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00:00Sharon, you all right?
00:27I'm fine.
00:30Is there anything I can do?
00:31Just give me a couple of minutes.
00:41I'm not doing the right thing.
00:45What if it doesn't work out?
00:46It will.
00:48What about Stephen?
00:49What about him?
00:51I couldn't stand it if you couldn't...
00:52If I couldn't what?
00:54If you couldn't accept him.
00:56As far as I'm concerned, Stephen's me son.
00:59That's how I've been given.
01:01Oh.
01:02No, I'll set it big enough.
01:03Oh.
01:04No, I'll set it big enough.
01:05I'll set it big enough.
01:14I'll set that one.
01:15I'll set it big enough.
01:16I'll set it big enough.
01:18Come in somewhere?
01:21Yeah, she's leaving.
01:22Fine.
01:23The DSS has paid me for next week.
01:28Any chance for me, Charlie?
01:30Coming somewhere?
01:36Yeah, she's leaving.
01:37Fine.
01:38The DSS has paid me for next week.
01:40Any chance for me, buddy?
01:41I've got more chance of seeing an elephant dance.
01:43I've got a tutu you can slip into, then.
01:45Oh, funny boy.
01:46You'll be sorry when I tell them she's been working.
01:51I can be persuaded to keep your mouth shut, though.
01:54Huh.
01:54It's a deal.
01:55What?
01:56You keep your mouth shut, and I won't thump you in it.
01:59Oh.
02:00So where do you fancy going?
02:02Somewhere local.
02:04Rose, are you going to tell me what this is all about?
02:06It's about you and me being together.
02:09And what about Alfie?
02:10I'll tell you later.
02:14How'd they get on?
02:15Hiya.
02:15A bit disappointed.
02:17Oh, you didn't play, then?
02:19Oh, they'd have won if you'd have played.
02:20I think you might be right there.
02:21No, I don't think it would have made any difference.
02:23Oh, sure would.
02:24You would have put that chance away in the second half if it had been you.
02:26That was two chances.
02:27Two chances?
02:28Yeah, two pints, please, Clyde.
02:29What are you going to have, Aidan?
02:30A lemonade.
02:31Well, I might get a chance to make a difference next year.
02:32Are you playing, then?
02:33Yeah, well, that's from Monday.
02:34I'm training with the first team.
02:35Do right and all.
02:36Well, the boss says if I match fit, he'll put me on the bench for next Saturday.
02:40That's brilliant.
02:41You kept quiet about that.
02:42Hey, do you hear that, Aidan?
02:43Aidan's playing next Saturday?
02:45No, it's only on the bench here.
02:47Well, it's good as.
02:49Good deal.
02:50What's the matter with you?
02:51I love it keep going all about football.
02:52It's a good game.
02:53So it's Monopoly and no-one keeps going crazy about it.
02:56Here, Arthur.
02:57Hi, darling.
02:57Ain't Nigel with you?
02:59No.
03:00What?
03:01He said he'd meet me here.
03:03Well, he's been delayed.
03:04Oh?
03:05Didn't he come back on the coach with you?
03:07No.
03:07Why not?
03:08Well, he met a friend.
03:10Yeah.
03:11Yeah, and he's gone for a drink with him.
03:13Oh, I say.
03:14Well, that's very polite of him.
03:16He promised to meet me in here for a drink.
03:18Well, he probably forgot.
03:20What have you played at?
03:21What?
03:22She's my friend.
03:23So?
03:23So leave her alone.
03:24Do yourself a favour.
03:25Butt out.
03:26Place finger on her again.
03:27What's she been saying to you?
03:28Wouldn't you like to know him?
03:29I'm warning you for your own good.
03:31Keep out of this.
03:32Well, what?
03:33I mean, what are you going to do about it?
03:36Clayton.
03:37Please.
03:41Sanjay.
03:41You said you were coming half an hour ago.
03:43Yeah, I'll just have one for the road and I'll be with you, all right?
03:45Do.
03:46And I hope it chokes you.
03:47I think she got a point there, babe.
03:49Yeah, I know.
03:50That's just it, isn't it?
03:51She's usually right and I'm usually wrong.
03:53See you later.
03:56Peter.
03:57Look, I'm sorry.
03:58I wasn't thinking, all right?
03:59You've got to start thinking, Sanjay.
04:01It's not just you anymore.
04:02There's three of us.
04:03Yeah, I know.
04:04Look, why don't you get us settled down?
04:06I'll go and get a takeaway Chinese and we'll have a really nice night.
04:10Yeah?
04:10All right.
04:11Good.
04:12That's it.
04:13Look, I'll come down for the rest of the stuff in a minute, all right?
04:16Keep in there.
04:17Make sure it's locked up.
04:18All right, then.
04:19We'll get you a safe.
04:21What?
04:21Now, I'll just get you in the room.
04:27Shh, shh, shh.
04:29Wait at night.
04:34Sharon.
04:35Here a minute.
04:36I've got to go to work for me.
04:37Just one minute.
04:40This can't go on.
04:42I know that, but I don't think Grant does.
04:43Well, something's got to give, hasn't it?
04:45I'm not moving out.
04:46Well, Grant ain't just going to let go, is he?
04:48Then it's stale, mate.
04:50Well, I'm going to talk to him.
04:51It's not your argument.
04:52No, but he's my brother and you're, uh...
04:55And you're what?
04:56Your sister annoy you one night's time?
04:58Because that's all I am for.
04:59That's all we are.
05:00What's that?
05:03Nothing.
05:03Something to your face.
05:04He's itch, isn't he?
05:08No, fella, I slipped.
05:10Don't give me that.
05:10He's itch, isn't he?
05:12Bill, don't!
05:24What a word, bruv.
05:26What?
05:26A word.
05:27Go on, then.
05:28Outside.
05:29What's wrong with in here?
05:30Outside.
05:34Answer me, yes or no, did you hit Sharon?
05:41What's she been saying?
05:42Yes or no?
05:43I'll kill her.
05:44Yes or no?
05:44Yes.
05:45You.
05:45Well, come on, then.
05:46Come on, hit me.
05:47Remember, I'm your brother.
05:53I'm hit her.
05:54She's my wife.
05:55Oh, no, because you don't write Twitter, does it?
05:56She was asking for it.
05:57How is she asking for it?
05:58You know.
05:59No, I don't.
05:59I want to know.
06:00How do you justify it in a woman, eh?
06:01All right, it's all right.
06:02I shouldn't have hit her.
06:03I got carried away.
06:03You what?
06:04I'm not going to stand back and let her win.
06:07But Sharon ain't going to give this gaff up.
06:08She's going to have to.
06:09Look, what's the matter with you?
06:10Nothing.
06:11Just let her have the place.
06:12I'm not running away from this.
06:13Why not?
06:14Because that's my money in there.
06:16It's got nothing to do with money.
06:17Nothing at all.
06:17No?
06:18No.
06:18It's all she's got to do with it.
06:19You and her.
06:19Same thing.
06:20No, it ain't.
06:20I mean, one minute you can't live without her,
06:21the next you're knocking her about.
06:22She did that?
06:23Yeah.
06:24Well, she didn't burn down the victo, did she?
06:26What's that got to do with it?
06:26Well, that's what had kicked this all off in the first place,
06:28isn't it?
06:29I did that for her.
06:30You did it because you got out of your depth.
06:33That place is as much mine as it is hers
06:34and I can do what I want.
06:35Yeah.
06:36Well, I'm telling you, you don't.
06:37I don't see what it's got to do with you.
06:38You don't, do you?
06:39No.
06:41Why this big concern for Sharon?
06:43What big concerns?
06:44No big concern?
06:45Seems that way to me.
06:46You was out of order.
06:47I was out of order?
06:48Yeah.
06:48And that's it, is it?
06:50You don't hit women, right?
06:51Oh, very proper.
06:52I mean it, Grant.
06:53I'm sure there's nothing else kicking around here by any chance.
06:56Like what?
06:57I don't know.
06:58Oh, you tell me.
07:00Oh, come on, let's get this thing out in the open.
07:01What else is there?
07:04You want to know?
07:06Yeah.
07:06I want to know.
07:08Oh, come on.
07:09Spit it out.
07:10What else is there?
07:10Come on.
07:14Nothing.
07:16What?
07:17Nothing.
07:19I'll tell you something.
07:20You lay one thing on her
07:22and you're dead.
07:33Oh, listen.
07:34Next week's opposition have got a match to tomorrow.
07:36Does anyone want to go and watch?
07:37Yeah, I'll probably go along.
07:38No, I can't.
07:39Not tomorrow.
07:40Are you working on a Sunday, aren't I?
07:41No, it's family.
07:42I've got to sort something out.
07:43But I'll take you to the match zone
07:44and I'll pick you up after it as well.
07:45Oh, no need.
07:46I'll go on me off.
07:47No, I'll go with it.
07:47No, I insist.
07:48I want to make sure the Wolfer's top striker
07:50gets there in one piece.
07:51Don't bother.
07:52What?
07:53You heard don't serve him.
07:54It's all right, Clyde.
07:55Serve him.
07:56I told him not to serve him.
07:57Well, tell him.
08:05If I had to remember my staff to serve somebody,
08:07they don't serve him.
08:08Your staff?
08:09Yes.
08:09You made him walk out.
08:11Yeah, and you gave him his job back,
08:12which means I pay his wages.
08:13I pay his wages?
08:14You probably don't even know what he earns.
08:15Not enough.
08:16So in the future,
08:17I'll decide who the staff can and can't serve.
08:20And most of them in the exclusion zone
08:21will probably be your mates.
08:22You really have got it wrong, Sharon.
08:24You know that.
08:24Hey, listen, Grant.
08:25Just stay out of it.
08:26What?
08:26Don't we sort out our staff and problems after we've closed?
08:29Might be better for business.
08:32Let's not bump into me.
08:34I'm sorry we'll go on this.
08:35What makes you think I'm sorry?
08:36Um, Mrs. Cotton.
08:40Yes, dear?
08:41I don't think Nigel will be turning up tonight.
08:43Oh, it will.
08:44Oh, yes.
08:46Oh, he's very reliable like that is, Nigel,
08:48even if he is late more often than not.
08:50No, see, I don't think he'll be turning up
08:51because he's been arrested.
08:53Arrested?
08:54What for?
08:54Well, for being a football hooligan.
08:57Hooligan?
08:58Nigel?
08:58Yeah, you see, he had a fight with some bloke.
09:01Opposition supporter?
09:02No, he was one of ours,
09:03but he said something about me on the terraces
09:05and Nigel sort of dived at him.
09:08Dived?
09:08Yeah, he climbed up the bottom of the floodlights
09:10and dived on him.
09:12Oh, my lord.
09:13No, see, Arthur didn't want me to tell you
09:14because he didn't want me to get upset with him.
09:16Oh, well, I mean, he's a grown man, isn't he?
09:18He can do what he pleases.
09:20Mind you, he'll have me to answer to when he gets back.
09:23How is he?
09:24As soon as his head at the pillow will now look alike.
09:25No, I'm surprised.
09:26It's not exactly strange to him, is it, this place?
09:28The amount of time he spent her over Christmas.
09:29No.
09:31Oh, Ian, what if we've...
09:32What?
09:33Got it wrong?
09:35Well, we haven't.
09:35Yeah, but you don't know that.
09:38Cindy, look, what we mustn't do
09:40is spend our time wondering whether this is going to work or not.
09:42That's going to do us no good, is it?
09:43What we've got to do is get on and enjoy it.
09:46Yeah, but what about your mum?
09:47What's she going to say?
09:47What about me, mum?
09:48I mean, I didn't ask her to come and do it with me, did I?
09:50I asked you.
09:51All I'm worried about is how you're feeling.
09:53I'm not worried about what everybody else is saying.
09:56Now, think about it, if I was,
09:57I'd still be working on my dad's stall,
09:58be the proud owner of a push bike,
10:00be wearing short trousers.
10:02Okay?
10:03Okay.
10:04Here, do you fancy a Chinese takeaway?
10:05Oh, yeah.
10:06I'll tell you what,
10:06I'll stop at the bit and get some more wine.
10:08Am I all right?
10:09Yeah.
10:10Oh, Ian, I'll come with you.
10:10There's something you need to get from the car.
10:17This is going to be just perfect.
10:19I know it is.
10:19Right, there you go.
10:32Now I'm up to you in the morning.
10:39Hello there.
10:40Oh, you didn't have to make me jump.
10:42Sorry about that.
10:43Where are you going?
10:44Home.
10:44It's only it.
10:46Oh, well, I don't see no point sitting in a pub staring at the blank walls.
10:49I can do that down for free.
10:50Come and have a drink with me.
10:51No, I'm going home.
10:53Oh, come on.
10:53You and I haven't had a natter in little old dark rages.
10:56No, I'd rather...
10:57All right.
11:01Why not?
11:03Well, that was the quickest meal I've ever had.
11:06Didn't you enjoy it?
11:07Oh, yeah.
11:08Thought it might have been easier if handed over the money if I got about the eating.
11:12Fancy nightcap?
11:13No.
11:14There's only one thing I want.
11:15I mean, they were fair when you caught me up in the square.
11:26That's what I was looking at.
11:27Daughty, I really don't care.
11:29Oh, I mean, neither do I.
11:30I mean, I couldn't help noticing them, you know, as I was crossing the square.
11:34So you stopped and watched?
11:35Well, only for a little while.
11:37Well, at least we're getting back to normal.
11:40What do you mean by that?
11:41Well, Dor...
11:43When Nick got let off...
11:45He didn't get let off.
11:46He got proved innocent by 12 good men and true.
11:49Dorothy, Dorothy.
11:51Nick got let off.
11:52They all know that.
11:53That's why they can't help thinking that they should have locked him up and thrown the key away.
11:57Now, you've got to learn to live with that.
11:59You can't carry on letting me get you down.
12:02I just couldn't believe it when he went.
12:05I mean, after all I've done for him, he just up and went.
12:08Well, as far as I understand, that's not unusual for Nick.
12:12No.
12:14I ain't had much luck with my family.
12:16You don't pick your family?
12:18No.
12:19But I just wish...
12:21I just wish one of them could have been a little less selfish.
12:26Right, I'm off on.
12:27You coming or staying?
12:27Staying.
12:28Staying.
12:29Who's your hands?
12:30Is yours or mine?
12:30Hey, Nigel, back!
12:32Yeah, just.
12:33Isn't that the fellow you had the rook with?
12:35Yeah.
12:36Pipe, please, tell.
12:37What happened?
12:38Well, when the police came, they put us in the back of the van.
12:41As we were getting in, we banged heads like,
12:43well, I saw stars, he saw stars.
12:45Next thing you know, we both wake up in hospital.
12:47So we kept chatting like, and it turns out it's all a big mistake.
12:50A mistake?
12:51I thought he said one thing,
12:52and all the time he was saying something completely different.
12:55About Aiden?
12:56Yeah.
12:56I completely misheard him.
12:58What he actually said was that Aiden's the real anchor of the team.
13:03All right, tell.
13:03Clyde, what wine you got?
13:07What wine do you want?
13:09The best.
13:10$6.50 a bowl?
13:12Yeah, sounds good.
13:12I'll have two, please.
13:13All right.
13:15All right.
13:16Did you get what you wanted in the end?
13:17I can't believe that place.
13:18How did they make any money?
13:19I was waiting for over half an hour.
13:21Yeah, me and all.
13:22Must have, I'm going to start chewing the furniture.
13:23Uh, can I have the same, please?
13:25Hey, what's this?
13:26The great wine and Chinese evening, is it?
13:28No, it's called winning the woman round.
13:31I see.
13:31Yeah.
13:32Entertaining someone tonight, then, are we?
13:34Could be.
13:35Any way I know?
13:35You certainly do.
13:37Ian, you got a minute?
13:40Uh, no.
13:40Well, we have to talk to you.
13:41See me on Monday.
13:42On Monday, you'll be too busy.
13:44All right, far away.
13:45You've got 60 seconds.
13:47I want to rise.
13:48How much are you up?
13:50About another thousand a year.
13:52Hmm, plans okay?
13:54What?
13:54See me Monday.
13:55We'll sort it out then.
13:56Now, can I go and have me supper?
13:57No, what about me?
13:58I want a bigger slice of the action.
13:59Get real, Steve.
14:00You couldn't survive without me.
14:02I want some sort of commitment from you.
14:03Get an eternity room.
14:05I want to become a full partner.
14:07Not now, necessarily.
14:08Six months, maybe.
14:08A year.
14:10Yeah, all right.
14:11Yeah, I don't see why not.
14:12Sounds like a good idea.
14:13You happy now?
14:14Yeah, yeah.
14:15Good.
14:16I, um, I take it you found her?
14:18Yeah.
14:20Sorted everything out?
14:22Totally.
14:26Who won?
14:27It was a draw.
14:28Hmm.
14:29They should let Aidan play if he's as good as everyone says he is.
14:32He's on the bench next week.
14:33Yeah, substitute.
14:35Yeah.
14:35He's not going to score many goals from there, is he?
14:37You're telling me.
14:39He's going to see the team tomorrow.
14:41They're playing.
14:42They've got a match.
14:42Oh, yeah?
14:43See if they're any good.
14:43Yeah, something like that.
14:44I was going to go up and check on the children Michelle's got to me.
14:49Oh, I thought I might go with him tomorrow, you know, to the match.
14:52Yeah, why don't you?
14:53Enjoy yourself.
14:54Yeah.
14:54Yeah.
15:22Anything wrong?
15:23Oh, no, no, no, no.
15:27Time, please, ladies and gentlemen!
15:30Well, I know Ian. He meant it all right.
15:33Pretty good timing, I'd say.
15:34Yeah, I mean, it makes a big difference to what kind of wedding we'll have and where we'll live, doesn't it?
15:38I meant it was pretty good timing asking him then.
15:40Oh, right.
15:42Do you think Jules is in bed?
15:44Probably.
15:45We'll go back to your place then, shall we?
15:47Yeah, let's do that.
15:49I'm just going back to Hatties. I'll see you later.
15:51Yeah, okay. See you later.
15:53So what do you want to do?
15:55Now?
15:56Mm-hm.
15:57Can't be too late.
15:58Oh, do you fancy going to get a coffee?
16:00Okay.
16:01Pauline and Arthur still be up?
16:02I shouldn't think so.
16:03Because I know Mark will be because he watches the late-night movies, don't he?
16:07Go over the road then.
16:08Come in.
16:11What did you say to Phil?
16:12Nothing.
16:13He seemed to have a pretty good idea what's going on.
16:15Well, he didn't get it from me.
16:16Your mate then.
16:17Don't bring her into it. It's got nothing to do with that.
16:19Then it's got nothing to do with Phil.
16:20Then don't go around it in women.
16:21You're going to wish you never started this.
16:23Oh, go.
16:24Use yourself.
16:25I will.
16:26Believe me, I will.
16:31Oh, I was just bringing it through.
16:32I'll have it here.
16:33Well, where are you going?
16:34Home.
16:35Well, stay the night.
16:36I can't.
16:37But why?
16:39I just can't.
16:41More threats.
16:42No.
16:43Well, stay.
16:45Have you enjoyed tonight?
16:47You know I have.
16:48Good.
16:51Lowe's, what is this all about?
16:55They're releasing Alfie to a hospital.
16:58They're what?
16:59That's what they do if they know they're dying.
17:01Right.
17:03I have to be with him.
17:05So you're saying you don't want to see me no more?
17:10Can I have your glasses now, please, gentlemen?
17:12Are you deaf?
17:13He said he wanted your glasses.
17:14I didn't hear him saying anything about finishing your drinks.
17:16I can't.
17:17Let him finish his drink.
17:20No, thanks.
17:22Got a problem?
17:23Yes, you.
17:24You're pushing your luck.
17:25Well, you push yours.
17:26Why don't you just call it a day, eh?
17:27Never.
17:28Why not?
17:29You know why not.
17:30The same reason you nicked me that statue.
17:32The same reason you got me this booze in the first place.
17:34And the same reason I could never let it go.
17:36You're going to have to kill me first.
17:37What are you looking at?
17:38Mickey Mouse.
17:39What do you think I'm looking at?
17:40Right, you're...
17:41What?
17:42Fired?
17:43Please, I'll deal with the organ grinder, not the monkey.
17:44Just take one step back from this.
17:45It's all right, Clyde.
17:46It's all right, wouldn't it me?
17:47Not in public anyway, because that's not your style, is it, Grant?
17:48It's got nothing to do with you.
17:49It's got nothing to do with anyone except me and Sharon.
17:50You're wrong, eh?
17:51You're very wrong.
17:52This is to do with a lot of things, and one of them happens to be me.
17:53And I'm telling you now that you'll have a finger on her again, and I'm going to make
17:54you pay.
17:55One day you'll get what's due to you.
17:56Oh, Grant, I already have.
17:57I've paid with interest, but you?
17:58You haven't had what's due.
17:59You haven't even made a down payment yet, because if you had, you'd be in strange ways
18:02by now, or more likely Broadmoor.
18:03So let's hope you start paying your share really soon.
18:23So how long's he got?
18:26They're not sure.
18:27Could be six weeks, six months.
18:30Well, maybe we could see each other, you know.
18:32Not here, but go away for weekends.
18:34Why not?
18:35Well, what would I tell him?
18:37I don't care what you'd tell him.
18:38I care, Pete.
18:40Why do you have to be the one to look after him?
18:42Because he's my husband and he's dying.
18:44If he's going to die, he doesn't need you there to do it.
18:47If he's going to die, Rose, he's going to die.
18:49How long's it going to go on?
18:52Look, I'm not asking you to wait around like a monk.
18:55I'm just asking you to understand.
18:57Oh, understand.
18:58How I feel.
18:59What about how I feel?
19:00There's nothing else I can do.
19:01Oh, fine.
19:06That's it, is it?
19:07Yeah.
19:08That's it.
19:17Look, Rose.
19:18Rose.
19:19Look, Rose.
19:20I'm sorry.
19:23At least let's say goodbye, probably.
19:32Oh, sorry.
19:33I thought you'd be in bed.
19:34Yeah, I was just going.
19:35It's all right if we make a coffee?
19:36Yeah, all right, all right.
19:37All day.
19:38Oh, Aidan.
19:39I thought I might come with you to the match tomorrow.
19:41Well, I thought you had to buy a present for somebody.
19:43Oh, yeah.
19:44Well, the person I was buying it from has disappeared.
19:46Oh, yeah.
19:47You know, people make me mad when they let you down like that.
19:50Oh, yeah.
19:51I wouldn't mind.
19:52I mean, if you make arrangements, they should let you know.
19:55I mean, they're not usually like that.
19:56They're usually very reliable.
19:58Well, maybe something's happened to them.
20:00Like what?
20:01Well, anything.
20:02They could have had an accident.
20:03No.
20:04Oh, it does happen.
20:05Well, they let me know.
20:06They couldn't if they were unconscious.
20:08Well, someone would have let me know.
20:10Well, that depends because technically they don't inform you unless you're next of kin.
20:15Hello.
20:16I hear you might be playing next week.
20:17Well, on the bench.
20:18Oh, well, that's good.
20:19You've been out celebrating.
20:20Only with lemonade.
20:21That's the way.
20:22Who was over there?
20:23Oh, Hattie, Steve.
20:25Oh, no Mandy.
20:26Hi, Mrs Fowler.
20:27I'm just making the coffee.
20:28Would you like one?
20:29No, thanks.
20:30Arthur?
20:31No, thanks.
20:32I'll go and give her a hand.
20:37What's she doing in here?
20:39Having a cup of coffee, that's all.
20:40At this time of night.
20:41Well, when you're 16, 11 o'clock, I ain't late, is it?
20:44Yeah, I think we ought to put a stop to that.
20:46Stop to what?
20:47Him and that Mandy.
20:48I don't see what we can do about it.
20:49I mean, it's nothing to do with us.
20:50Oh, yes, it is.
20:51While he's staying here, he's our responsibility, and I don't want him attaching himself to the
20:55likes of her.
20:56Anyway, you coming up?
20:57Yeah.
20:58Oh, Arthur, listen, I've been thinking.
21:00Have you tried ringing round all the hospitals?
21:02Oh, no, no, no.
21:03That's all right.
21:04Everything's fine now.
21:05Thanks very much.
21:06What's the ringing round the hospitals?
21:07Ringing round the hospitals?
21:08Yeah, I even said it just now.
21:10Oh, that?
21:11No, no, that was earlier.
21:12No, no.
21:13It was Nigel.
21:14He got into a fire.
21:15But it's all right.
21:16He turned up.
21:17He's back now.
21:18Are you going to be OK with that?
21:19Yeah, fine, Clyde.
21:20If you need me, just come.
21:21Thanks.
21:22Night.
21:23No, no.
21:24Night.
21:25See you.
21:26You're not staying here, are you?
21:27Who else am I going to stay?
21:28Me?
21:29No way.
21:30That's just what he wants.
21:31It's not safe here, Sharon.
21:32I'll be all right.
21:33He'll be legged out in front of the telly with a six-pack, which he'll drink, fall asleep
21:37and snore all night.
21:38What if he doesn't?
21:39He will.
21:40Only you.
21:41What?
21:42You could get involved with a couple of gorillas.
21:44Don't be so unkind to gorillas.
21:46Can I come upstairs and sort of have a drink and make sure everything's all right?
21:52All right.
21:53If it'll make you feel better.
21:54It will.
21:55Come on, then.
21:56God damn it, Michelle.
21:58Wearing the red sash, Alan Mooney, Scotland, who had a rough first round.
22:03He had to take a standing count against this boy in the blue...
22:06Happy now.
22:07Hey, hey.
22:08Hey, it's all right.
22:09Go back to sleep.
22:10I've been thinking.
22:11Yeah?
22:12What about?
22:13Am I going to face everybody?
22:14Are you worried about it?
22:15Yeah, well, don't be.
22:16No, just forget about them.
22:17Forget about them all.
22:18All we've got to do is we've just got to hold our heads in the air and let them do the
22:19worrying.
22:20Because if there is a problem, it's to do with them, not us.
22:22Okay?
22:23Okay.
22:24Okay.
22:25Okay.
22:26So what happened when he hit you?
22:27Hit her.
22:28That's not what I meant.
22:29We were arguing over Clyde.
22:30Clyde?
22:31We know Grant made him walk out.
22:32Oh, you know Grant made him walk out.
22:33Oh, right, right.
22:34Yeah, for a minute there I thought...
22:35No, no.
22:36Anyway, I gave him his job back and Grant wasn't too happy about it.
22:38So he hit ya?
22:39Yeah.
22:40Ultimate threat, but I'm sorry.
22:41I can't do this in the air and let them do the worrying.
22:43Because if there is a problem, it's to do with them, not us.
22:44Okay?
22:45Okay.
22:49So what happened when he hit you?
22:50It hurt.
22:51That's not what I meant.
22:52We were arguing over Clyde.
22:55Clyde?
22:56You know Grant made him walk out.
22:58Oh, right, right.
22:59Yeah, for a minute there I thought...
23:00No, no.
23:01Anyway, I gave him his job back and Grant wasn't too happy about it.
23:03So he hit ya?
23:04Yeah.
23:05Ultimate threat, but I'm still here.
23:06Talking about me.
23:08Yes, that's what you want, isn't it?
23:10Well, I've been thinking about you.
23:12Oh, how romantic.
23:14You want this pub, yeah? You want it all to yourself?
23:16No.
23:17I'm happy as a pig in mud.
23:18Who else can claim to have their own personal maniac?
23:20Well, I've got a proposition for you, a business proposition.
23:22Do you want to lay bets now?
23:23This is going to be totally unacceptable.
23:24Just listen, will you?
23:25I'm all ears.
23:26It goes like this.
23:27You raise two thirds of the asking price for this place,
23:29give it to me, me and Phil move out and leave you to it.
23:32If I didn't know you better, I'd swear you were doing drugs.
23:34That's the deal.
23:35It's not a deal, it's a bank raid.
23:36Seems fair to me.
23:37I'll go stuff yourself.
23:38Come here with a reasonable proposition.
23:39Where's she supposed to get that sort of money from?
23:41It's not my problem.
23:42Well, you're priceless, you are.
23:43She's lucky I'm not asking for compensation.
23:45Compensation for what?
23:47For putting up with you, for wasting my money in this place, for screwing my life up, for turning my brother against me.
23:52For what?
23:53Yeah.
23:54Yeah, I bet you're really happy about that, me and him in each other's throats, brother against brother.
23:57How funny is it?
23:58You sound like a bad trader for a Phil brother against brother.
24:01What are you laughing at?
24:03Well, you.
24:04Oh, yeah.
24:05Yeah.
24:06Leave off her, Gordon.
24:07Oh, no, she wants to get involved.
24:08You want to have a pop of me as well now, do you?
24:09Well, this is between you and me, not Michelle Spackett.
24:11Yeah, all right, me and you.
24:12Me and you.
24:13How are we going to sort it out, Sharon?
24:14How are we going to sort it out?
24:15Peter, you open that window and jump.
24:17Me, I don't think so.
24:18Anyone who's jumping out of windows, it's going to be you.
24:19Get off of that.
24:20But you are an animal, do you know that?
24:21Oh, yeah.
24:22Did you want to jump?
24:23Well, go on.
24:24I'll help you.
24:25Go on.
24:26Go on.
24:27Then throw me as you hate me now.
24:28Throw me.
24:29That's not what you want.
24:30What do you want out of this?
24:31What the hell is this all about?
24:33You shouldn't do this to me.
24:35You shouldn't do it.
24:37I'm doing nothing, Grant.
24:39It's you.
24:40Not me.
24:41You.
24:42The Queen Vic Public House.
24:46That's right, Albert Square.
24:49Michelle Fowler.
24:50Right.
25:02Does this mean we can't see Shadow at all?
25:05I can't take the risk.
25:08Maybe one day, if you're still interested.
25:11I'm always going to be interested.
25:14I...
25:18Thanks for the best weeks of my life.
25:25Yeah, alright, alright, alright.
25:26Yeah?
25:27Mr Mitchell.
25:28That's right.
25:29Come and come in, sir.
25:30What for?
25:31Oh, I'd rather come in and explain if you don't mind.
25:35Is your wife around?
25:36Yeah, she's upstairs.
25:37Could we see her, please?
25:38What do you want to see her for?
25:39We'd just like to see her.
25:40What's this all about?
25:41Someone reported an incident.
25:42An incident?
25:43What sort of incident?
25:44Has anything occurred between you and your wife tonight?
25:45Mind your own business.
25:46If you'll just let us see her.
25:47Who's been sticking their nose in, eh?
25:48Is it alright if we go through?
25:49No, it's not!
25:50Get out!
25:51We're not going until we've seen your wife.
25:52Wanna bet?
25:53No, let's not get stupid here.
25:54Yeah, let's not.
25:55But this isn't helping anything.
25:56What's going on, Grady?
25:57I'm not going to see her.
25:58I'm not going to see her.
25:59I'm not going to see her.
26:00I'm not going to see her.
26:01I'm not going to see her.
26:02I'm not going to see her.
26:03I'm not going to see her.
26:04I'm going to see her.
26:05What for?
26:06Oh, I'd rather come in and explain if you don't mind.
26:07Is your wife around?
26:08Yeah, she's upstairs.
26:09Could we see her, please?
26:10What do you want to see her for?
26:11We'd just like to see her.
26:12What's this all about?
26:13Someone reported an incident.
26:14An incident?
26:15What sort of incident?
26:16Wanna bet?
26:17No, let's not get stupid here.
26:19Yeah, let's not.
26:20This isn't helping anything.
26:21What's going on, Grady?
26:22Just stay out of here, Sharon.
26:23You're Mrs Mitchell.
26:24Yes.
26:25Are you all right?
26:26Of course she's all right.
26:27Just calm down.
26:28Yes, yes, I'm all right.
26:29Can we go and talk something?
26:30She doesn't want to talk to anybody.
26:31Just give her a chance to speak for herself.
26:32She's my wife.
26:33That means you have to talk for her.
26:34Where'd you get that bruise?
26:36Well, I slipped down the stairs.
26:37Someone reported that there might be a problem.
26:39Do you want to talk about anything?
26:41No.
26:42What's she talking to her about?
26:43It's nothing.
26:44Look, this is my gaff.
26:45I have a right to know what's going on.
26:46There's a leaflet explaining your rights.
26:48I'll drop one in for you.
26:49And if you have any problems, just get in touch.
26:52All right, what's this all about, eh?
26:54Domestic violence, yeah?
26:55I don't think that's going over, Mr Mitchell.
26:57Well, you think I've been beating my wife up for you?
26:59You're not telling anything.
27:00Who do you people think you are, eh?
27:01How did she get that bruise on her face?
27:02Mind your own business.
27:03All we're trying to do is interfere.
27:04We're not interfere.
27:05Grant, please leave it.
27:06Get out.
27:07Yes, I'm fine.
27:08You'll go when we're ready.
27:09You'll go now.
27:10Stop it.
27:11Stop it.
27:12Oscar down to 376.
27:13No, please.
27:14Need assistance.
27:15Stop it.
27:16Christine, you're here.
27:18Oh, no, no, no.
27:19I'm just inquiring if you've had anybody by that name admitted tonight.
27:23Right.
27:24So you haven't had any middle-aged women there that you haven't been able to identify then?
27:29All right.
27:30Thanks, anyway.
27:31Come on in!
27:32Come on in!
27:33Come on in!
27:34Come on in!
27:35In bed!
27:36What's going on?
27:38What? Come on in! Come on in!
27:58What's going on? What's going on?
27:59That's my brother in there!
28:01No! No!
28:02Leave him alone! Leave him alone!
28:05What's he done?
28:08Archie organises a Midsummer's Ball to celebrate regaining control of the estate.
28:19Monarch of the Glen at 3.20.
28:21Miss the latest? Catch up with our on-demand service, UK TV Play.
28:26Next, London's Burning.
28:27I'm James James Hood College.
28:29I'm James Hood College.
28:29I'm James Williams bone art in there!
28:30I miss you!