Episode 118 of Prisoner Cell Block H. Pre-advert gate slams, incidental music and Network 10 logo have been restored as originally broadcast.
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00:00Hey!
00:02Heck.
00:04Just a minute, Anderson.
00:06What do you mean, barging in here as they own the place?
00:08Turn out your bedding.
00:14Do these belong to you?
00:16I've never seen them before, Mr Fletcher.
00:18Wish they was mine.
00:20I think we'd better have a talk to the Governor, don't you?
00:22Yeah, well, they're not mine, and I don't know where they came from,
00:24but I didn't put them there on us, Mr Fletcher.
00:26Come on, talk to the Governor. Come on.
00:28Oh!
00:38Well, well, well.
00:40Fancy you being silly enough to let your hubby pass you that grog, eh?
00:44He didn't.
00:46I know. They were a wee present from me.
00:50You see, I had to get some excuse to see you alone.
00:54We've got important business matters to discuss, Doreen.
00:58Don't you think it's about time you made up your mind to sell that house, hm?
01:02There's no rush, of course.
01:04Tomorrow will be fine.
01:06But if you haven't made up your mind to sell by then,
01:12I might just have to give you a little push.
01:16It's in the hood with Gilmore.
01:18No.
01:20No.
01:22No.
01:24No.
01:26No.
01:27No.
01:28No.
01:30No!
01:32No!
01:33No!
01:34No!
01:35No!
01:36No!
01:37No!
01:38No!
01:39No!
01:40No!
01:41No!
01:42No!
01:43No!
01:44No!
01:45Easy there, lass.
01:46Easy, easy, easy, easy.
01:47Everything's all right.
01:48Everything's okay, see?
01:49No, please.
01:50Keep away.
01:51Oh, hold on there.
01:52Look.
01:53I want you to sleep in what I said last night, but I didn't want you to have nightmares.
01:58You do remember a little talk last night, don't you?
02:00Hmm.
02:01And you know all you have to do to get a good night's sleep tonight, then, don't you, hm?
02:06Just one phone call, that's all?
02:07Just one.
02:08Just one.
02:10Bye, Amy.
02:11Hi, Amy.
02:22Hi, Amy.
02:27Hi.
02:30Hi, Amy.
02:36Did you sleep in, Vincent?
03:01Yeah, afraid so, Mr Fletcher.
03:02Well, hurry up. You'll miss breakfast.
03:06Ready.
03:06Not yet, you're not. Come on, fix up that bed.
03:08Oh, can't I wait until after I've had breakfast?
03:10I thought I recognised that voice.
03:12Helen!
03:13Ta-da!
03:14Another.
03:15What do you want?
03:16Absolutely nothing.
03:17Me and Carrie's friends from way back, that's all.
03:20Mind if I give her a hand with a bunk?
03:22Well, if we'll help her get to breakfast any earlier, go ahead.
03:24Oh.
03:25Oh, good night.
03:25You're the surly bastard, isn't he?
03:27Oh, not really. He lost his wife and kids just recently.
03:30Oh.
03:31Well, jeez, I didn't expect to see you in here.
03:33I thought they had you out on the stick somewhere.
03:34I didn't expect to see you either.
03:36Mind you, I hope I won't be here for much longer.
03:39I'm at a parole hearing this morning.
03:40Oh, great. Good luck.
03:42Yeah, thanks.
03:43I reckon I'll need it.
03:45So, listen already.
03:46I get out of here myself in a few days.
03:47Maybe we'll get together for protection.
03:49You know?
03:50Oh, you're amazing.
03:53Look, what do you mean just vandals?
03:54What do you call this thing?
03:55I mean, like, slashing tyres, right?
03:57That's vandalism.
03:58But this, to me, is a threat.
03:59Do you have any reason to believe that there's somebody out to get you, sir?
04:01Well, yes, I do, actually.
04:02Me and my wife.
04:03Mind giving me the details?
04:06Yeah, all right.
04:06Look, a couple of months ago, my wife inherited her mother's house.
04:09And just recently, people have been putting pressure on her to sell it.
04:12You know, they made her an offer way above what the house is worth.
04:15Well, why don't you sell?
04:15Well, we don't want to.
04:16We want to live there.
04:17I see.
04:19Could we talk to your wife?
04:22Well, no.
04:22She's not here at the moment.
04:24Then perhaps we could drop back later, when she's home.
04:26Look, I know this sounds pretty stupid, but let's just forget it, shall we?
04:37I mean, there's been a lot of vandalism around here recently.
04:40Well, I'm just a bit uptight about it, that's all.
04:42Yes.
04:43But what about these threats?
04:44Yeah, well, you know, it's probably just my imagination.
04:48I mean, somebody did make a fairly big offer on the house,
04:50and my wife did knock it back, but...
04:53Look, I've probably just been watching too much TV, that's all.
04:55Well, if we catch them, we'll let you know.
04:58Right, thanks a lot.
05:00All right.
05:11Hello, Mr Westmore.
05:12Yeah, Chuck Stewart here, went with detention centre.
05:14I've got a bit of good news for you.
05:16I've got Mrs Burns right here beside me.
05:18Just hang on two seconds.
05:20I'll be quick about it.
05:22Hello.
05:22Hello.
05:24Yes.
05:24This is Mrs Burns.
05:27Yes.
05:30Yes, I've decided to sell.
05:34Yes.
05:36Yes, I know what a verbal contract is.
05:38What in heaven's name are you doing here, Anderson?
05:41I'm sorry, Mr Burns, I'll have to hang up right now.
05:44Who was that?
05:45Miss Bennet, I thought you had a better memory than that.
05:46It's not Anderson anymore, it's Burns, Mrs Burns, you know.
05:49Yes, Mr Stewart, I do remember.
05:51And I recall that Anderson, or Burns, or whatever she wants to call herself these days, was placed in solitary confinement.
05:57I don't recall a prison rule which permits phone calls while on loss of privileges.
06:01Official permission must be given for the use of the phone.
06:05You're right.
06:06I'm sorry.
06:07I'm afraid I just sort of acted on impulse.
06:09I'll go and report this to Mrs Davidson right away.
06:13Just a minute, Mr Stewart.
06:15I'll decide whether this matter should be reported or not.
06:18How many fags do you want, then?
06:29What?
06:31Fags!
06:31How many do you want?
06:33Lizzie, Mr Reid's doing you a favour.
06:36Arranging a meeting with your daughter.
06:37You can't go knocking off his fags.
06:40Of course I can, as long as I don't overdo it.
06:43Anyway, I reckon he expects me to knock off a few.
06:45Who always has his fag box filled every time I go in there.
06:49Yeah, well, you be careful, otherwise you'll end up in the pound with Doreen.
06:53I'll be right.
06:55Poor old Dore.
06:56Yeah.
06:57What do you want to do a stupid thing like that for?
07:00Trying to smuggle Grog in here?
07:02She didn't do it.
07:03It was done for her.
07:04Hey, guys, I've got new company.
07:05Oh, yeah?
07:05Oh, good day.
07:06Come back for a bit of a...
07:07Welcome home.
07:07Yeah, come on.
07:09Oh, smoke.
07:10Oh, morning, Mrs Jackson.
07:12You know your detail?
07:13Yes, ma'am.
07:14I was going to deliver the meal.
07:16Right.
07:16Everybody else move on down to the laundry.
07:18Excuse me, Mrs Jackson.
07:19Yes, Vincent?
07:19I'm supposed to be at a parole board here.
07:21I'm aware of that.
07:21You stay with me.
07:22Mrs Jackson.
07:23Yes, Lizzie?
07:24Can I see Mr Reid about my daughter's visit?
07:26Are there any other requests?
07:28Yeah, I've got a few, but I don't think you can help me out, Mrs Jane.
07:30Right, down to the laundry, Bea.
07:32I'll drop you at Mr Reid's on the way through.
07:34Lizzie, come on.
07:35Thanks, Mrs Jackson.
07:39Ah, give me a call when you're through.
07:41Will do.
07:42Come in, Lizzie, sit down.
07:43There.
07:44Yes, yes, they're much more comfortable than that one.
07:46Oh, I don't mind, Mr Reid.
07:48Heart chairs are good for your posture.
07:51Oh.
07:52Well, I must say that I'm delighted to hear that you've decided to at least see your daughter.
07:57I can't do no harm, so long as she doesn't have a go at me for not keeping in touch all
08:02these years.
08:02Oh, I don't think that's likely.
08:04She's the one who got in touch with you, remember?
08:05Yeah.
08:06Yeah.
08:07I suppose she wants me to see her own daughter.
08:10Can you imagine?
08:12Me?
08:13Lizzie Burnsworth and Grandma?
08:16I wonder who she looks like.
08:18Who, your daughter or your granddaughter?
08:20Both of them, I suppose.
08:22Well, you'll know soon enough.
08:24I'll get the wheels in motion and you should have your visit in the next day or so.
08:27Thanks, Mr Reid.
08:28Lizzie, have you given any thought to what you're going to do once you leave here?
08:32Not really.
08:34I suppose it depends on what me newfound family are like.
08:38In other words, if you get along with them, you might move in with them, right?
08:41Could do.
08:42All right.
08:43What about your plans to move in with Kevin and Doreen?
08:46Oh, I don't think Kevin Doreen'd mind.
08:49I mean, it's been nice having them for an adopted family, but blood's thicker than water.
08:54Anyway, they can visit me whenever they like and it'd be nice for them to meet me.
09:00Lizzie, just one.
09:01Just one cigarette, please.
09:03You're costing me a fortune.
09:05Oh, yeah.
09:06Thanks, Mr Reid.
09:09Anyway, as I was saying, Doreen and Kevin be far happier without me hanging around, them
09:16being newlyweds, and they can enjoy their new house by themselves.
09:31Oh, no, boys, let's get into it.
09:58There you are.
09:58Go to the side.
10:00Stand with the back.
10:00Hello, matey.
10:02Can I help you out?
10:02Yeah, look, what's going on here?
10:03This is my house, or at least my wife's.
10:05Oh, your missus?
10:06Struth, you must have had one hell of a blue.
10:07Hey, fellas, come here.
10:09Here's another one.
10:10Put the house in his wife's name.
10:12They've had a blue and she's gone and sold the whole bloody lot on him.
10:14Hey, look, what are you on about?
10:16Listen, mate, it's none of my business, but if you've got any gear in there, I'd get in
10:19and get it out before she bloody all flogs that on you, too.
10:21Look, nothing's been flogged and bloody hell, you're trespassing.
10:24I don't think so, mate.
10:25This is number 37, Patterson Street, isn't it?
10:27Yeah.
10:27And that's number 35, and that's number 39, right?
10:30Yeah, all right, but I don't see that's got anything...
10:31I've got instructions to get these three joints ready for demolition.
10:34They're going to build flats here, mate, so you'd better get down and make up with your
10:38missus mighty quick.
10:39Look, there's nothing to make up because we haven't had a blue.
10:40Yeah?
10:41Well, I reckon you're going to be having one then, palsy, because the mob that I contract
10:44for reckon they got a verbal agreement out of her this morning.
10:47Still, if you've got your roller skates on, you might be able to get down there before
10:49the little woman signs on the dotted line, eh?
10:51Right, well, that's what I'm going to do then, and before she does sign on the dotted line,
10:53get all this bloody gear and get it off my land!
10:57Ah, we'd better do what he sees, fellas, just in case.
10:59I'd better go and ring in.
11:00Hey, listen, one sign each, fix up the joint near the side.
11:03Come on.
11:06Well, how's it going in there?
11:08It's hard to say.
11:09And Mrs Davidson told me to go back to the laundry, so I suppose they're making their
11:12decision now.
11:13No, not without me, they're not.
11:14I've got to get my two cents worth in.
11:16Mr Reid.
11:17Yes, Kerry?
11:18Mr Reid, look, if they do give me my parole, one of the conditions will be that I won't
11:23be able to associate with David Austin.
11:25Oh, yes, that's quite on the cards.
11:27After what he's been up to, you could hardly expect them to turn you over to his care and
11:31protection, now, could you?
11:33Does that worry you?
11:35A bit, yeah.
11:37Why?
11:37Well, you know, he's the only person I know on the outside.
11:41There's no one else.
11:44I guess after so long in prison, I'm a bit, um...
11:47Scared?
11:49Yeah, scared.
11:50Well, there's really nothing to be scared of.
11:52Once you get settled into your studio and start showing a few paintings, you'll have
11:56lots of new friends flocking around you.
11:58Mind you, if you get really desperate, don't forget there are plenty of social workers.
12:02However, first things first, we've got to get you out of here.
12:06Meantime, you'd better go back to the laundry and keep your chin up, eh?
12:09Yeah, I'll say.
12:14What's the word?
12:16Patience.
12:18Good luck.
12:18Mrs. Jackson, look, I've got to see, Doreen, it's terribly important.
12:28Well, what is it this time, Mr. Burns?
12:30More brandy?
12:31What?
12:31We view your actions most seriously.
12:33What actions?
12:33I just got here.
12:34Oh, come on.
12:34Did you honestly think she'd get it past us?
12:36Guess what?
12:36Mrs. Jackson, I don't understand what's going on, but I've got to see, Doreen, it's terribly
12:39important.
12:40Well, I'm afraid that's not possible.
12:41You see, your wife's in solitary confinement for two days, and all her privileges, including
12:45her visits from her husband, have been cancelled.
12:47Yeah, but this is terrible.
12:47I'm sorry, Mr. Burns.
12:48You cannot see your wife.
12:57And that's the truth, Mrs. Jackson, honest.
12:59Look, I don't know anything about any boobs.
13:00Well, she got it from somewhere, and she tried to get it past us.
13:03Yeah, well, that's the thing that bothers me, too.
13:04I mean, I can't understand why Doreen would be so stupid.
13:06Why take the risk?
13:07Well, whether it bothers you or not, you don't have...
13:09Yeah, all right, I know, I know.
13:09We don't have any proof.
13:10Correct, and that leaves us right back where we started.
13:12Okay, right, would you talk to Mrs. Davidson about...
13:14Mrs. Davidson, it'd need proof as well.
13:20Can I talk to Bea Smith?
13:23Yes, I suppose that'd be all right, but you'll have to submit to a full body search.
13:26What?
13:27Mr. Burns, we still don't have proof that you didn't bring the brand in.
13:29Okay, okay, let's just get on with it, shall we?
13:31Wendy, would you contact Mr. Fletcher, please, and get him down here as soon as possible?
13:36They're what?
13:37Yeah, they're going to knock the whole bloody place down to make way with some flats.
13:39Well, they must have offered her one hell of a price to the house then.
13:43At last I heard, she was determined not to sell.
13:45That's what I thought.
13:46Bea, we've got to get a message.
13:47No whispering, please.
13:48Oh, look, come on, Mr. Fletcher.
13:50Can't you see this poor boy's beside himself not knowing what's going on?
13:53Yes, I can see that, but I'm afraid...
13:54He can't do anything until he's talked to Doreen.
13:57I'm sorry, Smith, but you know the rules.
13:59Well, couldn't we bend the rules just a little bit?
14:01At least get a message to Doreen, let her know what's happening with the house,
14:04and find out what she wants Kevin to do.
14:06Well, that's all you want, isn't it, Kevin?
14:07Yes.
14:08Look, Smith, Doreen's in solitary.
14:10There'll be no communication with her until she's released.
14:13Yeah, well, that could be too late, Mr. Fletcher.
14:15Yes, well, I'm sorry.
14:16Well, he's right.
14:17There's nothing anyone can do, not while she's in the pound.
14:19Shut up.
14:35Hey, gather round, girls.
14:36I've got a problem.
14:38Is it about Doreen?
14:39Hmm, Doreen and Kevin and some creeps who are trying to bulldoze their house.
14:43What creeps?
14:44As far as I can make it, no-one knows, except Doreen.
14:46You mean Doreen knows?
14:48It seems she's got word out she wants to sell.
14:51Oh, that doesn't make sense.
14:53I mean, it doesn't make sense.
14:55There's something about this whole set-up that stinks.
14:57There's no way known she'd sell that place at any price.
15:00Unless someone's putting the pressure on.
15:02Oh, very good.
15:03Go to the top of the class.
15:04Sorry.
15:05Of course someone's putting pressure on.
15:06The question is who?
15:08And how's she getting word out of solitary?
15:10I'll tell you something that does make sense.
15:12What?
15:12That grog the Doreen got busted with.
15:15She wouldn't have been so careless.
15:17Yeah, you reckon someone planted it on her?
15:19I'll bet my pension for the next ten years somebody wants her out of the way.
15:24Yeah, and they've succeeded.
15:26All we have to do is open up lines of communication between Doreen and Kevin.
15:29Oh, that's not going to be easy, P.
15:32That bagpipe blowing heathen, he's got all the gates locked.
15:35Well, there must be a way.
15:37If Doreen's getting word out, that...
15:38I can do it.
15:40Oh, no, forget it, Helen.
15:41Oh, what's the matter?
15:42You don't trust me?
15:44Well, is there any reason why I should?
15:45Is there any reason why you shouldn't?
15:47I reckon you'll have to be, because she's the only one who can get into that area.
15:51And don't forget, Madam Schmidt, they're letting me out of here tomorrow.
15:55No problems for me to get in touch with Kevin.
15:57Pass on the information to Doreen.
15:59All right, so you can get in touch with Kevin when you get out.
16:03But how are you going to get a message through to Doreen first?
16:06You'll write a note.
16:08Let me worry about getting it to you.
16:10Okay?
16:11But you get this, and you get it good.
16:13You foul things up, and you've had it.
16:15The camels are coming.
16:23There's going to be war.
16:26Come on, we've got things to do.
16:27Yeah, be right there.
16:30Who's that?
16:30Who?
16:31That screw.
16:31Oh, him.
16:32He's the bagpipe-blown heathen Lizzie's always on about.
16:34His name's Stuart?
16:35Jock Stuart?
16:36Yeah, you know?
16:37Not personally.
16:38But I've seen him round the traps, and I know some of the girls he trades with.
16:42Bagpipe-blown heathen, eh?
16:43Yeah, well, the heathen bits are fair comment.
16:46What do you mean?
16:47It's an animal.
16:48The girls call him the Highland Flinger.
16:50Why?
16:50Because that's how he gets his kicks.
16:52Flinging his fists about at him.
16:54You mean he beats up on them?
16:55Does he ever.
16:56Oh, no, let him.
16:57Well, of course they do.
16:58That's what he pays for, and big money.
17:00Oh, that's vile.
17:01Oh, it's not that bad.
17:02There's always one of the guys around to make sure he doesn't go too far.
17:05But I thought he was at Pentridge.
17:07Yeah, yeah, he was.
17:07That's enough for you two.
17:08Oh, Mrs. Jackson, I didn't see you there.
17:11Obviously.
17:12Now, you two aren't out of here yet.
17:14And any more talk like that could end you up in hot water.
17:17Oh, what's the point?
17:18You lot wouldn't believe one of us anyway.
17:20Well, what is there to believe?
17:21Do you want us to take action on the strength of every smutty rumor we hear against the staff
17:25of this prison?
17:26Now, you get back to the dining room.
17:28Okay, if I go to the toilet and wash up first?
17:29Well, you make it quick.
17:30You can forget about lunch, Vincent.
17:41Just get back to your cell and pack up your things.
17:44Your parole's just come through.
17:45Hi, Dory.
17:54No talking much.
17:56Oh, now look what you made me do.
17:58I made you do?
17:59Yes, you.
18:00Got me in a dither with all that talk about getting myself into hot water.
18:03Oh, thank God I'll be out of here tomorrow.
18:05Get out of this place and talk to some civilized people.
18:08Well, never mind about that.
18:09Just clean up the mess and get back to the dining room for another tray.
18:11Oh, yes, Mrs. Jackson.
18:19There we are, Mrs. Jackson.
18:21All cleaned up.
18:22Well, the big bits anyway.
18:24You want me to get a mop?
18:25No, thank you.
18:26Sorry about your lunch, Dory.
18:27We'll be back in a minute.
18:53Hello.
18:54Oh, it's you.
18:55Um, that little matter this morning.
19:01What little matter was that?
19:02You know, the one with Doreen Anderson.
19:04You call that little.
19:05I'd be more inclined to call it gross.
19:08Yeah, well, um, have you reported it yet?
19:12No, not yet.
19:16I see.
19:17Do you, Mr. Stewart?
19:19And what exactly do you see?
19:21That I've acted very, very foolishly.
19:23But you must understand, Miss Bennet, all my years in prison, I've been dealing with male prisoners.
19:28Men I can handle, but with women, well, I'm afraid of them just a bit of a soft touch.
19:35And I'm afraid I can't understand that.
19:37Prisoners are prisoners and should be treated as such.
19:39You'd do well to keep that in mind.
19:40Well, as usual, Miss Bennet, you're absolutely right.
19:44Are you, uh, are you going to report it?
19:47I'm thinking of it.
19:50Well, then perhaps a drink after work might help you decide my favour.
19:54How about it?
20:00Staff room.
20:01Speaking.
20:03How is she?
20:04Right, I'll be right there.
20:07You'll have to excuse me.
20:08I'm wanted in reception.
20:10Release procedure.
20:11One of our chargers, Kerry Vincent, is being released.
20:13Yes, I know, I had the pleasure of telling her that just a few moments ago myself.
20:18A pleasure, Mr. Stewart.
20:20My, my, you are a soft touch, aren't you?
20:24I'll keep that invitation open.
20:30Miss Bennet, I'm going to stand it.
20:31How does it feel to be a free woman?
20:33Um, just say no comment and keep on saying it.
20:36No comment.
20:37Well, is it true that one of the conditions of your parole is that you don't associate with David Austin?
20:41Um, no comment.
20:42Will you be getting a new agent, Miss Vincent?
20:44No comment.
20:45Miss Vincent, do you have any comment to make at all?
20:47No, she doesn't, but I do.
20:49Shove off.
20:50You two, come on, get out of there.
20:59You all right?
21:00No.
21:02No, I'm not Mr. Reid.
21:04As a matter of fact, I'm terrible.
21:06Oh, you'll be fine, you'll be fine.
21:07You reckon?
21:09Jesus, if he's an example of what's to come.
21:10What do I have to do to breach my parole?
21:22Well, there you go.
21:23And if you need me, you call me, okay?
21:25Any time, day or night.
21:27Yeah, I will.
21:28Um, thanks again.
21:29Me, I'll be fine.
21:57Oh, my God.
22:27Hello?
22:29Hi, it's me.
22:31I know I shouldn't be calling. This is the last time, I promise.
22:34I just wanted to see if you were settled in all right.
22:37No, no, I just got here.
22:41David, could you come over and stay with me for a while?
22:43I mean, just till I do settle in.
22:46Look, you could come up the back stairs and no one would know.
22:49I mean...
22:49Kerry, sweetheart, take it easy.
22:52It's too risky.
22:54If anyone even sees me looking sideways at you, you'll be back inside.
22:58Is that what you want?
22:59No, I don't want that.
23:02Yes, yes, I'll take you.
23:04And, and, you know, thanks.
23:06Come on.
23:07What's keeping that girl?
23:29Do you reckon she might have got sprung passing the note to door?
23:32How the hell should I know?
23:34I can't make it out.
23:35Took one dinner up to door.
23:37Next minute, she's back to get another one.
23:39Yeah, well, she'll probably up into the first one in the cell.
23:41Give her a chance to pass the note to Doreen.
23:44Also give Doreen a chance to write a reply while they're waiting for the second meal to arrive.
23:48The question is, did she manage to get Doreen's note out?
23:50Hi, Bang.
23:51Well, what kept you?
23:53Sorry about that.
23:53I had a bit of a mop-up job to do in Doreen's cell.
23:55Did you get the note?
23:55Doreen's cell, yep, and I got a reply.
23:57What's it saying?
23:57I don't know.
23:58I haven't had a chance to read it yet.
24:00Smart.
24:01Yes, Mr. Fletcher?
24:02Get your things.
24:03Your release has come through.
24:05Oh, thanks, Mr. Fletcher.
24:07You all hear that, girls?
24:08I'm off.
24:09Well, anybody want me to pass on any messages to the old folks?
24:12Knock it off, Smart.
24:13You know that's against the rules.
24:15Oh, sorry, Mr. Fletcher.
24:16I didn't mean anything like letters or notes or stuff like that.
24:19I just meant simple things like hellos, happy birthdays.
24:23You know, simple things that I could memorize.
24:25I mean, that'd be all right, wouldn't it, Mr. Fletcher?
24:31Let's have the bags, Matt.
24:33Are you going home today, Helen?
24:35Yep.
24:40I'll get you to sign for these after you've checked them.
24:46You mind if I take these and put a face on?
24:48You never know who might be there to meet me.
24:50All right, make it snappy.
24:51And don't forget there'll be a body search before you leave.
24:53Oh, you're going to do the honors, Mr. Fletcher?
24:57Don't get smart, Smart.
24:58Now move it.
24:58Come on.
25:01Carrie, Vincent's settled in yet?
25:03Well, she's in.
25:04I don't know about settled.
25:05Oh, Wendy, could you give me Judy Bryan's file, please?
25:16I'm going to have a spot of lunch, Jim,
25:31and then I'd like to see Judy Bryan.
25:32Could you bring her out of isolation for me, please?
25:34Yeah, sure.
25:35Give me about half an hour, would you?
25:36Right.
25:37Oh, that's so much better.
25:41Have you checked that for contraband?
25:43Without you, President?
25:44Now take a seat, and I'll do that now.
25:46Then you'd undergo the body search,
25:48and after that, you're free to go.
25:56Come in.
25:57Judy Bryan to see you, Paul.
25:59Oh, thanks, Jim.
26:00Judy, sit down over there, would you, please?
26:04Well, how are you feeling these days?
26:06Like the $6 million woman?
26:10Judy, I wanted to see you to talk about Sharon's funeral.
26:12You mean I can go?
26:14No, I'm afraid you can't.
26:16Why?
26:17Look, Judy, if you and Sharon had been related...
26:20Related?
26:21Come off it, Mr. Reid.
26:22Sharon and I were closer than any relative could ever be.
26:25Yes, I know that.
26:26Everybody here knows that.
26:27And if it were up to me...
26:28But it's not.
26:30No, no, it's up to a group of people
26:31who go only on what they read in one of these.
26:34Can I appeal?
26:35Sure, you could appeal,
26:36but by the time you cut through all the red tape,
26:38the whole thing will be over and done with.
26:41Can I go back now?
26:42Yes, yes, back to the main building.
26:45I'm hoping that the last 24 hours
26:47have given you time to rethink this whole situation
26:49and to forget any ideas you might have had
26:52about Sharon being murdered.
26:53Besides, I think you should be with people right now,
26:57not left alone to worry
26:58and to lose sight of the truth.
27:01The truth?
27:03What is the truth, Mr. Reid?
27:05The truth is that Sharon slipped and fell accidentally.
27:10Excuse me.
27:12Reid.
27:14Yeah, look, it's Kevin Burns here.
27:16No, I'm not too good, actually.
27:17Look, I've got to talk to you right away.
27:19It's really important.
27:19No, I'm sorry, I can't go out there
27:22and I don't want to talk about it over the phone, either.
27:25Yeah, what I wanted was, could you come to my flat?
27:29Thanks, Mr. Reid, that's great.
27:30Yeah, you know the address?
27:32Yeah, right, Kevin, I've got the address on file.
27:34Give me about half an hour, would you?
27:37Judy, I have to go out for a little while.
27:39Why don't you come down to Mrs. Davidson's office with me
27:41and we'll arrange for you to be transferred back to your dormitory.
27:49Oh, thanks, Mr. Reid.
28:00All right, what's so important that you have to drag me away from my work?
28:03Well, I'm sorry, but I've just had a message from Doreen.
28:06Oh, I won't ask you how.
28:09No, but, well, look, a while ago,
28:11somebody made her an offer to buy the house,
28:13you know, the one her mother left her.
28:14Well, she thought about it for a while.
28:15Well, then I got a message to her
28:27to ask her why she had sold.
28:30What did she say in her reply?
28:32Well, all she said was, um,
28:33had to sell, he would have killed me.
28:36Please do nothing, say nothing.
28:38Look, you've got to help her, Mr. Reid.
28:39I mean, whoever he is,
28:41he could kill her.
28:42What do you want?
29:02Me?
29:03I don't want anything.
29:04Ms. Davidson wants to see you.
29:05You know, I've just been thinking, Doreen,
29:13you're a pretty lucky young lady,
29:15married to a fine, upstanding young man,
29:17$100,000 in the bank to get you started off in a new life.
29:22You know, most of the women in this prison
29:24have the right hand to be in that position,
29:26and all you have to do
29:28is just keep your mouth shut.
29:30I appreciate your concern, Mr. Reid,
29:37but what do you have to back it up?
29:38You don't even have the note.
29:39The note had to be destroyed,
29:41I've already told you that.
29:42Yes, by someone you won't even name.
29:44For that's someone's protection, yes.
29:46So what's it amounts to as hearsay?
29:48Someone told someone who told you
29:50that Doreen's life had been threatened.
29:51Doreen told someone,
29:53and I'm sure she'll confirm all this
29:54when she gets here.
29:55And then what?
29:56Come in.
29:57Doreen, and it's, or rather,
30:01Mrs. Burns, I should say, to see you.
30:02Thank you, Mr. Stewart.
30:03Would you mind waiting outside?
30:04Certainly.
30:05Come on, Doreen.
30:06I'm not going to eat you.
30:11Doreen, I shall come straight to the point.
30:13Mr. Reid has given me
30:15some rather disturbing information
30:16about you and the sale of your mother's house.
30:19Well, what's wrong, Mrs. Davidson?
30:22We believe you are under some sort of threat
30:25if you did not sell the house.
30:26No, that's not true.
30:31Doreen, did you or did you not
30:32get a message through to Kevin saying,
30:34and I quote,
30:35had to sell,
30:37he would have killed me.
30:39Who's he?
30:40Did you send the message?
30:42No, of course not.
30:43Why would I have written something like that?
30:45Doreen, nobody said anything
30:47about it being a written message.
30:49Oh.
30:50Well, it would have to be, wouldn't it?
30:52You tell me.
30:54Look, I don't know what you're going on about.
30:56Can I go back now?
30:58One last question.
31:00The sale of your house,
31:01were you quite happy about it?
31:03Yeah, $100,000.
31:05Make anybody happy, wouldn't it?
31:07All right, Doreen,
31:08that will be all.
31:11Doreen,
31:12if our information is correct,
31:15a lot of people,
31:15including your husband,
31:17have put themselves at risk
31:18to get that information to us.
31:21Now, don't you think
31:21that you owe it to them
31:22to tell us the truth?
31:23But I am telling the truth.
31:27Honest.
31:32End of story.
31:41Not quite.
31:42I had the feeling she was holding back,
31:44didn't you?
31:44Yes, of course, but...
31:45She almost gave herself away
31:46with that written message.
31:48It's not much to go on, is it?
31:50Nevertheless,
31:51if there's the vaguest possibility
31:53that an inmate
31:54is being threatened
31:54by a member of staff,
31:56then it is my duty
31:57to mount a full investigation.
31:59Oh, Wendy,
32:00could you inform
32:01all male members of staff
32:03they are to come
32:03to my office at once?
32:04It still beats me
32:11how she managed
32:12to get a message
32:12out of solitary
32:13that she'd sell the place.
32:15We got word out to Kev.
32:17Yeah, with a little help
32:17from our friends,
32:18but we still don't know
32:19if Kev got the message.
32:20What message was that, Smith?
32:22Oh, hello, Miss Bennet.
32:23Uh, oh, it's just Lizzie here.
32:25She's a bit worried
32:26her daughter might not
32:26turn up today,
32:27and I said, well,
32:28Mrs Davidson could get
32:29a message out to her
32:30if that's what Lizzie wanted.
32:32Well, you can stop
32:32worrying, Birdsworth.
32:33Your visitor's in the garden
32:34with Mr Reed.
32:38What am I going to say?
32:39I'm sure you'll think
32:40of something, Birdsworth.
32:42Now, come along
32:42or the visit will be over
32:43before you get there.
32:52And because of these accusations,
32:54I have given instructions
32:55that Dorian be taken
32:56out of solitary
32:57and moved into
32:58the main building.
33:00For her protection?
33:01Yes, Mr Fletcher,
33:02and for the protection
33:03of my staff.
33:04That sounds reasonable.
33:06Reasonable?
33:07It's a con.
33:08What if it's not a con?
33:09What if she's telling the truth?
33:10I mean, it is our job
33:11to look out for our safety
33:12as well as our reputations.
33:13That's right, isn't it,
33:14Miss Davidson?
33:15Yes, Mr Stewart,
33:16that is correct.
33:17And by moving her in
33:18with the other women,
33:19we reduce the threat to her.
33:20And she gets off scot-free.
33:22We should be keeping
33:23a close watch on Doreen
33:25until this matter
33:26is cleared up.
33:27And I assure you,
33:28if it is found
33:29that it is a con,
33:30she will not
33:31get off scot-free.
33:33I know we are
33:34short-staffed at the moment,
33:36but I must instruct you
33:37to ensure you are
33:38in the company
33:39of a female member
33:40of staff at all times.
33:42That is all, gentlemen.
35:17Mr. Reid,
35:18time's up.
35:19But we're just getting
35:20to know each other.
35:21Oh, yes, Miss Bennett.
35:22We've got a lot
35:23to catch up on.
35:24Well, there'll be
35:25other times, I'm sure.
35:26Yeah, lots of times.
35:29That's if you want.
35:30Oh, of course I do.
35:32And I've got to see
35:33my little granddaughter,
35:34Jason.
35:35Yeah.
35:36Look, I'm sorry
35:37I didn't bring her in today.
35:37I know, I know.
35:38This is no place
35:39to bring a teenage girl.
35:41Yeah, that's what I thought,
35:42but tomorrow, I could.
35:45I'll arrange it.
35:48Bye.
35:49Bye.
35:50Bye.
35:59Well, Lizzie,
36:00that was quite a third degree
36:01you put her through.
36:02Have you got some doubts
36:04that she's your daughter?
36:05Is that what it looked like?
36:06It certainly did.
36:08Well?
36:09Well, what?
36:12Do you have any doubts?
36:15No, Mr. Reid.
36:18No doubts at all.
36:25Hey.
36:26Oh, Bea.
36:28Jim, I'm glad to see you.
36:29What are you doing in here?
36:30We thought you'd been
36:31put away for good.
36:32Oh, Dave,
36:33I okayed it this afternoon.
36:34Well, just as well she did.
36:36Look, there are a few things
36:37I want to know about,
36:37like what is happening
36:38about this house of yours,
36:40for instance.
36:41Oh, GB,
36:42you're never going to believe
36:43the strife I've got myself
36:44into.
36:44All right, you bitch.
36:46On your feet.
36:49Who, me?
36:50You're the only bitch
36:50I can see in here.
36:52On your feet.
36:53Hey, what's hitting you?
36:54You are.
36:55What's going on
36:56and what's all this
36:57on your feet crap?
36:58Oh, you're going to get
36:59your Smith,
37:00but you're going to
37:00see it coming.
37:01What are you on about?
37:02You know what I'm on about,
37:03Sharon.
37:04You didn't give her a chance,
37:05did you?
37:05Just one good heart
37:06push for me.
37:06Let me go.
37:07Let me go.
37:09Let me go.
37:11Shut up, Judy.
37:12Just shut up.
37:19Now come with me.
37:22You bitch.
37:23You murdering bitch.
37:25Come on.
37:25Calm down, Judy.
37:27Why should I?
37:28That bitch in there
37:29killed Sharon
37:29and I'm going to prove it
37:30even if it kills me.
37:31But Bea didn't kill Sharon.
37:33Oh, come off it.
37:34You're not going to tell me
37:35you believe that accident crap.
37:36Accident, my ass.
37:38She was pushed down
37:39those stairs.
37:40We know why too,
37:41don't we?
37:41Because she hates drugs
37:43and drug pushers.
37:45Okay, Doreen,
37:45I know that Sharon
37:46was no angel,
37:47but she didn't deserve that.
37:48Bea didn't do it.
37:49Who?
37:53Can't we just leave it at that?
37:55It wasn't Bea.
37:58You tell me.
38:02All right.
38:04But it won't do you any good.
38:06Because without proof,
38:07there's nothing you
38:08or me
38:09or any of us in here
38:11can do.
38:12Not a thing.
38:13Hello again.
38:26Oh, Miss Bennett.
38:27Oh, we're off duty.
38:28Vera.
38:29All right then, Vera.
38:30That invitation this afternoon,
38:32is it still open?
38:34Um,
38:35well, actually,
38:36I've got to meet someone here.
38:37No, no, look,
38:38I'm sorry.
38:38Um,
38:40how about, uh,
38:41dinner tomorrow night?
38:42Would you like that?
38:43I'd be delighted.
38:44All right then.
38:44Well, I'll see you back
38:45at the factory
38:45in the morning then.
38:46See you there.
38:47All right.
38:48Good night, Vera.
38:56Excuse me.
38:58I'm Doug Stewart.
39:00There you are,
39:00you're a wee devil.
39:02Right on time, too.
39:04Deals a deal.
39:05Yeah, there's that.
39:08For you.
39:09You little beauty.
39:11Would you like a drink?
39:12Or not.
39:12George.
39:25Um,
39:27who, who is it?
39:29It's me, David.
39:31David.
39:32David,
39:32what are you doing here?
39:33You shouldn't be here.
39:35Just open the door, please.
39:36Well, congratulations.
39:43Two hours out of jail
39:44and you hit the headlines.
39:45Who arranged this press?
39:46Your new agent?
39:47Press A.
39:47Oh, come on.
39:48Don't tell me you haven't read it.
39:50Prison artist,
39:51freed,
39:51new life,
39:52new agent.
39:53I did not give this information
39:58to the press.
39:59I mean,
39:59look,
40:00there was a reporter
40:01at the jail
40:01when I was let out.
40:02I mean,
40:02he did ask me
40:03whether I was going to look
40:04for a new agent,
40:05but I replied,
40:06no comment.
40:07Really?
40:08If you don't believe me,
40:09ask Paul Reed.
40:11Paul Reed?
40:12Yeah,
40:12Paul Reed is a social worker
40:13at Wentworth.
40:14He drove me over here.
40:22What can I say?
40:24Oh,
40:24I don't know.
40:27Sorry might help.
40:28Yes,
40:28of course,
40:28I'm sorry.
40:29I just read the headlines
40:31and I've...
40:32You saw 10%
40:32of my potential income
40:34slipping away from you.
40:35Is that it?
40:35No.
40:37It goes much,
40:39much deeper than that.
40:41I think that I...
40:42I saw you
40:42slipping away from me.
40:46I don't understand.
40:48I...
40:48I thought I was
40:50strictly a business relationship.
40:53So did I.
40:55And that any relationship
40:56had to end
40:57because of the conditions
40:58of my parole.
41:00Well,
41:01I thought I could accept that
41:02even this morning
41:02when I phoned,
41:03but I read those headlines
41:05this afternoon.
41:05I...
41:06I read no sense
41:07that you mean much more
41:08to me than just
41:09a business relationship.
41:10Oh, so much more.
41:14David, David,
41:14you must have...
41:15Look, the parole board,
41:16someone find me.
41:17Look, the parole board
41:18will understand.
41:19They're not inhuman.
41:20Oh,
41:21I...
41:21Mum.
41:32Mum.
41:32Mum.
41:41Hello, Mum.
41:42Hello.
41:44Oh, say hello to your nan, Jesse.
41:46Hello, nan.
41:47Hello, Jesse.
41:49Oh, ho, ho, ho, ho.
41:57Oh, please, nan,
41:58couldn't we?
41:59That'd be fantastic,
42:00all of us living
42:01in the same house together,
42:02just like a real family.
42:04I think we'd better let nan
42:06think that over first.
42:07No need to think about it.
42:08I reckon it's a great idea.
42:10Fantastic.
42:11Then you'll be able
42:11to tell me about
42:12being in prison
42:13all this time.
42:13Oh, I'm not so sure
42:14about that.
42:15Best forgotten, I'd say.
42:16Yeah, best forgotten.
42:18All right, then.
42:19At least you'll be able
42:20to help me with my homework.
42:21Sorry, love.
42:22I wasn't very good
42:23at school.
42:24Oh, well,
42:25I don't do too good
42:26at school either.
42:28Why is that, love?
42:29Because of all the time
42:30I have off.
42:31I think we'd better
42:32be going now, Mum.
42:34Josie gets pretty tired
42:35and we don't want
42:36to overdo things,
42:37do we, love?
42:37No, Mum.
42:39We'll come back again
42:41as soon as we can,
42:42all right?
42:43Yeah.
42:43You make sure
42:45you do.
42:47Goodbye, love.
42:48Fine, Ed.
43:09Brian, aren't you
43:10supposed to be
43:10outside working?
43:11Yeah.
43:12But suddenly I'm
43:14frightened of these
43:15stairs.
43:18You knew my friend
43:19Sharon Gilmore,
43:20didn't you?
43:22She died on these
43:23stairs.
43:26She fell
43:27all the way down
43:28to the bottom.
43:31It was an accident,
43:32they said.
43:32And you and I
43:36know that that's not
43:38true.
43:39Don't we, Mr. Stewart?
43:44Such a sweet
43:45woman.
43:46Looks a bit like me
43:48when I was her age.
43:49Wouldn't know about
43:50that, was he?
43:50Don't you reckon
43:51she looks a little bit
43:52like me?
43:52Of course she does.
43:53She looks very much
43:53like you.
43:56Thank you, Miss Bennett.
43:57The place seems to be
43:58running quite smoothly
43:58for once.
43:59Mrs. Davidson?
44:00Yes, Miss Bennett.
44:01Mrs. Davidson,
44:02I think I should know
44:02why Doreen Burns
44:03was released from
44:04solitary.
44:05Or do you have
44:05a particular reason
44:06for not informing
44:07your staff of the
44:07situation?
44:08No, Miss Bennett.
44:09The circumstances
44:10which brought about
44:11her release
44:11concerned a complaint
44:12by her against
44:13a male member
44:14of staff.
44:15But you are quite
44:15right, you are
44:16entitled to an
44:17explanation.
44:18I shall be calling
44:18a meeting of senior
44:19staff later this
44:20morning.
44:21Now, if you will
44:22excuse me?
44:25Good morning, Vera.
44:27Or rather,
44:28Miss Bennett.
44:29Good morning,
44:30Mr. Stewart.
44:31How was your meeting
44:32with Mr. Westmore
44:32last night?
44:35Uh, fine.
44:37You know Mr. Westmore,
44:38do you?
44:38I didn't realise
44:39he delivered your
44:40mail to you.
44:41By the way,
44:43did he happen to
44:44mention whether or
44:44not he'd been able
44:45to acquire Burns'
44:46house?
44:48No, he didn't.
44:49He said he was
44:49rather interested.
44:50You know, Mr. Stewart,
44:51something's just struck
44:52me as being rather
44:52odd.
44:54Oh, what's that?
44:55Doreen Burns.
44:57Mr. Westmore wanted
44:57to buy her house
44:58and she refused to
44:59sell.
45:00Then she was
45:00threatened by an
45:01unknown male officer
45:02and had to be
45:03released from solitary,
45:04obviously for her
45:05own protection.
45:07And then last night
45:08at the hotel,
45:08Mr. Westmore arrives
45:10and hands you a
45:10rather large envelope.
45:13I don't see what
45:14my meaning with
45:14Westmore and the
45:15pub has got to do
45:16with all this.
45:17He must admit it's
45:18rather interesting.
45:19Now, Burns
45:20happens to sell
45:20her house as
45:21well.
45:23Oh, by the way,
45:23Mrs. Davidson's
45:24calling a staff
45:25meeting later this
45:26morning to discuss
45:26the whole incident.
45:29I'll see you there.
45:34He used to give
45:36me roses
45:36I wish he could
45:41again
45:42But that was on the
45:46outside
45:47And things were
45:51different then
45:52On the inside
45:54The sun still shines
45:57And the rain falls down
46:02But the sun and rain
46:05are prisoners too
46:07When morning comes
46:08When morning comes
46:10around
46:12Last night I dreamed
46:15we were together
46:17Sharing all the love
46:21with more
46:22Till I had to face
46:26the nightmare
46:27Of waking up alone
46:32On the inside
46:33On the inside
46:34The roses grow
46:36They don't land
46:39the stormy ground
46:41But the roses here
46:45are prisoners too
46:47When morning comes
46:51around
46:52On the inside
46:58By her
47:00They don't fall
47:01To the were
47:01we'd have
47:02Good morning
47:03by having