of poor and humble families.
00:35:56I have taught them
00:35:58in night schools,
00:36:00children who sweat
00:36:02for the laundry,
00:36:04children who work all day
00:36:06and carry in their homes
00:36:08the rich goods
00:36:10your fathers order.
00:36:12Well,
00:36:14these girls
00:36:16have manners and ways
00:36:18that you couldn't acquire
00:36:20in your rich families.
00:36:23Stop!
00:36:25Sit down.
00:36:29I have something else to tell you.
00:36:31If you want us to get along,
00:36:33as I want it anyway,
00:36:35because I came here
00:36:37to teach you a few things
00:36:39and not to waste my time
00:36:41laughing at the way you want it,
00:36:42you must change habits,
00:36:44tactics and, above all, ways.
00:36:46Take advantage of the opportunity
00:36:48you are given
00:36:50to learn this year
00:36:52what you couldn't learn
00:36:54in your 12 years as students
00:36:56that you wasted so unfairly.
00:36:58It will be your gain
00:37:00to learn a few things
00:37:02that will help you
00:37:04not to become ridiculous
00:37:06when you go out into the world.
00:37:08Go.
00:37:12Go.
00:37:27Professor.
00:37:29Yes?
00:37:31What are we going to study tomorrow?
00:37:33You should study
00:37:35how to behave.
00:37:37But I...
00:37:39Go, go, my child.
00:37:43What did he say?
00:37:45He's upset.
00:37:47I'll talk to him.
00:37:55Did you say something, my child?
00:37:57No.
00:37:59You're just mad at me.
00:38:01That's how I am.
00:38:03I get mad when I'm angry.
00:38:05It's my right, isn't it?
00:38:07Of course.
00:38:09And it's your right
00:38:10to be mad at me.
00:38:16I told you from the start.
00:38:18We're not going to do well.
00:38:20Don't worry.
00:38:22We'll be fine.
00:38:24Don't worry.
00:38:26How are you, Mrs. Flora?
00:38:28I'm fine, sir.
00:38:30I see you're in good spirits.
00:38:32In good spirits, of course.
00:38:34How did I look when I was little, ma'am?
00:38:36As you said.
00:38:38Ma'am.
00:38:40We'll let you know.
00:38:42We'll let you know.
00:38:44We'll let you know, of course.
00:38:46Really, sir.
00:38:48This Liza Papastavrou...
00:38:50Yes, Liza Papastavrou.
00:38:52Yes, Liza Papastavrou.
00:38:54Can you tell me what kind of person she is?
00:38:56What? Has anything happened?
00:38:58No, I'm just asking.
00:39:00She's a bit tough.
00:39:02Tough and rebellious.
00:39:04And rebellious, of course.
00:39:06But she's from a very good family
00:39:08and rich.
00:39:10A very rich family.
00:39:12A very rich family.
00:39:14A very rich family.
00:39:16Please don't cry, dear.
00:39:18But as I said, she's a bit tough.
00:39:20In good spirits.
00:39:22What do you mean, in good spirits?
00:39:24In good spirits.
00:39:26She's a wonderful person.
00:39:28And very useful.
00:39:30She's a great help to our college.
00:39:32In good spirits.
00:39:34In good spirits.
00:39:36Mr. Petrinis.
00:39:40Mr. Petrinis.
00:40:10Liza Papastavrou!
00:40:12Liza Papastavrou!
00:40:14Liza Papastavrou!
00:40:16Liza Papastavrou!
00:40:18Liza Papastavrou!
00:40:20Liza Papastavrou!
00:40:22Liza Papastavrou!
00:40:24Liza Papastavrou!
00:40:26Liza Papastavrou!
00:40:28Liza Papastavrou!
00:40:30Liza Papastavrou!
00:40:32Liza Papastavrou!
00:40:34Liza Papastavrou!
00:40:36Liza Papastavrou!
00:40:38Liza Papastavrou!
00:40:41Is he here, Polizka? Is he here?
00:40:44There he is!
00:41:10Liza Papastavrou!
00:41:12Liza Papastavrou!
00:41:14Liza Papastavrou!
00:41:16Liza Papastavrou!
00:41:18Liza Papastavrou!
00:41:20Liza Papastavrou!
00:41:22Liza Papastavrou!
00:41:24Liza Papastavrou!
00:41:40Liza Papastavrou!
00:41:42Liza Papastavrou!
00:41:44Liza Papastavrou!
00:41:46Liza Papastavrou!
00:41:48Liza Papastavrou!
00:41:50Liza Papastavrou!
00:41:52Liza Papastavrou!
00:41:54Liza Papastavrou!
00:41:56Liza Papastavrou!
00:41:58Liza Papastavrou!
00:42:00Liza Papastavrou!
00:42:02Liza Papastavrou!
00:42:04Liza Papastavrou!
00:42:06Liza Papastavrou!
00:42:07Liza Papastavrou!
00:42:09Liza Papastavrou!
00:42:11Liza Papastavrou!
00:42:13Liza Papastavrou!
00:42:15Liza Papastavrou!
00:42:17Liza Papastavrou!
00:42:19Liza Papastavrou!
00:42:21Liza Papastavrou!
00:42:23Liza Papastavrou!
00:42:25Liza Papastavrou!
00:42:27Liza Papastavrou!
00:42:29Liza Papastavrou!
00:42:31Liza Papastavrou!
00:42:33Liza Papastavrou!
00:42:35Liza Papastavrou!
00:42:37Liza Papastavrou!
00:42:39Liza Papastavrou!
00:42:41Liza Papastavrou!
00:42:43Liza Papastavrou!
00:42:45Liza Papastavrou!
00:42:47Liza Papastavrou!
00:42:49Liza Papastavrou!
00:42:51Liza Papastavrou!
00:42:53Liza Papastavrou!
00:42:55Liza Papastavrou!
00:42:57Liza Papastavrou!
00:42:59Liza Papastavrou!
00:43:01Liza Papastavrou!
00:43:03Liza Papastavrou!
00:43:05Liza Papastavrou!
00:43:07Liza Papastavrou!
00:43:09Liza Papastavrou!
00:43:11Liza Papastavrou!
00:43:13Liza Papastavrou!
00:43:15Liza Papastavrou!
00:43:17Liza Papastavrou!
00:43:19Liza Papastavrou!
00:43:21Liza Papastavrou!
00:43:23Liza Papastavrou!
00:43:25Liza Papastavrou!
00:43:27Liza Papastavrou!
00:43:29Liza Papastavrou!
00:43:31Liza Papastavrou!
00:43:33Liza Papastavrou!
00:43:35Liza Papastavrou!
00:43:37Well, hello there, your good guest and groom, Palastyrex!
00:43:42You know what?
00:43:44Go on.
00:43:46You're not that bad, aren't you?.
00:43:49Well, no! I'm very bad, very bad!
00:43:53Even more than I look!
00:43:56No doubt, you're very good.
00:43:59Is that right?
00:44:01You that so, you're too strict
00:44:04You're too serious, are youniej
00:44:07More than necessary.
00:44:09What about your tie?
00:44:11You don't tie it well?
00:44:13It has to be tighter, right?
00:44:15You...
00:44:17You, who are so handsome...
00:44:19Ah!
00:44:34Mr. Gymnasiades, please.
00:44:39This is Mrs. Papastavroff.
00:44:41Ah, you, Mrs. Papastavroff.
00:44:43I remember you.
00:44:45Yes.
00:44:46Please, come in.
00:44:48Sit down.
00:44:51What are you saying?
00:44:53The boy came to see me.
00:44:55And I don't know, he's upset too.
00:44:58Yes, yes.
00:45:00But he hit her so hard.
00:45:02Poor girl.
00:45:04Yes.
00:45:06And she's not even sorry.
00:45:08Yes, Mrs. Papastavroff, don't worry.
00:45:11I'll return him to you as he deserves.
00:45:14Poor girl.
00:45:16And she's so happy.
00:45:18In a good way.
00:45:20No, no, no.
00:45:22It's not a compliment.
00:45:24Yes, yes, Mr. Papastavroff.
00:45:26Yes, you'll do me a great favor.
00:45:28I'll be waiting for you.
00:45:30At Mr. Themistocles' place.
00:45:32At Mr. Themistocles' place, of course.
00:45:37Did you see the results of Mr. Maknakis' tricks?
00:45:42What happened anyway?
00:45:44This is Floras.
00:45:46He hit little Papastavroff.
00:45:48And he hit her so badly, it looks like she's a pirate.
00:45:52But his mother assured me.
00:45:55You don't believe that, Mr. Gymnasiarchus.
00:45:57The mothers of spoiled and ill-educated girls are usually the best allies.
00:46:02What are you saying, Mr. Maknakis?
00:46:05I assure you, I'm alive.
00:46:07Alive.
00:46:09Where did you hear it, brother?
00:46:11Floras raised his hand and hit a Papastavroff.
00:46:15Themistocles' daughter, Papastavroff.
00:46:18Themistocles, of course, of course.
00:46:20I think that Themistocles' daughter wanted some tricks.
00:46:25Isn't that right, Mrs.
00:46:27Mrs. Maknakis.
00:46:29Mrs. Maknakis, of course, of course.
00:46:31But it's not his fault.
00:46:33It's my fault.
00:46:35Mr. Gymnasiarchus.
00:46:37Mr. Gymnasiarchus.
00:46:39Mr. Gymnasiarchus.
00:46:41Mr. Gymnasiarchus.
00:46:43Mr. Gymnasiarchus.
00:46:45Mr. Gymnasiarchus.
00:46:47Mr. Gymnasiarchus.
00:46:49Mr. Gymnasiarchus.
00:46:51Mr. Gymnasiarchus.
00:46:53Mr. Gymnasiarchus.
00:46:55Mr. Gymnasiarchus.
00:46:57Mr. Gymnasiarchus.
00:46:59Mr. Gymnasiarchus.
00:47:01Mr. Gymnasiarchus.
00:47:03Mr. Gymnasiarchus.
00:47:05Mr.
00:47:06Mr.
00:47:07Mr.
00:47:08Mr.
00:47:09Mr.
00:47:10Mr.
00:47:11Mr.
00:47:12Mr.
00:47:13Mr.
00:47:14Mr.
00:47:15Mr.
00:47:16Mr.
00:47:17Mr.
00:47:18Mr.
00:47:19Mr.
00:47:20Mr.
00:47:21Mr.
00:47:22Mr.
00:47:23Mr.
00:47:24Mr...
00:47:25Mr.
00:47:26Mrhusbandofthehrathguildx...
00:47:27Mr.
00:47:28Mr.
00:47:29MrHusbandofthehrathguildx...
00:47:30Mr., please, please, go on without...
00:47:32Go away, or I'll break your head!
00:47:39Go away!
00:47:43Go away!
00:47:46Let me go!
00:47:48Let me go!
00:47:49Go away!
00:47:50Please, sir, listen to me!
00:47:52Shut up!
00:47:53Just a word!
00:47:54Shut up, or I'll break your head!
00:47:56Please, sir, listen to me!
00:47:58What do you want?
00:47:59Nothing, sir, nothing!
00:48:01What are you doing, Mr. Gikas?
00:48:02What did we do?
00:48:03We were having a ball.
00:48:04A ball, that is.
00:48:05A ball, how else can you say it?
00:48:07We set fire, you see?
00:48:08Fire!
00:48:10As I had turned and was bending to draw the ranks of a single man,
00:48:13flames surrounded me.
00:48:14Bam!
00:48:15That's how I saw.
00:48:16I was blind!
00:48:17I had completely turned, like the fire of an orchard.
00:48:19What flames, you tell me!
00:48:21As I had turned, they came from the people over there,
00:48:23they stuck me in the wall and set fire.
00:48:25We went to grill, like dogs, you see?
00:48:27And I don't care about anything else, Mr. Masyakos.
00:48:29Monsieur, the suit, come here.
00:48:31A new suit, a new suit.
00:48:33Bring me a new suit, Monsieur.
00:48:35Tomorrow you will bring to Mr. Kikas
00:48:37a hundred copies of the book of Ilias.
00:48:40I don't need a hundred copies, Monsieur.
00:48:42Bring me four books and three sheets of fabric
00:48:44to make a suit.
00:48:45Do you want it monochrome, or a raggedy suit?
00:48:48You have the choice.
00:48:49You have the choice.
00:48:50Go, go Lazarus, and tomorrow you will come with your suit.
00:48:54Allow me to observe you, Mr. Kikas.
00:48:59Mr. Kikas, of course,
00:49:01these are not the words that stand in the mouth of a professor.
00:49:04We are here, Mr. Messer.
00:49:06Do you understand what they are going to do to me?
00:49:07To burn me alive, like Athanasios Diakos.
00:49:09Mr. Colleague is right.
00:49:10But we said, they are children.
00:49:12They are, brother.
00:49:13They are children, they are animals.
00:49:14What do you want us to do?
00:49:15To kill them?
00:49:16Yes, to kill them.
00:49:17Hey, Herod.
00:49:18Who killed the dead?
00:49:20Did you know that you were killing them?
00:49:22Thank you, thank you, Mr. Kikas.
00:49:26Mr. Kikas, of course.
00:49:27Mr. Kikas, Mr. Kikas.
00:49:28What is your name?
00:49:29Professor Kostas.
00:49:30Come here.
00:49:31Oh, you, Mr. Flora.
00:49:33Here you are, Mr. Gymnasiat.
00:49:35Come in.
00:49:38I want you to give me the catalogs,
00:49:40and come through the register
00:49:42to pay 200 hours of your transfer.
00:49:45Why, Mr. Gymnasiat?
00:49:46Because you are resigning, Mr. Flora.
00:49:48I'm resigning?
00:49:49You are resigning.
00:49:50You are resigning.
00:49:51And if you allow me, for what reason?
00:49:53Your hand is too far, Mr. Flora.
00:49:55I don't understand you.
00:49:56We could apply the method you know,
00:49:59but this is not a night school, Mr...
00:50:02Flora.
00:50:03Mr. Flora, of course, of course.
00:50:05And it is not so easy for someone
00:50:07to dare to put his hand on a daughter of a priest,
00:50:09of Themistocles, of...
00:50:11Themistocles, of course, of course.
00:50:13Take care of your hand, kid.
00:50:15First of all, Mr. Gymnasiat,
00:50:16I don't distinguish schools by night.
00:50:18In popular schools, that is, and in high schools.
00:50:20All students are students,
00:50:22and all students are students.
00:50:24What will a daughter of a priest say?
00:50:26She is a student, too.
00:50:27Just as every poor girl is a student, Mr. Baliliskou.
00:50:30The teacher's seat, Mr. Gymnasiat,
00:50:32must be so high
00:50:33that no one can distinguish
00:50:35which daughter is one and which is the other.
00:50:37Mr. Flora, you must keep in mind
00:50:39that I am used to teaching,
00:50:41and not to teach.
00:50:43You are very young, and I will not mislead you.
00:50:45But you forgot, Mr... Mr...
00:50:47Flora.
00:50:48Flora, of course, of course,
00:50:49what I emphasized to you,
00:50:51especially from the very first moment.
00:50:53The college I have the honor to teach
00:50:56and to manage for 15 years
00:50:58is a business with huge revenues
00:51:00and not a place of experimentation
00:51:02for young teachers.
00:51:04That is the misunderstanding, Mr. Gymnasiat.
00:51:06I came here to work in a school
00:51:08and not in a business.
00:51:10If I wanted a business,
00:51:11I could find other, more profitable ones.
00:51:13That is why, believe me,
00:51:15I am leaving your business with regret.
00:51:17I prefer to remain unemployed
00:51:18than to become a toy
00:51:19in the hands of these young ill-educated people
00:51:21whom I truly pity.
00:51:23Because their father's wealth
00:51:25and your business, on the other hand,
00:51:27have condemned them to remain
00:51:28as pets for the rest of their lives.
00:51:30Yes, and the waste bin
00:51:31that you will sell them tomorrow
00:51:33will not represent anything.
00:51:35Nothing at all.
00:51:36Enough, enough, enough,
00:51:38Mr. Flora.
00:51:39I would prefer you to find
00:51:40two words of sympathy for your victim.
00:51:42My victim, you said.
00:51:43Your victim.
00:51:44Yes, your victim
00:51:45who was seriously ill
00:51:46from your barbaric beatings.
00:51:48What are you saying now?
00:51:49Who was seriously ill?
00:51:50Who did I beat up?
00:51:52Papastavros.
00:51:53Did I beat her up?
00:51:54Are you denying it now?
00:51:55I gave her a pillow.
00:51:56And with a pillow
00:51:57she suffered what she suffered.
00:51:58What did she suffer?
00:51:59Thirty-eight and three.
00:52:00She had that child all night long.
00:52:02And that...
00:52:04Come in.
00:52:06Come, my child.
00:52:07Good morning, Mrs. Papastavros.
00:52:10How are you, my child? Better?
00:52:12Who is this Flora?
00:52:16It's me, ma'am.
00:52:17Oh, it's you.
00:52:18Come this way, Mrs. Papastavros.
00:52:20Come to my office.
00:52:21Come, my child.
00:52:26Excuse me, gentlemen.
00:52:29You too, Mr. Flora.
00:52:31One moment.
00:52:32Me?
00:52:33For what reason?
00:52:34Please, please.
00:52:40Please, my child.
00:52:44But I think my presence is completely unnecessary, Ms. Gymnasiarcha.
00:52:47Leave him alone.
00:52:48Don't be so upset.
00:52:49Can't you see that he doesn't even dare to look at me?
00:52:53Why should I not dare to look at you?
00:52:55Maybe because of what you said about me in front of the whole class.
00:52:58About you?
00:52:59Yes, yes.
00:53:00I've learned everything.
00:53:01You raised the little party in the corner
00:53:03and started to find her father and me
00:53:05with the most impolite words.
00:53:07Isn't that right, Liza?
00:53:08Yes, that's right.
00:53:10Did I find your mother and your father?
00:53:12Yes, you found them.
00:53:16Look me in the eyes, Liza, and repeat what you said.
00:53:19Yes, yes, you found them.
00:53:21What can I tell you, my child?
00:53:22I'm sorry.
00:53:23I'm truly sorry.
00:53:25If you're going to be sorry for someone, Mr. Flora,
00:53:28be sorry for yourself, not for her.
00:53:30Don't be sorry for her.
00:53:31She's the daughter of Papastavros.
00:53:33Themistocles?
00:53:34I've heard that many times, ma'am.
00:53:36But as many times as I've heard it,
00:53:38I'm not going to change my mind about your daughter's reincarnation.
00:53:41Mr. Flora!
00:53:42Sit down, ma'am.
00:53:44Very nice.
00:53:45Very nice.
00:53:46Mr. Flora, I see,
00:53:48you have nothing against me.
00:53:51But if I'm ever going to find someone, ma'am,
00:53:53you have to be sure that I'll find him like that.
00:53:56Exactly as you said.
00:53:57Against me.
00:53:58Mr. Flora!
00:53:59Mr. Flora!
00:54:00Mr. Flora, of course.
00:54:02Mr. Flora is very strong.
00:54:06Are you going to beat us up, Mr. Flora?
00:54:08Beat you up?
00:54:09Why?
00:54:10Who else should I beat up?
00:54:12Good.
00:54:13Did I beat you up, my child?
00:54:14Yes.
00:54:15You didn't let me get lost and you were the only one who was strong.
00:54:17Oh, I see.
00:54:18I was the only one who was strong.
00:54:19Yes, you were the only one who was strong.
00:54:20And the strangest thing is that I still don't understand why you hit me.
00:54:23Why did you hit me, Mr. Flora?
00:54:25Really, why did you hit her, Mr. Flora?
00:54:27What did she do to you?
00:54:28Why?
00:54:29She knows.
00:54:31I don't know anything.
00:54:33The only thing I know is that I got dizzy.
00:54:35And for half an hour I was seeing green, red and yellow trousers.
00:54:40And yellow, my child?
00:54:43Yes.
00:54:44Oh, I see.
00:54:45I hit her so much.
00:54:47Yes, so much.
00:54:48That's what I said.
00:54:49I got dizzy.
00:54:51Shame on you, my child.
00:54:53Shame on you.
00:54:54And it's a shame because you are a happy girl who will go lost and you will ruin her life.
00:54:58Mr. Flora, you will never ruin a daughter of a priest.
00:55:02And of Themistocles.
00:55:04Wealth, my lady, no matter how great it is, never guarantees happiness.
00:55:09With the path that your daughter has taken, it is mathematical, of course, that she will become unhappy.
00:55:13And the worst thing will make other people unhappy.
00:55:16Those who will live with her.
00:55:18I, Mr. Gymnasiarch, excuse me.
00:55:21After all...
00:55:27Mr. Flora is very arrogant.
00:55:29Arrogant?
00:55:31But it doesn't matter, Mrs. Papastavlou.
00:55:33The matter has become normal.
00:55:35What do you mean?
00:55:36I fired him.
00:55:38You fired him?
00:55:40Of course, I fired him.
00:55:42And I would like to emphasize that the heroic force will remain a shining example to the professor of this college, who...
00:56:01Well...
00:56:11Well...
00:56:12I hope, Mrs. Papastavlou, that you are satisfied with the lesson I gave you.
00:56:15And I want to believe that we can now consider this sad episode to be true.
00:56:19Of course.
00:56:20Well, Mr. Gymnasiarch, forgive me for the concern I gave you.
00:56:23Forgive me, my lady.
00:56:25Forgive me for what happened to the college.
00:56:28To the college, of course.
00:56:30You will stay in your class, won't you?
00:56:32Of course, Mr. Gymnasiarch.
00:56:33Goodbye.
00:56:34Goodbye, goodbye, and respect to Mr. Themistoclin.
00:56:37To Mr. Themistoclin, of course, of course.
00:56:45Mom!
00:56:46Mom!
00:56:49Mom!
00:56:51Mom!
00:56:52I almost died.
00:56:53Why?
00:56:54Didn't you hear what he said, of course, of course?
00:56:55What did he say?
00:56:56He fired him.
00:56:57We didn't want that.
00:56:58We didn't want that at all.
00:56:59Oh, we are not well.
00:57:00You, my child, didn't you bring me here to be punished, Floras?
00:57:03To be punished, not to be fired.
00:57:04Yes, but what can I do to you?
00:57:05That's how you punish him, Mr. Gymnasiarch.
00:57:06What did I do wrong?
00:57:07Mom.
00:57:08Yes?
00:57:09You should go and catch him.
00:57:10Who?
00:57:11Mr. Gymnasiarch.
00:57:12And what should I tell him?
00:57:13To keep him.
00:57:14But how can I tell him to keep him?
00:57:16He will take me for a madman with his right hand, that is, the man.
00:57:18But it's wrong, it's wrong, I'm telling you, it's wrong.
00:57:20At the bottom of the desk, it's a shame to lose the job of a poor man,
00:57:23because you have a lot of lies to tell.
00:57:25Lies?
00:57:26Yes.
00:57:27What lies?
00:57:28Oh, well, I had it yesterday.
00:57:30I love you.
00:57:31I had, I had, I had, I had.
00:57:32Oh, you are good.
00:57:33You didn't tell me to say that.
00:57:35Nice, and if I told you to fall into the sea to drown, would you fall?
00:57:38If you tell me that you went crazy, my child, tell me that you went crazy.
00:57:41Good morning.
00:57:42Leave me alone.
00:57:43Good morning.
00:57:44What is it again?
00:57:45Mom, this can't stay like this.
00:57:47At the bottom of the desk, I will be attacked.
00:57:49Do you want them to kill me?
00:57:50She hit you, my child, I saw her hit you.
00:57:52She hit me, she hit me.
00:57:53What hit me?
00:57:54She hit me, she hit me.
00:57:55She gave me a slap, like a freak, and she was right when she told me.
00:57:58Why didn't you tell me like that yesterday?
00:58:00Oh, I couldn't, I was nervous and that's why.
00:58:02I'm a child and I'm nervous.
00:58:04What can I do to you?
00:58:05Once in a while I don't look back and I become a laughingstock for Charis.
00:58:24I'm going to get you a present.
00:58:51No, it's free.
00:58:53It won't cost you anything.
00:58:54It's just a phone call.
00:58:55Yes.
00:58:56Listen, Baka,
00:58:57I didn't want to do it,
00:58:58but I had to leave the school because of a teacher.
00:59:01Here you are.
00:59:02Oh, you're in a good mood now.
00:59:04I can't explain it to you.
00:59:05I'll tell you tonight.
00:59:08He gave me a slap,
00:59:09and the principal kicked him out.
00:59:11What?
00:59:12No!
00:59:13It was my fault.
00:59:14It was my fault.
00:59:15And now, as you can see, I'm pregnant.
00:59:17Yes.
00:59:18Take the principal and tell him to keep him.
00:59:20Is that right, Baka?
00:59:21Well done, Baka.
00:59:23Flora.
00:59:24Panos Flora.
00:59:26Er...
00:59:27Middle school.
00:59:29Fifty, forty, thirty-five, twenty-eight.
00:59:32Somewhere around there.
00:59:33Hm?
00:59:34Should I stay quiet?
00:59:35Is that right, Baka?
00:59:36No!
00:59:37Now, now, now, now, now!
00:59:39Now, because he's leaving.
00:59:40Yes.
00:59:41I'll hang up the phone,
00:59:42and you take him right away.
00:59:43You know the feeling, don't you?
00:59:45Yes.
00:59:46I'm going to notify him.
00:59:47Well done, Baka.
00:59:48Thank you very, very much.
01:00:00What's going on, Mr. Flora?
01:00:03Nothing, nothing.
01:00:05Disagreement with the business.
01:00:08Come in.
01:00:11Mr. Gymnasiakas,
01:00:12they're asking for you on the phone.
01:00:14But I have a delivery now.
01:00:15Oh, but it's a necessity, he says.
01:00:16A great necessity.
01:00:17Come.
01:00:18Necessity?
01:00:19Forgive me, my dear children.
01:00:33Here you are, Mr. Flora.
01:00:35Mr. Gymnasiakas will sign it for you,
01:00:37and you'll bring it back here.
01:00:39Here, to you?
01:00:40Yes.
01:00:41Thank you.
01:00:42You're welcome.
01:00:45Thank you.
01:00:51Hello.
01:00:52Hello.
01:00:53How is he?
01:00:54I don't know.
01:00:55He was knocking just now.
01:00:56And who was it?
01:00:57I don't know.
01:00:58He was knocking.
01:00:59But you told me it was a necessity.
01:01:00Yes.
01:01:01A great necessity.
01:01:02A great necessity.
01:01:03Who told you that?
01:01:04No one told me.
01:01:05I realized it myself
01:01:06when you were knocking.
01:01:08It seemed like it was a great necessity.
01:01:09But it was wrong.
01:01:10No, no.
01:01:11Now.
01:01:12What now?
01:01:13Now he'll knock again.
01:01:15Like this.
01:01:16Listen.
01:01:17What?
01:01:18Yes.
01:01:19What?
01:01:20Yes, yes.
01:01:21He's knocking.
01:01:23Come in.
01:01:24Come in.
01:01:25Come in.
01:01:29It's me.
01:01:31Mr. Papastavros?
01:01:33Mr. Themistocles?
01:01:34My respects, Mr. Themistocles.
01:01:36My respects.
01:01:37Excuse me for a moment.
01:01:38Close the door, my child.
01:01:39Close the door.
01:01:41Half a minute, Mr. Papastavros.
01:01:43Excuse me.
01:01:51Here you are, Mr. Papastavros.
01:01:52I can hear you.
01:01:54Yes, Floras.
01:01:55Panos Floras.
01:01:56The matter has been settled.
01:01:57I fired him.
01:01:59Of course, I fired him.
01:02:00Your wife was here just a moment ago.
01:02:04Here you are.
01:02:05What do you mean?
01:02:06That the dismissal should be postponed?
01:02:08That Floras should remain?
01:02:11I don't understand, Mr. Papastavros.
01:02:13Here you are.
01:02:14I'm sorry.
01:02:15Because I fired your daughter.
01:02:17Yes.
01:02:18Yes.
01:02:19Of course.
01:02:20Of course.
01:02:21This is also a pedagogical system.
01:02:24Yes, of course.
01:02:25But I think he's outside.
01:02:26Excuse me for a moment.
01:02:27Excuse me.
01:02:32Come in, Mr. Floras.
01:02:33Mr. Papastavros is asking for you on the phone.
01:02:35Mr. Papastavros?
01:02:36But I don't think we have anything to say.
01:02:38Please.
01:02:39Please.
01:02:40We'll play now.
01:02:41Mr. Themistocles is asking for you on the phone.
01:02:43Mr. Themistocles?
01:02:44Mr. Themistocles?
01:02:45Of course.
01:02:46Dad, you're my friend.
01:02:47Thank you.
01:02:54Come in.
01:02:55Mr. Papastavros, talk to Mr. Floras.
01:02:58But I don't think...
01:02:59Mr. Themistocles?
01:03:02Come in.
01:03:03Yes, Floras.
01:03:04Nice to meet you.
01:03:05Yes, I fired your daughter.
01:03:07And I'm sorry I only fired her once.
01:03:11What are you saying?
01:03:12Are you making fun of me?
01:03:13No!
01:03:14No.
01:03:15But I think your wife has a different opinion of you.
01:03:18Huh?
01:03:21No, of course not.
01:03:22No, of course not.
01:03:24She's probably your type.
01:03:31I see.
01:03:32Thank you very much.
01:03:33Very well.
01:03:34Take Mr. Gymnasiakis.
01:03:37I see, Mr. Themistocles.
01:03:38Of course, of course.
01:03:39I agree.
01:03:40Yes, I agree.
01:03:41Take him.
01:03:42Take him.
01:03:44Mr. Themistocles.
01:03:45Yes.
01:03:46Go to your class, my child.
01:03:47Yes, Mr. Gymnasiakis.
01:03:56So that's it.
01:03:58Mr. Gymnasiakis, if you don't mind, please sign this.
01:04:01What is this?
01:04:02I think your request has been accepted.
01:04:04How has it been accepted?
01:04:05Well, after Mr. Papastavros' phone call,
01:04:08I'd like to say that our collaboration, of course, and you...
01:04:12Listen to me, Mr. Gymnasiakis.
01:04:13If I stay, I'll stay for a while.
01:04:15Accepted.
01:04:16But you didn't hear him.
01:04:17Accepted, my dear, accepted.
01:04:18I'll do my job the way I think is best.
01:04:20We're not going to disagree on that, my dear.
01:04:22If your opinions coincide with Mr. Papastavros' opinions,
01:04:25if your opinions coincide with Mr. Papastavros' opinions,
01:04:27then your opinions will be yours.
01:04:29So, if two opinions coincide with a third,
01:04:31they must coincide, and between them.
01:04:33And between them, of course, of course.
01:04:35Of course, of course.
01:04:36But now, if you'll excuse me,
01:04:37because I've left tradition in the mercy of God,
01:04:39and wherever it may strike.
01:04:41I'm afraid.
01:05:00So, what's the matter?
01:05:01So, I saw you upset, so I thought I'd tell you about Lepidus.
01:05:04I mean, more than Lepidus,
01:05:06because you were so bad, because it was the same Dinosaur's name.
01:05:10So, he looks like him.
01:05:11So, he looks like him.
01:05:12So, he looks like him.
01:05:13And he looks like him, and he's got a beard.
01:05:14What beard? He's got a beard.
01:05:16He's a sad face.
01:05:17So, what's the matter?
01:05:18So, the thing has been modified.
01:05:20I called my dad, and we're going to keep him.
01:05:22Nice.
01:05:23Kappa.
01:05:24Kappa, Kappa, Kappa, my children, a big Kappa.
01:05:26What does he want?
01:05:27Now he's going to change the lights and put me to sleep.
01:05:29Oh, you fool, what will he change the lights for?
01:05:31He's ready with the feathers, as he should.
01:05:33There they are.
01:05:34Mrs. Thnolana.
01:05:35Mrs. Thnolana.
01:05:36Tomorrow we'll be doing a Greek lesson.
01:05:37History at the first lesson.
01:05:38History at the first lesson.
01:05:39Thank you very much.
01:05:40You're welcome.
01:05:44Mr. Fleran.
01:05:45What's up?
01:05:46Can I tell you something?
01:05:47No.
01:05:48Why?
01:05:49Because I think we have nothing to say to each other.
01:05:50And how do you know what I want to tell you?
01:05:51I don't know, and I don't want to know.
01:05:53But I want to ask you something about the lesson.
01:05:55All right.
01:05:56But...
01:05:57Don't look at me, Papastavro, because...
01:05:58Because what?
01:05:59Because you'll see red, green and yellow feathers again.
01:06:01And this time, blue ones will be added as well.
01:06:03Oh, I see.
01:06:04All right, then.
01:06:05I'll show you.
01:06:07Come here, Papastavro.
01:06:08What am I going to tell you?
01:06:10Are you threatening me?
01:06:11Yes, yes, I'm going to threaten you.
01:06:12I'm going to threaten you.
01:06:13All right, then.
01:06:14Why are you coming closer?
01:06:15Because I'm going to hit you.
01:06:16Shut up, Anastasios.
01:06:17That's what I'm telling you.
01:06:19Shut up.
01:06:20Shut up, because you're going to go even further.
01:06:22Yes, because you're daring.
01:06:23Because you're daring.
01:06:24All right, then.
01:06:27What's going on here?
01:06:28What's going on?
01:06:29What's going on, my dear?
01:06:31He hit me again, Mr. Gymnasiarch.
01:06:33He hit me again.
01:06:36He hit you again?
01:06:37Why?
01:06:38What did she do?
01:06:39Because she was daring, Mr. Gymnasiarch.
01:06:41She was daring?
01:06:42She was daring, yes.
01:06:51What's going on here?
01:06:52Shut up.
01:06:53Why?
01:06:54Because.
01:07:07She was daring?
01:07:08She was daring?
01:07:09She was daring?
01:07:10She was daring?
01:07:11What are you talking about?
01:07:12I haven't heard from her at all.
01:07:13Don't get your hopes up.
01:07:14She's not going to hear from anyone else.
01:07:15What?
01:07:16She's not going to hear from anyone else?
01:07:17What?
01:07:18Oh, really, girls.
01:07:19What's so bad about what you're telling us?
01:07:20It's been two months now that Khastoukis has been in a coma.
01:07:22What?
01:07:23Since when?
01:07:24Since the day Floras was carried away.
01:07:25That's what's been bothering us.
01:07:26You're right.
01:07:27I told you at the first moment, girls.
01:07:28Yes, my dear.
01:07:29Before he came, we were all fine.
01:07:30Since the time Khastoukis was eaten by crickets,
01:07:31others were sleeping.
01:07:32I'm surprised.
01:07:33I was awake until Vadeos took care of him.
01:07:34I still haven't persuaded him yet.
01:07:35What is he doing?
01:07:36You should expect him to wake up anytime soon.
01:07:38I had no idea.
01:07:39Floras is just Floras.
01:07:40It's not his turn yet, but I know how he will see that.
01:07:42I won't let him live for long.
01:07:43Garbage!
01:07:44Garbage!
01:07:45Garbage!
01:07:46Garbage!
01:07:47Garbage!
01:07:48Garbage!
01:07:49Garbage!
01:07:50Garbage!
01:07:51Garbage!
01:07:52Garbage!
01:07:53Garbage!
01:07:54Garbage!
01:07:55Garbage!
01:07:56Garbage!
01:07:57Garbage!
01:07:58Sorry, guys, I didn't call for garbage,
01:07:59sorry, guys, I didn't call for garbage,
01:08:00but some people have stomachache.
01:08:01...will take the 3rd van, the 6th, the 2nd and the 5th, the 1st.
01:08:09I don't want to hear any noise or fuss, because the plane will crash.
01:08:15Ready for take-off.
01:08:32Come on, come on!
01:08:45I and Mr. Floras will board the 8th and 7th buses.
01:08:50You, Mr. Pavlomatis, with Mr. Makridakis, the 6th bus.
01:08:55You, with Mr. Gikas, the 1st bus.
01:08:57I'm ready for take-off.
01:09:00Let's go.
01:09:27I'm ready for take-off.
01:09:29Take-off.
01:09:59I'm ready for take-off.
01:10:02Let's go.
01:10:29I'm ready for take-off.
01:10:32I'm ready for take-off.
01:10:59I'm ready for take-off.
01:11:02I'm ready for take-off.
01:11:05I'm ready for take-off.
01:11:08I'm ready for take-off.
01:11:11I'm ready for take-off.
01:11:14I'm ready for take-off.
01:11:17I'm ready for take-off.
01:11:20I'm ready for take-off.
01:11:23I'm ready for take-off.
01:11:26I'm ready for take-off.
01:11:29I'm ready for take-off.
01:11:32I'm ready for take-off.
01:11:35I'm ready for take-off.
01:11:38I'm ready for take-off.
01:11:41I'm ready for take-off.
01:11:44I'm ready for take-off.
01:11:47I'm ready for take-off.
01:11:50I'm ready for take-off.
01:11:53I'm ready for take-off.
01:11:56I'm ready for take-off.
01:11:59I'm ready for take-off.
01:12:02I'm ready for take-off.
01:12:05I'm ready for take-off.
01:12:08I'm ready for take-off.
01:12:11I'm ready for take-off.
01:12:14I'm ready for take-off.
01:12:17I'm ready for take-off.
01:12:20I'm ready for take-off.
01:12:23I'm ready for take-off.
01:12:26I'm ready for take-off.
01:12:29I'm ready for take-off.
01:12:32I'm ready for take-off.
01:12:35I'm ready for take-off.
01:12:38I'm ready for take-off.
01:12:41I'm ready for take-off.
01:12:44I'm ready for take-off.
01:12:47I'm ready for take-off.
01:12:50I'm ready for take-off.
01:12:53I'm ready for take-off.
01:12:56I'm ready for take-off.
01:12:59I'm ready for take-off.
01:13:02I'm ready for take-off.
01:13:05I'm ready for take-off.
01:13:08I'm ready for take-off.
01:13:11I'm ready for take-off.
01:13:14I'm ready for take-off.
01:13:17I'm ready for take-off.
01:13:20I'm ready for take-off.
01:13:23I'm ready for take-off.
01:13:26I'm ready for take-off.
01:13:29I'm ready for take-off.
01:13:32I'm ready for take-off.
01:13:35I'm ready for take-off.
01:13:38I'm ready for take-off.
01:13:41I'm ready for take-off.
01:13:44I'm ready for take-off.
01:13:47I'm ready for take-off.
01:13:50I'm ready for take-off.
01:13:53I'm ready for take-off.
01:13:56I'm ready for take-off.
01:13:59I'm ready for take-off.
01:14:02I'm ready for take-off.
01:14:05I'm ready for take-off.
01:14:08I'm ready for take-off.
01:14:11I'm ready for take-off.
01:14:14I'm ready for take-off.
01:14:17I'm ready for take-off.
01:14:20I'm ready for take-off.
01:14:23I'm ready for take-off.
01:14:26I'm ready for take-off.
01:14:29I'm ready for take-off.
01:14:32I'm ready for take-off.
01:14:35I'm ready for take-off.
01:14:38I'm ready for take-off.
01:14:41I'm ready for take-off.
01:14:44I'm ready for take-off.
01:14:47I'm ready for take-off.
01:14:50I'm ready for take-off.
01:14:53I'm ready for take-off.
01:14:56I'm ready for take-off.
01:14:59Meow.
01:15:30What are you doing there?
01:15:34I'm going to take a look around, sir.
01:15:38Go ahead, Mr. Floran.
01:15:41Excellent young man.
01:15:44When he came here, everything was in order.
01:15:47You must admit it, sir.
01:15:50What are you saying? I'm comparing him to the king of Bulgaria.
01:15:54You're exaggerating, sir.
01:15:57Hey, Anastasatos.
01:16:00What are you doing there?
01:16:03Excuse me, Mr. Floran.
01:16:06It's a sin.
01:16:14What's the meaning of this?
01:16:17If you cut the rope, you'll break it.
01:16:20What do you mean?
01:16:22It's very simple.
01:16:25We'll stop him.
01:16:28We'll talk to him, and if he wants to go, we'll put him in jail.
01:16:33What can I tell you? God is great.
01:16:36He can break a city, he can break a hand.
01:16:39We'll make sure he breaks his head.
01:16:42No way.
01:16:45Isn't that funny?
01:16:48Don't laugh.
01:16:50If you cut his hand and put him in jail, he'll break his head.
01:16:54I'm telling you, I won't let you break your heart.
01:16:58What are you trying to say?
01:17:01Mr. Stavros seems to have a very serious reason not to want anything to happen to Floras.
01:17:06He looks like James Dean.
01:17:09I don't understand you, Poppy.
01:17:12I don't understand you either.
01:17:15We've all understood each other.
01:17:17Alexios, show me your tongue.
01:17:20Don't you know how to be a teacher?
01:17:47Get out of here!
01:18:17Get out of here!
01:18:25Mr. Stavros, Alexios, what's going on?
01:18:28Don't you have any shame?
01:18:31Are you allowed to fight like kids now?
01:18:34What happened anyway?
01:18:39What happened, Mr. Stavros?
01:18:48What happened, Alexios?
01:18:51He hit me.
01:18:54Who hit you? Stavros?
01:18:57Why did Stavros hit you?
01:19:02What happened, Alexios?
01:19:05I don't know, Mr. Floras.
01:19:08He was sitting there and then he got up and looked me in the eyes.
01:19:12How can that be?
01:19:14Did he say anything?
01:19:17No, nothing.
01:19:20I didn't say anything either.
01:19:23Nothing?
01:19:26Nothing.
01:19:32Were you here, Xanthopoulou?
01:19:35Yes, I was here.
01:19:38What happened?
01:19:40I was talking to Xanthopoulou.
01:19:43And I saw Stavros hit Alexios.
01:19:47And you, Xanthopoulou?
01:19:50I didn't see anything.
01:19:57And you, Polychronopoulou?
01:20:00I wasn't paying attention either.
01:20:03Xanthopoulou was talking to Xanthopoulou.
01:20:06You weren't paying attention either?
01:20:08You weren't paying attention either?
01:20:11I wasn't paying attention either.
01:20:14I was paying attention to Polychronopoulou and Xanthopoulou.
01:20:18What happened, Mr. Floras?
01:20:21Nothing, Mr. Kikas.
01:20:29So, what did Alexios say?
01:20:32Nothing.
01:20:35Then why did you attack her?
01:20:38Why did you attack her?
01:20:41Do you want me to believe you?
01:20:44I don't know.
01:20:46I don't know.
01:20:53I don't know.
01:20:56I don't know.
01:21:16You don't know the ancient Myn無
01:21:20Nor the lore of Xanthopoulou
01:21:23What stuck out to me
01:21:28I know you didn't like the saying
01:21:31I don't know much you like
01:21:34Especially
01:21:38I'm glad you came.
01:21:41Come on, guys.
01:21:43to admire the choir, if not the most admirable of all that this great poet of antiquity has written.
01:21:50Could any of you translate it for us?
01:21:53It's simple, cool and easy.
01:21:57Go ahead.
01:21:58Papastavros! Papastavros!
01:22:01Papastavros. Come, Papastavros.
01:22:04Papastavros knows it well.
01:22:08Why did you stop? Go on.
01:22:14Read the ancient text for us, please.
01:22:17One line at a time.
01:22:19Love is a battle.
01:22:24What's going on down there? Please, be quiet.
01:22:29So, love is a battle.
01:22:31That's right.
01:22:32What do you mean?
01:22:33I mean, love is a battle.
01:22:37That's right, love is a battle.
01:22:39Please, I said be quiet.
01:22:41I said be quiet. You, for your own sake, be quiet.
01:22:45Please, go on.
01:22:46Love is a battle.
01:22:49That's right.
01:22:52What do you mean?
01:22:53I mean, love is a battle.
01:22:57That's right.
01:22:59You win whoever you choose.
01:23:01That's right.
01:23:04And you go out at night.
01:23:07And you go out at night.
01:23:08And you go out at night.
01:23:10Fine.
01:23:11Go on.
01:23:13You go out at night.
01:23:16I can't, Mr. Fleras.
01:23:31Hey, hey, slowly. Slowly.
01:23:34What happened to you, Papastarou?
01:23:39Nothing.
01:23:40What do you mean, nothing? You're crying.
01:23:42I'm not crying. How can I cry?
01:23:44Who told you that I'm crying?
01:23:46You didn't tell me. Do you see it?
01:23:48I don't know what you see. I don't cry.
01:23:51Okay, you don't cry. I agree.
01:23:53So, wipe your eyes and go outside.
01:23:56Thank you.
01:24:04Give me my notebook, please. Give me my notebook.
01:24:17Is this notebook mine? Does it belong to me?
01:24:20I don't know what he's saying.
01:24:22This notebook isn't yours.
01:24:24Did you take it? You didn't take it.
01:24:26Is there a stamp on it? A seal?
01:24:28There isn't.
01:24:29So, give me my notebook, please. Give me my notebook.
01:24:32You don't want me to open it?
01:24:33No.
01:24:34Why?
01:24:35Because if you open it, I'll see green, red and yellow petals again.
01:24:42Okay, then take it.
01:24:56So, time flies.
01:24:58Time flies.
01:24:59Time flies like water.
01:25:01Like water, of course.
01:25:03So, when did this time pass? I don't understand.
01:25:06When did the schools open? When did the pimples appear?
01:25:09When did we pass the exams? I don't understand.
01:25:13How do you plan to spend your holidays, Mr.
01:25:17Mr.
01:25:18Mavromatis.
01:25:19Mavromatis, of course.
01:25:20With pre-gymnastics and special lessons, Mr.
01:25:23Unfortunately, the suspension is absolutely unforgivable.
01:25:26Unforgivable.
01:25:27And you, Mr.
01:25:28Gikas?
01:25:29Where are you?
01:25:30Where will you spend your holidays?
01:25:32At the Spirakas in Omonias, Mr.
01:25:34Mavromatis.
01:25:35It's on September 23rd.
01:25:37I'm in favor of this luxury.
01:25:41Ready, Mr.
01:25:42Flora?
01:25:43Ready, Mr.
01:25:44Gimnasia.
01:25:45We don't have any more, do we?
01:25:46No, the last ones.
01:25:47The eight.
01:25:48All the others have been sealed.
01:25:49Did you check them?
01:25:50Yes, only the seal is missing.
01:25:51Why don't you take a look at them?
01:25:52Well, since you saw them, it's better.
01:25:55The results of the eight are, Mr.
01:25:57Flora?
01:25:58Yes, the eight.
01:25:59And will they be sealed now?
01:26:00We told them for today.
01:26:01Some are already here and are waiting.
01:26:11I'll be right there.
01:26:16Girls, the results of the eight are out.
01:26:18Bravo!
01:26:22Let's go.
01:26:31Mr.
01:26:32Flora?
01:26:33Mr.
01:26:34Flora, why don't you have my name?
01:26:36Because you, Alexios, will tell us again in September.
01:26:39And if you tell us better than you told us now,
01:26:41you'll see your name there too.
01:26:42But by September, I'll forget what I know.
01:26:44Oh, then it's bad for your head.
01:26:48Liza, Liza!
01:26:49Did you get it, Liza?
01:26:50I don't know.
01:27:05Here it is.
01:27:06I got it.
01:27:07I got it, Alexios.
01:27:09I got it.
01:27:15Mr. Flora.
01:27:16Here it is.
01:27:17I got it.
01:27:18I know it better than you, lady.
01:27:20You tell me that.
01:27:21Of course, you'll get the results.
01:27:23You know it, we know it.
01:27:25But, but, I wanted to tell you...
01:27:31Greetings.
01:27:34Mr. Flora!
01:27:36Mr. Flora!
01:27:37Here.
01:27:39Are you happy to be performing?
01:27:41Of course.
01:27:42No, I say, because I was a little blind.
01:27:44It's nothing, if one has a little good will.
01:27:46If one has a little good will.
01:27:48Good will.
01:27:52Greetings.
01:28:02Mr. Flora!
01:28:03Mr. Flora!
01:28:06Mr. Flora.
01:28:07I...
01:28:08I mean, I wanted to say...
01:28:10I was a little blind.
01:28:13I won't come to school again.
01:28:15Right?
01:28:17Of course.
01:28:19That's what I wanted to tell you.
01:28:21I...
01:28:22I...
01:28:24Greetings.
01:28:26Greetings.
01:28:45He's a better dancer than you.
01:29:16Mr. Flora.
01:29:20So, you are Mr. Flora.
01:29:23The middleman.
01:29:24The middleman, you said?
01:29:25No, I say, you are Mr. Flora, who gives the gifts.
01:29:29Me, Mr. Papastalou, to tell you the truth...
01:29:31No, no, I didn't go to accuse you.
01:29:33I believe what you say.
01:29:34What?
01:29:35That the wood came out of paradise.
01:29:38Come in, Mr. Flora.
01:29:39Come in, Mr. Flora.
01:29:40Come in.
01:29:41Come in, please.
01:29:42Besides, we will have the opportunity to say a few things about Lisa.
01:29:45About Lisa?
01:29:46Yes.
01:29:47We told her to take exams at the university.
01:29:49So, I would like you to take and prepare her.
01:29:51And, that is, if it is necessary for a joke...
01:29:55Let me tell you, Mr. Papastalou.
01:29:57Of course, I will gladly take Lisa's preparation.
01:29:59Under one condition, however.
01:30:00I accept.
01:30:01But you didn't hear him.
01:30:02It doesn't matter.
01:30:03Does dad have it?
01:30:04He doesn't.
01:30:05That is, I think that Mr. Flora should take and prepare us all.
01:30:10Perhaps, in the same way that you put the school in order,
01:30:13you should be able to put some order and some discipline in my house.
01:30:16I didn't understand you.
01:30:17Come in.
01:30:18Come in and we will say it.
01:30:22One, two, three.
01:30:39Bye.