Episode 258 of Prisoner Cell Block H. Pre-advert gate slams, incidental music and Network 10 logo have been restored as originally broadcast.
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00:0048 hours, Brian.
00:03Then I'm coming looking for that big girl of yours.
00:07Right. 48 hours.
00:17Oh, one more thing, Mr. Ross.
00:19Can I trust you to do something for me without Inspector Grace knowing about it?
00:23Sure. There's no love lost between Grace and me.
00:27This letter is very important.
00:28Let's see if it gets to the person it's addressed to without Grace getting his hands on it, will you?
00:32Wait till Grace gets a load of this.
00:36He's going to think he's won the lottery.
00:54Hey, Bev, hop on the drawers. Let's get kite work there, will you?
00:56Can you take over on the press a minute, Lil?
01:02How'd your visit go?
01:04Fine.
01:05No trouble passing that note?
01:07No, none.
01:09Any questions asked?
01:10Of course not.
01:12What are mothers for if you can't rely on them?
01:14You reckon it'll get there, all right?
01:15Yes, she knows about the censorship.
01:19I told you it was to your boyfriend.
01:20Oh, it's true.
01:21It's Jenny McCauley.
01:22I'd have to be hard up.
01:23He'd set your throat as soon as I'd look at you.
01:26Anyway, thanks, Doc.
01:28I won't forget this once I get things going round here again.
01:31I'll never forget a favour.
01:32Hello there.
01:37Happy Hunter home from the hill.
01:38Oh, Mum, where on earth have you been?
01:40I was starting to get worried.
01:42Oh, I just realised that you and Geoff were leaving tonight without a proper send-off.
01:45I've got a few things for a celebration.
01:47Where is Geoff?
01:48Oh, you have to go and get some milk.
01:50I'm making coffee.
01:50Would you like some?
01:51Coffee?
01:52Who needs coffee when the champagne's on the house?
01:55Mum, not again.
01:56Well, they ran out of the expensive stuff.
01:58This is cooking champagne.
02:01Ah, you're back.
02:02Hello.
02:02You OK?
02:03Of course I am.
02:04What is all this?
02:05Ah, just when you're left, you seem a bit worried about something, that's all.
02:07Oh, it was just the old saying, all good things must come to an end.
02:12I think it got to me a bit.
02:14Listen, why don't I stay on for a couple of extra days?
02:17Then I can go and meet Geoff up at a garchus and we'll go back to Queensland from there.
02:20Listen, you two, I am perfectly all right.
02:23I am capable of looking after myself.
02:25I mean, you set me up with a family and a home and a job.
02:29Don't worry about me.
02:31Anyway, we'll have plenty of chances to see each other.
02:33When my parole comes through, I might even move to Queensland and get a job up there.
02:37Although they tell me the drivers are pretty hairy.
02:40Are you sure, Mum?
02:41That's it.
02:42I don't want to leave you, you know that.
02:45This is supposed to be a party for crying out loud.
02:48Will you open that champagne?
02:49There's plenty of food there.
02:54Have a real party, huh?
02:56Great.
02:56Just like my 21st day, except with one more person.
03:00Yeah, it was better surroundings too, huh?
03:03Oh, it's more like it.
03:08There you go.
03:09Here we go.
03:10Oh.
03:13Nothing like a bit of spew mouthy, huh?
03:16I reckon this printing press like should be a real hoop, don't you, Mum?
03:19Now I know why you're so keen to fancy this money bloke, right?
03:23Oh, yeah, sure.
03:24Oh, I don't reckon I stand much of a chance.
03:26He seems to have an eye for Mrs. Morris.
03:27Oh, not only her.
03:28I've seen the way he's been looking at clothes, pal.
03:31I reckon he gets off on uniform.
03:32Oh, he's probably into leather and whips too.
03:34Should do well here.
03:35Shut up, Smith, or you'll be on extra duties.
03:38Well, I'd like to oblige, Mrs. Powell, but I'm a sick woman.
03:40I've just undergone major surgery.
03:42Well, in that case, you'd be better off confined to your cell until you're really well.
03:46As for Mr. Marnie, I doubt whether he'll be here long enough to act out your fantasies for you.
03:51You lot will muck up this project just like you've mucked up everything else in the past.
03:55Would you type up these reports for Mrs. Davidson, please, Julie?
04:00Okay.
04:01Mrs. Morris, I'm sorry if I embarrassed you.
04:04I should have realised with the women there.
04:05Oh, that's all right, Mr. Marnie.
04:07I've had this job for some time.
04:08I don't embarrass easily.
04:09Good.
04:10I didn't want to start off on the wrong foot.
04:12I think it should prove quite popular, don't you?
04:14Yes.
04:15Are you still on duty?
04:17Yeah, just coming up for round two.
04:18Oh, the double shift.
04:20Wear yourself out.
04:22Have you met Mr. Marnie, the printing instructor?
04:24No, hi.
04:25Pleased to meet you.
04:26Hello, Mr. Douglas.
04:28Oh, good afternoon, Mr. Marnie.
04:31Faulkner?
04:32Well, how's the press coming along?
04:34Will you have it operational soon?
04:35I'll tell the governor you're here, sir.
04:37Uh, that's not necessary.
04:39Well, we seem to be getting it set up very well.
04:41The women seem keen on learning.
04:42I don't think it'll take long at all for them to latch on to the basics.
04:44Oh, good, good.
04:45Well, keep in touch.
04:48We'd like to get it into production as soon as possible.
04:51Up, two, three.
04:53Where did Mrs. Morris get to?
04:55Oh, she'd just rushed off.
04:57She probably wanted to get away from me.
04:58I'm afraid I made a bit of a faux pas in the workroom yesterday.
05:01Made us both look a bit silly in front of the prisoners.
05:03Well, as you know, the government has been forced to cut back on its spending, find more
05:07economical ways of running its business.
05:09And that's where your press comes in.
05:11What sort of work will we be doing, Mr. Douglas?
05:14Hmm.
05:15Oh, letterheads, that sort of thing.
05:17More complex paperwork will be looked after by the government printer.
05:20At any rate, the sooner you get going, the better.
05:22Well, of course, it will depend on how quickly the women learn.
05:25Oh, naturally.
05:26I've spoken to Mr. Marnie.
05:27He seems to think they're all keen.
05:28At the moment.
05:30Sorry?
05:31Well, they are always eager to start something new.
05:33They're not very good at keeping up the enthusiasm.
05:36I'm sure they'll get every encouragement from the officers.
05:39And I need hardly remind you the production must be strictly policed.
05:44We can't have them wallpapering themselves with government paper.
05:49Yes, I think that's all I have to say.
05:51Was there anything else, Mrs. Davidson?
05:52Well, yes, there was the matter raised by Mrs. Morris.
05:55Oh, what was that?
05:56Oh, it's about the guard dogs, sir.
05:58They seem very savage.
06:00They're not supposed to be family pets, Mrs. Morris.
06:02And the union did agree to them.
06:04Yes, I realise that.
06:06Not even the officers can go near them.
06:08We were wondering whether the handler could be transferred here full-time.
06:12Well, I'll look into the possibility of an exchange.
06:14I can't afford to take an experienced officer from Pentridge.
06:17But I want it understood.
06:19The department will not back down on this.
06:22Those dogs are here to stay.
06:25You know, if Mara could improve the standard of Tucker in his place,
06:27I'd be pleased to see her at the top.
06:29I do hope you're joking.
06:32How about a cup of tea to take away the taste?
06:34Oh, what a good idea.
06:38Sandy?
06:38Hmm?
06:39Do you ever hear any more from the police about Megan Arnott?
06:41Well, old Grace?
06:43Now he wouldn't know his bum from his ear hole.
06:45If he only knew.
06:48Knew what?
06:48Oh, about six miles out of Wedderburn is his old shack
06:53on a property that used to belong to a racehorse owner or something like that.
06:56If he knew what was under the floorboards,
06:58he'd be on his way to his next promotion,
06:59and I'd be doing another 20 years.
07:02Well, what is it?
07:03Hmm?
07:04Oh, Megan's wallet.
07:06And what is technically known as the murder weapon,
07:09with my dabs all over it.
07:11Good grief.
07:11You're taking a risk, aren't you?
07:13Well, he'll never find out, will he?
07:15Hey, Kate.
07:17Run down to the rec room for us, we love.
07:18Make sure that Mara isn't throwing her weight round.
07:20If I go down there, I'll drop the bitch.
07:23Oh, well, I.
07:23Well, all right.
07:24But what about the tea?
07:25Oh, don't worry, I'll fix it.
07:28So.
07:31Are you crazy?
07:34You said yourself you didn't trust her.
07:35Fancy letting that lot slip in front of her.
07:37I don't trust her an inch.
07:38Wouldn't be at all surprised to find out she's our lader.
07:40That's why I fed her all that bulldust.
07:43If she is lagging,
07:44someone's going to be very upset with her.
07:47Very upset indeed.
07:52Hey, listen, Hayes.
07:59I know you don't mind the occasional joint,
08:01so how come you're backing Smith?
08:03If she's in charge here,
08:04that's the last you'll see of any dope in this place.
08:06Yeah, I know.
08:07But Bea's not the sort of person you can just forget about.
08:10Especially with Sandy beside her.
08:12Well, neither am I, sweetheart,
08:13and I don't need anyone backing me.
08:15Just you keep that in mind.
08:17I'm getting some more goodies on soon,
08:19and I look after me mates.
08:21All right, ladies.
08:22Back to cells, please.
08:25You're going to come and tuck me in, Mr. Faulkner?
08:27No, Winter, you're a big girl now.
08:29Oh, yeah, I know, but I'm still scared of the dark.
08:32I mean, well, the bogeyman might get me, with any luck.
08:36Go on, Peterson.
08:37I'm coming.
08:39Go on, what you say, Mr. Faulkner.
08:41Gets pretty lonely in me, Sel.
08:42Go on, keep moving, Winter.
08:44Fair sucker, the sav.
08:45Why should Edwards be the only one?
08:47I said keep moving.
08:48Hurry up, Peterson.
08:49You heard the bell.
08:50Well, I'm coming.
08:51There's no need to shout.
08:52Just a minute.
08:53Don't you talk to me like that.
08:54Trouble, Mrs. Powell?
08:55No, no, no.
08:56It's all right.
08:56I'll deal with it.
08:57Thanks, Mr. Faulkner.
08:57Got some information for me?
09:02No, but I need another visit from Inspector Grace.
09:05Here we go, that same old boring cry.
09:08Why the hell should I bother setting it up for you?
09:10They haven't given me anything for ages.
09:12Please, Mrs. Powell, one or two of the women are getting very suspicious and I need to lie low for a while.
09:16In that case, we'd best postpone a visit until the heat's off you.
09:19I can't.
09:20I have to see him as soon as possible.
09:22Look, Mrs. Powell, I've given you a lot of information in the past and there'll be more.
09:26But I must see Grace.
09:27Get back to your cell.
09:30I'll think about it.
09:32Have to be going soon, Mum.
09:51I know, love.
09:52Thanks for the party.
09:53Well, next time we'll see you have a proper party.
09:55French champagne, a million people.
09:57Be soon too, okay?
10:00Packed and ready to go.
10:01All set, then.
10:02All right.
10:03Now, you've got Uncle Archer's address.
10:04I expect to see you on the weekends.
10:06On your short drive?
10:06Oh, we'll see.
10:08Oh, please, Mum.
10:08We'd really like you to.
10:09Listen, you two, I spend all week driving a car.
10:12You don't think I want to do the same thing on the weekend, do you?
10:15Of course, I'll come.
10:17Well, Mum, it's been great.
10:20If you're the same way, Jeff.
10:22Bye-bye.
10:23See you.
10:23And you look after yourself.
10:24Drive carefully, huh?
10:25Will do.
10:26See you on the weekend.
10:28Got yourself a nice fella there, haven't you?
10:30I know.
10:32Now, what about you?
10:33Are you sure you're going to be okay?
10:34Of course.
10:35Will you stop worrying?
10:43Buckle it.
10:43Hi.
10:56Just having a last-minute cigarette.
10:58Do you want to come in?
10:59No.
11:00Mrs. Powell's in the East Wing.
11:02She could be back at any time.
11:04Fair enough.
11:04You're pretty good at using people, aren't you?
11:08Hey, what are you talking about?
11:10You set me up to help you get that Fitzwater bloke in here, taking that letter out for you.
11:15Yeah, well, I'm sorry about that.
11:17I won't lag on you if that's what you're worried about.
11:19It makes me an accessory.
11:21To what?
11:22It wasn't murder.
11:23It was self-defense.
11:24Fletch said that, and the cops are happy.
11:26Yeah.
11:29He must have been a real bastard.
11:31He had my husband killed.
11:35You don't muck around with people like that.
11:37It's all or nothing.
11:39Look, I'm sorry, but I had to use you.
11:41There was no other way I had of getting him to come in here.
11:44I'm not going to be backed into a corner by anyone, especially Macnelly's mob.
11:47You give them one inch, and they'll push you all the way.
11:50Won't the rest of the mob be after you now?
11:52I doubt it.
11:53There's no profit in killing me.
11:55Anyway, I'll cross that bridge when I come to it.
11:57You're quite a little tigress, aren't you?
12:03In this jungle, that's the only thing to be.
12:26All right, all right.
12:27Come, come in.
12:35Who is it?
12:39Jeff?
12:41God, what's wrong?
12:45How dare you come back here?
12:47Get out!
12:48It's a nice way to treat your old friend, Jock.
12:52Only come over here to keep you company.
12:54Seeing as how your daughter's got away now.
12:55Well, they've gone to the movies, haven't they?
12:58They'll be back any minute.
12:59Not a fact.
13:00Funny they took all their luggage with him, aren't they?
13:03Eh?
13:05I'd say they'd gone to Archie's for a couple of days, wouldn't you?
13:10See, I know Archie quite well.
13:12Had a long chat with him on the phone just the other day.
13:16It's just...
13:17You fuck!
13:18No, no, you don't, Bryce!
13:20I'll kill you!
13:20It's the right time you tried to stick with a knife, eh?
13:23You didn't do too well at us, did you, you boy?
13:26Hey!
13:28Come on, Bryce!
13:30You're a bloody bitch!
13:32Oh, my God!
13:32Try it!
13:34Try it!
13:34Oh, my God!
13:36Please, please don't!
13:57Please, please don't!
14:01Oh, please don't!
14:02Please, please don't!
14:07No!
14:08Oh!
14:10No!
14:10No, Lassie.
14:12Let's just see what you learn to make my son of the house, eh?
14:28You put up a good struggle, Lassie.
14:30I like that in a woman.
14:32Gets the old blood rushing through the veins again.
14:38I'll be over tomorrow to get that money.
14:41Maybe you can, uh...
14:43Be nice to old Jock again, eh?
14:48Don't get any ideas of double-crossing me, Brian.
14:52Because if you do...
14:54I might just pay a wee visit to, um...
14:57What's her name again?
14:58Laurie.
14:59That's right, Laurie.
15:00Just to see if she's, uh...
15:03As good as her mother, hmm?
15:07I'll see you real soon.
15:08I 쉽ica.
15:18Oh, I can actually...
15:22Give her a minute.
15:24I'll see you real soon.
15:26Oh, I shall...
15:26I'll see you real soon.
15:27There you have...
15:27I'll see you in front of the house.
15:28I'll see you real soon.
15:29Join it.
15:29I'll see you real soon.
15:30You better have to be...
15:30You better like you.
15:31I know you, really.
15:31You better have to be in front of...
15:32Oh, I want to see you.
15:33Oh, you better be going best for me.
15:34I don't know you.
15:34I...
15:35I'll see you ready.
15:35I don't know.
16:05I don't know.
16:36You're amazingly bright for somebody who's just spent 16 hours on the job.
16:40I guess I'm just settling in a bit more.
16:42It doesn't seem so much like work now.
16:45I thought about what you told me, you know, about not just treating it like a job.
16:49Good.
16:50Well, it does help if you care a little about the women,
16:52rather than simply lock them up and forget about them.
16:55Good morning.
16:56Mrs. Morris, Mr. Faulkner.
16:57Morning.
16:57You're back again, then.
16:58The women couldn't have given you too hard a time yesterday.
17:00No, I think I can cope.
17:02Oh, by the way, Mrs. Davidson would like to see you before you start work.
17:05Right.
17:05Well, see you all later.
17:06Oh, Mrs. Morris,
17:07I was wondering if we could have a little chat
17:09about the women working on the project.
17:12It would help me to know who I'm working with.
17:15Yes, yes, I suppose it would,
17:16but I'm sorry I haven't the time to sit and chat today.
17:19Things are a bit hectic.
17:20Of course.
17:20How about after work?
17:22No, no, I'm afraid not.
17:23I assure you it's strictly business.
17:25I noticed there was a pub just down the road.
17:26Couldn't we meet there and have a rundown on the women?
17:29It would only take 20 minutes.
17:29All right, then.
17:32But just 20 minutes.
17:36There she stands, Officer Power,
17:38eagerly awaiting the arrival of the handsome printer
17:40who'll sweep her off her feet.
17:42OK, sweetheart, come with me to the CAS bar
17:44and I'll give you all the French you can handle.
17:46Haven't you lot got something you can do until he gets here?
17:50Oh, we'd better not, Mrs. Power.
17:51We might muck it up without Mr. Marnie.
17:56Someone should tell him about the importance of prison routine.
17:59Oh, I'm sure you will, Mrs. Power.
18:02Doesn't look as though he's coming, so the lesson's cancelled.
18:05Mitch Edwards, you will report back to the laundry.
18:08Now, fair go, Mrs. Power.
18:10He's only ten minutes late.
18:11Maybe he had a flat tyre or got held up or something.
18:13Well, I'm not holding up prison work because of him.
18:16Kent Dobbs, you will report to C Block for cleaning.
18:18Oh, jeez, are we pleased to see you.
18:22Nice to know I'm wanted.
18:24Yes, you were wanted, Mr. Marnie, a quarter of an hour ago.
18:27Ten minutes.
18:28I was about to move the women on to other duties.
18:31In the future, would it be too much to ask you to be punctual?
18:34I'm sorry I got held up.
18:36I told you.
18:37Mrs. Davidson wanted to talk to me.
18:40Would it be nice of you to let us know?
18:43Start the lesson, please, immediately.
18:44I have other duties to attend to, but I will be back shortly.
18:49God, I've got time for it now.
18:51Yeah, the cheek of the government, keeping Mrs. Power waiting.
18:55Well, all right, ladies.
18:56Let's get down to work, shall we?
18:58Oh, there should be a new paragraph here, shouldn't it?
19:03And this bit done in capitals?
19:04Okay.
19:05All right?
19:05Good.
19:06Thanks, Judy.
19:08Judy, what on earth are you doing here?
19:10Leave something in your cell?
19:12Now, how are you, Mrs. Morris?
19:15Uh, look, I was wondering, could I possibly see Doreen?
19:18Is everything all right?
19:19I mean, is the job okay?
19:20Oh, everything's fine.
19:21Everything's good.
19:22The job's going really well.
19:24Not used to the long hours yet, though.
19:26Well, it's against regulations, you know that.
19:28Yeah, I know.
19:30Um, do you think maybe Mrs. Davidson could bend the rules a little bit this time?
19:34I mean, Laurie's going back to Queensland.
19:36I'm just feeling a bit lonely, that's all.
19:39Yes, well, I'll go and ask her.
19:41You sit down over there.
19:44So, although you're keeping it clean, you always oil that before you use it, okay?
19:54Every day, Rachel.
19:55Be back in a while.
19:57How's it going?
19:59Oh, tedious.
20:01It's a bit hard to tell some of these parts.
20:04Yeah, I think you'll find most of that box is Roman, but you might find some Gothic ones in there as well.
20:09You've got quite a few to sort out there.
20:10I'll get someone else to give you a hand, okay?
20:12Okay.
20:13Thanks.
20:13I'll just give her a hand to her and make some of those looks.
20:16That's what we're going to do.
20:16Yeah, that's what we're going to do.
20:19Well, congratulations.
20:20You've just landed yourself a bummer of a job.
20:22I don't mind.
20:27Sandy, I guess you're really going to get Murray, aren't you?
20:30You'd better believe it.
20:33And what about the people who are on her side?
20:37If they get in the way, they'll get flattened.
20:38Murray's a pretty tough lady.
20:42She sort of leans on people.
20:44Hayes, are you trying to tell me something?
20:47Yeah, well, sort of.
20:50It's just that Murray would be so mad if she knew.
20:54Murray won't hurt you.
20:55I'll make sure of that.
20:56Well, a couple of days before your old man was killed,
21:02Murray got a letter in the laundry bag.
21:04Now, I don't know what was in it, but it was addressed to you.
21:07So that's what Jack meant.
21:12How do you mean?
21:15Jack Fitzwater told me that my husband was killed to teach me a lesson.
21:19Obviously, there was something in that letter that they wanted me to do,
21:23but I didn't get it thanks to that white-haired bitch.
21:27Is she not going to tell her I told you?
21:29Don't you worry.
21:31Murray Winters got a lot to answer for,
21:33and by bloody hell, I'm going to make her pay.
21:35Oh, it's real good that everything's going so well for you, Jude,
21:47but I bet you miss Laurie, eh?
21:48Yeah, I sure do.
21:49Still work's keeping me pretty busy, you know.
21:51I'd forgotten how tiring it was sitting in a taxi all day.
21:55How about you, love?
21:56Women still giving you a hard time?
21:57Oh, they pretty much leave me on my own now.
21:59You know, it suits me.
22:00Yeah, it's good.
22:02Well, you're on bothering you much?
22:04Oh, no, not now.
22:05Listen, Doreen, I want you to keep smiling and don't talk too loud.
22:08I need a favour.
22:09Oh, sure, Kate.
22:10What is it?
22:11Well, I should have asked to see Sandy,
22:12but they would have never let me in to see her.
22:14Well, what's up?
22:17Sandy's the only one that can get me what I want under the counter.
22:19Well, what is it?
22:21It's a handgun.
22:23A small one, something I can hide easily.
22:25Is this a gag?
22:25No, it's not a gag, Doreen.
22:27I'm dead serious, and will you keep smiling?
22:29That's a real good one, Jude.
22:31What's happened?
22:32Chuck Stewart's turned up.
22:33How did you run into him?
22:36He said he wants $5,000.
22:38If I don't give it to him, he's going to see that Laurie has an accident.
22:40Now, I've got to do this.
22:42I'll never get him off my back otherwise.
22:44But you can't, Jude.
22:45It's murder.
22:45Why don't you go to the police and get those mongrels to earn their money for a show?
22:48No.
22:48I've got to get this bastard after what he's done to me, Doreen.
22:54Done any good printing yet?
22:56Oh, yeah.
22:57We've got a whole porno novel ready to be published.
23:00We haven't done nothing yet.
23:01Sort out boxes of type.
23:03Well, it's still better than mopping corridor floors.
23:07Just hurry up with your lunch, please, Doreen.
23:10Mr. Screw's time, Doc.
23:12Haze, you ought to be more charitable.
23:17You know what it says in the Bible?
23:20That him who is without sin chuck the first rock.
23:23And what about our commandment?
23:25Thou shalt not leave.
23:29Look, I think I'll go and read until hell goes.
23:33Now, I'm due for a cuppa.
23:42Don't let him get you down the door.
23:44I'm still here.
23:46Yeah.
23:47Listen, Lizzie, I've just had a visit from Judy.
23:50Judy, how is she?
23:51Well, I'm real worried about her.
23:53That jock Stewart's turned up again.
23:54He's got more demanding and heavy.
23:56You know what she wants me to do?
23:57She wants me to get her a gun from Sandy.
24:00God, you mean she's going to bump him off.
24:03She can't do that.
24:04Well, I know that, but I can't let her down and she won't go to the police.
24:08It's truth.
24:09I know.
24:10Well, do you think I should tell somebody?
24:13You mean lag?
24:16Oh, well.
24:18There's lagging and lagging.
24:21And I suppose if you're doing it for somebody to protect them from themselves,
24:24well, there is some excuse for it.
24:27You reckon?
24:29Course.
24:30Stands to reason.
24:32Mmm.
24:33Well, I reckon I should have a word to Mrs. Morris.
24:39You wanted to see me, Dory?
24:40Yeah.
24:41I have to talk to you, Mrs. M.
24:42It's real important.
24:48Hello?
24:49Well, you know the time I asked you not to say anything about Peter and me?
24:52Yes, and you know the trouble I got into because of it.
24:54Don't ask me to do it again.
24:55Yeah, well, this is about Judy.
24:57Yes, I thought it might be.
24:58She's in real trouble, Mrs. M.
25:00And she wants me to help her.
25:01But I didn't want to make things worse for her and I didn't want to lag on her either.
25:04All right, all right.
25:04Now, just calm down and tell me properly.
25:06Well, it's about that jock Stuart who used to work here.
25:08He's turned up again and he's demanding money from her and getting heavy and everything.
25:11What's he doing?
25:12Blackmailing her?
25:13Threats of violence?
25:14Hey, did you hear about Fido?
25:31Who?
25:32Doreen the dog.
25:33Lizzie just told us she lagged on Jude.
25:35What about?
25:36Well, Jude wanted a gun and she asked Dore to ask you where to get one.
25:40What for?
25:41Well, she wants to knock off a screw.
25:43Hmm.
25:44Well, there's millions of places.
25:45I can't see you getting away with her.
25:47He's a real bastard, that jock Stuart.
25:50I reckon good on her if she wants to have a go.
25:52Trust daughter lagged, but...
25:54Yeah.
25:59Sandy, me telling you about that letter that Mari got, well, that's not really lagging, is it?
26:06No, that's being sensible.
26:08You should have told me when it happened, though.
26:09Well, yeah, I know, but she made me swear not to.
26:12Hmm.
26:13Mari's time's running out fast.
26:16Are you going to fix it?
26:19I've got a little plan for when we're next together in the laundry.
26:23Now, what the hell are you two doing here?
26:25The bell's gone.
26:26Get to work.
26:27Sorry, Miss Conway, we didn't notice it.
26:29You know what it's like in here.
26:30I don't think she can remember back that far, hey?
26:32Get going.
26:33Just going.
26:34Hello, door.
26:41Did you tell Mrs M?
26:42Yeah.
26:43She said she'd go and speak to Jude, but I'm still not sure I've done the right thing.
26:47Of course you have.
26:48Like I told the others, it's not really lagging.
26:51You told the others?
26:52Yeah.
26:53I wanted them to get the story straight.
26:55Otherwise, they might have thought you was lagging.
26:57Oh, well, that's terrific.
26:58Thanks a lot, Lizzie.
26:59I mean, they're crook enough on me as it is.
27:01Now, no bugger will want anything to do with me.
27:03That's not true.
27:05Be and me are still your mates.
27:07The other women are only a bit star on you because you lagged to old vinegar tits at Barnhurst.
27:12They'll get over it.
27:14Yeah, sure.
27:15And Mouse will get to be Prime Minister.
27:16Oh, come on.
27:17It'll all work out.
27:19You'll see.
27:21I'm going out to the garden to speak to the dogs.
27:23At least they like me.
27:29Who is it?
27:40It's Meg Morris, Judy.
27:48Hello, Mrs Morris.
27:50What are you doing here?
27:52It's about Jock Stewart.
27:54I suppose Doreen told you.
27:56Yes, she did.
27:58God.
27:59Well, she only did it because she's worried about you.
28:02You put her in a very awkward position.
28:04Yeah, I suppose so.
28:05It took a lot of courage for Doreen to speak to me, especially with the way the women are
28:08treating her at the moment.
28:11Are you planning on bringing in the police?
28:13I think it's the best way, don't you?
28:14I don't.
28:15I don't want them involved in this.
28:17Look, I could report it myself.
28:18I'll deny it.
28:20Judy, why don't you tell me the whole story?
28:24And then perhaps you'll be interested in an idea that I've got.
28:37How'd it be him?
28:38Just calm down.
28:40You sure you can carry it off?
28:41Yeah.
28:42Just take it easy.
28:44I'll be right in there.
28:44Yeah.
28:45Yeah.
28:45Yeah.
28:45Yeah.
28:46Yeah.
28:46Yeah.
28:46Yeah.
28:47Yeah.
28:47Yeah.
28:47Yeah.
28:47Yeah.
28:48Yeah.
28:49Yeah.
28:49Yeah.
28:53Good idea, Lassie.
29:04Keeps our unwanted guests, eh?
29:06And you're going to offer me a drink?
29:13Help yourself.
29:13You will anyway.
29:21Close it.
29:23Was, um, was Archie angry when you, um, asked him for the money?
29:34How?
29:35I didn't think he would be.
29:37I mean, $5,000.
29:39Just, uh, a drop in the ocean to him and you're practically family, though.
29:43He wasn't angry because I didn't ask him.
29:47You get it from somewhere else, eh?
29:49I can't get that kind of money.
29:51I need more time.
29:53You've got plenty of time, Lassie.
29:56I'm a pretty patient man.
29:59But I'm starting to get a wee bit irritable now.
30:02How many times do I have to tell you you can't blackmail me?
30:04Laurie and Jeff know everything.
30:06Many times have I had to tell you, if you don't get that money, lovely Laurie is going to meet with a nasty accident.
30:13She's in Queensland.
30:15You can't touch her.
30:17You must think I'm a real fool, Brian.
30:21You know how long it took me to find out your address that day after the trots, don't you?
30:26Wouldn't take me more than about, oh, ten minutes to find out her address in Queensland.
30:32Might even be worth a trip up there.
30:34She's quite a spunky-looking little lady.
30:36You bastard!
30:38I'll get that money.
30:40I'll do a pay visit that wee daughter of yours.
30:42Hi, Mrs. George.
30:49What's this?
30:50Hidden witnesses?
30:52You're getting devious, Brian.
30:54Very devious.
30:56I suggest you leave this place now and never come back.
31:00The police will be very interested in what I just overheard.
31:06You must be a very brave woman, Mrs. Morris.
31:11Because I know you're not a fool.
31:14I could get rid of the two of you right here and know it.
31:18No one would be any the wiser.
31:21You don't think I'd be stupid enough not to let anyone know where I am or who I'm with?
31:27The police will pick you up in a couple of hours.
31:31You're bluffing.
31:33Pentridge must have been a breeze for you last time.
31:36Locked in isolation.
31:38Away from all the other prisoners who hated you.
31:42I wonder what sort of treatment you'll get next time
31:44when they find out you've killed a fellow prison officer.
31:47I think you've seen the last of him.
32:08I hope so.
32:10If you want to make sure, don't call the police.
32:12No.
32:15Laurie and Jeff, I don't want them going through all this.
32:19Lots of her friends in Queensland know I'm her mother.
32:22I don't want it to hit the newspapers.
32:26Oh, watch it!
32:27What's up with you, Lizzie?
32:28You look like you're mad at something.
32:29Too bloody right I am.
32:31I want a word with you.
32:33Okay.
32:33What's all this about?
32:39It's about Dua, that's what.
32:40How long are you going to keep her in Coventry?
32:42Oh, come on.
32:43She's done her punishment.
32:44Now, when are you going to call her quits?
32:45Look, just me.
32:46All the women are crook on her.
32:47They'll all listen to you if you tell them to pack it in.
32:50She is a lager.
32:51God, she had to lag on Jude for her own good.
32:54And what about Barnhurst?
32:55She only lagged on Mari's friends at Barnhurst.
32:59God, you ought to be patting her on the back instead of pounding her.
33:02You're a bloody hypocrite.
33:04I'll think about it.
33:06Well, you better think about it bloody quick or else I'll...
33:08Or else what?
33:09Or else I'll bring you down a peg or two.
33:12That's what.
33:13I'll bring you down.
33:43I'll bring you down.
34:13Oh, what are you doing here, Burns?
34:18Oh, nothing.
34:19I was just looking for Mari and the others, Miss Conway.
34:22Oh, they've gone down to the loading bay to get the printing paper.
34:24Now, what do you want?
34:25Well, really, I was looking for an officer to take me through to the garden.
34:28Have you got permission?
34:29Yeah, Mrs Davidson said I could work out there any time I liked.
34:33All right, I'll take you through.
34:34Come on.
34:34Right, there you go.
34:43And keep away from the dogs.
34:45The way they bark, they drive anyone mad.
34:46All right.
34:47Let's go.
34:47All right.
34:47Let's go.
34:48Let's go.
34:48Let's go.
34:48Let's go.
34:49Let's go.
34:49Oh, hi.
35:19Hi, Amber. Hi, Blitz. Yeah, I brought you some goodies from the dining room, but you'll have to wait for them, okay?
35:42Now, you two have to be real good for me later on.
35:49Oh, hi.
36:19Oh, hi.
36:21Oh, hi.
36:24Oh, hi.
36:26Oh, hi.
36:28Here, Amber.
36:53Here, Blitz.
36:55Yeah, this is for you.
36:57It's so much better than that awful tin stuff they give you, isn't it?
37:01Hey?
37:01Yeah, come to think of it, you probably get even better stuff than we do.
37:06You know what I'm going to do?
37:08I'm going to get out of this dump.
37:10That's what I'm going to do.
37:11Because they all hate being here.
37:13And you know, even Lizzie, she can't let a person forget a mistake.
37:17Yeah, yeah, that's all.
37:19That's all.
37:27Now, you two let me know if anybody comes, okay?
37:37Oh, you're real good mates, you two, huh?
37:41Look at that mob of bitches in there.
37:44Who needs them?
37:45Look, you know, Judy used to be one of my best friends, but I can't go and see her.
37:50Because it'll stuff up her parole.
37:52I've got no mates in Barnhurst and no friends here.
37:57So what's the point in sticking around?
37:59Is that you, Mrs. Mars?
38:16Oh, my God, go away!
38:21Go away!
38:24Go away!
38:25You don't think this chain's going to stop me, do you?
38:42No!
38:47Give me a drink.
38:50Get!
38:55You don't seem to realise, Brian, I've got nothing to lose.
39:05Before I went into pensions, I had everything.
39:08The car, plenty of money, good claws.
39:13Now I've got nothing.
39:14But did you expect me to keep working in that nasty mess?
39:17I'll just align your pockets!
39:20I know.
39:21Better than a rottling a cell, isn't it?
39:23Bet on it.
39:24You know, the trouble is that you get too many Victorian mortals.
39:32Now, a dyke like you can't afford it.
39:35I'm surprised you don't even know what they are.
39:38I find they're getting away.
39:43Another one of your troubles, Brian, is you make too many mistakes.
39:47I'm getting that Meg Morris here.
39:52My dad was out to me, you know, bad blue.
39:56You know what I mean?
39:57Hello, boys.
40:08How are you?
40:11I'd really like to take you two with me.
40:13But I don't think I'd get very far with you two tagging along.
40:15Do you think so?
40:16I'm real sorry, fellas.
40:18Okay?
40:19You wait here.
40:39Have you told him yet?
40:40No, I was waiting for you so you could hear the announcement.
40:45Okay, you lot, listen up.
40:47Right.
40:48From now on, Doreen's to be treated normally.
40:50No more ignoring her or pushing her around.
40:53That's true.
40:53Who says so?
40:54I do.
40:56Well, Murray won't like it.
40:58She reckons Dore didn't get what was coming to her for lagging.
41:00I don't give a damn what Murray won't like.
41:04She's only crooked on Doreen because it was her thick mates at Barnhurst that copped it.
41:08They were pushing their weight around and pushed Doreen just a bit too far.
41:12I say all this sending her to Coventry's got to stop.
41:15And anyone who doesn't agree can argue the toss with me personally.
41:18And anyone that Sandy forgets, I'll fix her.
41:23Any takers?
41:25Oh, fair enough.
41:27Dore's all right.
41:28Even if she is a lager.
41:29By now, I suppose you're wondering what I'm going to do to you, Brian.
41:34I'm going to hurt you.
41:36I'm going to hurt you real bad.
41:39Just to teach you a lesson.
41:42Of course, now that Meg Morris has stuck her nose in,
41:45I have to shoot through after I've done it.
41:48Because she'll inform the police as soon as she finds out where you are.
41:53I think Queensland might be a nice place to go to.
41:58It's nice at this time of the year.
42:00Plenty of sunshine.
42:01Lots of women.
42:02I might even look up little Laurie for you, eh?
42:06You'd appreciate that.
42:10Well, you're recovering in the hospital, wouldn't you, eh?
42:15Getting a letter from Laurie.
42:17Saying how she'd run into your old friend, Jock Stewart.
42:19You evil bastard.
42:22You'll never hurt Laurie, you evil bastard.
42:27I'll kill you fast, you son of a bitch.
42:30I'll never come out of here.
42:31You don't know me.
42:32You make too many bloody messes.
42:35Oh, my God.
42:39You bitch.
42:40Help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help
43:10Oh, for God's sake
43:17For God's sake, Bride, please help me
43:21Please, I can't move
43:23Sharon couldn't move either
43:30You remember Sharon, Jock?
43:33Because I do
43:34Well, this one's for Sharon
43:39And Dor
43:41And me
43:42And all the women that you've bashed and hurt
43:46Please
43:47At least call an ambulance, please, I can't move
43:52Oh, please, I can't move
43:55Oh, please, please
43:58Oh, please, Brian
44:00Please, I can't move
44:02Please
44:03This is a hard one, Amber
44:09This is much harder
44:11Now, come on, boys
44:15You can't come with me
44:17Come on, you go back to the other fence
44:19Go
44:19Go
44:20Back
44:20Go
44:22Back
44:22Go, Emma
44:23Go back
44:24Go, back
44:32Go, go, go
44:34Oh, oh, oh, oh!
44:41Oh, oh, oh!
44:51Oh, my God!
44:58Burns!
45:04Burns!
45:23He used to give me roses
45:28I wish he could again
45:34But that was on the outside
45:39And things were different then
45:42On the inside the sun still shines
45:47And the rain falls down
45:52But the sun and rain are Christmas too
45:58When morning comes around
46:03Last night I dreamed we were together
46:08Sharing all the love we ignored
46:13Till I had to face the nightmare
46:19Of waking up alone
46:23On the inside the roses glow
46:27They don't mind the stony ground
46:31But the roses here are Christmas too
46:34But the roses here are Christmas too
46:38When morning comes around
46:41Home comes around
46:43Common times
46:44One
46:46That you love
46:51Going out on Sunday
46:52Where the grass in the sky
46:53Is there a farm
46:54And that my bed
46:56As there's aflows
46:57You
46:59That I phải
47:01Yourplants
47:03Is there faith
47:05Erma
47:06A
47:07Lovel